kottke.org posts about music
A Japanese experimental music group called Open Reel Ensemble plays reel-to-reel tape recorders from the 70s & 80s as musical instruments (give it a sec to get going):
Brilliant! A YouTube commenter notes: “Very cool, looks like you’re fishing for sound waves.” Here’s another video of them playing…this one’s like a reel-to-reel version of DJing with turntables:
I went looking for information about how they’re producing these sounds and found this profile of the group from 2018.
Over the years, the group has developed new techniques. As Motherboard explains, each member can now “program” sounds directly on to the recorders, creating a strange blend of digital and analog technology. With multi-track recorders, Open Reel Ensemble is able to switch individual tracks on and off, too. Sometimes they’ll record blocks of sustained noise, at various pitches, to be triggered and disabled like notes on a guitar. These allow the band to play intricate chords and melodies on stage. “We’re finding new techniques every day,” Wada said, “exploring rotation and movements, and the relationship between magnetics and sound.”
I bet they are amazing to see live.
A two-hour version of the music played in the Wellness Center in Severance. “Please try to enjoy each listening session equally.” See also Severance: Music To Refine To.
✅ Added to my Underscore collection.
Bionic and the Wires connects sensors to plants and fungi to help them play music.
The attached sensors measure bio-electrical fluctuations in the mushroom. The fluctuations are converted into signals that control the robotic arms. The keyboard is playing a synth in Ableton Live.
What are the chances it’s just saying “uh, can you get these things off of me?” Top YouTube comment tho: “Play that fungi music.” (thx, pascal)
Speaking of Daft Punk, did you know they released some new music recently? Ok well, that’s not quiiiite true, but in late September, Epic launched the Daft Punk Experience in Fortnite and IMO it’s a) extremely cool, nd b) should be considered a part of the group’s official discography.
For a taste of what it’s like, here’s the seven-minute intro to the experience:
I watched this live when it launched, on a big TV and with the sound turned up, and it was awesome. Again, no new music, but definitely a new music video experience.
During the intro, you can control your player slightly but the game mostly moves you through it. After you’re inside the pyramid though, there’s a lot to do. The main event is a concert playing some of the songs from their Alive 2007 tour; here’s what that looks like from start to finish (33 min):
You can move freely around and dance, including with other players who are in the pyramid with you. During some songs, you can bounce really high on the dance floor or fly around the room.
Off of the main pyramid are four smaller interactive rooms (in order of coolness):
- Dream Chamber Studios: You can choose from almost two dozen Daft Punk songs and mix them together, adjust tempos, etc. This room alone makes the whole experience worthwhile…it’s the easiest way to create DP remixes.
- Around the World. You and up to three other players work to recreate and then customize the iconic Around the World music video. Oh, and you’re all Lego characters.
- Daft Club: Dance to music from Random Access Memories. (You can see the full Daft Club sequence in the latter part of this video.)
- Robot Rock Arena: You and some teammates join forces to defeat robots using musical weapons.
In all, that’s six new interactive audiovisual experiences from Daft Punk, featuring 31 songs from their discography. It’s huge.
The easiest way to see/experience all of this is to play the game…the Daft Punk Experience is still playable afaik. Fortnite is a free download and the DPE is free as well. If you’re a Daft Punk fan, it’s worth checking out for sure.
I don’t even know what this is — classical pop? surrealist orchestral? — but it goes hard and is kind of fantastic. Wow. A few comments from YouTube:
This is the most insane lead single from a pop artist I’ve ever come across! I’m absolutely stunned.
The only criticism I’m going to make is that the song should last at least 8 minutes.
I feel this needs to replace whatever was stolen from that museum in France.
Berghain by Rosalía is available to stream or buy on many of the usual platforms.
Courtesy of login.jp (“archiving the Japanese experience through music”), a jazz jungle mix by Takuya Nakamura, played in a Japanese rice field to celebrate the importance of rice in Japanese culture. A trumpet makes a few appearances.
Nakamura recently played a set in an elevator as well. (A trumpet makes a few appearances.)
It’s worth exploring login.jp’s back catalog, including party mix with green onions, techno & house mix in a Japanese fish shop, and chill mix with Japanese grandpa at a stationery shop.
(via mike bates)
This is so so cool and an arrow-splitting bullseye in the middle of my wheelhouse: a short Boards of Canada tune played on a DEC PDP-1, one of the most significant machines in the history of computing.
