Spanning from comets in the south to the termination shock zone in the northern part of the country, The Sweden Solar System is a scale model of the solar system that spans the entire country of Sweden, the largest such model in the world.
The Sun is represented by the Ericsson Globe in Stockholm, the largest hemispherical building in the world. The inner planets can also be found in Stockholm but the outer planets are situated northward in other cities along the Baltic Sea.
Anthony Richardson (previously, previouslyer, previouslyest) describes a NASCAR race from the British perspective.
Now for the bumper view! Wow, the easiest way to work out what on Earth is going on. Oh, the car's giving the one in front a little sniff. Ah, they're a bit like dogs, aren't they? Petrol dogs.
That's the somewhat unusual name of a feature-length documentary about world-class stone skippers. Here's the trailer:
I love skipping stones. When I see flat water and flat rocks, I can't not do it. They have to change that name though. They were likely going for "Jiro Dreams of Sushi" but really missed the mark. Oh, and they're raising funds on Kickstarter to finish the film.
The zen art of stone skipping meets the competitive nature of mankind in this feature-length documentary. Set in the world of professional stone skipping, this film will examine the competitive nature of mankind. World Records will be tested, rivalries will fester, and a sport will rise from the ashes of obscurity.
Holy informational rabbit hole, Batman! Wikipedia has a page that is a List of lists of lists.
This article is a list of articles comprising a list of things that are themselves lists of things, such as the lists of lists listed below.
Inception horn! Includes such lists of lists as Lists of fictional Presidents of the United States, Ranked lists of Chilean regions, Lists of black people, and Lists of nuclear disasters and radioactive incidents. (via @sampotts)
When he was 20, Christopher Knight walked into the woods of Maine and didn't speak to another soul (save a quick "hi" to a passing hiker) for 27 years, during which he lived not off the land but off the propane tanks and freezers of his neighbors.
He started to speak. A little. When Perkins-Vance asked why he didn't want to answer any questions, he said he was ashamed. He spoke haltingly, uncertainly; the connection between his mind and his mouth seemed to have atrophied from disuse. But over the next couple of hours, he gradually opened up.
His name, he revealed, was Christopher Thomas Knight. Born on December 7, 1965. He said he had no address, no vehicle, did not file a tax return, and did not receive mail. He said he lived in the woods.
"For how long?" wondered Perkins-Vance.
Knight thought for a bit, then asked when the Chernobyl nuclear-plant disaster occurred. He had long ago lost the habit of marking time in months or years; this was just a news event he happened to remember. The nuclear meltdown took place in 1986, the same year, Knight said, he went to live in the woods. He was 20 years old at the time, not long out of high school. He was now 47, a middle-aged man.
Make sure you read until the end. This isn't a just-the-facts-ma'am piece on some hermit; it turns out that someone who has spent almost three decades alone has something insightful to say about being human.
Surgeon and New Yorker writer Atul Gawande has a new book about death coming out in October called Being Mortal.
Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extend suffering.
Gawande, a practicing surgeon, addresses his profession's ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person's last weeks or months may be rich and dignified.
This piece Gawande wrote for the New Yorker in 2010 was probably the genesis of the book. I maintain a very short list of topics I'd like to write books about and death is one of them. Not from a macabre Vincent Price / Tim Burton perspective...more like this stuff. Dying is something that everyone has to deal with many times during the course of their life and few seem to have a handle on how to deal with it. That's fascinating. Can't wait to read Gawande's book.
A short appreciation of the Steadicam and its inventor, Garrett Brown. (Brown also invented the football SkyCam.) Features footage from Rocky, Return of the Jedi, and The Shining.
The Steadicam was first used in the Best Picture-nominated Woody Guthrie biopic Bound for Glory (1976), debuting with a shot that compounded the Steadicam's innovation: cinematographer Haskell Wexler had Brown start the shot on a fully elevated platform crane which jibbed down, and when it reached the ground, Brown stepped off and walked the camera through the set. This technically audacious and previously impossible shot created considerable interest in how it had been accomplished, and impressed the Academy enough for Wexler to win the Oscar for Best Cinematography that year. It was then used in extensive running and chase scenes on the streets of New York City in Marathon Man (1976), which was actually released two months before Bound for Glory. It landed a notable third credit in Avildsen's Best Picture-winning Rocky (1976), where it was an integral part of the film's Philadelphia street jogging/training sequences and the run up the Art Museum's flight of stairs, as well as the fight scenes (where it can even be plainly seen in operation at the ringside during some wide shots of the final fight). Garrett Brown was the Steadicam operator on all of these.
