Vanity Fair has done a video interview Billie Eilish every year since she was a relatively unknown 15-year-old singer/songwriter. They skipped releasing last year’s interview but they are back with year eight.
I still marvel that Vanity Fair embarked on this project with this particular person. They could have chosen any number of up-and-coming 2017 pop singer/songwriters and they got lucky with the one who went supernova and won multiple Grammys.
Her selection over a multitude of other talented, rising stars is truly one of the great talent scouting successes ever.
During the pandemic, Billie Eilish did a Tiny Desk Concert at home amidst a very faithful recreation of the NPR office. Last week, Eilish played a proper set at the actual office. From the video’s description:
Saudade is a Portuguese word that can be roughly defined as a feeling of melancholy, nostalgia or yearning for something that is beloved but not present. There’s no perfect translation, but one of the closest English expressions of the word I’ve ever seen is Billie Eilish’s Tiny Desk performance.
You’d think the Los Angeles-born singer invented the term. Every breath is so full of indulgent melancholy, hopeful regret, at 22 years old she’s become a captivating fixture of what it means, or rather what it feels, to love and lose simultaneously.
Accompanied by a small band and her brother Finneas, Eilish played The Greatest, L’Amour de Ma Vie, i love you, and Birds of a Feather. Lovely.
Every year since she was 15, Billie Eilish has sat down for a video interview with Vanity Fair to take stock of where she’s at in life, how her career is going, and how the present compares to the past. The sixth installment has just been released (and will be the last annual release for awhile).
These are always so fun to watch — and what an amazing bit of luck on Vanity Fair’s part that they picked a very young pop star at the beginning of her career who would go on to win an Oscar some five years later. (via waxy)
This pitch-perfect SNL commercial featuring Kate McKinnon & Billie Eilish advertises the bland budget business-ish hotel that can be found all across America.
Our rooms provide every comfort required by law: tiny soap in plastic, phone that blinks, Band-Aid-colored blanket, chair for suitcase, black & white photo of Ferris wheel, blow dryer that goes oooooooh, short glass wearing little hat, and small stain in place you have to touch.
And be sure to enjoy our hot tub; it’s always occupied by an eight-year-old boy in goggles staring at your breasts. He’s been in there for hours and he’s not getting out until you do.
I have stayed at this precise hotel many times in the past and I will again in the future. C+++++.
Since Billie Eilish was 15 years old in 2017, Vanity Fair has been interviewing her every year to see what she is up to, how she is feeling, and what has changed from previous years. A key message from this year’s video, in response to “technological thing that blows your mind”:
The vaccine, dude. Hell fucking yeah. I really, really urge you — if you are not already vaccinated, please get vaccinated. It’s not just for you, you selfish bitch. It’s for everyone around you. Take care of the people around you, man. Protect your friends, protect your children, protect your grandparents, protect anyone you walk by.
If you haven’t seen this before, it’s interesting to go back to watch the interviews from 2017 & 2018, 2019, and 2020 — it’s a fascinating chronicle of a young woman getting really famous really fast and growing up in public. Like I said last year:
I still marvel that Vanity Fair embarked on this project with this particular person. They could have chosen any number of up-and-coming 2017 pop singer/songwriters and they got lucky with the one who went supernova and won multiple Grammys.
Over the past two decades, musical group Vitamin String Quartet has covered the songs of dozens of musical artists and groups, from Jimi Hendrix to PJ Harvey to Eminem. In the video embedded above, they cover bad guy by Billie Eilish, apparently one of several covers that appears in Bridgerton (haven’t seen it). The group’s music has also appeared in Westworld, most notably Radiohead’s Motion Picture Soundtrack. And, I just this second made this connection: VSQ also did the Strung Out on OK Computer album, a longtime staple of my music for working.
For the fourth year in a row, Vanity Fair interviewed teen pop star Billie Eilish on where she is in her life, what she’s learned, where she sees herself in the future, how her work is progressing, and how her answers from previous years hold up. (Past interviews: 2019, 2018.) This year is obviously different because of the pandemic and hits differently because of it.
