An appreciation of Mad Men by designer Michael Bierut.
Jesus God in heaven! Not until I know I'm not wasting my time! From the minute Don launched his this-meeting-is-over bluff, I was on the edge of my seat, and my lovely wife Dorothy will tell you that I literally clapped my hands at that line. For me, this sequence is as close to pornography as I ever get to see on basic cable.
Alright, uncle, I give, I give. I will try and find some time in my schedule to watch this show.
Video of actors doing the voices for The Family Guy. High levels of dissonance may occur while watching Mike Henry doing the Cleveland voice at the end.
We interrupt this vacation for an important message: there's a new episode of The Wire where Bunk and McNulty go skiing. Here's a screenshot.
The history of the design and manufacture of the TiVo remote control.
Like any remote, the designers were adamant about keeping the remote's button layout as simple as possible. But with the DVR's numerous features, the designers needed to create lots of extra buttons. To keep things straight, each button needed to have a distinctive feel, giving the ability to control the remote without even looking at it, which Newby described as a "key Braille-ability" surprisingly helped by the "blank finger parking spots between keys" that were equally important.
(via waxy)
In case you're still hung up on the ambiguous ending of The Sopranos, there's this long self-proclaimed definitive explanation of "The End".
"If you look at the final episode really carefully, it's all there." These are David Chase's words regarding the finale of the Sopranos. He is right, it is "all there". This is the definitive explanation of why Tony died in Holsten's in the final scene of The Sopranos. The following is based on a thorough analysis of the final season of the show and will clear up one of the most misunderstood endings in film or television history. Chase took almost 2 years to construct the final season of the show after the fifth season ended in June of 2004. Part 1 will show how Chase directed, edited and scored the final scene of the Sopranos to lead to the interpretation that Tony was shot in the head in Holsten's and how this ties into the "never hear it happen" concept that Chase hammered into the viewer before the show's final scene.
(via house next door)
In Brazil, soap operas, and specifically the small families they depicted, might have been a form of birth control, lowering the fertility of the audience:
In 1960, the average Brazilian woman had 6.3 children. By 2000, the fertility rate was down to 2.3. The decline was comparable to China's, but Brazil didn't have a one-child policy. In fact, for a while it was even illegal to advertise contraceptives.
Many factors account for the drop in Brazilian fertility, but one recent study identified a factor most people probably wouldn't consider: soap operas (novelas). Novelas are huge in Brazil, and the network Rede Globo effectively has a monopoly on their production...
Using census data from 1970 to 1991 and data on the entry of Rede Globo into different markets, the researchers found that women living in areas that received Globo's broadcast signal had significantly lower fertility. (And yes, the study did control for all sorts of factors and addressed the concern that the entry of Globo might have been driven by trends that also contribute to fertility decline. I'll spare you the gory econometric details.) Additionally, people in areas with Globo's signal were more likely to name their children after novela characters, suggesting that it was the novelas specifically, and not TV in general, that influenced childbearing.
Update (by jkottke): The Sabido Method:
Named after the pioneer in application of this entertainment-education strategy, Miguel Sabido, the Sabido Method is based on character development and plot lines that provide the audience with a range of characters that they can engage with -- some good, some not so good -- and follow as they evolve and change. Sabido developed this methodology when we was Vice President for Research at Televisa in Mexico in the 1970s.
According to the Mexican government's national population council, a soap opera called Acompaname was responsible for large increases in people requesting family planning information, contraceptive sales, and enrollment in family planning clinics. From 1977 to 1986, when these soap operas were on, Mexico's population growth rate fell by 34%. The Sabido Method was also recently covered in the New Yorker. (thx, omegar)
David "The Wire" Simon's new show, Generation Kill, starts on HBO on July 13 and will continue for six Sundays after that.
Whoa, a TV commercial for McDonald's that features Line Rider. (via waxy)
Last night I was watching a rerun of Family Guy on TBS and right before the show went to commercial, this happened:
See what they did there? They paused the TV show, ran a little mini-commercial for some show that no one cares about, and then returned to the last two seconds of the segment before going to commercial. Jesus Christ. I realize that Time Warner doesn't actually care about the people who watch their shows and that television programs are just the networks' way of getting people to watch advertising, but this is too much. Do these things actually work or just piss people off in droves? Is there some marketing hot dog at Time Warner who thinks that Family Guy viewers want to watch the blue collar comedy stylings of Bill Engvall? I'm sorry that the DVR is ruining your business model, but can you kick the bucket a little more gracefully? (Digg this?)
As rumored yesterday, the iTunes Store has added some HBO shows to their lineup. The initial offerings are the first seasons of The Wire, Flight of the Conchords, Rome, and Deadwood, as well as seasons 1 and 6 of the Sopranos and all of Sex in the City. Prices are between $2-3 per episode. (thx, dhrumil)
The Final Jeopardy blog posts a video each day's Final Jeopardy question. (thx, daniel)
There's much to argue with on this list of the 50 greatest TV shows of all time. Too many 1 or 2 season shows and recent shows. And Buffy at #2? Christ, whatever.
A few drawings of characters from The Wire drawn in the style of The Simpsons. Here's a scene from season one; D'Angelo tries to teach chess to Wallace and Bodie:
This might be my new favorite thing on the web. (thx, andy)
At the Web 2.0 conference, Clay Shirky gave a talk called Gin, Television, and Social Surplus. In it, he argues that the "social surplus" soaked up in the latter half of the 20th century by television is now being put to better use on the internet.
For the first time, society forced onto an enormous number of its citizens the requirement to manage something they had never had to manage before--free time. And what did we do with that free time? Well, mostly we spent it watching TV. We did that for decades. We watched I Love Lucy. We watched Gilligan's Island. We watch Malcolm in the Middle. We watch Desperate Housewives. Desperate Housewives essentially functioned as a kind of cognitive heat sink, dissipating thinking that might otherwise have built up and caused society to overheat.
But maybe it's possible that the internet is a slightly more sophisticated (or slightly more cognitive) cognitive heat sink?
Starcade was an 80s TV game show where contestants competed against each other on various arcade games like Joust, Burgertime, Dragon's Lair, and Mr. Do. I watched it whenever I could and now they've put 15 full episodes online for your viewing pleasure. I found this on the Secret Fun Blog, written by the Vice-President of the official Starcade Fan Club.
