Another recent HyperCard discovery (that isn’t somehow in the Internet Archive): an “expanded book” version of William Gibson’s Sprawl Trilogy (Neuromancer, Count Zero, and Mona Lisa Overdrive).
This site is made possible by member support. 💞
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
Beloved by 86.47% of the web.
Another recent HyperCard discovery (that isn’t somehow in the Internet Archive): an “expanded book” version of William Gibson’s Sprawl Trilogy (Neuromancer, Count Zero, and Mona Lisa Overdrive).
“Stanford Medicine researchers and their colleagues invented a new vaccine that protects mice from respiratory viruses, bacteria and allergens — the closest yet to a universal vaccine.”
Ghost Elephants is a new documentary film directed by Werner Herzog for National Geographic. Here’s the trailer.
For over a decade, Dr. Steve Boyes, conservation biologist and National Geographic Explorer, has been in search of a mysterious, elusive herd of Ghost Elephants in the highlands of Angola, deep within its forests. From acclaimed director Werner Herzog (“Grizzly Man”), GHOST ELEPHANTS follows Boyes on an epic journey as he sets out with some of the best master trackers in the world, in pursuit of an animal long believed to be a myth.
From Peter Sobczynski’s rave review of the film:
The subject of Herzog’s fascination this time around is South African naturalist Dr. Steve Boyes, and while he seems perfectly staid and affable at first sight, he has an obsession within him that has consumed his life to such an extent that if he didn’t actually exist, Herzog might have had to invent him. The focus of his fascination is a species of giant elephant residing in the highlands of Angola, known as “ghost elephants” for their apparent ability to avoid detection. Indeed, not only has Boyes never actually seen one of these creatures with his own eyes, but he is not even certain that such creatures exist—the closest he has come is a massive elephant shot near that area in Angola in 1955, now on display at the Smithsonian.
Herzog, National Geographic, elephants, quixotic quest — who says no? Ghost Elephants is available to stream on Disney+ and Hulu.
“Billionaires made 19 percent of all reported federal campaign contributions in 2024, a Times analysis shows, and even more in some local elections.” The Scale of Billionaires’ Campaign Donations is Overwhelming U.S. Politics.
The Shape of Paris is a balletic short film of skateboarder Andy Anderson zooming, grinding, spinning, and floating around Paris in the summertime. It is also beautifully shot by Brett Novak; Paris has never looked better. As a YT commenter put it: “bro wtf this is the cleanest footage I’ve ever seen. The cinematography and color grading is insane.”
Also, this is the first skate video I’ve seen with “trick acknowledgements” in the credits. Great touch. (via craig mod)
The Modern Times cafe moved to a pay-what-you-want model during the ICE occupation of Minneapolis. Now the cafe is making it permanent (and pivoting to a nonprofit). “Some had come for a free meal; others were there to pay double or triple their tab.”
“A group of runners starts jogging around a circular track, with each runner maintaining a unique, constant pace. Will every runner end up ‘lonely,’ or relatively far from everyone else, at least once, no matter their speeds?”
Jay Graber is stepping down as CEO of Bluesky to “transition to a new role as Bluesky’s Chief Innovation Officer”. And they’re looking for a new permanent CEO.
“What if we taught students to use AI critically, rather than insisting they ignore it or assume they’re using it to cheat?” asks college freshman Maximilian Milovidov. “Students will reach for these tools, whether universities ban them or not.”
New web game that takes 2 min to play (and perhaps a lifetime to master?): Outsmart. “Five rounds, first to 3 wins. In each round, the higher bet wins. You have 100 total points, so bet wisely. Can you outsmart the machine?”
The Library of Congress recently discovered a copy of a “long-lost” film made in ~1897 by George Méliès called Gugusse and the Automaton (Gugusse et l’Automate), which “had not been seen by anyone in likely more than a century” and “was the first appearance on film of what might be called a robot”. It’s also one of the first science fiction films ever made.
You can watch a digitized copy of the whole film here (it’s only 45 seconds long):
And here’s the story of how the film was discovered.
