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Our Friend

posted by Jason Kottke   Nov 25, 2020

That’s the trailer for Our Friend, a movie based on the true story told in this Esquire article by Matthew Teague: The Friend: Love Is Not a Big Enough Word.

His wife was just thirty-four. They had two little girls. The cancer was everywhere, and the parts of dying that nobody talks about were about to start. His best friend came to help out for a couple weeks. And he never left.

I remember very clearly that essay and the day I read it — I think about it all the time. I don’t know if the movie is going to be any good (I hope so), but if you’ve never read this essay, carve out some time to do so today.

Blade Runner Soundtrack Remastered into a Feature-Length Soundscape

posted by Jason Kottke   Nov 19, 2020

I don’t think it’s much of a stretch to argue that much of the enduring success of Blade Runner comes down to how well the potent combination of the film’s score, created by electronic composer Vangelis, and the visuals instantly evoke, even in 2020, the future. Ok, a dystopian neo-noir future, but the future nonetheless. A YouTuber has reworked that score, along with ambient sounds and dialogue from the film, into a feature-length soundscape that, as Colin Marshall put it at Open Culture, “feels a great deal like watching Blade Runner without actually watching Blade Runner”. I think I’ll be listening to this as I work today. (via open culture)

Virtual Sets Are Replacing Green Screens

posted by Jason Kottke   Nov 13, 2020

The green screen is a staple of visual effects for movies and TV. You film actors in front of a green or blue screen and then use digital editing technology to replace the solid color with any background you’d like. But as Phil Edwards explains in this video, the effects teams for some movies and shows (like Disney’s The Mandalorian) have swapped green screens for virtual sets. In lieu of block colored backgrounds, the actors are surrounded by massive LED panels that display the background and background action so everything can be filmed in one go.

It’s a pretty cool technique. Among the benefits of such a system: you get the “natural” light from the LEDs falling on the actors and other objects in the scene, so you don’t need to add it in later digitally or use extra on-set lighting.

AlphaGo - The Movie

posted by Jason Kottke   Nov 10, 2020

I missed this back in March (I think there was a lot going on back then?) but the feature-length documentary AlphaGo is now available to stream for free on YouTube. The movie documents the development by DeepMind/Google of the AlphaGo computer program designed to play Go and the competition between AlphaGo and Lee Sedol, a Go master.

With more board configurations than there are atoms in the universe, the ancient Chinese game of Go has long been considered a grand challenge for artificial intelligence. On March 9, 2016, the worlds of Go and artificial intelligence collided in South Korea for an extraordinary best-of-five-game competition, coined The DeepMind Challenge Match. Hundreds of millions of people around the world watched as a legendary Go master took on an unproven AI challenger for the first time in history.

During the competition back in 2016, I wrote a post that rounded up some of the commentary about the matches.

Move after move was exchanged and it became apparent that Lee wasn’t gaining enough profit from his attack.

By move 32, it was unclear who was attacking whom, and by 48 Lee was desperately fending off White’s powerful counter-attack.

I can only speak for myself here, but as I watched the game unfold and the realization of what was happening dawned on me, I felt physically unwell.

Back to the Future: Reimagined

posted by Jason Kottke   Oct 23, 2020

Back to the Future is 35 years old this year and to celebrate, Universal has cut together eight fan-made animations of action from the film into an abridged version of the beloved movie.

See also a deepfake version of BTTF with Tom Holland as Marty and Robert Downey Jr. as Doc.

“Reverse Toonification” of Pixar Characters

posted by Jason Kottke   Oct 21, 2020

Using an AI-based framework called Pixel2Style2Pixel and searching for faces in a dataset harvested from Flickr, Nathan Shipley made some more photorealistic faces for Pixar characters.

reverse toonification of Pixar characters

reverse toonification of Pixar characters

reverse toonification of Pixar characters

In response to a reader suggestion, Shipley fed the generated image for Dash back into the system and this happened:

reverse toonification of Pixar characters

I cannot tell where these images should live in the uncanny valley. You can see some similar experiments from Shipley here: a more realistic version of Miles from Spider-Verse, images of Frida Kahlo and Diego Rivera “reverse engineered” from paintings, and an image generated from a Rembrandt self-portrait.

