Tilt-shift van Gogh Jul 01 2016
From the Auctioneer Beats account on Vine, auctioneer calls set to the freshest beats.
Simple and delightful. Some of these auctioneers could give Daveed Diggs a run for his money. (via @fimoculous)
Luc Bergeron's Space Story is a mashup of more than 20 movies that take place in space, from Alien to Apollo 13 to 2001 to Star Trek to Moon. Stick with it for a couple minutes...it starts slow but gets going around then.
Bhautik Joshi took 2001: A Space Odyssey and ran it through a "deep neural networks based style transfer" with the paintings of Pablo Picasso.
In Ex Machina, Oscar Isaac's Nathan Bateman performs a dance number with one of his AI robots, played by Sonoya Mizuno. It's the scene where I decided I was going to like the movie. Mizuno is a ballerina as well as an actress, but Isaac has no problem keeping up with her as the pair dance to Get Down Saturday Night.
Now, Twitter account @oscardances is showing how you can plug pretty much any song into that scene and the dance still works. Here's Michael Jackson's Thriller:
thriller - michael jackson pic.twitter.com/JabWfGd49N— oscar dances (@oscardances) April 29, 2016
Intergalactic by the Beastie Boys:
intergalactic - beastie boys pic.twitter.com/OxrVZNbPX4— oscar dances (@oscardances) May 25, 2016
And Oops I Did It Again by Britney Spears:
oops i did it again - britney spears pic.twitter.com/ewnqRhSVHz— oscar dances (@oscardances) May 26, 2016
Update: Some prior art, also from Matt, who loves to Photoshop guns into other things.
When it came out in December, Star Wars: The Force Awakens made a shed-load of cash, garnered positive reviews from critics and fans alike, but also got dinged for borrowing too much from the previous films, particularly the original. In this edition of Everything is a Remix, Kirby Ferguson considers JJ Abrams' remix settings on The Force Awakens and wonders if the essential elements of such an undertaking (copying, transforming, combining) were properly balanced.
In the same vein as these renderings of bicycles drawn from memory, here are celebrities photoshopped to look like fan art drawings. A simple example of dancing the flip flop.
Nasa Funahara makes art out of colorful masking tape, including recreations of famous artworks.
Koyannistocksi is a shot-by-shot remake of the trailer for Godfrey Reggio's Koyaanisqatsi using only stock footage.
A testament to Reggio's influence on contemporary motion photography, and the appropriation of his aesthetic by others for commercial means.
The Popquotery Instagram account mixes fine art with pop culture quotations, mostly from movies. Here for instance, is Degas + Ferris Bueller:
And Waterhouse + Back to the Future:
How about Gowy + Top Gun:
This is a fan edit of Star Wars: The Phantom Menace with all of the crappy bits removed and several other scenes reworked. Among the changes:
- Jar Jar is now a useful character instead of an annoying tag-along
- Queen Amidala's voice is pitch-shifted back to her normal pitch
- Midichlorian references removed
- Anakin is edited to be a more deliberate hero instead of an accidental one
Pro tip: the best Star Wars prequel is still Triumph The Insult Comic Dog interviewing people standing in line for Attack of the Clones.
It is the assertion of The Walk of Life Project that the Dire Straits song Walk of Life is the perfect thing to play at the end of movies. I have watched more than a dozen of these and they are all great, but I picked Lost in Translation, There Will Be Blood, and Terminator 2 to embed here.
From Candice Drouet, a short film called Last Word, a story told with the last words from 129 movies.
In 2009, Curb Your Enthusiasm centered on Larry David doing another season of Seinfeld. The four main Seinfeld stars (plus Newman) were all on the show, in character. From the various clips and bits shown, Topher Grace edited together a nine-minute "missing" Seinfeld episode. It's actually pretty good. I didn't know how much I'd missed the show until I watched this. (thx, greg)
What a great idea. I just wish it were better executed. The weird music they use for the end credits of each movie is too much...it would have been better to just play it straight and let the gag stand by itself. (via cynical-c)
Twitter user @dilsexia posted the first one with the caption "The Revenant":
Polish blogger Dawid Adamek ran with the idea and created several more Pooh/Oscar mashups:
The Chickening is a surreal visual remix of Stanley Kubrick's The Shining done by Nick DenBoer and Davy Force. It mostly defies description, so just watch the first minute or so (after which you won't be able to resist the rest of it). The short film is playing at this year's Sundance Film Festival.
But seriously, WTF was that?! (via @UnlikelyWorlds)
Artist Jaakko Seppälä drew 10 of his favorite comic characters in each other's distinctive styles, e.g. Lucy van Pelt in the style of Calvin and Hobbes or Garfield in the style of Donald Duck.
Harry Potter and the Half-Blood Prince reimagined as a wacky teen comedy. Excellent editing and music choice elevate this above similar efforts.
This month, HBO is airing a special edition of The Godfather that presents scenes from the first two movies in chronological order with some deleted scenes mixed in for good measure. It's more than 7 hours long. It's not listed anywhere on HBO's site, but supposedly it'll run all month on HBO and their online and on-demand services.