I still marvel that Vanity Fair embarked on this project with this particular person. They could have chosen any number of up-and-coming 2017 pop singer/songwriters and they got lucky with the one who went supernova and won multiple Grammys.
For a few months now, NPR has been broadcasting their Tiny Desk concert series from the homes and studios of the featured musicians. Tame Impala was a recent guest and Lenny Kravitz has played a home concert as well. Here’s Rodrigo y Gabriela, who are super good live:
But Billie Eilish and her brother Finneas recently did something unique: a Tiny Desk (Home) Concert that actually looks like they’re playing in the NPR office (even though they are not).
Watch through to the end to see how they pulled it off. (via waxy)
My kids have been making their way through the Daniel Craig Bond movies so when I mentioned that our local theater was planning on showing drive-in movies on a screen in the parking lot, my son said, “ooh, maybe they’ll show the new Bond movie”.1 Then they began to speculate who would be singing the theme song in the new movie, and I piped in: it’s Billie Eilish and they’ve already released the song.
So we listened to it and, since they had just watched Spectre, I also played Radiohead’s rejected theme song, which I obviously prefer to Sam Smith’s bland Oscar-winning song. This morning, while trying to figure out who sang the official one, I ran across the video of Radiohead’s version played over the opening credits (embedded above). Gah, so much better. What a missed opportunity.
P.S. Funny story from my research: not only was Smith unaware that Radiohead had been asked to do the theme song before them, they were also apparently unaware of who Radiohead frontman Thom Yorke even was.
We’ll have to wait until at least November for that, although I suspect that as the summer goes on and people don’t go back to movie theaters even if they reopen, the studios will have to start releasing films straight to digital/Blu-ray. The can’t delay everything for a year or two.↩
With the help of Billie Eilish, Finneas O’Connell, the Jonas Brothers, and Chance the Rapper, John Krasinski threw a virtual prom for the nation’s high school students who are stuck at home because of the pandemic. This show is such a gift. Don’t miss Brad Pitt doing the weather report and a brief segment from the International Space Station.
Collaborating with the team at Conde Nast Entertainment and Vogue, my pal Nicole Hetrained an AI program to interview music superstar Billie Eilish. Here are a few of the questions:
Who consumed so much of your power in one go?
How much of the world is out of date?
Have you ever seen the ending?
This is a little bit brilliant. The questions are childlike in a way, like something a bright five-year-old would ask a grownup, perceptive and nonsensical (or even Dr. Seussical) at the same time. As He says:
What I really loved hearing Billie say was that human interviewers often ask the same questions over and over, and she appreciated that the AI questions don’t have an agenda in the same way, they’re not trying to get anything from her.
I wonder if there’s something that human interviewers can learn from AI-generated questions — maybe using them as a jumping off point for their own questions or asking more surprising or abstract questions or adapting the mentality of the childlike mind.
It is an understatement to say that a lot has happened to Billie Eilish in the past three years. She has gone from being a well-regarded but little-known singer/songwriter to being Grammy-nominated and one of the biggest young stars in the world. For the third year in a row, Vanity Fair sat down with Eilish to ask her about her life and career, what being famous is like, and how she views her past selves.
As I said last year, the video is fascinating to watch, like a teen celeb version of the 7 Up film series. She seems much happier and more confident — “I want to stay happy. That’s a big goal for me.” It will be interesting next year to see how this bit ages:
I like being famous. It’s very weird and it’s very cool.
Vanity Fair interviewed singer/songwriter Billie Eilish last October just as her career was taking off. A year later, they repeated the interview with her, now 16 years old, using the same questions to see what had changed — 2017: 257K followers on Insta, playing to crowds of 500 people. 2018: 6.3 million Insta followers, crowds of 40,000+. The result is really affecting, particularly on questions like “Do you feel pressure?” where the difference in answers is greatest.
Eilish’s situation is extreme, but some version of this is playing out with all of America’s youth right now, dealing with how to be in the world when interacting with thousands or even hundreds of thousands or millions of other people, far beyond Dunbar’s number, is increasingly commonplace. Now if you’ll excuse me, I have something in my eye and who’s playing that Cat’s in the Cradle song anyway?!
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