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kottke.org posts about TV

Halt and Catch Fire music playlist for season 4

posted by Jason Kottke   Sep 13, 2017

Season four of Halt and Catch Fire finds the show in the 90s and the music has changed accordingly. Here’s the official playlist on Spotify.

See also the playlists for season 3, 1985, 1984, and many more from the show, including playlists for each main character.

A man got to have a code

posted by Jason Kottke   Sep 12, 2017

In a multi-part series, ScreenPrism will be looking at the codes and values of some of the main characters in The Wire. The first installment is about Jimmy McNulty, who is “good po-lice” but also doesn’t always take personal responsibility for his actions (“what the fuck did I do?”).

Study: watching Fox News has big effect on voting patterns

posted by Jason Kottke   Sep 08, 2017

A newly released study by Gregory Martin and Ali Yurukolu published in the American Economic Review shows that watching Fox News has a significant effect on the overall Republican vote share in Presidential elections. They analyzed the channel position of the three major cable networks (Fox News, MSNBC, CNN), compared it to voting patterns, and found that “Fox News increases Republican vote shares by 0.3 points among viewers induced into watching 2.5 additional minutes per week by variation in position”. Using that result, they constructed a model to estimate the overall influence.

In other results, we estimate that removing Fox News from cable television during the 2000 election cycle would have reduced the overall Republican presidential vote share by 0.46 percentage points. The predicted effect increases in 2004 and 2008 to 3.59 and 6.34 percentage points, respectively. This increase is driven by increasing viewership on Fox News as well as an increasingly conservative slant. Finally, we find that the cable news channels’ potential for influence on election outcomes would be substantially larger were ownership to become more concentrated.

6.3% is an astounding effect. Fox News appears to be uniquely persuasive when compared to the other channels, particularly in bringing people across the aisle:

Were a viewer initially at the ideology of the median Democratic voter in 2008 to watch an additional three minutes of Fox News per week, her likelihood of voting Republican would increase by 1.03 percentage points. Another pattern that emerges from the table is that Fox is substantially better at influencing Democrats than MSNBC is at influencing Republicans.

They also estimate that cable news has contributed greatly to the rise in political polarization in the US over the period studied:

Furthermore, we estimate that cable news can increase polarization and explain about two-thirds of the increase among the public in the United States, and that this increase depends on both a persuasive effect of cable news and the existence of tastes for like-minded news.

This analysis is especially interesting/relevant when you consider other recent activist media efforts with an eye toward conservative influence: the Russian ad-buying on Facebook during the last election (and related activities), billionaire Trump-backer Sheldon Adelson’s purchase of The Las Vegas Review-Journal, and conservative-leaning Sinclair Media’s proposed acquisition of Tribune Media. (via mr)

Mr. Robot season 3

posted by Jason Kottke   Sep 05, 2017

I was lukewarm on season 2 of Mr. Robot but am hoping, based on this trailer, that season 3 is a return to form for the show. See also the teaser trailer.

Oh, and you can reacquaint yourself with last season in just 7 minutes. Handy!

Jerry Before Seinfeld

posted by Jason Kottke   Aug 31, 2017

On September 19, Netflix is airing Jerry Before Seinfeld, a comedy special about how the world’s richest comedian got his start.

(BTW, Netflix is killing it this fall. Without having to seek anything out specifically, I already have at least 5 things I want to watch on there between now and November…not counting the backlog.)

Disturbed by on-field violence, top football TV analyst quits

posted by Jason Kottke   Aug 30, 2017

Former NFL player Ed Cunningham has resigned from his job as a college football color analyst for ABC/ESPN because of “his growing discomfort with the damage being inflicted on the players he was watching each week”.

If Ed Cunningham had not already seen enough, he would be back in a broadcast booth on Saturday afternoon, serving as the color analyst for another top college football game televised on ABC or ESPN. It is the work he has done each fall for nearly 20 years.

But Cunningham, 48, resigned from one of the top jobs in sports broadcasting because of his growing discomfort with the damage being inflicted on the players he was watching each week. The hits kept coming, right in front of him, until Cunningham said he could not, in good conscience, continue his supporting role in football’s multibillion-dollar apparatus.

Another domino falls. Unless there are big changes to the game play, sooner or later football will likely become a marginalized sport in the US.

Politically, who played the Game of Thrones best in season seven?

posted by Jason Kottke   Aug 30, 2017

Cersei Politics

The amount of media coverage of Game of Thrones was a touch too much this summer, but this ranking of the political strategies of the main players in season seven by Zack Beauchamp was both entertaining and informative. I mean:

To understand Cersei’s success, we need to reach back to the classic work of Prussian military theorist Carl von Clausewitz.

