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I needed some new bouncy/chill music today and Tycho’s sunrise DJ set from this year’s Burning Man is doing the trick. I also ran across this playlist with 190 DJ sets from Burning Man this year containing 305 hours of music.
(via @mikeakers.bsky.social)
Gabriel Bonnin, aka Singer Sound System, plays an electro-acoustic hurdy-gurdy that’s driven by an old Singer sewing machine pedal.
My instrument is an electro-acoustic hurdy-gurdy. I just removed the crank and use a Singer machine to drive it :-) It is equipped with four integrated microphones that allow me to process the sound live, especially in Ableton Live.
Some of his most popular recent covers include the Doctor Who theme1:
And Enter Sandman by Metallica:
Oh and Daft Punk!
In 1987, choir director Dennis Bell arranged a version of U2’s #1 hit I Still Haven’t Found What I’m Looking For for his choir, the New Voices of Freedom. After hearing a recording of the arrangement, U2 asked Bell & the choir to join the band for an upcoming show at Madison Square Garden in NYC. Before the show, the band and the choir rehearsed together at Greater Calvary Baptist Church in Harlem:
Here is some behind-the-scenes footage of the rehearsal (more); Bono’s arm is in a sling for some reason?
The live recording of the song from that MSG show appeared on their next album, Rattle and Hum; here’s the (music-only) video from U2’s YouTube channel:
And here’s an actual video of the MSG performance (taken from the Rattle and Hum DVD):
You can also find the MSG version of the song (and the rest of Rattle and Hum) on Spotify, Apple Music, etc.
Bell and the New Voices of Freedom recorded their own version of the song, which you can listen to on Spotify, Apple Music, etc.
P.S. That same day, the band walked around Harlem and stumbled across street musicians Satan & Adam; a clip of their song made it onto the album and DVD.
(via laura olin)
William Maranci took Nine Inch Nails’ Closer and mashed it up with Ray Parker Jr’s theme song to Ghostbusters and it’s maybe a little bit genius and a little bit cursed? Like one commenter says, it’s “the musical equivalent of cats and dogs living together”.
See also Eminem’s Lose Yourself mashed up with ELO’s Mr. Blue Sky.
This music video, directed by Kevin McGloughlin for Max Cooper’s song Repetition, features remixed fractal-like forms from the constructed world (roads, skyscrapers, wind turbines, etc.) interspersed with scenes from nature. Totally mesmerizing. (You’ve got a give it a minute to get going though, especially if you’re not a fan of gradual repetitive music. I was in a trance by the end. 😵💫)
Radiohead dropped a surprise album yesterday, a live album of songs from Hail to the Thief. You can find the album on various streaming platforms, including Bandcamp, Spotify, and Apple Music. The band’s lead singer Thom Yorke says of the album:
In the process of thinking how to build arrangements for the Shakespeare Hamlet/Hail to the Thief theatre production I asked to hear some archive live recordings of the songs.
I was shocked by the kind of energy behind the way we played and it really helped me find a way forward.
For us, back in the day, the finishing of this record was particularly messy and fraught, we were very proud of it but there was a taste left in our mouths, it was a dark time in so many ways…
Anyway we decided to get these live recordings mixed (it would have been insane to keep them for ourselves) by Ben Baptie, who did an amazing job.
It has all been a very cathartic process, we very much hope you enjoy them.
Radiohead is great live — they should rerelease live versions their whole discography. I’m listening to this right now, thinking about a friend who is no longer with us; they would have loved this album.
Today I learned that the opening theme song for the original Iron Chef TV program was adapted from a song composed by Hans Zimmer, who has done scores for films like Interstellar, Dune, Blade Runner: 2049, Inception, and Dunkirk. Perhaps even weirder, the name of the theme song is “Show Me Your Firetruck”. (The song is from Zimmer’s score for the movie Backdraft.)