Jordan Hanzon made an edit of Inside Out showing only the "outside" parts of the film...so, none of the stuff with Joy, Sadness, Anger, etc. I bet Pixar had an internal cut like this just to make sure the outside stuff hung together independent of the inside. (via devour1)
I love Devour. They find great videos and curate their selection well. But they never credit their sources. More than a dozen times in recent months, I'll post a video to kottke.org and it'll show up on Devour within 30 minutes or so. (How do I know they're taking from me and not the place I originally found them? Because I often don't post stuff right away because of my scheduling, pacing, etc.) Anyway, it's not just me...they take stuff from Colossal and other places as well. It sucks. I've complained to them on Twitter and nothing changed. For the past few months, I've been using a tit-for-tat approach and not crediting Devour for finding a video on their site. Since it's the new year, I'm giving them another chance. Come on, Devour, stop being a leech and credit your sources!↩
Of Oz the Wizard is the entire Wizard of Oz movie presented in alphabetical order by dialogue. So it starts with all the scenes where Dorothy and the gang say "a", "aaiee", "along", and proceeds through "you're" and "zipper". Even the words on each of the title cards are sorted alphabetically.
(I feel like I've posted this before -- or something like it -- but I can't find it in the archives. Anyone?)
Update: Ah yes, I was thinking of this alphabetized version of Star Wars (which I've seen before but somehow never posted):
Another example is Thomson & Craighead's The Time Machine. Matt Bucy, the creator of Of Oz the Wizard, seems to have pioneered this technique (the Vimeo page indicates it was completed in April 2004) but didn't post the video online until a few days ago. (via @Mister_Milligan, @sannahahn)
YouTube user darman212 used iOS coding app Hopscotch and Final Cut Pro X to make a version of the Star Wars: The Force Awakens teaser trailer entirely out of emoji. BB-8 is a soccer ball with a bowl of ramen on his head!
Star Wars Minus Star Wars is a video essay on the original film that doesn't use a single shot, sound, or snippet of music from the original movie. Instead, it strings together scenes and sounds from movies that influenced George Lucas in making the film and also from movies that have been influenced by Star Wars.
It's impossible to overstate the impact of Star Wars. Its arrival in theaters on May 25th 1977 marked the end of one chapter in film history and the beginning of another. It's a hinge on which film history swings. Upon its release, critic Pauline Kael derided the film as "an assemblage of spare parts-it has no emotional grip... an epic without a dream" Twenty years after its release critic Roger Ebert remarked that the film "colonized our imaginations, and it is hard to stand back and see it simply as a motion picture, because it has so completely become part of our memories."
They're both right. Star Wars succeeded because of its roots in film history and mythology, and its influence over generations of filmmakers can be felt in countless works that came after it. For better or worse, Star Wars engulfs the past and future of moviemaking.
Update: This might be even more impressive. John D'Amico made a full-length shot-for-shot remake of Star Wars using material that influenced (or may have influenced) Lucas in making the film. Very cool.
Some amazing person has collected the full tracks of the songs that were sampled by the Beastie Boys on six of their best-known albums and provided them as a downloadable zip file. That's 286 tracks, 22 hours of music, and encoded between 256kbps and 320kbps.
Obviously not every sample or drum break can or ever will be identified, but this is about as close as it's gonna get! With the completion of this eighteen year long ongoing project, I want to personally thank each and every single person out there that has lent insight, shared knowledge, or provided me with any of the tracks that were used to compile this amazing piece of history. It goes without saying that much love, gratitude, and respect is owed to the Beastie Boys for introducing me (and you) to some amazing music via sampling that may otherwise not be heard, let alone acknowledged in this light.
Some of the included tracks:
Led Zeppelin - When The Levee Breaks
Kurtis Blow - Christmas Rappin'
Johnny Cash - Folsom Prison Blues
The Beatles - Sgt. Pepper's Lonely Hearts Club Band
Jimi Hendrix - Foxey Lady
Stephen Sondheim - Act I: Company
Peggy Lee - Sittin' On The Dock Of The Bay
See also Paul's Boutique Without Paul's Boutique, where Tim Carmody provides some context behind the Beasties' sampling:
The remix is fun to listen to, but mostly, it just reminds you that Paul's Boutique sounds amazing because its sampled sources were amazing. Like De La Soul's Three Feet High and Rising, released the same year, Paul's Boutique lifts tracks that would cost a small mint to borrow from today. (Three Feet High has never had an official digital release because the rights holders still can't sort out the royalties.) The Beatles, The Supremes, The Ramones, Curtis Mayfield, Dylan, Hendrix, Sly, Bernard Hermann, and James Brown (of course) are all there. But mostly, it's a love letter to old-school New York City hip hop: Kurtis Blow, Afrika Bambaataa and the Jazzy 5, The Sugarhill Gang, The Funky 4 +1, and contemporaries like Run-DMC, Boogie Down Productions, and Public Enemy are the glue that holds the whole project together.
Now, if you know Paul's Boutique well, you can't hear those older songs any more without hearing Paul's Boutique. There's specific moments in those songs that hide there waiting for you to trip over them, like quotations of ancient Greek in an Ezra Pound or TS Eliot poem. Beastie Boys didn't just find a way to make older music sound new; they found a way to invent their own precursors.
