In June 1985, 17-year-old LL Cool J and his DJ Cut Creator played a gymnasium at Colby College in Waterville, Maine with maybe 120 people in attendance. At this point, his debut album hadn’t even come out yet and rapping/scratching was not widely known, so LL and CC give the unenthusiastic audience a little demonstration of what it’s all about.

This is amazing. The footage was digitized from VHS by the show’s organizer’s son and he adds more information about it in the comments:

LL was paid $500 for the show. Since he was the only rap act, he was worried it would a be short performance, so my dad suggested he fill it in with the scratching and beat boxing.

LL was signed to Def Jam. My dad tried to get RUN DMC, but could not afford them, so Def Jam told him he should bring up LL Cool J.

(via @sampotts)

• LL Cool J
• music
• video

Inside the Making of Dr. Strangelove is a 45-minute behind-the-scenes documentary about Stanley Kubrick’s kooky masterpiece (and one of my two favorite movies).¹

And speaking of Kubrick, director Marc Forster is making a trilogy of films based on Kubrick’s script for The Downslope, a movie about the Civil War. *tents fingers* Interesting…

1. The other is Rushmore.↩

• Dr. Strangelove
• film school
• Marc Forster
• movies
• Stanley Kubrick
• The Downslope
• video

Actor and singer François Clemmons, who played Officer Clemmons for 30 years on Mister Rogers’ Neighborhood, talks about how and why Fred Rogers chose a black man to be a police officer on TV.

To say that he didn’t know what he was doing, or that he accidentally stumbled into integration or talking about racism or sexism, that’s not Mister Rogers. It was well planned and well thought-out and I think it was very impactful.

NPR also recently shared Clemmons’ story.

He says he’ll never forget the day Rogers wrapped up the program, as he always did, by hanging up his sweater and saying, “You make every day a special day just by being you, and I like you just the way you are.” This time in particular, Rogers had been looking right at Clemmons, and after they wrapped, he walked over.

Clemmons asked him, “Fred, were you talking to me?”

“Yes, I have been talking to you for years,” Rogers said, as Clemmons recalls. “But you heard me today.”

“It was like telling me I’m OK as a human being,” Clemmons says. “That was one of the most meaningful experiences I’d ever had.”

Mister Rogers always hits me right in the feels.

• Francois Clemmons
• Fred Rogers
• racism
• TV
• video

Writing for the New Yorker in 1936, E.B. White pens a farewell to the Model T, a gadget that defined the first quarter of the 20th century.

During my association with Model T’s, self-starters were not a prevalent accessory. They were expensive and under suspicion. Your car came equipped with a serviceable crank, and the first thing you learned was how to Get Results. It was a special trick, and until you learned it (usually from another Ford owner, but sometimes by a period of appalling experimentation) you might as well have been winding up an awning. The trick was to leave the ignition switch off, proceed to the animal’s head, pull the choke (which was a little wire protruding through the radiator), and give the crank two or three nonchalant upward lifts. Then, whistling as though thinking about something else, you would saunter back to the driver’s cabin, turn the ignition on, return to the crank, and this time, catching it on the down stroke, give it a quick spin with plenty of That. If this procedure was followed, the engine almost always responded — first with a few scattered explosions, then with a tumultuous gunfire, which you checked by racing around to the driver’s seat and retarding the throttle. Often, if the emergency brake hadn’t been pulled all the way back, the car advanced on you the instant the first explosion occurred and you would hold it back by leaning your weight against it. I can still feel my old Ford nuzzling me at the curb, as though looking for an apple in my pocket.

Aside from the obvious advantage of price, White details three compelling factors of the Model T, all of which still move car owners to purchase today: quickness, height, and customizability. The Model T was gloriously quick off the line, reaching its top speed of 45 mph, according to White, more quickly than other cars of the age. The driver sat high up in the car, on top of the gas tank, which must have given you the same mighty feeling as driving a huge-ass SUV or pickup truck. And as delivered, the Model T was just functional, leaving ample opportunity for people to add their own touches. For instance, the car didn’t come with a gas pedal (the throttle was hand-operated), speedometer, rear view mirror, or windshield wipers. (via @ftrain, who notes what a great tech blogger White was)

• cars
• E.B. White
• Model T

Two weeks ago, 99% Invisible broadcast an audio documentary from 1998 about one of the last remaining flophouses on The Bowery in NYC called The Sunshine Hotel. It is an amazing time capsule from a Manhattan that just doesn’t exist anymore.