Before looking at the list, I’d assumed Jon Snow would get lower marks (he left the North vulnerable and cratered his coalition’s chances at a truce with Cersei), but Beauchamp makes a good case here.

I’ve argued before that the best way to think about the White Walkers, from the human point of view, is as a threat akin to climate change — a massive collective threat that humans were ignoring in favor of petty internal squabbling. Jon, to his immense credit, is the only leader who recognized the enormity of the threat early enough to try to rally others to stop it. He’s kind of a Westerosi Al Gore, only he succeeded in getting to run a country.

So the best way to think about Jon’s mission is through the lens of environmental diplomacy: He needed to convince the world’s leading powers to abandon the internecine struggle over the throne and refocus on the White Walker threat. He didn’t have a ton to work with: The North is a distinctly third-tier power, weaker militarily than both the Targaryen and Lannister alliances and the country most vulnerable to the White Walkers.

Jon may have failed to rally Cersei to his cause, but he succeeded in bringing on Daenerys. And that’s by far the most important, mostly because her dragons and cache of dragonglass represent the only chance humanity has at fending off the White Walker threat. If it weren’t for Jon, humanity would be fundamentally doomed.

Errol Morris’ new Netflix series, Wormwood

posted by Jason Kottke   Aug 30, 2017

True crime OG Errol Morris has teamed up with Netflix for a 6-part series called Wormwood. The series is an exploration of the CIA experiments with LSD in the 1950s and the death of CIA employee Frank Olson, who was covertly given LSD more than a week before he died. Olson’s death was ruled a suicide, but many years later, the US government settled a potential wrongful death lawsuit out-of-court with a $750,000 payment to the family.

The show itself is a mixture of documentary and historical reenactment (starring Peter Sarsgaard & Bob Balaban) that is now somewhat standard in the true crime genre, having been pioneered by Morris in The Thin Blue Line. Of the show, Morris writes:

Isn’t journalism the pursuit of truth? But what if the truth proves to be elusive, hard to get at? How far does one go? Where does one stop? Are there limits, emotional and otherwise, to the pursuit of truth? Can it be injurious to one’s health? Here we have the story of one man’s sixty-year quest to identify the circumstances of his father’s death. Did he jump from a hotel window? Or was he pushed? And if he was pushed, why? What for? A shadowy world of hidden and imagined intentions coupled with dark and horrifying revelations. In many ways, a personal family story, but in many other ways, a story of America’s decline in the period following World War II. It asks the question: To what extent can a democracy lie to its citizens and still, in the end, remain a democracy?

On Netflix on December 15.

My recent (and not-so-recent) media diet

posted by Jason Kottke   Aug 29, 2017

Quick reviews of some things I’ve read, seen, heard, and experienced in the past few weeks. As always, don’t take the letter grades so seriously. Somehow it’s been almost two months since my last installment?

Paterson. I would pay to watch Adam Driver read the phone book and that’s kinda what this is so I was satisfied. (B)

Despicable Me 3. I have a soft spot for the Minions movie (don’t know why, afraid to ask myself) but not for this one. (C+)

Cars and Trucks and Things That Go by Richard Scarry. This was my favorite book to read to my kids, but both of them can read by themselves now, so this is perhaps the last time I will get to sit down and read it with them and oh no I’m crying right now. (A+)

Mr. Holmes. This could have been good but 24 hours after watching, I’d forgotten everything about it. (C)

Spider-Man: Homecoming. My brain let out a big ol’ “ohhhhhh” after I realized two-thirds of the way through where they got the title. (B)

The Defiant Ones. Great. But I felt Dre’s apology for his violence against women was lacking. As with many apologies from the wealthy and powerful, it had more to do with him than with his victims. (A)

Where the Sidewalk Ends by Shel Silverstein. I love reading weirdo books with my kids. (A)

Game of Thrones (season 7). Pure pulp and soap at this point. (A-)

Hey, Cool Job Episode 21: Wellness Expert And Swole Woman Casey Johnston. I LOL’d at “I’m going to remain poor and right”. (B+)

Dunkirk. I feel like Christopher Nolan watched Mad Max: Fury Road and said, “I can do that…but my way.” Also reminded me strongly of Run Lola Run. (A-)

Dunkirk: Original Motion Picture Soundtrack. Hans Zimmer’s soundtrack contributed heavily to my enjoyment of this film. (A)

Baby Driver. A 2-hour music video. If were 25 and had never seen a Tarantino movie, I would have thought this was the coolest shit ever. (B)

The total solar eclipse. A once-in-a-lifetime experience I will attempt to replicate at the earliest opportunity. (A+++)

Past installments of my media diets can be found here.

