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I spent more than a few minutes scrolling through Dana Sibera’s Mastodon feed (also on Twitter) featuring her imagined oddball tech items. Like this marble Mac:
A NeXT laptop? A NeXT laptop!
A foldable Powerbook:
And a widescreen Apple Lisa:
I found out about Sibera’s work via Marcin Wichary’s Shift Happens newsletter — you can find more examples of her work there, on Mastodon, or on Twitter.
Tchiks is a luthier from Belgium who, after his daughter outgrew her crib, turned it and a bunch of other Ikea products into a guitar.
The guitar started out as a joke. I remember going upstairs and telling my wife “I’m gonna make a guitar out of Zoé’s old bed”. She rolled her eyes to the ceiling and asked me “why”. Then I immediately thought “This is the way”.
It sounds good! Like any good craftspeople, luthiers can get a little fussy about their materials and the specs list for the Ikea guitar at the end of the video pokes some gentle fun at that:
Body: baby crib, chair, shelf
Neck: baby crib
Fretboard: photo ledge
Knob: chopping board
(via linkfest)
In this final installment of Everything is a Remix, Kirby Ferguson offers his perspective on image generation with AI, how it compares to human creativity, and what its role will be in the future. In watching the part about the anxiety in the creative community about these image generators, I was reminded of what Ted Chiang has said about fears of technology actually being fears of capitalism.
It’s capitalism that wants to reduce costs and reduce costs by laying people off. It’s not that like all technology suddenly becomes benign in this world. But it’s like, in a world where we have really strong social safety nets, then you could maybe actually evaluate sort of the pros and cons of technology as a technology, as opposed to seeing it through how capitalism is going to use it against us.
I agree with Ferguson that these AI image generators are, outside the capitalist context, useful and good for helping humans be creative and express themselves. Tools like Midjourney, DALL-E, and Stable Diffusion allow anyone to collaborate with every previous human artist that has ever existed, all at once. Like, just think about how powerful this is: normal people who have ideas but lack technical skills can now create imagery. Is it art? Perhaps not in most cases, but some of it will be. If the goal is to get more people to be able to more easily express and exercise their creativity, these image generators fulfill that in a big way. But that’s really scary — power always is.
The Mauritshuis museum has loaned out Girl With a Pearl Earring to the Rijksmuseum for its blockbuster, once-in-a-lifetime Johannes Vermeer exhibition. While she’s out of the building, they’re digitally displaying dozens of renditions of the artwork submitted during an open call for entries last year. If you can’t make it to the museum in person (*sigh*), they’re showcasing some of the entries on Instagram and you can see what the in-person display looks like in this video.
Regular readers might remember that I have something of a thing for Girl/Pearl remixes. Here are just a few from the archives: Corn with a Pearl Earring, Girl with the Grande Iced Latte, Rihanna with a Pearl Earring, Girl with a Schmeared Earring, at the beach with Mona & Vincent, Girl with a Pearl Earring and Point-and-Shoot Camera, and Lego Girl with a Pearl Earring. (via colossal)
Watch as Polish dance troupe Fair Play Crew brings the twitchy movements from old school martial arts video games into the real world with a funny and perfectly choreographed routine (it starts at the 3:50 mark in the video above. It seems like they’re riffing on a few different games here — Karate on the Atari 2600, Black Belt, Karate Champ, Karateka, International Karate, and even a little Mortal Kombat — instead of just a single game.
From comments made by Knives Out and Glass Onion director Rian Johnson, it doesn’t seem likely that a Benoit Blanc mystery movie with the Muppets or a Muppet movie with Benoit Blanc will ever happen. So, we’ll have to settle for this mashup of Blanc and The Great Muppet Caper made by Nerdist:
I dunno Johnson, that works pretty well…
From YouTuber poakwoods, a pair of criss-cross mashups of Star Wars and 2001: A Space Odyssey, but with their directors switched. When George Lucas takes the helm of 2001, you get a more crowd-pleasing and freewheeling movie while Stanley Kubrick’s Star Wars becomes more balletic and contemplative. Both are pitch-perfect.