The Sunshine Hotel opened in 1922. Rooms — or really, cubicles — were 10 cents a night. The Sunshine, like other flop houses, was always a men-only establishment. In 1998, the hotel had raised it’s rates to 10 dollars a night and it was managed by resident Nathan Smith. He sat behind a metal cage at the front desk, answering the phone and doling out toilet paper to residents for 35 cents. Smith had once worked in a bank until he was injured, and then fired. His wife left him and he ended up in the Bowery, and eventually at the Sunshine Hotel.

The interviewees sound like they’re characters in a play, not real people. It’s so good. There is also a documentary film released in 2001 about The Sunshine Hotel which is available on Amazon Instant; here’s a trailer:

• audio
• movies
• NYC
• The Sunshine Hotel
• video

It’s been about five months since I announced I was taking a sabbatical and lately I’ve been getting messages from members and readers asking what’s been going on. While I don’t have anything specific to say about how it’s been going (other than I’m well and that I’ve been mostly and blissfully offline), I did want to share a brief update on my plans for the fall:

I will be returning to work on the site sometime in November or December. I don’t know exactly what shape that will take, but it will resemble what I was doing before I paused back in May: posting interesting links and things to share with you on this here website. You know, fine hypertext products.

In the meantime, I hope you’ve been enjoying some of the timeless posts from the archive that are being posted to the front page — just a few each week. Finishing that republishing system was an enjoyable little sabbatical task…it was fun to dip my toes back into programming.

Anyhoo, I’ll see you soon. -jason

• Jason Kottke
• kottke.org

Hello, everyone. I’m going to be taking an extended break from kottke.org, starting today. I’ve been writing here for more than 24 years, nearly half my life — I need a breather. This is something I have been thinking about and planning for years¹ and I’d like to share why I’m doing it, how it’s going to work, what I hope to accomplish, and how you can help.

This is a long post and was a hard one to write — I hope you’ll give it your thoughtful attention. But first, let me introduce you to my plant.

(This is going somewhere. Trust me.)

Eight years ago when I still lived in NYC, I bought a fiddle leaf fig tree from a store in the Flower District. Here it is a couple of years ago, thriving next to my desk here in Vermont:

I’d recently moved into my own apartment after separating from my wife and figured a large plant in my new place would add some liveliness to a new beginning that was feeling overwhelming, lonely, and sad. For the first couple of months, I didn’t know if my tree and I were going to make it. I’d never really had a plant before and struggled getting a handle on the watering schedule and other plant care routines. It started losing leaves. Like, an alarming number of leaves.

I’d brought this glorious living thing into my house only to kill it! Not cool. With the stress of the separation, my new living situation, and not seeing my kids every day, I felt a little like I was dying too.

One day, I decided I was not going to let my fiddle leaf fig tree die…and if I could do that, I wasn’t going to fall apart either. It’s a little corny, but my mantra became “if my tree is ok, I am ok”. I learned how to water & feed it and figured out the best place to put it for the right amount of light. It stopped shedding leaves.

The fig tree was a happy plant for several years after that. And I was ok because my plant was ok — I found new routines and rhythms in my altered life, made new traditions with my kids, got divorced, met new people, moved to a new state (w/ my family and tree), rediscovered who I was as a person, and, wonderfully and unexpectedly, forged a supportive and rewarding parenting partnership and friendship with my ex. We made it through that tough time together, that plant and me.

Recently however, my fiddle leaf fig has been struggling again. It’s been losing leaves and has become lopsided — some branches are going gangbusters while others are almost bare and the plant is listing so badly to one side that the whole thing tips over without the weight of water in the pot. This is what it’s looking like these days:

My plant is not ok. And neither am I — I feel as off-balance as my tree looks. I’m burrrrned out. I have been for a few years now. I’ve been trying to power through it, but if you’ve read anything about burnout, you know that approach doesn’t work.

I appreciate so much what I’ve built here at kottke.org — I get to read and learn about all sorts of new things every day, create new ideas and connections for people, and think in public — and I feel incredibly lucky to be able to set my own schedule, be my own boss, and provide for my family. But if you were to go back into the archive for the past several months and read the site closely, you’d see that I’ve been struggling.

