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For fans of Edith Zimmerman, a new Etsy offering: “A 4x6” made-to-order printing of any single comics frame of your choosing, from my newsletter.”
I love this interactive video at Design Ah! Exhibition Neo at Tokyo Node. The display introduces the audience to a series of simple hand gestures, followed by some outcomes of their performance, e.g. a squeezing motion leading to soapy spray on a window or toothpaste on a toothbrush. This looks like it would be super fun in person.
The exhibition is a real-life version of Design Ah!, a Japanese show about design for kids.
Set to catchy music, Japanese Hiragana characters danced across the screen for a few minutes. Then came a line animation wordlessly designing and redesigning a parking lot. Next was stop motion. Electronic devices came apart. As the camera zoomed out, the individual parts lined up into a grid.
We didn’t know what we were watching, but we were transfixed. Everyone from the adults to the one-year-old had their eyes glued to the TV.
Speaking of what fast looks like, here’s a pair of synced videos that show just how fast F1 cars are. On the left are drivers participating in a track day, that is, normal folks who want to drive their cars fast on a real race course. A couple of them look like actual GT cars and are moving pretty quick. On the right, you’ve got F1 cars on the same track. It’s not even close:
Here’s an overlaid version and you can also see how much faster F1 cars are than just 25 years ago…the 2011 F1 car beats the 1986 F1 car by an amazing 22 seconds over a total time of a minute and a half. (via @coreyh)
Update: In a speed test, an F1 car starts 40 seconds after a Mercedes sports car and 25 seconds after a V8 Supercar (essentially an Australian NASCAR) and still catches them by the end of the first lap.
As an aid to his travel planning, Kevin Kelly has compiled a meta-calendar of Asian festivals.
A group of researchers tracked down the original photo used in the final scene of The Shining. “It was a real photo from the 1920s, and Nicholson’s face had been superimposed over someone. But whose face was it?”
If you’re like most people, you probably started yawning as soon as you read the title of this post and saw the video’s thumbnail. And then yawned like two or three times watching it. That’s because a) yawning is contagious, and b) that video is chock-a-block with clips of people and animals yawning.
Yawning is so weird. It’s even a strange word. Yaaaaawwwwwnnnn. And like I mentioned, it’s contagious. In fact, it’s so contagious that even reading or overhearing someone talking about yawning can cause you to yawn. Why the hell do we do this weird thing? Perhaps to cool our brains.
(via the kid should see this)
Today’s weather report styled like The Weather Channel in the 90s: WeatherStar 4000+.
You Sure You’re In The Mood For Another Wes Anderson Film With Everything That’s Going On? “Tom Hanks and Bryan Cranston rattling off my signature droll dialogue — enticing or not?”
Decisions and opportunity in America are no longer cheap. “Life is an open world game. It rewards you for exploring. And capitalism cannot fucking stand that. It wants you on rails.”
In 1996, Harper’s published a long piece by David Foster Wallace called Shipping Out, in which Wallace, a decidedly non-luxury cruise person, goes on a week-long luxury cruise in the Caribbean.
I have now seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled suntan lotion spread over 2,100 pounds of hot flesh. I have been addressed as “Mon” in three different nations. I have seen 500 upscale Americans dance the Electric Slide. I have seen sunsets that looked computer-enhanced. I have (very briefly) joined a conga line.
I have seen a lot of really big white ships. I have seen schools of little fish with fins that glow. I have seen and smelled all 145 cats inside the Ernest Hemingway residence in Key West, Florida. I now know the difference between straight bingo and Prize-O. I have seen fluorescent luggage and fluorescent sunglasses and fluorescent pince-nez and over twenty different makes of rubber thong. I have heard steel drums and eaten conch fritters and watched a woman in silver lamé projectile-vomit inside a glass elevator. I have pointed rhythmically at the ceiling to the two-four beat of the same disco music I hated pointing at the ceiling to in 1977.
I have learned that there are actually intensities of blue beyond very bright blue. I have eaten more and classier food than I’ve ever eaten, and done this during a week when I’ve also learned the difference between “rolling” in heavy seas and “pitching” in heavy seas. I have heard a professional cruise-ship comedian tell folks, without irony, “But seriously.” I have seen fuchsia pantsuits and pink sport coats and maroon-and-purple warm-ups and white loafers worn without socks. I have seen professional blackjack dealers so lovely they make you want to clutch your chest. I have heard upscale adult U.S. citizens ask the ship’s Guest Relations Desk whether snorkeling necessitates getting wet, whether the trapshooting will be held outside, whether the crew sleeps on board, and what time the Midnight Buffet is. I now know the precise mixocological difference between a Slippery Nipple and a Fuzzy Navel. I have, in one week, been the object of over 1,500 professional smiles. I have burned and peeled twice. I have met Cruise Staff with the monikers “Mojo Mike,” “Cocopuff,” and “Dave the Bingo Boy.”