Black Mirror season four

posted by Jason Kottke   Aug 28, 2017

Six new episodes of Black Mirror are headed our way when the fourth season premieres later this year. There’s a short teaser trailer (above) and Netflix has also announced casts and directors for the season.

“Arkangel” stars Rosemarie Dewitt, Brenna Harding and Owen Teague. It is directed by Jodie Foster.

“Black Museum” stars Douglas Hodge, Letitia Wright and Babs Olusanmokun. It is directed by Colm McCarthy.

“Crocodile” stars Andrea Riseborough, Andrew Gower and Kiran Sonia Sawar. It is directed by John Hillcoat.

Characters saying the opening quotes from The Wire

posted by Jason Kottke   Aug 17, 2017

At the beginning of each episode of The Wire, a quote from one of the show’s characters is shown on the screen, a epigraph that suggests the theme of the episode. This video shows the characters from each episode saying those opening quotes — Lester: “all the pieces matter”; Omar: “all in the game”; The Greek: “business, always business”; Poot: “world going one way, people another” — for all five seasons.

Freaks and Geeks and the 70s-ness of the early 80s

posted by Jason Kottke   Aug 16, 2017

James Poniewozik, chief TV critic for the NY Times, wrote about his favorite scene from Freaks and Geeks. Here’s the scene:

I loved this bit:

First, the music. “I’m One” by the Who, from the 1973 album “Quadrophenia.” It builds from mournfulness (“I’m a loser / No chance to win”) to a defiant chorus. And it’s a great example of how “Freaks and Geeks” chose its soundtracks. The episode is set in 1981, but it avoids on-the-nose ’80s-song choices. Paul Feig, the show’s creator, once told me that the thing about the early ’80s in the Midwest was that they were really still the ’70s.

I grew up in the Midwest in the early 80s and though I’ve never really thought about it before, Feig’s observation that they were still really the 70s is spot on. (via @tcarmody)

Trailer for season 2 of The Crown

posted by Jason Kottke   Aug 11, 2017

The first season of the Netflix series The Crown was a surprise for me. I thought it was going to be pleasant-but-soapy look at the royals a la Downton Abbey (which I love, don’t get me wrong), but the acting and the substance of the script and production elevated it, putting it among the best shows to debut last year. Claire Foy as Queen Elizabeth, in particular, was a revelation; her one-on-one scenes with her sister and with Churchill were some of the best TV I watched last year. From the season 2 trailer, it appears that we’re in for more of the same come December.

Recreating the Loot Train Battle from Game of Thrones

posted by Jason Kottke   Aug 10, 2017

Oh, this is a clever bit of TV/film analysis by Evan Puschak: he reconstructs the Loot Train Battle from the most recent episode of Game of Thrones using clips from other movies and TV shows (like 300, Lord of the Rings, Stagecoach, and Apocalypse Now). In doing so, he reveals the structure that many filmed battle scenes follow, from the surprising enemy attack presaged by the distant sound of horses (as in 300) to the quiet mid-chaos reflection by a shocked commander (as in Saving Private Ryan). Everything is a Remix, right?

This reminds me of how the Rogue One production team made a full-length reel of the film for director Gareth Edwards from scenes from other movies so that the timing and pacing could be worked out.

It’s very simple to have a line [in the script] that reads “Krennic’s shuttle descends to the planet”, now that takes maybe 2-3 seconds in other films, but if you look at any other ‘Star Wars’ film you realise that takes 45 seconds or a minute of screen time. So by making the whole film that way — I used a lot of the ‘Star Wars’ films — but also hundreds of other films too, it gave us a good idea of the timing.

For example the sequence of them breaking into the vault I was ripping the big door closing in ‘Wargames’ to work out how long does a vault door take to close.

This fascinating behind-the-scenes look at the battle doesn’t allude to any such storyboarding, but as Puschak notes, battle scenes from dozens of other movies surely weren’t far off in their minds while putting this one together.

The Vietnam War documentary series by Ken Burns

posted by Jason Kottke   Aug 09, 2017

Together with Lynn Novick, filmmaker Ken Burns, who has previously made long documentary films on The Civil War and World War II, has made a film about perhaps the most controversial and contentious event in American history, The Vietnam War. The film runs for 18 hours across 10 installments and begins on September 17 on PBS.

