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kottke.org posts about remix

The Dancing Baby Meme, Digitally Remastered

posted by Jason Kottke   Feb 13, 2020

In 1996, Dancing Baby was one of the earliest big memes to cross over from the nerd space of Usenet to the wider population; it even appeared on the popular TV show Ally McBeal. 18-year-old English college student Jack Armstrong, born more than 5 years after the meme debuted, decided to digitally remaster the original in 1080p and 60FPS:

Armstrong shared how he tracked down the original 3D file on Twitter. (via waxy)

Alternate Map of the Americas Features “Long Chile”

posted by Jason Kottke   Feb 13, 2020

Anna Calcaterra Map

Long-time readers know that I like me some maps and in particular hand-drawn/homemade maps and maps of alternate realities. So I was charmed by Anna Calcaterra’s alternate map of the Americas, which features geographic entities like Long Chile, Ohio 2 (“Four Corners replaced w/ Ohio 2”), and East Dakota (RIP Minnesota). The kids are alright, y’all.

Darth Costanza

posted by Jason Kottke   Jan 27, 2020

The premise is pretty simple and there’s no need to oversell it because you can imagine what this is going to sound like going in and it delivers perfectly: George Costanza’s father’s voice dubbed over Darth Vader’s dialogue in Star Wars. Serenity now!

(Quickly: Luke = Jerry, Han = George, Leia = Elaine, Chewie = Kramer. Does that even work? (Obi-Wan = Uncle Leo? Is 3PO Newman?))

World Map Projection, But All South Americas

posted by Jason Kottke   Jan 20, 2020

I bet you never noticed that South America can kind of approximate most of the world’s other continents pretty well. XKCD’s Randall Munroe did and made a bad map projection of it.

World Map Projection with all South Americas

This is only slightly worse than the Mercator projection tbh.

Kenobi, a Star Wars Fan Film

posted by Jason Kottke   Jan 17, 2020

Although the announced Disney+ series about Obi-Wan Kenobi may shed some light on the matter, we don’t know too much about what “Ben Kenobi” was up to on Tatooine after the events of Revenge of the Sith, besides keeping an eye on Luke. This short film made by a group of Star Wars fans as a “love letter” to the series shows what may have happened after the Empire makes its presence known when Luke is just a young boy. (via kevin kelly)

Retitling “Little Women” So Men Will Go See It

posted by Jason Kottke   Jan 14, 2020

The audience for Greta Gerwig’s Little Women is running about 2/3 women and 1/3 men. Bruce Handy has some suggestions for a title change that would entice more men to check the movie out.

“Star Wars, Episode X: The Rise of Amy”
“Four Girls, One Teacup”
“Into the Marchverse”
“The Jo Supremacy”

I saw Little Women on New Year’s Day and loved it — one of my favorite 2019 movies for sure. It’s idiotic that Gerwig didn’t get nominated for a Best Director Oscar.

See also Kaitlyn Greenidge’s opinion piece, The Bearable Whiteness of ‘Little Women’.

The First and Last Time Mister Rogers Sang “Won’t You Be My Neighbor” on TV

posted by Jason Kottke   Jan 14, 2020

Including special shows, Mister Rogers’ Neighborhood ran for 912 episodes and at the beginning of each one, Rogers sang “Won’t You Be My Neighbor?” while putting his sweater on and changing his shoes. In the video above, you can compare his rendition of the song from the first episode (February 19, 1968) and the final episode (August 31, 2001). It would take a significant effort (and might actually be impossible because he sings the song at a different pace each time), but I’d love to see someone cut together a version of this that features all 912 openings strung together chronologically, so you can see Rogers get older as he sings (a la Noah Kalina’s Everyday).

The same YouTube channel also edited together the first and last times Rogers sang “Good Feeling”:

(via open culture)

Every Sample from Paul’s Boutique by the Beastie Boys

posted by Jason Kottke   Dec 23, 2019

This video catalogs every borrowed sample from Paul’s Boutique by the Beastie Boys, from the soundtrack to Car Wash to the Sugarhill Gang to the Eagles to the Ramones to the Beatles. They play the original first and then what they did with it on the album.