On a Spring morning Brad showed up to homeroom with the crazed look of inspiration on his face. He erupted into babble and I sensed that he'd been waiting many hours to unload his revelation upon me. It was something about Starcade, and a club, and titles and duties, and other foreign concepts. I patronizingly agreed to his wishes and I even signed something. It was a letter...
Beginning May 5, the original Iron Chef is back on TV in the US. Set your DVRs for 11pm every weeknight on the Fine Living channel. (via eater)
All six parts of a BBC documentary called The Machine That Made Us are on YouTube: part one, part two, part three, part four, part five, part six (60 minutes total). (BTW, if you're in the UK, you can watch it on the BBC's iPlayer.) The film stars Stephen Fry and tells the history of the Gutenberg Press.
Stephen's investigation combines historical detective work and a hands-on challenge. He travels to France and Germany on the trail of Johannes Gutenberg, the inventor of the printing press and early media entrepreneur. Along the way he discovers the lengths Gutenberg went to keep his project secret, explores the role of avaricious investors and unscrupulous competitors, and discovers why printing mattered so much in medieval Europe.
But to really understand the man and his machine, Stephen gets his hands dirty - assembling a team of craftsmen and helping them build a working replica of Gutenberg's original press. He learns how to make paper the 15th-century way and works as an apprentice in a metal foundry in preparation for the experiment to put the replica press through its paces. Can Stephen's modern-day team match the achievement of Gutenberg's medieval craftsmen?
Here's part one to get you started:
I haven't had a chance to watch it yet, but it's supposed to be really good. Oh, and if you're thinking "who does this Fry bloke think he is going on about technology like he knows something about it", you should check out his blog...he's a top-notch tech blogger. (thx, dean)
Star Trek statistics: just how likely are you to die if you beam down to the planet's surface wearing a red shirt?
You don't know about the Red Shirt Phenomenon? Well, as any die-hard Trekkie knows, if you are wearing a red shirt and beam to the planet with Captain Kirk, you're gonna die. That's the common thinking, but I decided to put this to the test. After all, I hadn't seen any definitive proof; it's just what people said.
Slowing down the playback of a 1999 Apple commercial = drunk Jeff Goldblum. "Internet? I'd say Internet." Great stuff, indeed. (via cynical-c)
Long long but good good roundbrowser** discussion about which is the best TV drama ever: The Wire, Deadwood, or The Sopranos.
MZS: And I would be, frankly, stunned if, as great an actor as Ian McShane is, he ever did anything that was as demanding and as complex as what he did on Deadwood. Same thing for Gandolfini. And there are even smaller players I think that's true of as well. Molly Parker, you know, my God, look at all the things she got to do. When is she going to be able to do all those things again?
AS: A lot of that comes from the fact that these people were doing series, and now they're trying to move on to movies, and no movie part will ever be as complex as Tony Soprano or Al Swearengen or Bubbles.
MZS: Is that an inherent strength of the medium, then, as opposed to movies?
AS: Yeah.
Obviously, there are spoilers here if you haven't seen all three shows in their entirety.
** A roundbrowser discussion is a roundtable discussion that takes place online. Ok, yeah, I didn't think it was all that clever either. Oh well.
We started watching HBO's John Adams miniseries last night. Going in, I thought Paul Giamatti was going to be too familiar to play Adams; I'm happily wrong. He and Laura Linney are nearly perfect as America's first power couple. Guess we're going to hold off canceling that cable for a few weeks, at least until -- SPOILERS!!! -- the Americans win the Revolutionary War.
Tyler Cowen has a short review of Peter Moskos' book, Cop in the Hood: My Year Policing Baltimore's Eastern District.
This is one of the two or three best conceptual analyses of "cops and robbers" I have read. It is mandatory reading for all fans of The Wire and recommended for everyone else.
Sheeeeeeeeeeit.
The final episode of St. Elsewhere revealed that all of the action of the show took place in the mind of an autistic child. Two detectives from Homicide: Life on the Street investigate a doctor from St. Elsewhere. Thus Homicide is a fiction. And so are 280 other shows that are connected to those two shows through crossovers and references. This page contains a map of all the crossovers, encompassing such disparate shows as Doctor Who, The King of Queens, and Leave It to Beaver. Wonderful.
WARNING, **EXTENSIVE SPOILERS** ABOUT SEASONS 1-5. So, The Wire is over. The 60th and final episode of the show aired on Sunday night. I watched it last night and felt very sad afterwards. Sad that it's over and that doing a sixth season could not and would not work. A good chunk of my morning was spent clinging to the show's final moments; I must have read close to 50 or 60 pages of interviews and analysis concerning the end of the show. Here are a few of those articles worth reading:
Heaven and Here is providing their usual excellent coverage of the end of the show.
I don't know if Cheese's speech about the game was one of the more definitive the show's ever put forth, or the ultimate in dime store Wire-isms. I also don't know which way it was supposed to be perceived by the characters. But that it was immediately followed by a murder that contradicted everything it contained -- one that went against a lot of what's been both depressing and demoralizing about the show -- was kind of awesome.
Alan Sepinwall has the definitive end-of-the-show interview with David Simon. It's long but oh so good.
We knew that if we got a long enough run, all three of the chess players would be out of the game, so to speak. Prison or dead. We did not chart all of their fates to a specific outcome, but we knew that the Pit crew would be subject to an exacting attrition.
We knew, for example, that when Carcetti declares that he wants no more stat games in his new administration that the arc would end with his subordinates going into Daniels' office and demanding yet another stat game. Or that McNulty would end up on the pool table felt like Cole, albeit quitting rather than dead. Or that Carver's long arc toward maturity and leadership would begin with him making rank under ugly pretenses and then being lectured by Daniels about what you can and can't live with. (It's at that point that Carver slowly begins to change, not merely when he encounters Colvin's integrity.) We knew that the FBI file that Burrell would not be put into play in season one would eventually be used to deny Daniels the prize.
Sepinwall also wrote an extensive recap of the final episode.
Heather Havrilesky's interview with David Simon on Salon covers some of the same ground as Sepinwall's interview but is still quite fine. Here's David Simon explaining what the whole season five newspaper thread was all about:
[The season] begins with a very good act of adversarial journalism -- they catch a quid pro quo between a drug dealer and a council president -- which actually happened in Baltimore. Not necessarily the council president, but between a drug dealer and the city government. That whole thing with the strip club? That really happened in real life. It was news. The Baltimore Sun did catch that, it was good journalism, so I was honoring good journalism. It ends with an honorable piece of narrative journalism, about Bubbles. And the Baltimore Sun has, on occasion, done very good narrative journalism.