Here’s a description of what’s going on, courtesy of @dryad.technology on Bluesky:
The PDP-1 doesn’t have sound, but it does have front-panel light bulbs for debugging, so they rewired the light bulb lines into speakers to create 4 square wave channels.
You can read more about The PDP-1: The Machine That Started Hacker Culture:
The bottom line is that the PDP-1 was really the first computer that encouraged users to sit down and play. While IBM machines did the boring but necessary work of business behind closed doors and tended by squads of servants, DEC’s machines found their way into labs and odd corners of institutions where curious folk sat in front of their terminals, fingers poised over keyboards while a simple but powerful phrase was uttered: “I wonder what happens if…” The DEC machines were the first computers that allowed the question, which is really at the heart of the hacker culture, to be answered in real time.
And every day is a good day to listen to Boards of Canada. Oh! And if you’re anywhere near Mountain View, the Computer History Museum has regular demos of the PDP-1 and will play the song if requested!
If anyone would like to see this live, we demo the PDP-1 at the Computer History Museum in Mountain View, CA on the first and third Saturdays of the month, 2:30 and 3:15p. Just ask, and we’ll be happy to play it!
(via @k4r1m.bsky.social)
One hour and twenty-five minutes. That’s apparently all of the footage that exists of Joy Division playing their music on TV and in concert. Open Culture’s Colin Marshall writes:
Brian Eno once said of the Velvet Underground that their first album sold only 30,000 copies, but everyone who bought one started a band. Joy Division’s debut Unknown Pleasures sold only 20,000 copies in its initial period of release, but the T‑shirt emblazoned with its cover art — an image of radio waves emanating from a pulsar taken from an astronomy encyclopedia — has long since constituted a commercial-semiotic empire unto itself. That speaks to the vast subcultural influence of the band, despite their only having been active from 1976 to 1980. When we speak of the genre of post-punk, we speak, in large part, of Joy Division and the artists they influenced.
(via open culture)
For the past several months, I’ve been using a web-based music player I built called Underscore. It’s playing music for me right now. I recently revamped & improved it and thought it was time to show it off. Here’s a screenshot:
Ok, let me explain. I listen to music all day while I’m working, favoring music without words — electronic, classical, soundtracks, ambient, nature sounds, that sort of thing. I listen to whole albums, long mixes, and playlists across several services, including Spotify, YouTube, and Soundcloud. It was becoming a pain in my ass trying to pick something to listen to while working; I’d have to scroll through playlists on all these different services and generally I’d end up listening to the same stuff over and over again, getting sick of it, getting distracted by choosing music, missing some gems buried deep in a list of saved albums, etc.
So, pair programming with Claude, I built Underscore, a “home-cooked meal” app that’s both simple and opinionated. Here’s how it works. You can add links to music from Spotify, YouTube, Soundcloud, Bandcamp, and Apple Music to it — just paste their share URLs in. Reloading the page gives you a random piece of music from your collection. You can see a list of the songs, videos, playlists, and albums in your collection and can hide them if you want. That’s it. That’s all it does.
There’s no APIs or authentication or auto-synching playlists. The music is played through embedded players and if it lands on something from Spotify, Apple Music, or Bandcamp, you’re gonna have to click the play button in the embedded player (Soundcloud and YT videos should play automatically (but don’t always for whatever reason)). When your current selection ends, the new random thing doesn’t automatically play…you need to refresh the page.
It’s not ideal, having it be a little bit manual and janky in this way. But oh boy, am I loving this thing. It took me awhile to get everything into the system, but I’ve got almost 300 resources in my collection now — probably 300-400 hours of music all told — and I listen to it all day while working. I’m listening to stuff from deep in the archives, albums and playlists I just wouldn’t have thought to play, when strapped for time in the rush to get to work. When something new comes along, like NIN’s Tron: Ares soundtrack, I add it in there. I don’t get distracted…I just get good music for flow/coding/writing all the live-long day.
The background animation was adapted and extended from one of the examples in Rick Rubin’s The Way of Code — there are a bunch of different patterns and colors that it cycles through. I’m kinda proud of the way the media embeds fade into 1-bit images so you can see the background behind them when they’re playing…dorking around with CSS & web design is still super fun.