Does what I do here make a difference in other people’s lives? In my life? Is this still scratching the creative itch that it used to? And if not, what needs to change? Where does kottke.org end and Jason begin? Who am I without my work? Is the validation I get from the site healthy? Is having to be active on social media healthy? Is having to read the horrible news every day healthy? What else could I be doing here? What could I be doing somewhere else? What good is a blog without a thriving community of other blogs? I’ve tried thinking about these and many other questions while continuing my work here, but I haven’t made much progress; I need time away to gain perspective.

· · ·

So. The plan, as it currently stands, is to take 5-6 months away from the site. I will not be posting anything new here. I won’t be publishing the newsletter. There won’t be a guest editor either — if someone else was publishing here, it would still be on my mind and I’m looking for total awayness here. I’m planning on setting up a system to republish some timeless posts from the archive while I’m away, but that’s not fully in place yet. If you send me email (please do!), it might take me awhile to read it and even longer to reply — I plan to ignore my inbox as much as I can get away with. I probably won’t be on Twitter but will be more active on Instagram if you want to follow me there.

The goal of my time away from the site is resting, resetting, recharging, and figuring out what to do going forward. In this NY Times feature, Alexandra Bell said this about how art is made: “I need some space to think and live and have generative conversations and do things, and then I’ll make something, but I can’t tell you what it is just yet.” That’s the sort of energy I need to tap into for a few months.

Here’s the way I’ve been thinking about it: there’s a passenger ferry that goes from Cape Cod to Nantucket and there’s a stretch of time in the middle of the journey where you can’t see the mainland behind you and can’t yet see the island ahead — you’re just out in the open water. That’s what I need, to be in that middle part — to forget about what I’ve been doing here for so many years without having to think about where I’m going in the future. I need open water and 5-6 months feels like the right amount of time to find it.

· · ·

This is probably a good time to admit that I’m a little terrified about taking this time off. There’s no real roadmap for this, no blueprint for independent creators taking sabbaticals to recharge. The US doesn’t have the social safety net necessary to enable extended breaks from work (or much of anything else, including health care) for people with Weird Internet Careers. I support a lot of individual writers, artists, YouTubers, and bloggers through Substack, Patreon, and other channels, and over the years I’ve seen some of them produce content at a furious pace to keep up their momentum, only to burn out and quit doing the projects that I, and loads of other people, loved. With so many more people pursuing independent work funded directly by readers & viewers these days, this is something all of us, creators and supporters alike, are going to have to think about.

I’ve said this many times over the past 5 years: kottke.org would not be possible today without the incredible membership support I have gotten from the people who read this site. Members have enabled this site to be free for everyone to read, enriching the open web and bucking the trend towards paywalling information online. I hope you will continue to support me in taking this necessary time off.

If, for whatever reason, you would like to pause/suspend your membership until I return, email me and I would be happy to do that for you. You’re also free of course to raise or lower your membership support here if you’d like. Regardless of what you choose to do, I hope I will see you back here in the fall.

· · ·

If you’re curious about what’s on my agenda for the next few months, so am I! I’m leaving on a long-planned family trip soon, but other than that, I do not have any set plans. Suggestions and advice are welcome! I’d like to spend some unrushed time with my kids, who too often see me when I’m stressed out about work. I want to read more books. Watch more good movies. Take more photos. Go on pointless adventures. I want to exercise a little more regularly and figure out how to eat a bit better. Maybe travel some, visit friends or the ocean or both. Bike more. Stare at the walls. I hope to get a little bored. I need to tend to my fiddle leaf fig tree — if my tree is ok, I will be too.

I’m going to miss this — and all of you — more than I probably realize right now, but I’m ready for a break. I’ll see you in a few months.

*deep breath*

Here I go!

*jumps*

· · ·

P.S. The best way to keep tabs on when the site starts up again is to subscribe to the newsletter. You can also follow @kottke on Twitter, subscribe to the RSS feed, or follow me on Instagram so you don’t miss anything.

