In their rush to air exclusive photos of Flight 447's destruction, no one in this newsroom stopped to ask the logical questions, such as: 1) How did the camera survive? and 2) Why are the photos in wide-screen format?
The answers, of course, are: 1) Because the footage is from Lost. And, 2) because the footage is from Lost.
As a follow-up to the excellent Band of Brothers, HBO, Steven Speilberg, and Tom Hanks have teamed up to make The Pacific, a 10-part miniseries about the fighting in the Pacific during WWII from the perspective of a group of US Marines. The first trailer for the series has been released:
Update: So of course HBO made YouTube remove the video of the trailer. But they put up a smaller crappier version on their own site so it's all ok, right? (Why do media companies not like people spreading their advertising around? That's the fucking goal, yes?) Anyway, in the meantime I changed the link to the video above with a new one that hasn't been removed yet. And if that one gets removed, you can probably find the newest ones here. (thx, greg)
In a film of startling power and unsettling intimacy -- produced exclusively for wallpaper.com -- video artist and photographer Robbie Cooper shoots back at active porn aficionados lost in ecstatic release and hears how their passion developed. Be aware that this is not easy titillation and some of you may find the footage shocking. But the film does throw up any number of questions about voyeurism and exhibitionism and makes clear the incredible nakedness of the solo sex act.
NSFW because it turns out that watching people watching porn at the office is no easier to explain to your boss/co-workers than actually watching porn at the office.
And he's got several pairs of them. In this video, the noted writer shows off his suits and talks about "dressing up for the story" as a young reporter.
In a piece from 1979 called Big Wheel, artist Chris Burden took a massive 19th century iron flywheel and set it spinning with the rear wheel of a small motorcycle. The flywheel spins for *three hours* on a single charge.
Several of his larger works present a characteristic blend of purity, violence and monumentality now aimed at demonstrating simple principles of motion or mass in breathtakingly sculptural ways. In "The Big Wheel," Burden uses a motorcycle's rear wheel to set a three-ton iron flywheel, the survivor of a 19th-century factory, into a fast and furious spin that lasts about three hours. The contrast is wonderful: this old, simple Goliath of a wheel, man's first "machine," powered by a modern David -- small, complex and delicate.
Update: The score to beat is 1,050,200 points. (Oops, Wiebe just died as I was typing this. He's got two guys left.) Wiebe owns the second highest score with 1,049,100 points.
Update: He just died again. He's at ~370,000 with one guy left. Not looking good.
Update: Last guy. 457,000. Not looking good.
Update: He finally got it going but ended up short of the record with 923,400. Word is he's got two more chances to break it today.
Update: No dice...didn't break the score with any of his games.
You'll notice the crowd gets quiet after the first few seconds. It draws you in, forces you to pay attention, even if it's just staring at the back and forth eye tics on Shatner's face for a minute at a time. "In that moment everyone responds to it," Martinico says. There's laughing at first, but then people get into the rhythm of it and study the various little muscles as they pull and twitch on Kirk's face. "It's a phenomenal range in just a few seconds."
The Kobe/Shaq clip is worth a closer look because although the NBA picked this clip because it represents a dramatic moment in the NBA playoffs involving two of the best players in history on a storied team, what it actually shows is how dysfunctional Shaq and Kobe's relationship was even then, in their first championship season.
Bryant creates 95% of the offense here by crossing Pippen over and throwing a perfect lob to O'Neal. O'Neal throws it down and the camera follows him as he heads down the court yelling in celebration, totally blowing right past Kobe, who has his hand out to high-five Shaq. Kobe half-heartedly grabs at O'Neal's forearm as he passes; Shaq doesn't even notice. From his celebration, you'd think Shaq had made an amazing play, but Kobe made that whole thing happen. And if you look at the box score for the game, it was clearly Bryant's game: he had 25 points, 11 rebounds, 7 assists, and 4 blocks to O'Neal's 18/9/5/1.
The unedited clip of the play1 shows an awkward ending to this awkward moment. After celebrating with the Laker bench, Shaq looks for Kobe and the two finally acknowledge the play together. But it's a brief moment; they slap hands and go their separate ways, foreshadowing Shaq's departure four years later.
[1] What's also striking about the clip is that it shows just how much Kobe has improved the mechanics of his game since then. Even though he makes a great play here, he's still got those jittery feet that characterized his early career, at times looking like a dog skittering around on freshly polished linoleum. Any stuttering footwork is now long gone, replaced by the silkiest and smoothest of movement. ↩
Yesterday, Usain Bolt broke the unofficial record at the rarely contested distance of 150 meters, running it in 14.35 seconds on a temporary surface set up in Manchester's city center. This sounds made up, but here's the video.
The levitation trick works because giant magnetic fields slightly distort the orbits of electrons in the frog's atoms. The resulting electric current generates a magnetic field in the opposite direction to that of the magnet. A field of 16 teslas created an attractive force strong enough to make the frog float until it made its escape.
In this video, the NY Times profiles a pair of Pakistani brothers who run a business in Karachi designing and manufacturing bondage and fetish wear. As you'll see in the video, many of the firm's employees are unaware of what they're making. (thx, andrew)
Supertrain was a massively promoted and extremely expensive 1979 NBC adventure drama that lasted only a few episodes before being cancelled. Along with the US boycott of the 1980 Summer Olympics, the superflop nearly bankrupted the network.
