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As a tribute to Brian Eno, visual artist Thomas Blanchard made this video of Emerald and Stone, a 2010 song that Eno collaborated on with Jon Hopkins & Leo Abrahams. According to Blanchard, he made the video with no digital visual effects — “the visual compositions have been created out of paint, oil and soap liquid.”
Eno himself is still working and mentoring younger artists…he and Fred Again released an ambient album back in May.
Every year at Burning Man (pandemic years aside), Tycho does a ~2hr DJ set around sunrise and then releases it on Soundcloud — here’s the 2023 version.
I’ve been listening to this for the past week and while I don’t like it quite as much as the sets from previous years, it’s definitely something to add to the rotation of chill work music.
See Tycho’s BM sets from 2022, 2019, 2018, 2017, 2016, 2015, and 2014. Pretty much the only reason I’d ever want to go to Burning Man (esp after this year) is to catch this set in person sometime.
On their current US tour commemorating the 20th anniversaries of their two seminal albums (Give Up and Transatlanticism), The Postal Service and Death Cab For Cutie have been coming together to perform an encore rendition of Depeche Mode’s Enjoy the Silence. The video above is their version of it from last weekend’s show in New Haven, which I attended and very much enjoyed, but there are several other versions to choose from on YouTube: Boston, Wash DC, Portland, Rhode Island, etc.
If you expand the default iPhone alarm into a piano ballad, it sounds quiet lovely actually. The sheet music is available here.
See also Steve Reich Is Calling, two iPhones ringing at slightly different tempos.
The other day when I posted about iconic hip-hop samples from the past 50 years, I noticed a name that featured prominently in the early years: Sylvia Robinson. Robinson was the CEO and co-founder of the very first rap record label, Sugar Hill Records. She produced the first rap record, Rapper’s Delight, and the seminal The Message, widely regarded as one of the best and most influential rap and hip-hop tracks ever.
From an essay written on the occasion of her induction into the Rock and Roll Hall of Fame in 2022:
Sylvia Robinson played many roles in the music world — artist, producer, and, most notably, record executive. But as the founder and leader of the pioneering Sugar Hill label, she revealed herself to be something even rarer. She was a visionary.
In 1979, “Rapper’s Delight” by the Sugarhill Gang introduced hip-hop to the global mainstream, illustrating the genre’s commercial and creative potential. Robinson had overseen the record’s backing track, assembled the group members, and arranged their vocals — but fundamentally, it was her idea that rap was even viable as recorded music. Her place in history would be secured by that track alone, though it was far from her only impact on the direction of pop.
Here’s a short video that covers the high points of her career:
It’s sad that Robinson and her achievements haven’t been more widely known — this seems like another case (as in computing and other industries) where women played an early vital role and were then forgotten.
This started off a little slow for me but once it hit the early-to-mid 80s, I was hooked — and bobbing my head uncontrollably throughout. The visualizations really help you see how the various samples were modified, repeated, and layered to achieve the desired sounds — geniuses at work. Man, watching stuff like this makes me want to learn how to do this. (via waxy
The music for Sinéad O’Connor’s 1990 smash hit Nothing Compares 2 U is already pretty stripped down to emphasize the vocals, but in this video, the vocals are almost fully isolated so you can really hear the clarity and emotion in that wonderful voice of hers.
The song was apparently recorded in one take:
“I actually think the intensity of Sinéad’s performance came from the breakup of her latest relationship,” opines Chris Birkett, who co-produced and engineered the track as well as the accompanying, Grammy Award-winning album, I Do Not Want What I Haven’t Got, which topped the Billboard 200 for six weeks and sold seven million copies worldwide. “She had been dating her manager, Fachtna O’Ceallaigh, who’s a really good guy and had been instrumental in getting her deal with Ensign Records. However, their relationship had gone pear-shaped and they were in the process of breaking up when we recorded ‘Nothing Compares 2 U’, so that’s probably why she did such a good vocal. She came into the studio, did it in one take, double-tracked it straight away and it was perfect because she was totally into the song. It mirrored her situation.”
(via openculture)
A NYC DJ named Dwells released this mashup of Radiohead’s Everything In Its Right Place and Kendrick Lamar’s N95 back in March and I love it:
You can also find it on Soundcloud and Bandcamp. I ran across it when Radiohead shared a snippet of it on TikTok.
FWIW, Dwells seems to be the same DJ Dwells that won the NYC regional of the prestigious DMC DJ competition when he was just 13 years old. (via @jessicabrillhart)
The roots of hip-hop and rap are various and stretch back in time to the antebellum South and from there to Africa. But by some accounts, a song called Noah by gospel group The Jubalaires was the first instance of recorded music that sounded like rap. Listen for yourself…the relevant bit is right around the 35-second mark:
I’m not a music historian by any stretch, but that sounds 30 years ahead of its time. There are several bad remixes of Noah on YouTube…this one is maybe the best at pairing their singing with a rap beat.
