Martin Becka and Cedric Delsaux are a pair of photographers who feature Burj Dubai in their work. Becka's Burj comes from his Dubai, Transmutations project in which he uses the photogravure processing technique to make images of brand-new Dubai that look as though they were taken in 1880.
Delsaux's Burj image comes from a project called The Dark Lens, which features images of Star Wars characters populating the circa-2008 Earth. I believe that's the Millennium Falcon docking at the Burj:
It was of consequence, I should think; verily, it tied the room together, gather'd its qualities as the sweet lovers' spring grass doth the morning dew or the rough scythe the first of autumn harvests. It sat between the four sides of the room, making substance of a square, respecting each wall in equal harmony, in geometer's cap; a great reckoning in a little room. Verily, it transform'd the room from the space between four walls presented, to the harbour of a man's monarchy.
Yep, it's the entire screenplay. The Knave abideth, indeed. (thx, conor)
This video of what Earth would look like with Saturnine rings is pretty ho-hum, yeah, there's a shot from orbit of the Earth with Saturn's rings around it, and then BAM! here's what it would look like at night in NYC:
With the combination of GPS and orientation data that's baked in to so many digital photographs, it should be possible to create a filter -- I hear the kids call them apps now -- that automatically inserts properly positioned Saturn rings into any sky you want.
What the world needs is a great flag, a flag of pure bliss. Here's one of the intermediate steps to the finished product; it's an average of all the world's countries' flags weighted by population.
Scenes from several movies that depict New York being destroyed (Day After Tomorrow, Ghostbusters, Independence Day, etc.) accompanied by George Gershwin's Rhapsody in Blue, which famously accompanies a similar but less violent montage at the beginning of Woody Allen's Manhattan.
Just out. Haven't listened yet (downloading now) but if the last three are any indication, this is gonna be a great Monday for listenin'. Sample tracks:
5. Lil Wayne (feat. Babyface) vs Royksopp - Comfortable Up Here
15. Michael Jackson vs Ratatat - Billie "Wildcat" Jean
19. R. Kelly (feat. Keri Hilson) vs Sally Shapiro - Number One Christmas
31. Ghostface Killah vs Beirut - Save Me Concubine
What I love about the approach is that it's showing us a complicated, virtuoso performance, but making it really clear and accessible at the same time. It's entertaining, but it's also an exercise in demystification -- which of course is exactly the opposite objective of every music video, ever. Their purpose has been to mystify, to masquerade, to mythologize in real-time.
Maybe you're tired of un-pop-music-like things being run through Auto-Tune, but I'm not quite there yet. This Auto-Tuned Carl Sagan mix is very nearly sublime.
Wow. With PhotoSketch, you just draw a sketch, label each item, like so:
and then the system goes out, finds photos that match the sketched items and their labels, and automatically pastes it all together into one composite image:
Update: I've seen many references to Photosketch saying that it has to be fake (here's a sampling). But it's pretty obviously real. For one thing, here's the source code; try it out (Windows only). It was presented at SIGGRAPH Asia 2009; here's the listing of papers presented. The authors all have web pages on university sites and have published work using similar techniques and technology (Ping Tan and Ariel Shamir for example). And is what it does really that unbelievable? At the most basic level Photosketch is just find me a man that's sorta shaped like this, a dog that looks like this, and paste them together with a background that looks like this. That the results are so impressive (especially for a demo) is a testament to the team's execution and attention to the small details. Even if it turns out to be an elaborate hoax, I have no doubt that someone could actually build a working version of Photosketch...I mean, look at TinEye and Photosynth.
The President recently hosted a rally at The White House in support of Chicago's bid to hold the 2016 Summer Olympics. Some members of the Olympic fencing team were there. Obama was given a plastic sword. Photos were taken. Photoshop (with an assist from me) did the rest.
Here's our President attacking an unseen Sith Lord or perhaps someone condemned by a death panel:
And having finished them off to the delight of the assembled, a victory pose.
