In this video, musician Armin Küpper performs a saxophone duet with the echo of his past self by playing near the end of a large pipe. That’s pretty cool. And it’s also a learning opportunity! Hey wait, come back…you haven’t finished your bowl of physics yet:
What you hear after each note is an echo, a sound wave reflecting off the far end of the pipe and traveling back to him.
Sound travels at around 343 meters per second (1,235 km/h or 767 mph) through air. In this video, the echo takes about 1.5 seconds to return. That means the reflected sound traveled about 514.5 meters (1,688 feet) round-trip, so the end of the pipe is at around 257 meters (843 ft) away.
It seems more like a second to me (so ~563 feet), but whatever…still cool.
Despite being a scientific instrument, it behaves a lot like a musical instrument. Electrons pulse through this tunnel in tight, synchronized waves. The powerful magnets above and below make them undulate — just like the vibrating string of a fine cello — creating an intense X-ray beam used to probe hidden structures of our world.
“This was an instant yes for me,” Brooks tells PetaPixel. “It ticked so many boxes: I’m always drawn to photographing hidden or complex spaces, and this was one of the most intricate objects I could possibly shoot.”
This video feels like a throwback to a simpler time on YouTube: 331 film clips edited together to recreate Eminem’s Lose Yourself. A particularly well-done example of a time-worn genre. I lol’d at “let it go!!”
Daft Punk are famously secret about, well, most everything they do. Marc Edwards recently took a detailed look at some of the devices that the duo probably used for the vocal effects on their albums.
Talk boxes are relatively simple devices — they’re a speaker in a sealed box with a small opening. One end of a hose is fitted to the opening, and the other end is placed into the performer’s mouth, blasting noise towards their throat. The performer can pretend to speak, shaping and filtering the sound coming out of the tube with their vocal tract. A microphone is then needed to record the resulting sound. A keyboard or guitar is typically connected to the talk box unit as the sound source for the speaker. This lets the keyboard or guitar sound like it’s singing. If you’ve heard Chromeo, 2Pac’s California Love, Peter Frampton’s Do You Feel Like We Do, or Bon Jovi’s Livin’ On A Prayer before, you’ve heard a talk box.
I can confirm firing loud sounds into your mouth while holding a tube with your teeth is a bit uncomfortable. In terms of vocal effects used by Daft Punk, I think talk box might be the least used and least interesting, in terms of hunting down the exact hardware used. Talk boxes are simple devices and typically all sound similar. The sound source and performance play a bigger role in the result than the hardware itself.
The two videos above are worth watching for their comparisons of the effects of the different devices. They don’t include any direct Daft Punk samples (rights issues?), but if you’re familiar enough with their oeuvre, it’s easy enough to compare w/o samples.
Do yourself a favor and watch this: Erin Morton is a junior in the BFA Musical Theatre program at the University of Cincinnati College-Conservatory of Music and she absolutely blisters the paint off of the walls with her performance of Radiohead’s Creep. Wow. I actually got some goosebumps watching this.
Primer is an introduction to oscilloscope music, a genre and art form where vector visuals are formed by the music itself. The image is produced by using the left audio channel to control the beam on the X axis, and the right audio channel to control the beam on the Y axis.
Once I wrapped my brain around what was happening here, I found this to be quite an impressive achievement: creating beautiful & coherent visuals from non-discordant music. (via waxy)
While I prefer the charming homemade quality of the original that she made in her small NYC apartment at age 21, this version is pretty great too. It’s going to be super interesting to see what Doechii does next — looking forward to it!
This is a lovely cover of Bush’s Glycerine by Allison Lorenzen and Midwife, set to a poignant series of very short videos of everyday life. Give this 20 seconds of your complete attention and you’ll watch the whole thing, I promise. (via @mariabustillos.com)
In a recent episode of The Simpsons, Bart becomes a DJ and KDO favoritesThe Hood Internet wrote the music and did all of Bart’s mixes. They also made a ending credits remix of some of the most memorable Simpsons songs, including See My Vest, Mr. Plow, Do the Bartman, We Do (the Stonecutters song), Dr. Zaius, and The Monorail Song:
A couple of weeks ago, I posted a YouTube video of Doechii singing and rapping about anxiety over Gotye’s Somebody That I Used To Know from 2019 that was going viral on Insta and TikTok. Well yesterday, Doechii officially released Anxiety as a single, so you can find it on YouTube (though I prefer the original video), Spotify, Apple Music, and anywhere else you stream or buy music.