And but so anyway, I built Underscore for myself, to scratch an itch, but recently thought that it would be relatively easy to add other users to it. So, if you’re a logged-in member of kottke.org, you can build your own collection and play it with Underscore; just head right this way. If you’re not a KDO member, you can still check it out…but the only thing it does is play my music collection (which has some good stuff in it IMO). Fair warning: aside from this post, there is no onboarding. You may be confused as to how it works. But it’s simple enough that you quickly figure it out. Due to lack of auto-shuffle, it’s not worth using if you’re adding stuff that’s under ~30 minutes in length — Underscore is for albums, long tracks, playlists, etc.1 Caveat emptor. You break it, you buy it. Etc. Etc. If you try it out, let me know what you think in the comments below. Suggestions or improvements welcome.
In 1969, Fred Rogers appeared before the Senate to argue against cutting federal funding for public broadcasting. During his testimony, Rogers recited a song from his show, What Do You Do with the Mad That You Feel? In this short video, Jon Lefkovitz accompanies Mister Rogers’ words with some music and short scenes from movies like Moonlight, The 400 Blows, Do the Right Thing, Lady Bird, 2001, and Return of the Jedi.
Watch as Paul Davids plays 80 of rock’s most iconic guitar intros, including ones from Robert Johnson, Chuck Berry, The Kinks, Cream, Jimi Hendrix, Black Sabbath, ZZ Top, Joan Jett, AC/DC, Blur, and The White Stripes.
A few days ago, I linked to a NY Times piece about the V&A’s 90,000-piece archive of David Bowie stuff — costumes, photos, drawings, lyrics, etc.
The David Bowie Centre is a working archive with new reading and study rooms. The archive contains over 80,000 items, including 414 costumes and accessories, nearly 150 musical instruments and other sound equipment, designs, props and scenery for concerts, film and theatre. Bowie’s own desk is part of the archive, alongside notebooks, diaries, lyrics, correspondence, fan mail and over 70,000 photographic prints, negatives and transparencies.
The Centre is brought to life with a series of small, curated displays. Highlights include 1970s Ziggy Stardust and Aladdin Sane ensembles designed by Freddie Burretti and Kansai Yamamoto, a film showcasing performances from Bowie’s career, and an installation tracing his impact on popular culture.
Last week, Open Culture linked to this video tour of the Bowie collection by Jessica the Museum Guide:
I imagine it’s not quite like being there in person, but still. (via open culture)
Artist and composer Matthew Wilcock looks for patterns in the everyday and creates music from them. It’s easier to quickly watch an example than to explain:
Instantly thought of the video for Star Guitar by The Chemical Brothers, directed by Michel Gondry. They also seem like the sort of videos you would have found on Mister Rodgers’ or Sesame Street back in the day.
In addition to traffic, Wilcock has made music with people on escalators:
Each escalator and path is assigned three notes and they alternate between those as the person’s head breaks the line. Lowest note closest to camera, highest furtherest away. I love the idea of involving all these people unknowingly in an artwork. Recorded in Liverpool St. station, London.
And a bird eating:
Factory workers:
Bees:
You can find more of these video compositions on Wilcock’s YouTube channel and Instagram. He’s most active (and popular) on Insta; check out his Tour de France and swingset videos there. (thx, andy)
This is not some AI-generated to-study-to jazz video; it’s a guy who really likes jazz playing a bunch of records from his extensive collection.
over the years i’ve built a small but reallllly incredible and meaningful record collection, spanning from jazz, classical, a great folk collection from my dad, hip hop, house music, and random other things. record stores have been a sort of library for me, a place where i can find artifacts. there in sooo much real living history in a record.
most of vinyls i’ve collected are originals too and it’s just such a cool experience. for so many of the records i have they were originally recorded in a studio or live, mixed on a mixing console and put onto tape. then from the tape recording the vibrations were etched into the wax of the vinyl. how cool is that?
there’s a certain sense of bringing back to life i feel when i put a record on, these preserved etches of a song reawakening. it’s really beautiful.
i had an absolutely balll making this and i cant wait to make many more. i truly hope you find some songs that you love in here, so many of these are real favorites of mine.
If you enjoyed that, you might like this other YouTube channel that I posted about recently. (via undermanager)
I needed some new bouncy/chill music today and Tycho’s sunrise DJ set from this year’s Burning Man is doing the trick. I also ran across this playlist with 190 DJ sets from Burning Man this year containing 305 hours of music.