Photographs of mountains are computationally altered to flatten the mountain's elevations, while an ocean horizon is altered to mimic the mountain's original topography.
In the comments, he mentions that the effect is done with a combination of JavaScript and Photoshop...which I didn't even know was a thing. (via today and tomorrow)
Drei Klavierstücke op. 11 is a set of pieces written for the piano by Arnold Schoenberg in 1909, some of the first western music to written in an atonal style. Cory Arcangel took a bunch of YouTube videos of cats playing the piano and fused them together into a performance of op. 11.
This project fuses a few different things I have been interested in lately, mainly "cats", copy & paste net junk, and youtube's tendency in the past few years to host videos that are as good and many times similar to my favorite video artworks. I think all this is somehow related.
Cory's no-bullshit statements about his art are just as entertaining as the work itself:
So, I probably made this video the most backwards and bone headed way possible, but I am a hacker in the traditional definition of someone who glues together ugly code and not a programmer. For this project I used some programs to help me save time in finding the right cats. Anyway, first I downloaded every video of a cat playing piano I could find on Youtube. I ended up with about 170 videos...
Next, deconstruct everything and separate them into separate plates: french fries, onion rings, fried clams, beef patties, buns, cheese, bacon, and chicken. Using a paper towel, squeeze and dab each bun dry of its oil and ketchup. Then place all the buns on a baking sheet and bake them for ten minutes in a pre-heated oven at 400° F.
Meanwhile, using a food processor, blend the french fries into a pulp with a little water. Do the same with the beef (no water necessary) until it's ground and moldable. Hand-roll the ground beef into meatballs, then pan-fry them until they start to brown.
The 8-Bit Fatalities project presents the abstract killing in pixelated video games (Pac-Man eating the ghosts, Dig Dug blowing up his enemies) as realistic illustrations.
Recently a number of efforts have been made at re-imagining the packaging for movies, books, video games, and other media, mostly mashups and in the illustration style of typical of Saul Bass' movie posters or Penguin Classics book covers. I've collected several examples below.
In his I Can Read Movies series, spacesick imagines Penguin-like book covers for movies like Close Encounters of the Third Kind, Sixteen Candles, and Back to the Future.
Imagine Finding Me is a project by Chino Otsuka where she inserts her adult self into photos taken of her as a child. More examples at Wallpaper. See also Ze Frank's Youngme / Nowme and those neat half-kid, half-adult photos that I can't find a link to right now...little help? (via waxy)
I am offering large printable files to anyone interested at no cost. Computer files are the most easily reproducible information on the planet. In this particular case I see no reason to imbue a false sense of preciousness on the work. The information I gathered to create the collages is publicly availaibe, and the collages themselves are no different.
Two competitors will swap a file back and forth in real-time, adding to and embellishing the work. Each artist gets fifteen minutes to complete a "volley" and then we post it to the site live. A third participant, a writer, provides play-by-play commentary on the action, as it happens. A match lasts for ten volleys.
In the past week, both Joshua Schachter and Matt Haughey published articles that were excerpted in the Voices section of All Things Digital, a web site owned by Dow Jones and run by Kara Swisher and Walt Mossberg of the WSJ. Each excerpt was accompanied by a link to the original articles. Schachter and Haughey both reacted negatively to All Things Digital's posting of their work. Andy Baio has collected responses from Schachter, Haughey, All Things Digital's Kara Swisher, other writers whose stuff has been excerpted in the Voices section, and a couple other long-time online writers. Merlin Mann's comment on Twitter sums up what the independent writers seem to be irritated with:
Republishing online work without consent and wrapping it in ads is often called "feed scraping." At AllThingsD, it's called "a compliment."
