Tiny Puppet Sound
Would you like to watch a puppet DJ a chill set of French house music in a cool workplace meeting space? Trick question because of course you would. This went right into my Underscore collection. (via undermanager)
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kottke.org posts about music
De La Soul’s Tiny Desk Concert
Ok, you know this is going to be a good one: De La Soul plays a Tiny Desk Concert.
The humor of De La Soul has always been one of its calling cards. When DJ Maseo tells the Tiny Desk crowd, “Ladies and gentlemen, we’re a new group called De La Soul,” he means it as a joke. But, in so many ways, one of the most influential groups in hip-hop is new: the duties have been reassessed, the focus has shifted and the newness of The Plugs is laid plain here at the Tiny Desk.
Here’s the setlist:
YUHDONTSTOP
Will Be
Much More
Stakes is High
Sunny Storms
Different World
Breakadawn
Pony Ride
A Quick 16 for Mama
Me Myself and I
Feel free to dance at your desk or in your kitchen or wherever you’re listening.
Nine Inch Nails Releases Tron: Ares Remix Album
Last week, Nine Inch Nails released an album of remixes and unreleased session music from their Tron: Ares score called Tron Ares: Divergence. I’m listening to it now; pretty good so far.
Cover of Such Great Heights by Chvrches
For a show on Hulu called Tell Me Lies, synth-pop band Chvrches covered Such Great Heights by The Postal Service. Lovely.
A Sense of Getting Closer
With music by Max Cooper and visuals by Conner Griffith, A Sense of Getting Closer is a music video that was inspired by a quote submitted to Cooper’s On Being project:
I have a sense of getting closer to something which my life depends on. I can sense it but I cannot tell if I should be excited or terrified about what will happen.
Mesmerizing. Like literally, given that it’s based on “a hypnotic light show we can’t look away from, yet we know is made up of low-quality content fed to us by engagement algorithms.” (via @aaroncoleman.bsky.social)
Vote Dizzy!
In 1964, legendary jazz musician Dizzy Gillespie ran for President as a write-in candidate. Some of the more interesting details about his campaign:
- If elected, he’d rename the White House to the Blues House.
- Running mate was slated to be Phyllis Diller. “She seems to have that sua-a-a-a-ve manner; she looks far into the future. She’s looking into the future. So I’m a future man, I said to her.”
- His nominees for a stacked cabinet: Duke Ellington (minister of foreign affairs), Charlie Mingus (minister of peace), Peggy Lee (minister of labor), Malcolm X (minister of justice), Louis Armstrong (minister of agriculture), Ray Charles (Librarian of Congress), and Miles Davis (head of the CIA). Of Davis, Gillespie said: “O-o-oh, honey, you know his schtick. He’s ready for that position. He’d know just what to do in that position.”
Gillespie dropped out before the election, paving the way for Lyndon Johnson’s victory over Barry Goldwater, who Gillespie said “wants to take us back to the horse-and-buggy days when we are in the space age”.
Killing In The Name, The Minnesota Edition
Late last week, Rage Against the Machine’s Tom Morello led a crowd gathered at the iconic First Avenue music venue in a spirited rendition of the band’s Killing In the Name. The band handled the music while the crowd, in the absence of Rage frontman Zack De La Rocha, sang the lyrics.
Some of those that work forces, are the same that burn crosses
Some of those that work forces, are the same that burn crosses
Some of those that work forces, are the same that burn crosses
Some of those that work forces, are the same that burn crosses
How many ICE/BPD/DHS officers marched in Charlottesville, assaulted Congress on Jan 6, and/or are Proud Boy/Stormfront members, I wonder? (They’re the same picture.)
Morello spoke briefly before the performance:
Brothers and sisters, thank you for welcoming us to the Battle of Minneapolis. My friends, if it looks like fascism, sounds like fascism, acts like fascism, dresses like fascism, talks like fascism, kills like fascism and lies like fascism, brothers and sisters, it’s fucking fascism. It’s here, it’s now, it’s in my city, it’s in your city and it must be resisted, protested, defended against, stood up to, exposed, ousted, overthrown and driven out. By who? By you. By me.