P.P.S. Big big thanks to the many people I’ve talked to about this over the past few months and years, especially Anil, Alaina, David, Adriana, Tim, Caroline, Matt, Joanna, Meg, Aaron, Edith, Kara, Megan, Anna, Jackson, and Michelle. (Forgive me if I’ve forgotten anyone.) I value your wise counsel and your pointing me, hopefully, in the right direction.

P.P.P.S. A quick blogroll if you’re looking for sites and newsletters to keep you busy while I’m gone. In no particular order, a non-exhaustive list: The Kid Should See This, The Morning News, Waxy, Colossal, Curious About Everything, Open Culture, Drawing Links, Clive Thompson @ Medium, Cup of Jo, swissmiss, Storythings, things magazine, Present & Correct, Spoon & Tamago, Dense Discovery, Austin Kleon, NextDraft, Tressie McMillan Cottom, Poetry Is Not a Luxury, A Thing or Two, The Honest Broker, Interconnected, The Whippet, Craig Mod, Why is this interesting?, Sidebar, The Prepared, Life Is So Beautiful, Fave 5, Sentiers, The Fox Is Black, and Scrapbook Chronicles. Happy hunting!

Update: Hello, everyone. I want to thank you all so much for your emails, tweets, and DMs…yesterday was just a little overwhelming. I was apprehensive yesterday morning about publishing this post — I had no idea what the reaction was going to be — and, well, you folks turned it into a party. I’m so grateful for your support, advice, well-wishes, and understanding. I should not have doubted you — if this site is anything, it’s that way because of all of you. Thank you again for the support and I will see you in a few months. ❤

1. The original plan was to do this in late spring 2020 but….you know.↩

• Jason Kottke
• kottke.org
• working

Well hey there, it’s been a few months, so it’s time for another roundup of what I’ve been reading, watching, listening to, and experiencing recently. In addition to the stuff below, I have a few things in progress: the second season of Russian Doll, Oliver Burkeman’s Four Thousand Weeks, and I just started dipping into Rebecca Woolf’s forthcoming memoir, All of This. Oh, and I’m listening to Russell Shorto’s The Island at the Center of the World on audiobook and the third season of Michael Lewis’ Against the Rules podcast. All always, don’t sweat the letter grades too much.

Everything Everywhere All at Once. This movie is a little bit of a miracle: action, comedy, heartfelt, and a little bit of a mess, all together in a perfect balance. This is the best movie I’ve seen in ages. (A+)

Encanto. The kids and I liked it fine. (B+)

The Expanse (season six). I’m going to miss spending time in this world with these people. (A-)

Matrix by Lauren Groff. Was delighted and moved by this work of historical fiction about Marie de France. (A)

Station Eleven. I loved the slow burn and resolution of this show. I didn’t think I wanted to watch a TV show about a flu pandemic causing the end of civilization, but it was actually perfect. Both actresses who played Kirsten were fantastic. (A/A+)

The Last Duel. Every director is entitled to their Rashomon I guess? And I’m not sure Matt Damon was the right choice here… (B)

Pig. Had no idea what to expect from this one. Even so, Taken + Truffle Hunters + Fight Club + Ratatouille was a surprise. (B+)

Strafford ice cream. This Black-owned dairy farm makes the richest, creamiest ice cream I’ve ever had. So glad I randomly bought a pint of it a few months ago…I’m never going back to anything else. (A)

Severance. Fantastic opening credits sequence and while I wasn’t as enamored as many were after the first few episodes, the show definitely grew on me. (A-)

My Brilliant Friend (season three). I don’t know why there’s no more buzz about this show. The acting, world-building, story, and Max Richter’s soundtrack are all fantastic. And the fight against fascism! (A)

The Gilded Age. Exactly what I wanted out of a period drama from the maker of Downton Abbey and Gosford Park. (B+)

Exhalation. Second time through, this time on audiobook. I love these stories - Chiang is a genius. (A)

The Book of Boba Fett. This turned into season 2.5 of The Mandalorian and I am totally ok with that. (B+)

Other People’s Money podcast. As a snack-sized in-between season for his excellent Against the Rules podcast, Michael Lewis revisits his first book, Liar’s Poker, written about his experience working for Salomon Brothers in the 80s. (A-)

The King’s Man. Not as fun as the first movie but more fun than the second one? But they all could be better. (B)

Turning Red. I loved Domee Shi’s short film, Bao, and this film is similarly clever and heartfelt. (A-)