P.S. Here’s Doechii doing a CATFISH / DENIAL IS A RIVER medley at the Grammys last month:
Hey look at this, a media diet post that’s not months and months since the last one! Phew, it’s a been a long-ass six weeks since the beginning of the year, hasn’t it? Here’s a list of what I’ve been reading, watching, listening to, and experiencing to help get me through the days.
Nosferatu (2024). Not usually a fan of horror movies, but I liked this a lot. Great acting and cinematography. (A-)
Shōgun by James Clavell. This took a bit to get fully into, but I was riveted for the last 600-800 pages, even though I knew what was going to happen from having seen the TV show. So much more delicious detail in the book though. A great reading experience. (A)
September 5. Loved this. Solid journalism thriller in the vein of Spotlight, The Post, and All the President’s Men. (A)
Silo (season two). In agreement with many other viewers that the middle of the season was not all that compelling, but the final two episodes were great. (B+)
Not Like Us. For whatever reason, I ignored the Drake/Kendrick feud, so I got to this late but wow. “Hey, hey, hey, hey, run for your life…” (A)
Arca Tulum. Eating at this sort of restaurant should yield exclamations like “I’ve never tasted anything quite like this”. I thought this at least three times at Arca. But also: a pile of rocks is not the ideal plate for messy food. (A-)
Aldo’s. This is a Mexican gelato chain and they had a Biscoff-flavored gelato that was so good that I went back for it three more times. (A)
Antojitos La Chiapaneca. This is the only restaurant I ate at twice in Tulum — their al pastor tacos are so good. (A)
The Serviceberry by Robin Wall Kimmerer. A quick read but very relevant to what’s happening in the world right now. In keeping with the theme, I left the book at my hotel for someone else to read. (B+)
Janet Planet. A little too contemplative for me. (B)
Abruzzo.Mario Carbone created the menu for this Italian place at the Newark Airport. I had the penne vodka and I think it was the best thing I have ever eaten at an airport? Is it insane that I kinda want to plan a trip with an EWR connection so that I can have it again? P.S. the Tripadvisor reviewers haaaated this place. (A)
Reservation Dogs (season three). I reviewed Res Dogs in the last media diet post (“I enjoyed the first season more than the subsequent two”) but I’d like another crack at it. The last three episodes of the show were fantastic, especially the hospital breakout and Elora meeting her dad. (A+)
Flow. Reminded me strongly of Studio Ghibli’s films, but this wonderful animated movie is also uniquely its own thing. (A+)
The Bends. My usual Radiohead fare tends towards Kid A and In Rainbows, but I’ve been listening to The Bends a lot lately and appreciating the less polished rockiness of it. (A-)
Wool. Since the book (more or less) covers the events of the first two seasons of the TV series, I read half of it after season one and the other half after the latest season. And…I think the TV series is much better? (B-)
Thelma. A gem of a film, like Mission Impossible crossed with About Schmidt (or maybe The Bucket List). June Squibb is *fantastic* in the lead role. (A)
The Great British Bake Off (2024). Overall I enjoyed this season — they recruited a selection of talented bakers and the changes they’ve made (e.g. getting away from stunt bakes). But I found the semifinal and final difficult to watch because one of the contestants forgot he was supposed to be entertaining on television and totally lost his composure. (B+)
GNX. I also reviewed this in the last media diet post but I’ve continued to listen and I think GNX may have moved past DAMN. as my favorite Kendrick album? (A+)
Hundreds of Beavers. Super fun and inventive…this is like an animated movie with video game elements made with live-action actors. If you’re the sort of person who loves movies like Monty Python and the Holy Grail, you’ll probably love this movie. (B+)
Orbital by Samantha Harvey. A reviewer complained that the final third of the book took on the style of a writing exercise and I agree. (B)
The Penguin. Colin Farrell is unrecognizable (and great) as Oz, and Cristin Milioti is a chillingly fantastic Sofia Falcone. The first few episodes were really strong but I felt it slipped a bit as the season went on. (A-)
Nathan Zed argues that a lack of effort and vulnerability has made art, media, design, music, and architecture boring — that everything has the “soulless, monotonous no-personality vibe”. But artists like Tyler, the Creator; Chappell Roan; Doechii; and Kendrick Lamar are making trying cool again.
