How candy canes are made by hand Dec 19 2014
The first part of this video, the bit with the molten sugar and cooling table, is the most interesting, but the whole thing is worth a watch.
Reminds me of the lettered rock made at Teddy Grays.
The first part of this video, the bit with the molten sugar and cooling table, is the most interesting, but the whole thing is worth a watch.
Reminds me of the lettered rock made at Teddy Grays.
There's no blue pigment present in the wings of the morpho butterfly. So where does that shimmering brilliant blue color come from? It's an instance of structural color, where the physical structure of the surface scatters or refracts only certain wavelengths of light...in this case, blue.
Eye color is another example of structural color in action. Eyes contain brown pigments but not blue. Blue, green, and hazel eyes are caused by Rayleigh scattering, the same phenomenon responsible for blue skies and red sunsets. Blue eyes and blue skies arise from the same optical process...that's almost poetic. (thx, jared)
(via the dissolve)
Following in the footsteps of Too Many Cooks is Unedited Footage of a Bear. It aired for the first time on Adult Swim this week in their 4am infomercial slot. It starts off as a nature thing with a bear which is interrupted by a fake infomercial and then. Gets. WEIRD.
Quick three minute video about how they made the Millennium Falcon hyperdrive malfunction noise for Star Wars.
Favorite detail: one of the sounds is from the clanking pipes in the studio's bathroom. (via df)
Finally, courtesy of the Auralnauts, we get the Terminator trailer that we deserve. Time travel is hilarious.
I wish we could send you back with pants, but the technology just isn't there yet. So as soon as you hit the ground, you're going to want to find some pants. I know you can do it...because you already did it.
Like the old wives' tale says, if you want to fix the future, just keep sending Terminators back in time. (via @mouser_nerdbot)
This time lapse video of storm clouds by Nicolaus Wegner is flat-out incredible, by far the best of its kind.
While working as a filmmaker as part of the Scott Expedition, Temujin Doran made a beautifully shot and edited short film about a small team of people who live and work on Antarctica's Union Glacier during the summer.
For me, this film seems a bit like an antithesis to many expedition and adventure documentaries. There is no great achievement or record broken, nor any real challenge to overcome. Instead it concerns minor details; the everyday tasks of the staff that were made more special by the environment surrounding them. And in fact, I think that's what attracted me to make this film - the delightful trivialities of an average life, working in Antarctica.
Wes Anderson-esque. (thx, joseph)
If you've ever wondered how a designer does their thing (or even if you haven't), this look-over-the-shoulder view of Aaron Draplin designing a logo for a fictional company in about 10 minutes is great. A nice reminder that design is truly about making it up as you go along.
I love Draplin. Internet treasure, that guy. And that lefty writing claw! Go lefties!
Wow, the art of making marbled paper, a short film from 1970.
Charmingly British, just like the film about the Teddy Grays candy factory or the putter togetherer of scissors. Super cool how the inks are placed on a water bath, swirled expertly to make patterns, and then transferred to the paper. Also of note: the segment on the conservation of old books starting at around 9:55...I never knew they took them apart like that to dunk the pages in water! Sadly, the Cockerell Bindery ceased operation in the late 1980s with the death of Sydney Cockerell and its contents were sold at auction. (thx, matt)
This is the craziest thing I've ever seen anyone do on skis: Cody Townsend skiing down a super steep face in a space between two rock walls no wider than a supermarket aisle. Powder Magazine called it "The Line of the Year".
They forgot to put "Batshit Crazy" before the word "Line". (via devour)
A tribute to outer space in movies, featuring clips from Gravity, The Fountain, Alien, Star Wars, Solaris, Sunshine, Guardians of the Galaxy, and more.
Totally sweet and charming video of Apple co-founder Steve Wozniak talking about the early days at the company while setting up and using an old Apple II.
Of Apple's two founding Steves, Wozniak was the technologist and Jobs was the one with the artistic & design sense, right? But it's obvious from watching this video that Woz cared deeply about design and was a designer of the highest order. Those early Apple circuit boards are a thing of beauty, which is echoed in the precision and compactness with which Apple currently designs iPhone and Mac hardware. They each have their own unique way of expressing it, but Woz and Jony Ive speak in a similarly hallowed way about how their products are built.
Update: Wozniak still has improving the Apple II on his mind. From earlier this year:
I awoke one night in Quito, Ecuador, this year and came up with a way to save a chip or two from the Apple II, and a trivial way to have the 2 grays of the Apple II be different (light gray and dark gray) but it's 38 years too late. It did give me a good smile, since I know how hard it is to improve on that design.
By the time I was done, the design of the Nova was half as many chips as all of the other minicomputers from Varian, Digital Equipment Corp., Hewlett-Packard, all of the minicomputers of the time (I was designing them all). And I saw that Nova was half as many chips and just as good a computer. What was different? The architecture was really an architecture that just fit right to the very fewest chips.
My whole life was basically trying to optimize things. You don't just save parts, but every time you save parts you save on complexity and reliability, the amount of time it takes to understand something. And how good you can build it without errors and bugs and flaws.
Gear Patrol visited 12 whiskey distilleries (including Buffalo Trace, Maker's Mark, and Jim Beam) to find out how bourbon is made.
Cool. Some of that I knew, and some I didn't. My favorite detail is how the placement of the barrel in the aging room can affect the flavor of the bourbon within. Just like cheese. (via digg)
This dive, by Leeds United midfielder Adryan in match against Derby County, might be the worst dive of all time.
He's flopping around like Sonny Corleone getting shot up at the toll booth in The Godfather. Hilarious.
Watch as a Latvian master blacksmith forges a Damascus steel1 knife with 320 layers of steel. Then he uses the finished knife to make a leather holder for it.
Pound it flat, fold it over. Pound it flat, fold it over. I love that twist he puts on the steel in the middle of the process. You can also see how their chisels are made, how their axes are made, or take a listen to what their knives sound like after being struck with a hammer (headphones on for this one).
The knives are available for sale from John Neeman (for $650), along with axes, chef's knives, longbows, and other handmade items.
Amazon's newest fulfillment center1 features hundreds of robots. Watch them work in an intricate ballet of customer service through increased speed of delivery and greater local selection. Also, ROBOTS!
Fulfillment center. How's that for a metaphor for one of the world's largest retailers?↩
Kermit the Frog, Fozzie Bear, and guests cover Naughty By Nature's 1993 classic Hip Hop Hooray.
I am still very much looking forward to the Shaun the Sheep movie, but the first official trailer is not inspiring much confidence:
Yeesh. That makes it look like The Smurfs movie or something. Movie company marketing departments don't seem to know what to do with quirky stuff like Shaun or Wallace & Gromit. Has an Aardman movie ever had a good trailer? (via digg)
Why do humans explore space? We "love to sail forbidden seas". This is a beautiful short video narrated by Carl Sagan showing future human exploration of our solar system.
Without any apparent story, other than what you may fill in by yourself, the idea of the film is primarily to show a glimpse of the fantastic and beautiful nature that surrounds us on our neighboring worlds -- and above all, how it might appear to us if we were there.