Somehow this video only has 31,000 views?! You can also listen to this remix of Paul’s Boutique on Soundcloud, which combines the source tracks with Beastie Boys vocals and some audio commentary.

Tim Carmody made a Spotify playlist of all the sampled songs or you can download zip files of the original songs sampled in Paul’s Boutique and five of their other albums.

They just don’t make ‘em like this anymore, mostly because clearing all of the samples would be prohibitively expensive if not impossible.

Hip-hop sampling began as a live technique, with DJs working turntables at parties and clubs. Whether it was strictly legal or not, nobody was going to try to sue anyone about it. As the genre’s popularity grew, people naturally started recording performances and releasing them as albums. Early sampling tended to come fast and furious. In the ’80s, short clips of existing recordings were the order of the day, often — as in the case of the Beastie Boys — lots of them, layered and shuffled in a clearly creative way. As hip-hop pushed further into the mainstream, however, the stakes got bigger and so did the samples.

1990 saw the release of both M.C. Hammer’s “U Can’t Touch This” and Vanilla Ice’s “Ice, Ice, Baby.” Not only did both songs sample, they each relied heavily on one particular sample — the baselines from Rick James’ “Superfreak” and Queen and David Bowie’s “Under Pressure” — for their main hook. Both hits resulted in legal controversy.

Artworks from the Prado Museum Altered to Show Effects of Climate Change

posted by Jason Kottke   Dec 17, 2019

Prado Climate Change

In collaboration with the Prado Museum in Madrid, the World Wildlife Fund altered a few paintings from the museum’s collection to highlight the future effects of climate change: extinction of species, sea level rise, desertification, and climate refugees.

Prado Climate Change

(via open culture)

Mashup of Radiohead’s Creep & All I Want for Christmas is You

posted by Jason Kottke   Dec 16, 2019

This is a little slice of genius right here, a mashup of Radiohead’s Creep and Mariah Carey’s All I Want for Christmas is You. It takes a little bit to get going but I LOL’d when the vocals finally came in.

I have to say though that it’s not quite as entertaining as this All I Want for Christmas / This Is America combo, which might actually be the best thing on the internet.

Pachelbel’s Canon Played by Train Horns

posted by Jason Kottke   Dec 11, 2019

This video of the familiar tune of Pachelbel’s Canon being played by different clips of train horns all edited together is both funny and charming. If you need a little pick-me-up right now, this should do the trick. Watch for the celebrity cameo around the 1:00 mark. (via the kid should see this)

Ornitographies, Time-Merged Images of the Paths of Birds Through the Sky

posted by Jason Kottke   Nov 27, 2019

For his Ornitographies project, Xavi Bou takes photographs of birds and stitches them together into single images so that you can see their flight paths through the sky.

Xavi Bou Ornitographies

Xavi Bou Ornitographies

Xavi Bou Ornitographies

My guest editor Patrick briefly shared one of Bou’s images on his exit post a couple of weeks ago, but I thought they were worth another look.

A Deepfake Nixon Delivers Eulogy for the Apollo 11 Astronauts

posted by Jason Kottke   Nov 26, 2019

When Neil Armstrong and Buzz Aldrin landed safely on the Moon in July 1969, President Richard Nixon called them from the White House during their moonwalk to say how proud he was of what they had accomplished. But in the event that Armstrong and Aldrin did not make it safely off the Moon’s surface, Nixon was prepared to give a very different sort of speech. The remarks were written by William Safire and recorded in a memo called In Event of Moon Disaster.

Fifty years ago, not even Stanley Kubrick could have faked the Moon landing. But today, visual effects and techniques driven by machine learning are so good that it might be relatively simple, at least the television broadcast part of it.1 In a short demonstration of that technical supremacy, a group from MIT has created a deepfake version of Nixon delivering that disaster speech. Here are a couple of clips from the deepfake speech:

Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace.

The full film is being shown at IDFA DocLab in Amsterdam and will make its way online sometime next year.