It has become uncool to just try. Like, just to put in some effort. Don’t do too much, okay, it’s embarrassing — just be nonchalant, be cool, be effortless. This has made everything boring! Everyone is too scared to try because that would be vulnerable. I feel like only now are we seeing a shift back to people putting in effort and being rewarded for it.
Backed by a full band, horns and two background singers, Doechii’s performance was a masterclass in creativity. Sporting vintage academia looks, complete with matching cornrows and beads, Doechii delivers a freshly rearranged medley of cuts from ALLIGATOR BITES NEVER HEAL, tailored specifically for Tiny Desk. While hip-hop remained at the core, she truly gave us everything: a jazz arrangement of “BOOM BAP,” heavy rock vibes on “CATFISH” and a Southern praise break outro on “NISSAN ALTIMA.”
She closed her set with “Black Girl Memoir” from her debut album, Oh The Places You’ll Go. Before performing, she shared, “I wrote this song specifically for Black women. As a dark-skinned woman, there’s a very unique experience I’m trying to internalize … This is dedicated to all the beautiful Black women in the room.” While her star has been steadily on the rise since her debut, 2024 is shaping up to be the year Doechii cements herself as a household name.
Oh this is just delightful: for the opening of his documentary film on the history of music on SNL he co-directed with Oz Rodriguez, Questlove produced what the NY Times calls “a high-speed, six-minute DJ mix of SNL music highlights”. So. Good.
From the same piece in the Times, Questlove explains how it came about:
It’s impossible for me to phone anything in, even if I wanted to. I just wanted to throw the ultimate D.J. gig and hook you in from the gate. It started off small, and it couldn’t stop.
In the beginning, I was just going in five-year intervals — what’s the three strongest moments between ‘75 and ‘80? — and do it that way. But I’m so programmed as a D.J. it’s physically impossible for me to gather a group of songs together and not start — that’s my version of improvisation. And once you put, like, 17 songs together, you have a conversation with yourself: “OK, are we really doing this?”
My producers said: “It’ll never happen! The clearance, the clearance!” This is the first time that I realized my diplomatic position in music. People say, “Ahmir, you might be the next Quincy Jones, because your whole thing is more social than creative, knowing the right people, knowing who’s who.” There were at least 19 situations in which I had to come hat in hand to said person, and mind you, this is for two seconds — Michael Bolton singing “Love Is a Wonderful Thing” just once.
He got every clearance except for Luciano Pavarotti:
The only outright no that I couldn’t fix was that Luciano Pavarotti was going to be part of the Bobby McFerrin-Busta Rhymes mash-up. But it was too much to explain to his estate, and I couldn’t go to Italy and whatever. It could have been brilliant, Bobby McFerrin and Pavarotti going toe to toe.
The film premieres tonight on NBC and will be available on Peacock starting tomorrow.
Update: The YouTube video is now barely watchable — 2/3s of the screen is blurred. You’ll have to watch the film on Peacock to get the full experience.
Well, I really don’t know what happened here. One minute it was the second week of January 2024 and the next minute we’re a scant 12 hours away from 2025 — a ludicrously futuristic date, a sci-fi date. And I didn’t do a media diet post all year! I have no excuse; it just…didn’t happen. Over and over and over and over again — it just kept not happening!