David Kamp interviewed Novick and Burns for Vanity Fair and proclaims the film a triumph:

I watched the whole series in a marathon viewing session a few days before meeting with the filmmakers — a knock-you-sideways experience that was as enlightening as it was emotionally taxing. For all their unguarded anxiety about doing the war justice, Burns and Novick have pulled off a monumental achievement. Audiovisually, the documentary is like no other Burns-branded undertaking. Instead of folksy sepia and black-and-white, there are vivid jade-green jungles and horrific blooms of napalm that explode into orange and then gradually turn smoky black. The Vietnam War was the first and last American conflict to be filmed by news organizations with minimal governmental interference, and the filmmakers have drawn from more than 130 sources for motion-picture footage, including the U.S. networks, private home-movie collections, and several archives administered by the Socialist Republic of Vietnam. The series’s depiction of the Tet offensive, in which the North Vietnamese launched coordinated attacks on the South’s urban centers, is particularly and brutally immersive, approaching a 360-degree experience in its deft stitching together of footage from various sources.

The sound and music promises to thrill as well. Trent Reznor and Atticus Ross (who did the scores for The Social Network, Gone Girl, and The Girl with the Dragon Tattoo) provided original music to supplement popular music contemporary to the time. They even got The Beatles.

Then there’s all that popular music from the 60s and 70s: more than 120 songs by the artists who actually soundtracked the times, such as Bob Dylan, Joan Baez, the Animals, Janis Joplin, Wilson Pickett, Buffalo Springfield, the Byrds, the Rolling Stones, and even the ordinarily permissions-averse and budget-breaking Beatles. Of the Beatles, Novick noted, “They basically said, We think this is an important part of history, we want to be part of what you’re doing, and we will take the same deal everybody else gets. That’s kind of unprecedented.”

I’m very much looking forward to this.

Trailer for Narcos season three

posted by Jason Kottke   Aug 03, 2017

With Pablo Escobar out of the picture, the third season of Narcos focuses on the activities of the Cali drug cartel. It’ll be interesting to see if the show holds up as well without Wagner Moura, who was fantastic as Escobar. And was that Halt and Catch Fire’s Kerry Bishé I saw briefly in the trailer? (Narrator: It was.) The new episodes will be available on Netflix September 1st.

Trailer for Transparent season four

posted by Jason Kottke   Aug 01, 2017

Transparent, aka my favorite TV show of the last few years, is back for a fourth season on September 22.

The Pfeffermans take off on a spiritual and political journey as they dig deep into their family’s history. Maura heads to Israel to speak at a conference and makes a startling discovery. Adrift in the desert, Maura, Ali, Sarah, Josh and Shelly set off on their own paths to find acceptance, love, and truth.

Live TV coverage of Apollo 11 landing and moon walk

posted by Jason Kottke   Jul 20, 2017

Apollo 11 TV Coverage

48 years ago today, the lunar module from the Apollo 11 mission landed on the Moon. Later that same day, Neil Armstrong and Buzz Aldrin stepped out of the module, set foot on the surface, and went for a walk. And the entire world watched them do it. Live.

For the 40th anniversary of the landing in 2009, I put together a page where you can watch the original CBS News coverage of Walter Cronkite reporting on the Moon landing and the first Moon walk, synced to the present-day time. Just open this page in your browser and the coverage will start playing at the proper time. Here’s the schedule (all times EDT):

4:10:30 pm: Moon landing broadcast starts
4:17:40 pm: Lunar module lands on the Moon

4:20:15 pm: Break in coverage

10:51:27 pm: Moon walk broadcast starts
10:56:15 pm: First step on Moon
11:51:30 pm: Nixon speaks to the Eagle crew
12:00:30 am: Broadcast end (on July 21)

Here’s what I wrote when I launched the project:

If you’ve never seen this coverage, I urge you to watch at least the landing segment (~10 min.) and the first 10-20 minutes of the Moon walk. I hope that with the old time TV display and poor YouTube quality, you get a small sense of how someone 40 years ago might have experienced it. I’ve watched the whole thing a couple of times while putting this together and I’m struck by two things: 1) how it’s almost more amazing that hundreds of millions of people watched the first Moon walk *live* on TV than it is that they got to the Moon in the first place, and 2) that pretty much the sole purpose of the Apollo 11 Moon walk was to photograph it and broadcast it live back to Earth.

