People like stealing fontina fortunes worth of cheese because it’s easy to sell on the black market and is hard to track. The mascarpone market probably doesn’t even have to be super dark for creamy criminals to launder their pinched cheese through conventional cheddar channels thus allowing the roquefort rapscallions to bathe forever in ill-gotten ricotta riches. Cheese is the most stolen food in the world, so let’s read about some cheese crime, shall we? (Unrelated, cheese fire.)
This could go on and on. By the way, did you know cheese.com has a whole list with nothin’ on it but different cheeses? You could just look at different cheeses ALL DAY!
In my mind I was thinking, Yeah, OK, this old line. But I must have had a look on my face because he shook his head and laughed. “Don’t worry, I’ve got twin beds,” he said. With a grin he added, “And honestly, I don’t find you particularly attractive.” I was both insulted and relieved. And that’s how I became the potty-mouthed sidekick to a man eleven years older than me who was in the middle of a divorce.
I hadn’t realized Sonny was so much older than Cher, who was 16 when they met, which, uh, yeah. (via @georgehahn.bksy.social)
Photos by Noah Kalina of the oldest forest in the world (a 385-million-year-old forest in Cairo, New York) and the paleobotanist who discovered it. “Holy cats! These were roots and that’s where a tree stood 385 million years ago.”
Oh wow, this is cool: an article in Scientific American about the Arecibo message, the first message purposely sent by humanity out into interstellar space. The piece is written by science writer Nadia Drake — the daughter of Frank Drake, who designed the message — and it digs into the details of how the whole thing came about.
I’ve somehow never read about the Arecibo message before. It was sent out from the Arecibo Telescope in Puerto Rico on November 16, 1974 towards global cluster M13. The message was in binary and when properly decoded upon receipt, should look like this:
The drawing on the right is Frank Drake’s recently discovered first draft of the message.
Dad targeted a globular cluster of stars called Messier 13 (M13), or the Great Cluster in the constellation of Hercules, because it would conveniently be overhead at the time of the ceremony (nestled in a sinkhole, Arecibo’s giant dish was not fully steerable). In about 25,000 years, Dad’s message will reach M13 — or at least part of it, because the majority of the cluster’s thousands of stars will have moved out of the telescope’s beam by then. But anyone who’s around to detect the Arecibo transmission, and who figures out how to decode it, will have a blueprint telling them a lot about us: what we look like, which chemical elements and biomolecules make up our DNA, what our planetary system is and how many of us existed in 1974. Dad’s transmission concluded with a binary encoded representation of the Arecibo dish itself.
Btw, in addition to creating the Arecibo message, Frank Drake also designed the Drake equation (“a probabilistic argument used to estimate the number of active, communicative extraterrestrial civilizations in the Milky Way Galaxy”), helped design the Pioneer plaque and the Voyager Golden Record, and generally kickstarted the whole SETI effort. (via @https://bsky.app/profile/astrokatie.com)
A few months ago, I posted about Lane 8’s seasonal mixes and I’m happy to report that the Fall 2024 Mixtape is now out. You can find it on Soundcloud, YouTube, and Apple Music. I’ve been listening for the past few days and it’s 🔥🔥.
For the love of god, quit calling your newsletter “my Substack”. “You can talk about your work as *your work*. It’s your newsletter, or your email, or your blog. Or just your writing. But it sure as hell isn’t ‘your Substack.’”
The oarfish is a very long fish people don’t normally see on account of it living deep, deep in the deep water, though three have washed up on the shores of Southern California in the last 3 months. The oarfish is referred to as the Doomsday Fish (a very cool name for a fish imo), because Japanese mythology considers seeing one of these fish, which can grow to be 30 feet, an omen of tsunamis or earthquakes. 12 washed up on the shores of Japan before the earthquake in 2011.
Don’t worry though because scientists looked into it and decided “the spatiotemporal relationship between deep‐sea fish appearances and earthquakes was hardly found.” Honestly, it’s a weird way to say “no the fish don’t mean an earthquake,” but it’s all we’ve got.
Most of you here probably know that our perception of color comes down to physics. Light is a type of radiation that our eyes can perceive, and it spans a certain range of the electromagnetic spectrum. Individual colors are like building blocks in white light: they are subdivisions of the visible spectrum. For us to perceive an object as being of a certain color, it needs to absorb some of the subdivisions in the light that falls on it (or all of them, for black). The parts it reflects (doesn’t absorb) are what gives it its color. But not so for purple, because it is a non-spectral color.