The Way I See It, a Documentary Film About Former White House Photographer Pete Souza

posted by Jason Kottke   Oct 19, 2020

Pete Souza was the White House photographer for Ronald Reagan and Barack Obama. Reflecting on his experience and the how the current President comports himself while in office, Souza published two books: Obama: An Intimate Portrait and Shade: A Tale of Two Presidents. Those books form the basis for a documentary directed by Dawn Porter on Souza and his work called The Way I See It.

Based on the New York Times #1 bestseller comes The Way I See It, an unprecedented look behind the scenes of two of the most iconic Presidents in American History, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza. As Official White House Photographer, Souza was an eyewitness to the unique and tremendous responsibilities of being the most powerful person on Earth. The movie reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people.

I didn’t know that Trump’s presidency is not really getting recorded photographically as past presidencies have, but I’m not surprised.

The film was shown on MSNBC the other day…I don’t know if they’re rerunning it or what. It’s also out in theaters but with many of those still closed, I assume it’ll be out on streaming at some point soonish? (Update: According to the MSNBC schedule, it looks like it’s re-airing at midnight on Friday.)

Darren Aronofsky & His Cast Reunite for the 20th Anniversary of Requiem for a Dream

posted by Jason Kottke   Oct 12, 2020

To mark the 20th anniversary of the debut of Requiem for a Dream, MoMA organized a virtual reunion of director Darren Aronofsky and the four principle cast members (Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans) to talk about “the film and its impact on cinema and culture”. Would have loved to hear from cinematographer Matthew Libatique and Clint Mansell (who did the fantastic music for the film) as well, but even six-person online panels are a little unwieldy. (via open culture)

Copaganda: The Biased Portrayal of Police in TV & Movies

posted by Jason Kottke   Oct 08, 2020

YouTube channel Skip Intro is making a series of videos about copaganda, which Wikipedia defines as “the phenomenon in which news media and other social institutions promote celebratory portrayals of police officers with the intent of swaying public opinion for the benefit of police departments and law enforcement”. The introductory video embedded above introduces the concept and tracks the history of how police have been portrayed on TV in the movies. Two subsequent videos take a closer look at two contemporary police shows: Blue Bloods and Brooklyn Ninety-Nine.

See also Dan Taberski’s excellent podcast Running From COPS, which covers some of the same ground as the video series. (thx, david)

Update: Jacqui Shine wrote about the influence Dragnet had on how many Americans perceived the police: ‘Dragnet’ was straight up LAPD propaganda, on national TV for years.

When we see a cop on TV, we’re seeing the legacy of Dragnet. Everything we think we know about crime and law enforcement — and everything we believe about the police — bears the imprint of the show. It did no less than fashion the idea of modern policing in our cultural imagination. And, as viewers were reminded each week, all of it was true. But what most of us don’t know is that Dragnet was also calculated propaganda: the Los Angeles Police Department did far more than provide technical assistance, essentially co-producing the show.

Accidentally Wes Anderson, the Book

posted by Jason Kottke   Oct 07, 2020

Accidentally Wes Anderson book cover

Inspired by the symmetry and color palettes of Wes Anderson’s movies, the Instagram account Accidentally Wes Anderson has been collecting and featuring photos from folks all over the world that wouldn’t look out of place in The Royal Tenenbaums or The Grand Budapest Hotel. The creators have turned it into a new book called Accidentally Wes Anderson, which features many of the best contributions from the account. It sounds like it’s kind of a travel book, a visually oriented Atlas Obscura.

Now, inspired by a community of more than one million Adventurers, Accidentally Wes Anderson tells the stories behind more than 200 of the most beautiful, idiosyncratic, and interesting places on Earth. This book, authorized by Wes Anderson himself, travels to every continent and into your own backyard to identify quirky landmarks and undiscovered gems: places you may have passed by, some you always wanted to explore, and many you never knew existed.

And while we’re here, I picked out a few of my recent favorites from their Instagram:

Accidentally Wes Anderson

Accidentally Wes Anderson

Accidentally Wes Anderson

The Alvin and the Chipmunks Version of Koyaanisqatsi

posted by Jason Kottke   Oct 07, 2020

Koyaanisqatsi, featuring Alvin and the Chipmunks

This album cover was tweeted out the other day by Philip Glass’s official account with no additional comment. What really makes it IMO is the song titles listed at the bottom of the cover: Those Speedy Clouds, Escalators of Death, Run For It…Rockets Are Exploding All Over the Place!

