Wacław Szpakowski was a Polish architect and engineer who, over the course of his life and in secret, made a series of drawings of mazes from single continuous lines. From The Paris Review:
The drawings, he explains, “were experiments with the straight line conducted not in research laboratories but produced spontaneously at various places and random moments since all that was needed to make them was a piece of paper and a pencil.” Though the kernels of his ideas came from informal notebooks, the imposing virtuosity and opaqueness of Szpakowski’s final drawings are anything but spontaneous or random. His enigmatic process — how he could draw with such supreme evenhandedness, could make his designs so pristine and yet so intricate — is hinted at only in his few visible erasure marks.
But the appeal of Szpakowski’s work would appear to extend well beyond the architectural. At times they resemble textiles, weaving diagrams, computer circuitry, and even Arts & Crafts ornamentation, like 19th-century wallpapers designed for an era of retro-computational aesthetics.
Woodworking templates, patent drawings for fluidic calculators, elaborate game boards — the list of associations goes on and on.
Of course, I was reminded of Dom’s challenge to Ariadne to draw a difficult maze in Inception, the light cycles in Tron, and the Etch A Sketch…but to each their own.
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In 2011, Magnum photographer Martin Parr visited the Teddy Grays candy factory near Birmingham, England that makes old-fashioned candy with Wonka-esque names — Mint Humbugs, Nutty Brittles, Spearminties. The result is this ultra-charming 20 minute film profile of the company and its candy-making process.
Charmingness evidence, exhibit A: When asked if the company would ever modernize, company director Teddy Gray responds, “Imagine coming to work in the morning and looking at all them faxes, oh no.” Even his modernization references need modernizing.
Charmingness evidence, exhibit B: The lingerie calendar behind Gray as he talks on the phone, and the beefcake calendar behind his daughter in the very next scene.
Charmingness evidence, exhibit C through exhibit ZZZ: Every other scene in the film.
I know 20 minutes for a web video sounds daunting, but it’s worth the while. At the very least, skip to 14:00 and watch how they make “lettered rock”, hard candy sticks with words written on the inside of the candy. As shown in the video, the individual letters start out 3-4 inches high, are arranged into words when rolled up into a massive tube of candy a foot in diameter, and end up a fraction of an inch tall when pulled out into small sticks, like so:
And you thought laying out type for the web was difficult. (thx, nick)
Marine biologist Dr. Ayana Elizabeth Johnson: “Keep showing up. Join something. Find your people. Bring your superpowers. Be a problem solver. Choose your battles. Nourish joy. Love nature.”
I am predisposed to like videos about meteorite craters but this was even more interesting than I anticipated.
A nice example of a crater 2-3 km wide is Rotor Kamm in southern Africa. I should mention that we’re easily into city killer impacts here, in case you’re wondering.
Huh, I didn’t know that the guy who wrote The Curious Garden (one my kids’ favorite books when they were younger) also wrote The Wild Robot — both inspired by the High Line.
Delete Your Account. For Real This Time. “There’s no need for any Trump opponents now to be on X for the same reasons that they’re not on Gab, Gettr, Truth Social, or wherever else.”
Andor season two will premiere on Disney+ on April 22, 2025 — 12 episodes that take place over a period of four years that lead right up to the events of Rogue One. May the tale of the radicalization of Cassian Andor be a lesson to us all.
“The Quilt Index, originally launched in 2003, is an open access, digital repository of thousands of images, stories and information about quilts and their makers drawn from hundreds of public and private collections around the world.”
Artist and “pixel pusher” Niall Staines creates these slightly surreal scenes by pulling a 1-px slices to the edge of his images. I’ve used this technique myself but Staines deploys it to great effect here. I love these. You can find more of his work on his website and Instagram.
Why the Work Still Matters. In the face of a “larger-than-normal number of people canceling their subscriptions”, 404 Media explains why their “local reporting from the internet” is more important than ever.
The Big Wait is a lovely short documentary about a couple who live alone in the middle of nowhere in Western Australia, managing an emergency airport and a small row of guest cottages that are rarely occupied. I got this from Colossal, which calls the film “poetic and dryly humorous”; I cannot improve upon that.
Laura Hazard Owen: We need a Wirecutter for groceries. “What if local news organizations around the country made it part of their mission to help readers compare grocery prices around town?”