It does suck that ATD's linking technique makes it appear as though Schachter and Haughey are in the employ of Dow Jones and that DJ has the copyright on what they wrote. ATD should make the lack of affiliation more clear. Other than that, is the ATD post really that bad? In many ways, All Things Digital's linking technique is more respectful of the author of the original piece than that of a typical contemporary blog. For comparison purposes, here are screenshots of Schachter's original article as linked to from a typical blog (in this case, Boing Boing) and by All Things Digital.
Go read both posts (ATD, BB) and then come back. With its short excerpt and explicit authorship (i.e. there's no doubt that Joshua Schachter wrote those words), the ATD post is clearly just an enticement for the reader to go read the original post. On the other hand, BB's post summarizes most of Schachter's argument and includes an extensive excerpt of the juiciest part of the original piece. The post is clearly marked as being "posted by Cory Doctorow" so a less-than-careful reader might assume that those are Doctorow's thoughts about URL shorteners.
[Metaphorically speaking, the ATD post is like showing the first 3 minutes of a movie and then prodding the viewer to go see the rest of it in a theater while BB's post is like the movie trailer that gives so much of the story away (including the ending) that you don't really need to watch the actual movie.]
What ends up happening is that blogs like Boing Boing -- and I'm very much not picking on BB here...this is a very common and accepted practice in the blogosphere -- provide so much of the gist and actual text of the thing they're pointing to that readers often don't end up clicking through to the original. To make matters worse, some readers will pass along BB's post instead of Schachter's post...it becomes, "hey, did you see what Boing Boing said about URL shortening services?" And occassionally (but more often than you might think) someone will write a post about something interesting, it'll get linked by a big blog that summarizes and excerpts extensively, and then the big blog's post will appear on the front page of Digg and generally get linked around a lot while the original post and its author get screwed.
So I guess my question is: why is All Things Digital getting put through the wringer receiving scrutiny here for something that seems a lot more innocuous than what thousands of blogs are doing every day? Shouldn't we be just as or more critical of sites like Huffington Post, Gawker, Apartment Therapy, Engadget, Boing Boing, Buzzfeed, Lifehacker, etc. etc. etc. that extensively excerpt and summarize?
Update: I'm pulling a couple of quotes up from the comments so that the opinions of the people involved aren't misrepresented.
Joshua Schachter:
I really just objected to the byline on the ATD thing. It made it appear that there was a relationship when there wasn't. If there is curation, the curator should be the one noted as making the choices.
Andy Baio:
All the complaints stem from the affiliation issue. Running ads and having comments on an excerpt are only an issue if it's presented as original content, instead of curation. Put an editor's name on there, remove the author photos, throw it in a blockquote, and all these complaints go away.
This was true for me, at least, while I was making these; Hand erasing buildings through SoHo, TriBeCa, and the LES was an eery experience as I tried to imagine what these places would really look like if my brush was a bulldozer.
The Very Hungry Caterpillar was one of my favorite books when I was a kid and I've loved reading it to Ollie over the past few months. So of course, Google's logo today is aces.
Famous directors takes on famous comedy routines. Wes Anderson does Who's on First, Michael Moore does The Ministry of Silly Walks, and Tarantino does the I'm Crushing Your Head bit (the best one).
Thru You is a site that showcases remixed YouTube videos...the singing from one video combined with the drums from another and the piano from a third and so on. I was skeptical but these are really well done. Do I even need to say that this reminds me of Christian Marclay's Video Quartet? (via sfj)
Harry Potterybarn.com
Il Huffington Postino
Slumdog Millionaire Dollar Homepage
Behind Enemy Bloglines
Schindler's Craigslist
Charlotte's WebCrawler
Freecreditreport.com Willy
And while not strictly adhering to the form, I also chuckled at "Bone Thugs & eHarmony". The best I could come up with for kottke.org is Girls Gone Wild: Kottke West, which is not so good.
Update: Duh, I totally forgot about Koyaaniskottke. Also: kottke.orgazmo, The Kottke Horror Picture Show, and Kottke Balboa. (thx, andy & charley)
For all of the talk that Shepard Fairey is just a plagiarist, I think that the clearest indication that his art is above board and adding something new to the world is that until a few days ago, no one knew who had taken the photo of Obama that became the basis of the iconic Hope poster, not even Fairey or the photographer who took it.