Minneapolis is an inspiration to the entire nation. You have heroically stood up against ICE, stood up against Trump, stood up against this terrible rising tide of state terror. You’ve stood up for your neighbors and for yourselves and for democracy and for justice. Ain’t nobody coming to save us, except us. And brothers and sisters, you are showing the way.
To that end, we would like to begin our program with an old Native American war chant. We encourage you to singalong, in this very room Prince created a revolution, now it’s our turn.
Here’s the official video for Killing In The Name:
PS. Bruce Springsteen was there as well and performed his song Streets of Minneapolis.
Seu Jorge’s Lovely Tribute to David Bowie
For his 2004 film The Life Aquatic with Steve Zissou, Wes Anderson enlisted Brazilian musical artist Seu Jorge to perform several of David Bowie’s songs in Portuguese. Jorge released an album of the songs about a year or so later.
A few weeks ago, to mark the 10th anniversary of Bowie’s death, Jorge released a hour-long set of him performing those songs:
Just an acoustic guitar, a microphone, and the beautiful coastline of São Paulo.
David Lynch Went to the First Beatles Concert in the US (1964)
In one of his final on-camera interviews, David Lynch recounts going to the very first Beatles concert in the US in 1964.
I ended up going to this concert. I didn’t really have any idea that it was the first concert. I didn’t have any idea how big this event was. And it was in a gigantic place where they had boxing matches. The Beatles were in the boxing ring. It was so loud, you can’t believe. Girls shuddering… crying… screaming their heart out. It was phenomenal.
Lynch continued:
Music is one of the most fantastic things. Almost like fire, water, and air. It’s like a thing. It does so much.
The interview was for the documentary Beatles ‘64, which is available on Disney+. Here’s how it came about:
“David had the idea to interview not just people who like the Beatles, because we’d be still making this movie forever. But it was people who’s who had some kind of pivotal, profound reaction or moment when the Beatles first came to the U.S., or when they first heard or saw the Beatles,” Bodde explained. “We had done extensive research on people who had that level of connection and we learned that David Lynch was living in Alexandria, Virginia, with his family. His father was in the Department of Forestry and they moved around a lot, [but at that time] they lived in Alexandria. He had met JFK. Had been at the inauguration of JFK as an Eagle Scout. And then had gotten a ticket to the to the Beatles concert, the first US concert at the Washington Coliseum. We were kind of amazed that he had multiple connections to the story that was being told.”
(thx, david)
Daft Punk Deep Cuts DJ Set
From Taner’s Funk Kitchen, a 30-minute set of smooth/chill deep cuts from Daft Punk. As noted in the description, this mix is less of a club vibe and more of a chill listening party.
The DJ is using a Digital Vinyl System (DVS) to play/mix the songs. I’d never heard of this before; from the description:
DVS is a DJ technology that allows you to control digital music files on your computer / smartphone using traditional turntables with special timecode vinyl. It combines the tactile feel of analog DJing with the flexibility of digital music libraries.
I knew many (most?) DJs were playing from digital these days but never knew how. From Wikipedia:
A Digital vinyl system (DVS) allows a DJ to physically manipulate the playback of digital audio files on a computer using turntables as an interface, thus preserving the hands-on control and feel of DJing with vinyl. This has the added advantage of using turntables to play back audio recordings not available in phonograph form. This method allows DJs to scratch, beatmatch, and perform other turntablism that would be impossible with a conventional keyboard-and-mouse computer interface or less tactile DJ controllers.
That’s pretty cool. I guess if I needed another expensive hobby…
MTV Rewind
MTV Rewind is an interface through which you can watch music videos from the 70s to the 20s, organized by decade. There are also “channels” for 120 Minutes, MTV Unplugged, Yo! MTV Raps, Headbangers Ball, and the first full day of MTV programming.