(via @mikeakers.bsky.social)
Gabriel Bonnin, aka Singer Sound System, plays an electro-acoustic hurdy-gurdy that’s driven by an old Singer sewing machine pedal.
My instrument is an electro-acoustic hurdy-gurdy. I just removed the crank and use a Singer machine to drive it :-) It is equipped with four integrated microphones that allow me to process the sound live, especially in Ableton Live.
Some of his most popular recent covers include the Doctor Who theme1:
Ozzy Osbourne’s Crazy Train:
The X-Files theme:
And Enter Sandman by Metallica:
Oh and Daft Punk!
You can find his stuff on YouTube and Instagram.
In 1987, choir director Dennis Bell arranged a version of U2’s #1 hit I Still Haven’t Found What I’m Looking For for his choir, the New Voices of Freedom. After hearing a recording of the arrangement, U2 asked Bell & the choir to join the band for an upcoming show at Madison Square Garden in NYC. Before the show, the band and the choir rehearsed together at Greater Calvary Baptist Church in Harlem:
Here is some behind-the-scenes footage of the rehearsal (more); Bono’s arm is in a sling for some reason?
The live recording of the song from that MSG show appeared on their next album, Rattle and Hum; here’s the (music-only) video from U2’s YouTube channel:
And here’s an actual video of the MSG performance (taken from the Rattle and Hum DVD):
You can also find the MSG version of the song (and the rest of Rattle and Hum) on Spotify, Apple Music, etc.
Bell and the New Voices of Freedom recorded their own version of the song, which you can listen to on Spotify, Apple Music, etc.
P.S. That same day, the band walked around Harlem and stumbled across street musicians Satan & Adam; a clip of their song made it onto the album and DVD.
(via laura olin)
William Maranci took Nine Inch Nails’ Closer and mashed it up with Ray Parker Jr’s theme song to Ghostbusters and it’s maybe a little bit genius and a little bit cursed? Like one commenter says, it’s “the musical equivalent of cats and dogs living together”.
See also Eminem’s Lose Yourself mashed up with ELO’s Mr. Blue Sky.
This music video, directed by Kevin McGloughlin for Max Cooper’s song Repetition, features remixed fractal-like forms from the constructed world (roads, skyscrapers, wind turbines, etc.) interspersed with scenes from nature. Totally mesmerizing. (You’ve got a give it a minute to get going though, especially if you’re not a fan of gradual repetitive music. I was in a trance by the end. 😵💫)
Radiohead dropped a surprise album yesterday, a live album of songs from Hail to the Thief. You can find the album on various streaming platforms, including Bandcamp, Spotify, and Apple Music. The band’s lead singer Thom Yorke says of the album:
In the process of thinking how to build arrangements for the Shakespeare Hamlet/Hail to the Thief theatre production I asked to hear some archive live recordings of the songs.
I was shocked by the kind of energy behind the way we played and it really helped me find a way forward.
For us, back in the day, the finishing of this record was particularly messy and fraught, we were very proud of it but there was a taste left in our mouths, it was a dark time in so many ways…
Anyway we decided to get these live recordings mixed (it would have been insane to keep them for ourselves) by Ben Baptie, who did an amazing job.
It has all been a very cathartic process, we very much hope you enjoy them.
Radiohead is great live — they should rerelease live versions their whole discography. I’m listening to this right now, thinking about a friend who is no longer with us; they would have loved this album.
Today I learned that the opening theme song for the original Iron Chef TV program was adapted from a song composed by Hans Zimmer, who has done scores for films like Interstellar, Dune, Blade Runner: 2049, Inception, and Dunkirk. Perhaps even weirder, the name of the theme song is “Show Me Your Firetruck”. (The song is from Zimmer’s score for the movie Backdraft.)