The Hood Internet has released their ninth mixtape. Ninth! The highlight so far as I listen for the first time: Daft Punk's Around the World mixed with The Weeknd's Can't Feel My Face. (via @mathowie)
Update: Downloads and track listing are available on The Hood Internet's website.
How many videos can we watch about the films of Stanley Kubrick? If you're anything like me, the answer is never enough. This montage hinting at connections between his films is particularly well done.
Mashups are so ubiquitous and overdone that the bar for actually watching one is pretty high. But this one, no joke, might be the best visual movie mashup I've ever seen. Hell's Club is a tour de force of film editing, seamlessly combining scenes from dozens of different films -- Austin Powers, Cocktail, Star Wars, Terminator, Staying Alive, Boogie Nights -- into one cohesive scene. Give it 30 seconds and you'll watch the whole thing.
Update: The sequel is just as tight. Amazing what a little color can do to trick the brain.
Hip-hop group Run the Jewels have released a remix album called Meow the Jewels of their second album that features various meows, purrs, yowls, and other cat noises. Congratulations Internet, we have achieved Peak Cat.
In an interview with Slashfilm, Mad Max: Fury Road director George Miller stated that "the best version of this movie is black and white" and that the purest version of the film would also be silent (which it very nearly is anyway). Miller wanted to include the B&W version on the Blu-ray, but the studio decided to delay the release of that until a Super Special Ultra Gimme All Your Money Blu-ray Edition can be arranged at some later date. Until then (or, more probably, until Warner's lawyers get around to taking it down), we have this fan-made edit of the film in B&W without dialogue. (via @SebastianNebel)
Update: Well, that was fun while it lasted. Good thing I totally didn't grab a copy to watch later using a Chrome extension. (And before you ask, no I won't.)
The opening credits sequence of The Wire done using clips from The Simpsons. The theme song and clips are from the third seasons of the respective shows.
Gene Kogan used some neural network software written by Justin Johnson to transfer the style of paintings by 17 artists to a scene from Disney's 1951 animated version of Alice in Wonderland. The artists include Sol Lewitt, Picasso, Munch, Georgia O'Keeffe, and van Gogh.
The effect works amazingly well, like if you took Alice in Wonderland and a MoMA catalog and put them in a blender. (via prosthetic knowledge)
The Auralnauts provide an alternate soundtrack and dialogue for Star Wars.
If you recut the scenes from seasons seven & eight of Seinfeld to emphasize certain aspects of Susan's death-by-envelope, you get a feel-good TV movie about George Costanza, a man who finds triumph in the midst of tragedy.
Her death takes place in the shadow of new life; she's not really dead if we find a way to remember her.
This is a guide to the famous Lorne of the Rings trilogy of movies. All your favorite characters are here, from Samsclub Gunjeans to Starman to Flowbee the Haddock to Aerosmith, daughter of Lord Efron to Gumball, son of Groin.
This is one of those that goes from "oh how can this predictable thing actually be funny" to "oh my pants are wet because I peed in them because laughing" very quickly. (via waxy)
Using images found on the internet through Google's visually similar images feature, NASA, U.S. Geological Survey, and various mapping services, Kelli Anderson recreated part of the Eames' iconic Powers of Ten as a flipbook. Watch a video here:
The inspiration for making discontinuous-bits-of-culture into something continuous goes back to 2011. Some of my friends camped out on a sidewalk to see Christian Marclay's The Clock. Like a loser with a deadline, I missed out-only catching it years later at MoMA. In the day-long film, Marclay recreates each minute of the 24-hour day using clips from films featuring the current time-on a clock or watch. It runs in perfect synchronization with the audience's day (so: while a museum crowd slumps sleepily in their chairs at 6am, starlets hit snooze on the clocks onscreen.)
Every day, a program written by Julien Deswaef selects a war-related news item from the NY Times, formats it in the style of the infamous Star Wars opening crawl (complete with John Williams' score), and posts the results to YouTube.
Published yesterday, the crawl for Episode XXVII was taken from a NY Times article about an Obama speech about the Iranian nuclear deal.
If you want to see what Leo Messi, Cristiano Ronaldo, and Neymar might have looked like if they played in the 1950s/60s, Paladar Negro photoshopped some Barcelona & Real Madrid players onto old timey trading cards.
They previously did a similar project with Argentinian players...this one of Angel Di Maria is amazing:
Clips of Peggy Olsen from Mad Men set to Drake's Started From the Bottom.
(via av club)
All six films1 from the Star Wars series played at the same time, superimposed on top of each other.
Watch this while you can...I imagine it'll get taken down in a few hours/days.
Until Disney decides to reboot episodes 1-3 in another 10 years, we are stuck with six Star Wars films in the canon. As Yoda once said, "Death is a natural part of life. Rejoice for those around you who transform into the Force."↩
Derelict is a feature-length black & white film that splices about an hour of Alien and 90 minutes of Prometheus together into a single narrative.
