Strike a pose Oct 02 2015
This photo of five Secret Service agents bracing themselves against helicopter prop wash is my favorite photo of the week.
It's like they're each individually posing for their own super-boss album cover. Larger here.
This photo of five Secret Service agents bracing themselves against helicopter prop wash is my favorite photo of the week.
It's like they're each individually posing for their own super-boss album cover. Larger here.
Photographer Arkadiusz Podniesiński recently took a trip to Japan to the area affected by the Fukushima Daiichi nuclear disaster. He toured towns closed due to high radiation levels, talked to former residents, and observed clean-up efforts in some of the less affected areas.
When entering the zone, the first thing that one notices is the huge scale of decontamination work. Twenty thousand workers are painstakingly cleaning every piece of soil. They are removing the top, most contaminated layer of soil and putting it into sacks, to be taken to one of several thousand dump sites. The sacks are everywhere. They are becoming a permanent part of the Fukushima landscape.
The contamination work does not stop at removal of contaminated soil. Towns and villages are being cleaned as well, methodically, street by street and house by house. The walls and roofs of all the buildings are sprayed and scrubbed. The scale of the undertaking and the speed of work have to be admired. One can see that the workers are keen for the cleaning of the houses to be completed and the residents to return as soon as possible.
Photographer Yann Arthus-Bertrand is known for his aerial photography of the Earth's landscapes, but in his film Human, he blends his trademark overview style with simply shot interviews with people from all over the world.
Humans made its debut earlier this month and is available in its entirety on YouTube in three 90-minute parts; start here with part one. (via in focus, which is featuring several photos from the film)
With California in the midst of a particularly intense multi-year drought and 2015 looking to be the warmest year on record by a wide margin,1 Edward Burtynsky's "Water" series of photographs is especially relevant.
Update: Burtynsky also collaborated on a documentary about water called Watermark. Here's a trailer:
The issue of The Collective Quarterly on Vermont's Mad River Valley is wonderful and gorgeous.
When we visited the Mad River Valley -- which includes the towns of Warren, Waitsfield, Moretown, Fayston, and Duxbury -- we found grown men who loiter outside the local general store like furtive minors, sheepishly asking inbound customers if they'd be willing to help them circumvent the three-bottle limit on the impossible-to-find Sip of Sunshine double IPA from Lawson's Finest Liquids. We shared drinks with backwoods boys, each with a quirky approach to extreme sports: kayaking raging rivers, big-air huck fests in sleds, and cliff-jumping at near-suicidal heights. We met a man who builds houses in the trees for the disabled youth of the Mad River Valley. We found a woman who forges artful kitchen knives out of old horse-hoof rasps from her father's blacksmith operation. We ran into a socialist German refugee whose politically charged puppet shows in the fields of the Northeast Kingdom draw thousands.
And of course there were the architects. By some estimates, there are more architects per capita in Warren, Vermont, than anywhere else in the United States. Throughout the '60s and '70s, these freewheeling designers hacked together zany, experimental constructions on Prickly Mountain, heralding the arrival of the design/build movement.
I've spent quite a bit of time there, and I can tell you that the magazine definitely captured it. From just this summer, here's Ollie doing a 360 off a cliff at the swim hole and views of another more peaceful swim hole as well as from a hike I took:
Camera Restricta is a speculative camera design by Philipp Schmitt that won't allow you to take photos if too many have already been taken by others at that location.
On the other hand, I sometimes have the chance, and then the responsibility of course, to take the last photo of a place before the shutter retracts permanently. Or maybe even the first photo of a place, where no photos have been taken yet. This is then guaranteed to be a truly unique capture.
It would be cool to pair this with a service that automatically deposits not-taken photos of heavily photographed places you visit into your account, i.e. when Camera Restricta won't let you take a picture of the Eiffel Tower, a photo of it found online and taken from your exact location would be placed in your Dropbox photos folder. (via @bdeskin)
Bjorn Jonsson used the photos taken by NASA's New Horizons spacecraft to make an animation of the probe's flyby of Pluto.
The time covered is 09:35 to 13:35 (closest approach occurred near 11:50). Pluto's atmosphere is included and should be fairly realistic from about 10 seconds into the animation and to the end. Earlier it is largely just guesswork that can be improved in the future once all data has been downlinked from the spacecraft. Light from Pluto's satellite Charon illuminates Pluto's night side but is exaggerated here, in reality it would be only barely visible or not visible at all.
Fantastic...and Pluto's moons flying about in the background is the cherry on the top. (via @BadAstronomer)
The Jefferson Grid is an Instagram account which posts satellite photos picturing one square mile of land.
The account takes its name from the grid Thomas Jefferson used to divide up the growing United States.
The Land Ordinance of 1785, drafted by Thomas Jefferson, extended government authority over the Mississippi River and the Great Lakes regions. As a response to what he believed to be a confusing survey system already in use, Jefferson suggested a new grid system based on the rectangle. The grid divided land into plots one mile square, each consisting of 640 acres. The grid also placed a visible design upon a relatively untouched landscape. The ordinance was the first of its kind in America but would continue to affect urban, suburban and farmland planning to present day.
PDN has an interview with Gonzalez about the series.
I shot everything in one day. I would say that I spent about five or six hours in there just exploring and shooting. I wasn't escorted inside but once I snuck into the parking structure, there were a few teens on skateboards that pointed me in the right direction. Without their guidance, there's no way I would've found a way in. The place is simply too massive. In fact, as the daylight was fading I almost got trapped inside since I couldn't find my way out.
So began a period of my life sleeping rough. It was pretty tiring, and I didn't have much luck with the photos, but I stuck it out. I've never let the lack of money stop me having a good time, and I still had (dwindling) savings from my modelling. It was a happy time. At night I would always treat myself to a rotisserie chicken, but I always wanted a chilled rosé with it. So, in the afternoon, I would sneak into a minimarket, get the cheapest one from the shelf and hide it under the frozen peas. Then, at night, I would put on a fresh shirt and go to one of the fancy bars with my wine in my bag. Again, maybe because I had a certain look, no one ever checked my bag. I'd just go in, nick a glass off the counter and drink my wine surrounded my millionaires.
You can get away with anything if you're confident. Oh, and male, white, and good looking.
Walter Chang saved up, quit his job, travelled around the world for three years, and made this video.
I went to South America and trekked through Patagonia. In Zimbabwe, hippos, lions, and elephants roamed through our camping ground. When I got to South Korea, my relatives treated me as one of their own, despite having last seen them 18 years prior.
It was in China, the third country of my trip, when I realized that what I was doing wasn't totally crazy. I had already met a multitude of other backpackers taking extended trips ranging from several months to four years. Young people from abroad were prioritizing travel over hurrying into careers.
This video makes me happy. And sad...I am clearly not grabbing enough tiger by the tail in life currently. Chang is doing a Kickstarter campaign for a book of photos from the trip.