Well, it’s been awhile since I’ve done one of these but I’m gonna skip the apologies and get right into it. Here’s a list of what I’ve been reading, watching, listening to, and experiencing over the past several months. Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Dinosaur. It’s a huge pigeon on the High Line — what else do you need to know? (A-)
The Ministry of Time by Kaliane Bradley. Entertaining and engaging. It’ll make a good TV series. (B+)
Bill and Ted’s Excellent Adventure. I hadn’t seen this in several years but I still knew all the words. (A-)
My Brilliant Friend (season four). If there’s one thing I’ve watched in the past several years that I wish had gotten more attention from viewers, critics, and awards panels, it’s this wonderful show. (A+)
Pirates of the Caribbean: The Curse of the Black Pearl. Johnny Depp’s Jack Sparrow might be the most perfectly cast role in the history of cinema. Great story too. This movie surprised me when I saw it in the theater in 2003 and it’s still in the top tier of action/adventure movies. (A)
Andor (season one). A rewatch to prep for season two. I didn’t understand what the fuss was about this show the first time around, but this second viewing was a revelation. Andor is easily the best Star Wars thing since Empire. (A+)
Galleria Borghese. As previously discussed, the Bernini sculptures were a highlight of the summer. (A+)
Caravaggio 2025. Fantastic exhibition. (A)
The vivid blue color of the Mediterranean. (A+)
La Vita è Un Mozzico. We waited for an hour for sandwiches and it was probably worth it? (A)
Black Doves. British spy thriller? Keira Knightley? Ben Whishaw? Twist my arm. (B+)
Captain America: Brave New World. I’m sorry Sam Wilson / Anthony Mackie, there’s a “we have the Avengers at home” vibe here that’s hard to shake. (B)
Music to Refine To: A Remix Companion to Severance. I love this album; one of my favorite things of the past several months. (A+)
Mickey 17. It was fine? I was distracted while watching it in the theater, which is never a good sign. My favorite Bong Joon Ho film is still Snowpiercer. (B)
Amy Sherald: American Sublime. Absolutely fantastic. (A+)
The French Dispatch. This has quietly become a favorite of mine among Anderson’s films. (A)
The Royal Tenenbaums. However, this is still my favorite. (A+)
Paris Is Burning. Classic documentary of a bygone NYC era & a subculture that is now both flourishing and threatened. (A-)
Star Trek: Strange New Worlds (season two). I love these characters, always the sign of a good Trek. The crossover episode with Lower Decks was delightful even though I’ve not watched any of the animated series yet. The musical episode I liked less (not a showtunes guy) but I appreciated the experimentation. Bring on the Muppet episode. (A)
Severance (season two). Perhaps not as good as the first season — there was a lot in the mid-season episodes that didn’t land for me. Still, I always watched when a new episode dropped. (A-)
Army of Shadows. Part of the unplanned resistance film festival I’ve been screening for myself recently. Not quite as good as I remembered it, but it’s nice to watch something that doesn’t just lay everything out on a platter for you so you can emote properly. (A-)
Best in Show. So many lines from this that I use in my daily life. (A-)
The 99% Invisible Breakdown: The Power Broker. This is such a good series with fantastic guests about a legendary book. Who knew that Roman Mars was such a gigglepuss though? (A)
Johnny English. I didn’t find this quite as delightful as my family does. I prefer Mr. Bean. (B+)
Paddington in Peru. Not quite the magic of the first two, but entertaining. (B)
Indiana Jones and the Last Crusade. I have likely said this before, but while Raiders is likely the best Indy movie, Last Crusade is my favorite (probably due to Tom Stoppard’s heavy rewrite of the script). (A+)
Star Wars: The Return of the Jedi. It’s interesting to watch the original trilogy having seen so many subsequent movies & TV series.