In between those bookends, which I thought were important, because in our minds we weren't writing a piece that was abusive to the Sun or any other newspaper ... the paper misses every story. They miss that the mayor wants to be governor, so ultimately the guy who was the reformer ends up telling people to cook the stats as bad as Royce ever did. Well, in Baltimore that happened. And they missed the fact that the third-grade test scores are cooked to make it look like the schools are improving, when in fact it doesn't extend to the fifth grade, and that No Child Left Behind is an unmitigated disaster. They set out to do a story on the school system, but they abandoned it for homelessness because they're sort of reed thin. Prosecutions collapse because of backroom maneuvering and ambition by various political figures, speaking of Clay Davis ... And when a guy like Prop Joe dies, he's a brief on page B5.
That was the theme, and we were taking long-odd bets that very few journalists would even sense it. That would be the critique of journalism that really mattered to me, because we've shown you the city as it is, and as it is intricately, for four years. It was all rooted in real stuff.
The last of Andrew Johnston's recaps for The House Next Door. He remains skeptical about the newspaper part of season five's main plot:
In my decade-plus as a professional journalist, I've seen a lot of people compromise their principles in order to stay employed, but never have I seen so many people compromise so much. At the risk of seeming terminally naive, I have to ask if things are really that much worse in the newspaper world than they are in the magazine biz (and now that I've raised the question, I'm sure more than one person will provide evidence in the comments below that yes, things are that bad).
Yanksfan vs. Soxfan views The Wire through the lens of Baltimore sports.
From the air, the picture isn't quite so romantic. The satelite image above shows the site that was once home to Memorial Stadium. An entire neighborhood is oriented in a horsehoe around it. But there's practically nothing on the site now. It's a void. The last remnant of Memorial Stadium came down in 2002. That was a concrete wall dedicated to the soldiers who gave their lives in the First and Second World Wars. It read, "Time will not dim the glory of their deeds."
The Orioles moved into Camden Yards in 1994. You'd think that, when the city agreed to build a new home for the team, there would have been a plan for the old site. But that's not how the development game works. A rising tide doesn't necessarily lift all boats. The money was downtown, and that's where it stayed.
Assorted other articles that I'll leave unexcerpted: AV Club interview with Simon, final episode recap from Thoughts on Stuff, and a letter on HBO's site from David Simon to the fans of the show.
And finally, a few other tidbits.
Now that it's done, I think we're going to cancel HBO and everything but basic cable. I doubt it'll be missed much...aside from sports and movies, The Wire was only thing we watched on TV.
No spoilers, no spoilers. It appears that the very last episode of The Wire will not air a week early on HBO OnDemand like all the previous episodes have this season. Air date is Sunday, March 9...the show appears OnDemand the next day. The series finale will clock in at 93 minutes, longer by 15 minutes than last season's finale.
Just a heads up to let you know that a liveblog of the Oscars is going to be starting here in a little bit. Follow along as I follow along, if you know what I mean (and I think you do).
7:44a, Feb 25th: The Oscars are over. 20% of the nominees won. The cat threw up on the rug and Ollie's a bit fussy this morning. We'll see you back here next year.
11:42p: Bedtime. Last update until tomorrow morning, when I assume the Oscar ceremony will finally be over.
11:06p: None of the stories on the front page of Digg refer to the Oscars. Unsurprising that they have their heads in the sand on such an important issue.
10:47p: BREAKING NEWS: The program on ESPN2 right now is not Fisting; it's Fishing. Fishing. Also, 1363 unread items in my RSS reader.
10:28p: Fashion update. Just took off my shirt. It's hot in here, it's not just me.
10:08p: Battery life at 31% and dropping.
10:00p: Just checked the movie times at the theater two blocks from my apartment. Juno at 10:50, There Will Be Blood at 10:20, Atonement at 10:30, and No Country for Old Men at 10:15 & 10:55. Michael Clayton is on Movies OnDemand for $4.99 at any time.
9:32p: Is this a good time to go to the movies? Lots of empty seats at There Will Be Blood maybe?
9:07p: My liveblogging outfit this evening: jeans by Banana Republic, long sleeve tshirt by American Apparel, socks by Wal-Mart, boxer shorts by Muji.
8:55p: What else is on right now: The Mummy on Encore, Buffy the Vampire Slayer on Fox Movie Channel, Miller's Crossing on Encore Action, The Departed on Cinemax, episode #8 of The Wire on HBO, the Masterpiece version of Pride and Prejudice on PBS, Bulls vs. Rockets on ESPN, Godfather II on AMC, and Born Into Brothels is just ending on IFC but Spanking the Monkey starts in 20 minutes.
8:43p: Non-ceremonial bulletin: I've turned on the comments.
8:34p: I'm told that the ceremony has started.
7:58p: The Oscars have not started yet.
NOTE: don't read any further if you haven't watched episode 6 of The Wire's 5th season. SPOILERS.
I've been meaning to write a post on my thoughts about season 5 of The Wire but luckily Heaven and Here beat me to much of what I was thinking. The highlights:
Too many characters, too many stories, too much telling and not enough time for showing, which is why it feels more like a conventional TV show than in years past.
Unnecessary cameos. What is this, a reunion tour? Hi Nicky, hi Randy! (Although I think the Randy thing is interesting in relation to his dad...did Cheese get the way he is through a similar trajectory? And I suspect that Randy will come back into play...the season 4 kids are the only ones, besides the drug dealers themselves, who have any evidence of wrongdoing by Marlo, et. al.)
How are they going to wrap this up? I don't care what happens to Carcetti or McNulty or Freamon or Daniels and we're obviously going to get some sort of closure on either Omar or Marlo, but if they leave the Dukie, Bubs, and Michael threads significantly hanging, I'm gonna be pissed. (Prediction: if Marlo gets got, it will come from within...either Chris or Michael or both.)
The whole McNulty/Freamon thing: blah. Same thing with the newspaper angle...not as interesting as I thought it was going to be.
But all the rest of the seasons started slow and built into something...they coalesced. Maybe this one will as well?
The only thing I really like about McNulty's manufactured investigation is how it affects so many different things in the system. Carcetti running for governor on the homeless issue. The newspaper switching their focus from the schools to the homeless. All the little things that pull resources and energy away from the Marlo Stanfield case. Pulling Kima off her triple. Motivating Bunk to reopen the case files on the bodies in the vacants. Everything is connected, unexpectedly.