I tried to track down who made this, but the only other instance I could find online was on Philip Glass’s Instagram exactly one year ago. Koyaanisqatsi is a serious work of art — it’s refreshing to see how playful Glass is about its representation. You could imagine other artists/musicians not being so chill about it.

Update: Aha, designer Cris Shapan made this. (via @jdpbbank)

Update: Here’s a short snippet of what this album might sound like.

David Attenborough: A Life on Our Planet

posted by Jason Kottke   Oct 06, 2020

Now streaming on Netflix, David Attenborough: A Life on Our Planet, a documentary about the 94-year-old broadcaster, naturalist, and international treasure.

In this unique feature documentary, titled David Attenborough: A Life On Our Planet, the celebrated naturalist reflects upon both the defining moments of his lifetime and the devastating changes he has seen. Coming to Netflix October 4 2020, the film addresses some of the biggest challenges facing life on our planet, providing a snapshot of global nature loss in a single lifetime. With it comes a powerful message of hope for future generations as Attenborough reveals the solutions to help save our planet from disaster.

In the trailer (embedded above), Attenborough says “I had the most extraordinary life. It’s only now that I appreciate how extraordinary.” In saying that, he’s speaking not only as a living legend whose long career in television and science has brought him nearly universal acclaim, but also as someone who can look back and see how recognizably and thoroughly the Earth has changed during his lifetime. The depletion of animal populations, the changing climate, the shifting habitats — he’s witnessed firsthand how much humans have fucked up the planet. We should listen to his testimony and suggestions for fixing what he calls “our greatest mistake”. I hope it’s not too late.

Totally Under Control

posted by Jason Kottke   Oct 02, 2020

In secrecy over the past several months, filmmaker Alex Gibney has been making a documentary film about the US government’s response to the Covid-19 pandemic called Totally Under Control. He and co-directors Ophelia Harutyunyan and Suzanne Hillinger interviewed “countless scientists, medical professionals, and government officials on the inside” to produce the film.

Academy Award-winning filmmaker Alex Gibney, directing with Ophelia Harutyunyan and Suzanne Hillinger, interrogates this question and its devastating implications in Totally Under Control. With damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership.

Gibney previously directed Enron: The Smartest Guys in the Room, Going Clear, and Zero Days (all excellent documentaries). The film comes out in theaters on October 13 and on Hulu on October 20.

Final Cut: Ladies and Gentlemen

posted by Jason Kottke   Sep 29, 2020

In this experimental feature-length film that played at Cannes in 2012, director György Pálfi constructed a love story using clips from 450 films that span nearly the entire history of cinema. I was afraid this would be gimmicky, but it’s so well constructed and so smoothly adheres to the tropes of romantic movies that I got totally sucked in. It reminded me a lot of Christian Marclay’s The Clock, a 24-hour film made from hundreds (thousands?) of other movies and TV shows where the on-screen action is synced to the viewer’s time of day. (via waxy)

Oliver Sacks: His Own Life, a New Documentary Film

posted by Jason Kottke   Sep 29, 2020

Oliver Sacks: His Own Life is a new documentary film by Ric Burns about famed author and neurologist Oliver Sacks.

A month after receiving a fatal diagnosis in January 2015, Oliver Sacks sat down for a series of filmed interviews in his apartment in New York City. For eighty hours, surrounded by family, friends, and notebooks from six decades of thinking and writing about the brain, he talked about his life and work, his abiding sense of wonder at the natural world, and the place of human beings within it. Drawing on these deeply personal reflections, as well as nearly two dozen interviews with close friends, family members, colleagues and patients, and archival material from every point in his life, this film is the story of a beloved doctor and writer who redefined our understanding of the brain and mind.

The film is playing in virtual cinemas around the country right now: you can check out the list at the end of this page for more information and showtimes.

My Octopus Teacher

posted by Jason Kottke   Sep 28, 2020

I don’t want to give away too much about this movie but I’d recommend watching the trailer and then the movie (you can find it on Netflix). I watched it last night at Kevin Kelly’s urging:

This is one of the best documentaries I have ever seen. Nothing about its subject would suggest greatness, but it was perfectly crafted.

It’s such a simple movie but it packs a surprising emotional wallop and is philosophically rich. Even (or perhaps especially) the bits that seem problematic are thought-provoking. Highly recommended.

See also A Dreaming Octopus Changes Color.