The implications of being able to so convincingly fake the televised appearance of a former US President are left as an exercise to the reader. (via boing boing)

  1. But technology is often a two-way street. If the resolution of the broadcast is high enough, CGI probably still has tells…and AI definitely does. And even if you got the TV broadcast correct, with the availability of all sorts of high-tech equipment, the backyard astronomer, with the collective help of their web-connected compatriots around the world, would probably be able to easily sniff out whether actual spacecraft and communication signals were in transit to and from the Moon.

The Typologies of New York City

posted by Jason Kottke   Nov 22, 2019

Using almost 1300 photos from Instagram of iconic/stereotypical shots of NYC, Sam Morrison spent 200 hours creating what he calls a crowdsourced hyperlapse video of the city. I love it. Reminds me a little of the old Microsoft application Photosynth, which could stitch together hundreds of online photos of, say, the Eiffel Tower or Golden Gate Bridge into a composite 3D image. (via a newly resurgent waxy.org)

2019 Films as Simpsons Screencaps

posted by Jason Kottke   Nov 22, 2019

On Twitter, Hannah Woodhead posted a thread of screencaps from The Simpsons that uncannily encapsulate movies released in 2019. My two favorites are Parasite and The Lighthouse:

Simpsons 2019 Movies

Simpsons 2019 Movies

If you’d like, you can make your own using Frinkiac, the Simpsons screencap search engine. I did this one for Booksmart:

Simpsons 2019 Movies

The Art of the Travelling Salesman Problem

posted by Jason Kottke   Nov 21, 2019

TSP Portraits

TSP Portraits

All art is bounded by one constraint or another. Mathematician Robert Bosch makes what he calls “optimization art”, which is best embodied by these images produced as solutions to the travelling salesman problem. Each image is made up of a continuous line that is the shortest possible route through a series of points without revisiting any single point, much like the optimal route of a travelling salesperson visiting cities. The rendition of a van Gogh self-portrait uses a solution for 120,000 “cities” while the single line forming the Girl with the Pearl Earring visits 200,000 cities.

I would love to see an Observable notebook where you could upload any photo to make images like these. (via @Ianmurren)

The Succession Theme Works Over Any TV Show Title Sequence

posted by Jason Kottke   Nov 14, 2019

If you’re having withdrawals from Succession, perhaps this will help a little. A fan created these title sequences of iconic TV shows with the pulsing Succession theme song dubbed over them. The Wire, The Simpsons, and Mad Men are particular favorites of mine:

The Succession theme is to title sequences like what “Christ, what an asshole!” is to New Yorker cartoon captions — it even fits Happy Days (mostly):

If you’d like to try your hand at this, the theme song is available on Spotify. Its composer, Nicholas Britell, also scored Moonlight and If Beale Street Could Talk.

The Odyssey in Limerick Form

posted by Jason Kottke   Oct 16, 2019

Emily Wilson, whose translation of The Odyssey recently reintroduced the epic to a wider non-classics audience, has now cheekily translated the tale of Odysseus into a series of limericks. She starts off:

There was a young man called Telemachus
who was bullied and in a dilemma ‘cause
he missed his lost dad
and his mom made him mad
and he almost got killed by Eurymachus.

And here’s the bit about Odysseus’ men eating the cattle of Helios, which earns them a thunderbolt from Zeus.

The men were fed up with their boss,
the rich guy, who’d gone for a doss.
They ate up the cattle,
which shortly proved fatal,
and all of their short lives were lost.

So good.

The Moog Cookbook

posted by Jason Kottke   Oct 15, 2019

I pretty much stopped using iTunes for music when I switched to Rdio1 (and then to Spotify). So going back in there is like unearthing a time capsule of music I listened to from ~2003-2012. This morning, bored of my Spotify playlists, I dug around a little and rediscovered a cache of songs by The Moog Cookbook. The duo uses old school Moog synthesizers to make playful covers of rock & pop songs like Nirvana’s Smells Like Teen Spirit, Are You Gonna Go My Way? by Lenny Kravitz, and Ziggy Stardust by David Bowie. Their album of classic rock covers is available on Spotify:

Their debut album (which I like more) is a bit tougher to find, but you can listen to the whole thing here on YouTube:

  1. I still miss Rdio. *sniff*

2001: A Space Odyssey, The Frank Poole Epilogue

posted by Jason Kottke   Oct 10, 2019

From Steve Begg (who I would guess is this Steve Begg, who has done VFX on the recent Bond films) comes an epilogue of Stanley Kubrick’s 2001: A Space Odyssey. The scene picks up 203 years after the events of 2001, following Frank Poole’s body as it encounters a monolith.

