This is pretty clever actually: Disney+ and ESPN+ will air a real-time, Toy Story-ified version of the Oct 1st Jacksonville Jaguars and Atlanta Falcons NFL game. From Deadline:
Using the NFL’s Next Gen Stats and on-field tracking data, every player and play will be presented in “Andy’s Room,” the familiar, brightly colored setting for the Toy Story franchise. The action will be virtually simultaneous with the main game telecast, with most plays recreated after an expected delay in the neighborhood of about 30 seconds. Woody, Buzz Lightyear and many other characters will be visible throughout, and a press release notes they will be “participating from the sidelines and in other non-gameplay elements.” Along with game action, the announcers, graphics, scoreboard, referees’ penalty announcements, celebrations and other parts of the experience will all be rendered in a Toy Story-centric fashion.
I stopped watching the NFL years ago, but I might tune in to see how this works.
London artist Nick Gentry takes old recording media (VHS tapes, cassette tapes, floppy disks) and turns them into portraits (Instagram). Gentry gets his materials from members of the public:
Made from floppy disks contributed by members of the public. As a social art project, the process is open to everyone. Find out how to recycle and include your obsolete materials in future artworks by getting in touch.
There’s minimalism and then there’s these classic movie posters from Michal Krasnopolski. Each poster is based on a simple grid of a circle, a square, and four intersecting lines. It would be a challenge to come up with a poster for every movie in this style, but the ones he picked work really well. (via moss & fog)
This started off a little slow for me but once it hit the early-to-mid 80s, I was hooked — and bobbing my head uncontrollably throughout. The visualizations really help you see how the various samples were modified, repeated, and layered to achieve the desired sounds — geniuses at work. Man, watching stuff like this makes me want to learn how to do this. (via waxy
In 2006, photographer Mark Preuschl recreated Georges Seurat’s famous impressionist painting A Sunday on La Grande Jatte in Beloit, WI with a group of volunteers. Here’s the original for reference:
In conceiving this tableau vivant, the organizers wanted to keep things modern. Thus, all participants are wearing contemporary clothes with umbrellas substituted in for the 19th-century parasols. Though the team was organized, they weren’t quite prepared for what mother nature threw their way the day of the shoot. Preuschl recalls winds of 20 to 25 mph coming off the river, as well as clouds that didn’t allow for the shadows they were so desperately looking for. Luckily, there was a window of about 25 minutes when the sun came out and cast those shadows.
He really couldn’t have scouted that location any better…it matches the original pretty well. Who knew you could find Belle Époque Paris in southern Wisconsin?
This is pretty cool: in collaboration with the British Museum, a team led by woodblock printmaker David Bull (who I first wrote about back in 20051) is carving woodblocks and creating prints from a series of previously unpublished drawings by legendary Japanese artist Katsushika Hokusai.
The Museum has in their possession a group of drawings by Hokusai that were apparently intended for use in the production of a series of books. For reasons unknown to us now that project was cancelled, but the drawings survived, and we have selected 12 of them for a new subscription series.
For more details of the collection of images, please refer to this page of the British Museum website. But here, we can simply note that the drawings fall into a number of categories, and our set will reflect that diversity. Hokusai’s series was intended to take his readers through aspects of Japanese historical culture, and we will meet Buddhist deities, warriors from ancient China, and historical landscapes, along with more prosaic scenes of the natural world.
The print shown above was the first one to be sent out in January. But look at this original drawing from the collection:
Wow. That is shockingly modern — like a 60s superhero comic or a still from 60s anime. I hope they reprint this one!
Here’s a video from the British Museum of Bull talking about the project:
If you make woodblock prints for a living, you know the name Hokusai, and if you’re a woodblock carver and you hear about original drawings from Hokusai that have never been carved into prints you would most likely do a little happy dance.
I’m taken with the style of Jun Kumaori’s illustrations — they look like drawings of (stay with me here) small JPEGs converted to GIFs and then clumsily enlarged, complete with all of the resultant digital artifacts. This makes me nostalgic for the late 90s web and Photoshop 3.0. (via the fox is black)
This is fun: Aqua’s pop hit Barbie Girl, redone in the style of six classical composers: Mozart, Beethoven, Schumann, Schubert, Chopin, and Ravel. (via @Erikmitk)
Among the many creative collages by Dutch art director Toon Joosen is this series of images of people interacting with the pages of books in fun ways. You can check them out on his Instagram or purchase some of them as prints on his Etsy shop.