Well, it’s been awhile since I’ve done one of these but I’m gonna skip the apologies and get right into it. Here’s a list of what I’ve been reading, watching, listening to, and experiencing over the past several months. Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Dinosaur. It’s a huge pigeon on the High Line — what else do you need to know? (A-)
The Ministry of Time by Kaliane Bradley. Entertaining and engaging. It’ll make a good TV series. (B+)
Bill and Ted’s Excellent Adventure. I hadn’t seen this in several years but I still knew all the words. (A-)
My Brilliant Friend (season four). If there’s one thing I’ve watched in the past several years that I wish had gotten more attention from viewers, critics, and awards panels, it’s this wonderful show. (A+)
Pirates of the Caribbean: The Curse of the Black Pearl. Johnny Depp’s Jack Sparrow might be the most perfectly cast role in the history of cinema. Great story too. This movie surprised me when I saw it in the theater in 2003 and it’s still in the top tier of action/adventure movies. (A)
Andor (season one). A rewatch to prep for season two. I didn’t understand what the fuss was about this show the first time around, but this second viewing was a revelation. Andor is easily the best Star Wars thing since Empire. (A+)
Galleria Borghese. As previously discussed, the Bernini sculptures were a highlight of the summer. (A+)
Caravaggio 2025. Fantastic exhibition. (A)
The vivid blue color of the Mediterranean. (A+)
La Vita è Un Mozzico. We waited for an hour for sandwiches and it was probably worth it? (A)
Black Doves. British spy thriller? Keira Knightley? Ben Whishaw? Twist my arm. (B+)
Captain America: Brave New World. I’m sorry Sam Wilson / Anthony Mackie, there’s a “we have the Avengers at home” vibe here that’s hard to shake. (B)
Music to Refine To: A Remix Companion to Severance. I love this album; one of my favorite things of the past several months. (A+)
Mickey 17. It was fine? I was distracted while watching it in the theater, which is never a good sign. My favorite Bong Joon Ho film is still Snowpiercer. (B)
Amy Sherald: American Sublime. Absolutely fantastic. (A+)
The French Dispatch. This has quietly become a favorite of mine among Anderson’s films. (A)
The Royal Tenenbaums. However, this is still my favorite. (A+)
Paris Is Burning. Classic documentary of a bygone NYC era & a subculture that is now both flourishing and threatened. (A-)
Star Trek: Strange New Worlds (season two). I love these characters, always the sign of a good Trek. The crossover episode with Lower Decks was delightful even though I’ve not watched any of the animated series yet. The musical episode I liked less (not a showtunes guy) but I appreciated the experimentation. Bring on the Muppet episode. (A)
Severance (season two). Perhaps not as good as the first season — there was a lot in the mid-season episodes that didn’t land for me. Still, I always watched when a new episode dropped. (A-)
Army of Shadows. Part of the unplanned resistance film festival I’ve been screening for myself recently. Not quite as good as I remembered it, but it’s nice to watch something that doesn’t just lay everything out on a platter for you so you can emote properly. (A-)
Best in Show. So many lines from this that I use in my daily life. (A-)
The 99% Invisible Breakdown: The Power Broker. This is such a good series with fantastic guests about a legendary book. Who knew that Roman Mars was such a gigglepuss though? (A)
Johnny English. I didn’t find this quite as delightful as my family does. I prefer Mr. Bean. (B+)
Paddington in Peru. Not quite the magic of the first two, but entertaining. (B)
Indiana Jones and the Last Crusade. I have likely said this before, but while Raiders is likely the best Indy movie, Last Crusade is my favorite (probably due to Tom Stoppard’s heavy rewrite of the script). (A+)
Star Wars: The Return of the Jedi. It’s interesting to watch the original trilogy having seen so many subsequent movies & TV series.