Ocean’s Twelve. The dancing lasers scene is completely ridiculous. (A)
Wallace & Gromit: Vengeance Most Fowl. Well, I wasn’t expecting a critique of AI and the role of technology in society from this animated feature, but maybe I should have? (B+)
A Complete Unknown. Liked this more than I thought I would. (A-)
Pride and Prejudice by Jane Austen. Just a wonderful book — witty and fun. (A)
The Devil in the White City by Erik Larson. Fantastic book. Listen to the audiobook version if you can — Scott Brick’s narration elevates the story. (A)
A Quiet Place: Day One. I only watched this because I was on a plane. (B)
Severance (season one). After watching the second season, I rewatched season one. There was apparently much I missed the first time around. (A-)
Black Bag. Soderbergh is always worth watching, especially when he dips into Ocean’s Eleven territory — although this was more serious. (A-)
A Minecraft Movie. The first half was tolerable, enjoyable even. And then not so much. (C+)
Star Wars: Revenge of the Sith. Watched this in the theater for the 20th anniversary. There are some good bits in here, but some of the acting really stinks. Folks in the theater cheered when Anakin slaughtered the younglings, which is probably some sort of meme that I don’t want to know about. (B+)
Sinners. I loved this movie. (A+)
Thunderbolts*. Thought I would like this more than I did. (B)
Mission: Impossible – The Final Reckoning. The last scene is a masterclass in not having the faintest idea how to end a movie. (B+)
Andor (season two). Only a slight dip from season one. Overall, the series was a brilliant look at radicalization, the messiness of rebellion, and the oppressive flatness of authoritarianism. (A+)
There There by Tommy Orange. Devastating. (A-)
The Fear of Never Landing. Good album to chill out to by Marconi Union, who previously brought you the most relaxing song in the world. (A-)
Novocaine. This was bad. (D+)
Glass Onion. More Benoit Blanc mysteries please — I love watching Daniel Craig and his CSI: KFC accent chewing scenery. (A-)
The Gorge. Half of this was great and the other half was just another pseudo-horror action thing. (B-)
Martyr! by Kaveh Akbar. Marvelous. (A)
Andor: The Rogue One Arc. This fan edit of Rogue One in the style of a three-episode Andor arc is as Gilroy-esque a cut as you’re ever going to get. (A-)
Mission: Impossible – Rogue Nation. I had been kinda ambivalent about the M:I movies, but Fallout converted me, so now I’m slowly making my way back through the back catalog. (B+)
Via Carota. Best meal I’ve had in a long time. The tagliatelle was better than any pasta dish I had during my trip to Rome — it’s true, don’t @ me! And the roast chicken was perfect. (A+)
V for Vendetta. Underrated. (A-)
The Last Samurai by Helen DeWitt. I’m going to tell you the embarrassing truth: I thought this was about actual samurai and perhaps related to the Tom Cruise movie. It is very much not. I gave it a real shot but ended up abandoning it about halfway through. (C)
Spider-Man: Into the Spider-Verse. Still a marvel of animated creativity. (A)
The Phoenician Scheme. Didn’t vibe with this at all. (B-)
Downhill mountain biking. This is giving me so much life right now. (A+)
Wallace & Gromit: A Matter of Loaf and Death. Not my favorite W&G but still. (B+)
F1. Like Top Gun: Maverick crossed with Ford v Ferarri but Cruise and Bale played the aging outsider role much better than Pitt. Is Pitt even a good actor or is he just extremely charismatic? (B+)
Superman. I thought it was fine but didn’t like it as much as others seemed to. Better than anything Zach Snyder did for DC though. (B)
Shōgun. Rewatch with my son. Just an incredible show all the way around. (A+)
The Last of Us (season two). This show was always fighting an uphill battle with me — I don’t like zombie media and I dislike characters (Ellie!) who wouldn’t survive/thrive in the situations that they’re in with their personalities & characteristics. And I finally won. (C+)
The Handmaid’s Tale (season six). *sigh* No idea why I started watching (and then finished) this season; I’m a sucker for closure I guess. (C)
Nintendo Switch 2. I bought this to play Kart with my kids and also for a better Fortnite experience. So far, so good. (B+)
Mario Kart World. I haven’t played a ton of this, but it’s good so far. Free roam mode is pretty fun. I’ve gotta write up my Kart wishlist sometime…Nintendo only checked off one or two items in World. (B+)
Sargent and Paris. Caught this on the very last day of the show and hoo boy was it crowded. (A- for the show, C+ for the crowds)
Let God Sort Em Out. Need to listen to this one a few more times but I’m liking it so far. (B+)
Right now, I’m watching Star Trek: Strange New Worlds season three, listening to Deacon King Kong on audiobook (fantastic, a lock for an A+), rewatching Wandavision, and picking at Is a River Alive? by Robert Macfarlane.
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
Jon Batiste & Randy Newman team up for a song called Lonely Avenue. This is lovely. (via craig mod)
Last week, I linked to a video mashup by Bill McClintock of several metal songs, saying “although the video was posted a day or two before Ozzy Osbourne died, it feels like a fitting tribute to one of metal’s true pioneers”. This morning, YouTube helpfully informed me that McClintock had since done a proper tribute in the form of a compilation of every Ozzy/Sabbath-related video mashup he’d ever done.
