kottke.org posts about video
Since 2001, the Oscars have awarded The Academy Award for Best Animated Feature. The video above shows a scene from each of the winning movies: Shrek, Spirited Away, Finding Nemo, The Incredibles, Wallace & Gromit: The Curse of the Were-Rabbit, Happy Feet, Ratatouille, Wall-E, Up, Toy Story 3, Rango, Brave, Frozen, Big Hero 6, and Inside Out….as well as 2016’s five nominees: Kubo and the Two Strings, Moana, My Life as a Zucchini, The Red Turtle, and Zootopia. Pixar has dominated the category with 8 wins (and 10 nominations) out of 15 years, but the strong field this year meant the studio’s critically acclaimed blockbuster Finding Dory wasn’t even nominated, joining Cars 2, Monsters University, and The Good Dinosaur as the only Pixar films made during that period not to be nominated.
In the first of a three-part video series, Vox’s Joss Fong looks at how the technology used to film nature documentaries has changed over the past 50 years and how the producers of Planet Earth II used contemporary image stabilization techniques to make the series with a more cinematic style.
In the 1970s and ’80s, it was enough for the NHU to show people a creature they’d never seen before and provide the details in the narration. The films were illustrated zoology lectures. Since then, the producers have become sticklers for capturing specific behaviors, and in Planet Earth II, they showcase the drama of those behaviors. Each scene sets up the characters to perform something - something brave, something brutal, something bizarre. They’ve made room for our emotions; that’s what cinematic storytelling means.
And visually, the cinematic approach means the camera is often moving.
Hollywood filmmakers have kept the camera in motion for decades, but for obvious reasons, it’s much more difficult when your subject is wildlife. As we explain in the video at the top of this post, NHU producers used new stabilization tools throughout the production of Planet Earth II to move the camera alongside the animals.
The program doesn’t make you wait long to showcase this new approach. The tracking shot of a lemur jumping from tree to tree is one of the first things you see in the first episode and it put my jaw right on the floor. It’s so close and fluid, how did they do that? Going into the series, I thought it was going to be more of the same — Planet Earth but with new stories, different animals, etc. — but this is really some next-level shit. The kids were more excited after watching it than any movie they’ve seen in the past 6 months (aside from possibly Rogue One). The Blu-ray will be out at the end of March1 but there’s also a 4K “ultra HD” version that had me researching new ultra HD TVs I don’t really need.
Oh, and remember that thrilling sequence of the snakes chasing the newly hatched iguanas? Here’s a short clip on how they filmed it.
Actor Michael K. Williams — who played Omar Little in The Wire and Chalky White in Boardwalk Empire — has a conversation with himself, musing if he’s been typecast for a certain type of role.
Face it, we from a certain type a people that come from a type a place that look a type a way. You know what that make us?
For a promotional video (for The Atlantic), that was unexpectedly poignant.
George Saunders has written his first novel and it’s just as unusual as his short stories. Lincoln in the Bardo is historical fiction about Abraham Lincoln mourning the death of his son Willie, who is caught between lives.
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
Buzzfeed has an excerpt of the novel, which takes the form of a collection of quotes.
The boy, frustrated at being denied the attention he felt he deserved, moved in and leaned against his father, as the father continued to hold and gently rock the—
the reverend everly thomas
At one point, moved, I turned away from the scene and found we were not alone.
roger bevins iii
A crowd had gathered outside.
the reverend everly thomas
All were silent.
roger bevins iii
As the man continued to gently rock his child.
the reverend everly thomas
While his child, simultaneously, stood quietly leaning against him.
Then the gentleman began to speak.
roger bevins iii
Time to bust out the Google Cardboard: the NY Times VR team adapted a part of the novel into a 10-minute VR film.