This is fun: Aqua’s pop hit Barbie Girl, redone in the style of six classical composers: Mozart, Beethoven, Schumann, Schubert, Chopin, and Ravel. (via @Erikmitk)
To help celebrate 50 years of hip-hop, Cypress Hill visited NPR’s studios to perform a Tiny Desk Concert.
While the term “pioneer” is used loosely in pop culture today, few terms describe Cypress Hill’s impact over the past three decades more adequately. They are the first Latino hip-hop group to achieve platinum and multi-platinum status. B Real, Sen and producer DJ Muggs crafted a sound in the ’90s that stretched beyond regional boundaries. It was dark, psychedelic and at times directly addressed mental health before the topic was commonplace. Many dismissed the group as “stoner rappers,” yet the members were fervent advocates for the legalization of weed long before it came to fruition.
Really enjoyed this one…I’m not a particular fan of Cypress Hill but after this, maybe I am?
Craig Mod recently finished a 16-day tour of jazz kissas in northern Japan. Jazz kissas are bar/cafes where one goes to listen to jazz, mostly on records and not live. Mod loosely defies them thusly:
Mostly defined as: Mid-20th century “listening cafes” for jazz music. But there is a lot of variance in this definition. Lots are coffee-focused cafes, fitting into the broader “kissaten” universe. But some are more bar-like, and some even jazz clubs (but for the most part, live music is rare). You can tie yourself in knots splitting hairs over this stuff. Though they’re traditionally known as “jazz kissa” — the shortened version of “kissaten” (fear not: even if you call them “jazz kissaten” you won’t suddenly turn into a pillar of salt). Some are seventy years old. Some forty. Some are five years old. The important defining element is simply: A presiding and effusive ever-abiding love for jazz, jazz, and more jazz.
At each stop, he recorded the ambient sounds of each kissa so that you can experience a little bit of the atmosphere at these places — here’s the full playlist. The recordings were done with a pair of microphones so that the audio is in stereo. This sounds great with a good pair of headphones!
This conversation with musician Perfume Genius about his creative process is interesting throughout. This is something I relate to 1000%:
I’m good at making things, but not talking about why. I made them because I don’t know how to talk about why. The explanation is the thing I made.
This too is something I try to hold myself to:
I also just do it, you know what I mean? I just make shit. 90% of doing anything is doing it. Not to sound self-help-y, but when people are asking me for advice, my first thought is, you should just do it. You beat so many people already if you just actually make a finished thing.
I am still a perfectionist sort of person, but when your work entails publishing 10-20 things in public every single day, you have to let go of that. Good enough is better than nothing at all.
Embrace your inner little baby (with really good taste):
I essentially have to get back to feeling like I’m a little baby to make things that are good. A baby with really good taste.
I was totally fascinated by this look at the absurd logistics of concert tours and now have a newfound appreciation for all the people involved who collaborate to make the magic happen (and perhaps also a little bit more forgiving about the high price of tickets (but Ticketmaster can still go to hell)).
Now, to an outsider, the load out process might look chaotic, and the pace of the tour may seem unsustainable or unmanageable. But though grueling and exhaustingly complicated, these massive, nation-wide tours function remarkably smoothly considering the variety of variables.
(via open culture)
In 1979, just a few short years before she hit it big as a pop artist, Madonna was in a post-punk rock band called The Breakfast Club — she sang and played the drums. In the video above, the band rips through four demo songs in just over 8 minutes. From Dangerous Minds, some context:
Hardcore fans will also know Madonna has been known to perform versions of these songs (and other early material) live. Here’s the thing — much like the early days of the Go-Go’s, Madonna is definitely flexing her affinity for punk rock while mixing it with her own brand of spirited pop which the entire world would soon embrace and others would emulate. Now, if you’ve never heard this version of Madonna, and dig your punk with a side of pop, you are going to love these raw jams. It’s also quite compelling to hear them, knowing what was to come from Madonna in a few short years.
(via open culture)
Polyphonic’s videos on music are always worth a watch and in this latest one, they explore the history of the concept album, from its proto-origins in the Romantic era to the 70s rock opera heyday to the modern era, where a large percentage of all album releases are conceptual in nature. Along the way, they namecheck a variety of artists from many genres, including Woody Guthrie, Johnny Cash, The Beatles, The Who, Pink Floyd, Stevie Wonder, Kraftwerk, Iron Maiden, De La Soul, Arcade Fire, Daft Punk, Janelle Monáe, Kendrick Lamar, and Taylor Swift. (via open culture)
Earlier this week, the retired electronic duo Daft Punk released the 10th anniversary edition of Random Access Memories, their last studio album. The anniversary album includes 35 minutes of previously unreleased music.
