Mark and his friend Anton recently cracked open a Coca-Cola that was bottled in 1956, back in the era of Chuck Berry, sock hops, and Marty McFly’s first time travel destination. I don’t want to totally spoil the results of their taste test, but let’s just say that Coke appears to be even more impervious to the ravages of time than a McDonald’s cheeseburger.
Cool fact: bottle caps in 1956 were lined on the inside with cork, like these caps for sale on Etsy.
I Doped Like Maria Sharapova And It Was Actually Pretty Great
Cure yourself of tree blindness by getting to know the species of tree that grow in your area
More than 70% of the time people spend watching videos on YouTube is driven by AI recommendations
Second date goals: "Would you like to sit on my bed with me and check Twitter?"
Michael Jackson was an asshole in "Remember the Time"
Cool Citi Bike commute visualization
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The Moon 1968-1972 is a slim volume of photographs from the Apollo missions to the Moon that took place over four short years almost 50 years ago. The book contains a passage by E.B. White taken from this New Yorker article about the Apollo 11 landing in 1969.
The moon, it turns out, is a great place for men. One-sixth gravity must be a lot of fun, and when Armstrong and Aldrin went into their bouncy little dance, like two happy children, it was a moment not only of triumph but of gaiety. The moon, on the other hand, is a poor place for flags. Ours looked stiff and awkward, trying to float on the breeze that does not blow. (There must be a lesson here somewhere.) It is traditional, of course, for explorers to plant the flag, but it struck us, as we watched with awe and admiration and pride, that our two fellows were universal men, not national men, and should have been equipped accordingly. Like every great river and every great sea, the moon belongs to none and belongs to all. It still holds the key to madness, still controls the tides that lap on shores everywhere, still guards the lovers who kiss in every land under no banner but the sky. What a pity that in our moment of triumph we did not forswear the familiar Iwo Jima scene and plant instead a device acceptable to all: a limp white handkerchief, perhaps, symbol of the common cold, which, like the moon, affects us all, unites us all.
It’s September 1st and currently 52° here in VT (low tonight of 38°) which means summer is over. :| But luckily fall is pretty great here as well. Once again, SmokyMountains.com has the best fall foliage prediction map around.
The 2017 Fall Foliage Map is the ultimate visual planning guide to the annual progressive changing of the leaves. While no tool can be 100% accurate, this tool is meant to help travelers better time their trips to have the best opportunity of catching peak color each year.
Here’s my favorite VT foliage shot from last year, taken half a mile from my house, right out of my car window on the way to pick up the kids at school:
The Tree Alphabet was made by Katie Holten and was used in her book, About Trees (Amazon), which features writing from Jorge Luis Borges, Charles Darwin, Ada Lovelace, Elizabeth Kolbert, and Robert Macfarlane.
In ABOUT TREES, Katie Holten invites us to enter some of these forests. She has created a Tree Alphabet and used it to translate a compendium of well known, loved, lost and new writing. She takes readers on a journey from ‘primeval atoms’ and cave paintings to the death of a 3,500 year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to Emerson’s language of fossil poetry, unearthing a grove of beautiful stories along the way.
The Trees font file is available for free download and prints of the Tree Alphabet are available as well.
On September 19, Netflix is airing Jerry Before Seinfeld, a comedy special about how the world’s richest comedian got his start.
(BTW, Netflix is killing it this fall. Without having to seek anything out specifically, I already have at least 5 things I want to watch on there between now and November…not counting the backlog.)
From Kronecker Wallis, the folks who brought you this reissue of Newton’s Principia, comes a new edition of Euclid’s Elements designed in a modernist Swiss Style.
Euclid’s Elements has been referred to as the most successful and influential textbook ever written. It was one of the very earliest mathematical works to be printed after the invention of the printing press and has been estimated to be second only to the Bible, in the number of editions published since the first printing in 1482.
The Elements is a mathematical treatise consisting of 13 books attributed to the ancient Greek mathematician Euclid. It is a collection of definitions, postulates, propositions (theorems and constructions), and mathematical proofs of the propositions. Elements is the oldest surviving large-scale deductive treatment of mathematics. It has proven instrumental in the development of logic and modern science.
The design and implementation of the book is based off of Oliver Byrne’s edition of Elements from 1847, of which Megan Mulder of the Z. Smith Reynolds Library writes:
Byrne’s Euclid is admired as much for its surprisingly modernist design and color palette — which seems to anticipate Bauhaus and De Stijl — as for its innovative pedagogy.
I have a copy of their Principia reissue (it’s beautiful), so I’m looking forward to this one.
