In season one of Making a Murderer, filmmakers Laura Ricciardi and Moira Demos profiled Steven Avery and Brendan Dassey, who were convicted for murdering Teresa Halbach in 2005, following the process of the police investigation, the trials, and how their families and the family of the victim reacted to everything.
In season two, which starts on Netflix on October 19, Demos & Ricciardi return to Wisconsin as the two men fight to get released from prison. Here’s the teaser trailer:
I thought the first season of the show was excellent, perhaps the best of the recent crop of true crime stories that includes Serial, S-Town, and the like.
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This short film by Lance Oppenheim is uncomfortably fascinating. It’s about sentencing mitigation videos, short films produced by defense attorneys to help sway judges into giving their clients lighter sentences than the guidelines suggest. Oppenheim’s subject is Doug Passon, an attorney who helps “lawyers incorporate powerful and persuasive moving pictures into the litigation process”.
Lance Oppenheim’s short documentary, No Jail Time: The Movie, profiles Passon and his controversial practice in all its variegated shades of gray. In the process, the film offers a meta-analysis of objectivity in the realm of narrative nonfiction. “Passon treats sentencing videos in an artful manner nearly indistinguishable from narrative-driven, fictional films,” Oppenheim recently told The Atlantic. According to Oppenheim, defense attorneys and sentencing video makers are increasingly drawing inspiration from true-crime entertainment, such as The Jinx and The Thin Blue Line, “to bend the rules of reality in the courtroom with visual storytelling.”
There’s even a film festival for sentencing mitigation videos. (!!!) You can view a few examples of Passon’s videos on his site.
P.S. You may remember Oppenheim as the director of this short film, Meet the Happiest Guy in the World, which is about a man who has lived on a cruise ship for the past 20 years.
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For those of us who have never quite gotten the hang of solving the popular puzzle, some wonderful genius has constructed a self-solving Rubik’s Cube. There don’t seem to be any details available about how it works, but based on the videos, it seems likely the electronics inside record the moves when the Cube is mixed up and then simply performs them in reverse. (via fairly interesting)
Update: If you read the comments at Metafilter, it appears my speculation about how the Cube works is wrong…it appears to actually be solving itself, not just reversing moves.
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Kevin Systrom and Mike Krieger, the two co-founders of Instagram, have resigned from Facebook.
Mr. Systrom, Instagram’s chief executive, and Mr. Krieger, the chief technical officer, notified Instagram’s leadership team and Facebook on Monday of their decision to leave, said people with direct knowledge of the matter, who spoke on condition of anonymity because they were not authorized to discuss the matter publicly.
In a press release, the pair explained their decision a little:
We’re planning on taking some time off to explore our curiosity and creativity again. Building new things requires that we step back, understand what inspires us and match that with what the world needs; that’s what we plan to do.
Facebook released a statement from CEO Mark Zuckerberg on Twitter (for some weird reason):
Kevin and Mike are extraordinary product leaders and Instagram reflects their combined creative talents. I’ve learned a lot working with them for the past six years and have really enjoyed it. I wish them all the best and I’m looking forward to seeing what they build next.
Sarah Frier’s piece at Bloomberg suggests the pair left because Zuckerberg and the mothership were meddling more and more with Instagram:
Kevin Systrom and Mike Krieger, who have been at the company since Instagram’s acquisition by Facebook in 2012, had been able to keep the brand and product independent while relying on Facebook’s infrastructure and resources to grow. Lately, they were frustrated with an uptick in day-to-day involvement by Zuckerberg, who has become more reliant on Instagram in planning for Facebook’s future, said the people, who asked not to be identified sharing internal details.
Without the founders around, Instagram is likely to become more tightly integrated with Facebook, making it more of a product division within the larger company than an independent operation, the people said.
For years, Systrom and Krieger were able to amicably resist certain Facebook product initiatives that they felt went against their vision, while leaning on Facebook for resources, infrastructure and engineering talent. A new leader may not be able to keep the same balance, or may be more willing to make changes that help the overall company at the expense of some of Instagram’s unique qualities.
Instagram is my favorite app by a mile — it eclipsed Twitter some time ago in that category — and might be the best mobile-native app ever. It is also, I believe, the future of Facebook Inc., a better product with a more favorable trajectory than the sprawling (and now heavily tainted) main FB service. I think Facebook would be doing Instagram and its users a real disservice if they folded it into the mothership instead of giving Instagram room to be the best service it can be on its own terms. This is a strangely conservative move on Zuckerberg’s part, an optimization where a higher degree of freedom and experimentation is called for. I guess we’ll see how this plays out.
Update: Ben Thompson at Stratechery has a keen take on why the Instagram founders left: ultimately, Mark Zuckerberg is the CEO of Instagram and has been since the acquisition.
This is the context for whatever dispute drove Systrom and Krieger’s resignation: not only do they not actually control their own company (because they don’t control monetization), they also aren’t essential to solving the biggest issue facing their product. Instagram Stories monetization is ultimately Facebook’s problem, and in case it wasn’t clear before, it is now obvious that Facebook will provide the solution.