'Derelict' is an editing project for academic purposes. 'Prometheus' wasn't exactly an Alien prequel, but this treats it as such by intercutting the events of Alien with Prometheus in a dual narrative structure. The goal was to assemble the material to emphasize the strengths of Prometheus as well as its ties to Alien.
From The Flintstones to Band of Outsiders to Miller's Crossing, here's a look at some of the films referenced in Quentin Tarantino's movies.
If you take Wes Anderson's The Grand Budapest Hotel and mix in elements of Stanley Kubrick's The Shining, the result is pretty good.
Alexey Kondakov takes figures from classical paintings, places them in contemporary scenes, and posts the results on Facebook. Think of cherubs riding the subway, that sort of thing.
A cleverly constructed mashup of all the major Hollywood studio intros -- MGM's roaring lion, Disney's castle, Paramount's flying stars, Miramax's skyline -- into one mega-intro.
From an alternate universe in 1985, a Star Wars crossover with Star Trek that never happened in which Lord Vader has the Genesis Device.
Paging JJ Abrams. Mr. Abrams to the white courtesy phone please. (via @khoi)
Really enjoying this chill remix of Radiohead's Reckoner by Cubicolor this morning.
The band hasn't shared anything in over three years, but Radiohead does have a Soundcloud account full of remixes of their stuff, including this remix of Bloom by Jamie xx:
Artist JK Keller has digitally widened1 episodes of The Simpsons and Seinfeld to fit a 16:9 HD aspect ratio. Watching the altered scenes is trippy...the characters and their surroundings randomly expand and contract as the scenes play out.
At least I think that's how they were created. The videos were posted without explanation -- aside from their titles "LEaKeD TesT footagE frOM seiNfelD RemaSter In hiGh-defiNiTiON" and "animAtORs rEdraw old SimPsons epIsodeS fOr hdTv" -- so it's hard to say for sure.↩
WQXR took 46 performances of a selection of Igor Stravinsky's The Rite of Spring and spliced them together into one piece, highlighting the how varied the performance of the notes on the page can be.
Terry Urban's 8-song mashup album of FKA Twigs and Notorious B.I.G.
Why not FKA Biggs? Or Notorious T.W.I.G.S.? Twiggie Smalls? (via @frank_chimero)
This is magnificent. The little floppies!
Funny or Die digitally inserted the singer Michael Bolton into Office Space, where he plays Michael Bolton, the Initech programmer.
Someone edited the courtroom scene from A Few Good Men and took out all the dialogue, leaving just the reaction shots. It's surprisingly coherent and dramatic.
From Dissolve, a video that recreates scenes from some Oscar winning movies using only stock footage.
The recreated movies include Gladiator, The Social Network, Jurassic Park, and 2001. See also their first effort at this sort of thing.
From Steven Benedict, a short video essay featuring the characters from different Coen brothers' films talking to each other. According to Benedict, the dialogue reveals three main themes of their movies.
While other essays have assembled several recurring visual tropes: elevators, dogs, dream sequences, bathrooms etc., this essay has the characters talk to one another across the films so we can more clearly hear the Coens' dominant concerns: identity, miscommunication and morality. Taken as a trinity, these elements indicate that the Coens' true subject is the search for value in a random and amoral universe.
Wooper is a Robot Chicken parody of Looper, in which cartoon characters like Elmer Fudd are sent back in time to be killed because they can't show guns in children's cartoons anymore.
If you take the vocals from The Perfect Drug by Nine Inch Nails and match them to the beats from Taylor Swift's Shake It Off, you get this little bit of magic:
Update: I totally forgot I'd previously featured this awesomeness: NIN's Head Like a Hole vs. Carly Rae Jepsen's Call Me Maybe. Also of note: Mark Romanek directed the videos for Shake It Off and The Perfect Drug. (via ★interesting, @sarahmakespics, and mark)
From the Russian Space Agency, a video of what the sky would look like if the Sun were replaced by some other stars. It starts off with the binary star system of Alpha Centuri, but watch until the end for Polaris, which has a radius 46 times that of the Sun.
What if the Busy Busy Town Richard Scarry wrote about was Silicon Valley circa 2015? Meet the fine citizens of Business Town. Great stuff, but did someone forget to credit Ruben Bolling's comic strip Richard Scarry's 21st Century Busy Town Jobs for the inspiration?
There a lots of videos of movies reimagined as 8-bit video games out there (Kill Bill, The Matrix, Pulp Fiction), but I'm posting the Guardians of the Galaxy one because of the excellent chiptune rendition of the Awesome Mix Vol. 1 soundtrack.
Hooked on a Feeling, beep beep doot doot... (via devour)
So. Steven Soderbergh has cut his own version of Stanley Kubrick's 2001: A Space Odyssey. Like, !!!1
I haven't had a chance to watch this yet, so I don't know what's different about it aside from the shorter runtime of 1h50m. If someone watches it and wants to report in about the differences, let me know. Soderbergh also guessed that Kubrick would have liked shooting on digital:
let me also say i believe SK would have embraced the current crop of digital cameras, because from a visual standpoint, he was obsessed with two things: absolute fidelity to reality-based light sources, and image stabilization. regarding the former, the increased sensitivity without resolution loss allows us to really capture the world as it is, and regarding the latter, post-2001 SK generally shot matte perf film (normally reserved for effects shots, because of its added steadiness) all day, every day, something which digital capture makes moot. pile on things like never being distracted by weaving, splices, dirt, scratches, bad lab matches during changeovers, changeovers themselves, bad framing and focus exacerbated by projector vibration, and you can see why i think he might dig digital.