The show featured an "atom powered steam turbine" train that could travel from NYC to LA in 36 hours. Infrastructurist has posted links to the awful and campy pilot episode of the show. Here's part one to get you started. I love that the train's crew is right out of a 1970s disco and the board of directors are bona fide 1890s railroad magnates. This thing is a train wreck. (Layered narrative again! Bam! (Again!))
The Baseball Card Movie is a nice nine-minute film that introduces the viewer to a world where adults pay up to $500 for a pack of cards (aka cardboard crack) and act very superstitiously about opening them.
He once made it a practice to buy his own autographed baseball cards on eBay; when asked why he bought them at auction for high prices rather than acquiring unsigned cards and signing them himself, Zito replied, "Because they're authenticated."
Possibly apocryphal but Zito would likely have a difficult time selling self-signed cards because they're not authenticated.
Noodling is the practice of catching catfish by letting them latch onto your arm.
To begin, a noodler goes underwater to depths ranging from only a few feet to up to twenty feet, placing his hand inside a discovered catfish hole. If all goes as planned, the catfish will swim forward and latch onto the fisherman's hand, usually as a defensive maneuver in order to try to escape the hole. If the fish is particularly large, the noodler can hook the head around its gills.
This video captures some noodling fishermen in action.
Live on NASA TV right now: the launch of the Space Shuttle Atlantis, tasked to repair the Hubble telescope. Looks like if the weather holds, lift-off is around 2:01pm. (via @noahkalina)
Punch-Out is coming to the Wii (@ Amazon)...the teaser commercial features Isiah Whitlock, Jr., who played Clay Davis on The Wire, as Little Mac's trainer. It's worth watching to hear Whitlock's comparison of comebacks and yo-yos. (thx, rob)
Free running is like parkour except that the former is more expressive than the latter. Whereas parkour is the efficient movement through space, free running adds acrobatic flair for aesthetic purposes. One of the more talented practictioners of free running is Levi Meeuwenberg; here's a demo reel he made of his stunts.
However, by bending and rolling, the time of impact can be increased to as much as 0.3 or 0.4 seconds. By decreasing his velocity over this extended period of time, the force is substantially reduced. Applying the above calculation with an acceleration time of 0.4 seconds we now get Fground = 2000 N (460 pounds). It's still a significant force but as you can see in the video quite manageable for someone with the proper skill, strength and technique.
The CBC has a clip of Jane Jacobs talking about Toronto and Montreal from 1969. In it, she makes the distinction between the two urban organizational forces at work in Toronto, a sort of "civil schizophrenia": the vernacular spirit ("full of fun") and the official spirit ("stamp out fun"). I also found a video on YouTube about Robert Moses and his difficulties with Ms. Jacobs which concludes with a cheeky update of Arnold Newman's iconic photo of Moses.
Sport Science recently tested to see whether professional golfer Padraig Harrington could drive the ball further than normal by employing a Happy Gilmore swing.
The good stuff doesn't get going until around 3:00. The running swing technique increased Harrington's distance by an average of 30 yards but his accuracy suffered. The split-screen view of his stationary and running swings is amazing...it's the same swing.
As resolution rises & prices fall on video cameras and hard drive space, memory, and video editing capabilities increase on PCs, I suspect that in 5-10 years, photography will largely involve pointing video cameras at things and finding the best images in the editing phase. Professional photographers already take hundreds or thousands of shots during the course of a shoot like this, so it's not such a huge shift for them. The photographer's exact set of duties has always been malleable; the recent shift from film processing in the darkroom to the digital darkroom is only the most recent example.
Esquire's moving cover reminds me of two other things.
1. Flickr encourages their members to think of short videos as long photos. When he guest edited kottke.org last year, Deron Bauman wrote about short video as a contemporary version of the photograph. Matt Jones argued that looping short video is the real long photography. So maybe the photograph of 10 years from now might not even be a still image.
2. In order to get the jaw-dropping slow-motion footage of great white sharks jumping out of the ocean, the filmmakers for Planet Earth used a high-speed camera with continuous buffering...that is, the camera only kept a few seconds of video at a time and dumped the rest. When the shark jumped, the cameraman would push a button to save the buffer.
There's just too much good stuff on the internet today. So rather than flood the site with a bunch of posts, I'm going to clear out my tabs and round them up here.
Dear Prudence: "I cheated on my wife while sleepwalking. What do I do now?" I've heard quite a few weird/bad things about Ambien in the past few months. Also, paging Emily Gould from The Awl, please A this Q.
I return to the court to hear Justice Ginsburg speak to law students. And in answer to the question "How does it feel to be the only woman on the court?" she answers simply, "Lonely."
Street rider Danny MacAskill starts off by riding his bike across a narrow fence about four feet in the air...and the video only gets better from there.
Stunning. I want to see MacAskill in the next Bond film. (via waxy)
You know, newspapers are gonna say, "We already let the horse out of the barn door. How can you charge for content? Information wants to be free." All that bullshit. As I remember, there wasn't an American in America 30 thirty years ago who paid for their television. Television was free 30 years ago. Now everybody's paying 16 bucks a month, 17 bucks a month, 70 dollars a month.
