The teeterboard is an acrobatic apparatus that looks like a seesaw. This is a pair of acrobats training on a Korean-style teeterboard, where instead of getting catapulted off the board, the participants land back on the board after each jump:
Using a black & white workprint of The Dark Crystal that Jim Henson and Frank Oz wanted to release, YouTube user scoodidabop made a full-length director's cut of the film. It's a bit rough in spots, but the original vision is all there.
Vimeo user Subterminally appears to have had the worst 13 seconds of his life last week when he hit the cliff off of which he was base jumping. Subterminallyill received a "Compression Fracture of the T12 Vertebra, 5 stitches to the eye, 6 stitches to the chin, severely sprained Back, wrist and hand. multiple bruised areas," which is not too bad considering he FELL OFF A FUCKING CLIFF.
Alternate copy for this post, "No. No, no no no no no no. No. No. No. No, no, no, no, no. No."
In a clip from Eye of the Leopard narrated by Jeremy Irons, we see a female leopard kill a baboon. And then the leopard notices the baboon has just given birth to a tiny baby. Her reaction is unexpected:
In a masterfully edited video, David Ehrlich presents his 25 favorite films of 2013.
Fantastic. This video makes me want to stop what I'm doing and watch movies for a week. It's a good year for it apparently...both Tyler Cowen and Bruce Handy argue that 2013 is an exceptional year for movies. I'm still fond of 1999... (via @brillhart)
We flew drones over Mississippi. We got mugged in Chittagong, Bangladesh. We met people whom we'll never forget -- the actual people who make our clothing. At every location we had radio reporters and videographers.
It's one thing to read the difference between the pronounciations of "route", it's another thing entirely to hear them. I haven't lived in the Midwest since 2000 and I have since transitioned from "pop" to "soda", "waiting in line" to "waiting on line", and am working on switching to "sneakers" from "tennis shoes" (or even "tennies"). But I was surprised to learn that I still pronounce "bag" differently than everyone else!
When Nirvana appeared on Top of the Pops in 1991, they were asked to only sing the lead vocal over an instrumental track. The result was perhaps the most unusual performance of Smells Like Teen Spirit ever, with the band barely playing their instruments in sync with the music and Cobain doing his best Ian Curtis/Morrisey impression.
I linked to a stabilized version of the Zapruder film of JFK's assassination a few years ago but Antony Davison has made a version that presents the whole film in panoramic HD, resulting in an amazingly clear representation of the event.
Errol Morris and Tink Thompson share an obsession about the nature of photographic evidence. In a short film for the NY Times, Morris talks to Thompson about the photographic and filmic evidence of the JFK assassination, which Thompson has been investigating on and off since 1963.
Interesting that 1) there exists much more photographic evidence of the assassination than is commonly shown/known, and 2) Thompson very much has a theory of what the evidence shows but Morris doesn't spill those particular beans:
Is there a lesson to be learned? Yes, to never give up trying to uncover the truth. Despite all the difficulties, what happened in Dallas happened in one way rather than another. It may have been hopelessly obscured, but it was not obliterated. Tink still believes in answers, and in this instance, an answer. He is completing a sequel to "Six Seconds" called "Last Second in Dallas." Like its predecessor, this book is clearly reasoned and convincing. Of course, there will be people who will be unmoved by his or any other account.
See also Morris' previous short film featuring Thompson & the assassination, The Umbrella Man.
R. Kelly is some sort of random love song generating genius apparently. On a recent visit to the Rolling Stone offices, R. Ess asked R. Kelly to sing to them about dolphins, ice hockey, newspapers, and Italian heroes. The results R. Hilarious.
The Moken are a nomadic people who live on the coasts and islands of Thailand and Burma. They live off the bounty of the sea and have learned to control the size of the pupils in order to see better underwater.