The shot starting at 2:25 of the exploration of one of Jupiter's moons (Europa?) is fantastic. (via ★interesting)
From Stuart Brown, a five-part video series on the history of graphics in video games. Here's part one:
Huh. Someone built a working particle accelerator out of Lego bricks. Ok, it doesn't accelerate protons, but it does spin a small Lego ball around the ring much faster than I would have guessed.
Update: I stand corrected, the Lego particle accelerator does indeed accelerate protons, just a lot of them very slowly, accompanied by all manner of other particles.
Dancers from legendary Bay Area hip-hop dance crews in the 1970s and 80s reminisce about the old days and show that they still have the moves.
Wonderful. There's no school like the old school. (via waxy)
As a player, how do you prepare yourself for making the greatest catch in history? It would be easy to dismiss this catch as a lucky fluke...one-handed, fighting off a defender, just gets it by his fingertips. But here's the thing: Beckham practices exactly this catch:
Luck is what happens when preparation meets opportunity. Preparation, kids. Preparation.
Aside from the occasional highlight, I still have not watched a single minute of NFL football this year. It's not been easy, particularly on Sunday nights, where all I want to do most of the time is flip on the game and veg out with a Collinsworth/Michaels soundtrack. ↩
Lilly Yokoi was an acrobat who specialized in performing on a bicycle. During her career, she toured around the world and appeared on the Ed Sullivan show three times. In this performance from 1965, Yokoi does some seriously before-their-time tricks on her Golden Bicycle, including a no-hands handlebar spin, a no-hands wheelie, a handstand over the handlebars, and several other tricks...all in chunky high heels, mind you.
A look at the sound design of Interstellar, including some of the cool rigs they built to record sounds for the movie, including a truck driving through a corn field, sand hitting the outside of a car, and robots walking.
The Marshmallow Test was developed by psychologist Walter Mischel to study self-control and delayed gratification. From a piece about Mischel in the New Yorker:
Once Mischel began analyzing the results, he noticed that low delayers, the children who rang the bell quickly, seemed more likely to have behavioral problems, both in school and at home. They got lower S.A.T. scores. They struggled in stressful situations, often had trouble paying attention, and found it difficult to maintain friendships. The child who could wait fifteen minutes had an S.A.T. score that was, on average, two hundred and ten points higher than that of the kid who could wait only thirty seconds.
Mischel has written a book about the test, its findings, and learning greater self-control: The Marshmallow Test: Mastering Self-Control.
The world's leading expert on self-control, Walter Mischel has proven that the ability to delay gratification is critical for a successful life, predicting higher SAT scores, better social and cognitive functioning, a healthier lifestyle and a greater sense of self-worth. But is willpower prewired, or can it be taught?
In The Marshmallow Test, Mischel explains how self-control can be mastered and applied to challenges in everyday life -- from weight control to quitting smoking, overcoming heartbreak, making major decisions, and planning for retirement. With profound implications for the choices we make in parenting, education, public policy and self-care, The Marshmallow Test will change the way you think about who we are and what we can be.
Here's a video of the test in action:
Update: A recent study showed that the environment in which the test is performed is important.
Now a new study demonstrates that being able to delay gratification is influenced as much by the environment as by innate ability. Children who experienced reliable interactions immediately before the marshmallow task waited on average four times longer -- 12 versus three minutes -- than youngsters in similar but unreliable situations.
(thx, maggie & adam)
Shelf Life is a new video series from the American Museum of Natural History that will deep-dive into the archives of the museum and feature some of its 33 million artifacts and specimens.
From centuries-old specimens to entirely new types of specialized collections like frozen tissues and genomic data, the Museum's scientific collections (with more than 33,430,000 specimens and artifacts) form an irreplaceable record of life on Earth, the span of geologic time, and knowledge about our vast universe.
(via the kid should see this)
In 2012, Joe Ayoob broke the world record for the longest distance paper airplane flight with a plane designed by John Collins. In this video, Collins demonstrates how to fold that plane, the Suzanne.
Directions for the design are also available in Collins' New World Champion Paper Airplane Book.
Bonus from 1999: Beginners Guide To The Internet Starring John Turturro.
Nora Ephron's movie Julie & Julia is based on a book by Julie Powell about her making every recipe in Julia Child's Mastering the Art of French Cooking. Some genius took the movie and cut all the Julie parts out of it, leaving just a movie about the life of Julia Child starring Meryl Streep.
Update: Well, that was fast...got taken down already.
Update: Looks like someone did a similar cut three months ago, Julia Sans Julie:
Allen Hemberger cooked his way through one of the most complex cookbooks out there, the Alinea cookbook. Aside from the chefs who work in the kitchen there, Hemberger's probably the only person to have made every single recipe. These recipes aren't easy; look at the last one he prepared...he even struggled to find the correct ingredients.
Should I be disturbed or thankful that I've never been that passionate about anything ever?
The Great War is a video documentary series on YouTube that covers World War I. The series will air each week over the next four years with each 6-10 minute episode covering a week's worth of the war 100 years after it happened.
What an ambitious project. They're currently up to week 15 of the war, when the Ottoman Empire enters the fray. (via @garymross)
On Last Week Tonight, John Oliver takes down the lottery.
$68 billion. That's more than Americans spent last year on movie tickets, music, porn, the NFL, major league baseball, and video games combined.
The lottery is a defacto tax on poor people. Despicable. Horrible. But fun!
This is a time lapse of the surface of the Sun, constructed of more than 17,000 images taken by the Solar Dynamics Observatory from Oct 14 to Oct 30, 2014. The bright area that starts on the far right is sunspot AR 12192, the largest observed sunspot since 1990.
The sunspot is about 80,000 miles across (as wide as 10 Earths) and it's visible from Earth with the naked eye. Best viewed as large as possible...I bet this looks amazing on the new retina iMac. (via @pageman)
In 1985, German director Wim Wenders travelled to Japan and made a film called Tokyo Ga. In this clip of the film, Wenders visits a studio where fake food for display in restaurant windows is made. The clip starts a little slow so give it a bit of time.
What's surprising is how much the process of making fake food is like the process of making real food. (via open culture)
It's apparently silly video day on kottke.org. No idea what this is or why it's happening or who's involved or how this situation even came up or anything, but just watch it with the sound on it'll take you six seconds. Well, until you watch it 200 more times because WITAF.
Oh shit, this is a funny cat video I am posting a funny cat video what the hell is wrong with me please someone help me daaisy daaaisyyy giiiiiivve mmmmeeeeeeeeeeeeee (via @daveg)
Adult Swim did something magical with this 11-minute 80s sitcom intro:
Confirmed: metal shavings flung off of drill bits in slow motion are beautiful.
Klaus Kemp is one of the last great practitioners of arranging diatoms, tiny single celled algae. The art is only visible under microscopic magnification.
city.ballet is a video series about the workings of the New York City Ballet. The twelve episodes of season two cover everything from apprentice dancers to injuries to the sacrifices the dancers make to pursue their onstage dreams.