The Shining (1980) pushed Brown's innovations even further, when director Stanley Kubrick requested that the camera shoot from barely above the floor. This prompted the innovation of a "low mode" bracket to mount the top of a camera to the bottom of an inverted post, which substantially increased the creative angles of the system, which previously could not go much lower than the operator's waist height. This low-mode concept remains the most important extension to the system since its inception.
New work from Olafur Eliasson: he installed a riverbed in the Louisiana Museum of Modern Art in Denmark.
Automata is a film directed by Gabe Ibáñez in which robots become sentient and...do something. Not sure what...I hope it's not revolt and try to take over the world because zzzz... But this movie looks good so here's hoping.
Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.
Automata will be available in theaters and VOD on Oct 10. (via devour)
As far as these things go, this video of the Muppets singing So What'cha Want by the Beastie Boys is pretty near perfect.
See also The Muppets singing Kanye West's Monster and the Sesame Street gang doing the Beastie Boys' Sure Shot. Oh, and the classic Bert & Ernie rap video:
I do not officially have a bucket list1 but if I did have one, watching a total solar eclipse would be on it. Was just talking about it the other day in fact. Well. I am pretty damn excited for the Great American Eclipse of 2017!
In August 21, 2017, millions of people across the United States will see nature's most wondrous spectacle -- a total eclipse of the Sun. It is a scene of unimaginable beauty; the Moon completely blocks the Sun, daytime becomes a deep twilight, and the Sun's corona shimmers in the darkened sky. This is your guide to understand, prepare for, and view this rare celestial event.
It goes right through the middle of the country too...almost everyone in the lower 48 is within a day's drive of seeing it. Cities in the path of the totality include Salem, OR, Jackson, WY, Lincoln, NE, St. Louis, MO (nearly), Nashville, TN, and Charleston, SC.
Weather will definitely play a factor in actually seeing the eclipse, so I will be keeping an eye on Eclipser ("Climatology and Maps for the Eclipse Chaser") as the event draws near. Early analysis indicates Oregon as the best chance for clear skies. Matt, I am hereby laying claim to your guest room in three years time. So excited!!
 Also on this hypothetical bucket list: dunking a basketball, going to outer space, learning to surf, and two chicks at the same time. ↩
Tumblr of maps of cities with stereotypical labels. For example, NYC, land of Nuclear Industrial Cesspool, Asshole Cops, and Worst Train Station Ever.
Today's brain-melter: Every Insanely Mystifying Paradox in Physics. It's all there, from the Greisen-Zatsepin-Kuzmin limit to quantum immortality to, of course, the tachyonic antitelephone.
A tachyonic antitelephone is a hypothetical device in theoretical physics that could be used to send signals into one's own past. Albert Einstein in 1907 presented a thought experiment of how faster-than-light signals can lead to a paradox of causality, which was described by Einstein and Arnold Sommerfeld in 1910 as a means "to telegraph into the past".
If you emerge with your brain intact, at the very least, you'll have lost a couple of hours to the list.
In the days before running water, towns used to place an eel or two in the well to keep the water supply free of bugs, algae, and other critters. A Swedish well-eel that lived to be at least 155 years old died recently. Eels generally live to be around seven years old in the wild.
Åle was put in the well in the fishing village of Brantevik on the southeastern tip of Sweden by eight-year-old Samuel Nilsson in 1859. This was a common practice in a time when running water was rare (Stockholm only got public water mains in the 1850s; it took more than a century after that for waterworks to be installed in smaller towns) and a good eel could keep the home's water supply free of bugs, worms, eggs, algae and any other number of critters. European eels will even eat carrion, so they're extremely helpful additions to a well.
This particular eel has been a star for close to a hundred years, garnering articles in the paper, TV news stories and documentaries, even making an appearance in the Swedish Tom Sawyer, Bombi Bitt and I written by Fritiof Nilsson Piraten in 1932. Thomas Kjellman, current owner of the cottage, remembers Åle from when he was a boy. His family bought the house in 1962 with the understanding that the eel came with the property.