1 When someone tells you who they are, believe them. Last week Donald Trump appointed a director of intelligence who spouts Russian propaganda, a Christian nationalist crusader as secretary of defence, and a secretary of health who is a vaccine sceptic. If Trump was seeking to destroy American democracy, the American state and American values, this is how he’d do it.
2 Journalists are first, but everyone else is next. Trump has announced multibillion-dollar lawsuits against “the enemy camp”: newspapers and publishers. His proposed FBI director is on record as wanting to prosecute certain journalists. Journalists, publishers, writers, academics are always in the first wave. Doctors, teachers, accountants will be next. Authoritarianism is as predictable as a Swiss train. It’s already later than you think.
5 You have more power than you think. We’re supposed to feel powerless. That’s the strategy. But we’re not. If you’re a US institution or organisation, form an emergency committee. Bring in experts. Learn from people who have lived under authoritarianism. Ask advice.
15 Remember. Writer Rebecca Solnit, an essential US liberal voice, emails: “If they try to normalize, let us try to denormalize. Let us hold on to facts, truths, values, norms, arrangements that are going to be under siege. Let us not forget what happened and why.”
This is a good time to revisit Snyder’s original list as well. Like Cadwalladr, I think about this one all the time:
1. Do not obey in advance. Much of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then start to do it without being asked. You’ve already done this, haven’t you? Stop. Anticipatory obedience teaches authorities what is possible and accelerates unfreedom.
Premiering this Friday (Nov 22) on FX is a short documentary from The New York Times called Weight of the World about GLP-1 drugs. Here’s the synopsis:
As GLP-1 drugs like Ozempic soar in popularity for weight loss, this film follows three people on their own GLP-1 journeys and explores how decades of diet culture and society’s relentless pursuit of thinness paved the way for their rise.
Something I still think about is the “Can a plane take off on a treadmill,” so imagine my glee at discovering these superheroes trying to flip a bike on a moving train. Yes, it’s glee I felt. I’m gleeing all over the place right now. (Not to be violent, but I thought the plane taking off on a treadmill post was from 10 years ago, but it’s from 2006.)
In the MIT Technology Review, Mat Honan makes two points about changes in the world of social media with both Bluesky and Threads seeing massive growth in November accelerated by the election and people leaving Twitter. The era of everyone having a uniform social media experience is ending. And that’s good.
The first is that tech and politics are just entirely enmeshed at this point. That’s due to the extreme extent to which tech has captured culture and the economy. Everything is a tech story now, including and especially politics.
The second point is about what I see as a more long-term shift away from centralization. What’s more interesting to me than people fleeing a service because they don’t like its politics is the emergence of unique experiences and cultures across all three of these services, as well as other, smaller competitors.
I loved Twitter early on when it felt like everyone was building their own communities, and then it stopped feeling like that, and then it got worse and worse. For the most part, it seems like my better friends from Twitter went to Threads, but I can’t really figure out the vibe over there, which is annoying because I’m too old to make new friends. I’m on Bluesky and like it very much. One of the more helpful features is letting individual users create their own Starter Packs, so if you want to, for example follow a community of Carly Rae Jepsen fans, you can do that really easily because I made a starter pack for you.
OK, I see you have your hand up with an answer, but I’m going to take this one, alright? Killer whales hunt moose. Right? That’s the most surprising.
It is not terribly common, but in the Pacific Northwest, habitats of two of the more massive mammals intersect. Moose will swim to look for food or escape other predators and orcas will eat anything once, just like Jason. For more on the reasons orcas sometime eat moose, we turn now to noted naturalist publication, Forbes.
One documented incident occurred in 1992 in Alaska, when a hungry pod of four Biggs’ killer whales attacked a pair of swimming moose. They feasted on the larger of the two. The smaller one escaped the feeding frenzy, but it was wounded so badly that it was unable to keep swimming and drowned a little later.
So are killer whales, with their jerky tendencies and habit of toying with prey the bluejay of the sea? I say no. Bluejays have no redeeming qualities and orcas sink yachts for fun, anecdotally save humans from sharks, rescue trapped whales, and wash the dishes after dinner. I made up that last one, no clue if they do the dishes at not. I know for sure bluejays don’t, the bullies.