As penance, and for my last post of the year, here’s a giant media diet recap of (almost) everything I read, watched, listened to, and experienced in the year of our lord 2024. (I’ll try to break it up into smaller chunks next year… 🤞)
Intermezzo by Sally Rooney. I am just totally in the tank for how Rooney writes about power dynamics & interpersonal interactions. I think maybe this is my second-favorite of hers after Normal People? (A)
Shōgun. My favorite show of the year by a mile — so good all around. (A+)
Developing AI Like Raising Kids. Engaging and wide-ranging podcast conversation between Alison Gopnik and Ted Chiang about what caregiving and designing AI systems might have in common. (A)
GNX. The latest album from Kendrick Lamar has been on heavy rotation in my car since it came out. (A)
Dune: Part Two. I loved this, particularly in IMAX. It’s a better film than the first part and very rewatchable (I’ve seen it ~5 times?). I hope Villeneuve does another one. (A+)
Dune. I went back and rewatched this after seeing Dune: Part Two and it all made so much more sense. I can’t remember ever seeing a sequel that improved the first film in retrospect. Empire Strikes Back maybe? (A)
XOXO 2024. It was so good to see so many old friends and meet some new ones. (A)
The 2024 total solar eclipse. Not quiiiite as mind-blowing as my first time, but it was great to bust out the telescope and share the experience with friends and eclipse newbies. (A+)
May December. Natalie Portman & Julianne Moore were both fantastic in this. (A-)
The Incredibles. A perfect movie. No flab. Hits all the right notes. (A+)
The Incredibles 2. When this came out, I preferred it to the first movie. Now having seen them back-to-back, the sequel is not quite the equal to the original. But still great. (A)
Anatomy of a Fall. A gripping legal & family drama from director Justine Triet. (A-)
The Big Dig. A nine-part, in-depth podcast on how the massive Boston highway project got done. Would recommend for governance and infrastructure nerds but also for anyone who is curious about how things get done (or not) in America. (A)
Princess Mononoke. My favorite Ghibli movie — so great to be able to see it at the theater. Just gorgeous. (A)
Mad Max: Fury Road. My umpteenth rewatch confirms: a perfect movie. (A+)
Godzilla Minus One. Not a Godzilla scholar, but this is certainly the best Godzilla movie I’ve ever seen. A real gem of a movie. (A)
Funspot. Billed as “the world’s largest arcade”, the real attraction of Funspot for me is the 250+ classic games and pinball machines (Star Wars, Frogger, Donkey Kong, Burgertime, Gorgar, Dig Dug, Mr Do!, etc.) I took my teenaged kids here last summer and they loved it. Plus, $20 in tokens kept the three of us entertained for almost two hours. (A)
Furiosa: A Mad Max Saga. I watched this twice — the first time I thought it was alright (was Anya Taylor-Joy the right choice for the lead?) but I loved it the second time around (Anya Taylor-Joy was the right choice for the lead). (A)
Star Trek: Strange New Worlds. It’s been awhile since I’ve fallen in love with a Star Trek series, but this one got me hooked right away. (The commenters in this thread were spot on with their recommendations.) I absolutely love the cast and the episodic format. I blazed through season one, am still stinge watching season two, and am delighted that the show has been renewed for two more seasons. (A)
All Fours by Miranda July. A truly weird book that I loved. Listen to the audiobook version if you can…July’s voice acting (I can’t really call it mere narration) really adds to the experience. (A)
Lawrence of Arabia. I’d never seen this before but I got a chance to see it on a big screen this summer and was blown away by it. A truly gorgeous film. (A)
The Zone of Interest. I’m not a particular fan of Jonathan Glazer, but this film was brutal and chilling and boring. The sound design was absolutely brilliant. (A-)
Long Island Compromise by Taffy Brodesser-Akner. Brodesser-Akner is a hell of a writer. (A)
Capitalism. Another banger from Scene on Radio, which you may remember from their excellent podcast series on whiteness, American history, and the climate crisis. Their series on capitalism is typically thought-provoking and informative. (A)
The Great British Bake Off (2023 season). When each new season of Bake Off starts, I’m always like “who are these chuck-a-lucks?” and by about the fourth episode I’d run through a wall for any of the bakers. Such a great format & vibe to this show. (A)
Poor Things. Really enjoyed this. Emma Stone was fantastic. (A-)
The Diplomat (season two). I can’t tell if this show is actually good or if I just really, really like it. But I’ll tell you who’s actually good though: Allison Janney — she swooped in for the final two episodes and upstaged the rest of the really talented cast. (A-)
Gladiator. Rewatched in anticipation of the sequel. A neeeearly perfect movie. I can’t really even put my finger on why it isn’t quite flawless — there’s like 3-5 minutes that could be reworked or cut or something. But still, a great film that I love to watch. (A)