Matt Zoller Seitz has completed his five-part look at Wes Anderson's influences.
Part 1: Bill Melendez, Orson Welles, and Francois Truffaut Part 2: Martin Scorsese, Richard Lester, and Mike Nichols Part 3: Hal Ashby Part 4: J.D. Salinger Part 5: The Royal Tenenbaums, annotated
Seek out the video links in the right sidebar; they're better than just reading the text. From the Salinger segment:
Detractors say Anderson's dense production design (courtesy of regular collaborator David Wasco) overwhelms his stories and characters. This complaint presumes that in real life our grooming and style choices aren't a kind of uniform -- visual shorthand for who we are or who we want others to think we are. This is a key strength of both Anderson and Salinger's work. Both artists have a knack for what might be called "material synecdoche" -- showcasing objects, locations, or articles of clothing that define whole personalities, relationships, or conflicts.
The fifth part, where Seitz annotates the beginning segment of The Royal Tenenbaums with text, images, and video, is particularly fun to watch.
Trying to suggest that a lack of explanation is evidence that supernatural powers are at work is actually a contradiction. In effect what it's saying is, "I can't explain something, therefore I can explain it."
I had no interest in adding a complete 3D physics library because my needs at this time are fairly simple. I am not worried about environment... I just want the snakes to crawl over each other. I decided to try magnetic repulsion despite thinking it probably wouldn't work well enough. The thinking is this: Take each segment of a snake (200 segments each), and check its distance to every single other segment of every other snake on screen. Stupid, right? Yeah, pretty much. But with some optimization and only checking the segment distances if the snakes in question are close enough for overlap to be possible, I got it to run at 60 fps with 10 snakes.
Actually, when you get right down to it -- the atoms in snakes' bodies, that is -- magnetic repulsion isn't that far off from how matter achieves its electromagnetic opacity. Hodgin also made a video in which the snakes react to music. I wonder if this one's gonna end up in iTunes. (via waxy)
A wonderful little animation by Tomas Nilsson of my favorite fairytale, the one with wolves and woodsmen. This one's all zippy infographics and diagrams.
Archibald Query was the inventor of the pasty, sticky, somewhat offensive "creme spread" known as Marshmallow Fluff. The sugar shortage during World War I cost Query his confection. He sold the recipe to H. Allen Durkee and Fred Mower, two candymakers who quickly figured out that combining it with peanut butter creates the "Fluffernutter," which in turn creates sandwich-obsessed mobs of thieving children. The Fluffernutter may soon be the state sandwich of Massachusetts, even though it was almost legally banned from school lunches back in 2006.
Marshmallow was originally used as a throat-coating precursor to the lozenge, but these days it's molded into everything, from cereal squares to baby chickens and moon pies.
This Croque Madame is a fancy, sweet version of a fried ham-and-cheese, made with Nutella and Fluff on cinammon-raisin bread. Yum.
Eno is an antacid produced by GlaxoSmithKline. It's globally distributed, mainly across South America, India, and the Middle East, and it's available as sachets and tablets in both Lemon and an ambiguous "Regular" flavor.
Ogilvy & Mather produced a stunning print advertisement for the company, featuring a gun made of food. Quite an improvement over Eno's commercial from the 80s, although if the packets made me seem as effervescent as the actor, perhaps I'd take some on my down days.
"Vocoders are an instantly recognizable synthesizer sound, having been used in popular music since the 1960s. They allow you to 'talk like a robot', which while fun, is often not musically useful."
"Records sales really not concerned to me as much as doing it my way. And doing the kind of records I want to do. Without some A&R dude trying to tell me to go find T-Pain and get you a voice box. Ya know, all this stupid stuff that they do that mess up a lot of records, mess up a lot of artists."
This clip of T-Pain v. His Vocoder is the audio equipment equivalent of Stephen King's Christine, and it certainly backs up Mr. Cube's claim.
Update: Turns out that the actual device Mr. Pain uses to alter his voice box is referred to as an Auto-Tune, and it's the weapon of choice for Cher, Kanye, and T-Pain, who seems just as oblivious as this author was. The two machines are entirely different.
A refreshing take on aging, from across the pond, as expressed by 74-year-old Agnes McGroarty:
When Agnes - who already has an MP3 player - went into a music shop to ask about iPods, a young sales assistant couldn't have been more helpful.
She joked: "It may come as a surprise to some that someone my age has a Bose sound system and MP3 player instead of a gramophone. I think older people should challenge attitudes and we should all have respect for individuals, whatever their age."
Nowadays, it's quite likely that grandma and grandpa will be updating their status updates on Facebook during their games of Bingo. There are even email services available to connect tech-savvy seniors with Internet penpals across the globe.
A less friendly view comes from Tremendosaur, who believes that it's win, lose, or draw when it comes to Old People vs. Technology.
Metafilter feeds our needs for time-lapse photography and nutrition by linking to a full plate of time-lapse vegetation growth. Beans may be good for the heart, but pepper plants know how to shake it.
A system of sculptures that is constantly on the brink of collapse. My intention was to capture and sustain the exact moment of impending catastrophe and endlessly repeat it.
I do this too, only I use chairs and my own body and frequently tip over and hurt myself. Anything for my art.