Clothing retailer Forever 21 hired product and prototyping company Breakfast to build them a giant screen made out of spools of thread to "print" people's Instagram photos. The screen, which Breakfast bills as "one of the most complex machines ever built for a brand", weighs 2000 pounds, measures 11 ft high, 9 ft wide, and 3 ft deep, and has a resolution of 80x80 spool pixels. Here's how they made it:
If you want to give it a try, just tag an Instagram photo with #F21ThreadScreen and it'll print it out for you (watch the live stream). Prior art alert: the first time I remember seeing something like this was Daniel Rozin's Wooden Mirror (1999) at ITP (video here).
From Petapixel, a list of photographic firsts, including the first photograph (1826), the first digital photograph (1957), the first photo of the Sun (1845), and the first photograph of a US President (1843).
John Quincy Adams, the sixth President of the United States, was the first president to have his photograph taken. The daguerreotype was shot in 1843, a good number of years after Adams left office in 1829. The first to have his picture taken in office was James Polk, the 11th President, who was photographed in 1849.
Adams was born in 1767, which got me thinking about a long-standing interest of mine: who was the earliest born person ever photographed? The Maine Historical Society believes Revolutionary War vet Conrad Heyer was the earliest born. Born in 1749, he crossed the Delaware with Washington before sitting for this portrait in 1852.
But according to the Susquehanna County Historical Society, John Adams (no apparent relation to the above Adams) was born in 1745 and was photographed at some point before he died in 1849. Other contenders with unverified ages include Revolutionary War vet Baltus Stone (born somewhere between 1744 and 1754 according to various sources) and a former slave named Caesar, photographed in 1851 at the alleged age of 114, which would mean he was born around 1737.
Still, that's photographs of at least two people who were born in the 1740s, at least five years before the start of the French and Indian War. As children, it's possible they could have interacted with people who lived through England's Glorious Revolution in 1688 or even the English Civil War (1642-1651). The Great Span lives on.
The tree is the protagonist, but rather a passive one, letting the plot unfold around it. Each photo contains a story of its own. It's all in the details and very often with a humorous twist. Just "beautiful" would bore me to death.
Actual zookeepers taking photos of themselves doing Chris Pratt's Jurassic World velociraptor taming move is a thing. Here's the original:
And the imitators:
Update: Laurel sent this one in from the California Academy of Sciences:
Update: One last photo brings this meme to a fitting close. This is Chris Pratt himself, taming some children during a recent visit to a local children's hospital.
Update: Ok, ok, one more and then that's it, America needs to move on. Here's the Dinosaur Curator of the Smithsonian's National Museum of Natural History taming some actual dinosaurs, long-dead though they may be:
Peoples photographed include Huli, Maasai, Maori, Drokpa, Himba, and more than a dozen others. (via ignant)
Storm-chasing photographer Kelly DeLay recently took a photo of a massive storm supercell featuring two simultaneous tornadoes.
About 30 minutes after snapping that once-in-lifetime photo, DeLay captured a shot of the same supercell with one tornado, a double rainbow, and several streaking hailstones:
That's like the everything bagel of storm photography. (via 500px iso)
Tasha Sturm, a lab technician at Cabrillo College, had her 8-year-old son put his handprint on a prepared petri dish and then incubated it for several days. This was the result:
If you'll excuse me, I have to go wash my hands about 4,000 times. Bacteria is cooooool though:
OldNYC offers a map view of old photos of New York City, drawn from the collection at the New York Public Library. This is fantastic, like a historical Google Street View. For instance, there used to be a huge theater on the corner of 7th Avenue and Christopher St, circa 1929:
If I didn't have a thing to do this afternoon, I would spend all day exploring this. So so good. (via @mccanner)
For his project Trophy Scarves, artist Nate Hill photographed himself "[wearing] white women for status and power".
From the design shop of Lernert & Sander, a poster of almost a hundred different foods cut into perfect little cubes. No CGI involved, it's actually food. No idea how they got some of those foods to hang together...particularly the onion, cabbage, and leek. (via colossal)
From Kevin Kelly, a collection of photos he took of Katmandu, Nepal in 1976.
Nepal was recently affected by a 7.8 earthquake, which resulted in the deaths of more than 6000 people and much property damage.
Katmandu was an intensely ornate city that is easily damaged. The carvings, details, public spaces were glorious. My heart goes out to its citizens who suffer with their city. As you can see from these images I took in 1976, the medieval town has been delicate for decades. Loosely stacked bricks are everywhere. One can also see what splendid art has been lost. Not all has been destroyed, and I am sure the Nepalis will rebuild as they have in the past. Still, the earthquake shook more than just buildings.
If you look carefully you may notice something unusual about these photos. They show no cars, pedicabs, or even bicycles. At the time I took these images, Katmandu was an entirely pedestrian city. Everyone walked everywhere. Part of why I loved it. That has not been true for decades, so this is something else that was lost long ago. Also missing back then was signage. There are few signs for stores, or the typical wordage you would see in any urban landscape today. Katmandu today is much more modern, much more livable, or at least it was.
I was never a particular fan of David Letterman's show1 but always have appreciated what he did and how he did it. Dave Itzkoff of the NY Times did an interview with Letterman about his impending retirement.
It seems like there's an increasing emphasis, at least with your network competitors, to create comedy bits that will go viral on the Internet. Did you make a conscious choice to stay out of that arms race?
No, it just came and went without me. It sneaked up on me and went right by. People on the staff said, "You know what would be great is if you would join Twitter." And I recognized the value of it. It's just, I didn't know what to say. You go back to your parents' house, and they still have the rotary phone. It's a little like that.
The photo slide show accompanying the piece is worth a look as well, particularly the photo of the stack of paper coffee cups in Letterman's dressing room (one cup for each show, they cover half his mirror) and the final one of Letterman bounding out onto stage. I hope that when I'm 68, I'm still charging ahead like Dave.
To be honest, I've never been a particular fan of any late night television, save for SNL in the late 80s and early 90s. I watched the last few years of Johnny Carson on The Tonight Show and then the first couple years of Leno, mostly because that's what my parents watched. Letterman I caught every once in awhile after Carson and rarely after his move to CBS. I've only seen Conan's show a handful of times...same with The Daily Show and Colbert. Have never watched a single episode of Fallon or Kimmel or Conan's new show. Oh, I've seen clips on the web and such, but never whole shows.
My late night TV as a kid was Doctor Who and British comedies -- Are You Being Served?, 'Allo 'Allo, Fawlty Towers, Good Neighbors, Keeping Up Appearances, The Fall And Rise Of Reginald Perrin, etc. -- on the local PBS station. That and Nintendo.↩
The Hubble Space Telescope was deployed into space on April 25, 1990 and began snapping images of the sky shortly thereafter. Phil Plait, the NY Times, NPR, and How We Get To Next have chosen some of their favorite Hubble images, and Taschen published a coffee table book of Hubble images called Expanding Universe.
