For Motherboard’s The Most Unknown series, physicist Davide D’Angelo and geomicrobiologist Jennifer Macalady travel to Laboratori Nazionali del Gran Sasso to see one of the latest efforts to detect dark matter, the SABRE detector.
As with the search for neutrinos, looking for dark matter needs to happen under conditions of “cosmic silence” — in this case, beneath a mountain in Italy. D’Angelo, who is a collaborator on the project, likens the search to “hunting ghosts”.
A collection of blueprints for open source houses
See a Full Jimi Hendrix Experience Concert on Restored Footage Thought Lost for 35 Years
Meet the man who invented the hummingbird feeding helmet
An interactive mirror that helps you work out – "the nearly invisible interactive home gym"
There's no quick links archive yet. If you'd like to see 'em all, follow @kottke on Twitter.
Eric Klinenberg recently wrote an opinion piece for the NY Times called To Restore Civil Society, Start With the Library.
Libraries are an example of what I call “social infrastructure”: the physical spaces and organizations that shape the way people interact. Libraries don’t just provide free access to books and other cultural materials, they also offer things like companionship for older adults, de facto child care for busy parents, language instruction for immigrants and welcoming public spaces for the poor, the homeless and young people.
I recently spent a year doing ethnographic research in libraries in New York City. Again and again, I was reminded how essential libraries are, not only for a neighborhood’s vitality but also for helping to address all manner of personal problems.
For older people, especially widows, widowers and those who live alone, libraries are places for culture and company, through book clubs, movie nights, sewing circles and classes in art, current events and computing. For many, the library is the main place they interact with people from other generations.
For children and teenagers, libraries help instill an ethic of responsibility, to themselves and to their neighbors, by teaching them what it means to borrow and take care of something public, and to return it so others can have it too. For new parents, grandparents and caretakers who feel overwhelmed when watching an infant or a toddler by themselves, libraries are a godsend.
Khoi Vinh, who until fairly recently had taken public libraries for granted, followed on with some additional thoughts.
Even more radically, your time at the library comes with absolutely no expectation that you buy anything. Or even that you even transact at all. And there’s certainly no implication that your data or your rights are being surrendered in return for the services you partake in.
This rare openness and neutrality imbues libraries with a distinct sense of community, of us, of everyone having come together to fund and build and participate in this collective sharing of knowledge and space. All of that seems exceedingly rare in this increasingly commercial, exposed world of ours. In a way it’s quite amazing that the concept continues to persist at all.
One of the ways that climatologists know that the dramatically increasing amount of atmospheric carbon dioxide (and corresponding temperature increase) is caused by human activity is by measuring changing land use and how much fossil fuel has been burned over the last few hundred years. From a 2004 RealClimate article:
One way that we know that human activities are responsible for the increased CO2 is simply by looking at historical records of human activities. Since the industrial revolution, we have been burning fossil fuels and clearing and burning forested land at an unprecedented rate, and these processes convert organic carbon into CO2. Careful accounting of the amount of fossil fuel that has been extracted and combusted, and how much land clearing has occurred, shows that we have produced far more CO2 than now remains in the atmosphere. The roughly 500 billion metric tons of carbon we have produced is enough to have raised the atmospheric concentration of CO2 to nearly 500 ppm. The concentrations have not reached that level because the ocean and the terrestrial biosphere have the capacity to absorb some of the CO2 we produce. However, it is the fact that we produce CO2 faster than the ocean and biosphere can absorb it that explains the observed increase.
That was back when the CO2 concentration was ~380 parts per million…it’s now ~407 ppm. That is pretty convincing evidence all by itself…the inputs match the outputs.
But there is also extremely compelling corroborating evidence that has to do with what kind of carbon is being released into the atmosphere — the smoking gun of anthropogenic climate change, if you will. For several hundred years before the start of the 19th century, the CO2 in the atmosphere contained a more-or-less consistent ratio of two carbon isotopes: carbon-12 and carbon-13 (which contains one more neutron than carbon-12 and is therefore heavier). Plants prefer consuming the lighter carbon-12 over carbon-13 and since fossil fuels are ultimately made from decayed plants, when you burn them, they disproportionately produce carbon-12 (when compared to atmospheric CO2).