All of the music videos, more than 33,000 of them, are hosted on YouTube and the lists of videos come from The Internet Music Video Database. Great idea and execution…this is the closest you’ll get to watching MTV back in the 80s.
A Collection of Unreleased Boards of Canada Tracks
A couple of weeks ago, someone uploaded to YouTube and Google Drive eleven unreleased tracks from Boards of Canada (made from 1985-1996). This seems to be a legit, high-quality leak, judging from the excitement in the YT comments and on Reddit. I’ve heard a couple of these before, courtesy of some long-ago Kazaa/Limewire crate-digging, but most of these are new to me. (via the morning news)
Core Memories With the Swiftie Dads
In 2023, Paul Scheer spent a few days talking to fathers who accompanied their daughters to Taylor Swift’s Eras Tour in LA, either as concert-goers or just chauffeurs. I love this video. One of the dads summed up the vibe of being there for your loved ones, even if it’s maybe not entirely your thing:
Life is moments. Life has nothing to do with money, nothing to do with things. Life is dancing, that is life! It’s when you feel happy. Their happiness is my happiness.
Elizabeth Spiers wrote about the Swiftie Dads on Bluesky:
This is a model for what actual masculinity should be. Men don’t need to spend more time in caves beating their chests with other men; they need to take their daughters to a meaningful thing and talk to them about it.
These guys taking their daughters to Taylor Swift concerts — and unabashedly enjoying it! — are the model. They are being themselves and not treating their daughters’ interests as stupid or aberrant or a thing they should be patted on the back for participating in.
See also The Joy of Fortnite. (thx, caroline)
Underscore: Now Slightly Less Random
I pushed a key change to the Underscore music player over the weekend. Members can now click on any song in their collection to play it (previously there was only a randomize button). I added this because I often wanted to listen to a particular song/album/playlist, genre, or tempo (chill, upbeat, etc.)1 and sat there hitting the random button until I got something I liked. No more; quick selection and back into the work groove.
If you missed it, here’s what I wrote about Underscore at launch:
Here’s how it works. You can add links to music from Spotify, YouTube, Soundcloud, Bandcamp, and Apple Music to it — just paste their share URLs in. Reloading the page gives you a random piece of music from your collection. You can see a list of the songs, videos, playlists, and albums in your collection and can hide them if you want. That’s it. That’s all it does.
There’s no APIs or authentication or auto-synching playlists. The music is played through embedded players and if it lands on something from Spotify, Apple Music, or Bandcamp, you’re gonna have to click the play button in the embedded player (Soundcloud and YT videos should play automatically (but don’t always for whatever reason)). When your current selection ends, the new random thing doesn’t automatically play…you need to refresh the page.
I use Underscore every single day while I’m working. Is anyone else out there using it?
P.S. I also added the ability to add Tidal albums & playlists to Underscore. Unfortunately, Tidal’s embedded player doesn’t play full-length songs, even for logged-in users. If you’re a Tidal user, bug them about adding this feature to their embedded player!
- I prefer chill in the morning and when writing. When designing or programming, I like something more upbeat. Also depends on my mood on the day.↩
If Stayin’ Alive Had Been Written in 16th Century
Watch Jonas Wolf and three friends sing a choral arrangement of the Bee Gee’s Stayin’ Alive in the style of a madrigal. Just in case (like the me of 1 minute ago) you don’t know what that is (although you will recognize it from just a few seconds of listening to the video), voila:
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets.
Wolf has a few more videos of “pop songs in renaissance and baroque style” on his YouTube channel. (Note: these are not AI in case you were wondering/worried.)
This Is Why Everyone Is a DJ Now
I guess this is as good an explanation of contemporary culture as anything.