Vulture has compiled a list of 100 Great Works of Dystopian Fiction, “tales about a world gone wrong”. Entries on the list include some of the earliest examples like Mary Shelley’s The Last Man and The Time Machine by H.G. Wells, classics like Huxley’s Brave New World and 1984, modern classics like Snow Crash by Neal Stephenson and William Gibson’s Neuromancer, and some newer books like On Such a Full Sea by Chang-Rae Lee and A Planet for Rent by Cuban author Yoss. Even Infinite Jest makes an appearance. As does It Can’t Happen Here, a 1935 novel by Sinclair Lewis that sounds particularly relevant right now:
As the old saying goes, “history doesn’t repeat itself, but it does rhyme” — and Lewis’s It Can’t Happen Here is proof. This 1935 satire chronicles the career of fictitious U.S. politician Buzz Windrip, a populist senator who wins the presidency. As it turns out, he’s a bit of a fascist, but more frightening than his actions is the speed — and eagerness — with which Americans join him in his authoritarian crusade. Lewis understood the American soul better than most, and he makes a compelling case that fascist tendencies would make a horrifyingly good fit for our polity if presented with the right amount of good, old-fashioned patriotism.
See also a reading list for the resistance.
Seán Doran shared some recently processed photos of Jupiter that he worked on with Gerald Eichstädt. The photos were taken by NASA’s Juno probe on a recent pass by the planet. These are like Impressionist paintings…you could spend hours staring at the whirls & whorls and never find your way out. There are more images of Jupiter in Doran’s Flickr album, including this high-resolution shot that you can download for printing.
Former NFL player Ed Cunningham has resigned from his job as a college football color analyst for ABC/ESPN because of “his growing discomfort with the damage being inflicted on the players he was watching each week”.
If Ed Cunningham had not already seen enough, he would be back in a broadcast booth on Saturday afternoon, serving as the color analyst for another top college football game televised on ABC or ESPN. It is the work he has done each fall for nearly 20 years.
But Cunningham, 48, resigned from one of the top jobs in sports broadcasting because of his growing discomfort with the damage being inflicted on the players he was watching each week. The hits kept coming, right in front of him, until Cunningham said he could not, in good conscience, continue his supporting role in football’s multibillion-dollar apparatus.
Another domino falls. Unless there are big changes to the game play, sooner or later football will likely become a marginalized sport in the US.
The amount of media coverage of Game of Thrones was a touch too much this summer, but this ranking of the political strategies of the main players in season seven by Zack Beauchamp was both entertaining and informative. I mean:
To understand Cersei’s success, we need to reach back to the classic work of Prussian military theorist Carl von Clausewitz.
Before looking at the list, I’d assumed Jon Snow would get lower marks (he left the North vulnerable and cratered his coalition’s chances at a truce with Cersei), but Beauchamp makes a good case here.
I’ve argued before that the best way to think about the White Walkers, from the human point of view, is as a threat akin to climate change — a massive collective threat that humans were ignoring in favor of petty internal squabbling. Jon, to his immense credit, is the only leader who recognized the enormity of the threat early enough to try to rally others to stop it. He’s kind of a Westerosi Al Gore, only he succeeded in getting to run a country.
So the best way to think about Jon’s mission is through the lens of environmental diplomacy: He needed to convince the world’s leading powers to abandon the internecine struggle over the throne and refocus on the White Walker threat. He didn’t have a ton to work with: The North is a distinctly third-tier power, weaker militarily than both the Targaryen and Lannister alliances and the country most vulnerable to the White Walkers.
Jon may have failed to rally Cersei to his cause, but he succeeded in bringing on Daenerys. And that’s by far the most important, mostly because her dragons and cache of dragonglass represent the only chance humanity has at fending off the White Walker threat. If it weren’t for Jon, humanity would be fundamentally doomed.
WWII spy Jeannie de Clarens died last week in western France at the age of 98. While working as an interpreter for a group of businessmen in occupied France during World War II, de Clarens passed information about German V1 & V2 rockets to the British government.
Getting wind of a secret weapons project, she made it her mission to be on hand when the topic was discussed by the Germans, coaxing information through charm and guile.
“I teased them, taunted them, looked at them wide-eyed, insisted that they must be mad when they spoke of the astounding new weapon that flew over vast distances, much faster than any airplane,” she told The Washington Post in 1998. “I kept saying, ‘What you are telling me cannot be true!’ I must have said that 100 times.”
One officer, eager to convince her, let her look at drawings of the rockets.
Most of what she heard was incomprehensible. But, blessed with a near-photographic memory, she repeated it in detail to her recruiter, Georges Lamarque, at a safe house on the Left Bank.
In London, intelligence analysts, led by Reginald V. Jones, marveled at the quality of the information they were receiving from Paris, notably a startling document called the Wachtel Report. Delivered in September 1943, it identified the German officer in charge of the rocket program, Col. Max Wachtel; gave precise details about operations at the testing plant in Peenemünde, on the Baltic coast in Pomerania; and showed planned launch locations along the coast from Brittany to the Netherlands.
Relying on this information, the British organized several bombing raids against the plant, which delayed development of the V-2 and spared untold thousands of lives in London.
As punishment for her resistance, de Clarens was held by the Germans in camps until near the end of the war. Total hero. (thx, kathryn)
How anthropogenic climate change affects single storms like Hurricane Harvey is difficult to say. But from climate data, a couple of things about hurricane trends are clear. While the overall number of hurricanes will decrease due to the effects of climate change, the number of severe hurricanes, those causing the most damage, will increase. And the storms will also be wetter and, when combined with rising sea levels (also caused by climate change), will result in more coastal flooding and damage like we’re seeing now with Harvey.