Things Become Other Things. I regret to inform you that the irritatingly nice & talented Craig Mod is also good at writing memoirs. The bastard. (A)
Chernobyl. I rewatched this with my son this fall and I’d forgotten just how good it is. One of the best TV things of the past decade. The courtroom scene with Legasov and his blue & red cards is one of the best & simplest explanations of the reactor’s explosion you’ll find anywhere. (A)
James by Percival Everett. It’s a close call, but I think this retelling of Adventures of Huckleberry Finn was my favorite book of 2024. The audiobook version, narrated by Dominic Hoffman, is fantastic. (A)
Dookie Demastered. Green Day “demastered” their 1994 album Dookie into 15 “obscure, obsolete, and inconvenient” formats, like wax cylinder, Fisher Price record, Teddy Ruxpin, and player piano roll. Brilliant. (A)
Shōgun by James Clavell. I’m nearly halfway through this 1300-page behemoth, but I wanted to include it here because I’m blazing through it and enjoying it so much. (A-)
How Playwright Annie Baker Made the Movie of the Summer. This podcast conversation between Sam Fragoso and Annie Baker is fascinating because of Baker’s polite but insistent refusal to adhere to the social conventions of a media interview. (A)
Conclave. I can’t decide if this film is overwrought or just the right amount of wrought. Well-acted though and compelling. (B+)
Cléo from 5 to 7. I appreciated this film more than I enjoyed it. (B)
Fallout. A promising first season; I’m glad they’re doing another. (B+)
Past Lives. Greta Lee is great in this. And that last scene, ooof. (B+)
Moonbound by Robin Sloan. Was pretty charmed by this, in part because it was fun trying to connect the narrative & themes of the book to Sloan’s preoccupations on his mailing list over the past 2-3 years. (B+)
For All Mankind (season four). My pre-season musing about this show being “a prequel/origin story for The Expanse” hold up pretty well, I think. (B+)
The Holdovers. A mostly wholesome Christmas-time Breakfast Club. (A-)
The Great (season three). This didn’t have the zing of the first season, but it was better than the second. (B+)
Reservation Dogs. I am going to get yelled at for this but I enjoyed the first season more than the subsequent two. I appreciate what they did with the second and third seasons on an intellectual level (it’s brilliant, multi-generational storytelling) but I found my attention drifting as I tried to keep up with all of the connections. (A-)
Civil War. I’d like to see this again — I’m still not sure if I liked it or if it was any good. (B)
Constellation. Was disappointed with this show. Would have been an interesting three-episode series — instead we got eight ponderous episodes. (C)
3 Body Problem. Netflix did pretty well with this adaptation and the changes made sense. Looking forward to see where they go with the next season. (B+)
The Three-Body Problem trilogy by Cixin Liu. Well, after watching the TV series, I went back to read the three-book series for the third time. Was a little let down this time for whatever reason. (B)
Alien. Saw this in the theater over the summer and didn’t like it quite as much as I have in the past. (B+)
The Gilded Age. A gorgeously filmed and costumed guilty pleasure. Who is going to keep making this kind of series after Julian Fellowes retires? (A-)
Rebel Moon. Aka Zach Snyder’s Star Wars. Couldn’t finish this it was so bad. What a hack. (D)
Leave the World Behind. I watched this way back in January and had to paste the title into Google to see what it even was. I remember it being pretty uneven. But it also introduced me to Myha’la. (B-)
The Marvels. I honestly don’t remember much of this, just that it didn’t have the, uh, goodness of the first one. (B)
Star Wars: The Phantom Menace. Saw this on the big screen this summer, which was worth it for the pod race and the “duel of the fates” lightsaber battle at the end. (B-)
Petite Maman. A film of quiet impact by Céline Sciamma. I didn’t know anything about this going in and was delighted by where it went. (A-)
Frankenstein.Hot Frank Summer! I really tried to get into this but just couldn’t…I got bored and gave up a third of the way in. (C+)
Devs. Rewatched this with my son and didn’t like as much as I did the first time. I found it a little too self-serious. (B+)
Star Wars: The Acolyte. Uneven but with some good moments. Glad I watched it, even though the show got cancelled. (B)
Avatar: The Last Airbender. I thought they did a good job casting the characters for this live-action series. But there’s a magic to the animated series that they didn’t capture. (B)
Fall Guy. Ryan Gosling and Emily Blunt were charming and the rest of it was fine. I enjoyed the dragging of Tom Cruise. (B)
Deadpool & Wolverine. Rotten Tomatoes has this at 78% and that seems right…I liked it about 78%. (B+ (I grade on a scale apparently))
Ponyo. Another Ghibli movie I got to enjoy on the big screen. (B+)
North Woods by Daniel Mason. I would have liked this more without the magical realism. Some great parts though. (B+)