Reuters are understandably somewhat put out on their own and Young's behalf, but like it or not, Fairey's use of the picture are well within the parameters of "fair use". His transformative use of the image - both in flipping and re-orienting it, adding jacket and tie and the "O" Obama logo, and converting it to his block print style make it consistent with all legal precedents for use.
Things Our Friends Have Written On The Internet 2008 is a newspaper compiled and printed by a pair of fellows from the UK that is just that...a bunch of stuff that they liked reading on the web last year. I *love* this. And hate it (a little bit).
The hate part first. TOFHWOTI is almost precisely the thing I've been wanting to do for years now...take the very best of the best links of the year and bundle them up into a printed artifact of some sort. So seeing it done first and so expertly was a bit of a punch in the nose. Of course, ideas are so cheap and plentiful these days that "I thought of it first" has no value without follow through, something that my schedule for the past few years hasn't allowed for. This year, *for sure*, dammit! (I'm also pissed that I didn't get around to ordering a copy for myself until this morning and found that they're all sold out! Gah! Like I said, no time.)
But damn, is that thing beautiful or what? You don't even need the physical artifact to see that much. The simple but playful design is just right. Getting it printed super-cheap on newsprint fits nicely with the concept and content. All the little details are accounted for; I wouldn't change a thing. More like this, please.
"Don't forget..." is a street art project that consists of Photoshop palettes pasted over heavily airbrushed advertising in a metro station in Berlin. (thx, phil)
Jay-Z (feat. Lil Wayne) vs Xiu Xiu
Flo Rida (feat. T-Pain) vs Hot Chip
T-Pain (feat. Chris Brown) vs TV On The Radio
Lil Kim (feat. Missy Elliott) vs MGMT
I was re-reading Carl Sagan's novel Contact recently, essentially a series of arguments about SETI wrapped into a story, and he alludes to some sort of cosmic Grand Central Station. That, coupled with my longtime interest in transit maps, got me thinking about all of this.
With his higher-end grands -- which the Fandrichs named "HGS" for "Holy Grail Scale" -- they start with pianos built in China. He and his workers gut the piano, replacing the hammers, felt and bass strings with German and American parts. They reinforce the underbelly of the piano by installing short ribs -- spruce beams between the existing main ribs.
Using a computer program designed in-house, the keys are reweighted across the board to eliminate friction and even out the response. The reweighting gives the Fandrich pianos their signature touch, one that some players have described as buttery, effortless.
In automotive terms, the Fandrichs are "trying to upgrade a Hyundai to run like a Bentley, for the price of a Honda". (via girlhacker)
A periodic table of awesomeness featuring Bacon as element #1, Laser as #21, and Black Holes as #82. I like bacon. Bacon is a close personal friend of mine. But can't we keep this overexposed pork product out of it for once? (via rw)
After posting the video of the chickens from the Muppets clucking their way through the Blue Danube waltz, I couldn't resist putting it together with the most iconic use of that tune in contemporary culture. Here, then, is Stanley Kubrick's 2001: A Space Odyssey, the Chicken Cordon Bleu Danube cut.
Just Like the Movies is a short film by Michal Kosakowski that samples footage from movies that were made prior to September 2001 to recreate the events of 9/11. More info.
"It's just like the movies!" was usually the first reaction of those watching the events of 9/11 in New York unfolding on their TV screens, no doubt recalling the endless number of catastrophes that Hollywood has proposed over the years. Now confronted with the reality of one such scenario -- of unprecedented destructive and symbolic resonance -- a feeling of deja vu arises while looking at these images.