I still find it incredible that we have a telescope orbiting the Earth. Happy birthday, Hubble. Here's to many more.
I am a total sucker for great wave photography. Like these photos from Ray Collins.
Ok, this is one of the strangest photos I've ever seen. In the background, there's a building on fire and in the foreground, there's a football game going on like there's not a building on fire right there. From their photographic recap of 1965, In Focus has the story:
Spectators divide their attention as the Mount Hermon High School football team in Massachusetts hosts Deerfield Academy during a structure fire in the Mount Hermon science building on November 24, 1965. The science building was destroyed, and Mount Hermon lost the football game, ending a two-year-long winning streak.
Update: The photo above reminded some readers of this photo, taken by Joel Sternfeld in 1978.
You'll notice the fireman buying a pumpkin while the house behind him burns, although there's a bit more to the story than that.
In 1996, a building burned outside the stadium during the LSU/Auburn game:
Update: Sarah Lyall of the NY Times goes long on the Mount Hermon photo, which was very much real and celebrated when it was initially published.
Even at the time, when the photograph was reprinted around the world, people thought it was too weird to be real. "My colleagues maintain it is a real picture, but I believe it is of the April fool type," wrote Phil F. Brogan, an editor at The Bulletin newspaper in Bend, Ore. ("I can assure you that the picture was not faked," replied Arthur H. Kiendl Jr., the headmaster of Mount Hermon, the Massachusetts prep school where the game took place.)
In fact, the photograph, of Mount Hermon's game against Deerfield Academy on Nov. 20, 1965, was an instant classic. Though the photographer, Robert Van Fleet, never received much in the way of money for it, it was named the Associated Press sports photograph of the year. It was featured on the back page of Life magazine. It was reproduced in dozens of newspapers and magazines across the United States, including The New York Times, often accompanied by supposedly amusing captions about Rome burning, the teams' "red-hot rivalry" and the like.
For their new ad campaign, Apple gathered some photos that people had taken with their iPhones and are featuring them on their website and on billboards. Here are a few I found particularly engaging.
I've said it before and it's just getting more obvious: the iPhone is the best camera in the world.
Update: Apple has added a section for films shot on iPhone 6.
This is the rope seal securing the doors of Tutankhamun's tomb, unbroken for more than 3200 years until shortly after Harry Burton took this photo in 1923. A description from National Geographic:
Still intact in 1923 after 32 centuries, rope secures the doors to the second of four nested shrines in Tutankhamun's burial chamber. The necropolis seal -- depicting captives on their knees and Anubis, the jackal god of the dead -- remains unbroken, a sign that Tut's mummy lies undisturbed inside.
How did the rope last for so long? Rare Historical Photos explains:
Rope is one of the fundamental human technologies. Archaeologists have found two-ply ropes going back 28,000 years. Egyptians were the first documented civilization to use specialized tools to make rope. One key why the rope lasted so long wasn't the rope itself, it was the aridity of the air in the desert. It dries out and preserves things. Another key is oxygen deprivation. Tombs are sealed to the outside. Bacteria can break things down as long as they have oxygen, but then they effectively suffocate. It's not uncommon to find rope, wooden carvings, cloth, organic dyes, etc. in Egyptian pyramids and tombs that wouldn't have survived elsewhere in the world.
Photographer Gloria Wilson takes photos of birds in flight. A few favorites:
From the newly launched site for the National Audubon Society, some gorgeous photos of owls from Brad Wilson.
It's not easy to get owls to mug for the camera. Even in captivity the birds remain aloof, unruffled by the flash and unmoved by attempts to bribe them. Photographer Brad Wilson learned that lesson firsthand after trying to win over owls from the World Bird Sanctuary in St. Louis and The Wildlife Center near Espanola, New Mexico. He spent hours with each bird, trying to capture its direct gaze. "It's hard to get animals to look at you like humans do," he says. "That shot became my holy grail."
Removal of items from US National Parks is illegal (or at least highly frowned upon). In the case of the Petrified Forest National Park in Arizona, the removal of petrified wood has come to be seen by some as unlucky. Bad Luck, Hot Rocks is a book and web site containing "conscience letters" from those who are returning stolen rocks to the park.
In the more than one hundred years since its establishment in 1906, however, some visitors have still been unable to resist the urge to remove wood from the park. Some of these same visitors eventually return their ill gotten souvenirs by mail, accompanied by 'conscience letters.' The content of each letter varies, but writers often include stories of misfortune, attributed directly to their stolen petrified wood. Car troubles. Cats with cancer. Deaths of family members. For many, their hope is that by returning these rocks, good fortune will return to their lives. Other common themes include expressions of remorse, requests for forgiveness, and warnings to future visitors.
Matchbook Diaries is an Instagram account collecting photos of NYC restaurant matchbooks. Some notables:
Worth viewing larger...that's a 12-lane highway running through the center of this monster. (thx, bill)
Sometimes religion and a bit of wordplay come together to make something clever. So it is with Neil DaCosta's project, The Book of Mormon Missionary Positions, a collection of photos depicting two fully clothed Mormon Missionaries in various sexual positions, as in the Kama Sutra.
NSFW, I guess...I felt a bit sheepish scrolling through that page at the office even though everyone is fully clothed. (via a photo editor)
Photographer Vincent Laforet hung himself out of a helicopter hovering at 7500 feet with his high-ISO cameras to capture these gorgeous shots of NYC at night. The blue-purple glow is Times Square.
These are pictures I've wanted to make since I was in my teens, but the cameras simply have not been capable of capturing aerial images from a helicopter at night until very recently.
Helicopters vibrate pretty significantly and you have to be able to shoot at a relatively high shutter speed (even with tools like a gyroscope) and that makes it incredibly difficult to shoot post sunset.Special thanks to long time friend and aerial coordinator Mike Isler & Liberty Helicopters.
Armed with cameras such as the Canon 1DX and the Mamiya Leaf Credo 50 MP back -- both capable of shooting relatively clean files at 3200 & 6400 ISO and a series of f2.8 to f1.2 lenses including a few tilt-shift lenses.
I was finally able to capture some of the images that I've dreamed of capturing for decades.
Check out the whole series on Laforet's web site.
I'd like to introduce our readers to The Atlantic's new Photo section, an expanded home for photography at TheAtlantic.com. This new section features not only an updated look, but more variety in formats, wider images for bigger screens, and a design that works well across a range of mobile devices.
As the editor of the Photo section, I'll continue to publish long-form photo essays nearly every day, as I have for years, in a series we'll still call In Focus, but I'll also start publishing shorter posts-often just a single noteworthy image-under a new category we're calling Burst. I'm really excited to be able to share even more high-quality photography with even more readers.
NiemanLab did a Q&A with Taylor about the new site.