Kontopoulos also did something called Conversation Piece, inspired by legendary film editor Walter Murch.
Film editor Walter Murch, who edited many of Francis Ford Copolla's films, developed a theory about edits while working on The Conversation (1974). He noticed that in many cases, the best place to make a cut was when he blinked. Subsequently, Murch wrote about the human blink as a sort of mental punctuation mark: a signifier of a viewer's comfort with visual material and therefore, a good place to separate two ideas with a cut.
Alcohol Is Dynamite (1958)
Appreciating Our Parents (1950)
Bookkeeping and You (1947)
Case of the Missing Magnets, The (1960)
Destruction: Fun or Dumb? (ca. 1970s)
Food Doesn't Fly - Lunchroom Manners
Great Annual Bathtub Race (1970)
Nuclear War - A Guide To Armageddon (BBC, 1982)
Shake Hands With Danger (1980)
Famous directors takes on famous comedy routines. Wes Anderson does Who's on First, Michael Moore does The Ministry of Silly Walks, and Tarantino does the I'm Crushing Your Head bit (the best one).
The clip shows an analysis of the plaza of the Seagram Building in NYC and what makes it so effective as a small urban space.
A busy place for some reason seems to be the most congenial kind of place if you want to be alone. [...] The number one activity is people looking at other people.
The video was adapted from a book of the same name by William H. Whyte, who is perhaps most well known as the author of The Organization Man. The video is largely out of print -- which is a shame because that clip was fascinating -- but I found a DVD copy for $95 (which price includes a license for public performance). (via migurski)
Thru You is a site that showcases remixed YouTube videos...the singing from one video combined with the drums from another and the piano from a third and so on. I was skeptical but these are really well done. Do I even need to say that this reminds me of Christian Marclay's Video Quartet? (via sfj)
If you liked Planet Earth, you should probably check out Nature's Great Events. Narrated by David Attenborough and currently airing in the UK on BBC1 and BBC HD, the series consists of six 50-minute shows, each of which features a large-scale annual event, like the spring thaw in the Arctic Circle and the sardine run along the coast of South Africa. The series was shot in HD using many of the techniques seen in Planet Earth.
If you're in the UK, you can check out the first three episodes on the BBC site. In the US, Discovery will be airing the show sometime in the spring under the title Seasons of Survival (apparently Nature's Great Events isn't dramatic enough for the American audience). No word on whether Attenborough's expert narration will also be replaced as it was in Planet Earth.
During the closing credits of the Academy Awards, a clip was shown previewing some movies that will open in 2009. None of them look like they'll win any Oscars so I presume this was paid advertising and not editorial on the part of the program. Fun though! (via /film)
From the recent TED conference, a demo of Siftables, blocks that are smart. What I find most interesting about Siftables is that the blocks form a computer that doesn't need instructions but it doesn't seem like a computer at all, i.e. the Holy Grail of computing. (via peterme)
The film covers information theory, language, feedback, etc. The audio from a punchcard machine -- used to "check its pulse" -- is pretty great and starts around 17:00. (via infosthetics)
You may remember reading the New Yorker article on Garrett Lisi, a surfer, physicist, and snowboarder who came out of nowhere in 2007 to present a plausible Theory of Everything, "a unifying idea that aims to incorporate all the universe's forces in a single mathematical framework". I do but I missed this visualization of Lisi's theory posted by New Scientist in late 2007. You may want to break out the bong for this one. (thx, matt)
Two is a trend: Kanye West's video for Welcome to Heartbreak uses the same video compression technique used in Chairlift's Evident Utensil. The videos were done by two different directors at around the same time, which probably means that neither originated it. Does anyone know what the Patient Zero is for this technique? This Radiohead video for Videotape comes close but doesn't use the compression artifacts to cleverly cut between scenes...which is the real artful moment here. (thx, andrew & demetrice)
I never got around to watching the video for Chairlift's Evident Utensil last week because the main visual technique -- the use of video compression artifacts -- seemed self-evident and gimmicky, the kind of thing you don't need to see once you've heard the premise. But the video is actually really nice and they use the compression in a non-obvious and clever way.
Short of opening a Radio Shack in an Amish town, Dubai is the world's worst business idea, and there isn't even any oil. Imagine proposing to build Vegas in a place where sex and drugs and rock and roll are an anathema. This is effectively the proposition that created Dubai - it was a stupid idea before the crash, and now it is dangerous.
What's the biggest problem with Dubai? It doesn't have the cultural bedrock needed to support a destination city.
It looks like Manhattan except that it isn't the place that made Mingus or Van Allen or Kerouac or Wolf or Warhol or Reed or Bernstein or any one of the 1001 other cultural icons from Bob Dylan to Dylan Thomas that form the core spirit of what is needed, in the absence of extreme toleration of vice, to infuse such edifices with purpose and create a self-sustaining culture that will prevent them crumbling into the empty desert that surrounds them.
Video interview with Pixar's Andrew Stanton, director of Finding Nemo and Wall-E. Among other things, he talks about two things that enabled the success of Pixar: the creative egalitarian dictatorship of John Lasseter and the ability of Steve Jobs to protect everyone from any outside business pressures and just create.