Equally delighted was Bill McFarland, the donor who had driven the box of films from his home in Grand Rapids, Michigan, to the Library’s National Audio-Visual Conservation Center in Culpeper, Virginia, to have the cache evaluated.
His great-grandfather, William Delisle Frisbee, had been a potato farmer and schoolteacher in western Pennsylvania by day, but by night he was a traveling showman. He drove his horse and buggy from town to town to dazzle the locals with a projector and some of the world’s first moving pictures.
He set up shop in a local schoolroom, church, lodge or civic auditorium and showed magic lantern slides and short films with music from a newfangled phonograph. It was shocking.
“They must have been thrilled,” McFarland said. “They must have been out of their minds to see this motion picture and to hear the Edison phonograph.”
GPS jamming and spoofing is becoming commonplace in war. “Ships in the region’s waters found their navigation systems had gone haywire, erroneously indicating that the vessels were at airports, a nuclear power plant and on Iranian land.”
The fish doorbell in Utrecht is back for another season! “Did you spot a fish? Press the Fish Doorbell! Then our lock keeper can let the fish through.”
On the occasion of the release of her latest book, The Beginning Comes After the End, Rebecca Solnit sat down for an interview with David Marchese of the NY Times. Here’s the video version:
This is a great interview. Marchese’s first question is about how we find the positive in a world filled with grim news:
Even the right tells us something encouraging, if we listen carefully to what they’re saying. They tell us: You are very powerful. You’ve changed the world profoundly. All these things that are often treated separately — feminism, queer rights, environmental action — are connected, so they’re basically telling us we’re incredibly successful, which is the good news. The bad news is that they hate it and want to change it all back. There is a backlash, and it is significant. But it is not comprehensive or global.
And I loved this part (emphasis mine):
One of the great weaknesses of our era is that we get lone superhero movies that suggest that our big problems are solved by muscly guys in spandex, when actually the world mostly gets changed through collective effort. Thich Nhat Hanh said before he died a few years ago that the next Buddha will be the Sangha. The Sangha, in Buddhist terminology, is the community of practitioners. It’s this idea that we don’t have to look for an individual, for a savior, for an Übermensch. I think the counter to Trump always has been and always will be civil society. A lot of the left wants social change to look like the French Revolution or Che Guevara. Maybe changing the world is more like caregiving than it is like war. Too many people still expect it to look like war.
The NY Times went back through a century of women’s obituaries “to re-examine them with the benefit of distance — to see what was emphasized, what was minimized, what might have been left unsaid”.
Dozens of former employees of Noma tell of abuse & violence at the hands of its chef/owner, René Redzepi. Punching, screaming, shoving, stabbing, slamming, intimidation, ridicule, blacklisting. What an asshole.
Can’t stop, won’t stop. On the heels of the refreshed Rolodex from earlier in the week, I’ve pushed another “Just Enough Social” feature to the site: members bios & profile pics. Here’s what that looks like:

Members can find a link to their profile by 1) clicking on your name in the menu in the upper righthand corner of the site (or under the hamburger menu on mobile); 2) clicking on the “edit profile” link by your name at the bottom of any post with active comments; or 3) clicking on your name or profile pic in any comment thread. You can change your username, provide a short bio (300 character limit, up to 2 URLs), and upload a profile pic (jpg, png, webp). Check the community guidelines for more advice/info.
The idea with this feature is to provide a lightweight way for KDO members to get to know who they’re conversing with in the comments without having to share that information with the entire internet (in the form of a full-blown social media profile). As a member, you’re in control of what you share in your bio and selecting a profile pic. So here’s how it works right now (i.e. who can see what and where):
This level of detail about something that’s existed on the internet since the dawn of time (message board profiles, essentially) might seem tedious, but I’m being clear and straightforward about how this works because I want people to feel comfortable connecting with each other here as much or little as each person wants. Many of you will probably share things like your personal website, job, hobbies, or social media accounts in your bios. Put your Signal handle or email address in there if you want. Gregarious types: put your phone number in your profile if you feel comfortable with that (not recommending that tbh). Or you can be super private or deliberately vague — on KDO, no one knows you’re a dog. Ditto for the profile pic: anything from your headshot to a pet photo of your pet to a Mark Rothko abstract goes — totally up to you.