So if you’re burning a bunch of oil and coal, you’d expect to see carbon-12 levels in the atmosphere go up…and that’s exactly what scientists have found. If you graph the amount of carbon-12 present in the atmosphere over time, you can see very clearly that it begins rising in lockstep with CO2 concentration right around when people began burning a lot of fossil fuels circa 1800.
You can read more about how scientists took these measurements in the 2004 RealClimate article I mentioned above. Meteorologist Eric Holthaus says learning about these measurements “propelled me to a career in climate” and I can totally see why — this is really persuasive.
Ah, these kids today and their addiction to wireless telegraphy!
Yeah, I’m not sure what else needs to be explained here, it’s what it says on the tin, etc. Owen Wilson likes saying “wow” in movies, people like pointing out that Owen Wilson likes saying “wow” in movies, and this is a collection of those moments. Purple monkey dishwasher.
Photographer Beth Moon travels the globe documenting some of the biggest, oldest, and rarest trees in the world — dragon blood trees in Yemen, massive English oaks, giant sequoias, baobabs in Madagascar, and ancient bristlecone pines in California.
I’d like to keep a clear picture, so if a tree is destroyed by storm, disease, greed, or lack of concern, I will have a record of its power and beauty for those who were not able to make the journey. I photograph these trees because I know words alone are not enough, and I want their stories to live on. I photograph these trees because they may not be here tomorrow.
Moon has collected her tree photos into two books: Ancient Trees: Portrait of Time and Ancient Skies, Ancient Trees.
Using years of satellite data and photography, researchers have constructed an extremely detailed terrain map called the Reference Elevation Model of Antarctica that maps 98% of the continent down to a resolution of 8 meters. That makes it the most detailed terrain map of any continent. The NY Times has the skinny on the new map.
Previous maps of the continent had a resolution similar to seeing the whole of Central Park from a satellite. With this new data, it is now possible to see down to the size of a car, and even smaller in some areas. The data is so complete that scientists now know the height of every feature on the continent down to a few feet.
“If you’re someone that needs glasses to see, it’s a bit like being almost blind and putting on glasses for the first time and seeing 20/20,” said Dr. Howat.
The team used 187,585 images collected over six years to create the map.
“Until now, we’ve had a better map of Mars than we’ve had of Antarctica,” said Dr. Howat.
These nudibranchs (sea slugs) are lit up like the midway at a county fair because they’re warning predators that they use stinging cells called nematocysts to defend themselves when attacked. But the nematocysts are not native to nudibranch physiology — they hoover them up from hydroids, a jellyfish relative, and distribute them around their bodies.
The nudibranch’s gut has fingerlike branches that extend up into the long cerata on its back. The unfired stingers travel up into the cerata and concentrate in little sacs at the tips, where they continue to develop.
If a fish or crab tries to bite the nudibranch, it squeezes those sacs and shoots out the stingers, which immediately pop in the predator’s mouth. It doesn’t take long for predators to avoid the brightly colored nudibranchs.
What a wild adaptation! (via the kid should see this)
In Mark Slutsky’s short sci-fi film “Final Offer”, a traffic ticket lawyer awakens in a doorless room and discovers he’s there to make a deal with an interstellar attorney that could affect all life on Earth. I liked this…there was a tinge of My Cousin Vinny to it.
See also Slutsky’s “Never Happened” about a Black Mirror-esque business trip fling.
A research company called Morning Consult had 1900 people watch the new Nike commercial featuring Colin Kaepernick and record their reactions in realtime. The video above shows the commercial and the graphed reactions of four age groups: Gen Z (18-21, white line), Millennials (22-37, teal line), Gen X (38-53, yellow line), and Boomers (54-72, red line). The report also has graphs showing results by race and political affiliation (the dashed line is when Kaepernick first appears on screen).