Here’s a good interview with Saunders about the book and a review by Colson Whitehead. The book has been hovering near the top of the Amazon best sellers list since its release — it was #2 when I looked yesterday but is currently 6th, right after Orwell’s 19841 — and I’ve seen several people in my Instagram feed reading it…or at least socially signaling that they’re reading it. ;)
For their short film Ten Meter Tower, Maximilien Van Aertryck and Axel Danielson coaxed dozens of people to jump off of a 10-meter diving platform for the first time.
Our objective in making this film was something of a psychology experiment: We sought to capture people facing a difficult situation, to make a portrait of humans in doubt. We’ve all seen actors playing doubt in fiction films, but we have few true images of the feeling in documentaries. To make them, we decided to put people in a situation powerful enough not to need any classic narrative framework. A high dive seemed like the perfect scenario.
After the first 10 seconds, I was riveted to the screen for the remaining 16 minutes. It’s not at all obvious who will jump easily and who won’t.
My head says, “Go!” But my heart says, “No!”
People often worry about competition from others, but in the sporting world, the workplace, the home, and school, the struggle against the self — closing the gap between what you want your life to be like and reality, what your head wants and what your heart can provide — is always the most significant and difficult. (via @thisiseamonn)
In his newest video, Evan Puschak talks about Arrival, calling it “a response to bad movies”. Arrival was perhaps my favorite film of 2016, and I agree with him about how well-made this film is. There’s a top-to-bottom attention to craft on display, from how it looks to how it was cast (Amy Adams was the absolute perfect choice for the lead) to the integration of the theme with story to how expertly it was adapted from Ted Chiang’s Story of Your Life. The whole thing’s tight as a drum. If you happened to miss it, don’t watch this video (it gives the whole thing away) and go watch it instead…it’s available to rent/buy on Amazon.
Looking back through the archives, I’m realizing I never did a post about Arrival even though I collected some links about it. So, linkdump time!
Wired wrote about how the movie’s alien alphabet was developed.
Stephen Wolfram wrote about his involvement with the science of the film — his son Christopher wrote Mathematica code for some of the on-screen visuals. 1
Science vs Cinema explored how well the movie represented actual science:
Screenwriter Eric Heisserer wrote about how he adapted Chiang’s short story for the screen.
Jordan Brower wrote a perceptive review/analysis that includes links to several other resources about the film.
I finally got the chance to see Hidden Figures the other day. Recommended. It’s a science/space story in the vein of Apollo 13, but the twin engines of the film are the three excellent lead actresses — Taraji P. Henson, Octavia Spencer & Janelle Monáe — and the persistent portrayal of the systemic biases of segregation and sexism. You watch this movie and think, how much higher could the human race have flown if women and people of color had always had the same opportunities as white men?1 How many Katherine Johnsons never got the chance to develop and use their skills in math, science, or technology because of their skin color or gender? Our society wastes so much energy and human lives telling people what they can’t do rather than empowering them to show everyone what they can do.
Hidden Figures was adopted from Margot Lee Shetterly’s book of the same name. The film takes some dramatic license with the timing of certain events but overall is historically accurate.
The film primarily focuses on John Glenn’s 1962 trip around the globe and does add dramatic flourishes that are, well, Hollywood. However, most of the events in the movie are historically accurate. Johnson’s main job in the lead-up and during the mission was to double-check and reverse engineer the newly-installed IBM 7090s trajectory calculations. As it shows, there were very tense moments during the flight that forced the mission to end earlier than expected. And John Glenn did request that Johnson specifically check and confirm trajectories and entry points that the IBM spat out (albeit, perhaps, not at the exact moment that the movie depicts). As Shetterly wrote in her book and explained in a September NPR interview, Glenn did not completely trust the computer. So, he asked the head engineers to “get the girl to check the numbers… If she says the numbers are good… I’m ready to go.”
You can view Johnson’s published reports on NASA’s site, including her initial technical report from 1960 on the Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position.