I spend almost all of my day looking through photos, trying to find stories to tell the next day or the next week. Pretty often, I will come across a single image or two or three images, and there's nothing more to go with it. And since I've made it my thing to always be posting longform narratives -- constructed either from a single photographer or multiple photographers -- I thought it would be confusing to mix it up, so I just shied away from doing it.
I've been doing the photo editing now for seven years, and now it's nice to have the ability to do it just whenever something comes up. If I want to do a historic photo of the day, something from the archives, or something from the Library of Congress, or a really amazing photo was just released by NASA -- I just don't really have an easy outlet for that, and it'd be nice to have. And now I'm going to have it, hopefully.
I've long been a fan of Taylor (since the Big Picture days) and am excited to see what he gets up to with The Atlantic Photo.
You've probably seen many of these images pop up on FB and Twitter this year. And they are amazing! But actually totally fake!
No, this isn't a solar eclipse as seen from the International Space Station.
Space photo researcher @FakeAstropix keeps debunking this one, but it keeps popping up in every corner of the internet. Which is why it's earned our top spot today. It's actually a rendering from DeviantArt user A4size-ska. Beautiful, but totally fake.
Does "even if it's fake it's real" apply here? (via @john_overholt)
Photos by AP Photo/UNRWA, Justin Sullivan/Getty Images, Robert Cohen/MCT/St. Louis Post-Dispatch, Andrew Hara/Getty Images, Yasuyoshi Chiba/Agence France-Presse, and ESA/Rosetta/MPS for OSIRIS Team, respectively.
When I went to the Poptech conference 10 years ago, one of the talks featured one of the world's largest books, a book of photographs of Bhutan. The book used to fetch $10,000 a copy, but Amazon now sells it for just under $300. Something is fishy though...many of the vendors selling the book are shipping it for only $3.99, which seems unlikely for a book that weighs 133 pounds. (via cory)
Update: Long story short, there were two versions of this book made: the big one and a smaller one that's only a foot and a half tall. That Amazon link used to go to the big book but it's the little one now. Make sense? Anyway, here's a link to the big one if you want to buy it for $5,824.34 with free shipping. (thx everyone)
The trains shown in these two photos still run occasionally: just catch the M between 2nd Ave and Queens Plaza between 10am and 5pm on the two remaining Sundays in Dec.
Aerial Wallpapers is a collection of iPhone-sized wallpapers of satellite imagery and topographic maps from @juririm. I just downloaded several of these. The image above is a satellite image of the Namib Desert in southern Africa.
From artist Mishka Henner, a selection of satellite photos of Texas feedlots, where beef cattle are sent to be "finished", aka to quickly gain weight for slaughter on a diet of corn. I'm pretty sure the redness of that pit/lake is not blood but algae (or whatever), but it sure creates that impression, doesn't it?
Photographer Ernie Button photographs the dried remains of single malt scotch whiskies, which end up looking like desolate landscapes on distant worlds.
Curious as to how these patterns were formed by some kinds of whiskey but not others, Button reached out to an engineering professor at Princeton.
Dr. Stone's group found that the key difference in whisky is that unlike coffee, it consists of two liquids -- water and ethyl alcohol. The alcohol evaporates more quickly, and as the fraction of water increases, the surface tension of the droplet changes, an effect first noticed in the 19th century by an Italian scientist, Carlo Marangoni. That, in turn, generates complex flows that contribute to the patterns Mr. Button photographed.
"Here, they actually looked at what happens when you change the fluids that are drying," said Dr. Yunker, who is soon heading to the Georgia Institute of Technology as a physics professor, "and they found some very neat effects." (That would be neat in the usual sense of "cool and intriguing" and not as in "I'll have my whisky neat.")
For his recently released book Wild Life, Brad Wilson shot photos of all kinds of animals on a black background, resulting in unusually expressive portraits.
Reminds me of Jill Greenberg's monkey portraits...expressive in the same way.
In Focus has a photo retrospective of the Berlin Wall, 25 years after it fell. This is one of the most iconic photos, depicting East German border guard Conrad Schumann leaping over the Wall during the early days of construction, when it was only barbed wire.
Schumann made a clean getaway, settled in Bavaria, and lived to see the fall of the Wall in 1989. But Schumann struggled with the separation from his family, birthplace, and old life and, suffering from depression, died of suicide in 1998. Walls may fall, but that's not the same as never having built them in the first place.
Beginning in 1985, photographer and filmmaker Doug Menuez wrangled access to some of the people at the center of the Silicon Valley technology boom, including Steve Jobs as he broke away from Apple to create NeXT. Menuez has published more than 100 of those behind-the-scenes photos in a new book, Fearless Genius.
In the spring of 1985, a technological revolution was under way in Silicon Valley, and documentary photographer Doug Menuez was there in search of a story -- something big. At the same time, Steve Jobs was being forced out of his beloved Apple and starting over with a new company, NeXT Computer. His goal was to build a supercomputer with the power to transform education. Menuez had found his story: he proposed to photograph Jobs and his extraordinary team as they built this new computer, from conception to product launch.
In an amazing act of trust, Jobs granted Menuez unlimited access to the company, and, for the next three years, Menuez was able to get on film the spirit and substance of innovation through the day-to-day actions of the world's top technology guru.
The web site for the project details some of the other things Menuez has in store, including a feature-length documentary and a TV series. Ambitious. For a sneak peek, check out the NeXT-era photos Menuez posted at Storehouse. This image of Jobs, labelled "Steve Jobs Pretending to Be Human", is a particular favorite:
From the Guardian's photo editor, an annotated list of the 25 best photographs of Muhammad Ali. My favorite is by Neil Leifer:
Canadian astronaut Chris Hadfield became a celebrity while aboard the International Space Station. Now he's publishing a book of photographs he took during his time in orbit: You Are Here: Around the World in 92 Minutes.
During 2,597 orbits of our planet, I took about 45,000 photographs. At first, my approach was scattershot: just take as many pictures as possible. As time went on, though, I began to think of myself as a hunter, silently stalking certain shots. Some eluded me: Brasilia, the capital of Brazil, and Uluru, or Ayers Rock, in Australia. I captured others only after methodical planning: "Today, the skies are supposed to be clear in Jeddah and we'll be passing nearby in the late afternoon, so the angle of the sun will be good. I need to get a long lens and be waiting at the window, looking in the right direction, at 4:02 because I'll have less than a minute to get the shot." Traveling at 17,500 miles per hour, the margin for error is very slim. Miss your opportunity and it may not arise again for another six weeks, depending on the ISS's orbital path and conditions on the ground.
In an interview with Quartz, Hadfield says the proceeds from the book are being donated to the Red Cross.
Actress Tippi Hedren and her family (including her then-teenage daughter Melanie Griffith) lived with a pet lion named Neil for a while back in the 1970s. Here's Neil and Melanie catching a few winks together:
Czech photographer Dita Pepe takes portraits of herself integrated into the lives of other people.