Gen Z & Millennials rated the ad higher than the older viewers throughout and had a less negative reaction to the polarizing parts. Now, the report only mentions the effect of Kapernick appearing on the screen, but to my eyes, there are four distinct moments when the opinions of some viewers (white, older, Republican) turn negative:
1. Right before Kapernick is shown for the first time, ratings start to decline when the ad refers to LeBron James as “the best basketball player on the planet” and “bigger than basketball” for recently opening his I Promise School.
2. Kapernick’s first appearance in front of an American flag with his large Afro triggers a steep decline in favorability among older viewers, particularly Boomers and Republicans.
3. Serena Williams being billed as “the greatest athlete ever” results in the steepest decline during the entire ad…and this was before the controversy at the US Open. Across all groups, only black Americans had no problem with that characterization whatsoever (Gen Z & Millennials showed only slight declines).
4. Immediately after that, Kapernick is shown again and there’s a continued follow-on decline from Serena.
So that’s interesting! What’s going on here? [insert an entire apologist NY Times Op-Ed piece here about how famous athletes are polarizing no matter what, particularly when accompanied by best-ever proclamations, etc. etc.] But of course, it’s probably racism with a side of sexism — three outspoken black athletes, one of them a woman, are uppity. That’s the simplest explanation.
Since 2011, brothers Morgan and Mason McGrew have been working on a shot-by-shot recreation of Toy Story 3. They’ve built sets, borrowed garbage trucks for scenes, and spent hundreds and hundreds of hours shooting stop motion animation of their army of Toy Story dolls & action figures. They’ve made enough progress on the film to release a trailer and it looks great!
For way too many years now, my brother and I (with the support of our awesome family and friends) have been working on a shot-for-shot recreation of Toy Story 3. This project has been an incredible undertaking, and we’ve made the decision to have this complete by 2019. At this time, I’m not quite sure what a release will look like, but I do know that this has to be done by next year. We’re both pursuing college and full-time careers right now, and it’s time to wrap this side-project up.
It looks like the brothers were around 11 and 14 when they began filming. You can check out the project’s Facebook page for information and updates.
See also Raiders of the Lost Ark: The Adaptation.
Color Leap lets you time travel back through the color palettes of history, from colorful Egyptian sarcophagi circa 2000 BCE to stained glass windows circa 1000 CE to advertisements in the 1950s.
Clicking on the colors will copy the hex code for that color to your clipboard. (via design observer)
I’ve been keeping track of every media thing I “consume”, so here are quick reviews of some things I’ve read, seen, heard, and experienced in the last month or so. This installment has a few things on it from a trip to NYC and is also very movie-heavy. In addition to the stuff below, I also finished Sharp Objects (HBO series, not the book) and Star Trek: Voyager, both of which I reviewed last time. I’m almost done with Origin Story…might do a whole separate post on that one. Up next in the book department: Now My Heart Is Full, The Good Neighbor, or Fantasyland.