Roxane Gay: “To suggest we should yield even a little to Mr. Trump’s odious politics, to suggest we should compromise on the rights of trans people, for instance, […] is unacceptable. It is shameful and cowardly.” Yes, yes, yes, 1000% this.
I honestly did not read most of this article, but I wanted to draw your attention to some facts about the recent presidential election that you might find surprising:
While Mr. Trump won the popular vote for the first time in three tries, he garnered just 50.1 percent nationally, according to the latest tabulation by The Times, just 1.8 percentage points ahead of Vice President Kamala Harris. When the slow-counting blue giant of California finally finishes tallying its votes, that margin is likely to shrink a bit more. The Cook Report already calculates that his percentage has fallen below 50 percent, meaning he did not win a majority.
Wherever it eventually falls, Mr. Trump’s margin of victory in the national popular vote will be one of the smallest in history. Since 1888, only two other presidents who won both the Electoral College and the popular vote had smaller margins of victory: John F. Kennedy in 1960 and Richard M. Nixon in 1968. (Both Mr. Trump in 2016 and George W. Bush in 2000 won the Electoral College, and therefore the presidency, without winning the popular vote.)
Mr. Trump can boast that he increased his margin in the Electoral College, winning 312 votes this year to the 306 he garnered eight years ago. But according to nearly complete totals, he secured his most recent victory by just a cumulative 237,000 votes in three states that, had they gone the other way, would have meant victory for Ms. Harris.
It’s fine for Trump to crow about his massive election win, but everyone else should realize how historically small his victory actually was. And how he might not have won at all if not for the pressure the Republicans have put on our systems of voting over the past decades (all manner of voter suppression), the billionaires propping up his campaign with hundreds of millions of dollars when he couldn’t keep pace with his opponent in non-PAC fundraising, and the will of post-pandemic voters worldwide who wanted the incumbents out no matter what. Mandate schmandate.
Note: You wouldn’t even need all of those “cumulative 237,000 votes” to go the other way — all you’d need is half + 1. So we’re talking about ~118,500 voters out of ~155 million. That’s razor thin.
Hello there everybody. I’m working on some programming stuff to enable some future new features for the site this week, so I’m going to be around a little less than usual. My pal Aaron Cohen (previously) is going to be here to fill in some of the gaps, so be on the lookout for that. 👯♂️
In the meantime, what was one small thing you did this weekend that made you or someone else smile, laugh, relax, or feel satisfied? After a productive day yesterday, I treated myself to the first episode of the new season of Silo, read Craig Mod’s Things Become Other Things for 30 minutes, and listened to James by Percival Everett on audiobook for 20 minutes.
You might be able to fit an entire orange in your mouth. But can you get it out again? “Temporarily blind and gasping in my own private world of consequences, I was unaware of the cone of devastation that I had unleashed…”
On these downhill skateboarding things, I’m always wondering why there aren’t any cars, but uh, there are cars in this one. Josh Neuman skateboarding down a mountain road while cars come up makes me real nervous! He almost skates into a barrier at 2:07, and towards the end there’s a biker riding up the hill going very slow showing how steep this is. I don’t know. It’s too fast I think. Love to see someone as good at their job as this guy.
The central attraction of the ground floor level is a huge mega-menu that lists every item from every McDonald’s in the world, because this McDonald’s serves ALL of them. There would probably have to be touch screen gadgets to help you navigate the menu. There would have to be whole screens just dedicated to the soda possibilities. A concierge would offer suggestions. Celebrities on the iPad menus would have their own “meals” combining favorites from home (“Manu Ginobili says ‘Try the medialunas!’”) with different stuff for a unique combination ONLY available at McWorld. You could get the India-specific Chicken Mexican Wrap (“A traditional Mexican soft flat bread that envelops crispy golden brown chicken encrusted with a Mexican Cajun coating, and a salad mix of iceberg lettuce, carrot, red cabbage and celery, served with eggless mayonnaise, tangy Mexican Salsa sauce and cheddar cheese.” Wherever possible, the menu items’ descriptions should reflect local English style). Maybe a bowl of Malaysian McDonald’s Chicken Porridge or The McArabia Grilled Kofta, available in Pakistan and parts of the Middle East. You should watch this McArabia ad for the Middle Eastern-flavored remix of the “I’m Lovin’ It” song if for nothing else.