Oh, and I love the "Dickensian" stuff in the newsroom...it's Simon's little shoutout/fuck you to the real media's coverage of the show, frequently called Dickensian. Heaven and Here on the term's misuse:
Something that has been bothering me about the deluge of stories on the show lately (which is , as Shoals said to me earlier today, "split now between nay-sayers and people drowning in their own adulation,") is the loose use of the term "Dickensian." Some stories are simply grabbing onto the upcoming plotline of the Sun editor assigning a story on "Dickensian" kids, but more often than I like, I see lazy writers using Dickens as a sort of shorthand for intricacy, urban despair, and nightmarish institutional breakdown, as if he owned the patent on all that.
Maybe much of the media criticism we were promised in season 5 is meta?
Cynical-C shares some of the more interesting complaints received by the FCC about television programming. One viewer complains about The Family Guy:
The show has no redeeming/moral value what so ever. The show actually had the gall to show GOD in bed with a young woman ready to have sexual intercourse and the dialogue to go with that event, including the use of condoms. They also had Jesus and his earthly father Joseph having an argument. Along with portraying the total disrespect of family values Stewie hitting his mother, the father and son ganging up on the wife/mother, there was also a male sexual predator in this episode as well.; The whole show was quite revolting. It should be taken off the air.
Starting in about 40 minutes, I'll be liveblogging the Mythbusters episode where they take on the infamous airplane on a conveyor belt problem. Updates will be reverse chronological (newest at the top) so don't scroll down if you're DVRing the episode for later viewing or otherwise don't want anything spoiled.
Fair warning? Ok here we go.
10:32p I've turned comments on. Why not!!
10:04p
The plane took off so easily. The laws of physics are proven correct once again. But I'm not sure this is going to settle anything. I'm getting email as we speak that the test was unfair. Plane was too light. Tarp was pulled too slowly. Etc. But the thing is, it doesn't matter how large the plane is...given enough runway and a strong enough conveyor belt, it will still take off. Ditto for the speed of the treadmill...it doesn't matter how fast the treadmill is moving. It could be going 300 mph in the opposite direction and as long as the bearings in the plane's wheels don't melt, it's gonna take off. (For an explanation, try this one by my friend Mouser, who has a MIT Ph.D in Physics Sc.D. in Nuclear Science and Engineering.)
9:58p
Update: Due to popular demand, the above graphic is available on a t-shirt at CafePress. Prices start at $18 and they're available in men's and women's sizes.
9:58p
Heeeeeeeere we go.
9:56p
The pilot flying the ultralight is predicting that he won't be able to take off.
9:55p
Orville Wright died 60 years ago today.
9:50p
Cockroach mini-myth: cockroaches would survive a nuclear blast longer than humans but there were other kinds of bugs that fared better. Another commercial.
9:47p
Back to the shaving cream in the car prank. Now they're going to use A-B foam...they're trying to fill all the space in the car and perhaps explode it. Totally worked.
9:44p
Expedia commercial. Nice synergistic placement. Good work, Discovery Channel's ad sales team.
9:43p
Ok, to do the large-scale plane test, they're using a 2000 foot tarp and a 400 pound ultralight. Tarp is pulled in one direction and the plane tries to take off in the other direction. The wind is picking up and blowing the tarp runway all over the place. They're also having problems with punching holes in the tarp. They're going to try again after we hear some more about radioactive cockroaches. Aaaand, another commercial.
9:36p
Second mini-myth: if you freeze a can of shaving cream, cut it open, and then put the foam in a car, it will heat and expand to fill the car. One can did almost nothing. 50 cans didn't do too much either.
9:32p
Off to commercial again. Macbook Air ad. I don't understand all the whining about how expensive and underpowered it is. You can't get by with an 80 GB hard drive? Come on.
9:30p
Now a bit of explanation from the boys. (Things are moving faster now, which is welcome.) The thrust from the airplane acts upon the air so it doesn't matter too much what the runway is doing to the plane's wheels. And then back to the roach thing. They irradiated them (and some other bugs) and most of the roaches died. Still pending...
9:25p
Ok, they're dragging paper behind a Segway and trying to take off with the model airplane in the opposite direction. IT JUST TOOK OFF.
9:19p
Back to the roach thing. More recapping and a little bit more setup. I don't see how people can watch this show...it's sooooo slooooow. And now another commercial break. Hello picture-in-picture.
9:18p
As expected, the model airplane "flew" off the end of the exercise treadmill. It didn't have enough room to take off, but if it stayed straight, it probably would have.
9:14p
First recap...they took a solid minute to explain what they've already done. Ugh.
9:13p
Going into the first commercial, we've caught a glimpse of how they're going to test the main myth. They're going to drag a huge plastic sheet long the ground and have the plane sit on the plastic and being going the other way attempting to take off. A reasonable substitute for the treadmill.
9:08p
They're starting off small with a model airplane on an exercise treadmill. They're showing the two hosts learning how to fly the tiny airplane. One of them is riding around on a Segway. Oh, and they're also doing two other mini-myths during the episode. They just switched gears to the first mini-myth: can a cockroach survive a nuclear blast?
9:04p
And we're off. They're calling it "the moment we've all been waiting for". My guess: the plane will take off.
8:58p
I've only watched one other episode of Mythbusters before today. I found the show to be a little slow and very repetitive; 8 minutes of material stretched into 45 minutes of show. Unfortunately, this practice seems to be common among science programs on television.
8:40p
Watching Family Guy as a warmup. The one with the nudist family. Good stuff.
8:22p
Preemptive answer for the inevitable "Do you realize how boring/stupid/goofy it is to liveblog this?" Most definitely.
For real this time: Mythbusters will air their challenge of the airplane on a conveyor belt puzzle this Wednesday at 9pm ET. (thx, darin)
Two-hour special on the History Channel called Life After People, 9pm tonight and rerunning throughout the week.
What would happen to planet earth if the human race were to suddenly disappear forever? Would ecosystems thrive? What remnants of our industrialized world would survive? What would crumble fastest? From the ruins of ancient civilizations to present day cities devastated by natural disasters, history gives us clues to these questions and many more.
This appears to be unrelated to Alan Weisman's well-reviewed The World Without Us. If it comes down to watching this or Killer of Sheep, watch Sheep.