Mission: Impossible - Fallout. I’m not a particular fan of the series, but this was so fun that maybe I should be? Love the practical effects. (B+)
Bundyville. This podcast came highly recommended by a reader but as soon as Cliven Bundy opened his mouth to speak I realized I did not want to spend a single second of my life in this asshole’s ville or town or mind or anything. Maybe this makes me intolerant or incurious? Not sure I particularly care…there are worthier things I can choose spend my time on. (-)
Radiohead at TD Garden, 7/29/2018. I somehow won the Ticketmaster lottery and got floor tickets, so we were about 35 feet from the stage. Cool to see my favorite band that close. (A)
French Pastels: Treasures from the Vault, MFA Boston. I don’t have much experience with viewing pastels but these seemed simultaneously alive and dreamy. (A-)
Kitchen Confidential by Anthony Bourdain. One of our culture’s recent great storytellers. It’s dated (and cringeworthy) in places, but that Bourdain voice and perspective is right there on the page, almost fully formed. In the chapter about Tokyo, you also get to witness the prototype for Bourdain’s third and, arguably, greatest career as a culinary and cultural observer of far-flung places. Pro tip: get the audiobook read by the man himself. (A)
My new electric toothbrush. Why didn’t anyone tell me about this sooner? My teeth feel (and probably are) so much cleaner now! (A-)
Holedown. I’ve spent too many hours playing this. It sucks I hate it it’s so good and I can’t stopppppppp. (A-/D+)
David Wojnarowicz exhibition at the Whitney. A strong show about an artist I didn’t know a lot about going in. (B+)
Celebrating Bill Cunningham exhibition at the New-York Historical Society. The exhibition was in a small room and featured very few photographs, so I was a little disappointed. But I did get to see the Norman Rockwell/FDR exhibition, including this arresting painting. (B)
Through a Different Lens: Stanley Kubrick Photographs at the Museum of the City of New York. Even though I have the book, the original photos were worth seeing in person. (B+)
Eighth Grade. The feelings generated by watching this film — dread, crushing anxiety — closely approximated how I felt attending 8th grade. Well played. (B+)
Sorry to Bother You. If you haven’t seen this, don’t watch or read anything about it before you do. Just watch it. (A-)
Arbitrary Stupid Goal by Tamara Shopsin. This had me thinking about all sorts of different things. Recommended. (A)
Succession. This wasn’t quite as good as everyone said it was, but I still enjoyed it. My tolerance for watching rich, powerful, white assholes, however entertaining, is waning though… (B)
The Handmaid’s Tale by Margaret Atwood. Unsurprisingly more spare than the TV series but still powerful and unsparing. (A-)
The Dark Knight. If not the best superhero movie ever, it’s close. (A-)
Crazy Rich Asians. A romantic comedy with a strong dramatic element rooted in family & cultural dynamics, women who are strong & interesting & feminine in different ways, and a wondrous setting. Also, put Awkwafina in every movie from now on. (A-)
Won’t You Be My Neighbor?. Fred Rogers was a relentless person, a fantastic example of a different kind of unyielding masculinity. I sobbed like a baby for the last 20 minutes of this. (A)
BlacKkKlansman. Messy. I didn’t really know what to feel about it when it ended…other than shellshocked. Was that the point? (B+)
Tycho’s 2018 Burning Man Sunrise DJ set. Always an end-of-the-summer treat. (A)
Bill & Ted’s Excellent Adventure. I watched this movie at least 100 times in high school. Despite not having seen it in probably 20 years, I still knew every single line of dialogue — inflections, timing, the whole thing. (A+)
Foggy hikes. (A+)
American Animals. This is like Ocean’s 11 directed by Errol Morris. Stealing things is more difficult than it seems in the movies. (B+)
Past installments of my media diet are available here.
From The Philosophy of Andy Warhol (From A to B and Back Again):
Sometimes people let the same problem make them miserable for years when they could just say, “So what.” That’s one of my favorite things to say. “So what.” “My mother didn’t love me.” So what. “My husband won’t ball me.” So what. “I’m a success but I’m still alone.” So what. I don’t know how I made it through all the years before I learned how to do that trick. It took a long time for me to learn it, but once you do, you never forget.
Warhol was channeling the Stoic philosopher and Roman emperor Marcus Aurelius, who wrote about this in Meditations:
You have power over your mind — not outside events. Realize this, and you will find strength.
Not everyone has the privilege of saying “So what.” in every situation, but changing your perception about things you have little control over can be a powerful tool. I still struggle mightily to be mindful about my perceptions, but like Warhol, I wish I’d come to this realization sooner. Not having control over some outside events was a source of despair and anxiety for me. These happenings were facts, they had a “truth” that I perceived as immutable; everyone knows you can’t change facts! But human brains don’t work like that. Your perception of and emotional reaction to events *is* your reality. Sure, those things happened, that person is that way, the system will do its thing, but you don’t have to feel a certain way about any of it. (via nitch)
And much more in the archives...