And I loved his take on fast food as molecular gastronomy:
How much difference really is there between McDonald’s super-processed food and molecular gastronomy? I used to know this guy who was a great chef, like his restaurant was in the Relais & Châteaux association and everything, and he’d always talk about how there were intense flavors in McDonald’s food that he didn’t know how to make. I’ve often thought that a lot of what makes crazy restaurant food taste crazy is the solemn appreciation you lend to it. If you put a Cheeto on a big white plate in a formal restaurant and serve it with chopsticks and say something like “It is a cornmeal quenelle, extruded at a high speed, and so the extrusion heats the cornmeal ‘polenta’ and flash-cooks it, trapping air and giving it a crispy texture with a striking lightness. It is then dusted with an ‘umami powder’ glutamate and evaporated-dairy-solids blend.” People would go just nuts for that. I mean even a Coca-Cola is a pretty crazy taste.
I love both mass-produced processed foods and the cooking of chefs like Grant Achatz & Ferran Adrià. Why is the former so maligned while the latter gets accolades when they’re the same thing? (And simultaneously not the same thing at all, but you get my gist.) Cheetos are amazing. Oscar Meyer bologna is amazing. Hot Potato Cold Potato is amazing. Quarter Pounders with Cheese are amazing. Adrià’s olives are amazing. Coca-Cola is amazing. (Warhol: ” A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking.”) WD50’s Everything Bagel is amazing. Cheerios are amazing. All have unique flavors that don’t exist in nature — you’ve got to take food apart and put it back together in a different way to find those new tastes.
And running is good. I don’t have to lie about it or hide it. It makes me happy, and it makes my life better. There are little parallels between running and drinking, though: I feel antsy, for instance, on days when I can’t run (that itch!). And I backpedal on the days I plan to rest — I’ll just go for a quick one right now and take tomorrow off instead. And I don’t understand the people — my friends — who run only once or twice a week. Why not more? Wouldn’t you want to do it every day?
Edith and I traded Insta memes this morning about running and mountain biking. I’ve been mtn biking for four years now but this year was the first time it felt urgent — every few days, I had to get out on the bike. And each time I did, I wanted to ride harder and faster and better. I pushed it so hard I almost died and didn’t ride for a month, during which period I wasn’t feeling apprehensive about getting back on the bike, I was impatient and antsy that I couldn’t. Since getting back to it, I’ve modified my approach — less aggressive, more life preserving — but the need to get out remains. I don’t know what I’m going to do this winter without it.
California Department of Insurance investigators watched the footage of a bear damaging the inside of a car because who wouldn’t watch that kind of video if it was submitted to them in a work setting, I know I sure would, but the thing is when the CDI investigators watched the footage they realized it wasn’t a bear at all, but a person in a bear costume, which you can bet your butt is insurance fraud if you know anything about fraud or insurance or bears.
You know me, I love a good gradient. These watercolors are from a series called Strata by Mikael Hallstrøm Eriksen, an artist who uses “repetitive and accumulative mark-making” in his work.
The works in the Strata-series are inspired by geological and natural phenomena — sediments, horisons, bodies of water, etc. These works explore a colourful imagery of accumulation, distance and transformation. Within geology and archeology, strata (singular: stratum) refers to layers (of rock, soil, culture etc.) possessing internally consistent characteristics making them distinguishable from each other.
You can check out more of Eriksen’s work on Instagram.
In 1976, 20th Century Fox released a teaser trailer for a little film called Star Wars…aka “the story of a boy, a girl, and a universe”.
No James Earl Jones voiceover for Vader, no John Williams score (which wasn’t finished until just two months before the film premiered), but those visuals must have impressed.
Here’s the first teaser trailer for Empire Strikes Back, which features no film footage at all, just concept art drawn by Ralph McQuarrie:
And for the sake of completeness, the teaser trailer for Return of the Jedi, which appeared in theaters before Lucas changed the name from Revenge of the Jedi:
The Guardian on why they’re not posting on Twitter anymore. “The benefits…are now outweighed by the negatives and…resources could be better used promoting our journalism elsewhere.” (If your org can’t stop, at least post elsewhere first.)
Today I learned about evacuation aprons, which places like maternity wards use to rescue infants and toddlers in case of emergency or fire. Or as this labor & delivery nurse on Threads put it:
…the goal is to grab your vest and just stuff as many babies as humanly possible in its giant kangaroo pockets before running out the door.