Among the tracks is a demo of Infinity Repeating, featuring Julian Casablancas and The Voidz, which a recent interview w/ Casablancas on Daft Punk’s YouTube channel called “the last Daft Punk song, ever”. The music video for Infinity Repeating, embedded above, features a cool evolution-of-humanity animation (with robots!) and is highly re-watchable.
Leave it to the Auralnauts to take The Mandalorian’s solemn catchphrase “This is the way”, back it with a pulsing beat, and turn it into the banger of the summer. Ok, maybe not. But in the process, they counted 222 uses of the phrase over the three seasons of the show (and also during The Book of Boba Fett, I think).
Related: one hour of Zemo dancing from The Falcon and The Winter Soldier. (via neatorama)
My post last week about The 13 Levels of Complexity of Drumming got me interested in Larnell Lewis, but I also started going back through Wired’s Levels series to check out some of the ones I’d missed.
First up is DJ Shortkut explaining the 15 levels of turntable scratching. DJing is one of those things that I enjoy the output of but don’t know much about, so it was fun to have it broken down like that. Beat juggling is incredibly cool and looks super difficult to master. 🤯
Charles Brooks takes photographs of the insides of musical instruments like pianos, clarinets, violins, and organs and makes them look like massive building interiors, enormous tunnels, and other megastructures. So damn cool. Some of the instruments he photographs are decades and centuries old, and you can see the patina of age & use alongside the tool marks of the original makers. Prints are available if you’d like to hang one of these on your wall.
And if you liked those, don’t miss these Dreamy Cave-Like Photos Taken Inside Musical Instruments. (via moss & fog)
Hahaha you thought I was kidding about this being a Larnell Lewis fan site today, but I’ve got one more video for you. This is a live recording of a song by the jazz fusion band Snarky Puppy and — hold on, before you wander off having heard that collection of words, let me preface this by saying that I am not really a jam band person or a jazz fusion person and I thought this was pretty amazing.
So anyway, legend has it that Snarky Puppy were all set to record a live record in Holland and their regular drummer couldn’t make it, so they called Lewis to fill in. He learns the music on the plane ride over to Europe and — what? yeah, he learned the music on the plane ride over and then when he gets there…just watch the video above to see what happens.
I admit I didn’t quite get what was so special about this at first, but around the 4:20 mark things really start to get interesting and by the end I was grinning like an idiot. Cory Henry does the keyboard solo and Lewis backs him on it like they’ve been playing together for three lifetimes. As one of the YouTube commenters put it:
I just discovered this about 2 hours ago… I’ve been a musician for 20+ years… After watching this performance, I’ve now been a musician for about 2 hours.
(via @caleb, who noted the many reactions to this video on YouTube)
Ok sorry everyone but kottke.org is a Larnell Lewis fan blog today. This morning, I featured a video of Lewis, a Grammy-winning musician and music professor, explaining the 13 levels of complexity of drumming. In response, a pair of readers sent me this video, in which Lewis hears Metallica’s Enter Sandman for the first time (!) and then largely succeeds in playing it after a single listen (!!). You may find yourself wanting to skip to the part where he starts playing, but it’s really fascinating to watch him encoding the music into his brain and body through a combination of active listening, moving his body to the drumbeat, and spatially mapping the music to his drum kit. (thx, robert & matthew)
I love Wired’s video series on the levels of complexity of various activities, and they got someone really good to show us about drumming. Larnell Lewis is a Grammy Award-winning musician and a professor of music at Humber College in Toronto and his tour of the 13 levels of drumming, from easy to complex, is super clear, entertaining, and informative. Aside from the names of some of the drum kit pieces, I did not know a damn thing about drumming before watching this and now my eyes have been opened to how amazing drummers are to be able to do all of that (and look cool as hell at the same time). Like, I can’t even comprehend how they keep all those rhythms going at the same time…it just seems like magic to me. Watching Lewis’s solo at the end gave me a real boost this morning.
Some of my other “levels” favorites: A Demonstration of 16 Levels of Piano Playing Complexity, Robert Lang on the 11 Levels of Complexity of Origami, How to Draw a Self-Portrait in 11 Levels of Increasing Complexity, and Tony Hawk on the 21 Levels of Complexity of Skateboard Tricks.
Oh man, this is a huge huge nostalgia bomb for me - a 50-minute medley of the most popular song from each month since January 1980. When I was a kid growing up in rural Wisconsin, there were basically four choices of music to listen to: country, metal, oldies, and pop/top 40. I chose pop, so the first ~15 minutes of this video is basically the soundtrack to my childhood.