Pupil constriction is triggered by incoming light levels -- the less light (as at depth) the bigger the pupil -- but the Moken have learned to override that implulse and keep their pupils small at low light levels, therefore making their eyesight sharper. (via the kid should see this)
From Freestyle: The Art of the Rhyme, a short clip of a 17-year-old Christopher Wallace (aka Biggie Smalls, aka The Notorious B.I.G.) freestyle rapping on a street corner in Bed Stuy, Brooklyn in 1989.
Hans Bethe was a giant in the field of nuclear physics. He rubbed shoulders with Einstein, Bohr, and Pauli, was head of the Theoretical Division of the US atomic bomb project, and was awarded a Nobel Prize. In 1999, at the age of 93, Bethe gave a series of three lectures to the residents of his retirement community near Cornell University, where he had taught since 1935. Video of the lectures is available on the Cornell website.
In the first lecture, Bethe covers the development of the "old quantum theory", covering the work of Max Planck and Niels Bohr. In the second and third lectures, he relates how modern quantum mechanics was developed, with a healthy amount of personal recollection along the way:
Professor Bethe offers personal anecdotes about many of the famous names commonly associated with quantum physics, including Bohr, Heisenberg, Born, Pauli, de Broglie, Schrödinger, and Dirac.
Without a doubt, this is the most high-power presentation ever made at a retirement home. (via @stevenstrogatz)
One of my favorite books on technology, Tom Standage's The Victorian Internet, was adapted into a TV documentary. It is now available on YouTube:
The Victorian Internet tells the colorful story of the telegraph's creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. The electric telegraph nullified distance and shrank the world quicker and further than ever before or since, and its story mirrors and predicts that of the Internet in numerous ways.
I posted a video earlier today of a Super Cub airplane landing on the side of a mountain. Super Cubs are ideal for that undertaking because of their low stall speed and short take-off and landing distances. But I had no idea you could land and take off in one in the space of 20 feet.
Never seen a plane do that before...well aside from tiny model planes. What an incredible power-to-weight ratio that plane must have. You can seriously land these things anywhere, almost like a helicopter. Wanna go fly fishing? Just set it down on the banks of a stream:
When you read the title of this video, "Super Cub landing on windy mt. top", you're thinking, ok, there's a runway on the side of this mountain and it's gonna be a little dicey but not a big deal. But then the video starts and there's just a steep snowy mountain and no runway and it's uphill and you're like, WHAT JUST HAPPENED?
I looked up info on the plane and if you're going to land on the side of a mountain, the Super Cub is the plane for you. It can take off in as little as 200 feet, land in 300-400 feet, and has a stall speed of only 43 mph. The guy lands uphill and takes off downhill in this video and looks like he needed less than 100 feet in each case. (via ★mouser)
Archer Lars Andersen can shoot 10 arrows in less than 5 seconds, without sacrificing power or accuracy. Andersen learned his technique by studying ancient archery practices...the key is holding the extra arrows in the hand and instinctive shooting.
For the sufficiently skilled front-end loader driver, doing a front wheelie with a 20-ton machine is a piece of cake.
Got this from Modern Farmer's selection of "Jaw-Dropping Russian Tractor Videos"; the other one I liked from the list is this guy who souped up his tractor with a car engine and then does donuts in his field.
A mouse finds a cracker about his own size and thinks, "this is great, I'll be able to eat for a week!" But he can't quite get the cracker up and over the short ledge that leads back to his hole. But he doesn't give up that easily:
NASA's Solar Dynamics Observatory is getting some really amazing shots of the Sun, including this 200,000 mile-long solar eruption that left a huge canyon on the surface of the Sun:
Different wavelengths help capture different aspect of events in the corona. The red images shown in the movie help highlight plasma at temperatures of 90,000° F and are good for observing filaments as they form and erupt. The yellow images, showing temperatures at 1,000,000° F, are useful for observing material coursing along the sun's magnetic field lines, seen in the movie as an arcade of loops across the area of the eruption. The browner images at the beginning of the movie show material at temperatures of 1,800,000° F, and it is here where the canyon of fire imagery is most obvious.