This is one of my favorite projects I’ve ever done, and it almost didn’t happen this year. I woke up this morning assuming it was just going to work again, just like it had the previous 8 years, but a bit of testing revealed that YouTube had discontinued the API I was using to display and time the videos. I wasn’t sure I had the JavaScript chops to fix it in time for the big show this afternoon. Luckily, I was able to solicit some help on Twitter and as the internet continues to be absolutely amazing, Geoff Stearns fixed the problem. As he said in his tweet, Stearns works for Google and wrote the YouTube API that had been discontinued, which is a bit like Marshall McLuhan popping out from behind a poster in Annie Hall, but instead of saying “you know nothing of my work”, he says “I’m gonna fix this up real quick”. Reader, it took him 14 minutes from saying “I’ll help” to posting the solution, and I’d bet half of that time was spent running to the fridge for a LaCroix and selecting the proper coding playlist on Spotify. So big thanks to Geoff for making this happen today! And thanks also to Brian Seward, who landed a solution in my inbox a bit after Geoff’s.

Oh, and no more Flash! So it’ll work on any modern browser with no plugins. But I tested it on my phone and it still doesn’t seem to work properly there…the video loads but doesn’t autoplay. Something to improve for next year!

Mad Women

posted by Jason Kottke   Jul 20, 2017

On the 10th anniversary of the premiere of Mad Men, Caroline Framke wrote about how the the women on the show changed a great deal (in contrast to the men).

When we first meet Peggy Olson and Joan Holloway, they’re secretaries who know they’re smart, but are also staring down an endless row of grinning frat-guy superiors and trying to be realistic about their chances of success beyond their assigned desks. Betty Draper is barely a blip on the radar, only appearing in the final minutes of the episode as the twist of Don’s suburban life. And while Peggy’s storyline in season one develops into an obvious parallel to Don’s as she reveals a knack for advertising, Joan was never supposed to become the powerhouse she became down the line. In fact, as per creator Matthew Weiner, Joan’s original purpose was just to be a “courtesan” who taught people the ways of the office. Eventually, all three women reveal rich inner lives their male counterparts never bothered to consider were there, and create the kind of lives they once assumed they never could have.

I rewatched the entire run of Mad Men a few months ago and what moves the show from “really good” territory to “all-time great” territory is the emphasis on the women. As Framke notes, Don Draper pretty much ends up where he starts off while the real hero’s journey in the show is undertaken by Betty, Joan, and especially Peggy. Had they stayed on the sidelines, the show would have been far less interesting.

How Eminem was discovered by Dr. Dre

posted by Jason Kottke   Jul 12, 2017

In an extended clip from the HBO series The Defiant Ones, this is the story of how a white rapper from Detroit and rap’s best producer got together to start one of the decade’s signature musical collaborations. It’s evident from how Eminem and Dre tell the story that their first session in the studio was like falling in love…you only click like that with something a few times in a lifetime and then you spend the rest of your life trying to get back to that feeling.

This isn’t an official clip from HBO (they uploaded a much shorter segment) but after seeing it, I am definitely watching the whole series.

The Sesame Street version of the Beastie Boys’ Sabotage music video

posted by Jason Kottke   Jul 06, 2017

I mean, this is pretty good, but the original Sesame Street rap mashup is hard to top:

Respect.

My recent media diet

posted by Jason Kottke   Jul 06, 2017

Quick reviews of some things I’ve read, seen, and heard in the past few weeks. As always, don’t take the letter grades so seriously. Lots of music & TV and fewer movies & books this time around.

Enemy of the State. Ripe for a remake. (B-)

Cafe Society. Jesse Eisenberg is the worst version of Woody Allen yet. (C+)

Behave. I’ve barely started reading this (and then stopped because I was in the mood for fiction instead) but aspire to finish because I’ve heard really great things from a diverse array of trusted sources. (n/a)

Narcos. Season 2 is less compelling than the initial season, but Wagner Moura as Escobar is flat-out amazing. If you skipped this show, do yourself a favor and try season 1. (B+)

My Struggle: Book 2. I generally don’t find myself in characters in books, historical figures, or working artists, but the degree to which I identify with Karl Ove Knausgaard as depicted in the first two My Struggle books scares the shit out of me. On practically every page, he writes something that resonates with me and how I approach the world. I’m not sure any other book has helped me identify and understand the good and bad parts of myself as much as this one. (A+)

Zen Shorts. A recommendation by several kottke.org readers after the story of the Chinese farmer post. (A-)

This Bridge Will Not Be Gray. The only Dave Eggers book I’ve read in recent years. Sparked an interest in Art Deco in my kids a couple years ago. (A-)