Update: Reader and 2001 fan Dan Norquist watched Soderbergh's edit and reported back via email:
I love everything Soderbergh does and I love the fact that he cut this film. It's fun to see it in a more concise form. Really, there's no choppy edits or anything that doesn't make sense (except the whole movie of course!). I did miss some of my favorite parts. I love when the father is talking to his daughter on the video phone. Also, if you weren't around in 1968 it's really hard to describe how scary the Cold War was. There was always this thing hanging over our heads, that the Russians really had the means to destroy us with nuclear weapons. So you really need the full scene where the American meets the Russians (Soviets). The forced, unnatural politeness is so brilliant and helped to give the film context in its time.
All the important stuff is there -- the apes, the monolith, HAL turning evil, astronaut spinning away, the speeding light show (shortened?), old man pointing at space child -- and it's all recut by a master.
Finally, there is something about the full length of the original film that is part of its strength as a piece of art. There is no hurry, no cut to the chase. It's almost as if you have to go through the entire journey before you can earn the bubble baby at the end.
No surprise that he tightened it up into something less Kubrickian and more Soderberghish. Dan closed his email by saying he would recommend it to fans of the original. (thx, dan)
Update: I've seen some comments on Twitter and elsewhere about the legality of Soderbergh posting the 2001 and Raiders edits. The videos are hosted on Vimeo, but are private and can't be embedded on any site other than Soderbergh's. But any enterprising person can easily figure out how to download either video. The Raiders video has been up since September, which means either that Paramount doesn't care (most likely in my mind) or their lawyers somehow haven't caught wind of it, even though it was all over the internet a few months ago (less likely). We'll see if whoever owns the rights to 2001 (Time Warner?) feels similarly.
An interesting wrinkle here is that Soderbergh has been outspoken about copyright piracy and the Internet. From a 2009 NY Times article about a proposed French anti-piracy law:
In the United States, a Congressional committee this week began studying the issue. In a hearing Monday before the Foreign Affairs Committee of the House of Representatives, Steven Soderbergh, the film director, cited the French initiative in asking lawmakers to deputize the American film industry to pursue copyright pirates.
Deputizing the film industry to police piracy sounds a little too much like putting the fox in charge of the henhouse. I wonder if Soderbergh feels like these edits are legal to post publicly, if they are fair use for example. Or rather if he feels it's not but he can get away with it because he is who he is. (thx, @bc_butler)
I also found out that apparently I had jury duty last week on the same day in the same room as Soderbergh. Total embarrassing fanboy meltdown narrowly avoided. ↩
Finally, courtesy of the Auralnauts, we get the Terminator trailer that we deserve. Time travel is hilarious.
I wish we could send you back with pants, but the technology just isn't there yet. So as soon as you hit the ground, you're going to want to find some pants. I know you can do it...because you already did it.
Like the old wives' tale says, if you want to fix the future, just keep sending Terminators back in time. (via @mouser_nerdbot)
Kermit the Frog, Fozzie Bear, and guests cover Naughty By Nature's 1993 classic Hip Hop Hooray.
What if George Lucas was making the new Star Wars movie instead of JJ Abrams? This recut trailer offers a glimpse of the cheesy CG madness.
So so good.
Nora Ephron's movie Julie & Julia is based on a book by Julie Powell about her making every recipe in Julia Child's Mastering the Art of French Cooking. Some genius took the movie and cut all the Julie parts out of it, leaving just a movie about the life of Julia Child starring Meryl Streep.
Update: Well, that was fast...got taken down already.
Update: Looks like someone did a similar cut three months ago, Julia Sans Julie:
With A Little Help From My Fwends is The Flaming Lips full-length cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band. NPR has a first listen to it. ft. Foxygen, Miley Cyrus, Moby, Tegan And Sara, and others.
Last year's pulverizing and strangely pretty The Terror was often punishingly uncompromising, but With A Little Help From My Fwends tackles its impossible task with a comparatively light touch. That lightness is clear from the title alone, and yet The Flaming Lips' audaciously playful streak (required in order to cover Sgt. Pepper's in the first place) still gets undercut with moments of abrasiveness, aggression and detours down strange side roads.
From photographer Sandro Miller, in collaboration with the actor himself, recreations of iconic photographs with John Malkovich in place of the original subjects.
Amidala friendzones Anakin, Obi-Wan hunts for drugs, and Jango Fett pumps the bass in this hilarious Auralnauts reimagining of Star Wars: Attack of the Clones.