The level of detail shown is incredible. (via @DavidGrann)
What makes Apple fascinating is not that they are using some wiz-bang alien technologies to make things -- even here in Portland, Oregon, all the technologies Apple shows in this video are in-practice across numerous local factories. What makes Apple unique is that they perform their manufacturing with remarkable precision and on a scale that is simply astonishing, using techniques typically reserved for the aerospace or medical device industries.
Nestled in the midst of Matt Zoller Seitz's video essay on Wes Anderson's The Life Aquatic with Steve Zissou is this bombshell: the movie contains a Star Wars reference no one seems to have noticed. Seitz synced the scenes for us:
There have to be others, right? Many of Anderson's films end with all of the characters gathered together like at the medals ceremony in Episode IV...someone even synced up the end of the movie with the closing credits music from Zissou and it works really well:
In New York Magazine this week, Mike Tyson writes about growing up in Brooklyn and his discovery of boxing as a way out and up.
Having to wear glasses in the first grade was a real turning point in my life. My mother had me tested, and it turned out I was nearsighted, so she made me get glasses. They were so bad. One day I was leaving school at lunchtime to go home and I had some meatballs from the cafeteria wrapped up in aluminum to keep them hot. This guy came up to me and said, "Hey, you got any money?" I said, "No." He started picking my pockets and searching me, and he tried to take my fucking meatballs. I was resisting, going, "No, no, no!" I would let the bullies take my money, but I never let them take my food. I was hunched over like a human shield, protecting my meatballs. So he started hitting me in the head and then took my glasses and put them down the gas tank of a truck. I ran home, but he didn't get my meatballs. I still feel like a coward to this day because of that bullying. That's a wild feeling, being that helpless. You never ever forget that feeling. That was the last day I went to school. I was 7 years old, and I just never went back to class.
The piece is adapted from Tyson's upcoming memoir, Undisputed Truth. Tyson wrote the book with Larry Sloman, author of Reefer Madness who has also ghostwritten for Howard Stern, Anthony Kiedis, and KISS's Peter Criss.
Update: Spike Lee directed a documentary version of Undisputed Truth; it'll air on HBO on November 16. Here's the trailer:
Vsevolod Pudovkin was a Soviet film director who developed influential theories of film editing. In this 12-minute video, Evan Richards uses clips from films like 2001, Lawrence of Arabia, and The Godfather to illustrate Pudovkin's editing techniques.
The most instructive book on film aesthetics I came across was Pudovkin's Film Technique, which simply explained that editing was the aspect of film art form which was completely unique, and which separated it from all other art forms. The ability to show a simple action like a man cutting wheat from a number of angles in a brief moment, to be able to see it in a special way not possible except through film -- that this is what it was all about. This is obvious, of course, but it's so important it cannot be too strongly stressed. Pudovkin gives many clear examples of how good film editing enhances a scene, and I would recommend his book to anyone seriously interested in film technique.
There are few perfect movies. This is one of them.
The book and video essays came about because Anderson saw Seitz's earlier video essay series, The Substance of Style, an examination of Anderson's stylistic influences. Great resource for fans of Anderson and film.
A year ago yesterday, Felix Baumgartner rode in a balloon up to a height of almost 128,000 feet and jumped out. Red Bull, who sponsored the jump, has finally released the full-length footage of the jump from Baumgartner's point-of-view.
A feature-length documentary about the jump is available on Rdio. Is it weird that this makes me want to go see Gravity again? (via devour)
Blackers take these MIDI files and run them through software such as Synesthesia, which is kind of an educational version of Guitar Hero for the piano, and bills itself as "piano for everyone." It's kind of brilliant to imagine a novice piano player looking for some online tutorials and stumbling across, say, this video of the song Bad Apple, which reportedly includes 8.49 million separate notes.
Here's a tune with 10 million notes:
And another with 110 million notes that sounds like a random TV channel played at 5000x normal speed. I really thought dubstep was going to be the "those kids and their crazy unlistenable music" transition for me, but that's nothing compared to this. If this is what the youngs are going to be listening to in three years, count me out.