Some genius took footage from The Americans and cut it into an alternative music video for The Beastie Boys Sabotage. Compare with the real thing:
Pretty good! Plus it’s always great to hear that song. (thx, steve)
Not going to say much about this one. Just watch it…especially if somehow, as a curious, thoughtful person who reads this site regularly, you are unaware of how many in the black community feel about the police and that they have conversations like this with their children about those who are supposed to protect and serve people.
In a bonus from the food series The Mind of a Chef, LA chef Ludo Lefebvre visits a butter factory where they make customized butter for restaurants.
So when we visited the Jean-Yves Bordier Butter factory in the Brittany region of France and had chef Ludo Lefebvre help in the process, it was nothing but pure amazement in his eyes. Le Beurre Bordier customizes it’s butter to the specifications of the chefs they send it to.
The video is subtitled and they go really quick, but I love the look on Lefebvre’s face after he runs his thumb through the finished butter: pure childlike wonder. The full episode featuring Lefebvre is available on PBS’s website (likely for US viewers only). This clip pairs well with this video on how to make croissants. (via the excellent the kid should see this)
I really like Keanu Reeves. He’s one of my favorite actors and seems like a genuinely nice person who has dealt well with his stardom. But after watching this collection of clips from every single movie he’s ever been in, I can’t tell if Reeves is actually a good actor or not. He definitely gets better as his career progresses, but many scenes where emotion or nuance are called for are just…oof. It’s like he’s reading the dictionary sometimes. But I still like him! Why is that?
See also: Danny Bowes believes Reeves belongs on the Mount Rushmore of Hollywood Action Stars along with John Wayne, Tom Cruise, and Harrison Ford.
Update: From Peter Suderman, Why Keanu Reeves is a perfect action star:
This may come off hyperbolic, or flat-out inaccurate, to those who don’t see Reeves as a great screen actor. And granted, his performance style doesn’t capture the tiny nuances of human reactions that are usually associated with great acting; he’s often characterized as a big-screen blank, and that’s not an entirely faulty statement.
But while it’s not wrong to label Reeves a blank, it’s also not enough. For nearly three decades, Reeves has proven himself one of Hollywood’s most durable and entertaining action stars, and the John Wick films show why: His total physical commitment to his action roles makes him a perfect avatar for the visions of ambitious action directors. At his very best, he becomes inseparable from the cinematic visions he embodies.
Aaron McAvoy’s washing machine makes a banging noise while washing clothes so he played The Devil Went Down to Georgia in time with the banging. This is the most perfect little internet entertainment…I actually started crying I was laughing so hard. A much needed respite from the world. See also the washing machine edition of Journey’s Don’t Stop Believin’ and a tribute to George Michael. (via @aaroncoleman0)
In this tutorial, we’ll take a look at the differences between The Internet and The World Wide Web, the differences between commercial OnLine Services such as the Microsoft Network, Prodigy, or America Online and the Internet, how to get connected to the Web, how to use something called a Web browser to navigate the Web, what a Web Page is, and how to search, locate, and download all types of files, from information files to video and audio files.
It’s worth skipping ahead to 17:30 to hear how the host pronounces “URL”.
See also a brief clip of Blogger/Twitter/Medium co-founder Evan Williams explaining the Internet in the mid-90s.
Look at that kid! He just knew the Internet was going to be a big deal, and boy was he right. (via laughing squid)
Richard Overton fought in the South Pacific in World War II, is 109 years old, still drives, sometimes drinks whiskey with breakfast, smokes 12 cigars a day (but doesn’t inhale), and still lives in the house he built himself in 1945. In this video from National Geographic, Overton talks about his military service, his faith, his long life, and soup. Overton’s short summary of World War II:
It wasn’t good, but we had to go.
I don’t really care to live to 100, but if I had Overton’s spirit and attitude, perhaps I’d consider it.
This lovely video from a television station in Denmark highlights the similarities we all share across seemingly impassable social, economic, racial, and religious boundaries.