Charles Burnett's Killer of Sheep, a 1977 film that was selected as one of the 100 essential films of all time by the National Society of Film Critics but was just recently released in theaters, will be shown on TCM today at 8pm and early tomorrow morning at 12:30am. Set your DVRs for this one. (big thx, max)
Short teaser for Generation Kill, David Simon and Ed Burns' next project for HBO about the Iraq War. It's from October but I hadn't seen it until now so maybe you hadn't either? The 7-hour miniseries is based on Evan Wright's book of the same name. This video discusses the book and its subject matter. (thx, david)
I've turned my T.V. on just one time in 2008. I rarely miss it at all, except for a very few moments when it's like missing heroin. (Some relief coming: eight episodes of "Lost," beginning January 31; ten episodes of "Battlestar Galactica" coming in March.) Yesterday for a job I was talking with two bigwigs, an actor and an actor-director; they said they were both in a weird state of both crunch and inactivity because of both the Writer's Guild strike and the maybe-upcoming Screen Actor's Guild strike, which I had totally forgotten about. (That 120,000+ member union may strike in June, over the same issues—profit from new media—that sent the Writers Guild out more than two months ago.) That's when I realized: I can't take a world without actors! Sure, they're not as useful as deli owners or baristas to my life. But I like looking at them! Maybe it'll be averted: The Directors Guild is close-ish to a settlement, which might be a template for the writers, which might be sort of a template for the actors. In any event, I asked the nice Oscar-winning lady what sort of things she liked about working: "I have health insurance, that's enough," she said. Mm, I should get a union then! Some health insurance sounds good right about now.
The Sound of Young America's Jesse Thorn interviews Wendell Pierce and Andre Royo, who play The Bunk and Bubbles on The Wire. (thx, jesse)
Sudhir Venkatesh recently sat down with some real gang members to watch some episodes of the The Wire.
The greatest uproar occurred when the upstart Marlo challenged the veteran Prop Joe in the co-op meeting. "If Prop Joe had balls, he'd be dead in 24 hours!" Orlando shouted. "But white folks [who write the series] always love to keep these uppity [characters] alive. No way he'd survive in East New York more than a minute!" A series of bets then took place. All told, roughly $8,000 was wagered on the timing of Marlo's death. The bettors asked me -- as the neutral party -- to hold the money. I delicately replied that my piggy bank was filled up already.
(thx, matt)
With The Wire final season premiere approaching rapidly (the episode is already on HBO OnDemand and the first two are on BitTorrent), news outlets everywhere are covering and reviewing the show. My favorite article -- because it's something different and critical for a change -- is a profile of David Simon by Mark Bowden in the Atlantic Monthly. He starts out slow with a comparison of fiction and nonfiction in telling stories:
Fiction can explain things that journalism cannot. It allows you to enter the lives and motivations of characters with far more intimacy than is typically possible in nonfiction. In the case of The Wire, fiction allows you to wander around inside a violent, criminal subculture, and inside an entrenched official bureaucracy, in a way that most reporters can only dream about. And it frees you from concerns about libel and cruelty. It frees you to be unfair.
But then you get to the part describing Simon's vindictiveness and how it has shaped him, which adds some depth to the earlier fiction/nonfiction comparison. Worth a read.
Also of note is that the full text of The Believer conversation between Simon and Nick Hornby has been put online.
Absolute Zero looks like an interesting show on cold temperatures, airing on PBS in mid-January. For the Long Zoom fans out there, don't miss the Sense of Scale widget.
Late last week, Marc Andreessen pulled a quote from a New Yorker article written in 1951 about television:
The most encouraging word we have so far had about television came from a grade-school principal we encountered the other afternoon.
"They say it's going to bring back vaudeville," he said, "but I think it's going to bring back the book."
Before television, he told us, his pupils never read; that is, they knew how to read and could do it in school, but their reading ended there. Their entertainment was predominantly pictorial and auditory -- movies, comic books, radio.
Now, the principal said, news summaries are typed out and displayed on the television screen to the accompaniment of soothing music, the opening pages of dramatized novels are shown, words are written on blackboards in quiz and panel programs, commercials are spelled out in letters made up of dancing cigarettes, and even the packages of cleansers and breakfast foods and the announcers exhibit for identification bear printed messages.
It's only a question of time, our principal felt, before the new literacy of the television audience reaches the point where whole books can be held up to the screen and all their pages slowly turned.
This sounds far fetched and Andreessen belittles the prediction, but is it really that outlandish? Literacy rates in the US have risen since the advent of television (I am not suggesting a correlation) and Steven Johnson suggests in Everything Bad Is Good For You that TV is making us smarter.
If you stop thinking of TV in the specific sense as a box on which ABC, CBS, and NBC are shown and instead imagine it in the general sense as a service that pipes content into the home to be shown on a screen, the prediction hits pretty close to the mark. The experience of using the web is not so different than reading pages of words that are "held up to the screen" while we scroll slowly through them. If we can imagine that what Paul Otlet and Vannevar Bush described as the "televised book" and the "memex" corresponds to today's web, why not give our high school principal here the same benefit of the doubt?
With the new season right around the corner, Heaven and Here, an excellent group blog about The Wire, is starting back up again. The latest two posts are about season two, the most underrated season IMO.
The NFL has caved and is going to simulcast the Patriots/Giants game on NBC and CBS instead of just showing it on NFL Network, a channel available to fewer than 40% of US households.
Radio interview with Felicia Pearson, who plays Snoop on The Wire. It's apparent from the interview that she doesn't so much act in The Wire as play herself. "I have patience." (thx, adam)
The last episode of Ricky Gervais' Extras has a message concerning celebrity and television:
"The Victorian freak show never went away," Millman rails in a soliloquy that serves as a climax of the "Extras" final episode and a moment of redemption for the character, whose life and friendships have been corrupted by fame. "Now it's called 'Big Brother' or 'American Idol,' where in the preliminary rounds we wheel out the bewildered to be sniggered at by multimillionaires."
To the networks, he says: "You can't wash your hands of this. You can't keep going, 'Oh, it's exploitation, but it's what the public wants.' No."
To the audience watching at home, he says: "Shame on you. And shame on me. I'm the worst of all. Cause I'm one of these people that goes, 'I'm an entertainer, it's in my blood.' Yeah, it's in my blood because a real job's too hard."
Wow, The Simpsons did a parody of Noah Kalina's Everyday video. Noah, you just graduated summa cum laude from Pop Culture University.
Update: But apparently the background music was used without permission.
A few months back a producer from the Simpsons contacted Carly about using her song 'everyday' for an upcoming episode in which they were going to parody my video. She was negotiating a rate for the song, until they never got back to her. No fee was agreed on, no contracts signed.