In a compilation of 64 videos all shown on the same page, one man recreates Thriller -- the beats, the howling, the singing -- all by himself. This is pretty awesome, like Christian Marclay on speed. (thx, christopher)
Artists who believe in the mystique of originality are often reluctant to reveal their inspirations. But the magpielike Mr. Desplechin revels in what the writer Jonathan Lethem has called the ecstasy of influence. "I didn't invent anything," he said. "Being a director is not such a grand thing. My job is just to show the audience what I love."
The funny thing about the "ecstasy of influence" quote is that it was used by Lethem in a well-knownHarpers article about plagiarism that was itself, in Lethem's words, "stole, warped, and cobbled together" from a variety of other sources, which sources he lists at the conclusion to the article.
The phrase "the ecstasy of influence," which embeds a rebuking play on Harold Bloom's "anxiety of influence," is lifted from spoken remarks by Professor Richard Dienst of Rutgers.
The ecstasy of influence would make a good name for this here blog. (via snarkmarket, another ecstatic influence fan)
Here's how to use the RJDJ iPhone app. You install the app, plug your headphones in, launch it, and press "Now Playing". A song plays, the app starts to sample the sounds in your environment, and those sounds are remixed in real time and played back to you. It might be the coolest thing ever. Check out this video and this other video for a quick look at how RJDJ works. The first video shows some songs that use the iPhone's accelerometer to modify and scratch the beat. (via waxy)
PS. It might only be the coolest app in theory...it's also flaky as hell. It was working fine for me and then crapped out...there's no music now, only sound sampling and it's really quiet. Maybe you need to use the Apple headphones with the mic?
5.21. Prefer the standard to the offbeat Young writers Inexperienced programmers will be draw at every turn toward eccentricities in language. They will hear the beat of new vocabularies abstractions, the exciting rhythms of special segments of their society industry, each speaking a language of its own. All of us come under the spell of these unsettling drums; the problem for beginners is to listen to them, learn the words, feel the vibrations, and not be carried away.
The Triple-A game is exhaustive by nature; but the world is inexhaustible; therefore the Triple-A game, that Faustian striver, can never attain its desire. The independent video game by contrast is inherently selective. By excluding almost everything, it can give perfect shape to what remains. And the independent video game can even lay claim to a kind of completeness that eludes the Triple-A game -- after the initial act of radical exclusion, it can include all of the little that's left.
This year's harvest of crop art from the Minnesota State Fair included Grand Theft Festal, a mashup of Grand Theft Auto and Festal-brand canned corn done in millet, alfalfa, canola, and white clover seeds. The artist recorded a timelapse video of its construction. (via mark simonson)
For his Faces of Evil project, Hans Weishäupl made composite photographs of the world's worst dictators by photographing hundreds of people in each dictator's country and stitching them together. The results are a bit disturbing, particularly when viewing very large, clear, vibrant color photos of long-dead monsters like Stalin or Hitler. (via conscientious)
Among the 800 vintage automobiles brought by collectors were ones that had been converted to snowmobiles, racing coups and tow trucks. That was only a glimmer of the many innovative changes made by Model T owners, for uses Henry Ford never had in mind. They transformed the cars into tractors, pickup trucks, paddy wagons, mobile lumber mills and power plants for milling grain. An itinerant preacher converted his into a four-wheeled chapel.
An inventive cover version of Radiohead's Nude played by the following instruments: Sinclair ZX Spectrum computer, Epson dot matrix printer, HP Scanjet scanner, and an array of hard drives. Skip ahead to 1:08 if you can't wait through the opening. This isn't the correct technological time period to be steampunk. Bitpunk anyone? (via waxy)
A sad Kermit the Frog sings Elliot Smith's Needle in the Hay (complete with The Royal Tenenbaums parody), NIN's Hurt, and Radiohead's Creep (in which Kermit says "fucking"). (via buzzfeed)
This page generates names by combining the first and last names from the 1990 US Census, creating names that may or may not actually exist. If you're tired of perusing gravestones for the names of your next novel's characters, this looks like a good alternative.
