This is a really interesting video about something called the gang-nail plate, a construction innovation that enabled larger roofs to be built on houses, removed the need for internal load-bearing walls, and made the process of construction cheaper & more efficient.
While it helped streamline building processes and cut costs, it also encouraged rapid housing expansion and larger, more resource-intensive homes. The result was an architectural shift that contributed to suburban sprawl, increased energy demands, and homes increasingly treated as commodities rather than unique, handcrafted spaces. These changes reverberated through building codes, real estate markets, and even family life, influencing how we interact with our homes and one another.
The story of gang-nail plate illustrates an inescapable reality of capitalist economics: companies tend not to pass cost savings from efficiency gains onto consumers…they just sell people more of it. And people mostly go along with it because who doesn’t want a bigger house for the same price as a smaller one 10 years ago or a 75” TV for far less than a 36” TV would have cost 8 years ago or a 1/4-lb burger for the same price as a regular burger a decade ago? (via @mariosundar.bsky.social)
In this video, Sara Saadouni explains the three passive cooling techniques used by fellow architect Diébédo Francis Kéré in designing a school building in Burkina Faso, where temperatures can be quite warm all year. The roof is especially clever.
He introduced a curved double roof that created an air gap between the first and second roof. As the heat naturally rises and escapes into the gap, the prevailing winds quickly carry it away, accelerating this process and cooling the building more efficiently.
But that’s not all. The first roof is made up of perforated ceiling slabs, allowing the heat to escape more efficiently and therefore to be quickly transported by the wind.
The other genius idea was to also curve the roof, which allowed for the Venturi effect — a phenomenon where air speeds up as it moves through the narrower sections created by the curve and therefore boosting natural ventilation.
Trials rider Danny MacAskill finally got the chance to ride the angularly futuristic Adidas campus in Herzogenaurach, Germany.
The first time I got the invite to campus I immediately started riding the place in my mind. Riding all the rooftops, riding all the railings, you know, it’s a really interesting space. Not just anyone can go there! As soon as you see that kind of big overhanging piece of architecture or whatever, you immediately imagine the different things you could do up there. So, it was cool to finally get to come here to actually do it.
Honami is a skilled draughtswoman by trade, having obtained an MFA in architecture and working at a well-known Japanese architecture firm. But the grueling hours and workload eventually weighed on her physical and mental state and she fell ill, which turned out to be a blessing in disguise.
Enya’s doctor advised her to take some time off, and find a place where she can relax and warm her body. That’s how she discovered Kosugiyu, her local sento in Koenji. She quickly fell in love with her local hotbath and not only started working there but also began employing her architectural rendering skills to create illustrations of the space. Soon, others began asking her to draw their hotbaths as well and her clientele expanded from sento and even spread to kissaten.
Chinatown’s tenements are in the foreground, while the skyscraper canyons of Lower Manhattan rise above. This shows the area of Chinatown bordered by Bowery, Canal Street, and Columbus Park.
It took him around 60 hours to complete; he made a time lapse video of its creation:
From Practical Engineering, this is a video explaining every type of bridge in just 15 minutes…or at least attempts to.
Without listing every bridge, there’s no true way to list every type of bridge. There’s too much nuance, creativity, and mixing and matching designs. But that’s part of the joy of paying attention to bridges. Once you understand the basics, you can start to puzzle out the more interesting details.
Starting in May 2020 I used Sanzo Wada’s Dictionary of Colour Combinations as inspiration for a new project introducing colour to my paper work for the first time. The book is made up of two, three and four colour combinations drawn from Japanese design and publishing in the early 20th century.
Check this out to get a sense of the scale — they’re really tiny. You can see many more of these on Instagram. It is actually hard to believe these are made out of paper and not computer generated. (via present & correct)
Designed by architect Thomas Randall-Page, the Cody Dock rolling footbridge opens with a “surprising and playful motion” to let boats pass through by simply rolling out of the way.
The bridge rolls on undulating rails cast into the concrete abutments on either bank. Ballast fills the top of each square portal, countering the weight of the bridge deck that connects them. This symmetry allows the whole bridge structure to smoothly role through 180 degrees to a fully inverted position facilitating movement of boats from the river to the dock. This finely balanced is this system allows the 13 tonne bridge to be operated via hand winches only.
Here’s a video about the then-proposed bridge from 2019 that shows the unique rolling mechanism:
And here’s a video from earlier this year that shows the design process and how the finished bridge works:
The two-storey structure was based on the design of the “traditional caboose”. A workspace sits on the first level while the second, accessible via a steel ladder, serves as a cupola for taking in views and functions as a “calmer zone for creative exploration and restoration”.
The control panel that operates the rails was taken from a Burlington Northern locomotive, while the door colour and the wood used were directly informed by colours and materials commonly found on American trains.
The railroad ties for the track were repurposed from the Great Northern Railroad line, though the studio noted the steel tracks “are a much larger gauge than is typically used”.