See also Houston is experiencing its third ‘500-year’ flood in 3 years. How is that possible?
Climatologists say the mechanism by which this is happening is fairly straightforward. “Warmer air can contain more water vapor than cooler air,” according to the 2014 Climate Assessment produced by the U.S. government. “Global analyses show that the amount of water vapor in the atmosphere has in fact increased due to human-caused warming. This extra moisture is available to storm systems, resulting in heavier rainfalls.”
The original Blade Runner was set in 2019, so 30 years have passed since then by the time the action picks up in Blade Runer 2049. While I imagine some of what happened in the interim will be covered in the new film, too much exposition is a narrative killer. So the filmmakers are releasing three short films that fill in the 30 year gap. The first one is set in 2036 and focuses on Niander Wallace, a character from Blade Runner 2049 played by Jared Leto.
In 2023, government authorities legislated an indefinite “prohibition” on replicant production, as a year prior a massive EMP detonated on the West Coast and is pinned on Replicants. So in this Wallace piece, we’ll see the beginnings of the new Replicants that are created after the prohibition is lifted.
At Comic-Con earlier in the year, a Blade Runner timeline was shown to fans:
2018: After a bloody mutiny by a Nexus 6 combat team in an Off-world colony, Replicants are declared illegal on Earth — under penalty of death.
2019: A prototype Replicant, Rachael, and Officer Rick Deckard, a Blade runner, escape Los Angeles together.
2020: After the death of founder Eldon Tyrell, the Tyrell Corporation rushes a new line of Nexus 8 Replicants onto the market for use Off-world. Unlike previous Nexus models, built with 4-year lifespans, the Nexus 8s have open-ended lifespans, as well as ocular implants for easy identification
2022: The Blackout. An EMP of unknown origin detonates somewhere in the West Coast. Cities are shut down for weeks. Electronic data is corrupted or destroyed over most of the United States. Finance and trade markets crash worldwide. Food supplies become dire. Theories spread as to the cause of the Blackout; none are proven. The most popular blame Replicants.
2023: Replicant Prohibition. The governing authorities legislate an indefinite “prohibition” on replicant production. Nexus 6 models are now all decommissioned due to their programmed 4-year lifespans. Surviving Nexus 8 models are to be retired. Those that can, go into hiding.
2025: Idealistic scientist Niander Wallace pioneers advancements in genetically modified food and shares his patents for free, marking an end to a global crisis. His company, Wallace Corporation, E&C, expands across the globe — and into the Off-world colonies.
2028: Niander Wallace acquires the remains of the bankrupt Tyrell Corporation.
2030s: Niander Wallace improves upon Tyrells’ genetic engineering and memory implantation methods to make replicants obedient and controllable.
2036: Prohibition is repealed. Wallace reintroduces a new line of “perfected” Replicants — The Nexus 9.
Early 2040s: The LAPD commits additional resources to bolster its existing Blade Runner unit, tasked with locating illegal Replicants and retiring them.
2049: When we return to Los Angeles, 30 years after the original movie, climate change has caused the sea level to rise dramatically. A massive Sea Wall has been built along the Sepulveda Pass to protect the Los Angeles basin. Los Angeles is even more uninhabitable than before and filled with poverty and sickness. Humans, who were not well enough to leave for the off-world colonies are left behind. There is no fresh food, and inhabitants survive on Wallace’s genetically modified food products sold from vending machines at street markets.
I’ll include the other two short films here as soon at they’re posted. (thx, david)
True crime OG Errol Morris has teamed up with Netflix for a 6-part series called Wormwood. The series is an exploration of the CIA experiments with LSD in the 1950s and the death of CIA employee Frank Olson, who was covertly given LSD more than a week before he died. Olson’s death was ruled a suicide, but many years later, the US government settled a potential wrongful death lawsuit out-of-court with a $750,000 payment to the family.
The show itself is a mixture of documentary and historical reenactment (starring Peter Sarsgaard & Bob Balaban) that is now somewhat standard in the true crime genre, having been pioneered by Morris in The Thin Blue Line. Of the show, Morris writes:
Isn’t journalism the pursuit of truth? But what if the truth proves to be elusive, hard to get at? How far does one go? Where does one stop? Are there limits, emotional and otherwise, to the pursuit of truth? Can it be injurious to one’s health? Here we have the story of one man’s sixty-year quest to identify the circumstances of his father’s death. Did he jump from a hotel window? Or was he pushed? And if he was pushed, why? What for? A shadowy world of hidden and imagined intentions coupled with dark and horrifying revelations. In many ways, a personal family story, but in many other ways, a story of America’s decline in the period following World War II. It asks the question: To what extent can a democracy lie to its citizens and still, in the end, remain a democracy?
On Netflix on December 15.
And much more in the archives...