The comments, the Rolodex, and now member profiles all operate under the same principle: Just Enough Social. Facebook, Instagram, and TikTok are too overwhelming and stand-alone blogs (like KDO circa 2 years ago) don’t offer much in the way of community. I’m vectoring toward the lightweight Baby Bear option of getting readers talking with each other in the easiest possible way & exploring the larger web community that KDO is a part of. There’s more work to do, but I’m happy with the direction it’s going.
One last thing before I go. I hope this goes without saying with this fine crew but I will say it anyway: if you are going to reach out to someone using the info in their KDO profile/bio, do not be a dick. Someone putting their website address or email in their bio is not an invitation for inappropriate behavior or taking a disagreement outside the bounds of the community guidelines. Enough said about that, I hope.
Ok, I’ll let you go freshen up your profile if you’d like. Lemme know if you have any feedback, questions, concerns, or even attaboys.
Lots of great defecation physics here: “66 percent of animals take between 5 and 19 seconds to defecate. It’s a…small range, given that elephant feces have a volume of 20 liters, nearly a thousand times more than a dog’s, at 10 milliliters.”
The New School Cancelled Their Class on Soccer and World Politics. We Are Going To Teach it Anyway. Enrollment is now open; the class will deal with questions like “Which regimes are using this tournament to launder their reputations?”
SETI might be missing alien signals because “stellar ‘space weather’ may blur ultra-narrow radio signals from extraterrestrial civilizations before they leave their home star systems”. SETI usually looks for “extremely sharp frequency spikes”.

Here’s a gem from the archive of the NY Times. One day in September 1976, NY Times food critic Mimi Sheraton and Colonel Harland Sanders stopped into a Manhattan Kentucky Fried Chicken. The Colonel, then estranged from the company he founded, strolled into the kitchen after glad-handing some patrons and proceeded to tear into the quality of the food:
Once in the kitchen, the colonel walked over to a vat full of frying chicken pieces and announced, ‘That’s much too black. It should be golden brown. You’re frying for 12 minutes — that’s six minutes too long. What’s more, your frying fat should have been changed a week ago. That’s the worst fried chicken I’ve ever seen. Let me see your mashed potatoes with gravy, and how do you make them?”
When Mr. Singleton explained that he first mixed boiling water into the instant powdered potatoes, the colonel interrupted. “And then you have wallpaper paste,” he said. “Next suppose you add some of this brown gravy stuff and then you have sludge.” “There’s no way anyone can get me to swallow those potatoes,” he said after tasting some. “And this cole slaw. This cole slaw! They just won’t listen to me. It should he chopped, not shredded, and it should be made with Miracle Whip. Anything else turns gray. And there should be nothing in it but cabbage. No carrots!”
Sanders sold his company to an investment group in 1964, which took the company public two years later and eventually sold to a company called Heublein. After selling, Sanders officially still worked for the company as an advisor but grew more and more dissatisfied with it, as evidenced by the story above. When the company HQ moved to Tennessee, the Colonel was quoted as saying:
This ain’t no goddam Tennessee Fried Chicken, no matter what some slick, silk-suited son-of-a-bitch says.
And he got sued by a KFC franchisee after he commented:
My God, that gravy is horrible. They buy tap water for 15 to 20 cents a thousand gallons and then mix it with flour and starch and end up with pure wallpaper paste. And I know wallpaper paste, by God, because I’ve seen my mother make it.
To the “wallpaper paste” they add some sludge and sell it for 65 or 75 cents a pint. There’s no nutrition in it and the ought not to be allowed to sell it.
And another thing. That new crispy chicken is nothing in the world but a damn fried doughball stuck on some chicken.
Colonel Sanders: serving up chicken and sick burns with equal spiciness. (via @mccanner)
The Met Introduces High-Definition 3D Scans of Dozens of Art Historical Objects, including Egyptian temples, Greek oil flasks, van Gogh paintings, and cuneiform tablets.
“If measles-mumps-rubella vaccination rates decline 1% annually for the next five years, associated medical and societal costs could reach $1.5 billion.” (That 1% is a conservative estimate “given current policy and coverage trajectory”.)