There’s even a Wes Anderson connection (because of course there is):
Inspired by Wes Anderson’s love of trains in cinema, Maxon Railway takes some visual cues in the form of on-board artifacts and props from The Darjeeling Limited.
You can read lots more about the house and the railway, including more than you’d probably want to know about the history of rail travel and commerce in the Pacific Northwest.
In this video from Architectural Digest, architect Michael Wyetzner runs us through why American diners look the way they do. Early diners took their cues from trains:
So let’s take a look at a typical American diner. So the outside has a shape that’s reminiscent of a train. In fact, that’s how diners got their name. They’re named after the dining car on a train.
Many of the design elements in a diner are based on the necessities of dining on a train in a railroad car, like booth seating and counter seating, and an open kitchen.
So I like these two photos because they show all the elements that go into the classic American diner. On the exterior, you have that stainless steel smooth curvature, you’ve got that Art Deco typography. And then on the interior you have the checkered floor, you have the booths, you have the globes, and you have the jukebox.
In the early part of the 20th century, trains were the dominant form of travel. If you look at some of the earliest diners, they were in fact, actual train cars that were placed permanently on the ground.
Later, cars and space travel provided inspiration in the diner’s evolution.
Here’s part of the description from the park’s creators, SLAS Architects:
“Activity zone” is a multifunctional public space which is the first phase of regeneration and integration of the University of Silesia campus with the urban tissue of Chorzów City.
The site is located in the place of the demolished military building with a number of old existing trees. “Activity zone” is designed as concrete platform strongly perforated and filled with a diverse programme that includes: students leisure zone, children’s play devices, fitness, individually designed elements of street furniture and greenery including all existing trees. Some parts of the garden are possible to develop by local seniors. The platform connects the diverse program, intensifies the use of the place and becomes itself an element of play. Variety of attractions enhance interactions between users of all age groups and integrates academic community with local inhabitants and the surrounding nature.
My only complaint: it’s maybe a little too small? But otherwise: top marks.
In 2015, artist Olafur Eliasson designed the Circle Bridge (Cirkelbroen) to span a canal in central Copenhagen. The pedestrian bridge was designed to slow people down a bit:
The bridge is made of five circular platforms, and it contributes to a larger circle that will form a pedestrian route around Copenhagen Harbour, where people — cycling, running, walking — can see the city from a very different perspective. As many as 5,000 people will cross this bridge each day. I hope that these people will use Cirkelbroen as a meeting place, and that the zigzag design of the bridge will make them reduce their speed and take a break. To hesitate on our way is to engage in bodily thought. I see such introspection as an essential part of a vibrant city.
Small boats can travel easily under the bridge but a section of the bridge also swings gracefully away to let larger boats pass. (via greg allen)
You’ll have to click through to see the rest, which include a building for a pet food company shaped like a dachshund and tanks at a brewery painted to look like beer glasses.
Charles Brooks takes photographs of the insides of musical instruments like pianos, clarinets, violins, and organs and makes them look like massive building interiors, enormous tunnels, and other megastructures. So damn cool. Some of the instruments he photographs are decades and centuries old, and you can see the patina of age & use alongside the tool marks of the original makers. Prints are available if you’d like to hang one of these on your wall.
The prosperity of early 20th century America resulted in a boom of skyscrapers that still tower over cities across the country today. Focusing on the character and craftsmanship on display at the top of these landmark buildings in a way that can’t be seen from street level, the Highrises Collection reveals fascinating details and stories of these distinctly American icons.
They’ve done almost a hundred of them so far and are planning on adding about 100 more to the tally before they are finished. Hytha recently shared some of his favorite Art Deco buildings from the project. (via @mwilkie)
Based in Dubai, video artist André Larsen spends a lot of time shooting the Burj Khalifa which, at 2,722 feet and 163 floors, is the world’s tallest building. In this video, a drone piloted by Larsen dives the entire height of the building…and it’s kind of astounding just how much of it there is. Floors whiz past by the dozen and still there’s so far to go.
As a former (and future?) New Yorker, I know a lot of the city’s dwellers appreciate the MTA’s commitment to public art and to mosaics in particular. Like the Dude’s rug, it really ties the city together.
In this video, using before-and-after satellite imagery, Claire Weisz of WXY, an architecture and urban design firm, explains how her company helped redesign three of NYC’s unruliest intersections: Astor Place, Cooper Union, and Albee Square. Unsurprisingly, the redesigns all involved taking space away from cars and giving it to larger sidewalks and more green space, to benefit people other than drivers.
The bagworm caterpillar is quite the animal architect. In preparation for its transformation into a moth, the caterpillar builds itself a house that it carries around on its back out of materials it finds in its habitat, like sticks or leaves. When it enters the pupa stage, the caterpillar fastens the house to something solid and hunkers down inside.
Vo Trong Nghia Architects designed this resort welcome center on Phu Quoc Island in Vietnam out of approximately 42,000 pieces of bamboo, rope, and bamboo pins. Beautiful. From Dezeen:
Skylights incorporated into the building’s thatched roof also allow daylight to illuminate the interior, while the grid system enables breezes to ventilate the space naturally.