You may have also seen their recent video of the Throne Room scene at the end of Star Wars without John Williams' score (reminiscent of these musicless musicvideos) or Bane's outtakes from The Dark Knight Rises. Still champion though: bad lip reading of NFL players. (via @aaroncoleman0)
The internet is full of remixes of movies and trailers these days: Wes Anderson's Forrest Gump, The Shining as a romantic comedy, Toy Story 2 mashed up with Requiem for a Dream, Toy Story meets The Wire, and so on. But before all of that, from 1987, perhaps the first mashup of its kind, Apocalypse Pooh:
Todd Graham made this short film with VCRs and film nerds passed around copies on VHS tapes. (via @johankugelberg)
As far as these things go, this video of the Muppets singing So What'cha Want by the Beastie Boys is pretty near perfect.
New mixtape from The Hood Internet, the eighth in a hopefully infinite series. You know what to do.
Over at McSweeney's, Gary Almeter reimagines episodes of the Little House on the Prairie TV show to reflect the presence of a Starbucks in Walnut Grove.
Charles inherits the entire estate of a wealthy uncle. Within 24 hours, the Ingallses, who are seemingly rich, suddenly become Harriet Oleson's best pals. They are pressured to make various contributions throughout the community, and they even receive newspaper article offers to chronicle this tremendous change in their lives. Things get even worse when this newfound fortune threatens the family's relationships with their real friends. Meanwhile, Nellie Oleson, to avenge a barista who broke Nellie's doll, replaces the cinnamon at the Starbucks condiments bar with cayenne pepper while Mr. Edwards finally accepts the idea that coffee can be iced.
Com Truise remix of Tycho's Awake? Yes please.
Now get Kygo to remix the remix and we'll have the perfect kottke.org sleepy beats trifecta.
If you took all the fight scenes from Quentin Tarantino's Kill Bill movies and turned them into a Double Dragon-esque video game, this is what it would look like:
What if Ayn Rand had written Harry Potter? It might go a little something like this.
Professor Snape stood at the front of the room, sort of Jewishly. "There will be no foolish wand-waving or silly incantations in this class. As such, I don't expect many of you to appreciate the subtle science and exact art that is potion-making. However, for those select few who possess, the predisposition...I can teach you how to bewitch the mind and ensnare the senses. I can tell you how to bottle fame, brew glory, and even put a stopper in death."
Harry's hand shot up.
"What is it, Potter?" Snape asked, irritated.
"What's the value of these potions on the open market?"
"Why are you teaching children how to make these valuable products for ourselves at a schoolteacher's salary instead of creating products to meet modern demand?"
"You impertinent boy-"
"Conversely, what's to stop me from selling these potions myself after you teach us how to master them?"
"This is really more of a question for the Economics of Potion-Making, I guess. What time are econ lessons here?"
"We have no economics lessons in this school, you ridiculous boy."
Harry Potter stood up bravely. "We do now. Come with me if you want to learn about market forces!"
The students poured into the hallway after him. They had a leader at last.
So, this showed up on Vimeo last night and will likely be pulled soon (so hit that "download" button while you can), but here's the deal. In 2012, actor Topher Grace showed an edit he'd done of episodes I-III of Star Wars to a bunch of friends, trimming the 7 hours of prequels down into 85 action-packed minutes of pure story. This Vimeo edit is longer (2:45) and is "based on the structure conceived by actor Topher Grace", which you can read about here.
Grace's version of the film(s) centers on Anakin's training and friendship with Obi-Wan, and his relationship with Queen Amidala (Natalie Portman). Gone are Trade Federation blockades, the Gungan city, the whole Padmé handmaiden storyline, the explanation of midichlorians, the galactic senate and the boring politics, Anakin's origins (a backstory which never really needed to be seen in the first place), the droid army's attack on Naboo, and Jar Jar Binks (Ahmed Best) appears only briefly for only one line of dialogue, used as a set-up to introduce us to the Queen.
By Louis Paquet, the opening titles of Forrest Gump if it were directed by Wes Anderson.
In a five part series called "emoji-nation", Ukrainian Nastya Ptichek mixes the work of well-known painters with graphical elements of new media. In the second part of the series, the works of Edward Hopper are augmented with social media interface icons:
The first part finds emoji doppelgangers for works of fine art while the third part uses paintings as movie poster imagery for the likes of Kill Bill and Home Alone (paired with Munch's The Scream). For part four, Ptichek places modal dialogs over art works:
And part five plays around with several Google interface elements:
Love this kind of thing. Feels like I've seen something like it before though. Anyone recall?
Denis Medri illustrates scenes from Star Wars as if Luke, Leia, Han, and the rest of the gang were teenagers in an 80s movie like Back to the Future, Karate Kid, or Breakfast Club.
Great Scott, the Force is strong in these two.
Jesse Hill made a music video for Beyonce's Drunk in Love entirely out of emoji. Fantastic work.
Fist Eggplant! Poo! Surfbort! Oh man, that was fun.
I can't stop watching this...watch Imperial AT-AT's attack Olympic mogul skiers on Hoth:
Those skiers are not going to make it past the first marker. (via devour)
For his Classic Movies in Miniature Style series, Murat Palta illustrated scenes from movies using traditional Ottoman motifs. Here's A Clockwork Orange and Kill Bill:
Great stuff. (via @pieratt)
Mario Wienerroither takes music videos, strips out all the sound, and then foleys back in sound effects based on what people are doing in the video. You'll get the gist after about 6 seconds of this Jamiroquai video:
The first installment was a classic, but this second video of NFL players and coaches overdubbed with alternate dialogue is pretty great as well.