Steven Hawking came up with a simple and clever way of seeing if time travel is possible. On June 28, 2009, he threw a party for time travellers from the future...but didn't advertise it until after the party was already over.
In an effort to improve the chances of the party invite being noticed by future generations, Peter Dean, working with approval from Hawking, has made this gorgeous hand-printed poster of the party invitation:
What's so confounding is that many of the parents requesting exemptions for their children cite specious, disproven fears -- such as that the vaccine could cause autism -- many of which were based on a fraudulent, retracted study or fringe research published in non-peer-reviewed journals. And the rest of the country hasn't been as successful as Massachusetts in containing measles infections. Earlier this year, an intentionally unvaccinated 17-year-old from Brooklyn, New York, was infected with measles while on a trip to the United Kingdom. Because he lived in a community with a large number of other deliberately unvaccinated children, the virus quickly spread. By the time the outbreak was contained, 58 people had been infected -- making it the largest outbreak in the country in more than 15 years. Nationwide, the Centers for Disease Control and Prevention reported 159 total cases between January and August, which puts 2013 on track to record the most domestic measles infections since the disease was declared eliminated from the United States in 2000.
Vitamins is a design studio in London that made a wall calendar out of Lego. They also built a mechanism to sync an online calendar to the Lego one: you just take a photo of the Lego calendar and send it to a special email address and voilà!
Saw this awhile ago and was reminded of it b/c of a clip on Monday Night Football last night: comedy duo Key & Peele poke fun at the increasingly creative names and alma maters of football players in this sketch.
Nyquillus Dillwad, D'Pez Poopsie, Fartrell Cluggins, Ladennifer Jadaniston, and Benedict Cumberbatch are all on my fantasy team this year. See also last year's video. (Davoin Shower-Handel!)
I was poking around on YouTube for "how to" videos (one of my favorite video genres) the other day when I hit a small jackpot: a bunch of How Do They...? videos from the National Film Board of Canada. A favorite shows how chain link fences are made:
Artist JK Keller took an episode of the Simpsons, ran the entire thing through some audio and video filters, and somehow it retains the full character of the show while also seeming like, as Keller puts it, "a frenetic mess of sight and sound".
After ripping all the frames, I used software to turn the ripped images into vectors. Then I processed the files through Illustrator using the default Alignment & Distribution tools (23 different combinations). With the audio, I used a similar process, making a spectrogram image of the audio from each cut in the episode. Then I applied a variety of processes to the image to mimic the alignment/distribution used.
Richard Swarbrick makes these great impressionist animations of sports events, mostly soccer but also cricket and basketball. Here's one to get you started...the 5-0 drubbing FC Barcelona handed to Real Madrid during a 2010 Clasico:
It's amazing how much Swarbrick's illustrations communicate with so few strokes...Mourinho's face is my favorite. Here's the actual match for comparison purposes. And here's Maradona's sublime goal against England in the 1986 World Cup (original video):
If you've watched a movie in the past 20 years, chances are you've seen the animation featuring the Pixar logo and Luxo Jr., the company's mascot. Luxo hops in, squashes the I, and takes its place; here's what it looks like:
According to the Pixar wiki, there have been several variations of the logo, including the one where Wall-E comes out to fix Luxo Jr's busted lightbulb:
Others include 20th and 25th anniversary versions, a 3D version that premiered with UP, and versions from Cars 2 and Finding Nemo that incorporate story elements into the logo.
This particular logo debuted with Toy Story in 1995. For the short films Pixar produced before that, they used variations on the not-very-exciting theme of circular indent in beveled square, a shape borrowed from the look of their Image Computer:
Many of the logo animation variations, including the pre-Luxo Jr. versions, can be seen in this video:
Anthony Cerniello took photos of similar-looking family members at a reunion, from the youngest to the oldest, and edited them together in a video to create a nearly seamless portrait of a person aging in only a few minutes.