It’s easy to put people in boxes. There’s us and there’s them. The high-earners and those just getting by. Those we trust and those we try to avoid. There’s the new Danes and those who’ve always been here. The people from the countryside and those who’ve never seen a cow. The religious and the self-confident. There are those we share something with and those we don’t share anything with.
And then suddenly, there’s us. We who believe in life after death, we who’ve seen UFOs, and all of us who love to dance. We who’ve been bullied and we who’ve bullied others.
Last week I started reading The Undoing Project, Michael Lewis’s book about the friendship and collaboration of psychologists Daniel Kahneman and Amos Tversky. This passage on Tversky’s work seems relevant to this video.
From Amos’s theory about the way people made judgments of similarity spilled all sorts of interesting insights. If the mind, when it compares two things, essentially counts up the features it notices in each of them, it might also judge those things to be at once more similar and more dissimilar to each other than some other pair of things. They might have both a lot in common and a lot not in common. Love and hate, and funny and sad, and serious and silly: Suddenly they could be seen — as they feel — as having more fluid relationships to each other. They weren’t simply opposites on a fixed mental continuum; they could be thought of as similar in some of their features and different in others. Amos’s theory also offered a fresh view into what might be happening when people violated transitivity and thus made seemingly irrational choices.
When people picked coffee over tea, and tea over hot chocolate, and then turned around and picked hot chocolate over coffee — they weren’t comparing two drinks in some holistic manner. Hot drinks didn’t exist as points on some mental map at fixed distances from some ideal. They were collections of features. Those features might become more or less noticeable; their prominence in the mind depended on the context in which they were perceived. And the choice created its own context: Different features might assume greater prominence in the mind when the coffee was being compared to tea (caffeine) than when it was being compared to hot chocolate (sugar). And what was true of drinks might also be true of people, and ideas, and emotions.
The idea was interesting: When people make decisions, they are also making judgments about similarity, between some object in the real world and what they ideally want. They make these judgments by, in effect, counting up the features they notice. And as the noticeability of features can be manipulated by the way they are highlighted, the sense of how similar two things are might also be manipulated. For instance, if you wanted two people to think of themselves as more similar to each other than they otherwise might, you might put them in a context that stressed the features they shared. Two American college students in the United States might look at each other and see a total stranger; the same two college students on their junior year abroad in Togo might find that they are surprisingly similar: They’re both Americans!
By changing the context in which two things are compared, you submerge certain features and force others to the surface. “It is generally assumed that classifications are determined by similarities among the objects,” wrote Amos, before offering up an opposing view: that “the similarity of objects is modified by the manner in which they are classified. Thus, similarity has two faces: causal and derivative. It serves as a basis for the classification of objects, but is also influenced by the adopted classification.” A banana and an apple seem more similar than they otherwise would because we’ve agreed to call them both fruit. Things are grouped together for a reason, but, once they are grouped, their grouping causes them to seem more like each other than they otherwise would. That is, the mere act of classification reinforces stereotypes. If you want to weaken some stereotype, eliminate the classification.
That’s what this video did so effectively…it switched up the contexts. Rabid soccer fans became dancers, bullies became lonely people, people of different faiths were united by their believe in an afterlife. An exercise for investors and entrepreneurs building media companies and social networks (as well as people running small independent sites….I’m staring hard at myself in the mirror here): how can you build tools and platforms that give people more ways to connect to each other, to switch up the contexts in which people are able to group themselves?
The official trailer for season five of The Americans is out and oooooooooh boy! I’m currently bingeing on The Night Manager and I love me some Halt and Catch Fire, but The Americans is my favorite pure-drama show1 right now. The actress who plays Paige is great and it looks like she’s going to be more involved in the plot than ever:
Look at her! Learning how to fight and reading Karl Marx! Oh, I can’t wait until March 7th! If you haven’t been following the show, all four of the previous seasons are available on Amazon Prime. I might have to rewatch!