My take is still that FB shouldn’t lean so heavily on Instagram for monetization. Even after many years, the service still has some growth and evolving to do to develop into the heir apparent Zuckerberg & his executive team is looking for. (thx, david)
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Well, I really can’t ignore it any longer. Here in Vermont, we’ve paid our last visit to the swim hole, the heat is on in my house, and the leaves on the trees have started changing. Autumn has arrived. If you’re into peeping some leaves in your neck of the woods, SmokyMountains.com has the best foliage prediction map on the web.
The 2018 Fall Foliage Map is the ultimate visual planning guide to the annual progressive changing of the leaves. While no tool can be 100% accurate, this tool is meant to help travelers better time their trips to have the best opportunity of catching peak color each year.
Compared to the past two years, it looks like the leaves are changing a little later this year.
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In Incomplete Open Cubes Revisited, Rob Weychert extends a 1974 project by Sol LeWitt called Variations on Incomplete Open Cubes that displayed 122 different ways that cubes with one or more edges missing could be depicted. Weychert’s project expands the number of incomplete cube possibilities to 4,094 by challenging LeWitt on three aspects of the original: dimensionality, contiguity, and rotation. See the about page for the explanation.
All of LeWitt’s cubes are contiguous; each part is connected to at least one other part. Since the cubes were intended to be physically fabricated, this appears to be a logistical concern: In the physical world, a detached part floating in space would be impossible. (It’s not clear, however, why detached, grounded parts were not permitted.)
Here’s how Weychert did it, complete with downloadable source code.
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As Treasurer of the United States in the Obama administration, Rosie Rios pushed hard for the inclusion of more women on US currency, culminating in the selection of Harriet Tubman for the new $20 bill. But with many more amazing women left on the list for inclusion on currency, Rios partnered with Google to create Notable Women, an augmented reality app that puts an historic American women on any US bill you hold up to your phone’s camera. Here’s how it works:
The app’s tagline is “swapping out the faces we all know for the faces we all should” and is available on iOS and Android. You can also view the modified notes on the website, like Sojourner Truth, Madam C.J. Walker, Margaret Bourke-White, and Maria Mitchell.
See also The Harriet Tubman Stamp.
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Dmitry Grozov is a Russian comic artist who has made a trailer for an anime version of Star Wars: A New Hope. This treatment of Star Wars is fitting given the Asian, and particularly Japanese, influence on the film.
I would watch the hell out of a full-length version of this.
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Mathematician Michael Atiyah claims that he’s solved the Riemann hypothesis, one of the great unsolved problems in math, and will deliver a talk about the proof on Monday.
In it, he pays tribute to the work of two great 20th century mathematicians, John von Neumann and Friedrich Hirzebruch, whose developments he claims laid the foundations for his own proposed proof. “It fell into my lap, I had to pick it up,” he says.
The Riemann hypothesis, which is one of the $1 million Millennium Prize problems, deals with prime numbers. Even though it was suggested back in 1859 and “has been checked for the first 10,000,000,000,000 solutions”, no one has yet come up with a proof.
Here’s an educated guess about a part of Atiyah’s proof.
Update: For the hard-core mathematicians in the audience, here is a video of Atiyah’s lecture and a paper containing what looks like a very high-level overview of his solution.
Update: Several people wrote in wanting me to highlight the skepticism that surrounds Atiyah’s Riemann claims.
A giant in his field, Atiyah has made major contributions to geometry, topology, and theoretical physics. He has received both of math’s top awards, the Fields Medal in 1966 and the Abel Prize in 2004. But despite a long and prolific career, the Riemann claim follows on the heels of more recent, failed proofs.
In 2017, Atiyah told The Times of London that he had converted the 255-page Feit-Thompson theorem, an abstract theory dealing with groups of numbers first proved in 1963, into a vastly simplified 12-page proof. He sent his proof to 15 experts in the field and was met with skepticism or silence, and the proof was never printed in a journal. A year earlier, Atiyah claimed to have solved a famous problem in differential geometry in a paper he posted on the preprint repository ArXiv, but peers soon pointed out inaccuracies in his approach and the proof was never formally published.
Science contacted several of Atiyah’s colleagues. They all expressed concern about his desire to come out of retirement to present proofs based on shaky associations and said it was unlikely that his proof of the Riemann hypothesis would be successful. But none wanted to publicly criticize their mentor or colleague for fear of jeopardizing the relationship
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Sefaria is a free online resource for Jewish texts, specifically the Talmud, which (amazingly) wasn’t previously easily available online. This Washington Post article describes the effort behind getting the texts and their translations up and on the web.
The Talmud is notoriously hard to follow, even if you understand Aramaic. For most readers, a straight translation will not be useful, as additional, contextualizing information, based on expertise with the tradition and text, is necessary to follow the arguments.
Rabbi Adin Steinsaltz created one of the three seminal works in this regard, but it was under copyright and being published by Koren Publishers.
After a prolonged negotiation process, and a substantial gift from the William Davidson Foundation, Sefaria was able to secure the copyright. Then, they ceded their rights and made it available free to the public, a move common to nature conservancies but vanishingly rare in the publishing world, since copyright and exclusivity are major guarantors of revenue.