“The light comes in beautifully and, along with the natural colour of bamboo, creates a warm and intimate atmosphere, even though the structure is very open in terms of airflow,” the studio added.
If you, like me, grew up semi-obsessively watching game shows from the 70s and 80s, you will get a big kick out of this. Photographer Steven Rosenow makes incredibly accurate digital renderings of the sets of old game shows like Jeopardy!, The Price Is Right, Wheel of Fortune, Match Game, and Family Feud, which he shares with a Facebook group called Eyes of a Generation. David Friedman shared some of these recreations in his newsletter. Here’s Rosenow’s notes on the Price Is Right set:
This was a fairly difficult set to model in 3D even though I had blueprints of the set to work with, as well as blueprints of CBS Studio 33… Assistance in this project was provided by the current owner of Door No. 2, who bought it from CBS when it was auctioned off.
I might have a new aspiration in life: to be “the current owner of Door No. 2”. (via waxy)
Architect Kei Endo creates really lovely watercolor paintings of hotel rooms that she’s stayed in — you can find her work on Instagram and her website. The paintings include floor plans of the rooms, exterior and interior views, illustrations of the food, and even precise renderings of the bath products. I love these so much.
Before the invention of insulated glass (i.e. double-paned windows) in the 1930s, builders and architects had to balance bringing light into a structure with keeping heat transfer to a minimum. For buildings in most climates, that resulted in the use of small windows and not a lot of natural light. Insulated glass meant you could keep the heat in (or out) while letting in large amounts of light and this changed how both residential and commercial buildings were built. (via the morning news)
The Hill House in Helensburgh, Scotland is considered an architectural masterpiece, but it’s falling apart in the wet Scottish weather.
Mackintosh was a revolutionary designer, but the materials and techniques at the cutting edge of architectural design in 1900 haven’t withstood a century of the west of Scotland’s harsh, wet weather conditions.
The external render of the property has not proved watertight and the walls have gradually become saturated and are crumbling, with water now threatening the interiors.
If we don’t act soon, the house will be irreparably damaged and we’ll lose its iconic architecture and unique interiors forever.
So what they’ve done is put a giant structure built mostly from chainmail around the house to dry it out. And cleverly, they built a system of observation platforms within the box so that visitors can see the exterior of the historic house like never before. (via waxy)
As in other cities, “car free” doesn’t literally mean that no cars could enter the area, but private car use would dramatically drop. Special permits would be given to emergency vehicles, garbage trucks, taxis, commercial and delivery vehicles (though many deliveries in Berlin already happen on cargo bikes), and residents with limited mobility who depend on cars. Others would be able to use a car, likely through a car-sharing program, up to 12 times a year to run longer errands. But most people, most of the time, would walk, bike, or take public transportation.
That sounds amazing and reasonable. There are five main goals the plan is trying to achieve for Berliners: better quality of life (walkable vibrant streets), better health (less pollution & noise), space for people (not vehicles), less climate impact, and street safety:
Berlin’s streets must become safer. There are still too many traffic deaths and injuries in Berlin. Especially the weakest must be protected: pedestrians and cyclists. Children and senior citizens in particular should be able to feel safe on Berlin’s streets; otherwise their mobility will be restricted because the risk or fear of an accident is too great.
The city is currently considering whether to turn the proposal into a law. This would be amazing to see in Berlin (and in some American cities too).
Study the buildings flanking London’s older streets closely and you’ll see one soon enough: an old painted sign that, once bright and eye-catching, is now faded into the masonry, the name of the business or product it promoted flaking and faint.
Such “ghost signs” are fixtures of older neighborhoods in many cities around the world, but the U.K. capital, which bustled with competing commercial enterprises in the 19th and early 20th centuries, is unusually well-supplied with them. Ghost signs aren’t always easy to spot, but for sharp-eyed passersby and enthusiasts of urban history, they add an extra dimension to London’s appearance, their florid Victorian or cheerful art deco script and images a spectral reminder that once, not that long ago, these were somebody else’s streets.
London’s ghost signs are merely a fraction of the signage that used to greet 19th city dwellers, an era when cheap paper and a movement towards universal literacy made cities unusually alive with letters. But they are the special project of a new book by Sam Roberts and Roy Reed. From the book’s website:
Ghost signs are fascinating pieces of urban archaeology. Imposing yet hidden in plain sight, these faded advertisements are London’s history written on to the contemporary cityscape. They reveal fascinating stories of everyday life in the capital and each sign has its own tale to tell - not just of the business it represents and the people behind it, but of its own improbably survival.
A feast of history, typography and the urban environment, Ghost Signs: A London Story showcases London’s most impressive and historically significant faded painted signs, located, photographed and presented with archival andother contextual images.
Introduced by Wayne Hemingway MBE, the opening section shares insights into topics such as production techniques, economics and preservation. The themed chapters take on subjects including building, clothing, entertaining, branding and, ultimately, burying the city.
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