I have felt the full clothy weight of a subtropical sky. I have jumped a dozen times at the shattering, flatulence-of-the-gods-like sound of a cruise ship’s horn. I have absorbed the basics of mah-jongg and learned how to secure a life jacket over a tuxedo. I have dickered over trinkets with malnourished children. I have learned what it is to become afraid of one’s own cabin toilet. I have now heard — and am powerless to describe — reggae elevator music.
Wallace later expanded this piece for the titlular essay in his nonfiction collection, A Supposedly Fun Thing I’ll Never Do Again (a much better title).
Your beginning-of-summer PSA: Drowning Doesn’t Look Like Drowning. “There is very little splashing, no waving, and no yelling or calls for help of any kind.” So here’s what to look for…
Want to use your phone less? Try Forest. “Whenever you want to stay focused, plant a [virtual] tree. Your tree will grow while you focus on your work. Leaving the app halfway will cause your tree to die.”
The Fear of Never Landing is a new album from ambient music band Marconi Union, whose 2011 song Weightless has been described as “the world’s most relaxing song”. Get it on YT, Bandcamp, Spotify, and Apple Music.
To celebrate the 50th anniversary of the band, Talking Heads have released a new music video for their iconic 1977 single, Psycho Killer. The video stars Saoirse Ronan and was directed by Mike Mills.
They are doing a Spaceballs 2. (“They” includes Mel Brooks and Rick Moranis, who has not appeared in a live-action film since 1997.) “I am one with the Schwartz and the Schwartz is with me.”
A new study from MIT’s Media Lab (not yet peer-reviewed & small sample size): ChatGPT May Be Eroding Critical Thinking Skills.
The [NYC] Subway Is Not Scary. “It’s fine and safe. It’s full of women and children. There are tons of old ladies on there.” And: “You sound real corny being scared of the subway.”
Historian Heather Cox Richardson is now doing visual versions of her daily newsletter on YouTube. Yesterday’s video explains the origins and significance of Juneteenth.
Black people in Galveston met the news Order No. 3 brought with celebrations in the streets, but emancipation was not a gift from white Americans. Black Americans had fought and died for the United States. They had worked as soldiers, as nurses, and as day laborers in the Union army. Those who could had demonstrated their hatred of enslavement and the Confederacy by leaving their homes for the northern lines, sometimes delivering valuable information or matériel to the Union, while those unable to leave had hidden wounded U.S. soldiers and helped them get back to Union lines.
But white former Confederates in Texas were demoralized and angered by the changes in their circumstances. “It looked like everything worth living for was gone,” Texas cattleman Charles Goodnight later recalled.
Just dropped yesterday: Lane 8’s Summer 2025 Mixtape. Got this on right now trying to coax the ol’ brainpan back into work mode.
Ok, having been all over the western Mediterranean for the past two weeks, I’m back. *sigh* Here, without comment or context (I know, I know), are some of the things I saw:
Not pictured: a bunch of amazing food we ate over the course of the trip.
I’m in Rome with my family to celebrate a milestone. We went to the Borghese Gallery this morning and I got to see my favorite sculpture, Bernini’s Ratto di Proserpina. A masterpiece. The photos both do and do not do it justice — so grateful to get to see it in person.
Hey, folks. I just wanted to let you know that I’m going to be away from the site for a couple of weeks for a family vacation. No guest editor or anything…just going off the air for a much needed rest. Wishing everyone well and I will see you in mid-June.
The latest issue of Jodi Ettenberg’s The Curious About Everything newsletter is typically great — every link worth your attention. Best to have a few hours free before diving in.
Astronomers discover strange new celestial object in our Milky Way galaxy. “It was the first time X-rays had been seen coming from a so-called long-period radio transient, a rare object that cycles through radio signals over tens of minutes.”
King of the Hill is returning after 15 years. “Hank and Peggy Hill are now retired and return to a changed Arlen after years of working in Saudi Arabia; and Bobby is 21 and living his best life while navigating adulthood as a chef.”
Taylor Swift has bought back the rights to her first six albums. “All of the music I’ve ever made now belongs to me.”
Teaser trailer for Wake Up Dead Man, the third in the Knives Out series by Rian Johnson.