Maybe they decided since it was parody they didn't need permission? I don't find that likely since what little I know about Hollywood/TV is that they're really concerned about clearing rights. (thx, slava)
Update: The song rights mixup was an accidental oversight and is currently being corrected.
According to their web site and TV Guide, last night's episode of Mythbusters was supposed to address the airplane on a treadmill question. They didn't and nerds everywhere are upset. According to an email from the executive producer of the show, the segment got rescheduled:
First up, for those concerned that this story has been cancelled, don't worry, planes on a conveyer belt has been filmed, is spectacular, and will be part of what us Mythbusters refer to as 'episode 97'. Currently that is due to air on January 30th.
Secondly, for those very aggrieved fans feeling "duped" into watching tonight's show, I can only apologise. I'm not sure why the listings / internet advertised that tonight's show contained POCB. I will endeavour to find out an answer but for those conspiracy theorists amongst you, I can assure you that it will have just been an honest mistake.
Not sure that's going to quench the nerdfury, but I'm glad the piece will air in January.
The NFL, in their infinitesimal wisdom and utilizing their stupid scheduling/blackout policy, has ensured that the best game of the weekend (Steelers vs. Patriots) will not be shown on TV in the New York City area. We get the hapless Jets instead...a team that not even Jets fans care about at this point in their 3-9 season. Our cable provider doesn't carry any NFL stations and we don't really want to trek out to a sports bar with the kiddo. Are there any other options? An illicit online broadcast? Anything?
Update: We ended up watching the game online -- poor quality, dropped frames, and all. Better than braving the rain and sports bar. (thx to everyone who wrote in, especially kunal)
Alec Baldwin must relish the opportunity to channel his rage through Jack Donaghy, the beloved heartless media executive he plays on 30 Rock, a rage in evidence at The Huffington Post in his open-skewering of the suits who own and run his show's network.
On the problem of the studios in the ongoing WGA negotiations:
They are owned by huge, creativity-deadening corporations and operated by lawyers and marketing executives who lord over the worst creative decline I have witnessed in a long time, particularly in films. In television, companies like GE view properties like NBC the way realtors view square footage. GE does not care what is on NBC. So long as the programming is relatively inoffensive, they want to earn as much per square foot as they can.
I missed this at the time, but 30 Rock snuck in a last-minute subversive writers' strike joke for its last pre-strike show.
For some defictionalized 30 Rock goods, t-shirts for the parent company of 30 Rock's NBC, Sheinhardt Wig Company, can be had here.
(via glass shallot)
You may have heard that NBC has revived the American Gladiators franchise for primetime. I had tickets reserved for tonight's taping that definitely would have been used if if I'd been able to reconcile my preteen nostalgia with the potentially many hours of sitting in a studio and cheering on cue.
Instead, I set out to learn the Gladiator names of other American Gladiators around the world.
If you were to pit Gladiator teams from around the world against each other in one arena, make it part of the penal system and introduce a fat, homicidal tenor named Dynamo to the fray, now that's a taping I would go to.
New episodes of The Wire, available now! Well, sort of. The Amazon page for the season 4 DVDs contains three mini prequels to the series: one with a grade school-aged Prop Joe, a teenaged Omar, and McNulty's first day with the homicide unit.
Found while browsing HBO OnDemand last night: the first 4 episodes of The Sopranos and the entire season 3 of The Wire. Go nuts.
Don't know how I missed this, but there's a TiVo that records in HD that doesn't cost four bazillion dollars. TiVo HD records 20 hours of HD programming, you can view/record two shows at once, and differs very little from the more expensive Series 3 TiVo. Amazon's got it for $262 (retail is $299). But whoa, the Series 3, which can record 32 hours of HD programming and retails for $599, is only $399 at Amazon after rebate (note: "usually ships within 3 to 5 weeks").
Big Screen Little Screen has some info of the upcoming season of The Wire. It begins Jan 6th and the episodes will appear OnDemand a week early (they did this last year, yes?). The post also contains 5 promos for season 5. Almost here!
The BBC is planning to produce Shakespeare's entire canon for TV...all 37 plays.
(via crazymonk)
Video of Twitter on CSI. They even stayed within the 140 character limit. (via waxy)
An Apple Lisa commercial featuring Kevin Costner. While you digest the awesomeness of that, it's interesting to note how consistent Apple has been under Steve Jobs in their message and approach...the emphasis on non-traditional business uses of computers in the Lisa ad and the whole iLife philosophy go together quite well. (via the house next door)
On his NYTimes blog, Dick Cavett remembers having Norman Mailer on his show along with Gore Vidal and Janet Flanner. It was a notorious episode; a perhaps more than slightly drunk Mailer lashed out first at Vidal and then everyone else in the room but couldn't keep up with the jeers and witticisms flying at him from all angles.
Mailer: I said that the need of the magazine reader for a remark he could repeat at dinner was best satisfied by writers with names like Gore Vidal.
Flanner: All those writers called Gore Vidal.
Vidal: I know. There are thousands of them, yeah.
Mailer: There are two or three.
Cavett: Who are some of the others?
Mailer [with a dark look]: I don't know.
Cavett: Who wants to host the rest of this show?
Mailer, years later, told me that it was at this point that "in the face of the Cavett wit and Flanner's deft interruption" -- adored by the audience -- and in consideration of his alcohol content, he realized that he was not being skillful at mounting a sustained argument.
In an interview a number of years ago with Cavett, Charlie Rose showed a clip of the incident:
The video should cue up at the clip in question, but if not, skip to 29:00 in. Highly entertaining reading and viewing.
Title sequences from Doctor Who, 1963-2006. Unfortunately all the videos are in Real format, which in the age of YouTube is just silly. Not unfortunately, most of the opening titles videos are available on YT: first Doctor, second Doctor, third Doctor, fourth Doctor, fifth Doctor, sixth Doctor, and seventh Doctor, as well as other variants. (via quipsologies)
Opening credits for Down to Earth, a show on TBS in the early 80s (it was their first original series). The opening jingle was so catchy that I can still sing most of it even though I haven't heard it in 20 years.
Season 1 of The Wire is currently showing on HBO OnDemand. I presume seasons 2-4 will follow as the January premiere of season 5 approaches. (thx, michael)
Speaking of, here's a short teaser promo for season 5. (thx, gary)
Update: The post originally said that season 2 was OnDemand...I corrected it to read "season 1".