Rest in darkness, Ozzy. 🤘
This is a great 5-minute mashup of several metal and metal-adjacent songs from artists like NIN, Metallica, Rage Against the Machine, KISS, Dio, Black Sabbath, and Soundgarden. Even if you don’t care for metal, I feel confident that you’ll enjoy this anyway — it’s a bop. Here’s the track list:
Nine Inch Nails - Terrible Lie
Rage Against the Machine - Killing in the Name
Dio - Holy Diver
Soundgarden - Outshined
Judas Priest - Hot Rockin’
KISS - All Hell’s Breakin’ Loose
Pantera - 5 Minutes Alone
Black Sabbath - Into the Void
Billy Squier - The Stroke
Judas Priest - You’ve Got Another Thing Comin’
Alice in Chains - Them Bones
Metallica - Sad But True
Although the video was posted a day or two before Ozzy Osbourne died, it feels like a fitting tribute to one of metal’s true pioneers. (via neatorama)
Follow Architectural Digest as they head behind the scenes at the offices of NPR Music to see how the now-iconic Tiny Desk Concerts come together. My favorite bits are the callouts of all the stuff on the shelves behind the artists: Adele’s water bottle, Sabrina Carpenter’s bedazzled martini glass, a Green Bay Packers helmet signed by Harry Styles. And: “Chappell Roan’s wig is actually sitting on Cypress Hill’s skull.”
I love the look of this black & white animated video made by Anthony Dickenson from thousands of hand-painted frames for Rival Consoles’ song Soft Gradient Beckons. Stick around after the song ends for a behind-the-scenes look at how it was made.
If I plan too much, it’s often disappointing. It’s much nicer if I just let it go the way it wants to go. But obviously sometimes it just doesn’t work and, you know, that’s okay. Sometimes, the mistakes are the bits that really reveal kind of new techniques. I love these little moments of imperfection. Otherwise, you know, you might as well just build it in AI.
The skateboard dolly! (via colossal)
Twenty years! It’s been twenty years since Bloc Party’s debut album Silent Alarm was released. To celebrate, the band stopped by the NPR office’s for a Tiny Desk Concert.
To celebrate, this Tiny Desk set begins with the super catchy and energetic pop anthem “Banquet” from Silent Alarm. The band continues with a couple songs from 2008’s Intimacy: the shimmery, glockenspiel-forward “Signs,” then “Mercury,” where we give a sneak peek of Okereke’s vocal effects rig under the Desk. Bloc Party closes with “Blue,” a sweet song on the slower side of the band’s catalog. It ends quietly, yet powerfully, as Okereke sings, “I fall asleep on your sleeve / with those three words in my dreams.”
Still bangs. (via @unlikelywords.bsky.social)
Living Colour recently visited the NPR Music office for a Tiny Desk Concert. Cult of Personality might be an all-time top 10 song for me — I vividly remember their 1989 appearance on Saturday Night Live.1 They still got it!
Ok so this is weird and delightful. Swedish electronics company Teenage Engineering makes a collection of singing wooden dolls called the Choir. The dolls are basically speakers but with some autonomy and personality…and they can work together:
what you see are eight wooden dolls, made to serenade you with a repertoire of choral classics as well as perform your own original compositions through midi over ble. each member has their own characteristic vocal range. individually one can sing a dynamic solo, together they perform an immersive a cappella concert.
Composer Rob Simonsen used three Choirs together to help create the score for Elio, the newest Pixar movie that takes place in space.
we were looking for an otherworldly sound—something that sounded relatable, that echoed vocalizations, communication that humans could understand, but felt like it was from another world. i came across these choir dolls and heard their sound. it was beautiful — electronic, but human. each body is handcrafted. they have a robotic but organic sound at the same time. it felt like a perfect answer to what we were looking for.
In this interview with Simonsen, he talks about working with the Choir to create the movie’s sound; the relevant part starts at the 15:20 mark and includes some of the music they composed with it.
There’s a flip flop element to this too: they mic’d up the dolls to record the audio, just like they would with human performers.
Here’s another short clip of the Choir in action:
Like I said, weird and delightful. You can get your own full ensemble from Teenage Engineering for about $2000.
See also Dueling Carls, which this reminded me of for some reason.
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