Rebel Ridge. I really enjoyed this one. This movie felt like a throwback of sorts: a solid thriller with no bells and whistles. Reminded me a bit of The Fugitive. (A-)
A Shaun the Sheep Movie: Farmageddon. I enjoy the Shaun shorts more than the films, but this one had an impressive number of sci-fi references in it…the kids got annoyed at me pointing them out. (B+)
The Wild Robot. Hilarious at times, but a bit too pat when it came to the main plot/emotional core. (B)
The Good Place. Third time through on this one…a comedy classic that stuck the landing. (A)
Gladiator II. I wanted this to be better. Denzel Washington was fantastic, as was his sleeve-work. Love that the co-emperors were basically crypto YouTube bros. (B)
Alien: Romulus. Very good Alien installment. I was on the edge of my seat for the last third of the movie as the heroes raced against the inevitability of gravity — one of the best action/thriller sequences of the year, I’d reckon. (B+)
Moana 2. Watched this with an audience filled with little kids and when Maui appeared on the screen for the first time, a little boy said “Maui” in a quietly awed voice, instantly charming the entire theater. (B)
Mr Salary by Sally Rooney. I had no idea this short story existed until a few months ago. It was written before she published her debut novel. (B+)
Elf. It was nice to see Bob Newhart — I’d forgotten he was in this. (B)
Inside Out 2. Pixar is still the best studio for making kids’ movies that appeal to all ages. My kids were like, yep, pretty much what it’s like being a teenager. And I identified both with Riley and her parents. (A)
Radical Optimism. Underwhelming compared to Future Nostalgia, but I do like Houdini a lot. (B)
“I could really feel the heaviness of the song, and I wanted to inject a little touch of hope and light into it. There’s always a presence of light that can break through those times of darkness.”
Vanity Fair has done a video interview Billie Eilish every year since she was a relatively unknown 15-year-old singer/songwriter. They skipped releasing last year’s interview but they are back with year eight.
I still marvel that Vanity Fair embarked on this project with this particular person. They could have chosen any number of up-and-coming 2017 pop singer/songwriters and they got lucky with the one who went supernova and won multiple Grammys.
Her selection over a multitude of other talented, rising stars is truly one of the great talent scouting successes ever.
The only Christmas music I want to hear this year is The Muppets doing Carol of the Bells. Beaker, Animal, and the Swedish Chef makes a great trio, don’t you think?
Speaking of speaking of Tiny Desk Concerts here are two recent good ones. (Eep, wait, they’re all really good. What if any performance by a very talented performer in an intimate setting is always going to be special?)
Waxahatchee was solo in her 2013 performance, but here she is with an excellent five piece band, including Jeff Tweedy’s son on drums.
And here’s Doechii with a NINE piece. Gosh, this is so good and so fun to watch.
This is also worth a watch about how the NPR engineers make the concerts sound so good.
During the pandemic, Billie Eilish did a Tiny Desk Concert at home amidst a very faithful recreation of the NPR office. Last week, Eilish played a proper set at the actual office. From the video’s description:
Saudade is a Portuguese word that can be roughly defined as a feeling of melancholy, nostalgia or yearning for something that is beloved but not present. There’s no perfect translation, but one of the closest English expressions of the word I’ve ever seen is Billie Eilish’s Tiny Desk performance.
You’d think the Los Angeles-born singer invented the term. Every breath is so full of indulgent melancholy, hopeful regret, at 22 years old she’s become a captivating fixture of what it means, or rather what it feels, to love and lose simultaneously.
Accompanied by a small band and her brother Finneas, Eilish played The Greatest, L’Amour de Ma Vie, i love you, and Birds of a Feather. Lovely.
Coldplay tapped Spike Jonze & Mary Wigmore to direct the music video for a song called All My Love from their latest album and the pair decided to turn it into an early 99th birthday celebration of Dick Van Dyke. Van Dyke danced a bit, sung a bit, was swarmed by his family, and ruminated on nearing the end of his life:
I’m acutely aware that I could go any day now, but I don’t know why it doesn’t concern me. I’m not afraid of it. I have the feeling — totally against anything intellectual I have — that I’m gonna be alright.
The video is really quite moving — what a splendid human. Watch until the end, when Chris Martin composes a song on the spot for an absolutely delighted Van Dyke. (via @danielgray.com)
It is difficult to categorize the kinds of videos that Posy makes — they are part science demo and part visual art. His latest video, Household Objects (But Extremely Close), uses a powerful macro lens to look at everyday objects like toothbrushes, sponges, and pencils, turning them into swirling abstract films. His music is lovely too — you can find it on Bandcamp.
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