See also Wes Anderson’s Star Wars. (via daringfireball)
If you’ve ever wondered what HBO and the producers of The Last of Us might do with some slightly different source material, Pedro Pascal and the cast of Saturday Night Live took a crack at a gritty adaptation of Mario Kart. I mean, I would 100% watch this.
Photoshop wizard Ingo Lindmeier makes these delightful mashups of animals and objects (fruits, vegetables, technology) which you can find on his Instagram account. Some of them are a little over-the-top, but the conceptually simpler ones are great. (via moss and fog)
At the end of each year, art director Chris Barker collects celebrities who have died in the past 12 months into a Sgt. Pepper’s album cover collage — here’s 2022’s edition.
There doesn’t appear to be a complete listing of everyone pictured, but you can easily pick out Coolio, Gilbert Gottfried, Sidney Poitier, Angela Lansbury, Meatloaf, Nichelle Nichols, Pele, Mikhail Gorbachev, and Twitter.
Fueled by television, advertising, cable TV, and the internet, the post-war era saw an explosion of celebrity in America and the world. The average person today “knows of” so many more people than someone living in 1945 did, probably by a couple orders of magnitude. As Boomers and Gen X continue to age, annual displays like this of well-known people who have died will get larger and larger.
Update: An incomplete key to the image is available here. (via @matsimpsk)
This is such a trip to see the familiar original version of Nintendo’s The Legend of Zelda being played as a VR first-person shooter. You only get one screen at a time with the top-down 2D view, but in this version, you get as much of the map as you can see - it looks like it stretches off into the distance for miles.
I just went to Wikipedia to look at the release date for Zelda and it came out February 21, 1986. I remember getting Zelda for my birthday that year, which means I somehow waited seven whole months to play that game and, boy was it worth it. I have a Switch now and still fire up the original Zelda sometimes, just to make sure the ol’ reflexes still work. (via digg)
I ran across this video this morning on Instagram and I haven’t stopped laughing about it, so I thought I’d share it with you. It’s an improv by Ross Bryant from a show called Game Changer in which he makes up a commercial for a new McDonald’s product: the Macbeth sandwich.
It’s perhaps a liiiittle bit of a softball prompt for Bryant, who is a member of The Improvised Shakespeare Company, but to pull it off, he needs to be fluent in both fast food advertising and Shakespeare. The accent, timing, and delivery are perfect — somehow in the space of a minute, he does two or three highbrow/lowbrow shifts and oh, just watch the damn thing. (via rachel lopez)
I’m not going to actually look, but I’ve probably featured Ulric Collette’s series Genetic Portraits here before. Collette photographed family members in the same pose and then digitally stitched them together. The resemblances and differences between family members are fascinating. (via jenni leder)
Update: A similar series by Bobby Neel Adams. (via @geedix)
Update: See also these similar paintings by Daevid Anderson.
In the early 2000s, Rick Meyerowitz and Maira Kalman made a version of the NYC subway map where names of all the stations and landmarks were replaced with food. Here’s a detailed view of lower Manhattan and part of Brooklyn:
See also Simon Patterson’s The Great Bear and the City of Women NYC subway map.
In 1973, Martin Scorsese made a film called Goncharov starring Robert De Niro, Harvey Keitel, Gene Hackman, Al Pacino, and Cybill Shepherd. But no one has actually seen it. Because it doesn’t actually exist…a bunch of scamps on Tumblr made it up.
So a few years ago, a Tumblr user posted a photo of some “knockoff boots” they had ordered online that had a very strange tag on the tongue: “The greatest mafia movie ever made. Martin Scorsese presents GONCHAROV. Domenico Proccacci production. A film by Matteo JWHJ0715. About the Naples Mafia.”
This mostly went ignored until 2020, when another Tumblr user reblogged a comment made on the original post, reading: “this idiot hasn’t seen goncharov.” Like the good lord himself and the Guardian’s coffee machine, the internet works in mysterious ways; earlier this month, Tumblr user beelzeebub made a fake poster for the film, tens of thousands of people were suddenly sharing it and lo: a new Scorsese film was born.
