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kottke.org posts about Jamelle Bouie

Neither Snow nor Rain nor Heat nor Dip of Shit

posted by Jason Kottke   Aug 14, 2020

USPS Rain Snow Fascism

An anonymous USPS employee has written about the recent changes at the Post Office since new Postmaster General Louis DeJoy (“a lifelong Republican, a Trump mega-donor/fundraiser, and a high ranking RNC official”) took over and has set about gutting it from the inside.

All of the potential angles for corruption make DeJoy’s aims pretty tough to figure out. He’s a small market conservative from the private sector running a massive government agency. He’s a Trump ally running the agency responsible for ballots during an election year. He also has a direct financial interest in seeing us fail. Take your pick. You’re probably right no matter what. And judging by the chaos he’s unleashed into USPS in just his first two months, “all of the above” might be your best bet.

See, up until just two months ago, every letter carrier, clerk, mail handler, truck driver, etc, worked under one pretty simple philosophy: every piece, every address, every day. Everyone in the chain of custody for mail made sure every piece got as far along in the system as it could, and if it made it to my hands, in my office, it was getting delivered. That’s how I’ve done it for my career, how the guys who have been doing it for forty years have always done it, and that’s literally how Ben Fucking Franklin’s guys did it. You can almost hear Aaron Sorkin’s orgasm as he punches up the Bradley Whitford speech about the majesty of it all.

But two months ago is also when that abruptly stopped. After a couple hundred years, it just…stopped. On the ground floor, there’s a lot of arguing about who is ordering what, and what’s going to be permanent, and what’s going to be a trial run, but at the end of the day, the result is obvious: I go into my job, every single morning, and don’t deliver hundreds of pieces of available mail that used to get delivered. The only reason given is some vague nonsense about “operational efficiency” and “cost savings.”

And this was written before reports of sorting machines being removed without explanation ahead of a presumed huge surge of election-related mail. I think we should actually be pretty alarmed by this. Here’s Jamelle Bouie on Trump’s election night strategy (and how to counter it: vote in person):

There’s no mystery about what President Trump intends to do if he holds a lead on election night in November. He’s practically broadcasting it.

First, he’ll claim victory. Then, having spent most of the year denouncing vote-by-mail as corrupt, fraudulent and prone to abuse, he’ll demand that authorities stop counting mail-in and absentee ballots. He’ll have teams of lawyers challenging counts and ballots across the country.

He also seems to be counting on having the advantage of mail slowdowns, engineered by the recently installed Postmaster General Louis DeJoy. Fewer pickups and deliveries could mean more late-arriving ballots and a better shot at dismissing votes before they’re even opened, especially if the campaign has successfully sued to block states from extending deadlines. We might even see a Brooks Brothers riot or two, where well-heeled Republican operatives stage angry and voluble protests against ballot counts and recounts.

(via waxy)

The 1619 Project

posted by Jason Kottke   Aug 15, 2019

The first Africans to be brought as slaves to British North America landed in Port Comfort, Virginia in 1619. Thus began America’s 400-year history with slavery and its effects, which continue to reverberate today. With The 1619 Project, the NY Times is exploring that legacy with a series of essays and other works that “aims to reframe the country’s history, understanding 1619 as our true founding, and placing the consequences of slavery and the contributions of black Americans at the very center of the story we tell ourselves about who we are.” The Columbia Journalism Review explains:

Contributors consider various modern quandaries — rush hour traffic, mass incarceration, an inequitable healthcare system, even American overconsumption of sugar (the highest rate in the Western world) — and trace the origins back to slavery. Literary and visual artists drew from a timeline chronicling the past 400 years of Black history in America; their work is presented chronologically throughout the magazine. Taken together, the issue is an attempt to guide readers not just toward a richer understanding of today’s racial dilemmas, but to tell them the truth.