Imagine a city unto itself -- a place where 16 year olds are professionals, 18 year olds are revered and many 30 year olds are retirees. Imagine a world so insular that nearly every one of these virtuosos has trained together in an academy since childhood, their lives forever intertwined by work, play, competition, friendship and love. Imagine a world in which the bottom line standard is to be, simply, the best on the planet, and where each night, an empty stage, in front of thousands, beckons with a challenge. This enclave has a name -- New York City Ballet -- and you are invited into this world, one that has never opened up to the outside before.
What is more fun than watching the Danish National Chamber Orchestra play a piece after having eaten some of the world's hottest chili peppers? Probably a few things, but this is pretty entertaining nonetheless.
Chili consumption happens at 1:36. Classic highbrow + lowbrow stuff here. The brass and woodwind instrument players in particular should get some kind of award...I can't imagine blowing on a trumpet in that condition. See also Hot Pepper Game Reviews.
Neill Blomkamp (District 9, Elysium) is coming out with a new film in the spring, Chappie. Chappie is a robot who learns how to feel and think for himself. According to Entertainment Weekly, two of the movie's leads are Ninja and Yo-Landi Vi$$er of Die Antwoord, who play a pair of criminals who robotnap Chappie.
Blomkamp, with his South African roots, puts a discriminatory spin on AI in Chappie, which is consistent with his previous work. If robots can think and feel for themselves, what sorts of rights and freedoms are they due in our society? Because right now, they don't have any...computers and robots do humanity's bidding without any compensation or thought to their well-being. Because that's an absurd concept, right? Who cares how my Macbook Air feels about me using it to write this post? But imagine a future robot that can feel and think as well as (or, likely, much much faster than) a human...what might it think about that? What might it think about being called "it"? What might it decide to do about that? Perhaps superintelligent emotional robots won't have human feelings or motivations, but in some ways that's even scarier.
The whole thing can be scary to think about because so much is unknown. SETI and the hunt for habitable exoplanets are admirable scientific endeavors, but humans have already discovered alien life here on Earth: mechanical computers. Boole, Lovelace, Babbage, von Neumann, and many others contributed to the invention of computing and those machines are now evolving quickly, and hardware and software both are evolving so much faster than our human bodies (hardware) and culture (software) are evolving. Soon enough, perhaps not for 20-30 years still but soon, there will be machines among us that will be, essentially, incredibly advanced alien beings. What will they think of humans? And what will they do about it? Fun to think about now perhaps, but this issue will be increasingly important in the future.
Thirty years after starting Def Jam in his NYU dorm room, Rick Rubin returns to the room in question and talks about how Def Jam began.
If you believe in gravity, then you know that if you remove air resistance, a bowling ball and a feather will fall at the same rate. But seeing it actually happen, in the world's largest vacuum chamber (122 feet high, 100 feet in diameter), is still a bit shocking.
In the late 1500s, Galileo was the first to show that the acceleration due to the Earth's gravity was independent of mass with his experiment at the Leaning Tower of Pisa, but that pesky air resistance caused some problems. At the end of the Apollo 15 mission, astronaut David Scott dropped a hammer and a feather in the vacuum on the surface of the Moon:
You know what's pretty? Big waves and surfing in slow motion. Take a break and relax at 1000 fps with this mesmerizing video.
The Hans Zimmer soundtrack only adds to the effect. (via ★interesting)
A new short episode of Every Frame a Painting, in which Tony Zhou talks about how to show character choice in movies without using dialogue. His main example is Snowpiercer. Spoilers ahoy.
Three dancers from The Australian Ballet share their prep routines for their pointe shoes.
Take-aways: Ballerinas' feet are really not attractive, they soup up their shoes in all sorts of unusual ways, but the end result is beautiful. (thx, fiona)
We the Economy is a series of 20 short videos that attempt to explain important economic concepts. For instance, acclaimed director Ramin Bahrani did a video about regulatory capture starring Werner Herzog, Patton Oswalt, and the Sherman Antitrust Act of 1890.
Anchorman director Adam McKay directed an animated My Little Pony-esque video about wealth distribution and income inequality featuring the voice talents of Amy Poehler, Maya Rudolph, and Sarah Silverman.
Paul Allen and Morgan Spurlock are behind the effort, with Bob Balaban, Steve James, Catherine Hardwicke, and Mary Harron directing some of the other videos. (via mr)
A woman recently took to the streets of NYC and walked around for 10 hours. She walked behind someone wearing a hidden camera that captured all of the catcalls and harassment directed toward her during that time...108 incidents in all. This is what it's like being a woman in public:
At The Awl, John Herrman notes the parallels between a woman on the streets of NYC and a woman spending time on the internet.
But the video works in two ways: It's also a neat portrayal of what it is like to be a woman talking about gender on the mainstream internet. This became apparent within minutes of publication, at which point the video's comment section was flooded with furious responses.
A typical post in the YouTube comments thread:
are you fucking kidding me "verbal harassment"? most of all the guys called that woman "beautiful" or said to "have a good day"....it would be harassment if the guys called that woman a "hoe" or "bitch"...you are a fucktard.
To anchor this more concretely, consider the behavior of the men in the video. Take a look at how they seek the woman out to wish her a good morning, despite her not having made eye contact or shown any interest in talking to them. Take a look at how they're not wishing a good morning to any other person, particularly male people, also walking around. The woman is walking directly behind the man filming her (the camera is hidden in his backpack), and not one of the men shown in the video are seen to be greeting him and wishing him a good day. Just her.
Why is this?
It's because they don't care, really whether she has a good day or not. What they care about is letting her know that they have noticed her -- her hair, her face, her body, her outfit. They want her to notice that they've noticed, and they want her to notice them, however fleetingly.
In this music video for Roy Kafri, a bunch of iconic album covers come alive and start singing.
Among them, The Smiths, Madonna, David Bowie, and Michael Jackson. (via colossal)
Earlier today, with zero fanfare from an energy drink company, 57-year-old Alan Eustace broke Felix Baumgartner's 2-year-old record for the highest free-fall parachute jump.
Mr. Eustace's maximum altitude was initially reported as 135,908 feet. Based on information from two data loggers, the final number being submitted to the World Air Sports Federation is 135,890 feet.
The previous altitude record was set by Austrian daredevil Felix Baumgartner, who jumped from 128,100 feet on Oct. 14, 2012.
Mr. Eustace was carried aloft without the aid of the sophisticated capsule used by Mr. Baumgartner or millions of dollars in sponsorship money. Instead, Mr. Eustace planned his jump in secrecy, working for almost three years with a small group of technologists skilled in spacesuit design, life-support systems, and parachute and balloon technology.
He carried modest GoPro cameras aloft, connected to his ground-control center by an off-the-shelf radio.
Flash? Meet substance.
Mat Kirkby's short film, The Phone Call, won the Best Narrative Short prize at the Tribeca Film Festival and is rumored to be in the running for an Oscar nomination. It features a young woman who works in helpline call office (Oscar nominee Sally Hawkins) taking a call from a distraught man (Oscar winner Jim Broadbent). (via slate)
Update: The video has been taken down from Vimeo, so I've removed the embed. I think it was something about film festival eligibility?