Ocean’s Twelve. The dancing lasers scene is completely ridiculous. (A)
Wallace & Gromit: Vengeance Most Fowl. Well, I wasn’t expecting a critique of AI and the role of technology in society from this animated feature, but maybe I should have? (B+)
A Complete Unknown. Liked this more than I thought I would. (A-)
Pride and Prejudice by Jane Austen. Just a wonderful book — witty and fun. (A)
The Devil in the White City by Erik Larson. Fantastic book. Listen to the audiobook version if you can — Scott Brick’s narration elevates the story. (A)
A Quiet Place: Day One. I only watched this because I was on a plane. (B)
Severance (season one). After watching the second season, I rewatched season one. There was apparently much I missed the first time around. (A-)
Black Bag. Soderbergh is always worth watching, especially when he dips into Ocean’s Eleven territory — although this was more serious. (A-)
A Minecraft Movie. The first half was tolerable, enjoyable even. And then not so much. (C+)
Star Wars: Revenge of the Sith. Watched this in the theater for the 20th anniversary. There are some good bits in here, but some of the acting really stinks. Folks in the theater cheered when Anakin slaughtered the younglings, which is probably some sort of meme that I don’t want to know about. (B+)
Sinners. I loved this movie. (A+)
Thunderbolts*. Thought I would like this more than I did. (B)
Mission: Impossible – The Final Reckoning. The last scene is a masterclass in not having the faintest idea how to end a movie. (B+)
Andor (season two). Only a slight dip from season one. Overall, the series was a brilliant look at radicalization, the messiness of rebellion, and the oppressive flatness of authoritarianism. (A+)
There There by Tommy Orange. Devastating. (A-)
The Fear of Never Landing. Good album to chill out to by Marconi Union, who previously brought you the most relaxing song in the world. (A-)
Novocaine. This was bad. (D+)
Glass Onion. More Benoit Blanc mysteries please — I love watching Daniel Craig and his CSI: KFC accent chewing scenery. (A-)
The Gorge. Half of this was great and the other half was just another pseudo-horror action thing. (B-)
Martyr! by Kaveh Akbar. Marvelous. (A)
Andor: The Rogue One Arc. This fan edit of Rogue One in the style of a three-episode Andor arc is as Gilroy-esque a cut as you’re ever going to get. (A-)
Mission: Impossible – Rogue Nation. I had been kinda ambivalent about the M:I movies, but Fallout converted me, so now I’m slowly making my way back through the back catalog. (B+)
Via Carota. Best meal I’ve had in a long time. The tagliatelle was better than any pasta dish I had during my trip to Rome — it’s true, don’t @ me! And the roast chicken was perfect. (A+)
V for Vendetta. Underrated. (A-)
The Last Samurai by Helen DeWitt. I’m going to tell you the embarrassing truth: I thought this was about actual samurai and perhaps related to the Tom Cruise movie. It is very much not. I gave it a real shot but ended up abandoning it about halfway through. (C)
Spider-Man: Into the Spider-Verse. Still a marvel of animated creativity. (A)
The Phoenician Scheme. Didn’t vibe with this at all. (B-)
Downhill mountain biking. This is giving me so much life right now. (A+)
Wallace & Gromit: A Matter of Loaf and Death. Not my favorite W&G but still. (B+)
F1. Like Top Gun: Maverick crossed with Ford v Ferarri but Cruise and Bale played the aging outsider role much better than Pitt. Is Pitt even a good actor or is he just extremely charismatic? (B+)
Superman. I thought it was fine but didn’t like it as much as others seemed to. Better than anything Zach Snyder did for DC though. (B)
Shōgun. Rewatch with my son. Just an incredible show all the way around. (A+)
The Last of Us (season two). This show was always fighting an uphill battle with me — I don’t like zombie media and I dislike characters (Ellie!) who wouldn’t survive/thrive in the situations that they’re in with their personalities & characteristics. And I finally won. (C+)
The Handmaid’s Tale (season six). *sigh* No idea why I started watching (and then finished) this season; I’m a sucker for closure I guess. (C)
Nintendo Switch 2. I bought this to play Kart with my kids and also for a better Fortnite experience. So far, so good. (B+)
Mario Kart World. I haven’t played a ton of this, but it’s good so far. Free roam mode is pretty fun. I’ve gotta write up my Kart wishlist sometime…Nintendo only checked off one or two items in World. (B+)
Sargent and Paris. Caught this on the very last day of the show and hoo boy was it crowded. (A- for the show, C+ for the crowds)
Let God Sort Em Out. Need to listen to this one a few more times but I’m liking it so far. (B+)
Right now, I’m watching Star Trek: Strange New Worlds season three, listening to Deacon King Kong on audiobook (fantastic, a lock for an A+), rewatching Wandavision, and picking at Is a River Alive? by Robert Macfarlane.