The effect is as if you sat a child down in front of a camera and filmed them continuously for 65 years and then compressed that down into a 5-minute time lapse. Colossal has an explanation:
Last Thanksgiving, Cerniello traveled to his friend Danielle's family reunion and with still photographer Keith Sirchio shot portraits of her youngest cousins through to her oldest relatives with a Hasselblad medium format camera. Then began the process of scanning each photo with a drum scanner at the U.N. in New York, at which point he carefully edited the photos to select the family members that had the most similar bone structure. Next he brought on animators Nathan Meier and Edmund Earle who worked in After Effects and 3D Studio Max to morph and animate the still photos to make them lifelike as possible. Finally, Nuke (a kind of 3D visual effects software) artist George Cuddy was brought on to smooth out some small details like the eyes and hair.
This video seems like it was made specifically for kottke.org. In the first half of it, you learn how cranberries are harvested. In the second half, there's gorgeous HD slo-mo footage of wakeskating through a cranberry bog.
In 1953, the BBC filmed a train trip from London to Brighton. Thirty years later in 1983, they filmed it again and then again 30 years after that, in 2013. Here are all three films synced up and played side-by-side:
1000 extra bonus points to the Beeb for the Star Guitar soundtrack.
Meet Jumpy the dog. This dog can jump higher than you, skateboard better than you, dive better than you, walk on its front paws better than you, surf better than you, catch a Frisbee better than you, do a backflip better than you, and ride a scooter better than you. Jumpy is better than you.
Ok, this dog is a better skateboarder, but Jumpy is still better than him. Jumpy is better than everyone. (thx, dad)
A short video about the ingredients that go into every can of Play-Doh:
Sadly, the composition of the amazing fragrance is not revealed, but Wired asked a perfumer about it a couple of years ago:
Hasbro's patent admits to vanilla, but that's just to throw us off the scent. The real formula for this iconic odor is guarded like the crown jewels. After talking with New York perfumer Christopher Brosius, who offers a Play-Doh fragrance, we suspect that it draws from the aromatic flowers of the heliotrope, aka the cherry pie plant.
Jason posting the trailer for "Her" (which I love and feels like my life except I'm the one in the phone?) reminded me a lot of this episode of Black Mirror titled "Be Right Back". Black Mirror is a modern, British version of The Twilight Zone. The title refers to the dark, reflective surfaces of our smartphones and TVs and how we're constantly staring into them. There are 6 hour-long standalone episodes of Black Mirror, many of which are available on Vimeo (for now, at least). They're all great but "Be Right Back" is my favorite.
I have angled for reasons to snoot the webcam stunt. I can't think of any. Along with more or less everybody else, I find it Warholian to the, well, life: watching the present habitation of a man who liked to watch. Warhol pioneered motion pictures of motionless subjects; and we have him to thank, or not, for prophesying reality television. His strictly beholding bent became, as it remains, a default setting of artistic and popular culture absolutely everywhere.
The live video feed includes sound, so I imagine it won't be too long before some enterprising performance artists show up and do something entertaining.
This compilation of videos shot with Vine is surprisingly good and a nice illustration of what Mat Honan is getting at in Why Vine Just Won't Die.
Vine started from scratch. It built a ground up culture that feels loose, informal, and -- frankly -- really fucking weird. Moreover, most of what you see there feels very of-the-moment. Sure, there's plenty of artistry that goes into making six second loops, and there are volumes of videos with high production values. But far more common are Vines that serve as windows into what people are doing right now. Many of the most popular Vines appear to be completely off the cuff. They don't have to be great or slick or well produced. In some ways, its better that they're not, because it creates a lower threshold if you just want to, you know, share a video of your cat. They have something that trumps quality, which is authenticity.
That authenticity is driving a distinct emerging culture. One that stars people like Riff Raff and Tyler, the Creator, and an army of kids whose names you've never heard of but who can still generate hundreds of thousands of likes and re-Vines, and even large scale in-person meetups. It's the triumph of the loop, yes, but it's also the triumph of youth.