Photo by Mehmet Karaca. Love the way the mantis's tail mimics the branch it's standing on.
Rose Callahan photographs gentlemen with "exceptional personal style" for her blog, The Dandy Portraits.
From photographer Sandro Miller, in collaboration with the actor himself, recreations of iconic photographs with John Malkovich in place of the original subjects.
Reminds me a bit of Jim Munroe's My Trip to Liberty City, a film made from the perspective of a tourist visiting the city featured in Grand Theft Auto III:
We've been using Eyefi cards to upload photos from the kids' cameras to Flickr. Matt Haughey has a review of their newest card, the Eyefi Mobi, which automagically syncs to your phone, resulting in a 20-second DSLR-to-Instagram workflow.
In essence, the card turns any dumb camera into an outboard lens for your phone. Last week on a trip to NYC I took my new compact camera with me and could easily upload photos to Instagram and Twitter within seconds of taking the photos. I mean that literally: I can take a photo with my camera, open up my phone, touch the mobi app icon and about ten seconds later I can be saving that image to my phone's camera roll. I could also manipulate and tweak the images in a plethora of iPhone apps like VSCOcam, Photoshop Express, etc. directly on the phone before sharing it out to the world.
This sounds amazing. Step one for me: get a camera. Any suggestions? I've been eyeing Fujifilm's X100S for quite awhile...
Getty Images photographer Justin Sullivan recently captured some photos of lakes in California showing the extent of the drought there. For me, this is the craziest one, of Bidwell Marina at Lake Oroville:
And this is what it normally looks like:
In 1984, Daniel Root took photos of the East Village in NYC. Root is revisiting the locations of those photos and posting comparisons to a Tumblr.
Wish the images were bigger...370x250 is more of a 1984 resolution.
World War II began 75 years ago today with Germany's invasion of Poland. A few years back, Alan Taylor did a 20-part photographic retrospective of the war for In Focus, which is well worth the time to scroll through.
These images still give us glimpses into the experiences of our parents, grandparents and great grandparents, moments that shaped the world as it is today.
In celebration of National Aviation Day, In Focus has a slideshow of photos of the Wright Brothers' first flights.
The caption on that photo reads:
First flight: 120 feet in 12 seconds, on December 17, 1903. This photograph shows man's first powered, controlled, sustained flight. Orville Wright at the controls of the machine, lying prone on the lower wing with hips in the cradle which operated the wing-warping mechanism. Wilbur Wright running alongside to balance the machine, has just released his hold on the forward upright of the right wing. The starting rail, the wing-rest, a coil box, and other items needed for flight preparation are visible behind the machine. Orville Wright preset the camera and had John T. Daniels squeeze the rubber bulb, tripping the shutter.
The Wright Brothers were 32 & 36 years old when they made their first flight at Kitty Hawk in 1903. The Wright Flyer was not the product of daring youthful innovation (as with Picasso, Bill Gates, or Mozart) but rather of years of experience and experimentation (like Cezanne, Twain, or Frank Lloyd Wright).
People are taking photos of statues that cleverly make it look as though the statues are taking selfies.
There's a group on Reddit but most of the photos really aren't that good. There are more examples on Instagram, including this one and this one from June that predate the activity on Reddit. But the earliest instances I found of statue selfies were this Instagram photo from The Art Institute of Chicago and this tweet featuring the Statue of Liberty, both from December 2013.
Update: See also Museum of Selfies.
Photographer David Slater wants Wikipedia to remove his photograph of a monkey taking a photo of itself but Wikipedia has refused, saying that as the monkey was the photographer, Slater has no right to the copyright to the photo.
The Gloucestershire-based photographer now claims that the decision is jeopardising his income as anyone can take the image and publish it for free, without having to pay him a royalty. He complained to Wikimedia that he owned the copyright of the image, but a recent transparency report from the group, which details all the removal requests it has received, reveals that editors decided that the monkey itself actually owned the copyright because it was the one that pressed the shutter button.
But shouldn't Wikipedia take it down anyway because they don't have the monkey's permission to release the photo into the public domain? (I mean, probably not...monkeys don't have any rights under the law, yes?) (via @capndesign)
Update: A previous version of this post stated that Wikipedia said that the monkey held the copyright. They said no such thing...that was my poor paraphrase. In the US at least, monkeys obviously can't hold copyrights. From the Compendium II of Copyright Office Practices, section 202.02(b) states:
The term "authorship" implies that, for a work to be copyrightable, it must owe its origin to a human being. Materials produced solely by nature, by plants, or by animals are not copyrightable.
Interesting phrase, "owe its origin to"...perhaps Slater has a point. (via @stvnrlly)
The US Copyright Office, in a 1,222-page report discussing federal copyright law, said that a "photograph taken by a monkey" is unprotected intellectual property.
"The Office will not register works produced by nature, animals, or plants. Likewise, the Office cannot register a work purportedly created by divine or supernatural beings, although the Office may register a work where the application or the deposit copy state that the work was inspired by a divine spirit," said the draft report, "Compendium of US Copyright Office Practices, Third Edition."
Update: PETA has filed a lawsuit on behalf of the monkey photographer, seeking to award the copyright and any sales proceeds to the monkey. Alt headline: PETA Thinks Famous Monkey Photographer Is Too Stupid To Manage Own Money.
Alan Taylor has concluded his 10-part series on WWI over at In Focus with a look at the present-day effects of the war. If you haven't been following along, it's worth starting at the beginning and working your way through.
Also worth a look is the NY Times' interactive package about the war.
Apple is stopping development of Aperture and iPhoto in favor of its new Photos app.
"With the introduction of the new Photos app and iCloud Photo Library, enabling you to safely store all of your photos in iCloud and access them from anywhere, there will be no new development of Aperture," said Apple in a statement provided to The Loop. "When Photos for OS X ships next year, users will be able to migrate their existing Aperture libraries to Photos for OS."
I wonder if the Photos app will be geared at all towards semi-pro/pro photographers or if they've permanently ceded that market to Lightroom.
Beginning in 1991, Zed Nelson took a photo of the same family (father, mother, and son) in front of the same backdrop every year for 21 years. Here's the first photo:
And the most recent one:
There are many more such projects, including the Goldberg family's annual portraits, Nicholas Nixon's annual portraits of The Brown Sisters, and Noah Kalina's Everyday.
From Bernhard Lang, aerial photos of the largest made-made hole in Europe, the Hambach Mine in Germany. The mine was started in 1978, is 1150 feet deep, and will eventually encompass an area of over 32 square miles. Here's the mine on Google Maps; it's huge.
That's a photo of one of the massive mining machines used to extract lignite (aka "brown coal") from the mine. The machines are almost 800 feet long and 315 feet high...those yellow specks to the right of the machine are likely fairly sizable construction trucks. (via co.exist)
Earlier this year, Time posted some previously unpublished photos of the NYC subway taken in 1981 by Christopher Morris, an admirer of Davidson's.