Director Rian Johnson (Knives Out, Poker Face) wrote the review of the Thursday crossword puzzle for the NY Times today. “I love a good Thursday. The baffling special graphics, the wait-that-can’t-be-right puzzlement and that glorious ah-ha moment…”
Earth’s gravity is lumpy. “The gravity in East Antarctica is measurably weaker than anywhere else on the planet.”
Oh wow, I love these photographs of “big tusker” elephants by Johan Siggesson.


I didn’t even know big tuskers were a thing — and they may not be for much longer:
The term “Big Tusker” refers to an elephant with tusks so large they scrape the floor. Unfortunately, the opportunities for witnessing a big tusker in its natural habitat are slim. As of today, there are approximately 25 individuals left in the world, most of which reside in the Tsavo Conservation Area. It is vital that we make every effort to protect what is arguably the last viable gene pool of “Big Tuskers” remaining.
You can see just how large these elephants’ tusks are compared to those of other elephants in this photo. A great find via Colossal.
Siggesson’s Instagram is worth a look as well…the starkness of the stripes in this zebra photo!
This is kind of amazing: World Monitor is a real-time global intelligence dashboard. Includes military activity, climate anomalies, live webcam feeds in warzones, internet outages, active fires, and even the Pentagon Pizza Index.
Yes, let’s retire the restaurant monologue. “The urge to direct diners through every bite of a meal runs counter to what I love about dining out, one of just a few cornerstones of American life that have not yet been optimized into oblivion.”
From ProPublica, a database of financial disclosures from the Trump regime’s political appointees. “Use this database to explore potential conflicts of interest for President Donald Trump and his team.”
After posting the video on the history of HyperCard the other day, I went down a bit of a HyperCard rabbit hole on the Internet Archive. There are a ton of HyperCard programs, manual & packaging scans, and other resources available on IA; among them:
I also found this version of Brian Eno’s Oblique Strategies:
You can see why people call HyperCard “the web before the web”…it’s all right there.
Also, don’t miss this comment from Keith Dawson (who you may remember from the pioneering tech newsletter Tasty Bits From the Technology Front) on how HyperCard was almost called Wildcard.
Soon after, I took a call from Apple. Would we be willing to give up the name Wildcard, or at least license it for their use on a new product? We discussed it. No.
Wild.
Web game: list as many animals as you can in 1 minute (but you get more time with correct guesses).
In 2017, city planner Jeff Speck gave a talk on the four ways to make a city more walkable:
In the typical American city, in which most people own cars and the temptation is to drive them all the time, if you’re going to get them to walk, then you have to offer a walk that’s as good as a drive or better. What does that mean? It means you need to offer four things simultaneously: there needs to be a proper reason to walk, the walk has to be safe and feel safe, the walk has to be comfortable, and the walk has to be interesting.
I know Speck is talking about cities here, but these four rules — useful, safe, comfortable, and interesting — get at something about living in rural Vermont that I’ve always had trouble articulating: for a place that’s so outdoors-oriented with so many trails and places to hike, a good walk can be difficult to find. I can walk out my door to take a walk that’s sorta safe (walking against traffic on the side of the road — some assholes don’t slow down or move over that much). Comfort is variable: cars kick up dust and my house is surrounded by pretty steep hills. I can’t really walk to anywhere useful, and there aren’t too many possible routes so the interest of the scenery, though beautiful in the summer, gets stale. So then I’m left with driving somewhere to walk, which always just bums me out.
Anyway, this explains why every time I get to walkable city (Tokyo, Rome, NYC, Paris), I am instantly like, yes!! This! This is a walk.
Related reading: Speck is the author of Walkable City (Amazon) and Walkable City Rules (Amazon). (via paul stout)
Legendary computer scientist Donald Knuth: “Shock! Shock! I learned yesterday that an open problem I’d been working on for several weeks had just been solved by Claude Opus 4.6.”
“The entire Sun oscillates in a globally coherent way, and the oscillations are formed by sound waves trapped inside the Sun that make it resonate just like a musical instrument.”