Rino Stefano Tagliafierro took more than 100 paintings (from the likes of Reubens, Caravaggio, Rembrandt, and Vermeer) and set them in motion to music to form a slow motion oil painted dreamland.
Lots of boobs, butts, penises, and even the occasional hint of sexual gesture in this one -- the motion sometimes fills in the blanks on all of those frolicking nymph-type paintings, making them seem to modern eyes even more sexist and outdated than the static paintings. There are some definite porny moments, is what I'm saying. So yeah, probably NSFW.
Covers for The Parisianer, an imaginary version of the New Yorker set in Paris.
Cartoonist Mike Holmes occasionally draws himself and his cat in the style of other cartoonists. He calls them Mikenesses. Here's Holmes in the styles of Chris Ware, Aardman, and Berke Breathed:
In a masterfully edited video, David Ehrlich presents his 25 favorite films of 2013.
Fantastic. This video makes me want to stop what I'm doing and watch movies for a week. It's a good year for it apparently...both Tyler Cowen and Bruce Handy argue that 2013 is an exceptional year for movies. I'm still fond of 1999... (via @brillhart)
In a video analogue of Alvin Lucier's I Am Sitting in a Room, this YouTube video is uploaded and then downloaded 1000 consecutive times until the image becomes all artifacts.
James Murphy (LCD Soundsystem) remixed David Bowie's Love is Lost in the style of minimal music composer Steve Reich. Here's the video for it by Barnaby Roper:
The video is NSFW, although most of the NS-ness is of the watching scrambled Cinemax on your uncle's cable in 1985 variety (aka datamoshing).
Roland Deschane took a few paintings by cheeseball artist Thomas Kinkade and incorporated Star Wars characters into them.
I'm not sure that the bad lip reading of NFL players will ever be topped, but this dubbing of Game of Thrones with alternative dialogue is pretty great too.
A very pretty but almost completely useless circular map of the NYC subway.
There's a London Tube version too.
YouTuber Chase creates short videos where the faces of celebrities are swapped for other celebrity faces. The results are weird and often hilarious. The best one is probably the most recent video of Natalie Portman and Will Ferrell:
This quick Nicholson/Cruise clip from A Few Good Men is pretty good too:
Co.Create did an interview with the creator.
"When picking the celebrities, I am mainly considering two things. Their relevance and popularity, as well as the availability of unique, high-quality footage in which the actor is looking mostly towards the camera," Chase says. "Mashing up footage in which the characters are constantly looking side to side is much more difficult and usually results in a less convincing final product." He adds. "There have a been a few After Effects sessions that ended up in the recycle bin because of this."
I still can't get enough of their latest Mixtape and here comes another one. The Hood Internet has done a 54-minute mix for Frank & Oak. You can listen to it below, on Soundcloud, or download by liking Frank & Oak on Facebook.
I'm 27 minutes in and so far so good.
What if William Shakespeare wrote Star Wars?
Boing Boing has an excerpt.
If you slow down the Seinfeld theme by 1200%, it sounds like the soundtrack to a bad 80s sci-fi movie.
You may also enjoy Justin Bieber at 800% slower.
DJ BC took the Beastie Boys and mashed them up with The Beatles.
This is great...Daft Punk's Get Lucky as it would have sounded in every decade from the 1920s to the 2020s.
This is what singles should be from now on...you get the original song, a 30s jazz version of the song, a 1800s classical version, an 80s new wave version, and so on.
[SORTA MAD MEN SPOILERS! but not really] I don't know if Ken Crosgrove dancing on the latest episode of Mad Men is the best thing that's ever been on the show, but it's definitely in the top 10. And it might be even better with a little Daft Punk.
And it might be best with the Crazy in Love cover from Gatsby...just load up that this YT video while watching the animated GIF and you're all set. (This is how Millennials watch TV, BTW...it's all animated GIFs with YouTube video soundtracks. Civilization is gonna be juuuuuuust fine.)
Daft Punk + goats who yell like people = not the funniest thing you've seen in your life but it hits a certain spot, that's for sure.
Forgers are the foremost artists of our age.
I'm not talking about the objects they make. Their real art is to con us into accepting the works as authentic. They do so, inevitably, by finding our blind spots, and by exploiting our common-sense assumptions. When they're caught (if they're caught), the scandal that ensues is their accidental masterpiece. Learning that we've been defrauded makes us anxious -- much more so than any painting ever could -- provoking us to examine our poor judgment. This effect is inescapable, since we certainly didn't ask to be duped. A forgery is more direct, more powerful, and more universal than any legitimate artwork.
You have to understand that to a boy of the 1970s, the line between comic books and real life people was hopelessly blurred. Was Steve Austin, the Six Million Dollar Man, real or fake? Fake? Well, then, how about Evel Knievel jumping over busses on his motorcycle? Oh, he was real. The Superman ads said, "You will believe a man can fly," and Fonzie started jukeboxes by simply hitting them, and Elvis Presley wore capes, and Nolan Ryan threw pitches 102 mph, and Roger Staubach (who they called Captain America) kept bringing the Cowboys back from certain defeat, and Muhammad Ali let George Foreman tire himself out by leaning against the ropes and taking every punch he could throw. What was real anyway?