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
Jon Batiste & Randy Newman team up for a song called Lonely Avenue. This is lovely. (via craig mod)
Last week, I linked to a video mashup by Bill McClintock of several metal songs, saying “although the video was posted a day or two before Ozzy Osbourne died, it feels like a fitting tribute to one of metal’s true pioneers”. This morning, YouTube helpfully informed me that McClintock had since done a proper tribute in the form of a compilation of every Ozzy/Sabbath-related video mashup he’d ever done.
Rest in darkness, Ozzy. 🤘
This is a great 5-minute mashup of several metal and metal-adjacent songs from artists like NIN, Metallica, Rage Against the Machine, KISS, Dio, Black Sabbath, and Soundgarden. Even if you don’t care for metal, I feel confident that you’ll enjoy this anyway — it’s a bop. Here’s the track list:
Nine Inch Nails - Terrible Lie
Rage Against the Machine - Killing in the Name
Dio - Holy Diver
Soundgarden - Outshined
Judas Priest - Hot Rockin’
KISS - All Hell’s Breakin’ Loose
Pantera - 5 Minutes Alone
Black Sabbath - Into the Void
Billy Squier - The Stroke
Judas Priest - You’ve Got Another Thing Comin’
Alice in Chains - Them Bones
Metallica - Sad But True
Although the video was posted a day or two before Ozzy Osbourne died, it feels like a fitting tribute to one of metal’s true pioneers. (via neatorama)
Follow Architectural Digest as they head behind the scenes at the offices of NPR Music to see how the now-iconic Tiny Desk Concerts come together. My favorite bits are the callouts of all the stuff on the shelves behind the artists: Adele’s water bottle, Sabrina Carpenter’s bedazzled martini glass, a Green Bay Packers helmet signed by Harry Styles. And: “Chappell Roan’s wig is actually sitting on Cypress Hill’s skull.”
I love the look of this black & white animated video made by Anthony Dickenson from thousands of hand-painted frames for Rival Consoles’ song Soft Gradient Beckons. Stick around after the song ends for a behind-the-scenes look at how it was made.
If I plan too much, it’s often disappointing. It’s much nicer if I just let it go the way it wants to go. But obviously sometimes it just doesn’t work and, you know, that’s okay. Sometimes, the mistakes are the bits that really reveal kind of new techniques. I love these little moments of imperfection. Otherwise, you know, you might as well just build it in AI.
The skateboard dolly! (via colossal)
Twenty years! It’s been twenty years since Bloc Party’s debut album Silent Alarm was released. To celebrate, the band stopped by the NPR office’s for a Tiny Desk Concert.
To celebrate, this Tiny Desk set begins with the super catchy and energetic pop anthem “Banquet” from Silent Alarm. The band continues with a couple songs from 2008’s Intimacy: the shimmery, glockenspiel-forward “Signs,” then “Mercury,” where we give a sneak peek of Okereke’s vocal effects rig under the Desk. Bloc Party closes with “Blue,” a sweet song on the slower side of the band’s catalog. It ends quietly, yet powerfully, as Okereke sings, “I fall asleep on your sleeve / with those three words in my dreams.”
Still bangs. (via @unlikelywords.bsky.social)
Living Colour recently visited the NPR Music office for a Tiny Desk Concert. Cult of Personality might be an all-time top 10 song for me — I vividly remember their 1989 appearance on Saturday Night Live.1 They still got it!