In 2015, the BBC & PBS adapted the first two books of Hilary Mantel’s excellent Wolf Hall trilogy into a six-episode miniseries called Wolf Hall, starring Mark Rylance as Thomas Cromwell and Damian Lewis as Henry VIII. Now they’ve made a second miniseries that covers the events of the third book, The Mirror and the Light. Here’s a trailer and synopsis:
The TV sequel picks up in May 1536 after the beheading of Anne Boleyn and follows the last four years of Thomas Cromwell’s life, completing his journey from self-made man to the most feared and influential figure of his time. These are years when Henry’s regime is severely tested by religious rebellion at home, traitors plotting abroad and the threat of invasion. Cromwell must deftly navigate the moral complexities that accompany the exercise of power in this bloody time; he’s caught between his desire to do what’s right and his instinct to survive. The question is: how long can anyone survive under Henry’s brutally mercurial gaze?
Wolf Hall: The Mirror and the Light premieres in the UK on BBC One on Nov 10 but Americans have to wait until March 23, 2025 to watch it on PBS.
I think I might take some time today to read Pema Chodron’s When Things Fall Apart. “How can we live our lives when everything seems to fall apart - when we are continually overcome by fear, anxiety, and pain?”
Election Grief Is Real. Here’s How to Cope. “You need to be patient with yourself if you’re feeling angry, sad, grieving right now. That’s a normal reaction to a surprising outcome and an outcome that…is going backward and not forward.”
Ran across a song with “741 Hz” in the title and there’s a whole Spotify playlist of similar songs (“a soothing solfeggio frequency that is used by many to let go of negativity and toxic energy”) and ngl they are relaxing.
Laura Olin’s newsletter of “art, internet, and ideas” is a favorite of mine (subscribe here), and I appreciated her comments from this morning on why sci-fi and fantasy movies work for moments like these.
I’ve never thought of myself as a person who’s particularly into sci fi or fantasy. But on the worst days — and yesterday was one — I find myself thinking of the essential lessons of art in that genre. Maybe because a lot of it is about people in dire situations making stark moral choices for a larger good — and for various reasons World War II parables aren’t really going to do it anymore, at least in America. We saw Rogue One in the theater soon after Trump’s first election and I took some strength from the image of (vague spoilers) Felicity and Diego on the beach, sacrificing themselves to give everything thereafter a chance. I’ve been thinking of the Battlestar Galactica reboot of the W. Bush years, with the fighter pilots touching a portrait of a comrade on a fallen planet on their way out to battle; of Stellan Skarsgard’s speech and “one way out” in Andor, which you must watch; of Katniss touching three fingers to her lips in a salute special to her community, and a crowd of people she can’t even see saluting back; of the fundamental text that is “Why must we go on?” / “Because there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” Is all this cringe? Undoubtedly; but I think we’ve entered a time that requires deep earnestness. (I hope to come back to this paragraph in four years and feel I was being overly dramatic about how bad things might get but I suspect I will not.)
Hey everyone. I don’t have a whole lot to say about the election results and probably won’t talk about it too much here over the coming days. I don’t know what kottke.org’s “role” will be in this altered world we awoke to on Wednesday, but for my own sanity, I need to get back to work here or I will scroll myself into dust. I have no idea if what I’ll be posting is what you’re looking for, but it’s what I’ve got.
If you need some last minute cajoling to not sit out this election, consider these words of warning about abstention in 1968. “Nixon prevailed, thus paving the way for the modern right-wing shift in US domestic and foreign policy.”
Tony Hawk posted a photo from the 70s of a girl skateboarding in the rain to his Instagram: “New fav mystery skater unlocked.” Jeremy Markovich tracked down who she was.
Trials rider Danny MacAskill finally got the chance to ride the angularly futuristic Adidas campus in Herzogenaurach, Germany.
The first time I got the invite to campus I immediately started riding the place in my mind. Riding all the rooftops, riding all the railings, you know, it’s a really interesting space. Not just anyone can go there! As soon as you see that kind of big overhanging piece of architecture or whatever, you immediately imagine the different things you could do up there. So, it was cool to finally get to come here to actually do it.
TIL about argonaut octopuses. “Although most octopuses live near the ocean floor and its ample hiding places, argonauts spend their entire lives sailing in the open ocean, just below the surface.”