The NY Times has a bunch of photos by Seth Casteel of babies undergoing infant survival swim training.
Zoe was being introduced to "self-rescue," in which babies are taught to hold their breath underwater, kick their feet, turn over to float on their backs and rest until help arrives.
The self-rescue idea is pretty amazing. You take kids who can't talk and can barely walk and teach them how to float on their backs. I didn't really believe it until I saw it:
Bonus summer PSA: drowning doesn't look like drowning.
I've seen the waterfalls and the hot springs and the rocky desolation, but I didn't know that Iceland was also this:
The IPPAWARDS has been judging an iPhone photography competition since 2007 and they recently announced the winners of their 2014 competition.
Impressive stuff. I've been saying recently that the iPhone 5s is the best camera in the world. Looking back on the 2008 winners, it becomes apparent how much more comfortable photographers have become wielding this increasingly powerful device. (via the verge)
Speaking of WWI, the landscape of the Western Front in Europe still shows the scars from the war 100 years on.
The latest installment of the In Focus series on WWI is Aerial Warfare.
Great series so far, really enjoying it. Start from the beginning if you haven't seen it yet.
Photographer Alec Soth is interviewed by his young son Gus about his job, art, and leaving his family for work.
This is completely charming and awesome and heartbreaking. (via @polan)
Clayton Cubitt took photographs of The Beautifully Frightful Wooden Children of Gehard Demetz, now on display at Jack Shainman Gallery in Chelsea. From the gallery's description of the project:
With impeccable craftsmanship, Demetz builds figures and reliefs of children and rural, often religious, architectural forms. While his subjects often take the forms of adolescent or very young children who are at the precipice of self-realization, their grave expressions and powerful stances suggest something much less innocent than their ages might suggest. Situated on plinths, these life-size works are elevated above their natural stature, allowing them to confront adults at eye level with a fierce or introspective gaze far beyond their years. Rather than being carved from a single large block of wood, these sculptures are built up from smaller rectangular units-mimicking classic building blocks-with gaps in their structures like pieces missing from their bodies or lost fragments of their being.
Back in January, an astronaut on the International Space Station took this photograph of the Korean Peninsula, which shows the stark difference in nighttime light levels in North Korea compared to the neighboring countries of South Korea and China.
I remember seeing a satellite photo several years ago, thought it was fake, then heard it had been photoshopped to accentuate the darkness, and dismissed the whole thing as a hoax. I can't believe the whole country is that dark. (via in focus)
From Annalisa Hartlaub, a series of self-portraits portraying "culture and counterculture for the past 10 decades". Here is her representation of the 1960s (culture on the left, counterculture on the right):
In the latest installment of his ten-part series on WWI, Alan Taylor covers the technology used in the war.
When Europe's armies first marched to war in 1914, some were still carrying lances on horseback. By the end of the war, rapid-fire guns, aerial bombardment, armored vehicle attacks, and chemical weapon deployments were commonplace. Any romantic notion of warfare was bluntly shoved aside by the advent of chlorine gas, massive explosive shells that could have been fired from more than 20 miles away, and machine guns that spat out bullets like firehoses. Each side did its best to build on existing technology, or invent new methods, hoping to gain any advantage over the enemy.
It's fascinating to observe both sides using trial and error with things like tanks, testing out what works and what doesn't. Look at this kooky German cannon for instance:
Nothing about that looks efficient.
Heather Ogden is a principal dancer for the National Ballet of Canada and The Heather Project is a series of short videos shot by Christopher Wahl that shows how beautiful and demanding ballet can be. (via cup of jo)
The Overview Effect, first described by author Frank White in 1987, is an experience that transforms astronauts' perspective of Earth and mankind's place upon it. Common features of the experience are a feeling of awe for the planet, a profound understanding of the interconnection of all life, and a renewed sense of responsibility for taking care of the environment. 'Overview' is a short film that explores this phenomenon through interviews with five astronauts who have experienced the Overview Effect. The film also features important commentary on the wider implications of this new understanding for both our society, and our relationship to the environment.
The Planetary Collective made a short documentary about the Overview Effect:
Photographer David Liittschwager captured the little ecosystem of life contained in a splash of seawater magnified 25 times:
Liittschwager took the photo for National Geographic, but it also might be contained in his book, A World in One Cubic Foot, in which he took photos in locations all over the world of the life that passed through 1 cubic foot of space in 24 hours.
For A World in One Cubic Foot, esteemed nature photographer David Liittschwager took a bright green metal cube-measuring precisely one cubic foot-and set it in various ecosystems around the world, from Costa Rica to Central Park. Working with local scientists, he measured what moved through that small space in a period of twenty-four hours. He then photographed the cube's setting and the plant, animal, and insect life inside it -- anything visible to the naked eye. The result is a stunning portrait of the amazing diversity that can be found in ecosystems around the globe.
Over at In Focus, Alan Taylor has posted the first part of a 10-part photographic retrospective of World War I.
Represented in this first installment is early color photography (many more of which can be found here), dazzle camouflage, and a photo I've never seen before of an aerial view of the trenches of the western front. Can't wait to follow along with the rest of it.
The very first Kickstarter campaign I ever backed was Rachel Sussman's project to photograph the oldest living organisms in the world.
I'm researching, working with biologists, and traveling all over the world to find and photograph continuously living organisms that are 2,000 years old and older. I started the project 5 years ago, and have since photographed nearly 25 different organisms, ranging from the Bristlecone Pine and Giant Sequoias that you've surely heard of, to some truly unusual and unique desert shrubs, bacteria, a predatory fungus, and a clonal colony of Aspen trees that's male and, in theory, immortal.
Her goal was to compile the photographs into a book. Almost four years later, the book is out. Looks like it was worth the wait. The trailer does a nice job explaining what the book is all about:
Asher Svidensky's photographs from Mongolia of apprentice eagle hunters are fantastic. (FYI, they hunt with eagles, not for them.) Among Svidensky's subjects is a 13-year-old girl, Ashol Pan:
At the end of the photographing session, I sat down with her father and the translator to say my goodbyes, and I asked him this:
"How did it feel watching your daughter dressed in Kazakh uniform, on a mountain top, sending the eagle off and calling it back again?"
"And honestly... would you have considered truly training her? Would she become Mongolia's first ever female eagle huntress?"
I expected a straightforward "No" or a joking "Maybe", but after a short pause he replied:
"Up until two years ago my eldest son was the successor of the eagle hunting tradition in our family. Alas, two years ago he was drafted to the army, and he's now an officer, so he probably won't be back with the tradition. It's been a while since I started thinking about training her instead of him, but I wouldn't dare do it unless she asks me to do it, and if she will? Next year you will come to the eagle festival and see her riding with the eagle in my place."