You know the drill: it's a new mixtape from The Hood Internet:
Downloads, tour details, and more info on their site.
Update: I made a playlist on Rdio of the songs The Hood Internet used in Mixtape Volume Seven...sifting through their sources is a great way to discover new and previously overlooked music.
There are maybe 3-4 songs I couldn't find on Rdio...they are either unreleased or mixes from Soundcloud. Enjoy.
What if each member of the Bluth family made an album? The album covers might look something like these.
For his Alpha Beauties project, artist Nazareno Crea retouches paintings and sculpture from throughout history, a process which normalizes each period's ideal of female beauty to that of the present day. That is, much skinnier, with smaller noses, higher cheekbones, and larger breasts.
A nascent trend on YouTube is to take contemporary dramas and imagine what their 1995-style opening credits sequences might look like. The first one appears to be this Walking Dead one, followed by Breaking Bad, which is the best of the bunch:
The Game of Thrones one is pretty great as well:
Weird day (fuck, weird week) but this totally totally made it. Some genius took Carly Rae Jepsen's Call Me Maybe and mashed it up with Nine Inch Nails' Head Like a Hole:
Totesally amazingballs. Way way better than I expected. (via the verge)
The third episode of the first season of Charlie Brooker's Black Mirror was called The Entire History of You, in which many people have their entire lives recorded by implants. Brooker's take on the self-recorded future and Google's rosier view meet in this video:
Black Mirror is currently in its second season in the UK, with no US release on the horizon. Here's what one of the season two episodes is about:
A CG character from a TV show is jokingly put forward to become a member of Parliament. The actor behind the character is uneasy about this new political world he's found himself in, and as the character's popularity among voters increases things begin to take a turn for the worse.
See also The real Google Glasses.
The Gameological Society's Joe Keiser went shopping for video games in Nairobi and found a ton of PlayStation 2 knockoffs. Like Grand Theft Auto: San Andreas: Kirk Douglas:
Full disclosure: this article exists so I can tell you all about Grand Theft Auto: San Andreas: Kirk Douglas. Just look at it! It's exquisite. The game itself is as grand as the cover. It is San Andreas, with the load screens replaced by EXTREME closeups of Kirk Douglas-and occasionally his son Michael Douglas, because hey, close enough, right? In the game, the main character appears to be a rough approximation of Kirk Douglas. Oh, and all the missions have been removed, so there's nothing to do.
I do not doubt RoboCop's commitment to Sparkle Motion.
Take footage of NFL players, coaches, and officials talking, dub it poorly with alternate dialogue, and you get a bit of genius.
Let's not beat around the bush: this is the best thing ever. (via @gavinpurcell)
Jonason Pauley and Jesse Perrotta reshot all 80 minutes of Toy Story in live action -- with a Woody doll, a Mr. Potatohead, human actors, and the like.
The pair say that folks at Pixar gave them their approval (sorta kinda) to post it online.
CHARLIE: Have you spoken to Pixar and what have they said? Followup question: Are there unmarked black sedans with dudes in suits outside your house right now?
JESSE: We just got back from visiting Pixar a few days ago. We weren't invited inside, but we were allowed to pass out DVD's of our movie to Pixar employees. We have spoken to one of the lead guys at Pixar on Twitter a little bit, and his attitude was positive towards the whole thing. We never got an official word on if it was okay to put it on Youtube though. And about the sedans... haven't seen them yet, haha!
JONASON: Jesse pretty much covered it. Some of the Pixar employees that we talked to asked if it was online, so I took that as "it should be online" We put it off for a long time because we wanted to make sure it would be alright.
These are all so perfect but I'm having a hard time deciding which is the most perfect....the Mrs Patmore tabby or the Dowager Countess Sphynx?
For his Super Hero series, Agan Harahap inserts the likes of Superman, Batman, and Darth Vader into historical photos. Here's Spidey helping out during World War II:
And some Stormtroopers paying their respects to Chairman Mao's body:
More images from the series are sprinkled throughout this gallery.
REWORK_ is an album of Philip Glass's music remixed by the likes of Beck, Amon Tobin, and Nosaj Thing. There is also an interactive iOS app that lets you play around and remix your own Glass compositions.
REWORK_ features eleven "music visualizers" that take the remixed tracks and create interactive visuals that range from futuristic three-dimensional landscapes to shattered multicolored crystals, and vibrating sound waves. People can lean back and enjoy REWORK_ end to end, or they can touch and interact with the visualizers to create their own visual remixes.
In addition to the visualizers, the app includes the "Glass Machine" which lets people create music inspired by Philip Glass' early work by simply sliding two discs around side-by-side, almost like turntables. People can select different instruments - from synthesizer to piano, and generate polyrhythmic counterpoints between the two melodies.
The app was made by Scott Snibbe's studio...I fondly recall his Java applets. (BTW, "fondly recall his Java applets" is neither a euphemism nor something that anyone will understand 5-10 years from now.)
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