Drive My Car. Really appreciated the cinematography of this one; wish I could have seen it in the theater. (A-)

Jennifer Packer at The Whitney. I was unfamiliar with Packer’s work before seeing this exhibition, but I’m a fan now. (A-)

Licorice Pizza. I’m really flabbergasted at the two pointless racist scenes in this film. PT Anderson is a better filmmaker than this. It’s a shame because I enjoyed the rest of the film — the two leads are great. Can’t recommend it though. (D)

Death on the Nile. These movies are fun. Sometimes all you want to do is watch Kenneth Branagh chew scenery as Hercule Poirot. (B+)

Moonfall. Not as fun or coherent (I know, lol) as some of Emmerich’s other movies. The acting in this is…not great. (C+)

Hawkeye. Fun but I don’t know how many more Marvel things I want to keep up with. (B)

Spider-Man: No Way Home. Tom Holland’s Spider-Man is always fun. (B+)

Fantastic Beasts: The Secrets of Dumbledore. Better than the overcomplicated sequel and Mikkelsen was a better Grindelwald than Depp. The story wrapped up so nicely that who knows if there will be a fourth movie. (B)

The Tragedy of Macbeth. Brilliant cinematography and set design. (B+)

The Batman. Oh I don’t know. I guess this was a pretty decent detective story, but I’m not sure why Batman needed to be involved. (B)

The Northman. This would have been much better had it ended 20 minutes sooner. Not sure we needed another movie that concludes with ultimately pointless violent masculine revenge. (B-)

Kimi. Soderbergh does Rear Window + The Conversation. The direction is always tight and Zoë Kravitz is great in this. (A-)

The Mysterious Benedict Society. The kids and I enjoyed this solid adaptation of the first book of a popular series. (B+)

Armageddon. The pace of this movie is incredible — it just drops you right into the action and never stops for more than 2 hours. Also, the top question when searching this movie title on Google is “Is Armageddon movie a true story?” *sigh* (B-)

Past installments of my media diet are available here.

• art
• books
• food
• media diet
• movies
• podcasts
• TV
• video

It is Friday and this is the perfect Friday sort of post. BeamNG is a video game of sorts that’s “a dynamic soft-body physics vehicle simulator capable of doing just about anything”. In the simulator, you can quickly devise all sorts of situations with a variety of cars and then press play to see what happens, with (mostly) realistic physics and collisions. For instance, here’s Cars vs Big Bulge:

Chained Cars vs Bollards:

Cars vs 100 Fallen Trees:

Trains vs Giant Pit:

And many many more. My god if this simulator had been around when I was 12 years old, I might not have done anything else. Hell, if I downloaded and installed this right now, I might not ever get anything done ever again. (via @tvaziri)

• cars
• physics
• science
• video
• video games

Men in the US typically do not talk about or worry about birth control that much, to the detriment of the health and safety of women. In the spirit of trying to change that a little, I’m going to talk to you about my experience. About a decade ago, knowing that I did not want to have any more children, I had a vasectomy. And let me tell you, it’s been great. Quickly, here’s what a vasectomy is, via the Mayo Clinic:

Vasectomy is a form of male birth control that cuts the supply of sperm to your semen. It’s done by cutting and sealing the tubes that carry sperm. Vasectomy has a low risk of problems and can usually be performed in an outpatient setting under local anesthesia.

Whether you’re in a committed relationship or a more casual one, knowing that you’re rolling up to sexual encounters with the birth control handled is a really good feeling for everyone concerned.¹ Women have typically (and unfairly) had to be the responsible ones about birth control, in large part because it’s ultimately their body, health, and well-being that’s on the line if a sexual act results in pregnancy, but there are benefits of birth control that accrue to both parties (and to society) and taking over that important responsibility from your sexual partner is way more than equitable.

(Here’s the part where I need to come clean: getting a vasectomy was not my idea. I had to be talked into it. It seemed scary and birth control was not something I thought about as much as I should have. I’m ashamed of this; I wish I’d been more proactive and taken more responsibility about it. Guys, we should be talking about and thinking about this shit just as much as women do! I hope you’ve figured this out earlier than I did. Ok, back to the matter at hand.)

