Meditate in front of your computer for a few minutes with this soothing dreamlike video. (via colossal)
Meditate in front of your computer for a few minutes with this soothing dreamlike video. (via colossal)
From the Cornell Lab of Ornithology, an animated map of the yearly migratory patterns of 118 bird species in the Western Hemisphere.
La Sorte says a key finding of the study is that bird species that head out over the Atlantic Ocean during fall migration to spend winter in the Caribbean and South America follow a clockwise loop and take a path farther inland on their return journey in the spring. Species that follow this broad pattern include Bobolinks, Yellow and Black-billed cuckoos, Connecticut and Cape May warblers, Bicknell’s Thrush, and shorebirds, such as the American Golden Plover.
“These looped pathways help the birds take advantage of conditions in the atmosphere,” explains La Sorte. “Weaker headwinds and a push from the northeast trade winds as they move farther south make the fall journey a bit easier. The birds take this shorter, more direct route despite the dangers of flying over open-ocean.”
The map was created with data from eBird, a database of crowdsourced bird sightings. They also created a follow-up map which labels each of the species. Look at how far Baird’s Sandpiper (#5) flies…all the way from central Argentina to Northern Canada and back. (thx, kevin)
This is a bunch of animated naked people falling into two precise columns. Mesmerizing. Perhaps a little NSFW? And throw some headphones on…the sound, while subtle, is essential.
See also that video — you remember the one — of a bunch of computer-generated people being mowed down by a rotating bar.
If you’re keeping tabs at home, this is the third video I’ve posted to kottke.org featuring self-destructing washing machines. While not quite as good as this one — “it seems as though the washer is attempting to turn into the Picasso version of itself” — there’s a sublime moment where this chaotic neutral washing machine seemingly defies gravity by hanging in the air like Michael Jordan.
Walking City is a slowly evolving walking video sculpture by Universal Everything. A walking tour of modern architecture, if you will.
This clever and well-done visualization shows where individual NYC taxis picked up and dropped off their fares over the course of a day.
Mesmerizing. Has anyone done analysis on which drivers are the most effective and what the data shows as the most effective techniques? The best drivers must have their tricks on where to be at which times to get the most fares. (via @dens)
Korean artist group Shinseungback Kimyonghun made a video of every time they clicked their mouse. It’s mesmerizing.
This video visualization of 15 different sorting algorithms is mesmerizing. (Don’t forget the sound.)
This video of Atlanta cheerleader Mikayla Clark breaking the world backflip record is mesmerizing. I did not know there was a world backflip record, but here is someone breaking it last year, too.
Yes, it is gymnastics day on kottke.org, what of it?
A nice video from Wired that shows how Tesla’s sedan is made.
Tesla got the factory for a song from Toyota in 2010, spent about a year or so setting up tooling and started producing the Model S sedan in mid-2012. The automaker brings in raw materials by the truckload, including the massive rolls of aluminum that are bent, pressed, and formed to create the car. Those lightweight components are assembled by swarm of red robots in an intricate ballet that is mesmerizing to behold.
The last Kottke.org post about how hot dogs are made was almost 4 years ago, and that video doesn’t event work anymore and I say Saturday is the day to learn stuff anyway.
Two things about this video:
1) The scene of hot dogs shooting out of the hot dog maker and into the pile of hot dogs is mesmerizing. Virtually every ‘How x is made’ video has a similarly awesome shot.
2) These dudes make almost 2.5 million hot dogs per shift, which… Well, there are far, far, far more hot dogs being made in this country everyday than any of us realize.
You’ve seen one washing machine self-destruction video, you’ve seen them all, right? Maybe not. Back in August, I posted this short video of a washer destroying itself (with some help from a brick) but this longer video is mesmerizing and almost poignant at times.
At times, it seems as though the washer is attempting to turn into the Picasso version of itself, a Cubist sculpture manifesting itself over time. (via @aaroncoleman0)
This is mesmerizing: using Google Image Search and starting with a transparent image, this video cycles through each subsequent related image, over 2900 in all.
Mesmerizing video of a series of pendulums moving in an out of sync with each other until at the end…well, I won’t spoil it.