I hate cynicism. I wipe it from me. I don't like cynical people. I don't like cynical movies. Cynicism is very easy. You don't have to justify it. You don't have to fight for it.
In a map of the Republik van Nieuw Nederland, Paul Burgess imagines that the Dutch never gave up their New World possessions and a republic formed centered around New Amsterdam.
New Amsterdam never gave way to New York. The Dutch kept the whole of their North American colony out of the hands of the perfidious English, in fact. New Netherland today constitutes a thriving Republic stretching from the Atlantic coast to Quebec, dividing New England from the rest of the United States.
When Muhly composes, the last thing he thinks about is the actual notes that musicians will play. He begins with books and documents, YouTube videos and illuminated manuscripts. He meditates on this material, digesting its ironies and appreciating its aesthetics. Meanwhile, he devises an emotional scheme for the piece-the journey on which he intends to lead his listener. Muhly believes that some composers of new music rely too heavily on program notes to give their work a coherence that it might lack in the actual listening. "This stupid conceptual stuff where it's, like, 'I was really inspired by, like, Morse Code and the AIDS crisis,'" he says.
Cherry Blossoms is a backpack that uses a small microcontroller and a GPS unit. Recent news of bombings in Iraq are downloaded to the unit every night, and their relative location to the center of the city are superimposed on a map of Boston. If the wearer walks in a space in Boston that correlates to a site of violence in Baghdad, the backpack detonates and releases a compressed air cloud of confetti, looking for all the world like smoke and shrapnel. Each piece of confetti is inscribed with the name of a civilian who died in the war, and the circumstances of their death.
A few months back a producer from the Simpsons contacted Carly about using her song 'everyday' for an upcoming episode in which they were going to parody my video. She was negotiating a rate for the song, until they never got back to her. No fee was agreed on, no contracts signed.
Maybe they decided since it was parody they didn't need permission? I don't find that likely since what little I know about Hollywood/TV is that they're really concerned about clearing rights. (thx, slava)
A plot of Japan's Phillips curve ("a historical inverse relation and tradeoff between the rate of unemployment and the rate of inflation in an economy") looks like Japan itself.
A pair of trend maps for 2007, both based on subway maps. The top one depicts the top online companies/brands & how they're connected while the bottom one deals with ideas (with the River of Consciousness standing in for the Thames).
Both maps were found in this article about internet predictions in 2007. I don't know about you, but I find these types of maps fun to look at, but completely inscrutable informationally speaking. Surely there's a more enlightening way to present this information than in Tube map form.
Human beatbox Lasse Gjertsen has taken his skills to the next level. His new video, Amateur, is a clever bit of video sampling: Gjertsen builds an entire song out of tiny video soundbytes of him playing the drums and piano. It's hard to explain, just watch the damn thing. Cameron says the video "feels like what DJ Shadow would produce if he made videos".
Onstage at PopTech just now, Brian Eno said that a musical piece by Steven Reich had a huge influence on how he thought about art. He said that Reich's piece showed him that:
1. You don't need much.
2. The composer's role is to set up a system and then let it go.
3. The true composer is actually in the listener's brain.
I'd never heard of Reich, but the name sounded familiar when Eno mentioned it. I realized I'd seen it yesterday when reading about Cory Arcangel's show at Team Gallery in reference to his piece, Sweet 16:
Cory applied American avant-garde composer Steven Reich's concept of phasing to the guitar intro of Guns and Roses' track Sweet Child O'Mine. Rather than use instruments, Cory took the same two clips from the song's music video and shortened one clip by a single note. As the videos loop, the two intros grow farther apart until they are back in sync.
He's veered away from video games, but Cory's new work is looking really interesting these days.
Ben Folds cover of Such Great Heights by The Postal Service using found percussion instruments (like a champagne glass and a plastic mail bin). (thx, james)
My friend Maciej found this map of NYC divided into sections that contain the same populations as other American cities. The page containing the image says it's from an unknown "City of New York publication". Anyone know where it's from or where to get a better copy? Email me.