The Typography of Star Trek

posted by Jason Kottke   Sep 23, 2020

Star Trek title card

poster fro Star Trek: The Motion Picture

Star Trek typography

In an extended excerpt from his book Typeset in the Future: Typography and Design in Science Fiction Movies (Amazon), Dave Addey goes long on the typography and design of Star Trek: The Motion Picture (and Trek in general).

Alas, The Original Series’s inconsistent typography did not survive the stylistic leap into the 1970s. To make up for it, The Motion Picture’s title card introduces a new font, with some of the curviest Es known to sci-fi. It also follows an emerging seventies trend: Movie names beginning with STAR must have long trailing lines on the opening S.

The Trailer for Denis Villeneuve’s Dune

posted by Jason Kottke   Sep 09, 2020

I’ve never read or seen any of the Dunes (Herbert’s book, David Lynch’s movie, or even Jodorowsky’s Dune) but I have very fond memories of the video game Dune II and will watch anything that Denis Villeneuve makes, so I’m definitely going to check this out when it’s released…let’s see….on December 18, 2020 in theaters? WTF?

Ok, so just watch the trailer if that’s what you’re here for, but I remain baffled that movie theaters are a) currently open (Tenet was showing in 2810 US theaters last weekend) and b) slated to still be open in December in a country trapped in a pandemic death spiral. Easy testing w/ quick results and contact tracing, the twin keys to controlling the virus, are still a mess. A safe & tested vaccine that’s distributed widely by the end of the year? I wouldn’t hold my breath. And you’re going to put a bunch of people who are laughing and gasping together in a room for two-plus hours with a virus that’s airborne1 and assume they’re going to stay properly masked up (except for when they are eating popcorn and nachos!) and properly distant from each other? (Have you met Americans?!) Even if you assume that movie theater screening rooms are huge & well-ventilated (some definitely are not) and capacity is restricted, I repeat: What The Fuck? And in terms of societal trade-offs, reopening places where people gather indoors for entertainment is more important than ensuring our kids can safely go to school? *extreme hair-tearing-out noise*

Update: Aaaaand the Dune release has been delayed until Oct 2021. Between the Trump debacle2 and the CDC acknowledging that the virus may spread through aerosols, I feel like people are coming around to the idea that indoor gatherings, entertainment, and dining are going to be problematic for several more months.

  1. Along with the lack of testing and tracing, the evidence that the virus can be transmitted through aerosols is the important bit here. Most people and organizations are still acting as though it’s not airborne because the measures would be different if they were taking that into account. See this expert’s advice about movie-going for example — there’s not a single mention of aerosols in the entire piece, so it’s tough for me to take it seriously.

  2. Just to clarify, I mean the outbreak of Covid-19 in the White House and not any other previous or future debacles.

Coronation, Ai Weiwei’s Documentary about the Pandemic Lockdown in Wuhan

posted by Jason Kottke   Sep 04, 2020

Coronation is a feature-length documentary film by Ai Weiwei about the lockdown in Wuhan, China, during the initial Covid-19 outbreak in early 2020. The trailer is not super compelling tbh, but it’s Ai Weiwei and the description sounds interesting:

The film showcases the incredible speed and power of China’s state machinery with its construction of massive coronavirus hospitals, deployment of roving sanitation-fogging robots, implementation of an exhaustive testing and contact-tracing protocol, and punctiliously engineered protective measures for health workers.

On the other side of the scale is the crushing bureaucracy of that same machine, its totalitarian decision-making, clear deception of ordinary citizens, the absence of civic communication, and perhaps, worst of all, a cold-eyed lack of empathy for those suffering loss and kept away from home.

Ai Weiwei paints a moving and revelatory portrait not just of China’s response to the pandemic but also of ordinary people in Wuhan, showing how they personally cope with the disaster.

Hyperallergic’s Dan Schindel has a review of the film. You can watch Coronation on demand at Vimeo or Alamo. (via colossal)

Marvel Pays Tribute to Chadwick Boseman

posted by Jason Kottke   Aug 31, 2020

Actor Chadwick Boseman died on Friday after a four-year battle with colon cancer. Boseman played both Jackie Robinson and James Brown in films, but he was best known for his role as T’Challa / Black Panther in four Marvel movies. In this short video featuring behind-the-scenes footage from those films and interviews from his colleagues, Marvel pays tribute to the best possible person they could have gotten to play that role.