From late January, a 40-minute talk by Rick Steves on “how lessons learned on the road can help Americans better understand and meet the challenges facing Democracy in the USA.”
Timothy Snyder on strongmen. “Once you accept that Trump is strong, you are accepting that you are weaker than Trump. And once you accept the strongman form of politics, you no longer have recourse to laws, or norms, or even basic ideas of decency.”
Ok, you know this is going to be a good one: De La Soul plays a Tiny Desk Concert.
The humor of De La Soul has always been one of its calling cards. When DJ Maseo tells the Tiny Desk crowd, “Ladies and gentlemen, we’re a new group called De La Soul,” he means it as a joke. But, in so many ways, one of the most influential groups in hip-hop is new: the duties have been reassessed, the focus has shifted and the newness of The Plugs is laid plain here at the Tiny Desk.
Here’s the setlist:
YUHDONTSTOP
Will Be
Much More
Stakes is High
Sunny Storms
Different World
Breakadawn
Pony Ride
A Quick 16 for Mama
Me Myself and I
Feel free to dance at your desk or in your kitchen or wherever you’re listening.

A new book by Rebecca Solnit came out yesterday; it’s called The Beginning Comes After the End: Notes on a World of Change (Amazon). The synopsis:
Rebecca Solnit offers a thrilling account of the sheer breadth and scale of social, political, scientific, and cultural change over the past three quarters of a century.
In this sequel to her enduring bestseller Hope in the Dark, Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability.
The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often the return of the old ways and wisdoms. In this rising worldview, interconnection is a core idea and value. But because the transformation is obscured within a longer arc of history, its scale is seldom recognized.
While the white nationalist and authoritarian backlash drives individualism and isolation, this new world embraces antiracism, feminism, a more expansive understanding of gender, environmental thinking, scientific breakthroughs, and Indigenous and non-Western ideas, pointing toward a more interconnected, relational world.
I feel like maybe I should read this. I need some hope about the world.
See also Solnit’s recent Longreads Questionnaire.
TIL about babysitting co-ops. “The premise is simple: Families in the co-op provide each other with free childcare. A point system…ensures that everyone contributes their fair share. Every half an hour is worth one point…”
Hello, good afternoon! As I mentioned a few weeks ago, I have a bunch of new stuff for KDO in the pipeline. I’ve been focused on backend infrastructure recently to make my life (hopefully) easier and have gotten that to a place of “useful enough to test out to find all the bugs & irritations”. So onto some things that you folks can actually use.
When I launched the KDO Rolodex last July, it was a simple list of five recommended sites on the front page of the site. You could refresh to see more sites, but you couldn’t see the whole list all at once. Fun, but lots of room for improvement.
Over the weekend, I launched the full list of sites (186 at the moment) for your perusal. Any visitor to the site can see the sites & people I read to help make KDO. I’ve written before about why this is important to me:
I love linking out to other sites. The strength of the open web is in its many connections between nodes…the more, the better. Links are the whole goddamned point of the web! I want to send people away from kottke.org to learn something new or have a chuckle and then come back the next day for more. The goal is connection, knowledge, and sharing — I proudly have no competitors in this endeavor, only collaborators.
I loved seeing the whole list. So I kept pushing made something I’ve had on my todo list for awhile: I turned the Rolodex into a tiny RSS feed reader. Which I love even more. The feed reader feature is a bit rough around the edges, so I’m making available only to members while we beta test it. Here’s what it looks like:

The three latest posts from each site or person are listed below their name; clicking on a post title will open the post in a new tab. You can obviously click on the name of the site/person to open that in a new tab too. Sites are sorted by most recently updated (this is true of the public listing as well). If you’re a member, please check it out and kick the tires.
For the curious, some details about the implementation. I use Feedbin as my feed reader and they have a pretty good API. So I built a sync system that adds the URLs of the sites in the Rolodex (if they have associated feeds) to Feedbin and tags them with “Rolodex”. Once the feeds are associated with sites, I can just retrieve new entries from those Rolodex-tagged feeds (every 30 min currently). There are a few sites causing problems — for instance, Beehiiv newsletters don’t appear to have RSS feeds by default?1 — and there are some other bugs, but I’m working on it. I’m not including posts from social sites (Bluesky, Mastodon) for now because that’s another level of velocity.