Ok so this is weird and delightful. Swedish electronics company Teenage Engineering makes a collection of singing wooden dolls called the Choir. The dolls are basically speakers but with some autonomy and personality…and they can work together:
what you see are eight wooden dolls, made to serenade you with a repertoire of choral classics as well as perform your own original compositions through midi over ble. each member has their own characteristic vocal range. individually one can sing a dynamic solo, together they perform an immersive a cappella concert.
Composer Rob Simonsen used three Choirs together to help create the score for Elio, the newest Pixar movie that takes place in space.
we were looking for an otherworldly sound—something that sounded relatable, that echoed vocalizations, communication that humans could understand, but felt like it was from another world. i came across these choir dolls and heard their sound. it was beautiful — electronic, but human. each body is handcrafted. they have a robotic but organic sound at the same time. it felt like a perfect answer to what we were looking for.
In this interview with Simonsen, he talks about working with the Choir to create the movie’s sound; the relevant part starts at the 15:20 mark and includes some of the music they composed with it.
There’s a flip flop element to this too: they mic’d up the dolls to record the audio, just like they would with human performers.
Here’s another short clip of the Choir in action:
Like I said, weird and delightful. You can get your own full ensemble from Teenage Engineering for about $2000.
See also Dueling Carls, which this reminded me of for some reason.
To celebrate the 50th anniversary of the band, Talking Heads have released a new music video for their iconic 1977 single, Psycho Killer. The video stars Saoirse Ronan and was directed by Mike Mills.
In this video, musician Armin Küpper performs a saxophone duet with the echo of his past self by playing near the end of a large pipe. That’s pretty cool. And it’s also a learning opportunity! Hey wait, come back…you haven’t finished your bowl of physics yet:
What you hear after each note is an echo, a sound wave reflecting off the far end of the pipe and traveling back to him.
Sound travels at around 343 meters per second (1,235 km/h or 767 mph) through air. In this video, the echo takes about 1.5 seconds to return. That means the reflected sound traveled about 514.5 meters (1,688 feet) round-trip, so the end of the pipe is at around 257 meters (843 ft) away.
It seems more like a second to me (so ~563 feet), but whatever…still cool.
I’ve posted before about Charles Brooks’ fantastic series of photographs of the insides of musical instruments. Recently, Brooks had the opportunity to apply his technique to capture the innards of a particle accelerator.
Despite being a scientific instrument, it behaves a lot like a musical instrument. Electrons pulse through this tunnel in tight, synchronized waves. The powerful magnets above and below make them undulate — just like the vibrating string of a fine cello — creating an intense X-ray beam used to probe hidden structures of our world.
As part of the project, accelerator physicist Eugene Tan converted the pulsing of the electrons in the chamber into sound, “letting us hear the movement of electrons at nearly the speed of light”.
Petapixel has a lot more on how this image was captured.
“This was an instant yes for me,” Brooks tells PetaPixel. “It ticked so many boxes: I’m always drawn to photographing hidden or complex spaces, and this was one of the most intricate objects I could possibly shoot.”
(via colossal)
This video feels like a throwback to a simpler time on YouTube: 331 film clips edited together to recreate Eminem’s Lose Yourself. A particularly well-done example of a time-worn genre. I lol’d at “let it go!!”
Daft Punk are famously secret about, well, most everything they do. Marc Edwards recently took a detailed look at some of the devices that the duo probably used for the vocal effects on their albums.
Talk boxes are relatively simple devices — they’re a speaker in a sealed box with a small opening. One end of a hose is fitted to the opening, and the other end is placed into the performer’s mouth, blasting noise towards their throat. The performer can pretend to speak, shaping and filtering the sound coming out of the tube with their vocal tract. A microphone is then needed to record the resulting sound. A keyboard or guitar is typically connected to the talk box unit as the sound source for the speaker. This lets the keyboard or guitar sound like it’s singing. If you’ve heard Chromeo, 2Pac’s California Love, Peter Frampton’s Do You Feel Like We Do, or Bon Jovi’s Livin’ On A Prayer before, you’ve heard a talk box.