I don’t know what to think of this one: mesmerizing? yucky? erotic? hunger-inducing? I have a hungry tingling disgust going on here…
Angie Dickinson and Lee Marvin “perform” Steve Reich’s Clapping Music. This is mesmerizing.
Mesmerizing Zapruder-esque footage that seems to show a woman talking on a mobile phone at the 1928 premiere of a Charlie Chaplin film at Mann’s Chinese Theatre.
At the behest of MoMA, photographer Marco Anelli has been taking photographs of all the people participating in Marina Abramović’s performance in the main atrium of the museum and posting them to Flickr. To review:
Abramović is seated in [the atrium] for the duration of the exhibition, performing her new work The Artist Is Present for seven hours, five days a week, and ten hours on Fridays. Visitors are invited to sit silently with the artist for a duration of their choosing.
The photographs are mesmerizing…face after face of intense concentration. A few of the participants even appear to be crying (this person and this one too) and several show up multiple times (the fellow pictured above sat across from Abramović at least half-a-dozen times). The photos are annotated with the duration of each seating. Most stay only a few minutes but this woman sat there for six and a half hours. This woman sat almost as long as was also dressed as the artist. (It would be neat to see graphs of the durations, both per day and as a distribution.)
Update: On the night of the opening exhibition, the third person to sit across from Abramović was her ex-boyfriend and collaborator of many years, Ulay (pictured here on Flickr). James Wescott reports on the scene:
When she looked up again, sitting opposite her was none other than Ulay. A rapturous silence descended on the atrium. Abramović immediately dissolved into tears, and for the first few seconds had trouble meeting Ulay’s calm gaze. She turned from superhero to little girl — smiling meekly; painfully vulnerable. When they did finally lock eyes, tears streaked down Abramović’s cheeks; after a few minutes, she violated the conditions of her own performance and reached across the table to take his hands. It was a moving reconciliation scene — as Abramović, of course, was well aware.
Here’s a description of one of the projects they did together in the 70s:
To create this “Death self,” the two performers devised a piece in which they connected their mouths and took in each other’s exhaled breaths until they had used up all of the available oxygen. Seventeen minutes after the beginning of the performance they both fell to the floor unconscious, their lungs having filled with carbon dioxide. This personal piece explored the idea of an individual’s ability to absorb the life of another person, exchanging and destroying it.
Wescott also sat across from the artist:
I was immediately stunned. Not by the strength of her gaze, but the weakness of it. She offered a Mona Lisa half-smile and started to cry, but somehow this served to strengthen my gaze; I had to be the mountain.
When I finally sat down before Abramovic, the bright lights blocked out the crowd, the hall’s boisterous chatter seemed to recede into the background, and time became elastic. (I have no idea how long I was there.)
Update: The look-alike who sat with Abramović all day did an interview with BOMBLog.
At certain times I thought that we were really in sync. Other times I didn’t. Other times I was totally hallucinating. She looked like a childhood friend I once had. Then she looked like a baby. […] I thought time was flying by. Then time stopped. I lost track of everything. No hunger. No itching. No pain. I couldn’t feel my hands.
Update: Singer Lou Reed sat. (thx, bob)
Update: More first-hand accounts from the NY Times.
From Cory Arcangel, two dancing display stands that spin at slightly different speeds. I actually watched the whole thing.
These sculptures are made from 2 over the counter ‘Dancing Stands’ (the tacky kinetic product display stands you can often see in down market stores) which have been modified to spin at slightly different speeds. When my modified stands are placed next to each other they go in and out of phase slowly.
The landing page for Natalie Daoust’s Tokyo Girls project (sorry no direct link because of Flash) presents you with a grid of 45 small animated photos of women performing stripteases.
It is kinda mesmerizing. NSFW. (via swissmiss)
Artist Daniel Martinico took William Shatner’s finest moment as an actor and stretched it out into a 15-minute video.
You’ll notice the crowd gets quiet after the first few seconds. It draws you in, forces you to pay attention, even if it’s just staring at the back and forth eye tics on Shatner’s face for a minute at a time. “In that moment everyone responds to it,” Martinico says. There’s laughing at first, but then people get into the rhythm of it and study the various little muscles as they pull and twitch on Kirk’s face. “It’s a phenomenal range in just a few seconds.”