A lot of street dudes have paved the way and paid a hefty price for all of you to even be able to rock Lo and all those other name brands as well. Other names like North Face, Benetton, Gucci, Spyder, Gortex, Louis Vutton and the list goes on - Lo-Life's did it all first. So let me school ya'll for a second. This Lo movement officially started in 1988. And even before 1988, the movement was in development. Have ya'll ever heard of Ralphies Kids or USA (United Shoplifters Association), that's the foundation right there. Those are basically the two crews that Rack-Lo united as Lo-Life's to form voltron on the Hip Hop world. And a lot of you dudes probably weren't even born then. So what the fuck are you really saying? So I'm just making it clear that if your going to rep that Lo shit and be apart of a fashion institution there's a certain way to do it. Word, it rules and laws to this shit. This aint no fly by night shit where u wake up one morning and decide to rock Lo like Kayne West did. That shit there is a fairy tale a lot of heads are living.
Kanye defended his status as a Lo Head in the song Barry Bonds from his Graduation album.
"Everyone needs to understand the complex history of money and our relationship to it," he says. "By learning how societies have continually created and survived financial crises, we can find solid solutions to today's worldwide economic emergency." As he traverses historic financial hot spots around the world, Ferguson illuminates fundamental economic concepts and speaks with leading experts in the financial world.
And just so you don't end up wondering about it for half the talk like I did, Melissa Gilbert played Laura Ingalls on Little House on the Prairie. Elizabeth Gilbert is a writer. (via john hodgman)
In a 10-minute video, Randy Nelson, the Dean of Pixar University, talks about how Pixar hires. One thing they look for is people who are interested rather than interesting.
Video of The Beatles' last public performance in three parts: one, two, three. They performed on top of the group's own building with an audience situated on rooftops and down on the street. (via the year in pictures)
Force yourself to do a lot of stories. This is the most important thing you can do. Get yourself in a situation where people are expecting work out of you, or where you simply force yourself to do a certain number of stories every month. Turn the stuff out. Deadlines are your friend.
The current inactivity at Port of Long Beach is indicative of larger problems in the highly coupled global economy. Americans are buying fewer goods, including those made abroad, so no new goods are coming in to the port and those that have already arrived are sitting on the docks, including 165+ acres of Toyota cars. Because Americans are not buying foreign goods, China has slowed production. Slowed production means that they don't need cardboard boxes for packaging. Since we ship our used paper to China for recycling into cardboard boxes, hundreds of tons of paper are sitting on the docks, unshipped. The strengthening of the dollar abroad means that American made goods aren't selling and the ships hauling them are unable to leave the port. Nothing is selling anywhere so everything sits in the now-constipated port.
Go on, see if this T-Mobile commercial doesn't make you smile. They did a good job in making it look organic and building to greater and greater coordination. Great commercial...it shows exactly what mobile phones are for.
First the videos. Someone visiting the Bronx Zoo caught the plane on video, flying low in the sky just after the bird strike. A Coast Guard video monitoring station got a shot of the plane just after it splashed down...you can see the spray from the impact flying in from the left of the video just after the 2:00 mark.
Soon after the plane hits, the camera zooms in and you can see just how quickly people get out and onto the wings. And then this video shows it most clearly:
Look how low and level and steady Sully guided that thing in! Amazing!
The life raft attached to the plane was upside down in the river, just out of reach. Mr. Wentzell turned and found another passenger, Carl Bazarian, an investment banker from Florida who, at 62, was twice his age. Mr. Wentzell grabbed the wrist of Mr. Bazarian, who grabbed a third man who held onto the plane. Mr. Wentzell then leaned out to flip the raft. "Carl was Iron Man that day," Mr. Wentzell said. "We got the raft stabilized and we got on." A man went into the water, and the door salesman and the banker hauled him aboard. He curled in a fetal position, freezing.
The Times also comes through with the 3-D flight graphic I asked for the other day but they upped the ante with a seating chart of the plane where you can click on certain passengers' seats to read their thoughts. Mark Hood in seat 2A described the landing:
When we touched down, it was like a log ride at Six Flags. It was that smooth.
Video of Willard Wigan's work. Wigan makes exceptionally tiny sculptures that fit on pin-heads or within eyes of needles. He once lost a sculpture of Alice in Wonderland:
The stillness of it is very important -- you have to control the whole nervous system, you have to work between the heartbeat -- the pulse of your finger can destroy the work.
An effect extraordinarily limited in what can usefully be done with it, it has nonetheless been flogged to death in the 10 years since The Matrix.
The Burly Brawl from the second Matrix movie thankfully didn't make the list either, likely because the whole thing looks like a cartoonish video game (and not in a good way). The only quibble I can think of: maybe Titanic should have been on there somewhere? (via fimoculous)
Each worm/worm gear pair reduces the speed of the motor by 1/50th. Since there are 12 pairs of gears, the final speed reduction is calculated by (1/50)12. The implications are quite large. With the motor turning around 200 revolutions per minute, it will take well over two trillion years before the final gear makes but one turn.
Highlights of yesterday's Patriots/Bills game, aka The Wind Bowl. We must have rewound that Buffalo field goal attempt at least five times...I still can't believe it hooked that much in two different directions.
[Video removed because I couldn't figure out how to turn off the annoying autoplay. Go here to watch it.]