In this video from Pianote, the multi-talented Jon Batiste hears Green Day’s Holiday for the first time (drum & vocals only) and is challenged to come up with a piano accompaniment for it — and he really really gets into it. (How do you find a song that a musical encyclopedia like Batiste has never heard before though?)
For decades Mr. Carpenter’s 8-millimeter snippets of what transpired in Dallas on Nov. 22, 1963, have been a family heirloom. When he died in 1991 at 77, the reel, which included footage of his twin boys’ birthday party, passed to his wife, Mabel, then to a daughter, Diana, and finally to a grandson, James Gates.
A family heirloom! I find it fascinating that bits of history like this keep turning up. What’s the thought process of the sort of person who keeps (culturally, monetarily, investigatorially?) valuable objects like this casually squirreled away for 60 years? How much more of this kind of thing exists and how much of it just gets thrown away? Again, fascinating!
Another interesting facet is the process of verifying the film’s authenticity. I’m sure the auction house did their due diligence, but so did the Times. Malachy Browne works on the Visual Investigations team at the paper, which was tasked with verifying that the film was legitimate. He shared part of their process on Bluesky:
Time: The length of the shadow matches what it should be around that time of day on Nov. 22, 1963, Suncalc tells us.
What Will You Do? “What will you do if men in uniforms arrive in your neighborhood, and an immigrant neighbor gets a knock on the door and is led away in handcuffs? Or if the uniforms are not police uniforms, and there is not even a knock?”
10,946 is a mesmerizing stop-motion film by Daren Jannace composed of drawings on Post-It notes. He created 30 drawings a day for an entire year and then animated them: “Set at 30 frames a second, each second represents 1 day.” The animation is accompanied by audio Jannace recorded on his phone during the year.
If you watch the whole thing, you get to experience what a year feels like if days were shrunk down into seconds. (via colossal)
Wacław Szpakowski was a Polish architect and engineer who, over the course of his life and in secret, made a series of drawings of mazes from single continuous lines. From The Paris Review:
The drawings, he explains, “were experiments with the straight line conducted not in research laboratories but produced spontaneously at various places and random moments since all that was needed to make them was a piece of paper and a pencil.” Though the kernels of his ideas came from informal notebooks, the imposing virtuosity and opaqueness of Szpakowski’s final drawings are anything but spontaneous or random. His enigmatic process — how he could draw with such supreme evenhandedness, could make his designs so pristine and yet so intricate — is hinted at only in his few visible erasure marks.
But the appeal of Szpakowski’s work would appear to extend well beyond the architectural. At times they resemble textiles, weaving diagrams, computer circuitry, and even Arts & Crafts ornamentation, like 19th-century wallpapers designed for an era of retro-computational aesthetics.
Woodworking templates, patent drawings for fluidic calculators, elaborate game boards — the list of associations goes on and on.
Of course, I was reminded of Dom’s challenge to Ariadne to draw a difficult maze in Inception, the light cycles in Tron, and the Etch A Sketch…but to each their own.
In 2011, Magnum photographer Martin Parr visited the Teddy Grays candy factory near Birmingham, England that makes old-fashioned candy with Wonka-esque names — Mint Humbugs, Nutty Brittles, Spearminties. The result is this ultra-charming 20 minute film profile of the company and its candy-making process.
Charmingness evidence, exhibit A: When asked if the company would ever modernize, company director Teddy Gray responds, “Imagine coming to work in the morning and looking at all them faxes, oh no.” Even his modernization references need modernizing.
Charmingness evidence, exhibit B: The lingerie calendar behind Gray as he talks on the phone, and the beefcake calendar behind his daughter in the very next scene.
Charmingness evidence, exhibit C through exhibit ZZZ: Every other scene in the film.
I know 20 minutes for a web video sounds daunting, but it’s worth the while. At the very least, skip to 14:00 and watch how they make “lettered rock”, hard candy sticks with words written on the inside of the candy. As shown in the video, the individual letters start out 3-4 inches high, are arranged into words when rolled up into a massive tube of candy a foot in diameter, and end up a fraction of an inch tall when pulled out into small sticks, like so:
And you thought laying out type for the web was difficult. (thx, nick)
Marine biologist Dr. Ayana Elizabeth Johnson: “Keep showing up. Join something. Find your people. Bring your superpowers. Be a problem solver. Choose your battles. Nourish joy. Love nature.”
I am predisposed to like videos about meteorite craters but this was even more interesting than I anticipated.