I watched Black Panther for the third or fourth time over the weekend and while Michael B. Jordan always blows me away, it’s Boseman’s quiet intensity and magnetism that grounds Jordan’s performance and makes the whole “the bad guy has a point” plot work. Yeah ok, it’s just a superhero movie, but I think Black Panther is going to be one of those films that’s going to be relevant and reverberate for a long time.

Ammonite

posted by Jason Kottke   Aug 27, 2020

Ammonite is an upcoming romantic drama from director Francis Lee. It takes place in the 1840s and stars Kate Winslet as a palaeontologist & Saoirse Ronan as her assistant; the pair clash then fall in love. The story is based on the life of Mary Anning, who made several important contributions to paleontology.

Paleontology wouldn’t be the same without Mary Anning. She scoured the dreary coast of southern England for secrets not seen since the Jurassic, fueling the nascent 19th-century field of fossil studies with evidence of strange sea dragons, flying reptiles and other fascinating fragments of life long past. And now, over 170 years after her death, she’s got her own movie.

However, there’s no evidence that Anning and her friend, Charlotte Murchison, ever had a romantic relationship.

I have to wonder what Anning would say to this. As she wrote in a letter, “The world has used me so unkindly, I fear it has made me suspicious of everyone.” In the sexist, male-dominated world of 19th-century science, Anning’s finds were celebrated while she herself was barred from joining academic societies or even finding a path to gain equal footing with the likes of William Buckland, Gideon Mantell and other traditional heroes of paleontology who parasitized her labor. Now, in having her life’s story made a fiction, is the world using Anning again?

Ammonite opens in US theaters in November? (I mean, they reopened schools in Florida against all expert advice and common sense, so why not theaters?) Anyway, looking forward to the third movie in the Portrait of a Lady on Fire trilogy next year.

2020: An Isolation Odyssey

posted by Jason Kottke   Aug 13, 2020

Isolation does funny things to people. Just ask designer Lydia Cambron, who recognized a certain kinship between the themes of her lockdown in Brooklyn this spring and Stanley Kubrick’s 2001: A Space Odyssey. Over the course of two months, Cambron meticulously recreated 2001’s ending scene in her apartment, not only shot-by-shot but nearly look-by-look, and produced a tiny masterpiece of her own.

The adapted version delineates the passing of time through wardrobe rather than age, identifying each phase of the character’s journey with a product of self care or PPE. Tools of private entertainment or self betterment are also used as props, questioning our confidence in products and productivity as anchors during times of uncertainty. Multitasking while #wfh, conjuring guilt or longing with unused exercise equipment, your entire being reduced to a measure of time — these scenes all illustrate the absurd comedy of trying to maintain control during this unprecedented and unpredictable time.

(via daring fireball)

I’m Thinking of Ending Things, a New Film from Charlie Kaufman

posted by Jason Kottke   Aug 06, 2020

I’m Thinking of Ending Things. Charlie Kaufman (Being John Malkovich, Eternal Sunshine of the Spotless Mind, Adaptation), director. Łukasz Żal (Ida, Cold War), cinematographer. Jesse Plemons (Friday Night Lights), Jessie Buckley (Chernobyl), Toni Collette (too many amazing things), David Thewlis (Lupin from Harry Potter). Adapted from I’m Thinking of Ending Things by Iain Reid. Netflix. September 4. Trailer above. Excited! Bye.

And Now a Message from Mask Spokesman Bane from The Dark Knight Rises

posted by Jason Kottke   Jul 31, 2020

The Auralnauts, who have rejiggered the dialogue and sounds from your favorite movies with hilarious results (most notably Star Wars), have reimagined Bane from The Dark Knight Rises as a coronavirus mask advocate for their latest video.

Do I look like I live in fear of anything?! I’m wearing this mask for you, the people of Gotham, who, I can’t help but notice, are not social distancing!

A Keen Analysis of the Influences on Inception

posted by Jason Kottke   Jul 28, 2020

Ten years on from the release of Christopher Nolan’s Inception, Andrew Saladino of The Royal Ocean Film Society smartly traces the key influences of the film, rejecting the simplistic notion that Inception is just a rip-off of Paprika or The Matrix. Instead, he delves into long-standing themes in science fiction and other genres that Nolan is able to synthesize into something new. (Remember, everything is a remix.)

Also, kudos to Saladino to getting through an entire video on the ideas that influenced Inception without making an inception joke or reference, e.g. “Dark City incepted Nolan into including malleable architecture”. Clearly I could not have resisted.