The Songs of 1979, 1980, 1981, 1982 & 1983

posted by Jason Kottke   Oct 03, 2019

Chicago mashup masters The Hood Internet have been pretty quiet lately — their last mixtape was released more than two years ago. But in the west, a shadow stirs… In the same vein as their 40 Years of Hip Hop video, the duo has released a musical tribute to 1979, combining 50 songs released that year into a tight 3-minute mix.

Their plan is to release a new video each week in October that will cover the subsequent four years, 1980-1983.

Update: Here is their video for 1980. I’ll share the rest of them as they post.

Here are 1981, 1982, and 1983:

Lizzo vs. The Aristocats

posted by Jason Kottke   Oct 03, 2019

A chap named Brendan Carey took footage from the 1970 animated movie The Aristocats and dubbed over Lizzo’s Truth Hurts to make this tiny masterpiece.

See also what is arguably the best video of this genre, Bert & Ernie doing M.O.P.’s Ante Up.

The Four Notes of Death

posted by Jason Kottke   Sep 17, 2019

When something dark and ominous happens onscreen, there’s a good chance that the action is accompanied by a four-note snippet from the dies irae, a 13th-century Gregorian chant used at funerals. It shows up in The Lion King, The Good Place, Lord of the Rings, and It’s a Wonderful Life. This Vox video explores how this “shorthand for something grim” went from chant to Hollywood.

Think back to some of the most dramatic scenes in film history — from The Lion King, The Shining, It’s a Wonderful Life. Besides being sad or scary, they have something else in common: the dies irae. “Dies irae” translates from Latin to “Day of Wrath” — it’s a 13th-century Gregorian chant describing the day Catholics believe God will judge the living and the dead and send them to heaven or hell. And it was sung during one specific mass: funerals.

Alex Ludwig from the Berklee School of Music made a supercut of over 30 films that use dies irae.

Woven Photo Collages

posted by Jason Kottke   Sep 09, 2019

For her O.P.P. series, Heather Oelklaus weaves together strips of cut-up prints to form new scenes.

Heather Oelklaus

Heather Oelklaus

In the series O.P.P. (Other People’s Photography), hand woven silver gelatin and inkjet prints survey stereotypical and nostalgic notions. Found photographs from US Army wives’ gatherings and Hollywood film stills are woven together to reconstruct new narratives. The expressive gaze within these staged photographs breaks through the picture’s surface as if to confront the viewer. These sophisticated slices of history illustrate an era of inclusion and exclusion while leaving the viewer to compare present day relationships.

Glitched Still Lifes

posted by Jason Kottke   Sep 04, 2019

Olan Ventura

Olan Ventura

Holy moly I love these glitched still lifes by Olan Ventura. (via colossal)

Supercuts of the Stylistic Cues of Master Filmmakers

posted by Jason Kottke   Aug 30, 2019

Video essayist Jacob T. Swinney makes makes these great little supercuts of the stylistic habits of filmmakers. His two latest ones are of Barry Jenkins’ close-ups and Christopher Nolan’s wide shots.

Barry Jenkins may be the modern master of the close-up shot. Jenkins’s close-ups are reminiscent of those crafted by the late, great Jonathan Demme — shallow focus with the character looking directly into the camera’s lens. Take it from close-up aficionado, Paul Thomas Anderson. Anderson once told Jenkins, “I’m very jealous of your close-ups. There’s a long line of people who have really tried to do Jonathan Demme close-ups and I try all the time, but I have to say, you got it right better than anybody.” In Jenkins’s last two features, MOONLIGHT and IF BEALE STREET COULD TALK, the close-ups seem to transcend the narrative of the films. Time seems to stand still as we gaze into the eyes of the characters. They are intimate and profound, and they are simply pure cinema.