Take a moment to stroll through Vine's "Popular Now" videos, and you'd have to be willfully ignorant to not notice that those on Vine are distinctly younger, distinctly blacker, and distinctly, well, gayer than society in general. In short, it's cool. It's hip. It's a scene. If Instagram is an art museum, Vine is a block party.
I was going to make a joke about this being what TV is going to look like in five years, but I think you could put 30 minutes of this on MTV2 or whatever, with six-second Vine-style ads placed seamlessly in the mix, and you'd have yourself a hit show. (via ★interesting)
The ultimate in YouTube rubbernecking. Normally a car or truck exploding is very unusual. To see one blow up repeatedly and spectacularly is jaw dropping. It looks like a truck carrying oil drums propane/gas canisters but it's hard to tell.
Things seem to be all over at 4:50 and people start to slowly approach the site except at 7:01... (via @malki)
In July, Jay Z rapped Picasso Baby at Pace Gallery in NYC for six hours. The fruits of that labor have been condensed by director Mark Romanek into a 10-minute music video that premiered on HBO last night. Here's the film:
The idea of performance art came to mind. I was aware of Marina Abramovic's Artist is Present, even though I was in London shooting 'Never Let Me Go' and didn't get to go. And the idea that Jay-Z regularly performs to 60,000 people at a time, I thought, 'What about performing at one person at a time?' He absolutely loved it. He interrupted me and said, 'Hold on! I've got chills. That idea is perfect.' He thinks, like me, that the music video has had its era. I also wanted to make sure we had Marina's blessing. So she attended the event and took part in the event. She couldn't have been more happy or enthusiastic about us using her concept and pushing it forward.
Also, somehow, I have never heard Jay Z talk before. That's his voice?
Bike frame builder Tom Donhou, inspired by the home-built cars of yore ripping it up on the salt flats of Utah, wanted to see if he could build a bike in his shop that would do 100 mph. This video documents his quest.
I love everything about this video, but especially the pace car. (via ★interesting)
Five-year-old Jack is trials rider Danny MacAskill's biggest fan. (Don't know who MacAskill is? Start here.) Inspired by his hero, Jack made a video of himself riding his bike around and doing some tricks.
Oh man, there's water coming out of my face now. #cryingatwork (thx, meg)
Steinway & Sons, the celebrated piano making company, recently produced this video of how their grand pianos are constructed. Their process for building pianos has changed so little that they were able pair 1980s factory tour audio from former chairman John Steinway to contemporary footage of their Astoria, NY factory.
You can see how little has changed as you watch this 1929 film of how a Steinway piano was made:
Some of the shots in the two videos are identical, e.g. the men pulling the piano rim out of the mold or choosing spruce for the sounding boards. It interesting to compare these two videos with Wednesday's video of how Telsa sedans are made. Together, the three form a view of the progression of automation in manufacturing. I wonder if the Tesla robots could construct a piano that sounds as good as a Steinway? (via open culture)
Tesla got the factory for a song from Toyota in 2010, spent about a year or so setting up tooling and started producing the Model S sedan in mid-2012. The automaker brings in raw materials by the truckload, including the massive rolls of aluminum that are bent, pressed, and formed to create the car. Those lightweight components are assembled by swarm of red robots in an intricate ballet that is mesmerizing to behold.
Fourth-grader Zachary Maxwell is making a short documentary film about the lunch program at his New York City public school. It's called Yuck.
In the fall of 2011, fourth grader Zachary Maxwell began asking his parents if he could start packing and bringing his own lunch to school. Unfortunately, they kept insisting that he take advantage of the hot lunch being served at the school. After all, the online menu sounded delicious and the NYC Department of Education (DOE) website assured parents that the meals were nutritious. Zachary wanted to convince his parents that the online menu did not accurately represent what was really being served at his school.
Here's a short clip in which Zachary compares the special salads concocted by celebrity chefs Rachael Ray and Ellie Krieger for use in NYC public schools to the sad reality.
This is awesome. I mean, the lunches aren't awesome, but Zachary is.