David Lynch’s estate auction, including cameras, clothes, books, memorabilia, megaphones, scripts, vinyl, furniture, coffee makers & grinders, art supplies, musical instruments, etc.
If you can stop gawping at Alaska’s gorgeous scenery long enough, you can witness drone footage of a whole lot of salmon migrating upstream from Lake Iliamna1 to spawn. (via digg)
Lake Iliamna is home to the supposed Iliamna Lake Monster, a beast “10-30 feet in length with a square-like head that is used to place blunt force unto things such as small boats”. Where’s the drone footage of that?!↩
I like this song (Lifelike’s So Electric) and I like this video (footage of Olivia Newton John in the movie Xanadu set to Lifelike’s So Electric).
Two interesting things about the rock paper scissors game: 1. scissors were actually invented before paper, and 2. an early Japanese variant was frog slug snake (frog beats slug, slug beats snake, snake beats frog).
A supercut of every point scored by Kobe Bryant in his 81-point game in 2006. He only had 26 at the half and his team needed the points…they were losing until just before the 4th quarter.
The Criterion Collection is releasing a new boxset of Wes Anderson films, The Wes Anderson Archive: Ten Films, Twenty-Five Years.
Wes Anderson’s first ten features represent twenty-five years of irrepressible creativity, an ongoing ode to outsiders and quixotic dreamers, and a world unto themselves, graced with a mischievous wit and a current of existential melancholy that flows through every captivating frame. This momentous twenty-disc collector’s set includes new 4K masters of the films, over twenty-five hours of special features, and ten illustrated books, presented in a deluxe clothbound edition.
The boxset’s trailer is predictably Andersonian:
More details:
New 4K digital masters of Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Isle of Dogs, and The French Dispatch of the Liberty, Kansas Evening Sun, supervised and approved by director Wes Anderson, with 5.1 surround DTS-HD Master Audio soundtracks
This boxset will set you back a cool $400 ($350 on Amazon), but look at all that stuff!
The actor Patrick Stewart exists in the Star Trek universe and “Jean-Luc Picard is aware of him” and other little-known Star Trek facts.
28 slightly rude notes on writing. “Most writing is bad because it’s missing a motive. It feels dead because it hasn’t found its reason to live.”
Grammar movies: Apostrophes Now, Rebel Without a Clause, Gerund Brockovich, Alien vs Predicator, Indicative Jones and the Last Clause, Silence of the iambs, etc.
“All three of the country’s largest carriers (American Airlines, United Airlines, and Delta) are penalizing solo travelers with higher ticket prices than you can book when traveling with a group.” Assholes.
ESA’s Proba-3 is planning on creating an artificial eclipse to study the sun’s corona. The two halves of the solar probe recently achieved “millimetre precision” while flying autonomously in formation for several hours 50,000 km above the Earth.
Caine is nine years old, lives in LA, and built his own arcade out of cardboard boxes in the back of his father’s auto parts store.
You’ve go to watch until at least 3:10 when he explains how to check the validity of the “Fun Pass” using the calculators located on the front of each game. So so so good!
Don’t mind me, I’m just watching old episodes of The Great Space Coaster on YouTube (Does anyone else remember this show? I watched it as a kid along with 3-2-1 Contact, Captain Kangaroo, H.R. Pufnstuf, The Bugaloos, etc.)
In this video, a writer named Hannah shares an experiment her Intro to Psychology professor ran on her class. Here’s a transcript:
It’s 11 years ago, I’m in a massive university Intro to Psychology class. Everybody in my 250-person lecture is freaking out because it’s the last class before the exams and none of us are ready. Professor says, “you know what, you guys seem stressed. I’m just gonna give all of you a 95%, blanket across the board — but you have to vote unanimously on it.”
He puts the poll on the board. We vote. 20 people say, “nope, I don’t want the guaranteed 95%”.
He puts another poll up that’s just like, why? Option A is: I selected the 95% because I want it. B: I think I could do better. C: I don’t want a grade I didn’t deserve. D: I don’t want somebody else to get the same grade as me even if they didn’t study as much. And all 20 people who didn’t want the 95% didn’t want it for that last reason.
The professor said, “this is the most important psychological lesson I will teach you this semester. I’ve been doing this experiment on classes for the past 10 years and not one class has agreed unanimously because there’s always somebody who doesn’t want someone to have what they have because they don’t think they deserve it. Statistically only 10 of you will get a 95% or above.” Because in life, greed will always hurt you more than it helps you.
This explains the people who are mad about student loan forgiveness. Seems like that 8% is who’s running the country right now.
The 100 best sports moments of the 21st century (so far). Hmm. That’s all I’m going to say about this list. Hmm.