Nick Park and Aardman Animations are doing a new Wallace & Gromit film called Trouble At' Mill (pronounced Trouble At The Mill). Unlike Chicken Run or Were-Rabbit, it'll be a 30-minute film made for TV, like A Close Shave or The Wrong Trousers.
Wallace and Gromit have a brand new business. The conversion of 62 West Wallaby Street is complete and impressive, the whole house is now a granary with ovens and robotic kneading arms. Huge mixing bowls are all over the place and everything is covered with a layer of flour. On the roof is a 'Wallace patent-pending' old-fashioned windmill.
We're running a bit behind in watching The War; we stopped the other night right before D-Day. The series is quite good so far, even with all its flaws. The last section we watched dealt with the Battle of Monte Cassino and the related Battle of Anzio in Italy. With the Germans holding the high ground, these battles were some of toughest of the war for the Allies. During one particularly difficult moment, an American soldier yelled out a prayer (I'm paraphrasing slightly): "Oh God, where are you? We really could use your help down here. And don't send Jesus, come down here yourself. This ain't no place for children."
Bad news, Deadwood fans. Ian McShane says that the two Deadwood movies are not going to happen. Cocksucker! (via david)
Update: Here's a letter from HBO dated 9/27/07 that outlines their decision to not go forward with Deadwood and John From Cincinnati. (thx, marshall)
Amazon just sent me an email about my preorder of The Wire season 4 DVD. They say the shipping date has slipped a little, but the page still says it'll be out on Dec 4. Anyway, they made me verify the "change"; if I hadn't, they would have canceled the order, which seems a less-than-optimal solution to the problem. If you preordered, you might want to watch your inbox.
An incredible archive of all the televised reviews of Siskel and Ebert (and Roeper) after 1986. Here, for example, is Siskel and Ebert's review of Die Hard from 1988. (thx, martin)
The New Yorker's Nancy Franklin pans Ken Burns' The War.
They’ve taken a subject that is inexhaustible and made it merely exhausting. Scene by scene, interview by interview, the series doesn’t bore, if you are of the school that believes that everyone’s experiences are at least somewhat interesting, and that the experiences of those who went through the Second World War are more interesting than most.
Video of a bunch of TV production company logos...you know, the ones that usually follow the shows, "sit Ubu sit, good dog" and the like.
Video of a Japanese game show where contestants have to clear hurdles while running on treadmills. There's something Sisyphean about their task. No word on whether any of the contestants were able to take off.
Over at Marginal Revolution, Alex Tabarrok is advocating a game show called So You Think You Can Be President? instead of debates to better educate voters about presidential candidates. "Presidential candidates have 12 hours to get a bitterly divorcing couple to divide their assets in a mutually agreeable manner. (Bonus points are awarded if the candidate convinces the couple to stay together.)" Awesome.
Laurel over at TV Picks noticed that the conjoined twins documentary I mentioned the other day is on the Discovery Health Channel tonight at 9pm and 12am ET. DVR, set. (thx, laurel)
BTW, TV Picks looks like the rare useful entertainment site that's not just absolutely plastered with ads and attitude. It's a daily one-pager about what's new, good, and notable on TV that day.
It's been a few weeks since I saw the movie, but I still can't get the Rhubarb Pie song out of my head:
But one little thing can revive a guy,
And that is home-made rhubarb pie.
Serve it up, nice and hot.
Maybe things aren't as futile as you thought.Mama's little baby loves rhubarb, rhubarb,
Beebopareebop Rhubarb Pie.
Mama's little baby loves rhubarb, rhubarb,
Beebopareebop Rhubarb Pie.
Related "fascinating" facts:
Garrison Keillor got the idea for doing A Prairie Home Companion (the radio show) after writing an article for the New Yorker about the Grand Old Opry in 1974.
While driving in unfamiliar territory in an episode of The Wire, Bodie Broadus ends up listening to A Prairie Home Companion on the radio when he can't find any hip-hop.
The title essay of George Saunders' The Braindead Megaphone invites the reader to imagine a person at a party with a megaphone. Megaphone Guy might not have much to say, but he's got a megaphone and so he is heard, his utterances setting the agenda for the entire party, the party's collective intelligence (its crowd-like wisdom if you want to put it that way) determined by the intelligence of Megaphone Guy. Before long, it ruins the party because the other guests will stop being guests and become passive "reactors-to-the-Guy".
Now imagine, metaphorically speaking, that the Megaphone Guy is the media and we, the audience of the media, are the party guests. Not all that hard to imagine because the following segment can be seen every hour on every TV news channel in the nation:
Last night on the local news I watched a young reporter standing in front of our mall, obviously freezing his ass off. The essence of his report was: Malls Tend to Get Busier at Christmas! Then he reported the local implications of his investigation: (1) This Also True At Our Mall! (2) When Our Mall More Busy, More Cars Present (3) The More Cars, the Longer it Takes Shoppers to Park! and (shockingly): (4) Yet People Still Are Shopping, Due to, it is Christmas!
It sounded like information, basically. He signed off crisply, nobody back at NewsCenter8 or wherever laughed at him. And across our fair city, people sat there and took it, and I believe that, generally, they weren't laughing at him either. They, like us in our house, were used to it, and consented to the idea that Informing had just occurred. Although what we had been told, we already knew, although it had been told in banal language, revved up with that strange TV news emphasis ("cold WEATHer leads SOME motorISTS to drive less, CARrie!"), we took it and, I would say, it did something to us: made us dumber and more accepting of slop.
Furthermore, I suspect, it subtly degraded our ability to make bold, meaningful sentences, or laugh at stupid, ill-considered ones. The next time we feel tempted to say something like, "Wow, at Christmas the malls sure do get busier due to more people shop at Christmas because at Christmas so many people go out to buy things at malls due to Christmas being a holiday on which gifts are given by some to others" -- we might actually say it, this sentiment having been elevated by our having seen it all dressed-up on television, in its fancy faux-informational clothing.
Sure, the details of the story change but the Braindead Megaphone drones on. The rest of Saunders' essay explores this idea further, keenly skewering the media *and* the people who listen to it. A fun and thought-provoking read.
Slightly related: Without exception, everytime I look at the book's cover photo -- an amalgam of three newsreaders (one black, one white, and one Asian) formed into one person -- I see Barack Obama.
A breaking addendum to Wednesday's update on The Wire: the season four DVD of The Wire is now available for pre-order at Amazon. Release date: December 4.
A must-see for football fans: NFL TV distribution maps. Check out what football games will be on in which parts of the country.