You don't know what you would do unless you're in that situation.
That's Philip Zimbardo's1 introduction to this fascinating and deeply disturbing video, depicting a real-world instance of Stanley Milgram's experiment on obedience to authority figures2. In the video, you see a McDonald's manager take a phone call from a man pretending to be a police officer. The caller orders the manager to strip search an employee. And then much much worse.
The video is NSFW and if you're sensitive to descriptions and depictions of sexual abuse, you may want to skip it. And lest you think this was an isolated incident featuring exceptionally weak-minded people, the same caller was alleged to have made several other calls resulting in similar behavior. (via mr)
Zimbardo conducted the notorious Stanford prison experiment in 1971.↩
Milgram's experiment focused on a person in authority ordering someone to deliver (fake) electric shocks to a third person. Some participants continued to deliver the shocks as ordered even when the person being shocked yelled in pain and complained of a heart condition.↩
From Grantland's 30 for 30 Shorts series, a short film on former major league catcher Mackey Sasser and how he lost the ability to throw the ball back to the pitcher.
[I took the video out because someone at ESPN/Grantland is idiot enough to think that, by default, videos embedded on 3rd-party sites should autoplay. Really? REALLY!? Go here to watch instead.]
I remember Sasser (I had his rookie card) but had kinda stopped paying attention to baseball by the time his throwing problem started; I had no idea it was so bad. The video of him trying to throw is painful to watch. According to the therapists we see working with Sasser in the video, unresolved mental trauma (say, from childhood) builds up and leaves the person unable to resolve something as seemingly trivial as a small problem throwing a ball back to the pitcher. I've read and written a lot about this sort of thing over the years.
When's the last time I let you down? Ok, maybe don't answer that. But, when I tell you that a short film about the hand gestures used by a quarry boss guiding massive excavators harvesting marble is well worth watching, you're gonna go ahead and watch it, right? Because this is a beautiful little film.
I was so taken by the chief, watching him work. How he can move gigantic marble blocks using enormous excavators, but his own movements are light, precise and determined.
Notice the tips of two fingers are missing. That's how you get to be the boss. More hand gestures: hand signals used by traders on the floor of the NY Mercantile Exchange, nightclub hand signals, hand signals at Eleven Madison Park, and church usher hand signals. (via digg)
If you want to watch a bunch of realistic looking fake people run into a slowly spinning metal bar (and you really should want to watch it), this is the video for you:
Tony Zhou's excellent series on filmmaking, Every Frame a Painting, has become a much-watch for me. Here's the latest one, a short look at a single scene from Silence of the Lambs in which Zhou asks: Who Wins the Scene?
A Euro 2016 qualifying match between Albania and Serbia was abandoned today after a drone flying a banner with a map of Kosovo and the Albanian flag on it hovered over the pitch.
Tensions increased further when the flag was snared by Serbia's Stefan Mitrovic, who then pulled on the strings connecting it to the drone. He was immediately confronted by Albanian players, and a shoving match ensued.
The match was abandoned after a lengthy delay. At the recommendation of UEFA, no Albanian fans were allowed into the stadium for the match in Belgrade due to tensions between the two nations. Kosovo, where the population includes both ethnic Serbs and Albanians, declared its independence from Serbia in 2008, a declaration that the Serbians dispute. Nick Ames wrote a soccer-centric take on the tensions between the two nations.
It comes down, really, to Kosovo -- and that is a phrase that can be applied as shorthand for Serbian-Albanian relations as a whole. As Tim Judah writes in his seminal history, The Serbs: "So poisoned is the whole subject of Kosovo that when Albanian or Serbian academics come to discuss its history, especially its modern history, all pretence of impartiality is lost."
Kosovo, situated to the south of Serbia and the north-east of Albania, declared independence in 2008 having previously been part of Serbia. The Serbs still regard it as their own, but it is recognised by 56 percent of UN member states and its ethnic makeup is, depending on which side you refer to, overwhelmingly Albanian. (It's worth noting that figures vary wildly.)
The emotional significance goes as far back as 1389, when the Serbs were defeated by the Ottoman army in the Battle of Kosovo, which took place near its modern-day capital, Pristina. It has been much-mythologised in Serbian history. Far more recently, memories of the 1998-99 Kosovo War -- an appallingly brutal fight for the territory from which it has not really recovered -- still run deep.
FYI: the YouTube embed above was recorded off of a TV...if you're in the US, the ESPN story has better video.
From CineFix, their top ten slow motion sequences of all time.
Includes scenes from The Matrix, Hard Boiled, Reservoir Dogs, and The Shining. But no Wes Anderson!?! *burns down internet* (via @DavidGrann)
I've posted quite a few skateboarding videos here over the years and they all have their share of amazing tricks, but the shit Bob Burnquist pulls on his massive backyard MegaRamp in this video is crazy/incredible. My mouth dropped open at least four times while watching. I rewatched the trick at 2:50 about 10 times and still can't believe it's not from a video game. (via @bryce)
A short and sweet pixel art tribute to legendary animator and director Hayao Miyazaki.
See also 8-bit Ghibli.
In 1959, Lt Colonel William Rankin ejected from his F-8 Crusader at 47,000 feet. He was not wearing a pressure suit, which was a bummer because it was -58 °F outside the cockpit. Frostbite and symptoms of decompression1
immediately ensued. But his troubles were just beginning.
As the parachute opened, he felt the familiar tug upwards. Except instead of a slow descent, he experienced a rapid ascent. The powerful updraft filled his parachute like a sail and rocketed him vertically thousands of feet at a velocity of nearly 100 mph. During his ascent, he could see hail stones forming around him. The lightning was described by him as "blue blades several feet thick" and incredibly close. The thunder was so loud, he could feel it resonating in his chest cavity and remembered this more so than how loud it was. At one point, the lightning lit up his parachute leading him to believe he had died. The rain would pelt him from all directions, and at times was so intense, he had to hold his breath for fear of drowning. But this was only half the agony -- the other half being the downdrafts.
Once the updraft exhausted itself, the associated downdraft would ensue. It was during this phase of his journey that he truly thought he would die. His parachute would collapse around him, much like a wet blanket, and plunge him into a rapid free fall towards earth. The odds of his parachute re-inflating correctly were slim, but not only did it do so once, it did numerous times through a multitude of updraft and downdraft cycles.
Under normal conditions, Rankin's trip to the ground would have taken less than 10 minutes, but that thunderstorm kept him hostage for 40 minutes. (via @BadAstronomer)
Update: In 1966, pilot Bill Weaver and his navigator Jim Zwayer were testing an SR-71 Blackbird when something went wrong and the plane disintegrated around its occupants. Weaver was incredibly lucky to make it out alive.
My next recollection was a hazy thought that I was having a bad dream. Maybe I'll wake up and get out of this mess, I mused. Gradually regaining consciousness, I realized this was no dream; it had really happened. That also was disturbing, because I could not have survived what had just happened. Therefore, I must be dead. Since I didn't feel bad -- just a detached sense of euphoria -- I decided being dead wasn't so bad after all. As full awareness took hold, I realized I was not dead, but had somehow separated from the airplane. I had no idea how this could have happened; I hadn't initiated an ejection. The sound of rushing air and what sounded like straps flapping in the wind confirmed I was falling, but I couldn't see anything. My pressure suit's face plate had frozen over and I was staring at a layer of ice.