Vasectomies are often covered by health insurance and are (somewhat) reversible. These issues can be legitimate dealbreakers for some people. Some folks cannot afford the cost of the procedure or can’t take the necessary time off of work to recover (heavy lifting is verboten for a few days afterwards). And if you get a vasectomy in your 20s for the purpose of 10-15 years of birth control before deciding to start a family, the lack of guarantee around reversal might be unappealing. Talk to your doctor, insurance company, and place of employment about these concerns!

Does the procedure hurt? This is a concern that many men have and the answer is yes: it hurts a little bit during and for a few days afterwards. For most people, you’re in and out in an hour or two, you ice your crotch, pop some Advil, take it easy for a few days, and you’re good to go.¹ It’s a small price to pay and honestly if you don’t want to get a vasectomy because you’re worried about your balls aching for 48 hours, I’m going to suggest that you are a whiny little baby — and I’m telling you this as someone who is quite uncomfortable and sometimes faints during even routine medical procedures.

So, if you’re a sperm-producing person who has sex with people who can get pregnant and do not wish for pregnancy to occur, you should consider getting a vasectomy. It’s a minor procedure with few side effects that results in an almost iron-clad guarantee against unwanted pregnancy. At the very least, know that this is an option you have and that you can talk to your partner and doctor about it. Good luck!

1. Just to be clear, you still have to worry about sexually transmitted infections — a vasectomy obviously does not provide any protection against that.↩

2. There also is a follow-up about 6-12 weeks later to make sure the procedure worked. You masturbate into a cup and they check to see that there’s no sperm in the sample. Part of this follow-up, if my experience is any guide, includes checking that the doctor’s office bathroom door is locked about 50 times while watching very outdated porn on a small TV mounted up in the corner of the tiny room. It’s fine though! And you have a fun story to tell later.↩

• medicine

Inspired by this short video I found on Twitter of people doing extreme stunts on pogo sticks, I found a few videos on YouTube that showcase what’s possible on what’s commonly thought of as an old-fashioned children’s toy.

Gotta admire the spirit of humanity that turns absolutely everything into an extreme sport.

• sports
• video

This 360° time lapse video, filmed by meteorologist Witek Kaszkin in 2015, follows the never-setting Sun in a 24-hour trip around the sky above the Arctic Circle as the icy Arctic landscape is bathed in constant summer sunlight.

See also — and I may be burying the lede here — Kaszkin’s video of a total solar eclipse filmed from the same location. Wow. (via the kid should see this)

• astronomy
• Sun
• time lapse
• video

In this video from 1965, electronic music pioneer Delia Derbyshire, who arranged the original theme music for Doctor Who, demonstrates how electronic music was made at the BBC Radiophonic Workshop. It’s such a treat watching her construct songs from electronic sound generators and sampled sounds played at different speeds and pitches; you can even see her layering sounds on different tape machines and beat matching, just like DJs would years later.

Amazingly, you can try your hand at layering and looping this music yourself with this Tape Loops demo from the BBC. You can also make Dalek and Cybermen noises with the Ring Modulator, create Gunfire Effects, or use the Wobbulator (my favorite).

See also The Definitive Guide to Doctor Who Theme Music, the trailer for Delia Derbyshire: The Myths and the Legendary Tapes, and this incredible proto-techno track Derbyshire made in the 60s. (via @austinkleon)

• audio
• Delia Derbyshire
• Doctor Who
• music
• remix
• video

Google has developed a typeface called Noto that seemingly includes every single character and symbol used for writing in the history of the world. I mean, look at all these different options: Korean, Bengali, Emoji, Egyptian hieroglyphs, Coptic, Old Hungarian, Cuneiform, Linear B, Osage, and literally dozens more.

Noto is a collection of high-quality fonts with multiple weights and widths in sans, serif, mono, and other styles. The Noto fonts are perfect for harmonious, aesthetic, and typographically correct global communication, in more than 1,000 languages and over 150 writing systems.

A particular shoutout to Noto Emoji: it supports the latest emoji release (14.0) and includes 3,663 emoji in multiple weights.

Perhaps it’s time for a new typeface ‘round these parts…

Update: I got it in my head that Noto was a new typeface, but it was first released in 2013. But Noto’s monochrome emoji font is new — I think that’s where I got confused.

• design
• emoji
• Google
• language
• typography