Wow, more than 40 people have undergone a CAR-T-cell therapy for lupus, most of whom have gone into drug-free remission. “It is too early to declare any of these patients cured for life, but that now seems within the realm of possibility.”
The NY Times has had a difficult time covering the 2024 election in a clear, responsible manner. But I wanted to highlight this short opinion piece from the paper’s editorial board, which I’m reproducing here in its entirety:
What makes this piece so effective is its plain language and its information density. This density is a real strength of hypertext that is often overlooked and taken for granted. Only 110 words in that paragraph but it contains 27 links to other NYT opinion pieces published over the last several months that expand on each linked statement or argument. If you were inclined to follow these links, you could spend hours reading about how unfit Trump is for office.
A simple list of headlines would have done the same basic job, but by presenting it this way, the Times editorial board is simultaneously able to deliver a strong opinion; each of those links is like a fist pounding on the desk for emphasis. Lies, threat, corruption, cruel, autocrats — bam! bam! bam! bam! bam! Here! Are! The! Fucking! Receipts!
How the links are deployed is an integral part of how the piece is read; it’s a style of writing that is native to the web, pioneered by sites like Suck in the mid-90s. It looks so simple, but IMO, this is top-notch, subtle information design.
No seriously, how is everyone doing today? We’re coming down to the wire on the most cuckoo bananapants presidential election campaign in recent memory. There’s so much at stake and there are so many unknowns, a potent cocktail for anxiety. If that’s where you are right now, I hope you know you’re not alone. If you’re feeling confident, that’s great and I’m happy for you. If my Instagram feed is any indication, many of you have already voted and are volunteering to knock on doors, phone bank, or to cure ballots in swing states — thanks so much for doing that! (Greg Pak’s list of last minute actions is a good place to start if you want to pitch in.)
Me? Last week was a rough one — lots of anxiety about the election and other things. I’m feeling better this morning; I got out for some exercise this weekend, spent some really nice time with my son, and generally kept social media at arm’s length. Even though it’s pretty cold here today, I’m heading out for a bike ride this afternoon to load up on some good dopamine. I started season two of The Diplomat last night and it seems to have picked up right where it left off last season — the perfect diversionary viewing for me.
But I’m also struggling to work out what to post here this week. I am very nearly done with anything political in nature (I don’t want to contribute to doomscrolling) but posting anything else at this critical juncture, when people’s actual lives and freedoms are on the line, seems frivolous. I suppose I’ll figure it out, but heads up: things might be a little lighter than usual around here — or maybe the opposite? We’ll see.
In the meantime, if you don’t mind sharing, let us know how you’re doing in the comments.
Over the past several months, I’ve settled into a routine that involves reading one book at a time on paper or on the Kindle and listening to one book on audiobook. This way, I can switch back and forth without feeling like I am abandoning one book for the other. Right now, I am most of the way through James by Percival Everett on audiobook and just (finally!) started Craig Mod’s fine-art edition of Things Become Other Things. (Both are about very different kinds of journeys.)
For the last three years, I’ve been been getting my audiobooks through Libro.fm. You can listen through their app or download DRM-free mp3 or m4b files to listen in the app of your choice. They are a social purpose corporation, 100% employee owned, and partner with local bookstores to offer audiobooks & share profits. They don’t have every title because of Audible’s strategy of locking up exclusives (like Emily Wilson’s translations of The Iliad and the Odyssey), but they have most of what you’d want to read. They also make it easy to gift audiobooks to friends and family (and I suppose, enemies and strangers if you want?)
Just in the past few months, I’ve listened to:
All Fours by Miranda July. This is one of those books that’s better as an audiobook. July is an actress as well as an author and the audiobook is more like a performance than a reading.
James by Percival Everett. Already mentioned this one, but the narration by Dominic Hoffman is superb and emphasizes some of the vernacular differences that are key to the story that might be tougher to express in print. (Hoffman also narrated James McBride’s Deacon King Kong and Ted Chiang’s Exhalation.)
Midnight in Chernobyl by Adam Higginbotham. This is the definitive account of the Chernobyl nuclear power plant disaster and a great companion to HBO’s Chernobyl miniseries.
You can purchase individual audiobooks through the site or sign up for a membership where you get one free credit a month and each credit to good for one audiobook, regardless of price.
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