Here’s a playlist of all the songs on Spotify, in case you want to listen to the whole megillah. See also The Hood Internet’s remixes of pop music by year. (via open culture)
The most recognizable half of U2 made the trip to the NPR offices to perform a Tiny Desk Concert recently. Accompanied by the Duke Ellington School of the Arts Choir, the pair sang four songs from their 2000 album All That You Can’t Leave Behind, including Beautiful Day.
See also Tiny Desk Concerts from Alicia Keys, Dua Lipa, Max Richter, Coldplay, and the Sesame Street gang.
Musician Andrea Boma Boccarusso’s tour of rock ‘n roll history through guitar riffs is a lot of fun. Each year from 1965 to 2022, Boccarusso plays one iconic riff that represents the vibe of rock at the time. Here are a few that made the list:
1965 - The Rolling Stones, Satisfaction
1975 - Queen, Bohemian Rhapsody
1977 - David Bowie, Heroes
1982 - Michael Jackson, Beat It
1985 - Dire Straits, Money for Nothing
1992 - Rage Against the Machine, Killing in The Name of
1995 - Oasis, Wonderwall
2003 - The White Stripes, Seven Nation Army
The riffs get a little less iconic as the 2000s go on, but that’s to be expected in the age of the ascendancy of hip hop. (via digg)
Tchiks is a luthier from Belgium who, after his daughter outgrew her crib, turned it and a bunch of other Ikea products into a guitar.
The guitar started out as a joke. I remember going upstairs and telling my wife “I’m gonna make a guitar out of Zoé’s old bed”. She rolled her eyes to the ceiling and asked me “why”. Then I immediately thought “This is the way”.
It sounds good! Like any good craftspeople, luthiers can get a little fussy about their materials and the specs list for the Ikea guitar at the end of the video pokes some gentle fun at that:
Body: baby crib, chair, shelf
Neck: baby crib
Fretboard: photo ledge
Knob: chopping board
(via linkfest)
You’ve probably never heard of Raymond Scott’s Powerhouse, even though it’s one of the most well-known songs of the 20th century. Powerhouse is the slapstick “the chase is on!” and relentless “assembly line” music that you’ve heard in many Looney Tunes shorts and other cartoons, including The Simpsons and Spongebob. Here it is in the 1946 ‘toon, Baby Bottleneck:
From Cartoon Brew’s appreciation of Powerhouse on the 86th anniversary of its recording:
I’m sure Raymond Scott never would’ve guessed that he was sealing his legacy when he sold his publishing rights to Warner Bros. Music in 1943. This little transaction gave genius composer Carl Stalling free reign to plug Raymond Scott’s melodies into his scores for the Looney Tunes and Merrie Melodies cartoons. The propulsive energy of Scott’s quirky instrumental jazz compositions made perfect fodder for the likes of Bugs Bunny and Daffy Duck, and Stalling found immediate use for his new library; Stalling’s first quotation of “Powerhouse” appears in the Frank Tashlin classic Porky Pig’s Feat (1943).
The peculiar strains of Raymond Scott’s music and the screwball slapstick of the Warner Bros. cartoons were a match made in heaven…
That CB post has a bunch of embedded videos of different uses of the song, along with this gem of Scott and his “Quintette” playing Powerhouse on TV in 1955:
(via @tcarmody)
So, here’s how they make vinyl records at Third Man Records in Detroit. As you might expect, the process is a bit less automated than what you’d imagine for digital music media — those records are human-handled dozens of times before they are finally placed into their jackets.
Vinyl is in the real world. It’s not something that exists only on your computer or your phone, it’s three-dimensional. Your nervous system is designed to take in the sound. It heals you. It’s a nutrient. It’s like vitamins. You feel it. It’s like getting a massage or eating a beautiful sandwich.
See also this slow-motion video of a vinyl record playing, recorded with an electron microscope. You can see how the soundwaves are encoded in the grooves. (via open culture)
This will probably get taken down soon, but in the meantime… This is the ASL performance of Rihanna’s Super Bowl halftime show by Justina Miles. So good — I love how her long fingers and fingernails accentuate and amplify her signing.
CNBC ran a short profile of Miles and other Super Bowl ASL performers yesterday before the game.
Miles, a Philadelphia native and current nursing student at HBCU Bowie State University, is hard of hearing, according to reporting from Billy Penn. Her mom is deaf, and her family is mixed with hearing people.
Miles was also part of the USA team that went to the 2021-22 Deaflympics in Brazil and won a silver medal as part of the 4x100 women’s track relay team. She was the valedictorian at the Model Secondary School for the Deaf in Washington D.C., according to the National Association of the Deaf.
You can find more of Miles on TikTok.
See also Translating Music Into American Sign Language and Eminem’s Lose Yourself in ASL.
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