It works through a camera that uses recognition software that tracks objects based on their shape and color. The software then links each movement to different instruments that change in pitch and tempo as the fish patrol the tank. Fish that move toward the surface have a higher pitch. The faster they move, the faster the tempo.
The idea is to create audio aquariums for the blind. (via clusterflock)
The Fridrich Method is a collection of more than 50 algorithms for solving the Rubik's Cube. Developed by Dr. Jessica Fridrich, a Binghamton University electrical engineering professor, it is currently the fastest way to solve the Cube.
With Google Map Maker, you can become a citizen cartographer and help improve the quality of maps and local information in your region. You are invited to map the world with us!
Update: Several people wrote in to recommend OpenStreetMap instead because Google doesn't make the data available in a raw form whereas the OSM data is under a CC license available for derivative works like OpenCycleMap. (thx, mike and everyone)
Aired a few weeks before the 2008 election, The President's Guide to Science is a 50-minute video featuring several prominent scientists -- Richard Dawkins, Michio Kaku, etc. -- offering their advice for the incoming US President, basically what they would teach the President about science. (via smashing telly)
After posting the video of the chickens from the Muppets clucking their way through the Blue Danube waltz, I couldn't resist putting it together with the most iconic use of that tune in contemporary culture. Here, then, is Stanley Kubrick's 2001: A Space Odyssey, the Chicken Cordon Bleu Danube cut.
Update: The inbox consensus seems clustered around the opinion that this train is running on the contemporary 4/5/6 line. Here's a 1904 map which shows the then-IRT line in question (in red). At 42nd St, the line runs crosstown to Times Square and then up the 1/2/3. (thx jason et al.)
Man in Space was a short film made by Disney about the possibility of putting humans into space. The film was first shown in 1955 and features several prominent scientists of the day, including Wernher von Braun. The film is available for viewing on YouTube in eight parts.
Watch as they gloss over the use of rockets to bomb Europe during WWII and caution against smoking in space. Man in Space was followed by two other Disney short films, Man and the Moon and Mars and Beyond. Particularly entertaining is von Braun explaining his complicated plan to send a manned spaceship to the moon and back, which involves a permanent orbiting space station -- which looks not unlike a giant bicycle wheel -- with a crew of fifty and powered by a nuclear reactor.
Designer Peter Saville -- you know, iconic Joy Division album cover, Factory Records, etc. -- talks about his process a little bit in this video interview.
Learning and filing, learning and filing. Sounds familiar, yeah? (thx, paul)
Video of a man carrying 20 bricks on his head. And that's not even the most amazing part...he just kinda throws the bricks up there while staying balanced. I don't know, this looks fake to me...my extensive block stacking experience over the past few months indicates that this sort of thing is impossible. (via cyn-c)
In this video interview, long-time online community expert Randy Farmer explicitly references the broken windows theory and its application to online spaces. He tells an anecdote about how the quick deletion of trolling questions from the front page of Yahoo Answers led to a decline in the number of trolls. (thx, bryce)
In a compilation of 64 videos all shown on the same page, one man recreates Thriller -- the beats, the howling, the singing -- all by himself. This is pretty awesome, like Christian Marclay on speed. (thx, christopher)
If the translation to English is to be trusted, Egypt's strongest man generates 240 horsepower, is medically exempt from working because he might hurt someone in the workplace, and, well, it just gets better from there. Oh, and HE'S NEVER SLEPT. (via delicious ghost)
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.
If you can stomach more than 30 seconds of it, here's Snoop Dogg on Martha Stewart making cognac mashed potatoes. Here's part 2, in which Snoop and Martha compare posses -- bodyguards in Snoop's case and personal assistants for Martha. One of commenters on YouTube correctly notes that Stewart has spent more time in jail than Snoop.
Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. '2012' is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
It's worth sitting through the annoying "in a world..." narration to see the structure of an immense colony of ants. The scientists poured 10 tons of concrete down into an abandoned ant colony, waited for it to harden, and then spent weeks excavating the results.
During the construction of the giant structure, it's estimated that the ants hauled 40 tons of dirt out of the holes, the equivalent of building the Great Wall of China. (via cyn-c)
First, a fruit fly is tethered to a rod with a cylindrical LED display around it. The display shows geometric patterns that are known to make a fruit fly move left or right - a kind of virtual reality simulator for flies. Since the fly is tethered, it can't actually move, but it tries to anyway. "The fly's pretty dumb," says roboticist Brad Nelson, who created the "flyborg" with colleagues at the Swiss Federal Institute of Technology Zurich.
The patterns on the display are triggered by images transmitted from a camera mounted on a miniature robotic car. If the car approaches an obstacle, the display shows the appropriate pattern and the fly reacts accordingly. As it does so, another camera detects minute changes in the movements of its wings. "We measure the lift force and kinematics in real time," says Nelson.
The goal is to figure out how the fly makes decisions about movement so that those decisions can be replicated by a computer.
It is the eleventh Star Trek film and features the main characters of the original Star Trek series, who are portrayed by a new cast. It follows James T. Kirk enrolling at Starfleet Academy, his first meeting with Spock, and their battles with Romulans from the future, who are interfering with history.
I'm not a proponent of the idea that any Trek is good Trek so I really want to hate this movie but it looks kind of awesome. At least f'ing McG didn't direct.