Melodrama. After such a strong debut, it’s great to see Lorde come back with such a strong sophomore effort. (B+)

It Will Be Forever. Recommended by a friend who never gets it wrong. (He also put me onto this.) Tycho-esque. (B+)

Ctrl. Haven’t listened to this much but want to give it more attention. (B)

Cars 3. Way better than the deplorable Cars 2 but it felt very much like a sequel in a way that the Toy Story movies didn’t. (B)

Halt and Catch Fire. Rewatching from season one, which ppl will tell you to skip, but they’re wrong. I had forgotten how good it is, right away. Looking forward to their final season starting in August. (A-)

GLOW. Enjoyable television: really fun and just a little meaty. (B+)

OK Computer OKNOTOK 1997 2017. A reissue of one of the best albums of all time? Sure. (A+)

Star Trek: The Next Generation. I’ve seen all of these multiple times, and I just love them. Even the ones where Troi is possessed and Geordi falls in love with Holodeck characters. (A)

Iteration. If you love Com Truise, you will love this. (B+)

Big Fish Theory. The album of the summer? I haven’t been able to stop playing this in the car. (A-)

Okja. I wanted to like this way more than I did. Felt muddled. Never a good sign when you stop a movie halfway through to go to bed. (C+)

4:44. But I liked this way more than I thought I would. It’s no Lemonade (the fingerprints of which are all over 4:44), but Jay-Z has reminded everyone that he’s still a formidable artist. And the way he says “okay” after “I’m not black, I’m O.J.” is pitch perfect. Further reading: ‘4:44’ is a Shawn Carter album. Jay-Z is dead., ‘4:44’ Producer No I.D. Talks Pushing Jay-Z, Creating ‘500 Ideas’, and Jay-Z’s Pitch for Generational Wealth. (A-)

Past installments of my media diets can be found here.

Jurassic Park but with the dinosaurs from the 90s TV show Dinosaurs

posted by Jason Kottke   Jun 29, 2017

Dinosaurs Park

Dinosaurs Park

If you thought that photoshopping the characters from the 90s TV Dinosaurs into scenes from Jurassic Park would be impossible, well, Jen Lewis found a way.

(FYI, I loved Dinosaurs. I just looked at when it started airing and it came out much later than I thought…I was a senior in high school and continued watching it after heading off to college. I have clearly repressed the memory of how deeply uncool I was then. (“Then? Then?!!” cackles the narrator.))

Halt and Catch Fire season four starts Aug 19th

posted by Jason Kottke   Jun 27, 2017

The fourth (and sadly final) season of Halt and Catch Fire starts this August. The show has followed a core cast through the personal computer revolution, through the rise of online service companies, and into Silicon Valley. As teased last season, the action in this final season focuses on the World Wide Web.

We’re building it together and it’s awesome.

Pretty excited about this for a variety of reasons! You can catch up on Netflix before the new season starts.

Update: New promo trailer is out. Someone’s building a search engine?

The Defiant Ones

posted by Jason Kottke   Jun 16, 2017

From HBO, The Defiant Ones is a four-part documentary on Dr. Dre and Jimmy Iovine directed by Allen Hughes (who co-directed Menace II Society).

The four-documentary event is told with the help of many of the most notable artists and figures of our time, reflecting Hughes’ unfettered access to Iovine, Dre and the remarkable cast of figures who have been a part of their success story. In addition to extensive interviews with Dr. Dre and Jimmy Iovine, who speak frankly about their highs and lows, the show includes interviews with such music icons as Bono, David Geffen, Eminem, Nas, Ice Cube, Gwen Stefani, Jon Landau, Tom Petty, Trent Reznor, Snoop Dogg, Bruce Springsteen and will.i.am. The series also features never-before-seen footage from a multitude of recording and writing sessions with Eazy-E, JJ Fad, Stevie Nicks, N.W.A., Tom Petty, Bruce Springsteen and U2, among others.

Ok, fine, looks good, but the real reason you should watch this trailer is to hear Snoop talking about being on the cover of “The Rolling Stones” magazine and its aftermath…and then the cut to Eminem. Who says there’s no good editing happening in trailers?

Also, I wonder if they’re going to go into Dre’s history of domestic violence? I’m guessing not? Defiant indeed.

There’s gonna be a Black Mirror book

posted by Jason Kottke   Jun 15, 2017

Black Mirror Book

Gird your loins, Prime Minister. Charlie Brooker is bringing his mind-warping TV series to bookstores in early 2018. Brooker is editing a book version of Black Mirror (the first in a promised series) “featuring original stories from leading fiction writers, all set in the world of the cult series”.