You can find the poster here. In a text to his daughter Francesca, Scorsese acknowledged, “Yes. I made that film years ago.” The way movies and memes work these days, it’s a solid chance this gets made in the next two years, as a “remake” with Scorsese executive producing.
Cult avant-garde filmmaker Alejandro Jodorowsky famously did not make his ambitious adaptation of Dune but what if he had brought his unique brand of surrealist psychedelia to the screen with a version of Tron in the 70s? Using the AI platform Midjourney, Johnny Darrell imagined what Jodorowsky’s Tron might have looked like. I love these — I would like to see this movie please.
See also Jodorowsky’s Frasier.
Update: Frank Pavich, director of Jodorowsky’s Dune, ruminates on these AI images of Jodorowsky’s Tron.
I’m still trying to wrap my mind around it all. There seems to be a correlation between how Alejandro’s work was absorbed and referred to by subsequent filmmakers and how his work was ingested and metabolized by computer programming. But these two things are not the same. I want to say that influence is not the same thing as algorithm. But looking at these images, how can I be sure?
It’s hard to find many shortcomings in the software. It can’t render text. And like many painters and sculptors throughout history, it has trouble getting hands right. I’m nitpicking here. The model contains multitudes. It has scanned the collected works of thousands upon thousands of photographers, painters and cinematographers. It has a deep library of styles and a facility with all kinds of image-making techniques at its digital fingertips. The technology is jaw-dropping. And it concerns me greatly.
In this video from 1965, electronic music pioneer Delia Derbyshire, who arranged the original theme music for Doctor Who, demonstrates how electronic music was made at the BBC Radiophonic Workshop. It’s such a treat watching her construct songs from electronic sound generators and sampled sounds played at different speeds and pitches; you can even see her layering sounds on different tape machines and beat matching, just like DJs would years later.
Amazingly, you can try your hand at layering and looping this music yourself with this Tape Loops demo from the BBC. You can also make Dalek and Cybermen noises with the Ring Modulator, create Gunfire Effects, or use the Wobbulator (my favorite).
See also The Definitive Guide to Doctor Who Theme Music, the trailer for Delia Derbyshire: The Myths and the Legendary Tapes, and this incredible proto-techno track Derbyshire made in the 60s. (via @austinkleon)
Back in 2008, Google commissioned comic artist Scott McCloud to create a comic book to celebrate/explain the launch of their Chrome web browser. Since then, Chrome has become a vital part of Google’s core business, an advertising juggernaut that works by tracking users and their interests across the entire web. To better reflect the reality that “Google’s browser has become a threat to user privacy and the democratic process itself”, comic artist and activist Leah Elliott has cheekily created an updated comic book in the style of the original. She calls it Contra Chrome.
When you think about TV shows about the workplace, The Office is likely top of mind. So, cutting an intro to new workplace darling Severance to match the visual style of The Office intro with The Office theme song was going to happen eventually…and here it is. Nicely done.
If you, like me, grew up semi-obsessively watching game shows from the 70s and 80s, you will get a big kick out of this. Photographer Steven Rosenow makes incredibly accurate digital renderings of the sets of old game shows like Jeopardy!, The Price Is Right, Wheel of Fortune, Match Game, and Family Feud, which he shares with a Facebook group called Eyes of a Generation. David Friedman shared some of these recreations in his newsletter. Here’s Rosenow’s notes on the Price Is Right set:
This was a fairly difficult set to model in 3D even though I had blueprints of the set to work with, as well as blueprints of CBS Studio 33… Assistance in this project was provided by the current owner of Door No. 2, who bought it from CBS when it was auctioned off.
I might have a new aspiration in life: to be “the current owner of Door No. 2”. (via waxy)
You might have noticed that the two families in Succession and Arrested Development share some similarities — business-focused, rich, dysfunctional, sibling rivalry. Luís Azevedo explored the likeness with this video of scenes from Succession with music & Ron Howard’s voiceover from Arrested Development. So good. Also worth a look: scenes from Arrested Development with the music from Succession.
See also The Simpsons Parody of Succession and The Succession Theme Works Over Any TV Show Title Sequence.