Hungover from a world that told us we could be anything, we decided to be DJs. We don’t create our own music. We curate playlists, recirculating songs that will make people think we’re cool. And we do this through the labels we wear, the books we read, the people we hang out with, and the opinions we parrot. The DJ figure, ruled by the same logic, is just another celebration of self.
A Charlie Brown Christmas, Live
Listen to jazz trio The Commercialists play Vince Guaraldi’s A Charlie Brown Christmas live in a small club called The Estate in Milwaukee. That’s this afternoon’s chill work music sorted then.
If you’re anywhere near Milwaukee this month, it looks like there are still tickets to some of their Charlie Brown performances left, although the shows at The Estate look like they’re sold out for the month. (thx, than)
Weird Al Yankovic Covers Killing In The Name by Rage Against the Machine
At a recent Portugal. The Man concert in NYC, Weird Al joined the band on stage for a pair of songs, including a cover of Killing In The Name, Rage Against the Machine’s anthem against police brutality and the military industrial complex. Weird Al, welcome to the resistance. (via @erikahall.bsky.social)
Where Did These Famous Hip Hop Screeches Come From?
Two of the most famous screeches in music history are from House of Pain’s Jump Around and Cypress Hill’s Insane in the Brain — you likely heard both of them in your mind just reading the names of the songs. This short video explains where those samples came from and which one of them is a horse (and not Prince).
An Online Collection of Found Cassette Tapes
Intertapes is a collection of found cassette tapes — some contain music and others voice memos. Each entry includes images of the tape, a description/track listing, and the actual audio (on Soundcloud).
This one was recorded off of a NYC radio station in 1994 and includes tracks from Mary J. Blige, Wu-Tang, Snoop Dogg, and Heavy D.
This tape found recently in Berlin was also recorded in 1994 by someone named Sven and includes tracks by Underworld & Laurent Garnier.
David Byrne’s Tiny Desk Concert
There are a few artists where you hear their name and “Tiny Desk” together and you think, well, that’s going to be great. David Byrne is one of those and his performance does not disappoint.
Though Byrne and his band do normally spread out across large stages, the set design for each show is almost completely bare, without any cables or amps, and the artists wear or carry compact, custom-made instruments to make it easier to move, almost like a marching band.
It’s cozy, but Byrne and his band, in matching, brilliant blue suits, squeeze behind the Desk to perform four songs, opening with the euphoric “Everybody Laughs,” followed by “Don’t Be Like That,” both from his new album. They also perform two Talking Heads songs: “(Nothing But) Flowers,” from the 1988 album Naked, and a show-stopping version of “Life During Wartime,” from 1979’s Fear of Music.
My Recent Media Diet, the Japan Edition
Konnichiwa! I’m back from Japan and finally getting over my jetlag, which took much longer than I expected. Here’s a list of all the things I’ve been reading, watching, listening to, and experiencing over the past few months.1 Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Deacon King Kong by James McBride. This was my first time reading anything by McBride and maybe I have a new favorite author? I love everything about this story and the way he tells it. (A+)
The Da Vinci Code. One of my go-to comfort movies. “Scientific” art history detective story? Yes, please. (A)
One Battle After Another. Great. Especially Sean Penn. And it reminded me of a Wes Anderson movie for some reason? Like one that he would have made had he followed the Bottle Rocket path instead of the Rushmore Path. (A+)
Meredith Dairy Marinated Sheep & Goat Cheese. All cheese is delicious, but this one particularly so. (A)
Fantastic Four. It was ok? Aside from a few things, I’m having trouble getting excited about post-Infinity Saga Marvel. There was just a special alchemy about that whole arc that is proving impossible to reproduce. (B)
The Age of Innocence by Edith Wharton. Fantastic right from the first page. Sharp writing about social mores, reminded me of Middlemarch & Price and Prejudice in that respect. One of my all-time favorites, I think. (A+)