But like I said, I am loving this casual wee feed reader so far. No read/unread statuses, no counts, no folders, no pressure to catch up, no 3-pane view. I’d say 90-95% of the sites on the list work fine — and it doesn’t need to be 100%. Try it out, lemme know what you think.
Thanks to KDO members for helping to fund new features like this. If you’d like to help support the site, check out your membership options here. ✌️
If you try adding Ryan Broderick’s Garbage Day newsletter (hosted by Beehiiv) to Feedbin, it can’t find an RSS feed because there’s no link tag for it. The front page of the site doesn’t link to the feed anywhere. But if you dig around in the source code… ah, there it is. Same deal with Bobby Solomon’s new Horstman newsletter, except the RSS feed address isn’t anywhere in the source. 🤷♂️ So posts for those sites won’t show for now. ↩
Academy Museum of Motion Pictures Acquires Original Disney Adult. “There wouldn’t be a Disney as we know it without this guy, a grown man who has watched Tinker Bell And The Great Fairy Rescue more than 90 times.”
TIL about burping your house, aka lüften (in Germany), aka opening up the windows in your house daily to air it out, even in winter.


The Library of Congress houses an online collection of 48 color photographs of Rome taken in the 1890s. The prints were created using the photochrom process:
The prints look deceptively like color photographs. But when viewed with a magnifying glass the small dots that comprise the ink-based photomechanical image are visible. The photomechanical process permitted mass production of the vivid color prints. Each color in the final print required a separate asphalt-coated lithographic stone, usually a minimum of six stones and often more than ten stones.
If you look at the individual items from the collection (like the shot of the Colosseum), you’ll notice that the photographers were uncredited:
The names of individual photographers are rarely identified on the photochrom prints. Initials on the original negatives and entries in the Detroit Publishing Company ledgers at the Colorado Historical Society sometimes reveal the image creator.
(via open culture)
Steve Jobs famously said that computers are a bicycle for the mind. What does that make LLMs? An e-bike for the mind? A car for the mind? A jet plane for the mind?
LLMs are getting pretty good at unmasking pseudonymous users — their success rate is “far greater” than humans alone can manage.
“Imagine what it was like for women in colonial North America. Life was different depending on where you lived, your background, and how much money you had.”
This video traces the history of Apple’s HyperCard from Vannevar Bush’s idea of the Memex to the Mother of All Demos to the Xerox PARC Alto to Bill Atkinson, the inventor of HyperCard, who said:
HyperCard is a software erector set. It lets people put things together without having to know how to solder.
There’s a ton of information about HyperCard at hypercard.org, including this HyperCard simulator that runs in your browser.
Does Your Country Need Regime Change? A Quiz. “Is your country a notorious bad actor in the Middle East? Has your leader deployed the country’s military domestically against civilians who were protesting peacefully?”

As part of his show called Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis, currently on display in LA, Takashi Murakami painted his own version of Claude Monet’s Woman with a Parasol - Madame Monet and Her Son. The painting is paired with Murakami’s copies of woodblock prints (ukiyo-e) that influenced the work of Monet and other abstract & impressionist artists.
Here Murakami pairs a copy of Monet’s portrait with twelve enlarged versions of ukiyo-e prints by Kikukawa Eizan and his teacher, Utamaro. Through these examples Murakami shapes a narrative of Monet’s encounter with bijinga. They suggest the elements that Monet absorbed in his study of prints: statuesque three-quarter figures; sensual outlines; parasols viewed from below; cloud-like masses of cherry blossoms; windswept skirts. Another selection, Utamaro’s Yamauba and Kintarō, is an example of a bijinga sub-genre in which women are shown with young children.
As noted by Greg Allen, Murakami used an unusual process for his reproductions:
Copying the originals, Murakami had his own intimate encounter with these features, recognizing in the process the meticulous care taken in pursuit of delicate effects. He interprets them in his signature style, composed of layer upon layer of silkscreened acrylic paint, applied with a special squeegee work application method and coated in a glossy finish.
Socials & More