Last night, during the Senate confirmation hearing of Senator Jefferson Beauregard “Jeff” Sessions III1 for Attorney General, Senator Elizabeth Warren attempted to read a letter that Coretta Scott King had written to the Senate Judiciary Committee in 1986 opposing Sessions’ nomination for a federal judgeship (which he did not get).
The first page of the letter appears above and the entire contents may be read here. King pretty plainly states that Sessions abused his position in an attempt to disenfranchise black voters:
Mr. Sessions has used the awesome power of his office to chill the free exercise of the vote by black citizens in the district he now seeks to serve as a federal judge.
Under Senate Rule XIX and after two votes by the full Senate, Warren was barred from speaking and finishing the letter.
When Warren first spoke against Sessions Tuesday night, Sen. Steve Daines, a Republican from Montana, warned her that she was breaking the rules. When she continued anyway, Majority Leader Mitch McConnell retaliated by finding her in violation of Senate Rule XIX — which prevents any senator from using “any form of words [to] impute to another Senator… any conduct or motive unworthy or unbecoming a Senator.”
Warren later read the letter outside of the Senate chambers. How the Senate is supposed to debate the appointment of a Cabinet member without being able to criticize the actions, words, and beliefs of that candidate is left as an exercise to the reader. (Ok, I’ll answer anyway: it’s not supposed to debate. That’s the entire point of the Republicans’ actions w/r/t Trump’s political nominees thus far.)
King’s letter, which Buzzfeed called “a key part of the case against Sessions [in 1986]” was only published earlier this week in part because Judiciary Committee Chairman Strom Thurmond never officially entered it into the congressional record. Thurmond, you may remember, vehemently opposed the civil rights reforms of the 50s and 60s, even going so far as filibustering the Civil Rights Act of 1957 for more than 24 hours and switching political parties because of the Democrats’ support of the 1964 Civil Rights Act.
And Senate Rule XIX? Cornell Law School professor James Grimmelmann notes the precedent:
Let’s be clear on the precedent here: it’s the 1836-44 gag rule that forbade any consideration of abolition in the House.
Racist southern representatives were so frustrated by abolitionist petitions to Congress, that they adopted a series of rules.
All abolitionist petitions would immediately be tabled, and any attempt to introduce them would be prohibited.
From pro-slavery members of the House to Davis to Beauregard to Thurmond to Trump (and Bannon) to Sessions to McConnell (and the nearly all-white Republican majority). Paraphrasing Stephen Hawking, it’s white supremacy all the way down. Gosh, if you’re a black person in America, you might even think the system is tilted against you!
P.S. I like this part of Senate Rule XIX, right at the bottom:
8. Former Presidents of the United States shall be entitled to address the Senate upon appropriate notice to the Presiding Officer who shall thereupon make the necessary arrangements.
I’m not sure what it would accomplish, but seeing a former President address this Senate, after an appropriate period spent kiteboarding, would be pretty fun to watch.
P.P.S. In silencing Warren, McConnell said, “She was warned. She was given an explanation. Nevertheless, she persisted.” Not a bad explanation of the feminist movement in America there, Mitch. Folks on Twitter are having fun with the #shepersisted hashtag.
Update: While the precedent for Senate Rule XIX dates back to the abolition debates in the 1830s and 1840s, the actual rule was made after a fight broke out in the Senate in 1902. From a book called The American Senate: An Insider’s Story:
South Carolina’s “Pitchfork Ben” Tillman accused his South Carolina colleague, John McLaurin, of selling his vote for federal patronage. McLaurin called Tillman a malicious liar. Tillman lunged at him, striking him above the left eye. McLaurin hit Tillman back with an upper-cut to the nose.