Smart move and after all, Brooker was influenced by Roald Dahl’s Tales of the Unexpected (which appeared first in book form).

Some things kottke.org readers have recently read/watched/heard/experienced

posted by Jason Kottke   Jun 13, 2017

Every once in awhile, I send out an email newsletter to the kottke.org members. I’ve been having fun doing my media diet posts recently, and I’m always on the lookout for new things to try, so I used the most recent newsletter to ask them: “What’s the most interesting thing you’ve read/watched/heard/experienced in the past few weeks?” Here’s a sampling of what they said, accompanied by some of their short thoughts.

I’ve mentioned Dreaming the Beatles on the site before, but Celia offered up a short but compelling review: “In any group of 2-4 people, I mentally assign each person the role of John, Paul, George, or Ringo. This book has changed most of my assignments.”

Quoting Lars Gotrich, Robb recommends Green Twins by Nick Hakim: “it’s soul music for outer-space”.

Several people suggested Master of None’s season 2 on Netflix. I watched the first two episodes when season 1 came out and didn’t take to it.

Mind. Blown. Not only was the NBA on NBC theme song composed by John Tesh, he left himself a message singing the tune on his answering machine. Thanks, Alex!

Ben says of Essentialism: The Disciplined Pursuit of Less: “Minimalism is appealing, but often not simple. This feels more simple, and helpful to me.”

Sarah praised Rami Malek’s performance in Mr. Robot as well as the show’s rich visuals. See also the off-kilter cinematography of Mr. Robot.

The A.V. Club’s A History of Violence series was highlighted by Chris. “As a fan of quality action movies (and occasionally cheesy ones) it was great to see an in-depth review of every year’s best of the genre, including things I’ve seen and some I haven’t.”

A few people recommended Tim Urban’s epic post on Elon Musk’s newest venture, Neuralink and the Brain’s Magical Future. Neuralink is working on “a way for our brains to communicate directly with one another”.

Rich shares that Orhan Pamuk’s A Strangeness in My Mind “moved me profoundly and I continue thinking about it months after reading it”.

Benjamin recommends Magnum Manifesto, an exhibition at the International Center of Photography Museum in NYC: “Amazing history of photojournalism and documentary photography. Emphasized the importance of journalism in this specific medium.”

I have friends who rave about Pop-up Magazine and Mary agrees: “It’s a live performance of California Sunday magazine. Insane.”

Big fan of 99% Invisible here and Jessie recommends this recent episode, Squatters of the Lower East Side. “I’m familiar with squatting and adverse possession. However, I have never heard of a city/county working with squatters to legally adversely possess properties, especially those are city-owned.”

Sean recommends The Barkley Marathons, a documentary “about a crazy race, eccentric organizer, and lunatic participants”.

Les Cowboys is a recommendation from Joao: “devastating beautiful take on immigration, terrorism and family”.

HBO’s The Leftovers got many recs. I think I watched most of season 1 and it didn’t stick.

Neil is a doctor and recommends Elisabeth Rosenthal’s An American Sickness: How Healthcare Became Big Business and How You Can Take It Back: “nothing has come closer to capturing how dysfunctional things are in American medicine”.

Suzanne has been enjoying True Story, a monthly publication delivered monthly to your home — what a concept! She particularly enjoyed the first issue, Fruitland.

The Royal Shakespeare Company is broadcasting its production of Julius Caesar to theaters around the world. Says Steve: “A play about the overthrow of a dictator and the rights and wrongs of the method chosen seems more resonant than ever!” (FYI, my query and Steve’s response predated the recent controversy about The Public Theater’s production of the play.)

Diana recommends the audiobook version of Trevor Noah’s Born a Crime (review). Although not normally an audiobook listener, she says: “I have been listening to this for weeks now and am so impressed. It’s the best book of the year for me (and I typically read 100+ books a year).”

Of New York 2140 by Kim Stanley Robinson, Jeff says, “I’m just thrilled that an author as smart as this thinks there will even BE a New York in 2140”. I almost started this the other day after a recommendation from a pal…perhaps I’ll pick it up if my current book sputters.

And last, but perhaps not least, this heartbreaking clip from Clickhole: Hibachi Chef Tries To Make Meal On A Regular Table. Sez Mike: “Having seen teppanyaki food cooked with such drama and precision, this was a nice piece of satire… especially with the music.”