A nice example of a crater 2-3 km wide is Rotor Kamm in southern Africa. I should mention that we’re easily into city killer impacts here, in case you’re wondering.
Huh, I didn’t know that the guy who wrote The Curious Garden (one my kids’ favorite books when they were younger) also wrote The Wild Robot — both inspired by the High Line.
Delete Your Account. For Real This Time. “There’s no need for any Trump opponents now to be on X for the same reasons that they’re not on Gab, Gettr, Truth Social, or wherever else.”
Andor season two will premiere on Disney+ on April 22, 2025 — 12 episodes that take place over a period of four years that lead right up to the events of Rogue One. May the tale of the radicalization of Cassian Andor be a lesson to us all.
“The Quilt Index, originally launched in 2003, is an open access, digital repository of thousands of images, stories and information about quilts and their makers drawn from hundreds of public and private collections around the world.”
Artist and “pixel pusher” Niall Staines creates these slightly surreal scenes by pulling a 1-px slices to the edge of his images. I’ve used this technique myself but Staines deploys it to great effect here. I love these. You can find more of his work on his website and Instagram.
Why the Work Still Matters. In the face of a “larger-than-normal number of people canceling their subscriptions”, 404 Media explains why their “local reporting from the internet” is more important than ever.
The Big Wait is a lovely short documentary about a couple who live alone in the middle of nowhere in Western Australia, managing an emergency airport and a small row of guest cottages that are rarely occupied. I got this from Colossal, which calls the film “poetic and dryly humorous”; I cannot improve upon that.
Laura Hazard Owen: We need a Wirecutter for groceries. “What if local news organizations around the country made it part of their mission to help readers compare grocery prices around town?”
In 2015, the BBC & PBS adapted the first two books of Hilary Mantel’s excellent Wolf Hall trilogy into a six-episode miniseries called Wolf Hall, starring Mark Rylance as Thomas Cromwell and Damian Lewis as Henry VIII. Now they’ve made a second miniseries that covers the events of the third book, The Mirror and the Light. Here’s a trailer and synopsis:
The TV sequel picks up in May 1536 after the beheading of Anne Boleyn and follows the last four years of Thomas Cromwell’s life, completing his journey from self-made man to the most feared and influential figure of his time. These are years when Henry’s regime is severely tested by religious rebellion at home, traitors plotting abroad and the threat of invasion. Cromwell must deftly navigate the moral complexities that accompany the exercise of power in this bloody time; he’s caught between his desire to do what’s right and his instinct to survive. The question is: how long can anyone survive under Henry’s brutally mercurial gaze?
Wolf Hall: The Mirror and the Light premieres in the UK on BBC One on Nov 10 but Americans have to wait until March 23, 2025 to watch it on PBS.
I think I might take some time today to read Pema Chodron’s When Things Fall Apart. “How can we live our lives when everything seems to fall apart - when we are continually overcome by fear, anxiety, and pain?”
Election Grief Is Real. Here’s How to Cope. “You need to be patient with yourself if you’re feeling angry, sad, grieving right now. That’s a normal reaction to a surprising outcome and an outcome that…is going backward and not forward.”
Ran across a song with “741 Hz” in the title and there’s a whole Spotify playlist of similar songs (“a soothing solfeggio frequency that is used by many to let go of negativity and toxic energy”) and ngl they are relaxing.
Laura Olin’s newsletter of “art, internet, and ideas” is a favorite of mine (subscribe here), and I appreciated her comments from this morning on why sci-fi and fantasy movies work for moments like these.
I’ve never thought of myself as a person who’s particularly into sci fi or fantasy. But on the worst days — and yesterday was one — I find myself thinking of the essential lessons of art in that genre. Maybe because a lot of it is about people in dire situations making stark moral choices for a larger good — and for various reasons World War II parables aren’t really going to do it anymore, at least in America. We saw Rogue One in the theater soon after Trump’s first election and I took some strength from the image of (vague spoilers) Felicity and Diego on the beach, sacrificing themselves to give everything thereafter a chance. I’ve been thinking of the Battlestar Galactica reboot of the W. Bush years, with the fighter pilots touching a portrait of a comrade on a fallen planet on their way out to battle; of Stellan Skarsgard’s speech and “one way out” in Andor, which you must watch; of Katniss touching three fingers to her lips in a salute special to her community, and a crowd of people she can’t even see saluting back; of the fundamental text that is “Why must we go on?” / “Because there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” Is all this cringe? Undoubtedly; but I think we’ve entered a time that requires deep earnestness. (I hope to come back to this paragraph in four years and feel I was being overly dramatic about how bad things might get but I suspect I will not.)