Online political observers say President-elect Obama's innovative, online-fueled campaign will likely evolve into a new level of online communication between the public and the White House -- the Internet-era version of President Franklin Roosevelt's famous "fireside chats" between 1933 and 1944.
Now that the Flip has released their handheld digital HD video camera, here's a little rundown of the offerings currently out there and coming soon.
Kodak Zi6 - 128MB of built-in memory, expandable to 32GB, 720p, 1280x720 at 60 fps, 2.4 in. LCD, AA rechargable batteries. $180. (Video sample.)
Flip Video MinoHD - 4GB of built-in memory (~60 min of video), 720p, 1280x720 at 30 fps, 1.5 in. LCD, very slim handheld. $229. (Video sample.)
Nikon D90 SLR - expandable SD memory, 720p, 1280x720 at 24 fps for 5 minutes at a time, 3 in. LCD, and almost every single setting and control that's available on a SLR camera. $1200. (Video samples.)
Canon 5D Mark II SLR - expandable CF memory, 1080p, 1920x1080 at 24 fps for 30 minutes at a time, 3 in. LCD, and almost every single setting and control that's available on a SLR camera. $2700. (Video sample.)
Red One - Not going to list the specs on this one, except to to say that you can shoot whole feature length movies on this thing at a higher resolution for less money than pretty much any other camera out there, digital or otherwise. $17500. (Gorgeous video sample.)
You may have noticed that the video of Burn-E I embedded looked a bit better than a normal YouTube video. YouTube has been quietly offering high-quality versions of some of their videos for quite some time via a "watch in high quality" link just underneath the player. It's not HD, but it's definitely an upgrade of YouTube's legendarily crappy video quality. By default all videos on YouTube and embedded on other sites load at normal quality, but there's a way to set your default viewing quality to high, link to high quality video, embed HQ video, and even save HQ videos for later viewing.
Set your default viewing quality to high:
When you're logged in, go to Account / Playback Setup / Video Playback Quality and set the option to "I have a fast connection. Always play higher-quality video when it's available."
Linking to YouTube videos in high quality:
If you need to link to a high quality video on your blog, append &fmt=18 onto the end of the YouTube URL, like so:
Upon arriving at the YouTube page, you'll see the highest quality video that YouTube pushes out. The full technical details are available here...basically it's a mp4 encoded using H.264 with stereo AAC sound at 480x360.
Embedding high quality YouTube videos:
The &fmt=18 trick doesn't work here, but a similar trick does. For each of the URLs in the embeddable code that you get from YouTube, add &ap=%2526fmt%3D18 onto the end, like so:
Saving high quality YouTube videos:
When you're viewing a high quality video on YouTube, you can use the KeepVid bookmarklet to download the mp4 file for later viewing on your computer, iPod, or iPhone. I tested this with the Burn-E video and the resulting mp4 was in letterbox format (480x198, or roughly the standard 2.40:1 aspect ratio).
BTW, here's a comparison of the low and high quality for the same video.
Update: I switched the example videos and code because YouTube took the Burn-E video down.
Update: I got an email from a YouTube engineer who tells me that format 18 isn't even the highest quality you can get. Check out Dancing Matt in format 22, aka 720p. Furthermore, some videos don't have a format 18 version (if the uploaded movie doesn't have sufficient quality, for instance). (thx, phil)
Sea Orchestra is a nice animated commercial for United Airlines done by Shy the Sea. As lovely as it is, the "making of" video -- which reveals reference materials, initial sketches, and storyboards -- might be even better. (thx, dave)
Dark Days is a documentary released in 2000 about a group of homeless people living in an abandoned Manhattan railway tunnel.
When he relocated from London to Manhattan, Marc Singer was struck by the number of homeless people he had seen throughout the city. Singer had befriended a good number of New York's homeless and later, after hearing of people living underground in abandoned tunnel systems, he met and became close to a group of people living in The Freedom Tunnel community stretching north from Penn Station past Harlem. After living with them for a number of months, he decided to create a documentary in order to help them financially. The film's crew consisted of the subjects themselves, who rigged up makeshift lighting and steadicam dollies, and learned to use a 16mm camera with black & white Kodak film. Singer himself had never been a filmmaker before, and saw the production of Dark Days as a means of gaining better accommodation for the residents of the tunnel.
And then there's the self-created interview ad that is a product of recent advances in technology. Camcorders that can be taken anywhere. We've seen self-reporting from the Iraq War and video diaries created by soldiers. The photographs and videos from Abu Ghraib are part of this phenomenon. Ultimately, video-blogging and self-reporting finds its expression in campaigns like the "Joe the Plumber." As I understand it, the McCain campaign has posted on its Web pages a request for people to film themselves and discuss why they are Joe the Plumber or Hank the Laminator or Frank the Painter. The intention is to collect these testimonials and then cut them together for a tax revolt television ad.
The Unfinished Swan is a maze game set in an entirely white world and you use a gun that shoots black paint balls to navigate your way around. Check out the demo video:
So there it is: a weird/powerful truism about social politics delivered in a catchy, post-modern package that uses parody, found video, and cutting-edge video techniques (and let's not sell Hype Williams short for a second -- check out the shots of Puffy and Mase in the yellow suits -- I mean, what the hell is that?!), all montaged together with an off-handed mastery (check out how some of the transitions are deliberately not on-beat) to create something that felt so like the future that it could never really be the future. Just like all videos for pop singles, it was dug, and it was forgotten. And so it goes. Somewhere out there there is a list of videos that really truly did something new, and this one belongs on that list.