Names of books + band names. Charlie Daniels and the Chocolate Factory, Motley Crusoe, The Natalie Merchant of Venice, and J-Lolita...you get the idea.
Designer Michael Bierut confesses: "I am a plagiarist". "...my mind is stuffed full of graphic design, graphic design done by other people. How can I be sure that any idea that comes out of that same mind is absolutely my own?"
Mashup sport: chessboxing. "The basic idea in chessboxing is to combine the no.1 thinking sport and the no.1 fighting sport into a hybrid that demands the most of its competitors - both mentally and physically. In a chessboxing fight two opponents play alternating rounds of chess and boxing. The contest starts with a round of chess, followed by a boxing round, followed by another round of chess and so on." More from the LA Times and the Guardian.
On the copyright of recipes. Recipes are covered by US copyright law but not very well and very few suits get brought against those who republish them without permission. For the most part, it sounds like food folks recognize the essential remix culture of cooking. (via matt)
As frustrated as one can get with the US sometimes, it is truly a marvelous land of plenty. In the past few months, I've run across some remarkable consumer items which I'd like to share with you.
A microwave oven with a radio in it. With a little tinkering, you may be able to take the FM signal coming into the radio and convert it into microwaves to cook the food. Lite jazz will cook that baked potato nice n' slow or crank the hard rock station if you're in a hurry to scorch your Healthy Choice.
A mounted deer head that sings and talks. I know you're all familiar with that mounted bass that plays music, but this is a whole deer head we're talking about here. I was too amazed to note any of the songs or whether the deer lip-synchs along, but I'm sure that when you plug this sucker in, whatever it does is wonderful. It's singing taxidermy fer crissakes!
A refrigerator with a TV. For that 3-4 seconds it takes you to get a glass of orange juice when you're away from the TV just in the other room. Oh, and if the TV part breaks, good luck getting it fixed. Also, there didn't appear to be a Refrigerator Channel for viewing inside the fridge to avoid letting that precious cool out while your teenage son stands with the door (and his mouth) open for three minutes deciding what to eat/drink.
This Bird Has Flown is a tribute album of The Beatles' Rubber Soul on the 40th anniversary of its release. Includes covers by Ted Leo, The Fiery Furnaces, and Sufjan Stevens.
QuotationsBook offers its quotations and search results via RSS. If someone were to write a plug-in for Movable Type for this, you could display related quotations alongside blog posts using tags (e.g. tag an entry with "friends" and you get a quotation about friends). Cool.
I had this idea the other day that instead of having to open my laptop or turn on the TV to check the weather report, my toaster could burn that information onto my breakfast toast as a passive information delivery mechanism. I knew that people had wired toasters to print images on them, but I didn't remember that someone had done the weather thing already. That got me thinking about what other information a toaster could print on bread. A graph of the previous day's DJIA activity? Photo of your kids? The Red Sox score from last night?
There are constraints, of course. Bread is not exactly a high resolution medium. A course wheat bread would be difficult to print on while a dense rye might give you a couple dozen ppi to work with. But then you run into a contrast problem...toasted rye bread isn't much darker than untoasted rye bread. Now, if you were to use Pop Tarts, they're a little more high-res, a finer grained paper. You might even be able to print a few lines of text if the heating elements were precise enough...your stocks, meeting schedule for the day, top news stories, shopping list, the 5-day forecast, or a serial short story that you read over a few breakfasts (you could call them Breakfast Serials™!!). Or maybe toasters will be free in the future, with the toaster companies making their money from advertising printed on your morning toast, not unlike the free newspapers they hand out in the NYC subways.
Though what would be even better is wifi-enabled Alpha Bits. Just connect the box to your local network, pour yourself some cereal, and view the five most recent headlines from your RSS reader floating in your milk. Then right click your bowl to open up links on the screen in your refrigerator. That and a rocket-powered hoverbike, please.