"The sudden decompression caused his stomach to swell, his ears, nose and mouth to bleed, and the only thing keeping him conscious was his O2 canister attached to his helmet."↩
From Errol Morris and the NY Times, Three Short Films about Peace. Morris interviewed Nobel Prize winners and nominees Liberian activist Leymah Gbowee, the former Polish president Lech Walesa and rock star Bob Geldof.
I interviewed five of the world's greatest peacemakers, and chose to feature the three who told the most compelling stories on camera. But it was a privilege to meet and to interview every one of them. David Trimble, whose participation in the Good Friday Agreement helped bring an end to Northern Ireland's Troubles, and Oscar Arias Sanchez, who brokered the Esquipulas peace agreement that ended decades of internecine strife in Central America, were no less inspiring than the three included here.
It's the easiest thing to say: that each of these stories is inspiring. They are. I was inspired by them. Can one person make a difference? In most cases, no. But every now and again something seemingly miraculous happens. And one person changes the world. Or as Bob Geldof puts it, tilts the world on its axis.
European suits of armor always look so impractical when you see them in museums, but how did they perform in combat? Well enough for the wearer to do jumping jacks and move quickly on the battlefield.
(via the kid should see this)
Watch and listen as Anna-Maria Hefele demonstrates polyphonic overtone singing, a technique where it sounds as though she's singing two different notes at the same time.
This blew my mind a little, particularly starting around the 3:00 mark, where she actually starts to be more fluid in her singing. (via @anotherny)
Update: See also Tuvan throat singing, Inuk throat singer Tanya Tagaq (who posted a photo online of her infant daughter next to a dead seal, a "sealfie"), and many other cultures who practice overtone singing. (thx, @bmcnely, @ChrisWalks1 & james)
Gorgeous videos of chemical reactions (precipitation, bubbling, crystallization, etc.). I think the metal displacement reaction video is my favorite:
Is this the first surrealist free diving video? I wasn't sure and then Superman showed up.
Tony Zhou of Every Frame a Painting looks at the constraints David Fincher chooses to operate under while shooting a film. For instance, he very rarely uses hand-held cameras.
The last half of the video featuring a breakdown of how some of Fincher's scenes were shot is fascinating.
I somehow didn't know or forgot that PT Anderson was doing a movie based on Thomas Pynchon's Inherent Vice. It turns out he totally is and here's the first trailer:
That looks entirely goofy and good.
This video of a giant red leech devouring an earthworm twice its own length is the most disturbing nature footage I've ever seen.
Damn nature, you scary!
There's an incredible 16-second sequence in this video of clouds, starting at around 10 seconds in. It looks as though the sky is a roiling ocean wave about to crash on the beach. I've watched it approximately 90 times so far today.
It's worth making the video fullscreen and pumping it up to the max quality (2160p!) to see it properly. (via colossal)
In the future, people won't want to meet or talk to celebrities, they'll just want to borrow some of their social capital.
Entangled is a short film by Tony Elliott about a quantum experiment that goes wrong. Shit gets real at approximately precisely 4:19.
Reminds me a bit of Primer.
I think this guy is the T-1000 robot from Terminator 2, but for chopping onions instead of assassinating future resistance fighters. Evidence:
1. In the brief view we get of his face at about 20 seconds in, he is not even really looking at the onion. Total robot move.
2. Um, he's like superhumanly fast at chopping that onion.
3. The T-1000 can easily morph into other people, like this fast watermelon cutter or this pancake flipper or this lemon chopper. Different people, same shapeshifting food prep robot from the future! (via @kdern)
This looks like a time lapse, but it's not. It's just a straight-up gorgeous video of the aurora borealis filmed in Yellowknife, Northwest Territories, Canada.
It is real time motion! NOT time-lapse. Brighter the Aurora, faster the movement.
(via the kid should see this)
In 2011, Steven Soderbergh revealed he'd repeatedly watched Raiders of the Lost Ark in black & white. Now he's released a full-length version of the film in b&w, with no dialogue and an alternate soundtrack (Reznor and Ross's score to The Social Network) so that you can focus on how the film is constructed visually.
So I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot -- whether short or long -- held for that exact length of time and placed in that order? Sounds like fun, right? It actually is. To me. Oh, and I've removed all sound and color from the film, apart from a score designed to aid you in your quest to just study the visual staging aspect. Wait, WHAT? HOW COULD YOU DO THIS? Well, I'm not saying I'm like, ALLOWED to do this, I'm just saying this is what I do when I try to learn about staging, and this filmmaker forgot more about staging by the time he made his first feature than I know to this day (for example, no matter how fast the cuts come, you always know exactly where you are -- that's high level visual math shit).
In 1967, Steve Reich wrote a piece of music called Piano Phase. The piece is performed by two pianists playing the same piece of music at two slightly different speeds. As the piece progresses, the music moves in and out of phase with itself. Classical percussionist David Cossin performed with a duet of Piano with himself to produce a Piano/Video Phase:
Give it 30-90 seconds for the phase shifting to kick in. For those who aren't so musically inclined, this pendulum phasing video provides a more visual representation of what's going on:
Update: And whoa, here's Rob Kovacs playing Piano Phase on two pianos:
Casey Neistat visited several Apple Stores in NYC on the eve of the iPhone 6 launch to observe the folks standing in line. He found that many of those in line, particularly right in the front, were Chinese resellers.
The iPhone 6 won't be available in China for several months, so a lively and lucrative black market has sprung up. The video shows several typical transactions: two phones (the maximum allowed per person) are purchased with cash and then the people sell those phones to men who presumably have them shipped to China for resale.
I remember last year, when the iPhone 5s came out, there was always a line of mostly Asian people outside the Soho store in the morning, even months after the launch. (via @fromedome)
Marvin Gaye's isolated vocals on I Heard It Through The Grapevine. The man has pipes.
Amidala friendzones Anakin, Obi-Wan hunts for drugs, and Jango Fett pumps the bass in this hilarious Auralnauts reimagining of Star Wars: Attack of the Clones.
You may have also seen their recent video of the Throne Room scene at the end of Star Wars without John Williams' score (reminiscent of these musicless musicvideos) or Bane's outtakes from The Dark Knight Rises. Still champion though: bad lip reading of NFL players. (via @aaroncoleman0)
In this video entitled Rush Hour, cars, pedestrians, and cyclists have been edited together to produce dozens of heart-stopping near misses.
Join designer James Victore for an opinionated tour of the typography of Brooklyn and Queens.
We're going to do a typographical tour of Brooklyn and Queens, We're going to look at type on the street and signage on the street and try to figure out what the hell it's for.