It’s pretty mesmerizing, even small and at poor quality. (via greg)
Absolutely gorgeous slow motion HD video of a large wave from under the water…you can clearly see the intricate and powerful architecture of the wave.
Nice surfing shot too…but the wave is mesmerizing.
Brooke Inman’s Everything Color Circle is mesmerizing. As somebody with limited organizational skills, I find it mind-boggling that she was able to put this together. And to think that it could be destroyed in a nanosecond if a sugar-addled kindergartner armed with construction paper wandered into the room. (via design milk)
A mesmerizing video that shows computer generated geometric shapes that have evolved to walk in all sorts of crazy ways. The shapes are generated using the Darwin@Home software. Some of them resemble young children just learning to walk or crawl. The final “beast” is particularly elegant.
Video compilations of several months of photos of John McCain, Barack Obama, and George W. Bush. Completely mesmerizing, especially the Bush one. See also: Noah Kalina Everyday and Paris Hilton doesn’t change facial expressions on YTMND.
This portrait of Homer Simpson painted in the style of Rembrandt is strangely mesmerizing. Can’t look away from those giant eyes.
Someone made a video overlay of the 134 times it took him to get through one level of hacked version of Mario World. (Note: the original video was taken down so the embed is a similar video.)
Oh, and how that relates to quantum mechanics:
But, we can kind of think of the multi-playthrough Kaizo Mario World video as a silly, sci-fi style demonstration of the Quantum Suicide experiment. At each moment of the playthrough there’s a lot of different things Mario could have done, and almost all of them lead to horrible death. The anthropic principle, in the form of the emulator’s save/restore feature, postselects for the possibilities where Mario actually survives and ensures that although a lot of possible paths have to get discarded, the camera remains fixed on the one path where after one minute and fifty-six seconds some observer still exists.
Some of my favorite art and media deals with the display of multiple time periods at once. Here are some other examples, many of which I’ve featured on kottke.org in the past.
Averaging Gradius predates the Mario World video by a couple years; it’s 15 games of Gradius layered over one another.
I found even the more pointless things incredibly interesting (and telling), like seeing when each person pressed the start button to skip the title screen from scrolling in, or watching as each Vic Viper, in sequence, would take out the red ships flying in a wave pattern, to leave behind power-ups in an almost perfect sine wave sequence. I love how the little mech-like gunpods together emerge from off screen, as a bright, white mass, and slowly break apart into a rainbow of mech clones.
According to the start screen, Cursor*10 invites the you to “cooperate by oneself”. The game applies the lessons of Averaging Gradius and multiple-playthrough Kaizo Mario World to create a playable game. The first time through, you’re on your own. On subsequent plays, the game overlays your previous attempts on the screen to help you avoid mistakes, get through faster, and collaborate on the tougher puzzles.
Moving away from games, several artists are experimenting with the compression of multiple photographs made over time into one view. Jason Salavon’s averaged Playboy centerfolds and other amalgamations, Atta Kim’s long exposures, Michael Wesley’s Open Shutter Projekt and others. I’m quite sure there are many more.
Dozens of frames of Run Lola Run racing across the giant video screen in the lobby of the IAC building.
The same kind of thing happens in this Call and Response video; 9 frames display at the same time (with audio), each a moment ahead of the previous frame.
Related, but not exactly in the same spirit, are projects like Noah Kalina’s Noah K. Everyday in which several photos of the same person (or persons) taken over time are displayed on one page, like frames of a very slow moving film. More examples: JK Keller’s The Adaption to my Generation, Nicholas Nixon’s portraits of the Brown sisters, John Stone’s fitness progress, Diego Golberg’s 32 years of family portraits, and many more.
Update: Recreating Movement is a method for making time merge photos (thx, boris):
With the help of various filters and settings Recreating Movement makes it possible to extract single frames of any given film sequence and arranges them behind each other in a three-dimensional space. This creates a tube-like set of frames that “freezes” a particular time span in a film.