From The Living Room Candidate, a site which houses presidential campaign commercials from 1952-present, comes a 1960 commercial for John F. Kennedy. How the ad positions Kennedy reminds me of the delicate fusion that Barack Obama is attempting with his relative newness to politics and readiness for the job.
Do you want a man for President who's seasoned through and through but not so doggoned seasoned that he won't try something new? A man who's old enough to know and young enough to do...
What a great ad...I wish they still made 'em like this. You may remember seeing this on Mad Men.
The stage manager didn't help. "Sting never shares a microphone," he muttered to Ketola as she waited in the wings before the concert. "So don't [expletive] up." But in true fairy-tale tradition, a white knight swept in with a bottle of water and a few reassuring words. "He says that to me every night, too," Sting confided.
Speaking of Yann Arthus-Bertrand, as we were just yesterday, he made a TV series based on his photographs. Information on how to actually view the series is scarce but a clip is available on the Earth From Above site about the sustainable farming practices used on the La Cense Beef ranch. Meg and I order from La Cense from time to time and it's good beef.
Tilt-shift camera lenses have been around for awhile and have been typically used in architectural photography to straighten perspective lines. A few photographers have recently begun to make what look like photographs of scale models, using these lenses to control the angle and orientation of the depth of field. Vincent Laforet or Olivo Barbieri for example.
Update: Director Matt Mahurin used the tilt-shift technique in music videos in the early 90s. Take Bush's Everything Zen video for example. (thx, siege)
I know I've posted this one before but I'm probably gonna post it each time I run across it.
That's chef Kin Jing Mark stretching and dividing dough into super-thin noodles. Seeing this when I was a kid made a great impression on me about the wonder of mathematics.
A mesmerizing video that shows computer generated geometric shapes that have evolved to walk in all sorts of crazy ways. The shapes are generated using the Darwin@Home software. Some of them resemble young children just learning to walk or crawl. The final "beast" is particularly elegant.
After a couple of teasers starring Jerry Seinfeld, Microsoft is airingsome new ads that take Apple's "I'm a PC" out into the real world. So instead of John Hodgman's dorky PC character (who is parodied in one of the new ads), they've got all sorts of people -- basketball players, actresses, scientists, fashion designers, etc. -- proudly declaring "I'm a PC". As Michael Sippey mentions, the ads do communicate a "message of joy and abundance and widespread use of Personal Computing", but they're not "great".
I briefly worked for a design firm in the late 90s that did a lot of advertising work. One of the hard and fast rules in the office -- which was taken from a book written by a successful ad man whose name I cannot recall -- was that if a company was #1 in a certain space, their advertising should never ever mention the competition, not even in an oblique fashion. And even if a company was #2, they should do the same and act as if they were #1.
That's the problem with Microsoft's ads. They're still #1 and the bigger company, but by referencing Apple's successful ad campaign, they're acting like Apple is #1. (John Gruber made this same point the other day.) The ads fail because they serve to remind people that Apple comes up with good ideas that Microsoft then takes and shapes into something that so-called "normal people" can use or understand. Except that this isn't 1993. With the iPod, iPhone, iMac, OS X, the Apple Stores, and the iTunes Store, Apple has their finger firmly on the pulse of what normal people want and Microsoft's recent attempts (the Zune, Vista) to keep up by emulating Apple have failed. If MS had created the "I'm a PC" message on their own, the ads would be great, but these copy-and-paste ads lack soul and are merely "eh".
What's interesting is that with the I'm a Mac/I'm a PC ads, Apple mentions Microsoft explicitly, over and over, proving the old adage that rules are made to be broken. What works in Apple's favor is that they are the #2 company and were clever about how they attacked #1. Microsoft's hamfisted ads are almost saying to Apple, "nuh-uh, my mom thinks I'm cool" while the image of Hodgman's frumpy PC is hard to shake and makes Windows seem lame without being overly insulting about it.
This is probably my all-time favorite childhood TV moment. I loved watching the smiling workers and relentless machinery turn all that formless wax into something that I USED EVERY DAY. My favorite part is the crayons popping up out of their molds. Still gives me chills, it does! BTW, the YouTube page says the video originated from Sesame Street but it was actually from Mr. Rogers' Neighborhood. (thx, janelle)
Update: I stand corrected...the above clip is from Sesame Street. But Mr. Rogers did show a similar clip on his show (stills here). I know I've seen the one on Mr. Rogers but I don't know about the Sesame Street one. (thx, everyone)
Video of rapper Soulja Boy reviewing Braid, an innovative Xbox 360 game in which a player can rewind the action to travel back in time to change previous actions in different ways. Soulja Boy *really* likes the time travel aspect of the game. I wish all game reviews were this exuberant. (via waxy)
I don't know if I'm interested in watching the show or not, but we might have a new leader in the best TV show main title sequence: True Blood. By the same folks who did the Six Feet Under titles. Perhaps NSFW. (via quips)