As those of you who love slow pans over black and white photography are already aware, Ken Burns has a new documentary coming out on PBS on Sept 23. The War "explores the history and horror of World War II from an American perspective by following the fortunes of so-called ordinary men and women who became caught up in one of the greatest cataclysms in human history" in 7 episodes spanning over 15 hours. A 26-minute video preview is available on the PBS site and the DVD is already available for pre-order on Amazon.
What with the newborn taking up much of my days, I didn't have too much time to watch TV this summer. I did catch a few shows, however.
Ninja Warrior. This is my new favorite show to truly zone out to. It's an obstacle course competition program from Japan called Sasuke, repackaged by the G4 network for an American audience. This YouTube video -- featuring my favorite Ninja Warrior competitor, fisherman Makoto Nagano -- should provide you with a decent taste of the show. Wikipedia has more information than you probably want to know about the program. Time/place: G4, all hours of the day (but officially 6pm & 10pm ET).
Are You Smarter Than a Fifth Grader? See Idiocracy. See also Miss Teen South Carolina. I couldn't click away fast enough. Time/place: not even gonna tell you.
Deadwood, season one. Finally got around to checking this out after many recommendations from friends. Big fan so far, through 10 episodes. Gem Saloon owner Al Swearengen is one of the best TV characters in recent memory. Aside from the obvious -- Wild Bill, Calamity Jane, and Deadwood itself -- I was surprised to learn that many of the characters, events, and establishments in the show actually existed and took place, including Swearengen, E.B., and the Gem. I imagine there's an extensive discussion on the web somewhere about how much the show deviates from recorded history, but I'm staying away for now for fear of spoilers, having already made the mistake of learning of Wild Bill's story arc in a book about the Wild West. Time/place: HBO2 is currently rerunning season one at 8pm ET. Also available on DVD, anytime.
The Wire, seasons one, two, and three. Everyone dogs on season two of The Wire (relatively speaking), but after a second viewing, it's right up there with one and three for me. Collectively the best program ever shown on TV, case closed, next topic, I'm not even gonna discuss that with you. G.O.A.T. However, up for debate: despite being everyone's favorite character on the show (but not mine), Omar Little is actually the least realistic character on a show defined by its realism. A gay thief/killer/felon who doesn't swear and adheres to a personal code of conduct? Come on! Time/place: BET is showing episodes of season three on Thursdays at 9:30pm ET, but edited for content and with commercials. Which is like viewing Titian's nudes with all the naughty bits pixelated out and a "Sponsored by AXE Deodorant Body Spray" banner draped over it. Just get the DVDs...beg, borrow, or steal if you have to.
Planet Earth. A highly recommended nature series that originally aired on the BBC in early 2006 (with David Attenborough narrating) and jumped to the Discovery Channel earlier this year (with Sigourney Weaver narrating). We caught several episodes on Discovery HD, which is a spectacular way to watch the series. My favorite scenes depicted the symbiotic relationships that develop in the wild: snakes and fish hunting together, dolphins and birds herding fish, spiders diving for prey trapped by pitcher plants. NY Times review, Washington Post review, detailed Wikipedia entry. Time/place: Not on TV in the US anymore, as far as I know. Your best bet is on DVD or, if you have an HD player, get the full effect on HD DVD or Blu-ray. Get the Attenborough-narrated version if you can. Oh, it looks like there's a few highly pixelated complete episodes of Planet Earth on Google Video...get 'em before they get taken down.
Show creator David Simon talks with author Nick Hornby (High Fidelity, etc.) in the The August 2007 issue of The Believer. The entire interview isn't available online but one of the three best bits is:
My standard for verisimilitude is simple and I came to it when I started to write prose narrative: fuck the average reader. I was always told to write for the average reader in my newspaper life. The average reader, as they meant it, was some suburban white subscriber with two-point-whatever kids and three-point-whatever cars and a dog and a cat and lawn furniture. He knows nothing and he needs everything explained to him right away, so that exposition becomes this incredible, story-killing burden. Fuck him. Fuck him to hell.
Simon goes on to talk about the overarching theme of The Wire: the exploration of the postmodern American city and the struggle of the individual against the city's institutions. Many of his thoughts on that particular subject are contained in this Dec 2006 interview at Slate. But in talking with Hornby, Simon draws a parallel between these city institutions and the Greek gods:
Another reason the show may feel different than a lot of television: our model is not quite so Shakespearian as other high-end HBO fare. The Sopranos and Deadwood -- two shows that I do admire -- offer a good deal of Macbeth or Richard III or Hamlet in their focus on the angst and machinations of their central characters (Tony Soprano, Al Swearingen). Much of our modern theatre seems rooted in the Shakespearian discovery of the modern mind. We're stealing instead from an earlier, less-traveled construct -- the Greeks -- lifting our thematic stance wholesale from Aeschylus, Sophocles, Euripides to create doomed and fated protagonists who confront a rigged game and their own mortality.
But instead of the old gods, The Wire is a Greek tragedy in which the postmodern institutions are the Olympian forces. It's the police department, or the drug economy, or the political structures, or the school administration, or the macroeconomics forces that are throwing the lightning bolts and hitting people in the ass for no reason. In much of television, and in a good deal of our stage drama, individuals are often portrayed as rising above institutions to achieve catharsis. In this drama, the institutions always prove larger, and those characters with hubris enough to challenge the postmodern construct of American empire are invariably mocked, marginalized, or crushed. Greek tragedy for the new millenium, so to speak.
The NY Times still deals in the Shakespearian and tells us the story of Donnie Andrews and Fran Boyd (thx, nirav), whom Simon and The Wire co-creator Edward Burns introduced to each other. Andrews was the inspiration for the popular Omar Little character on the show and Boyd was depicted in a previous Simon/Burns collaboration called The Corner. The Times also has their wedding announcement.
And finally, some news about season five. Sadly, instead of 12 or 13 episodes, the final season of the show will only consist of 10 episodes. The shooting of the final episode wrapped on September 1 and the season will premiere on Jan 6, 2008 (both facts courtesy of a Washington Post article about the end of the show). The season 4 DVD should be out a month or two before that. Two actors from Homicide: Life on the Street (based on a book by, you guessed it, David Simon) will appear in the final season: Clark Johnson (who also directed the final episode) and Richard Belzer, who will reprise his Homicide role as Detective John Munch.
Oliver Herring's photo sculptures. Reminds me of David Meanix's work for Six Feet Under (if you remember Claire's photo masks in