The Gilded Age (season three). Still enjoying the hell out of this show. Total suspension of disbelief is a must. (A-)
Mission: Impossible. I haven’t seen this in maybe 20 years and I guess it holds up? Not my favorite of the series though. (B+)
Tinker, Tailor, Soldier, Spy. Great spy thriller. Gary Oldman is fantastic in this. Cold War? Spies? Britain? I will pretty much watch as many of this type of movie as you can make. (A)
Leaving America. This is a 12-part podcast on the logistics, benefits, and challenges of leaving the United States. Oh, no reason. (B+)
The Fellowship of the Ring (and TT & ROTK) by J.R.R. Tolkien. It’s been a while since I’ve read The Lord of the Rings books and wow, are they long. There’s entirely too much “and they travelled from here to there” logistics that drag on over several pages and descriptions of hilltops & ancient landmarks that you only hear about once. But Andy Serkis narrating the audiobook? So good. (A-)
The Lord of the Rings trilogy. After each audiobook, I watched the extended version of the corresponding film. My general feeling after 65+ hours of audiobook and 12+ hours of movie is that the books are too long and the movies too short. An 18-hour mini-series — perhaps three seasons of six episodes each? — seems like the sweet spot. (A)
Star Trek: Strange New Worlds (season three). Maybe didn’t enjoy this quite as much as the previous two season, but I love spending time with these people and look forward to doing more of that when season four drops. (B+)
Jaws. Got to see this in the theater when they released it for the 50th anniversary. Spielberg had such a strong style right from the jump. (A-)
Paradise. Just fine. But I feel like there are better apocalyptic shows out there. (B)
Downton Abbey: The Grand Finale. It was so nice to head to the theater to nestle myself into the low-stakes world of Downton Abbey for 2 hours. (B+)
Daft Punk Fortnite. Love anything with Daft Punk. (A)
The Heaven & Earth Grocery Store by James McBride. Right after finishing Deacon King Kong, I did something I almost never do: started in on a different book from the same author. Loved this one too. (A+)
Tron: Ares. It was a loud NIN music video on a huge screen, what’s not to like? Jared Leto was fine, but there were probably better casting options here that the audience would have been more excited about. And the direction could have been stronger…Gillian Anderson and Greta Lee were both surprisingly meh. (B+)
Tron: Ares soundtrack. Better than the movie. (A-)
Total Recall. First time! Maybe a little too Verhoeven/B-movie for me. (C+)
Cars. I’ve seen this movie several times and what I noticed this time around is how incredibly expressive the cars are. You can just tell they worked very hard on that aspect of the animation. (A-)
Shopkeeping by Peter Miller. This was recommended from a couple of different vectors — pretty sure one was Robin Sloan. Lots of resonance to my work here and how I think about it (and want to think about it). (A-)
Japan. Absolutely loved it. (A+)
Iyoshi Cola. Craft colas are often disappointing, but this one was absolutely delicious. Wish I could get it in the States for less than $14 a can. (A)
teamLab Borderless. Some of this was too “built for Instagram” but a couple of the rooms (the one where it felt like the whole room was moving & the cathedralish one with the light strings) were great. (A-)
The Sumida Hokusai Museum. Had to make the pilgrimage here. (A-)
In Praise of Shadows by Jun’ichirō Tanizaki. Read this book about Japanese aesthetics while visiting Japan — it provided an interesting context. (B+)
Hokusai at Creative Museum Tokyo. Fantastic show…there were hundreds and hundreds of prints and drawings that showed his evolution and influence. (A+)
Okunoin Cemetery. Had one of the strongest senses of place I have ever experienced. (A)
Konbini. The Japanese convenience stores really are as appealing as you’ve heard. (A-)
Awakening Your Ikigai by Ken Mogi. Perhaps a little over-simplifying when it comes to Japanese culture, but I appreciated the message of having a purpose. (B)
Sho-Chan Okonomiyaki. When I got to Hiroshima, I knew I had to try their version of okonomiyaki, so I went to Okonomimura, a multi-story building crammed with okonomiyaki restaurants. I picked one and had one of the most surprising meals of my trip. So good. (A)