Nathan Pyle has come up with some alternate names for everyday foods: wheat wands for breadsticks, leafbucket for salad, fried beans 2.0 for refried beans, guac cartridge for avocado, and breadcocoon meatapillar for corn dogs. Click through for more.
This is an oldie but a goodie: Brian Borcherdt took an album of 80s covers sung by Alvin & the Chipmunks (Walk Like an Egyptian, My Sharona, Always On My Mind) and played them at 16 RPM on a record player. The effect “revealed what was secretly the most important postpunk/goth album ever recorded”.
Every time I hear the version of “You Keep Me Hanging On” on this video I just collapse laughing because it sounds exactly like what would happen if The Afghan Whigs were given the sound of Peter Gabriel’s 1982 SECURITY. That opening! That’s f**king “San Jacinto” right there!
See also the same treatment given to a 1998 album of Chipmunks dance mixes.
The Twitter account 5x6 Art is posting extremely abstract versions of notable artworks using the constraint of fitting them into Wordle’s familiar 5x6 pixel grid.
Obviously when you’re reducing artworks down to only 30 pixels of information, some of these are going to work better than others (e.g. Rothko and Mondrian). Still, some of the more detailed ones are just recognizable if you squint.
One of the biggest hits of the past two years has been Dua Lipa’s Levitating — this catchy disco-inflected tune didn’t hit #1 in the US but has set quite a few records for Billboard chart longevity (e.g. 41 weeks in the top 10). Lipa, her label, and her co-writers were recently hit with a lawsuit 1
by a band called Artikal Sound System alleging that Levitating was ripped off from their song, Live Your Life. At first glance, Artikal Sound System seems to have a point — take a listen to Levitating and then to Live Your Life.
But! As Adam Neely explains in this video, if you listen to it with an expert ear and with the history of music in mind, their case doesn’t seem so ironclad. For starters, Rosa Parks by Outkast (1998) and Blame It on the Boogie from The Jacksons (1978) contain very similar rhythms.
And just today brings news of a second lawsuit: “songwriters L. Russell Brown and Sandy Linzer allege that Lipa ‘duplicate[d]’ the ‘signature’ opening melody for ‘Levitating’ from their 1979 song ‘Wiggle and a Giggle All Night’ and 1980 song ‘Don Diablo’, performed by Cory Daye and Miguel Bosé respectively.”↩
From Kirby Ferguson (Everything is a Remix), a short video essay about how Quentin Tarantino remixed reality in Once Upon a Time in Hollywood.
Quentin Tarantino is well-known for mashing up different movies into his own. The peak of this method is Kill Bill, which is loading with bits taken from other films. Since then, Tarantino seems to have changed — there hasn’t been nearly so much obvious copying in his movies. But actually he’s still doing the same thing. He’s just copying in a different way, and the sources he copies from are less often movies and more often reality.
In just one minute and with what seems like a budget of only $60, these folks made their own version of Alien. The effects, they are certainly special. Remember sweded films? (via digg)
YouTuber shonkywonkydonkey takes songs and reworks them using only his voice — all the original instruments, vocals, sound effects, etc. are replaced by his vocals. The results are waaay better than you would expect. His magnum opus is probably the entire album of Radiohead’s OK Computer (yes, all 53 minutes, 26 seconds of it):
I am also partial to Everything In Its Right Place:
Hard to Explain by The Strokes is great too:
You can check out the rest of his efforts here. (via @aaroncoleman0)
What if Titanic, but with a cat in a leading role alongside Leonardo DiCaprio? This is pitch-perfect, right down to the post-credits scene.
See also Paddington in Film. (via waxy)
Seinfeld2000 and kottke.org favorites The Hood Internet teamed up to make this video of the Seinfeld theme song mixed with a song from every year the show was on the air. So: Free Fallin’ by Tom Petty, Poison by Bell Biv DeVoe, Smells Like Teen Spirit by Nirvana, Bulls on Parade by Rage Against the Machine, and Around the World by Daft Punk. Genius. I could not love this anymore than I do.
See also Darth Costanza and How the Seinfeld Theme Song Was Made. (via waxy)
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