Photographs have always been an imperfect reproduction of real life — see the story of Dorothea Lange’s Migrant Mother or Ansel Adams’ extensive dark room work — but the seemingly boundless alterations offered by current & future AI editing tools will allow almost anyone to turn their photos (or should I say “photos”) into whatever they wish. In this video, Evan Puschak briefly explores what AI-altered photos might do to our memories.
I was surprised he didn’t mention the theory that when a past experience is remembered, that memory is altered in the human brain — that is, “very act of remembering can change our memories”. I think I first heard about this on Radiolab more than 16 years ago. So maybe looking at photos extensively altered by AI could extensively alter those same memories in our brains, actually making us unable to recall anything even remotely close to what “really” happened. Fun!
But also, one could imagine this as a powerful way to treat PTSD, etc. Or to brainwash someone! Or an entire populace… Here’s Hannah Arendt on constantly being lied to:
If everybody always lies to you, the consequence is not that you believe the lies, but rather that nobody believes anything any longer. This is because lies, by their very nature, have to be changed, and a lying government has constantly to rewrite its own history. On the receiving end you get not only one lie — a lie which you could go on for the rest of your days — but you get a great number of lies, depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge. And with such a people you can then do what you please.
This is the incredible and interesting and dangerous thing about the combination of our current technology, the internet, and mass media: “a lying government” is no longer necessary — we’re doing it to ourselves and anyone with sufficient motivation will be able to take advantage of people without the capacity to think and judge.
P.S. I lol’d too hard at his deadpan description of “the late Thanos”. RIP, big fella.
The creepy twins. Jack feverish at the typewriter. Danny riding his Big Wheel through carpeted hallways. The elevators of blood. These familiar scenes from Stanley Kubrick’s horror classic The Shining (and several more) have been recreated in this Lego stop-motion animation. The video took 50-60 hours over a three-week period to make and was an exercise in constraints:
“Mostly, it came down to choosing the right pieces,” he says. “I made this movie only with pieces I already had in my collection, so I had to do with just what I had laying around. For instance, the famous carpet pattern in the hallway could have been more realistic, but with the pieces I had, it became a little more abstract. I went with clay for the bloody elevator scene also because I do not have thousands of red translucent pieces.”
In the 60s and 70s, Howard Johnson’s was the largest restaurant chain in the US — the restaurants and their associated hotels were ubiquitous while travelling America’s roadways. So it made sense that when Stanley Kubrick needed a hospitality brand for the Earthlight Room on the space station circling Earth in 2001: A Space Odyssey, he reached for HoJo’s.
And of course, even in 1968, you had to do some sort of cross-promotion and, bizarrely, what Howard Johnson’s came up with was a 2001-themed children’s menu.
Even more weirdly, the menu is not about the movie itself, it’s about a family that goes to see the movie. The whole opening sequence with the apes is omitted entirely, as is the HAL 9000 (arguably the film’s main character) — I suspect the HoJo’s people didn’t get to see the entire movie while putting this together (as evidenced by the “preview edition” graphic in the bottom right corner of the menu’s cover).
It’s cool to see scenes from the movie rendered in comics form:
After 14-year-old Preston Mutanga’s Lego version of the trailer for Spider-Man: Across The Spider-Verse (embedded above) went viral, the team hired him to animate a short Lego sequence for the actual film.
In the brief scene, we see a Lego version of Peter Parker as he observes a dimensional anomaly and sneaks off to the Daily Bugle’s bathroom to alert another Spider-Man about the issue. While the scene is short, it killed in my theater and it also looked as good as anything in the recent Lego films. After seeing it, a few friends of mine even commented that it must have been the same team that animated it. But nope! It was a lone teenager, actually.
If you watch TV for more than a couple of minutes, you start to notice that certain successful plots/ensembles for shows are repeated over and over. Rohita Kadambi recently categorized dozens of shows into a few archetypes; for example:
Golden Girls = Elderly Sex and the City
Insecure = Black Millennial Sex and the City
Will & Grace = Gay Friends
What We Do in the Shadows = Vampire Friends
Yellowstone = MAGA Succession
Game of Thrones = Dragon Succession
Arrested Development = Goofball Succession
Mad Men = Sexy 60s West Wing
The Bear = Sandwich West Wing
Ted Lasso = Soccer Office
Cheers = Bar Office
Schitt’s Creek = Riches to Rags Full House
The Addams Family = Goth Full House
Some of these would make pretty good Midjourney prompts but I will leave that as an exercise to the reader.1
Mostly because I’ve never had the patience to figure out the Rube Goldbergian process for using Midjourney. Step 1: sign up for an account on a gamers chat app??! No thank you.↩
Using colorful wooden blocks cut at different angles, Timur Zagirov makes pixel-log 1 representations of famous artworks by Vermeer, van Gogh, and Leonardo. You can check out his work on Instagram or at Stowe Gallery. (via moss & fog)
Pixelized + analog + wood = pixel-log! Ok fine that’s terrible but I’m leaving it in. 😜↩
In this short video, Norwegian creative director Torger Jansen explains how he designed an unofficial transit map that combines all three of Oslo’s public transportation networks (tram, metro, train) into a single diagram. His four main goals:
1. Showing all the lines on every network, thus making it easier to understand the service patterns.
2. Making it recognisable with the official line colours.
3. Compressing unnaturally long distances between stations.
4. Balancing aesthetics and accessibility. The diagram is clear and easy to read with minimal fuss.
As Jansen notes, this is not how a design process would work in the real world — there’s no user testing or competing stakeholders to please — but from a purely aesthetic and functional standpoint, it’s still an interesting challenge and puzzle to attempt to solve. (thx, david)
I know, I know. Too much Wes Anderson. Too much AI. But there is something in my brain, a chemical imbalance perhaps, and I can’t help but find this reimagining of the Lord of the Rings in Anderson’s signature style funny and charming. Sorry but not sorry.
I usually use either my Quadra 700 or PowerBook 100, mostly because those are my reliable and easy to access computers (that run System 7, my favourite and most familiar OS of that era).
Software-wise I use Aldus SuperPaint 3.0, which is what my family had when I was a kid. Yes, I’d say that all of this is 99% nostalgia-driven…
This is just a lovely rendering — spare and elegant with just the right amount of detail.
No matter which side you come down on in the debate about using AI tools like Stable Diffusion and Midjourney to create digital art, this video of an experienced digital artist explaining how he uses AI in his workflow is worth a watch. I thought this comment was particularly interesting:
I see the overall process as a joint effort with the AI. I’ve been a traditional artist for 2 decades, painting on canvas. And in the last five years I’ve been doing a lot of digital art. So from that part of myself, I don’t feel threatened at all.
I feel this is an opportunity. An opportunity for many new talented people to jump on a new branch of art that is completely different from the one that we have already in digital art and just open up new way of being creative.
It’s a no-brainer: what if you handed over a visually rich sci-fi universe with slightly campy origins to a quirky auteur with an overwhelming aesthetic, just to see what you’d get? This short trailer imagines Wes Anderson at the helm of his very own Star Wars movie, complete with Bill Murray as Obi-Wan and Owen Wilson as Darth Vader (wow).
See also, from back in 2012, Conan O’Brien’s take on Wes Anderson’s Star Wars, A Life Galactic. I would totally watch either of these movies tbh.
Leave it to the Auralnauts to take The Mandalorian’s solemn catchphrase “This is the way”, back it with a pulsing beat, and turn it into the banger of the summer. Ok, maybe not. But in the process, they counted 222 uses of the phrase over the three seasons of the show (and also during The Book of Boba Fett, I think).
Wow, I’d never seen these before today! For the 1999 MTV Movie Awards, Wes Anderson created three promo spots, each one a staged re-creation of a nominated movie in the style of the Hollywood-inspired plays in Rushmore (Serpico & the Vietnam War one). All three shorts (Armageddon, Out of Sight, The Truman Show) star Jason Schwartzman as Max Fisher, along with the rest of the Max Fischer Players. (via open culture)
Ok sorry everyone but kottke.org is a Larnell Lewis fan blog today. This morning, I featured a video of Lewis, a Grammy-winning musician and music professor, explaining the 13 levels of complexity of drumming. In response, a pair of readers sent me this video, in which Lewis hears Metallica’s Enter Sandman for the first time (!) and then largely succeeds in playing it after a single listen (!!). You may find yourself wanting to skip to the part where he starts playing, but it’s really fascinating to watch him encoding the music into his brain and body through a combination of active listening, moving his body to the drumbeat, and spatially mapping the music to his drum kit. (thx, robert & matthew)
I like these paintings by Spanish artist Lino Lago where traditional oil painted portraits peek through bright color fields. He calls them Fake Abstracts. (via colossal)
That last image is the mailing wrapper from when jeweler Harry Winston sent the Hope Diamond (currently valued at $200-350 million) to the Smithsonian through the regular US Mail.
Mailed on the morning of November 8 from New York City, the item was sent by registered (first class) mail — considered the safest means of transport for valuables at that time. The total fee was $145.29 (see the meter machine tapes). Postage only amounted to $2.44 for the package which weighed 61 ounces. The remainder of the fee ($142.85) paid for an indemnity of about $1 million.
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