On one of the world's most dangerous roads, Pakistani drivers deliver supplies 150 miles into northwestern Pakistan. In 2011, Al Jazeera English made this 25-minute documentary that followed one of the trucks across the Lowari Pass. I didn't think I was going to watch the whole thing, but it turned out to be worth the time.
Back in October, I wrote a post about the race to win the Igor I. Sikorsky Human Powered Helicopter Competition. To win the $250,000 Sikorsky prize, a human-powered helicopter must fly for 60 seconds, reach a momentary altitude of 3 meters, and stay within a 10 meter square. Last month, after 33 years of collective human effort, someone finally won the prize:
Reichert knew that the challenge was to keep supplying enough power through his legs to keep the craft from descending too quickly. On two previous flights in which he'd flirted with the three-meter mark, Reichert had descended too abruptly and fallen afoul of a phenomenon called vortex ring state, in which a helicopter essentially gets sucked down by its own downwash. Both times Atlas had been wrecked. This time, Reichert spent the balance of the flight easing the craft down gently to the ground. "You're so focused on having the body do a very precise thing," he told Pop Mech. "If you lay off the power even a little bit, or make any sharp control movement, you can crash."
Photographer Clayton Cubitt and Rex Sorgatz have both written essays about how photography is becoming something more than just standing in front of something and snapping a photo of it with a camera. Here's Cubitt's On the Constant Moment.
So the Decisive Moment itself was merely a form of performance art that the limits of technology forced photographers to engage in. One photographer. One lens. One camera. One angle. One moment. Once you miss it, it is gone forever. Future generations will lament all the decisive moments we lost to these limitations, just as we lament the absence of photographs from pre-photographic eras. But these limitations (the missed moments) were never central to what makes photography an art (the curation of time,) and as the evolution of technology created them, so too is it on the verge of liberating us from them.
Photography was once an act of intent, the pushing of a button to record a moment. But photography is becoming an accident, the curatorial attention given to captured images.
Slightly different takes, but both are sniffing around the same issue: photography not as capturing a moment in realtime but sometime later, during the editing process. As I wrote a few years ago riffing on a Megan Fox photo shoot, I side more with Cubitt's take:
As resolution rises & prices fall on video cameras and hard drive space, memory, and video editing capabilities increase on PCs, I suspect that in 5-10 years, photography will largely involve pointing video cameras at things and finding the best images in the editing phase. Professional photographers already take hundreds or thousands of shots during the course of a shoot like this, so it's not such a huge shift for them. The photographer's exact set of duties has always been malleable; the recent shift from film processing in the darkroom to the digital darkroom is only the most recent example.
What's interesting about the hot video/photo mobile apps of the moment, Vine, Instagram, and Snapchat, is that, if you believe what Cubitt and Sorgatz are saying, they follow the more outdated definition of photography. You hold the camera in front of something, take a video or photo of that moment, and post it. If you missed it, it's gone forever. What if these apps worked the other way around: you "take" the photo or video from footage previously (or even constantly) gathered by your phone?
To post something to Instagram, you have the app take 100 photos in 10-15 seconds and then select your photo by scrubbing through them to find the best moment. Same with Snapchat. Vine would work similarly...your phone takes 20-30 seconds of video and you use Vine's already simple editing process to select your perfect six seconds. This is similar to one of my favorite technology-driven techniques from the past few years:
In order to get the jaw-dropping slow-motion footage of great white sharks jumping out of the ocean, the filmmakers for Planet Earth used a high-speed camera with continuous buffering...that is, the camera only kept a few seconds of video at a time and dumped the rest. When the shark jumped, the cameraman would push a button to save the buffer.
Only an after-the-fact camera is able to capture moments like great whites jumping out of the water:
And it would make it much easier to capture moments like your kid's first steps, a friend's quick smile, or a skateboarder's ollie. I suspect that once somebody makes an easy-to-use and popular app that works this way, it will be difficult to go back to doing it the old way.