Blue Planet Sky. I spent a lot of time sitting in this room by James Turrell. (A)
Kanazawa Phonograph Museum. Lovely little museum, and a good opportunity to observe how successful inventions move from technology to culture/fashion/commerce. (A)
Princess Mononoke. I saw this in the theater on my last full day in Tokyo; they recently released a 4K remaster. Absolutely breathtaking. (A+)
Butch Cassidy and the Sundance Kid. Redford and Newman are both total smokeshows in this. And I’d forgotten how goofy this movie is. (B+)
A House of Dynamite. A very tough watch, but I thought this was fantastic as a tour of some of the different kinds of people who hold the fate of every single person on the planet in their hands every damn day. They’re tired, stressed, distracted, at cross-purposes with themselves, set in their ways, more celebs than leaders, and mediocre. And none of them have ever seen Dr. Strangelove? (A)
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
- The previous installment was back in August.↩
Magnetikpunk: Playing Vintage Reel-to-Reel Tapes as Musical Instruments
A Japanese experimental music group called Open Reel Ensemble plays reel-to-reel tape recorders from the 70s & 80s as musical instruments (give it a sec to get going):
Brilliant! A YouTube commenter notes: “Very cool, looks like you’re fishing for sound waves.” Here’s another video of them playing…this one’s like a reel-to-reel version of DJing with turntables:
I went looking for information about how they’re producing these sounds and found this profile of the group from 2018.
Over the years, the group has developed new techniques. As Motherboard explains, each member can now “program” sounds directly on to the recorders, creating a strange blend of digital and analog technology. With multi-track recorders, Open Reel Ensemble is able to switch individual tracks on and off, too. Sometimes they’ll record blocks of sustained noise, at various pitches, to be triggered and disabled like notes on a guitar. These allow the band to play intricate chords and melodies on stage. “We’re finding new techniques every day,” Wada said, “exploring rotation and movements, and the relationship between magnetics and sound.”
I bet they are amazing to see live.
Two Hours of Wellness
A two-hour version of the music played in the Wellness Center in Severance. “Please try to enjoy each listening session equally.” See also Severance: Music To Refine To.
✅ Added to my Underscore collection.
Mushrooms Playing Music
Bionic and the Wires connects sensors to plants and fungi to help them play music.
The attached sensors measure bio-electrical fluctuations in the mushroom. The fluctuations are converted into signals that control the robotic arms. The keyboard is playing a synth in Ableton Live.
What are the chances it’s just saying “uh, can you get these things off of me?” Top YouTube comment tho: “Play that fungi music.” (thx, pascal)
The Daft Punk Experience in Fortnite
Speaking of Daft Punk, did you know they released some new music recently? Ok well, that’s not quiiiite true, but in late September, Epic launched the Daft Punk Experience in Fortnite and IMO it’s a) extremely cool, nd b) should be considered a part of the group’s official discography.
For a taste of what it’s like, here’s the seven-minute intro to the experience:
I watched this live when it launched, on a big TV and with the sound turned up, and it was awesome. Again, no new music, but definitely a new music video experience.
During the intro, you can control your player slightly but the game mostly moves you through it. After you’re inside the pyramid though, there’s a lot to do. The main event is a concert playing some of the songs from their Alive 2007 tour; here’s what that looks like from start to finish (33 min):
You can move freely around and dance, including with other players who are in the pyramid with you. During some songs, you can bounce really high on the dance floor or fly around the room.
Off of the main pyramid are four smaller interactive rooms (in order of coolness):
- Dream Chamber Studios: You can choose from almost two dozen Daft Punk songs and mix them together, adjust tempos, etc. This room alone makes the whole experience worthwhile…it’s the easiest way to create DP remixes.