For a man whose films cover everything from masked vigilantes, to dream heists, to interdimensional travel, Christopher Nolan is a rather personal and intimate filmmaker. This is expressed in the way that he tends to position his camera. Nolan prefers to keep his camera close to his characters, often hugging their bodies in warm medium shots or close ups. So when Nolan chooses to back off and take a step back from his characters, we are going to feel it. Nolan’s wide shots are obviously beautiful, but what they convey extends far beyond a stunning visual. They convey magnitude and significance, isolation and disorientation.

Swinney has also done supercuts of David Fincher’s wide shots, the sound design of Jurassic Park, the use of shallow focus by Denis Villeneuve, P.T. Anderson’s reflective silence, and Darren Aronofsky’s extreme closeups. May I suggest some women filmmakers for the next round of videos though? Lynne Ramsay and Ava DuVernay for starters…

VFX Breakdown of Ctrl Shift Face’s Ultra-Realistic Deepfakes

posted by Jason Kottke   Aug 27, 2019

Ctrl Shift Face created the popular deepfake videos of Bill Hader impersonating Arnold Schwarzenegger, Hader doing Tom Cruise, and Jim Carrey in The Shining. For their latest video, they edited Freddie Mercury’s face onto Rami Malek1 acting in a scene from Mr. Robot:

And for the first time, they shared a short visual effects breakdown of how these deepfakes are made:

Mercury/Malek says in the scene: “Even I’m not crazy enough to believe that distortion of reality.” Ctrl Shift Face is making it difficult to believe these deepfakes aren’t real.

  1. I had dinner next to Malek at the bar in a restaurant in the West Village a few months ago, pre-Oscar. I didn’t notice who it was when he sat down but as soon as he opened his mouth, I knew it was him — that unmistakable voice. Several people came by to say hello, buy him drinks, etc. and he and his friends were super gracious to everyone, staff included. I’ve added him to my list of actors who are actually nice alongside Tom Hanks and Keanu Reeves.

Playful Chess Variants

posted by Jason Kottke   Aug 23, 2019

Gravity Chess

From experimental game developer Pippin Barr, several variations on the game of chess that makes the game more interesting (or at least weirder). In “Clone” mode, every time you move a piece, a copy of that piece is made. In “Chance” mode, selecting a piece causes the piece to change randomly to another type of piece (e.g. from a pawn to a rook) that you can then move. In “Gravity” mode, pieces fall to the bottom of the board unless they’re blocked by other pieces. In “Quantum” mode, a new piece is spawned in each possible new position of a selected piece.

Metallica’s Enter Sandman, Covered in 20 Different Musical Styles

posted by Jason Kottke   Aug 23, 2019

Listen in as Anthony Vincent covered Metallica’s classic Enter Sandman in 20 different musical styles, ranging from yodeling to The Eurythmics to Hans Zimmer to Lil Uzi Vert to John Denver.

One 8-Second Sample Yields 800 Radically Different Songs

posted by Jason Kottke   Jul 24, 2019

Last year, music software company Ableton gave music producers a challenge: take an 8-second sample of audio and make a track out of it in just 12 hours. They received almost 800 submissions, which you can listen to here. At the company’s conference, three producers working under the same conditions debuted their tracks onstage and talked about their creative process; here’s a highlight reel:

Included in a blog post about the challenge are several playlists that show the common approaches to sampling, including the use of acoustic instruments, using the sample as texture, and of course using the sample as percussion.

While listening back to this huge volume of material we noticed something interesting; above and beyond each track’s individual sound and overall character, we were able to make out a few trends and tendencies in the ways that people were working with the source material. And so we’ve assembled a few playlists with prime examples of some of the main approaches we were hearing.

You can watch the entire panel here. And if you’d like to try your hand at making your own, the sample can be found here. (via digg)