Favorite quote: [Pointing at a logo for a waxing salon] "There's been a designer here. Which is not always a good thing." (via gothamist)
Using Phil Fish, the person responsible for critically acclaimed indie game Fez, this video by Ian Danskin explores what it means to be internet famous, something everyone who writes/creates/posts/tweets online has experienced to some extent.
We are used to thinking of fame as something granted to a person by people with media access. The reason people hate Nickelback is because of that record contract, that Faustian bargain -- they bought into it. They had to be discovered; someone had to connect them to video directors, record producers, stylists, advertisers.
This is not what fame looks like on the internet. There, fame is not something you ask for. Fame is not something you buy into. Fame happens to you.
Phil doesn't have an agent. He doesn't have ad executives. He doesn't tour the country on press junkets. He doesn't have a PR department. (Obviously.)
He talked on social media. He did interviews when invited to do them. He was invited into a documentary. People read these things as shameless self-promotion or a desperate need for attention, or both, but that's projection -- nobody knows Phil's reasons for doing them but Phil and the people who know him personally.
Phil never asked to be famous.
We made him famous. Maybe, in part, because we found him entertaining. Maybe, in part, because we found him irritating. Largely because many of us were once sincerely excited about his game. But he became a big deal because we kept talking about him.
On the internet, celebrities are famous only to the people who talk about them, and they're only famous because we talk about them, and then we hate them for being too famous, and make them more famous by talking about how much we hate them. Could there ever be anything more self-defeating than this?
I was at home with a bad cold a couple of weeks ago when the internet exploded with hate against me over some kind of EULA situation that I had nothing to do with. I was confused. I didn't understand. I tweeted this in frustration. Later on, I watched the This is Phil Fish video on YouTube and started to realize I didn't have the connection to my fans I thought I had. I've become a symbol. I don't want to be a symbol, responsible for something huge that I don't understand, that I don't want to work on, that keeps coming back to me. I'm not an entrepreneur. I'm not a CEO. I'm a nerdy computer programmer who likes to have opinions on Twitter.
The first is feeling like I'm sitting at a sidewalk cafe, speaking in a conversational voice, but having that voice projected so loudly that strangers many streets away are invited to comment on my most inconsequential statements -- especially if something I say gets retweeted beyond my usual circles.
Many moons ago, I was "subculturally important" in the small pond of web designers, personal publishers, and bloggers that rose from the ashes of the dot com bust, and I was nodding along vigorously with what Danskin, Persson, and Kissane had to say. Luckily for me, I realized fairly early on that me and the Jason Kottke who published online were actually two separate people...or to use Danskin's formulation, they were a person and a concept. (When you try to explain this to people, BTW, they think you're a fucking narcissistic crazy person for talking about yourself in the third person. But you're not actually talking about yourself...you're talking about a concept the audience has created. Those who think of you as a concept particularly hate this sort of behavior.)
The person-as-concept idea is a powerful one. People ascribe all sorts of crazy stuff to you without knowing anything about the context of your actual life. I even lost real-life friends because my online actions as a person were viewed through a conceptual lens; basically: "you shouldn't have acted in that way because of what it means for the community" or some crap like that. Eventually (and mostly unconsciously), I distanced myself from my conceptual counterpart and became much less of a presence online. I mean, I still post stuff here, on Twitter, on Instagram, and so on, but very little of it is actually personal and almost none of it is opinionated in any noteworthy way. Unlike Persson or Fish, I didn't quit. I just got boring. Which I guess isn't so good for business, but neither is quitting.
Anyway, I don't know if that adds anything meaning to the conversation, just wanted to add a big "yeah, that rings true" to all of the above, particularly the video. (thx, @brillhart)
Update: From the Argentinian author Jorge Luis Borges, a short essay called "Borges and I":
The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things.
Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.
I do not know which of us has written this page.
Here are some things you can do with instant ramen aside from eating it as directed on the package, including making a grilled cheese sandwich, gnocchi (a la David Chang), and pizza.
This goal by AC Milan's Jeremy Menez against Parma over the weekend is just beyond:
No-look backheel. Jeebus.
This guy Fik Shun? He knows how to dance.
The thing he starts doing with his chest around 2:10 is some Exorcist-level shit. (via digg)
The internet is full of remixes of movies and trailers these days: Wes Anderson's Forrest Gump, The Shining as a romantic comedy, Toy Story 2 mashed up with Requiem for a Dream, Toy Story meets The Wire, and so on. But before all of that, from 1987, perhaps the first mashup of its kind, Apocalypse Pooh:
Todd Graham made this short film with VCRs and film nerds passed around copies on VHS tapes. (via @johankugelberg)
This starts out ordinarily, but give it some time...it gets really good around 90 seconds in. The combination of panning and slow motion creates a powerful sense of energy around almost-still imagery; it's a trippy effect. See also James Nares' Street. (via subtraction)
From Cinefix, the 100 most iconic shots in film.
Watch as a group of Amish men raise almost an entire barn in a day.
Red Bull is sponsoring a six-part series on the history of Japanese video game music. The first installment covers the music of Space Invaders through the Game Boy. Highlight: composer Junko Ozawa showing off her hand-drawn waveform library she used in composing scores for Namco. Bonus: Space Invader-only arcades in Japan were called "Invader houses" while arcades in New Zealand were known as "spacies parlours".
Update: Beep is a feature-length documentary film that will attempt to cover the history of video game sounds from Victorian mechanical arcades on up to the present day games. They are currently raising funds on Kickstarter.
A compilation of some of the vehicles used in Wes Anderson's movies, shot from the first-person POV.
It turns out that this close-up video of slow motion skateboard tricks is all I've ever wanted out of life.
I had no idea that's what they were doing down there. It's a symphony of footwork!
Good morning, good morning. Welcome back from your beach vacation. Settling in? Good, good. Let's get right to it then: HBO is remastering The Wire in 16x9 HD and rebroadcasting what looks like every episode on HBO Signature starting this Thursday (Sept 4). Here's a teaser:
We haven't had news to report on HBO's The Wire in a long, long time but this tidbit caught our ear. HBO will be rebroadcasting one of its iconic series: The Wire in never-before-broadcast HD glory! The marathon will begin weeknights at 8PM starting on September 4th. You'll find the episodes on HBO Signature, a channel most, if not all HBO subscribers should have access to.
No idea if these new HD versions will make it to HBO Go or Amazon Instant or even into the mythical The Wire Blu-ray. Hopefully?
Update: A reader writes in:
My friend who works at HBO says they are chopping the top and bottom off the 4 x 3 frame for the early seasons to "fit" 16 x 9. We saw this with FX's Simpsons Marathon and I really wish companies would stop doing this. It wasn't cool to chop the sides off Lawrence of Arabia and it is likewise not cool to chop the head and neck off of Stringer Bell.