From the father's answer I realized that the idea of women's participation in keeping the tradition is a possible future, but just like many other aspect of Mongolian life, it's an option which women will need to take on by themselves.
For the past couple of months, Amit Gupta has been playing around with taking moving self-portraits with a camera mounted on a drone. Here's an early effort. This past weekend, Amit's efforts crossed over into the realm of art. This is beautiful:
In the comments at Vimeo, Alex Dao dubbed this type of photograph a "dronie". We'll see if that catches on.
Update: More examples of dronies here.
Back in the olden days, you just tied your cameraman right to the car:
Looks almost as goofy as Google Glass. Legendary F1 driver Jackie Stewart wore this stills-only proto-GoPro at the Monaco Grand Prix in 1966 (though not during the actual race):
Stewart ended up winning that race. I believe Stewart is also the model for this contraption, which looks like a film camera counterbalanced with a battery pack?
That couldn't have been comfortable. For some reason, neither of Stewart's helmet cams are recognized by Wikipedia as being the first documented helmet cam, which is instead attributed to a motorcycle race in 1986:
Update: Not even a bulky taped-up helmet camera can keep Steve McQueen from looking cool:
Well, he just barely looks cool. McQueen wore the helmet during the filming of 1971's Le Mans. While researching this, I came across another film featuring McQueen that used helmet cams to get footage: 1971s On Any Sunday, a documentary about motorcycle racing. (via @jackshafer)
Life magazine asks: Is this the happiest photo ever made?
The photo was taken by Alfred Eisenstaedt, who was covering the University of Michigan's marching band. When some children playing nearby set off after this practicing drum major, he snapped the photo. Said Eisenstaedt, "This is a completely spontaneous, unstaged picture."
The photographer took many notable photos -- the famous V-J Day kiss in Times Square, of Marilyn Monroe, of Albert Einstein, of Joseph Goebbels -- but the drum major one above and his ballet series are my favorites (particularly this one).
From a large collection of photos shot on the set of 2001: A Space Odyssey, two of my favorites:
Those are a pair of smooth criminals right there.
Michael Paul Smith takes photographs of classic cars that evoke feelings of nostalgia for America in the 30s, 40s, 50s, and 60s. Take a look, these are about as Pleasantville as you can get:
But as you'll discover browsing through Smith's collection, the cars he photographs are scale models. Here's the set-up for that second shot:
And here's further evidence of Smith's trickery:
No Photoshop here...all effects are done in-camera. As Smith notes, "It is the oldest trick in the special effects book: lining up a model with an appropriate background, then photographing it." (via @osteslag)
Now showing at IFC Center in NYC: Finding Vivian Maier. Maier is the Chicago street photographer whose extensive and impressive body of work was recently discovered at an auction. John Maloof bought Maier's work, started posting it to a blog several years ago, did a Kickstarter (one of the first I backed) to fund a documentary about Maier and her photos, and now the film is showing in theaters around the US and Canada.
Photographer Ernest Goh documents chicken beauty pageants in Malaysia. Gorgeous photos, gorgeous animals.
National Geographic photographer Gerd Ludwig has visited Chernobyl nine times over the past twenty years. The Long Shadow of Chernobyl is a forthcoming book collecting Ludwig's photos, which includes an essay by Mikhail Gorbachev. The publication of the book is being funded via Kickstarter. There is also an iOS app.
At our request for an interview, Lubell issued the following statement. "The International Center of Photography has been and continues to be at the center, both nationally and internationally, of the conversation regarding photography and the explosive growth of visual communications. In advancing this conversation, ICP has decided to move its current museum to a new space. This decision reflects the evolution of photography and our role in setting the agenda for visual communications for the 21st century. ICP will announce our future sites this spring. The school will remain at 1114 Avenue of the Americas in Midtown Manhattan."
I keep waiting to get sick of seeing photos of huge flocks of birds flying around like they share a brain, but it hasn't happened. Alan Taylor has collected a bunch of starling murmuration photos at In Focus.
They're even better in motion.
Moisés Naím has an article that explains what's behind the protests.
This is the half of the country whose sons and daughters have taken to the streets to protest against a repressive regime that treats them as mortal enemies. And maybe they are. After all, they represent the vanguard of a society no longer willing to tolerate an abusive government with disastrous results to show for its 15-year grip on power: Venezuela is now the world champion of inflation, homicide, insecurity, and shortages of essential goods-from milk for children to insulin for diabetics and all kinds of indispensable products. All this despite having the greatest oil reserves in the world and a government with absolute control of all state institutions and levers of power. Sadly, that government has used its immense wealth and authority to push through unsustainable populist policies, buy votes, jail opposition leaders, and shut down television channels. Daily shortages of basic goods, fear of crime, and hopelessness have become unbearable.
Since November, anti-government protests have been happening in Ukraine. A recent truce gave hope that the violence would end, but mistrust on both sides has resulted in the worst clashes yet. The photos from the main fighting in Kiev are unbelievable.
Why the protests? Think Progress published an explainer this morning, before the latest round of violence.
The protests began on November 22, after President Viktor Yanukovych reversed course and refused to sign political and trade agreements with the European Union that had been in the works for years after heavy pressure from Moscow to abandon the agreements. Despite a violent police crackdown, protesters vowed to continue blockading streets and occupying public buildings until their central demand is met: the current government, including Yanukovych, must go.
The treaties would have opened the European Union market to Ukrainian companies and could have boosted the Ukrainian GDP by more than six percent over ten years. The country is suffering through an economic depression and lower tariffs and expanded competition could have also lowered prices, "fueling an increase of household consumption of some 12 percent." Ukraine would have also adopted 350 EU laws, codifying what many Ukrainians saw as a "commitment to European standards of governance and social justice." To them, the treaty was a way of diminishing Russia's long-time influence and reversing the trend of persistent economic corruption and sluggishness.
Following the film footage of the 1932 Winter Olympics (ice skating on stilts! Keystone Cops ski jumping!), here's a collection of photos from In Focus of the first 12 Winter Games, from 1924 to 1976.
Earlier photo sites were mostly concerned with letting you put your pictures in front of friends and family. Flickr did that, too. But from the start, it was building a community of photo lovers around the world who wanted to share images with other photo lovers, as well as thousands of special interest sub-communities. It was about storytelling.
I was at Etech when Flickr launched and was one of the site's first few hundred users. The photo chat room they launched with was not that interesting to me, but when they turned it inside out, I was hooked. Happy birthday, Flickr.
Hassan Hajjaj's photos of female motorbike enthusiasts from Morocco are fun.
On display at the Taymour Grahne Gallery in NYC through March 7.
In Focus has posted some shortlisted images from The 2014 Sony World Photography Awards. This wildebeest photo by Bonnie Cheung stopped me in my tracks...it looks like a painting (or a cave painting).