Given the history of this rule and how it was recently applied, you will perhaps not be surprised to learn that Tillman was an outspoken advocate of lynching, once remarking in a speech:
“[We] agreed on on the policy of terrorizing the Negroes at the first opportunity by letting them provoke trouble and then having the whites demonstrate their superiority by killing as many of them as was justifiable.” (Tillman boasted during the same speech that his pistol had been used to execute seven black men in 1876.)
So we can squeeze Tillman in-between Beauregard and Thurmond in the abbreviated narrative of how it came to be that a white majority Senate silenced a white woman for reading a letter written by a black woman.
Need to sleep, focus on work, get away from the news, meditate, or just tickle your ASMR receptors? Try 10 hours of ambient noise from a Norwegian icebreaker idling in the frozen Arctic.
10 hours video of Arctic ambience with frozen ocean, ice cracking, snow falling, icebreaker idling and distant howling wind sound. Natural white noise sounds generated by the wind and snow falling, combined with deep low frequencies with delta waves from the powerful icebreaker idling engines, recorded at 96 kHz — 24 bit and designed for relaxation, meditation, study and sleep.
That is some “Calgon take me away”-level shit. See also the most relaxing song in the world. (via bb)
Since its initial release in 2009, Minecraft has matured to the point of being a platform for people who want to make art and also for people who want to make money. Phil Edwards of Vox highlights some of the beautiful structures being created by Minecraft players (some of which are collected in this coffee table book called Beautiful Minecraft) and the challenges faced by creators trying to make money within a game owned by a large company.
The creativity “Creative Mode” enables is obvious in the work that talented designers produce. Sometimes Minecraft artists will create interactive worlds that replicate historic events; other times, Minecraft’s many cubes coalesce into a sculptural image, the same way pointillism’s dots disappear to form a picture. These images and worlds can be eerie, magical, and surprisingly beautiful.
But perhaps most surprising of all, Minecraft worlds can also be a business. Companies like Blockworks make maps for private Minecraft servers (computer networks that host Minecraft games), and they also occasionally design maps in collaboration with institutions and companies like Minecraft owner Microsoft.
BlockWorks — company tagline: “creative Minecraft solutions” — has done some really fantastic designs for themselves and their clients.
Using PT Anderson’s 2012 film The Master as a jumping off point, Evan Puschak discusses how Scientology’s audit process works. You can take the Oxford Capacity Analysis test he mentions right here.
Steve Hackman, aka Stereo Hideout, composes, arranges, and conducts mashups of orchestral music and pop music. Not just mixes on Soundcloud, mind you, but entirely new compositions that are played by actual orchestras. The video embedded above is Brahms Symphony No. 1 mixed with Radiohead’s OK Computer but he’s also done a few others that are available on YouTube: Copland vs Bon Iver, Beethoven vs Coldplay, and Bartok vs Bjork. Hackman’s next project in this vein? Tchaikovsky vs Drake, which he’s premiering with the Pittsburgh Symphony in March. (thx, spencer)
The 2017 Wind Games were recently held in Spain and featured skydivers from all over the world competing in a number of indoor skydiving1 events. Maja Kuczynska competed in the freestyle category and her routine/dance/performance was arresting.
My mind broke a little watching this. People are not supposed to move like this, like superheroes…it looks like not particularly well done special effects. At several points, the way she moves reminded me of Saruman toying with Gandalf before flinging him to the top of Orthanc in the Fellowship of the Ring.
Here’s her performance from another angle. Wow. Just wow. Kuczynska finished third in the event while Kyra Poh took first…here’s Poh’s winning routine.
I don’t know about you, but I could watch milling machines grinding down metal all day long (and very nearly did). Seeing metal behave like soft butter is weiiiird. Those blades are shaaaarp. Some words can be made looooong by repeating voooooowels. (via @rands)
In a 45-minute video called Riding Light, Alphonse Swinehart animates the journey outward from the Sun to Jupiter from the perspective of a photon of light. The video underscores just how slow light is in comparison to the vast distances it has to cover, even within our own solar system. Light takes 8.5 minutes to travel from the Sun to the Earth, almost 45 minutes to Jupiter, more than 4 years to the nearest star, 100,000 years to the center of our galaxy, 2.5 million years to the nearest large galaxy (Andromeda), and 32 billion years to reach the most remote galaxy ever observed.1 The music is by Steve Reich (Music for 18 Musicians), whose music can also seem sort of endless.