Re: SpaceX rockets that keep exploding: You Can’t Make an Omelette Without Exploding Several Billion Dollars Worth of Eggs. “Look, things explode. It’s just part of nature. Cybertrucks explode, and it’s no big deal.”
Alexandra Petri has some advice for the 2025 Harvard grad who will become ludicrously rich: “After the cataclysmic Event happens that unravels society and sends me scurrying to my luxury bunker, how do I keep my guards loyal?”
Among a number of things I’ve read online that I think about all the time is David Roberts’ 2020 piece for Vox about shifting baselines.
Humans often don’t remember what we’ve lost or demand that it be restored. Rather, we adjust to what we’ve got.
Concepts developed in sociology and psychology can help us understand why it happens — and why it is such a danger in an age of accelerating, interlocking crises. Tackling climate change, pandemics, or any of a range of modern global problems means keeping our attention on what’s being lost, not just over our lifetimes, but over generations.
Roberts cites the work of fisheries scientist Daniel Pauly in explaining the concept:
So what are shifting baselines? Consider a species of fish that is fished to extinction in a region over, say, 100 years. A given generation of fishers becomes conscious of the fish at a particular level of abundance. When those fishers retire, the level is lower. To the generation that enters after them, that diminished level is the new normal, the new baseline. They rarely know the baseline used by the previous generation; it holds little emotional salience relative to their personal experience.
And so it goes, each new generation shifting the baseline downward. By the end, the fishers are operating in a radically degraded ecosystem, but it does not seem that way to them, because their baselines were set at an already low level.
Over time, the fish goes extinct — an enormous, tragic loss — but no fisher experiences the full transition from abundance to desolation. No generation experiences the totality of the loss. It is doled out in portions, over time, no portion quite large enough to spur preventative action. By the time the fish go extinct, the fishers barely notice, because they no longer valued the fish anyway.
Shifting baselines can also occur in individuals and across shorter timelines, especially in intense situations. In a recent piece for the NY Times, M. Gessen warns that we’re entering a new phase of the Trump Era:
In this country, too, fewer and fewer things can surprise us. Once you’ve absorbed the shock of deportations to El Salvador, plans to deport people to South Sudan aren’t that remarkable. Once you’ve wrapped your mind around the Trump administration’s revoking the legal status of individual international students, a blanket ban on international enrollment at Harvard isn’t entirely unexpected.
Once you’ve realized that the administration is intent on driving thousands of trans people out of the U.S. military, a ban on Medicaid coverage for gender-affirming care, which could have devastating effects for hundreds of thousands, just becomes more of the same. As in a country at war, reports of human tragedy and extreme cruelty have become routine — not news.
This stasis, complacency, and boredom is what I was getting at in this post from March:
And but so anyway, the point is that there’s so much important stuff going on! Fundamental human rights are under fresh attack daily! This is not a drill! But at the same time, the fundamental situation has not materially changed in a few weeks. There was a coup. It was successful. It is ongoing and escalating. Elon Musk retains more or less total control over a huge amount of the federal government’s apparatus and its spending. Protests are building. Congress largely hasn’t reacted. The Democratic Party shows few signs of behaving like an opposition party. Some of the purges are being walked back, piecemeal. The judiciary is weighing in, slowly. There’s talk of cracks in the conservative coalition. We’re in a weird sort of stasis where each day’s events are both extremely significant and also just more of the same.
Humans can get used to almost anything. At times, our shifting baselines can be a source of resilience even in the face of great peril. They also can result in great injustice. I don’t have any advice about staying engaged during periods like these, but awareness is surely part of it.
Pediatrician Dr. Annie Andrews is running against Lindsey Graham for one of South Carolina’s Senate seats. Based on the commercial launching her campaign, I kinda want to move to SC just so I can vote for her.
Harvard student: “I shall fight Secretary of Education Linda E. McMahon in a televised cage match, the winner of which gets $2.7 billion in federal grants and the power to uphold or destroy America’s continued technological and economic success.”
New apt acronym for America’s lamest president: TACO, which stands for Trump Always Chickens Out. He should be hounded about his perpetual lack of spine…this is the sort of thing that really gnaws at fake strongmen.
The curse of Toumaï: an ancient skull, a disputed femur and a bitter feud over humanity’s origins. “‘This piece,’ he warned, holding it before her: ‘You forget you ever saw it.’” Great read.
This rings true: “Elon Musk is less like Tony Stark and more like Michael Scott.” The future he’s selling us is Stark Industries but what we’re getting is Dunder Mifflin.
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