How Slow Motion Works

posted by Jason Kottke   Jul 27, 2020

The kids and I were talking about how slow motion video works the other day, so I was happy to see this new video from Phil Edwards detailing how the technique works and its history in cinema, from Eadweard Muybridge to Wes Anderson and from Seven Samurai to The Matrix.

I am an unabashed fan of slow motion; you can check out dozens of slow motion videos I have posted over the years, including this video of Alan Rickman dramatically drinking tea.

The Claudia Kishi Club

posted by Jason Kottke   Jul 20, 2020

The Claudia Kishi Club is a short documentary by Sue Ding about the impact of the Claudia Kishi character from The Baby-Sitters Club book series on a group of Asian-American creatives. They read the books when they were kids and in the film, they reflect on the importance of Claudia in shaping their perceptions of themselves in an era where Asian-American characters were rare in books, movies, and TV.

The six people interviewed in the film are novelist Sarah Kuhn, YA author CB Lee, Naia Cucukov (executive producer of the Netflix series The Babysitter’s Club), comic book artist & author Yumi Sakugawa, blogger Phil Yu, and Gale Galligan (author of The Baby-Sitter’s Club graphic novels, which my daughter loves).

The Claudia Kishi Club is now streaming on Netflix, the trailer is embedded above, and here’s a clip.

Baseline, a Decades-Long Film Series About Climate Change

posted by Jason Kottke   Jul 15, 2020

Taking a page from The Up Series, director John Sutter is making a series of films that revisit four geographic locations every 5 years until 2050 in order to document the effects in those areas due to climate change. The name of the series is Baseline and it’s a reference to the concept of shifting baselines, which the trailer above defines as “a phenomenon of lowered expectations in which each generation regards a progressively poorer natural world as normal”. The four areas the films will focus on are Alaska, Utah, Puerto Rico, and the Marshall Islands.

Sutter did a TEDx Talk about shifting baselines and climate change — the clip he shows right at the beginning featuring the shifting sizes of fish caught in Key West, Florida is astonishing.

He also wrote a piece about the series and the Alaskan village featured in it.

Radioactive, a Biopic of Marie Curie

posted by Jason Kottke   Jul 14, 2020

From director Marjane Satrapi, who made the acclaimed animated film Persepolis, comes Radioactive, a film about Marie Curie, who was the first woman to win a Nobel Prize, the first person to win two Nobel Prizes, and the only person to ever win Nobel Prizes in two different scientific disciplines. Curie is played by Rosamund Pike and the film is based on a graphic novel of the same name by Lauren Redniss, a finalist for the National Book Award.

Radioactive debuts on Amazon Prime on July 24.

The Handwritten First Draft of Spike Lee’s Do The Right Thing

posted by Jason Kottke   Jun 22, 2020

Do The Right Thing first draft

Do The Right Thing first draft

Do The Right Thing first draft

Do The Right Thing first draft

In March 1988, Spike Lee wrote a first draft screenplay for his movie Do The Right Thing in just over 2 weeks. Four pages of this handwritten draft are pictured above. I wasn’t able to track down the entire screenplay, but the typed second draft can be found here. From a book companion to the film, here’s an excerpt from Lee’s journal from the day before he began writing:

Yesterday I began work on the script. Well, actually, I began the last work before the actual writing of the script. I put down all the ideas or scenes and dialogue on three-by-five index cards. TOMORROW, I’ll begin to write this motherfucker.

This morning I got up early to go to my corner store, T and T, to buy the paper. The young guys who work there had a Run-D.M.C. tape on. The owner, an old Italian guy, says, “What da fuck is dat? Turn that jungle music off. We’re not in Africa. It’s giving me a stomach ache.” Sooner or later it comes out. Okay, so you don’t like rap music. But why does it have to be about jungle music and Africa? I should have Sal say the same words to Radio Raheem in the movie.

And sure enough, on page 77 of the second draft:

SAL: Turn that JUNGLE MUSIC off. We ain’t in Africa.

BUGGIN’ OUT: Why it gotta be about jungle music and Africa?

SAL: It’s about turning that shit off and getting the fuck outta my pizzeria.

And on the day after finishing, he wrote:

Tuesday morning I finished the first draft of Do The Right Thing. It came in at roughly eighty-seven typed pages. It’s the fastest script I have ever written. In all, the actual writing of the first draft took fifteen days, but I have been taking notes since December.

(via criterion collection)