If you’re impatient, you can watch this 3-minute version, sped up by 15 times:
The Pixar Theory is an idea forwarded by Jon Negroni that all of Pixar’s movies take place in the same universe and are all connected to each other somehow. (Negroni turned the theory into a 100-page book.)
Centuries later, the animals from Brave that have been experimented on by the witch have interbred, creating a large-scale population of animals slowly gaining personification and intelligence on their own.
There are two progressions: the progression of the animals and the progression of artificial intelligence. The events of the following movies set up a power struggle between humans, animals, and machines.
The stage for all-out war in regards to animals is set by Ratatouille, Finding Nemo, and Up, in that order. Notice I left out A Bug’s Life, but I’ll explain why later.
Last week, the official Toy Story account released a video on Facebook that make explicit many of the connections between the films:
One of the dinosaurs from The Good Dinosaur shows up in Inside Out, a Monsters Inc. character is pictured in Brave, a Lightning McQueen toy is in Toy Story 3, a moped from Ratatouille is in Wall-E’s junkyard, etc. etc. This is a perfect bit of superfan trolling from the Pixar team. Kudos.
Abstract is an upcoming documentary series from Netflix that explores the art of design. Each of the eight episodes profiles a designer at the top of their discipline: photographer Platon, graphic designer Paula Scher, stage designer Es Devlin, illustrator Christoph Niemann, architect Bjarke Ingels, shoe designer Tinker Hatfield, interior designer Ilse Crawford, and automotive designer Ralph Gilles.
Step inside the minds of the most innovative designers in a variety of disciplines and learn how design impacts every aspect of life.
Looks like a Chef’s Table for design. All episodes will be available February 10.
From Now This, a short animated history of Planned Parenthood, the origins of which date back more than 100 years.
No woman can call herself free who does not own and control her body.
Voices in the video include Mindy Kaling, Amy Schumer, and Meryl Streep.
Real Engineering takes a look at some of the greatest innovations in F1 racing, including those that have made their way into passenger cars, like disc brakes, carbon fiber construction, and aerodynamics. The part about how the teams of engineers started competing with each other to increase the aerodynamics was really interesting. The 2014 F1 season was an instance where one team’s innovations were so dominant that the drivers were almost irrelevant. Mercedes dominated in 2015 and 2016 as well, but rule changes for 2017 (wider tires, wider cars, and lower spoilers mean faster cornering) will have everyone scrambling to find the advantages.
Evan Puschak looks at a single joke Louis C.K. tells about playing Monopoly with his daughters and takes it apart to see how Louis builds and delivers his material. By the end, you’ll likely have a new appreciation of the efficiency and power of Louis’ performance…every word he utters is doing work.
You know, more than anything else I think I’m obsessed with articulation, with the magic of putting things just the right way. There are 207 words in this joke and not a single one is wasted. They’re used either in meaning or in rhythm to contribute to the overall effect, an effect that lets us see the world from a different angle, and more importantly, makes us laugh.
Good phrase, “the magic of putting things just the right way”.
Jorge Luengo Ruiz has collected what he calls the most beautiful shots in the history of Disney. The scenes are pulled from nearly every Disney feature-length animation ever made, including Snow White, Peter Pan, The Lion King, and Moana. There’s a simple shot early on of Dumbo’s shadow passing over the ground that I really liked.
Buzzfeed did some stills of the best shots from Studio Ghibli movies, but it would be great to see a video collection. Both studios have produced amazing work, but Ghibli might best Disney in terms of sheer artistry and beauty.