Several others are worth a look as well. (via @khoi)
Photographer Jeremy Cowart writes about a rare time he made a real connection with one of his celebrity subjects. It happened during a shoot with the cast of The Haves and the Have Nots, a show on Oprah's network. As usual with shoots like this, Cowart only got a few minutes with each subject, time to shoot but not much else. But then John Schneider pulled him aside.
Once we wrapped up his session, Tika walked off set and John came to me and whispered in my ear "Hey can you sneak a few more portraits of me?" and I said "sure of course". He said "there's something going on and I just need a photo."
So I grabbed my camera again and John walked back on set.
He immediately began weeping. Legitimately crying. He was so good at impressions that I thought this was another impression and I thought "wow, what an acting talent."
The British Library has a million images up at Flickr. 1,019,998 to be precise. And it appears that most (all?) of the images are copyright-free. An amazing resource.
For the past 40 years, Bob Mazzer has been taking photographs of the London Underground and its passengers.
From photographer Greg Alessandrini, a collection of photos of diners in New York City taken in the 1990s. I was pleased to see a shot of Jones Diner, which I ate at several months before moving to NYC:
It closed shortly before we moved and I never got to eat there again. At the time, word was some condos were being built on the site, but it took ten years for construction to start. What a waste.
In March, the New York Historical Society is mounting an exhibition of photographer Bill Cunningham's project, Façades.
Scouring the city's thrift stores, auction houses, and street fairs for vintage clothing, and scouting sites on his bicycle, Cunningham generated a photographic essay entitled Façades, which paired models -- in particular his muse, fellow photographer Editta Sherman -- in period costumes with historic settings.
Craig Mod, writing for the New Yorker, says goodbye to cameras as photography transitions to the use of "networked lenses".
After two and a half years, the GF1 was replaced by the slightly improved Panasonic GX1, which I brought on the six-day Kumano Kodo hike in October. During the trip, I alternated between shooting with it and an iPhone 5. After importing the results into Lightroom, Adobe's photo-development software, it was difficult to distinguish the GX1's photos from the iPhone 5's. (That's not even the latest iPhone; Austin Mann's superlative results make it clear that the iPhone 5S operates on an even higher level.) Of course, zooming in and poking around the photos revealed differences: the iPhone 5 doesn't capture as much highlight detail as the GX1, or handle low light as well, or withstand intense editing, such as drastic changes in exposure. But it seems clear that in a couple of years, with an iPhone 6S in our pockets, it will be nearly impossible to justify taking a dedicated camera on trips like the Kumano Kodo pilgrimage.
And indeed, the mid-tier Japanese camera makers (Panasonic, Fujifilm and Olympus) are struggling to find their way in the networked lens era. A few years ago, I wrote a post called "Your company? There's an app for that." about how smartphones were not only going to make certain devices obsolete, but drive entire companies and industries out of business. This bit, about cameras, seems almost quaint now:
Point and shoot camera -- While not as full-featured as something like a PowerShot, the camera on the iPhone 3GS has a 3-megapxiel lens with both auto and manual focus, shoots in low-light, does macro, and can shoot video. Plus, it's easy to instantly publish your photos online using the iPhone's networking capabilities and automatically tag your photos with your location.
The best camera is the
one you have with you the one with built-in posting to Facebook.
In a feature straight out of the movies, Dr. Rob Jenkins and his team have demonstrated that for sufficiently high-resolution photos, recognizable images of reflected faces of the photographer and bystanders can be retrieved from a subject's eyes.
The researchers say that in crimes in which the victims are photographed, such as hostage taking or child sex abuse, reflections in the eyes of the photographic subject could help to identify perpetrators. Images of people retrieved from cameras seized as evidence during criminal investigations could be used to piece together networks of associates or to link individuals to particular locations.
By zooming in on high-resolution passport-style photographs, Jenkins and co-researcher Christie Kerr of the School of Psychology, University of Glasgow were able to recover bystander images that could be identified accurately by observers, despite their low resolution.
Here's some older research about reading confidential data using reflections from tea pots, glasses, eyes, and even diffuse materials like fabric. And of course, there's the famous eBay tea kettle. (via waxy)
Alex is 2-year-old Henry's nanny. She's also a photographer. One day, at Henry's behest, the pair took photos of each other in the same pose. It turned into a project called Henry's Concepts.
Each of these photos is strictly Henry's idea. He chooses the location and the pose. I take the photo of him and then he takes the photo of me.
(via cup of jo)
As I said last year, the photos are always my favorite end-of-the-year media to check out. It's only early December, but a few media outlets are out of the gate already with their year-end lists.
Best photos of the year 2013 from Reuters.
The Top 10 Photos of 2013 from Time.
2013 Pictures of the Year from Agence France Presse.
The 80 Most Powerful Photos of 2013 from The Roosevelts.
Las mejores fotos del 2013 from Yahoo En Español.
The 45 Most Powerful Photos Of 2013 from BuzzFeed.
Year in Focus 2013 from Getty Images.
Year in Photos 2013 from The Wall Street Journal.
The Year in Pictures from The New York Times.
Do you have a list for this list? Send it along!
Errol Morris is at it again, publishing book-length blog posts for the NY Times. This time, he's examining the photograph evidence of Abraham Lincoln and, I think, what those photos might tell us about Lincoln's death. Here's the prologue and part one (of an eventual four).
My fascination with the dating and interpretation of photographs is really a fascination with the push-pull of history. Facts vs. beliefs. Our desire to know the origins of things vs. our desire to rework, to reconfigure the past to suit our own beliefs and predilections. Perhaps nothing better illustrates this than two radically different predispositions to objects -- the storyteller vs. the collector.
For the collector the image with the crack [in one of Lincoln's photographs] is a damaged piece of goods -- the crack potentially undermining the value of the photograph as an artifact, a link to the past. The storyteller doesn't care about the photograph's condition, or its provenance, but about its thematic connections with events. To the storyteller, the crack is the beginning of a legend -- the legend of a death foretold. The crack seems to anticipate the bullet fired into the back of Lincoln's head at Ford's Theater on Good Friday, April 14, 1865.
It should have a name. I call it "the proleptic crack."
I love these color typologies by photographer Emily Blincoe. This gold candy one is particularly fetching:
Prolific and celebrated writer William T. Vollmann is a "devoted" cross-dresser.
Mr. Vollmann is 54, heterosexual and married with a daughter in high school. He began cross-dressing seriously about five years ago. Sometimes he transforms himself into a woman as part of a strange vision quest, aided by drugs or alcohol, to mind-meld with a female character in a book he's writing. Other times it's just because he likes the "smooth and slippery" feel of women's lingerie.
He said his wife, who is an oncologist, is not thrilled with his outré experiments and keeps her distance. "Probably when the book comes out, it'll be the first she's heard of it," he said. "I always try to keep my wife and child out of what I do. I don't want to cause them any embarrassment." He asked that his wife not be interviewed for this article.
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