Thanks to everyone who responded and for supporting the site by becoming members!

My recent media diet

posted by Jason Kottke   Jun 07, 2017

Quick reviews of some things I’ve read, seen, and heard in the past few weeks. Come on now, don’t take the letter grades so seriously.

The Wright Brothers. A surprising amount of what you’ve heard about the Wright Brothers is wrong. David McCullough sets the record straight. (B+)

Shake Shack: Recipes & Stories. I really wish I could get Martin’s Potato Rolls in Vermont. (B+)

Steal Like an Artist: 10 Things Nobody Told You About Being Creative. A good book to have around when you need a creative kick in the pants. (B+)

King Arthur: Legend of the Sword. I wasn’t even going to see this, but the power went out in my house for three hours due to a 45-second wind/rain storm, so I went to the movies. It is exactly what you’d expect from a medieval action movie directed by Guy Ritchie, and I left entertained. (B-)

Alien: Covenant. More entertaining and felt more like an Alien movie than Prometheus. Why are the people so stupid though? (B)

Lemonade. Still great. (A+)

Mad Men. I rewatched all seven seasons in just under three months. The middle part lagged in places, but the final seasons were as strong as the first seasons. IMO, Mad Men is among the best ever TV shows. (A+)

Passengers. J. Law and Chris Pratt stranded together in space? Yes, please. But the filmmakers should have found a way around the stalker plot point…it was unnecessarily disturbing and uninteresting. (B-)

Moana. Long-time readers might remember Pamie, one of the most well-known OG online diarists from the late 90s. I noticed her name in the credits…she co-wrote screenplay. Also, I was not the only person to immediately think of Beyonce when I saw Te Fiti. (A-)

The Keepers. Disturbing in more ways than one and well worth watching. (B+)

The Americans. The fifth season did not quite live up to the high standard of the previous seasons. (B)

She Persisted. The day this arrived, my daughter cracked this open and said, delighted, “Harriet Tubman!” (A-)

Emotions Part One of Invisibilia. The classical view is that emotions happen to you. But according to guest Lisa Feldman Barrett, “the way emotion works is opposite of what you think — emotions aren’t reactions to the world; emotions actually construct the world”. See also Barrett’s recent book How Emotions Are Made. (B+)

Sgt. Pepper’s Lonely Hearts Club Band remix album. This sounds like a whole new record. As Sippey says, “now you can simply, finally, hear it”. (A)

Zodiac. Some say this is Fincher’s best film. Not sure I would, but it’s damned fine. (A-)

Wonder Woman. I would happily watch 100 sequels to this. (A-)

Game of Thrones season 7 trailer

posted by Jason Kottke   May 24, 2017

War, huh, good God, what is good for? Ratings and new HBO Now subscriptions, say it again. Finally, after six seasons of mere skirmishes, Jon Snow says “the Great War is here”. Excited for this, particularly because it appears to lack an aspect that plagued seasons in the past: Parliamentary Procedure with Daenerys Targaryen. (“Your dragon stole my goat! What shall we do about it?”) Anyway, excited for this!

Update: Another new trailer:

Fashion inspiration boards for Philip & Elizabeth’s 1980s disguises on The Americans

posted by Jason Kottke   May 23, 2017

The FX show The Americans follows a married couple, Philip and Elizabeth Jennings, who are Soviet spies living in America during the 1980s. In the course of their spying activities, the KBG couple often don disguises to protect their identities. Costume designer Katie Irish is responsible for dressing the couple on the show, and she’s been sharing some of the fashion inspiration boards for those disguises (as well as other costumes) on her Twitter and Instagram accounts.

The Americans Bioboards

The Americans Bioboards

The Americans Bioboards

The Americans Bioboards

The Americans Bioboards

As you can see, Irish and her team pull images from anywhere: TV, movies, catalogs, photojournalism, yearbooks, advertising, etc. The goal is authenticity:

The point is to use clothes to embody the characters and bring them to life in a way that lets audiences believe in and feel invested in them. The show’s leads, Elizabeth and Philip Jennings, played by Keri Russell and Matthew Rhys, are characters who live their lives in costume, in a sense. They dress like the upper-middle-class travel agents that they have embodied for years, but there are subtle hints at their internal selves, as ideologically driven Russian spies. “They’re Russian at the core,” Irish explains, “and they don’t want anything that is overtly capitalist.” You won’t see much logo branding on their clothes.

P.S. I’ve been waiting for someone to make a supercut video of all of the Jennings’ disguises, but it hasn’t happened yet. Am I going to have to do it myself?