Nikole Hannah-Jones, who came up with the idea for the project, writes in an essay:

The United States is a nation founded on both an ideal and a lie. Our Declaration of Independence, signed on July 4, 1776, proclaims that “all men are created equal” and “endowed by their Creator with certain unalienable rights.” But the white men who drafted those words did not believe them to be true for the hundreds of thousands of black people in their midst. “Life, Liberty and the pursuit of Happiness” did not apply to fully one-fifth of the country. Yet despite being violently denied the freedom and justice promised to all, black Americans believed fervently in the American creed. Through centuries of black resistance and protest, we have helped the country live up to its founding ideals. And not only for ourselves — black rights struggles paved the way for every other rights struggle, including women’s and gay rights, immigrant and disability rights.

Without the idealistic, strenuous and patriotic efforts of black Americans, our democracy today would most likely look very different — it might not be a democracy at all.

Bryan Stevenson writes about America’s criminal justice system:

The 13th Amendment is credited with ending slavery, but it stopped short of that: It made an exception for those convicted of crimes. After emancipation, black people, once seen as less than fully human “slaves,” were seen as less than fully human “criminals.” The provisional governor of South Carolina declared in 1865 that they had to be “restrained from theft, idleness, vagrancy and crime.” Laws governing slavery were replaced with Black Codes governing free black people — making the criminal-justice system central to new strategies of racial control.

These strategies intensified whenever black people asserted their independence or achieved any measure of success. During Reconstruction, the emergence of black elected officials and entrepreneurs was countered by convict leasing, a scheme in which white policymakers invented offenses used to target black people: vagrancy, loitering, being a group of black people out after dark, seeking employment without a note from a former enslaver. The imprisoned were then “leased” to businesses and farms, where they labored under brutal conditions.

And Jamelle Bouie on power in America:

There is a homegrown ideology of reaction in the United States, inextricably tied to our system of slavery. And while the racial content of that ideology has attenuated over time, the basic framework remains: fear of rival political majorities; of demographic “replacement”; of a government that threatens privilege and hierarchy.

The past 10 years of Republican extremism is emblematic. The Tea Party billed itself as a reaction to debt and spending, but a close look shows it was actually a reaction to an ascendant majority of black people, Latinos, Asian-Americans and liberal white people. In their survey-based study of the movement, the political scientists Christopher S. Parker and Matt A. Barreto show that Tea Party Republicans were motivated “by the fear and anxiety associated with the perception that ‘real’ Americans are losing their country.”

Update: The Pulitzer Center has a study guide to go with The 1619 Project, including a free download of the entire magazine issue (no subscription necessary).

Update: The 1619 Project is now a podcast series as well.

SNL’s Black Jeopardy

posted by Jason Kottke   Oct 23, 2016

This SNL Black Jeopardy skit with Tom Hanks is as good as everyone says it is. And it’s not just funny either…it’s the rare SNL skit that works brilliantly as cultural commentary. Kudos to the writers on this one.

Update: Writing for Slate, Jamelle Bouie details why the Black Jeopardy sketch was so good; the title of the piece asks, “The Most Astute Analysis of American Politics in 2016?”

When Thompson reads a second clue for that category — “They out here saying that every vote counts” — Doug answers again, and again correctly: “What is, come on, they already decided who wins even ‘fore it happens.’” With each correct answer, Doug gets cheers and applause from Thompson, the black contestants, and the black audience. They all seem to understand the world in similar ways. “I really appreciate you saying that,” says Thompson after Doug praises Tyler Perry’s Madea movies, leading to an awkward moment where Hanks’ character recoils in fear as Thompson tries to shake his hand, but then relaxes and accepts the gesture.

By this point, the message is clear. On this episode of “Black Jeopardy!”, the questions are rooted in feelings of disempowerment, suspicion of authority, and working-class identity-experiences that cut across racial lines. Thompson and the guests are black, but they can appreciate the things they share with Doug, and in turn, Doug grows more and more comfortable in their presence, such that he gets a “pass” from the group after he refers to them as “you people.”