- Around the World. You and up to three other players work to recreate and then customize the iconic Around the World music video. Oh, and you’re all Lego characters.
- Daft Club: Dance to music from Random Access Memories. (You can see the full Daft Club sequence in the latter part of this video.)
- Robot Rock Arena: You and some teammates join forces to defeat robots using musical weapons.
In all, that’s six new interactive audiovisual experiences from Daft Punk, featuring 31 songs from their discography. It’s huge.
The easiest way to see/experience all of this is to play the game…the Daft Punk Experience is still playable afaik. Fortnite is a free download and the DPE is free as well. If you’re a Daft Punk fan, it’s worth checking out for sure.
Berghain by Rosalía, feat. Björk & Yves Tumor
I don’t even know what this is — classical pop? surrealist orchestral? — but it goes hard and is kind of fantastic. Wow. A few comments from YouTube:
This is the most insane lead single from a pop artist I’ve ever come across! I’m absolutely stunned.
The only criticism I’m going to make is that the song should last at least 8 minutes.
I feel this needs to replace whatever was stolen from that museum in France.
Berghain by Rosalía is available to stream or buy on many of the usual platforms.
Jazz Jungle Mix in a Japanese Rice Field
Courtesy of login.jp (“archiving the Japanese experience through music”), a jazz jungle mix by Takuya Nakamura, played in a Japanese rice field to celebrate the importance of rice in Japanese culture. A trumpet makes a few appearances.
Nakamura recently played a set in an elevator as well. (A trumpet makes a few appearances.)
It’s worth exploring login.jp’s back catalog, including party mix with green onions, techno & house mix in a Japanese fish shop, and chill mix with Japanese grandpa at a stationery shop.
(via mike bates)
Playing Boards of Canada on a DEC PDP-1 from 1959
This is so so cool and an arrow-splitting bullseye in the middle of my wheelhouse: a short Boards of Canada tune played on a DEC PDP-1, one of the most significant machines in the history of computing.
Here’s a description of what’s going on, courtesy of @dryad.technology on Bluesky:
The PDP-1 doesn’t have sound, but it does have front-panel light bulbs for debugging, so they rewired the light bulb lines into speakers to create 4 square wave channels.
You can read more about The PDP-1: The Machine That Started Hacker Culture:
The bottom line is that the PDP-1 was really the first computer that encouraged users to sit down and play. While IBM machines did the boring but necessary work of business behind closed doors and tended by squads of servants, DEC’s machines found their way into labs and odd corners of institutions where curious folk sat in front of their terminals, fingers poised over keyboards while a simple but powerful phrase was uttered: “I wonder what happens if…” The DEC machines were the first computers that allowed the question, which is really at the heart of the hacker culture, to be answered in real time.
And every day is a good day to listen to Boards of Canada. Oh! And if you’re anywhere near Mountain View, the Computer History Museum has regular demos of the PDP-1 and will play the song if requested!
If anyone would like to see this live, we demo the PDP-1 at the Computer History Museum in Mountain View, CA on the first and third Saturdays of the month, 2:30 and 3:15p. Just ask, and we’ll be happy to play it!
(via @k4r1m.bsky.social)
Every Televised and Filmed Joy Division Performance
One hour and twenty-five minutes. That’s apparently all of the footage that exists of Joy Division playing their music on TV and in concert. Open Culture’s Colin Marshall writes:
Brian Eno once said of the Velvet Underground that their first album sold only 30,000 copies, but everyone who bought one started a band. Joy Division’s debut Unknown Pleasures sold only 20,000 copies in its initial period of release, but the T‑shirt emblazoned with its cover art — an image of radio waves emanating from a pulsar taken from an astronomy encyclopedia — has long since constituted a commercial-semiotic empire unto itself. That speaks to the vast subcultural influence of the band, despite their only having been active from 1976 to 1980. When we speak of the genre of post-punk, we speak, in large part, of Joy Division and the artists they influenced.
(via open culture)
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