Boo. Boo-urns. According to IMDB, only season 5 was shot at 16x9. They should just leave seasons 1-4 at 4x3 and make the picture better. (thx, john)
Update: From an extensive piece on how The Wire was filmed:
And perhaps the final contrast to the rest of high-end episodic television, The Wire for each of its five seasons has been produced in good old fashioned 4 x 3 standard definition. DP Dave Insley recalled, "The reason the show has stayed 4x3 is because David Simon thinks that 4x3 feels more like real life and real television and not like a movie. The show's never been HD, even 4x3 HD and that (SD) is how it is on the DVDs. There is no 16x9 version anywhere." As a viewer with an HD set I will point out that like much of SD television that makes its way to HD channels, it appears that HBO utilizes state-of-the-art line doubling technology. It may still be standard definition, but line doubled it looks considerably better on a high definition set than it would on a standard definition set.
Insley explained, "When the show started 2001 / 2002 they framed it for 16 x 9 as a way of future-proofing. Then a couple of seasons ago, right before Season 4 began shooting, there was a big discussion about it and after much discussion -- David, Nina, Joe Chappelle, the Producers, the DPs -- and we discussed what should be the style of the show. David made the decision that we would stay with 4x3. The DPs pretty much defined the look to be what it is now. And it's been consistent for the past two seasons."
If the chopping down to 16x9 rumors are true, David Simon cannot be happy about that. I wonder how much creative control he maintains over decisions like that? I am guessing very little. (via @tubofguts)
Update: HBO has confirmed the remastering to EW, but says the timeline for airing has not been set yet.
A promo claiming that a "replay marathon" of the series would start September 4 on HBO Signature ran prematurely, HBO said, and the series will not be airing this month.
A plan used to be simple: you would agree to meet someone at a certain time and place and then you would meet them there and then. Now, a plan is subject to all sorts of revisions because "cellphones make people flaky as #%@*".
A Plan: Once heralded as a firm commitment to an event in the future, a plan is now largely considered to be a string of noncommittal text messages leading up to a series of potential, though unlikely, events.
A Cellphone: Your primary device for making plans. More specifically, the medium with which most plans are conceived and later altered. It's imperative that you keep your cellphone on your person at all times, as you can expect all plans to dissolve into an amorphous cloud upon conception.
I have experienced this recently and am convinced this is partially a generational thing. If you spent any part of your 20s without a cellphone, the sort of thing described in the video happens a lot less. But this practice is also contagious, as most social behavior is...if you witness friends doing it, over time it becomes more acceptable to do it yourself.
Basically, we had an existing map of Westeros and a xeroxed hand drawn map of Essos - both done by George R. R. Martin - and I took those into Photoshop and played with their scale until they lined up perfectly. The actual dimensions, the locations and their placement, and the different terrains are all based strictly on George R. R. Martin's maps. It was really important that we stay as absolutely true to the books as possible because of the ardent fans out there.
Wall also works as an editor, often on David Fincher films. He won two Oscars for editing The Social Network and The Girl with the Dragon Tattoo.
I wasn't expecting too much of this video about how to eat sushi, but it's actually pretty good. It features Naomichi Yasuda of the highly regard Sushi Yasuda in Manhattan making sushi for a newbie and telling him how it should be eaten.
This Old House + Jiro Dreams of Sushi = this video.
Now for the bumper view! Wow, the easiest way to work out what on Earth is going on. Oh, the car's giving the one in front a little sniff. Ah, they're a bit like dogs, aren't they? Petrol dogs.
That's the somewhat unusual name of a feature-length documentary about world-class stone skippers. Here's the trailer:
I love skipping stones. When I see flat water and flat rocks, I can't not do it. They have to change that name though. They were likely going for "Jiro Dreams of Sushi" but really missed the mark. Oh, and they're raising funds on Kickstarter to finish the film.
The zen art of stone skipping meets the competitive nature of mankind in this feature-length documentary. Set in the world of professional stone skipping, this film will examine the competitive nature of mankind. World Records will be tested, rivalries will fester, and a sport will rise from the ashes of obscurity.
The Steadicam was first used in the Best Picture-nominated Woody Guthrie biopic Bound for Glory (1976), debuting with a shot that compounded the Steadicam's innovation: cinematographer Haskell Wexler had Brown start the shot on a fully elevated platform crane which jibbed down, and when it reached the ground, Brown stepped off and walked the camera through the set. This technically audacious and previously impossible shot created considerable interest in how it had been accomplished, and impressed the Academy enough for Wexler to win the Oscar for Best Cinematography that year. It was then used in extensive running and chase scenes on the streets of New York City in Marathon Man (1976), which was actually released two months before Bound for Glory. It landed a notable third credit in Avildsen's Best Picture-winning Rocky (1976), where it was an integral part of the film's Philadelphia street jogging/training sequences and the run up the Art Museum's flight of stairs, as well as the fight scenes (where it can even be plainly seen in operation at the ringside during some wide shots of the final fight). Garrett Brown was the Steadicam operator on all of these.
The Shining (1980) pushed Brown's innovations even further, when director Stanley Kubrick requested that the camera shoot from barely above the floor. This prompted the innovation of a "low mode" bracket to mount the top of a camera to the bottom of an inverted post, which substantially increased the creative angles of the system, which previously could not go much lower than the operator's waist height. This low-mode concept remains the most important extension to the system since its inception.
Update: Here's Brown talking about the Steadicam and his career. And here's Stanley Kubrick's introduction to the Steadicam, via a letter from a colleague. (via @poritsky & @LettersOfNote)
Automata is a film directed by Gabe Ibáñez in which robots become sentient and...do something. Not sure what...I hope it's not revolt and try to take over the world because zzzz... But this movie looks good so here's hoping.
Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.
Automata will be available in theaters and VOD on Oct 10. (via devour)
As far as these things go, this video of the Muppets singing So What'cha Want by the Beastie Boys is pretty near perfect.
From Mallory Ortberg at The Toast, an appreciation of Ralph Wiggum.
Ralph is not a rule-follower like Lisa, nor a rule-breaker like Bart; Ralph does not observe the rules because he is almost completely unaware of them. More than any of the other students at Springfield Elementary, Ralph is a child. Bart and Lisa and Milhouse and Nelson and Janey are kids, and therein lies the difference. Ralph sees things that aren't there ("Ralph, remember the time you said Snagglepuss was outside?" "He was going to the bathroom!"), eats paste, picks his nose, volunteers unprompted, nonsensical declarations ("My cat's breath smells like cat food") disguised as Zen koans. His character is sometimes written as dim-but-profound, sometimes borderline-psychotic, and occasionally developmentally disabled, but more than anything else, Ralph like what he is: a child who hasn't yet aged into a kid, which is one of the most embarrassing things a child can be.
Goes nicely with this video of some of Ralph's finest moments:
Take a closer look at how half-a-dozen ceramics masters practice their craft.
From Tony Zhou, A Brief Look at Texting and the Internet in Film.
Michele Tepper wrote about Sherlock's display of texts in 2011.
The rise of instant messaging, and even more, the SMS, has added another layer of difficulty; I'm convinced that the reason so many TV characters have iPhones is not just that Hollywood thinks they're cool, but also because the big crisp screen is so darn easy to read. Still, the cut to that little black metal rectangle is a narrative momentum killer. What's a director trying to make a ripping good adventure yarn to do?
The solution is deceptively simple: instead of cutting to the character's screen, Sherlock takes over the viewer's screen.