Hey everyone. I don’t have a whole lot to say about the election results and probably won’t talk about it too much here over the coming days. I don’t know what kottke.org’s “role” will be in this altered world we awoke to on Wednesday, but for my own sanity, I need to get back to work here or I will scroll myself into dust. I have no idea if what I’ll be posting is what you’re looking for, but it’s what I’ve got.
If you need some last minute cajoling to not sit out this election, consider these words of warning about abstention in 1968. “Nixon prevailed, thus paving the way for the modern right-wing shift in US domestic and foreign policy.”
Tony Hawk posted a photo from the 70s of a girl skateboarding in the rain to his Instagram: “New fav mystery skater unlocked.” Jeremy Markovich tracked down who she was.
Trials rider Danny MacAskill finally got the chance to ride the angularly futuristic Adidas campus in Herzogenaurach, Germany.
The first time I got the invite to campus I immediately started riding the place in my mind. Riding all the rooftops, riding all the railings, you know, it’s a really interesting space. Not just anyone can go there! As soon as you see that kind of big overhanging piece of architecture or whatever, you immediately imagine the different things you could do up there. So, it was cool to finally get to come here to actually do it.
TIL about argonaut octopuses. “Although most octopuses live near the ocean floor and its ample hiding places, argonauts spend their entire lives sailing in the open ocean, just below the surface.”
Wow, more than 40 people have undergone a CAR-T-cell therapy for lupus, most of whom have gone into drug-free remission. “It is too early to declare any of these patients cured for life, but that now seems within the realm of possibility.”
The NY Times has had a difficult time covering the 2024 election in a clear, responsible manner. But I wanted to highlight this short opinion piece from the paper’s editorial board, which I’m reproducing here in its entirety:
What makes this piece so effective is its plain language and its information density. This density is a real strength of hypertext that is often overlooked and taken for granted. Only 110 words in that paragraph but it contains 27 links to other NYT opinion pieces published over the last several months that expand on each linked statement or argument. If you were inclined to follow these links, you could spend hours reading about how unfit Trump is for office.
A simple list of headlines would have done the same basic job, but by presenting it this way, the Times editorial board is simultaneously able to deliver a strong opinion; each of those links is like a fist pounding on the desk for emphasis. Lies, threat, corruption, cruel, autocrats — bam! bam! bam! bam! bam! Here! Are! The! Fucking! Receipts!
How the links are deployed is an integral part of how the piece is read; it’s a style of writing that is native to the web, pioneered by sites like Suck in the mid-90s. It looks so simple, but IMO, this is top-notch, subtle information design.
No seriously, how is everyone doing today? We’re coming down to the wire on the most cuckoo bananapants presidential election campaign in recent memory. There’s so much at stake and there are so many unknowns, a potent cocktail for anxiety. If that’s where you are right now, I hope you know you’re not alone. If you’re feeling confident, that’s great and I’m happy for you. If my Instagram feed is any indication, many of you have already voted and are volunteering to knock on doors, phone bank, or to cure ballots in swing states — thanks so much for doing that! (Greg Pak’s list of last minute actions is a good place to start if you want to pitch in.)
Me? Last week was a rough one — lots of anxiety about the election and other things. I’m feeling better this morning; I got out for some exercise this weekend, spent some really nice time with my son, and generally kept social media at arm’s length. Even though it’s pretty cold here today, I’m heading out for a bike ride this afternoon to load up on some good dopamine. I started season two of The Diplomat last night and it seems to have picked up right where it left off last season — the perfect diversionary viewing for me.
But I’m also struggling to work out what to post here this week. I am very nearly done with anything political in nature (I don’t want to contribute to doomscrolling) but posting anything else at this critical juncture, when people’s actual lives and freedoms are on the line, seems frivolous. I suppose I’ll figure it out, but heads up: things might be a little lighter than usual around here — or maybe the opposite? We’ll see.
In the meantime, if you don’t mind sharing, let us know how you’re doing in the comments.