Or rather, protozoan? Toxoplasma gondii is a protozoan parasite which is transmitted from rodents to cats through a crafty mechanism...it makes mice attracted to the smell of cat urine. Mouse goes near cat, cat eats mouse, T. gondii has a new host. From cats, the parasite can jump into humans, where it may be responsible for all sorts of nastiness:
Well, the behavioral influence plays out in a number of strange ways. Toxoplasma infection in humans has been associated with everything from slowed reaction times to a fondness toward cat urine -- to more extreme behaviors such as depression and even schizophrenia. And here's the kicker: Two different research groups have independently shown that Toxo-infected individuals are three to four times as likely of being killed in car accidents due to reckless driving.
And maybe makes us want to invent networking technology and share cool links? In this five-minute talk, Kevin Slavin cleverly connects viral media with T. gondii:
That video was so good, I watched the whole thing twice.
Karen Cheng learned to dance in a year. Here's a video of her progress, from just a few days in to her final number:
Here's my secret: I practiced everywhere. At bus stops. In line at the grocery store. At work -- Using the mouse with my right hand and practicing drills with my left hand. You don't have to train hardcore for years to become a dancer. But you must be willing to practice and you better be hungry.
This isn't a story about dancing, though. It's about having a dream and not knowing how to get there -- but starting anyway. Maybe you're a musician dreaming of writing an original song. You're an entrepreneur dying to start your first venture. You're an athlete but you just haven't left the chair yet.
The interesting thing is, Cheng basically did the same thing in her professional life as well.
I decided to become a designer, but I had no design skills. I thought about going back to school for design, but the time and money commitment was too big a risk for a career choice I wasn't totally sure of.
So I taught myself -- everyday I would do my day job in record time and rush home to learn design. Super talented people go to RISD for 4 years and learn design properly. I hacked together my piecemeal design education in 6 months -- there was no way I was ready to become a designer. But I was so ready to leave Microsoft. So I started the job search and got rejected a few times. Then I got the job at Exec.
The first few weeks were rough. Everyday I sat in front of my computer trying my damnedest and thinking it wasn't good enough. But everyday I got a little bit better.
YouTuber Chase creates short videos where the faces of celebrities are swapped for other celebrity faces. The results are weird and often hilarious. The best one is probably the most recent video of Natalie Portman and Will Ferrell:
This quick Nicholson/Cruise clip from A Few Good Men is pretty good too:
"When picking the celebrities, I am mainly considering two things. Their relevance and popularity, as well as the availability of unique, high-quality footage in which the actor is looking mostly towards the camera," Chase says. "Mashing up footage in which the characters are constantly looking side to side is much more difficult and usually results in a less convincing final product." He adds. "There have a been a few After Effects sessions that ended up in the recycle bin because of this."
Douglas Engelbart died at his home in California yesterday at the age of 88. Engelbart invented the mouse, among other things. In 1968, Engelbart gave what was later called The Mother of All Demos, in which he demonstrated "the computer mouse, video conferencing, teleconferencing, hypertext, word processing, hypermedia, object addressing and dynamic file linking, bootstrapping, and a collaborative real-time editor".
Not bad for a single demo. Truly one of the giants of our age.
Update: Bret Victor urges us to remember Engelbart not for the technology he created but for his vision of how people could collaborate and create together using technology.
The least important question you can ask about Engelbart is, "What did he build?" By asking that question, you put yourself in a position to admire him, to stand in awe his achievements, to worship him as a hero. But worship isn't useful to anyone. Not you, not him.
The most important question you can ask about Engelbart is, "What world was he trying to create?" By asking that question, you put yourself in a position to create that world yourself.
Last month, we posted a video of Tim Knoll doing ridiculous and panic-inducing circus style tricks on his bike. In the video below, he explains how he does the bike limbo, riding under several semi trucks in a row. Just because he tells you how to do it, does not mean you should try it. In fact, it is the expressed opinion of this blog you should not try it. However, if you do try it and you do feel yourself falling -- which you will, because let's be honest -- don't try to lift your head up. Just fall, because as Knoll says, "scrapes are better than stitches."