And just today, a trailer for Jason Reitman's Men, Women & Children, which movie seems to consist entirely of texting and social media interaction:
A remastered copy of the original 1977 Han-shoots-first version of Star Wars is out there and you can watch it but it's probably illegal. But Disney is never going to show it to you, so maybe it's ok to find it on Bittorrent?
The Despecialized Edition is the years-long work of a diverse group of people who have taken elements from many different sources and created the ultimate version of the first Star Wars film. It has also been upgraded to display properly on high definition screens, with high-quality sounds and a near perfect image.
The latest Blu-Ray release of the film serves as the skeleton for this edition, but elements of the 2006 bonus DVD that included the unaltered version of the film was also used to remove special effects and edits that were added by Lucas.
Here's a short feature on the video sources used:
The Art of the Title has a look at the Emmy nominees for best title design for 2014: Black Sails, Cosmos, Masters of Sex, Silicon Valley, and True Detective. As noted, the excellent titles for Halt and Catch Fire missed the eligibility period by a day. Spoilers: True Detective's titles won.
This video combines two thoughts to reach an alarming conclusion: "Technology gets better, cheaper, and faster at a rate biology can't match" + "Economics always wins" = "Automation is inevitable."
That's why it's important to emphasize again this stuff isn't science fiction. The robots are here right now. There is a terrifying amount of working automation in labs and warehouses that is proof of concept.
We have been through economic revolutions before, but the robot revolution is different.
Horses aren't unemployed now because they got lazy as a species, they're unemployable. There's little work a horse can do that pays for its housing and hay.
And many bright, perfectly capable humans will find themselves the new horse: unemployable through no fault of their own.
Watch Peanuts creator Charles Schulz draw Charlie Brown. It only takes him around 35 seconds.
In order to reproduce, salmon swim from the ocean up rivers until they find the spot they were born. But sometimes people build dams or other "artificial water constructions" that can disrupt salmon travel. A company called Whooshh Innovations has developed a tool to help with this problem: a pneumatic salmon cannon.
According to the folks at Whooshh, their transport system can handle 40-60 fish per minute, move the fish at 5-10 m/sec (11-22 mph), and transport fish 1000 feet into the air along a tube 2000 feet long. Here's a video showing how a similar fruit transportation system works:
From YouTube, a playlist of 12- and 24-hour-long videos of ambient space noise, mostly of the sounds of spaceships like the Tardis, the USS Enterprise, and the Nostromo (from Alien). I think the Death Star is my favorite:
Or the completely unrelaxing 12 hours of Star Trek red alert sound:
Here's the trailer for the third and final movie in Peter Jackson's The Hobbit trilogy:
The Hobbit was initially supposed to be just two films but Jackson decided to split the second film into two. From Wikipedia:
According to Jackson, the third film would contain the Battle of the Five Armies and make extensive use of the appendices that Tolkien wrote to expand the story of Middle-Earth (published in the back of The Return of the King).
The second movie was better than the first so I'm looking forward to this one. But then again, I'm totally in the tank for Jackson's take on Middle Earth (I did the Weta Digital tour when I was in New Zealand) so I would see it even if the first two movies sucked.
Actor Robin Williams was found dead in his home today of an apparent suicide. He was 63. I have been thinking a lot about this scene from Dead Poets Society lately:
Microsoft has developed software to transform shaky time lapse videos into impressively smooth hyperlapse movies. Take a look at a couple of examples.
Read more about the project on the Microsoft Research site.
According to testing by the folks at America's Test Kitchen, you should not be thawing out your frozen steaks before you cook them. Mind. Blown. Into. Tiny. Pieces. Sweep. Me. Up. Pls.
Conventional wisdom holds that frozen steaks should be thawed before cooking, but we wondered if steaks could be cooked straight from the freezer. Cook's Illustrated Senior Editor Dan Souza explains our cooking experiments.
They also apparently more-or-less deep fry their steak? Is that a thing that we should be doing? (via digg)
Many videos and photo projects promise a glimpse of life inside North Korea "as you've never seen it", but I believe this video by JT Singh and Rob Whitworth actually delivers the goods. It's one of those 3-minute time lapse portraits of a city that are in vogue, with the North Korean capital Pyongyang as its subject.
Time lapse videos are interesting because they show movement over long periods of time. The Western conception of North Korea is of a place frozen in time, so the time lapse view is highly instructive. (thx, jeff)
Re the time lapse of Pyongyang video, it feels deeply fake as filmmaking, to me. Thus I mistrust it as a document of what real PY is like. You don't see any of the details to that reveal, even in PY, how very poor a country it is. Some of those buses didn't have tail lights. They had blocks of wood painted red to look like tail lights. And the library computers are incredibly poor quality.
Gizmodo's Alissa Walker also noted the propaganda-ish nature of the video. At the very least, the video is a dual reminder of the limitations of time lapse video in showing the whole story and of how manipulative attractively packaged media can be.
From James Marsh, the director of the excellent Man on Wire, a biopic of physicist Stephen Hawking and his first wife, Jane. Here's the first trailer:
The film is based on a book by Jane Hawking, Travelling to Infinity: My Life with Stephen.
In this compelling memoir, his first wife, Jane Hawking, relates the inside story of their extraordinary marriage. As Stephen's academic renown soared, his body was collapsing under the assaults of motor neurone disease. Jane's candid account of trying to balance his 24-hour care with the needs of their growing family reveals the inner-strength of the author, while the self-evident character and achievements of her husband make for an incredible tale presented with unflinching honesty.
As promising as this looks, the Kanye in me needs to remind you that Errol Morris' A Brief History of Time is the best film about Stephen Hawking of all time. OF ALL TIME.
Michael Jordan and Kobe Bryant played against each other in only eight NBA games, but none of the games took place with both players in their prime. Their first few meetings, dominated by Jordan, happened during Kobe's first and second NBA seasons, when he was an impulsive and unpolished teen. Their final meetings, dominated by Bryant, found an out-of-retirement Jordan on the hapless Washington Wizards, pushing 40 years old.
But more than any other two marquee players in NBA, Jordan and Kobe have played with very similar styles. Like almost identically similar, as this video clearly shows:
The first 15 seconds of the video is a fantastic piece of editing, stitching together similar moves made by each player into seamless single plays. And dang...even the tongue wagging thing is the same. How many hours of Jordan highlight reels did Kobe watch growing up? And practicing moves in the gym?
As an aside, and I can't believe I'm saying such a ridiculous thing in public, but I can do a pretty good MJ turnaround fadeaway. I mean, for a 6-foot-tall 40-year-old white guy who doesn't get a lot of exercise and has never had much of a vertical leap. I learned it from watching Jordan highlights on SportsCenter and practicing it for hundreds of hours in my driveway against my taller next-door neighbor. I played basketball twice in the past month for the first time in years. Any skills I may have once had are almost completely gone...so many airballs and I couldn't even make a free throw for crying out loud. Except for that turnaround. That muscle memory is still intact; the shots were falling and the whole thing felt really smooth and natural. I think I'll still be shooting that shot effectively into my 70s. (via devour)
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