Over the past several months, I’ve settled into a routine that involves reading one book at a time on paper or on the Kindle and listening to one book on audiobook. This way, I can switch back and forth without feeling like I am abandoning one book for the other. Right now, I am most of the way through James by Percival Everett on audiobook and just (finally!) started Craig Mod’s fine-art edition of Things Become Other Things. (Both are about very different kinds of journeys.)
For the last three years, I’ve been been getting my audiobooks through Libro.fm. You can listen through their app or download DRM-free mp3 or m4b files to listen in the app of your choice. They are a social purpose corporation, 100% employee owned, and partner with local bookstores to offer audiobooks & share profits. They don’t have every title because of Audible’s strategy of locking up exclusives (like Emily Wilson’s translations of The Iliad and the Odyssey), but they have most of what you’d want to read. They also make it easy to gift audiobooks to friends and family (and I suppose, enemies and strangers if you want?)
Just in the past few months, I’ve listened to:
All Fours by Miranda July. This is one of those books that’s better as an audiobook. July is an actress as well as an author and the audiobook is more like a performance than a reading.
James by Percival Everett. Already mentioned this one, but the narration by Dominic Hoffman is superb and emphasizes some of the vernacular differences that are key to the story that might be tougher to express in print. (Hoffman also narrated James McBride’s Deacon King Kong and Ted Chiang’s Exhalation.)
Midnight in Chernobyl by Adam Higginbotham. This is the definitive account of the Chernobyl nuclear power plant disaster and a great companion to HBO’s Chernobyl miniseries.
You can purchase individual audiobooks through the site or sign up for a membership where you get one free credit a month and each credit to good for one audiobook, regardless of price.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
This is a great piece by Jamelle Bouie: Donald Trump Is Done With Checks and Balances. The first half is a short lesson on how our present Constitution came to be, which might differ slightly from the version you learned in school:
It is important to remember that the Constitution was neither written nor ratified with democracy in mind. Just the opposite: It was written to restrain — and contain — the democratic impulses of Americans shaped in the hothouse of revolutionary fervor.
“Most of the men who assembled at the Constitutional Convention in Philadelphia in 1787 were also convinced that the national government under the Articles of Confederation was too weak to counter the rising tide of democracy in the states,” the historian Terry Bouton writes in “Taming Democracy: ‘The People,’ the Founders, and the Troubled Ending of the American Revolution.”
The second part of the piece plainly and succinctly lays out the stakes of a second Trump presidency (emphasis mine):
America got lucky. It won’t get lucky again. Free of the guardrails that kept him in place the first time, affirmed by the Supreme Court and backed by allies and apparatchiks in the conservative movement, Trump will merge the office of the presidency with himself. He will shake it from its moorings in the Constitution and rebuild it as an instrument of his will, wielded for his friends and against his enemies. In doing so, he will erode the democratic assumptions that undergird our current constitutional order. And he will have the total loyalty of a Republican Party that itself is twisting and abusing the counter-majoritarian features of the American system to undermine and unravel democracy in the states it controls.
We don’t, in 2024, hear much talk of guardrails anymore. And for good reason. The guardrails failed. Every single one of them. The Republican Party failed to police its own boundaries, welcoming Trump when it should have done everything it could to expel him. The impeachment process, designed to remove a rogue president, was short-circuited, unable to work in a world of rigid partisan loyalty. The criminal legal system tried to hold Trump accountable, but this was slow-walked and sabotaged by sympathetic judges (and justices) appointed by Trump or committed to the Republican Party.
When the states tried to take matters into their own hands, citing the clear text of Section 3 of the 14th Amendment, a Republican-appointed majority on the Supreme Court stepped in to rewrite the amendment, turning a self-executing prohibition on insurrectionists in office into a mechanism that required a congressional vote those justices knew would never come.
A pair of physicists from MIT and Jefferson Lab and an animator have created a new visualization of the atomic nucleaus.
For the first time, the sizes, shapes and structures of nuclei in the quantum realm are visualized using animations and explained in the video.
The video also establishes what appears to be a new unit of measure with an adorable name, the babysecond:
To better define the velocities of particles at such small distance scales, we establish the baby second as 10^-23 seconds. A photon moving at the speed of light crosses three femtometers (a bit more than the radius of oxygen-16) in one baby second.
Crows hold grudges. “When a murder of crows singles out a person as dangerous, its wrath can be alarming, and can be passed along beyond an individual crow’s life span of up to a dozen or so years, creating multigenerational grudges.”
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