“Sefaria argues that these texts are our collective heritage; therefore they should be available to everyone for free,” Sarna said.
“You have access to something that Jews, for hundreds of years did not, whether it was banned, or they didn’t understand, or they couldn’t buy books,” said Rabbi Levitansky.
Making the texts available in digital form, for free, enables a lot of new use cases for the Talmud, from using code to find “fuzzy links” between different bits of the texts, to democratizing the audience. Younger, less observant readers now have access to a wider range of textual material and discussion than they did before. The text also serves as a discussion platform: its most-viewed “source sheet” is called “Is One Permitted to Punch a White Supremacist in the Face?”
I don’t know whether, as Joshua Foer has it, a digital version of the Talmud is an “advance akin to the writing down of the oral tradition after the fall of the Second Temple in A.D. 70 and the advent of the printing press.” It is, however, a very welcome transformation of a text that’s accustomed to great transformations.
And it also gets back to something I remember from the great In Our Time episode on the Talmud: that Talmud isn’t a book you read so much as a thing you do — or as Foer says, a “giant, unending conversation that spans millennia, continents, and is very much still going on to this day.”
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On Sunday, September 23, OutKast’s double album Speakerboxxx/The Love Below will be fifteen years old. About ready for a learner’s permit. Damn.
Okayplayer assembled an short oral history of both albums, with fresh input from contributors like Cee-Lo Green and engineer Neal Pogue as well as digging into the archives for commentary from Andre 3000 and Big Boi. Just like the albums, it’s a lot of fun.
Cee-Lo Green: They don’t make physical copies of physical CDs anymore. So basically, streaming is just like, “We like this a lot” It’s like analytics. I don’t know what else actually did Diamond or better. Speakerboxxx/The Love Below will probably be one of the last albums in history that will have moved physically over 10 million copies. That ain’t never gonna happen again.
Khujo Goodie: That was the biggest thing it Atlanta, man, because along with Goodie Mob, those guys are the pioneers of Atlanta, Georgia music! They’re the pillars. Just to have some guys representing where you stay, it wasn’t nothing but love when Speakerboxxx/The Love Below dropped, man. And you got a double album, that was just icing on the cake right there!
Big Boi [via MTV News, 2017]: When you’re inside of [the creative process], you don’t know [the impact], you know what I mean? You just go in and try to create something new. One thing that we do is never revisit what we’ve done, although we stand on it and we know it’s there.
I would never go back and try to create a song like “The Rooster”, or “Unhappy”, or “The Way You Move” — That’s too easy, you know what I’m saying? That’s what I could dig about the younger generation. I like to see who’s gonna play it safe and who’s gonna evolve into that other thing.
We really could use a full documentary about OutKast, digging into each of their albums, both principals, and the development of the scene/family around them. Someone should make that happen.
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I’ve never been a great fan of Rubik’s Cubes (or chess, or crossword puzzles, or Scrabble, or most obsession-rewarding, intelligence-test-ish popular puzzle games), but it is rewarding for me to read about the cubes and the people who find themselves in solving the puzzle. (It’s still a $250-million-a-year product! The greatest selling single toy of all time.)
Once you’ve defined your goal—“I want to align this orange face with this other orange face”—you can follow a series of steps to accomplish it. An ease with algorithms, they note, is increasingly important in a world dominated by science, technology, engineering, and math, or STEM. The logic of the Rubik’s cube has, after all, been used by software developers to craft encryption schemes for software for decades. It has 43 quintillion possible combinations—and only one solution.
Puzzling out this 3-D game can also help students hone their spatial thinking skills, according to the presenters. And spatial thinking skills are intimately connected to success in any STEM field. “To think spatially,” the National Academies of Science, Engineering, and Medicine write, “entails knowing about” space, representation, and reasoning. This is the kind of knowledge we tap into every day, when timing our commutes or taking detours, reading maps, and, yes, solving Rubik’s cubes.
Maybe I should give that old cube another try.
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In partnership with Fred Rogers Productions and The Fred Rogers Center, Google is honoring Mister Rogers today with a stop motion animated short as part of their Google Doodle program.
On this date, September 21, 1967, 51 years ago, Fred Rogers walked into the television studio at WQED in Pittsburgh to tape the very first episode of Mister Rogers’ Neighborhood, which would premiere nationally on PBS in February 1968. He became known as Mister Rogers, nationally beloved, sweater wearing, “television neighbor,” whose groundbreaking children’s series inspired and educated generations of young viewers with warmth, sensitivity, and honesty.
What’s interesting is that on his show (unlike his stop motion counterpart in the short), Rogers deliberately didn’t show himself travelling to the Neighborhood of Make-Believe because he didn’t want his young viewers to confuse reality and fantasy. He wanted kids to know he and the people he visited with were in the real world, dealing with real situations.
P.S. And a further interesting tech note: this is the first YouTube video I’ve seen where the number of views isn’t displayed. I’m assuming that’s a Google-only God Mode feature?
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I love these fun visual mashups created by French creative agency Les Créatonautes. (via colossal)
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