Luckily the family has a backup eel which is around 110 years old, swimming around in what is apparently a Fountain of Youth for eels.
When Alex Belth was 25 years old, he worked with Joel and Ethan Coen on The Big Lebowski, first as a personal assistant and then as an assistant editor. He recently published a short Kindle book about the experience.
The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie, and offers an intimate, first-hand narrative of the making of The Big Lebowski -- including never-before-revealed details about the making of the film, and insight into the inner workings of the Coen Brothers' genius.
An excerpt of the book was published on Deadspin.
Joel told Goodman about re-recording dialogue for the profanity-free television version of Fargo. They rewrote the line, "I'm fucking hungry now" to "I'm full of hungry now."
"Why didn't we write it like that originally?" said Joel. "It's funnier."
Goodman said, "Who else is coming on this show?" (In Los Angeles, movie people call a movie a "show.")
There was Steve Buscemi as Donny, Julianne Moore as Maude, Jon Polito as Da Fino.
Joel said, "Our friend Luis, who was an assistant film editor on Hudsucker, will be playing the enraged Mexican."
"Yeah, you'll like Luis," Ethan said in a creaky voice. "He makes a big statement."
"Turturro is coming in to play the pederast," Joel said. "He said he'd do his best F. Murray Abraham."
From Mallory Ortberg at The Toast, an appreciation of Ralph Wiggum.
Ralph is not a rule-follower like Lisa, nor a rule-breaker like Bart; Ralph does not observe the rules because he is almost completely unaware of them. More than any of the other students at Springfield Elementary, Ralph is a child. Bart and Lisa and Milhouse and Nelson and Janey are kids, and therein lies the difference. Ralph sees things that aren't there ("Ralph, remember the time you said Snagglepuss was outside?" "He was going to the bathroom!"), eats paste, picks his nose, volunteers unprompted, nonsensical declarations ("My cat's breath smells like cat food") disguised as Zen koans. His character is sometimes written as dim-but-profound, sometimes borderline-psychotic, and occasionally developmentally disabled, but more than anything else, Ralph like what he is: a child who hasn't yet aged into a kid, which is one of the most embarrassing things a child can be.
Goes nicely with this video of some of Ralph's finest moments:
Take a closer look at how half-a-dozen ceramics masters practice their craft.
In celebration of National Aviation Day, In Focus has a slideshow of photos of the Wright Brothers' first flights.
The caption on that photo reads:
First flight: 120 feet in 12 seconds, on December 17, 1903. This photograph shows man's first powered, controlled, sustained flight. Orville Wright at the controls of the machine, lying prone on the lower wing with hips in the cradle which operated the wing-warping mechanism. Wilbur Wright running alongside to balance the machine, has just released his hold on the forward upright of the right wing. The starting rail, the wing-rest, a coil box, and other items needed for flight preparation are visible behind the machine. Orville Wright preset the camera and had John T. Daniels squeeze the rubber bulb, tripping the shutter.
The Wright Brothers were 32 & 36 years old when they made their first flight at Kitty Hawk in 1903. The Wright Flyer was not the product of daring youthful innovation (as with Picasso, Bill Gates, or Mozart) but rather of years of experience and experimentation (like Cezanne, Twain, or Frank Lloyd Wright).
From Tony Zhou, A Brief Look at Texting and the Internet in Film.
Michele Tepper wrote about Sherlock's display of texts in 2011.
The rise of instant messaging, and even more, the SMS, has added another layer of difficulty; I'm convinced that the reason so many TV characters have iPhones is not just that Hollywood thinks they're cool, but also because the big crisp screen is so darn easy to read. Still, the cut to that little black metal rectangle is a narrative momentum killer. What's a director trying to make a ripping good adventure yarn to do?
The solution is deceptively simple: instead of cutting to the character's screen, Sherlock takes over the viewer's screen.
And just today, a trailer for Jason Reitman's Men, Women & Children, which movie seems to consist entirely of texting and social media interaction:
The 2013 Personal Annual Report for Nicholas Felton is available for pre-order and online perusal. Pre-ordered...I own a copy of every one except for the first year.
ps. The NY Times did a video about Felton and his annual reports.
Older entries »