I can confirm firing loud sounds into your mouth while holding a tube with your teeth is a bit uncomfortable. In terms of vocal effects used by Daft Punk, I think talk box might be the least used and least interesting, in terms of hunting down the exact hardware used. Talk boxes are simple devices and typically all sound similar. The sound source and performance play a bigger role in the result than the hardware itself.
The two videos above are worth watching for their comparisons of the effects of the different devices. They don’t include any direct Daft Punk samples (rights issues?), but if you’re familiar enough with their oeuvre, it’s easy enough to compare w/o samples.
Do yourself a favor and watch this: Erin Morton is a junior in the BFA Musical Theatre program at the University of Cincinnati College-Conservatory of Music and she absolutely blisters the paint off of the walls with her performance of Radiohead’s Creep. Wow. I actually got some goosebumps watching this.
BTW, other contenders for best Creep cover include Prince and a 1600-person pub choir.
Ok it’s not one hour of Zemo dancing, but I’ll take it. And the YT comments are better:
“Many Bothans died to bring us this beat.”
“Sir, we have located the Rebel bass.”
This isn’t the first time this song has appeared on Andor — it’s an “intergalactic hit” called Niamos! written for the show by composer Nicholas Britell, who lives in this galaxy and was also responsible for the Succession theme song. (via @moleitau.bsky.social)
This is a visualization created on the screen of an oscilloscope by a musical piece:
Primer is an introduction to oscilloscope music, a genre and art form where vector visuals are formed by the music itself. The image is produced by using the left audio channel to control the beam on the X axis, and the right audio channel to control the beam on the Y axis.
Once I wrapped my brain around what was happening here, I found this to be quite an impressive achievement: creating beautiful & coherent visuals from non-discordant music. (via waxy)
The world’s political and economic systems can all unite over one central tenet: your mum does the washing.
Libertarianism:
Your mum does the washing.
You believe you did the washing.
Egalitarianism:
That one time you did the washing
is proof it’s all equal and
no one needs feminism any more.
Americanism:
Your mum does the washing.
It’s in the Constitution.
END OF DISCUSSION.
(thx, chris)
After an old, unreleased song (and accompanying video) called Anxiety went viral on TikTok a couple of months back, Doechii released it as a single last month. And now it’s got a shiny new music video.
While I prefer the charming homemade quality of the original that she made in her small NYC apartment at age 21, this version is pretty great too. It’s going to be super interesting to see what Doechii does next — looking forward to it!
While not nearly as popular as his amazing rendition of NIN’s Hurt, Johnny Cash’s stripped-down cover of Depeche Mode’s Personal Jesus is fantastic. Both songs are from Cash’s sixty-seventh studio album, American IV: The Man Comes Around (Spotify, Apple Music), which was the last one to be released before his death.
In case you want to listen to Johnny Cash all morning, here’s that version of Hurt and Bridge over Troubled Water (with Fiona Apple):
Oh, and his cover of The Beatles’ In My Life:
This is a lovely cover of Bush’s Glycerine by Allison Lorenzen and Midwife, set to a poignant series of very short videos of everyday life. Give this 20 seconds of your complete attention and you’ll watch the whole thing, I promise. (via @mariabustillos.com)
In a recent episode of The Simpsons, Bart becomes a DJ and KDO favorites The Hood Internet wrote the music and did all of Bart’s mixes. They also made a ending credits remix of some of the most memorable Simpsons songs, including See My Vest, Mr. Plow, Do the Bartman, We Do (the Stonecutters song), Dr. Zaius, and The Monorail Song:
(via @unlikelywords.bsky.social)
This is the dumbest thing but it had me rolling in the aisles this morning: Star Trek TNG Theme but the theme music is coming from the Enterprise-D. It takes a bit to get going, but I laughed so hard when the ship whooshed by for the first time.
The same creator has made a number of videos in this vein, including The Imperial March but it’s coming from Vader’s chest control panel and Star Trek DS9 Theme but the theme is coming from DS9 Ops.
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