Music Catch 2
Catch musical notes as they fly by to the rhythm of a classical soundtrack. I enjoyed this game way more than I thought I would...it's likely my love of games where you tidy up. (thx, dylan)
Bach Bach Revolution
Two women play Bach's Toccata and Fugue in D minor on a giant piano at FAO Schwarz.
If that's too much for you, just start with chopsticks or caper around like an idiot and knock over toddlers. (via cyn-c)
Danger Mouse's new album: a blank CD-R
Due to a dispute with EMI, Danger Mouse will release his next album (a collaboration with Sparklehorse) as a blank CD-R, on which the buyer can then burn the album downloaded from the file-sharing network of their choice.
Please note: Due to an ongoing dispute with EMI, Danger Mouse is unable to include music on the CD without fear of legal entanglement. Therefore, he has included a blank CD-R as an artifact to use however you see fit.
99 classical mp3s for $8
Whoa, 99 "essential" classical music songs on mp3 for only $7.99 at Amazon. "Album Savings: $80.12 compared to buying all songs." (thx, martin)
Update: Here's another good deal: all 9 of Beethoven's symphonies for $7.99. (thx, egghat)
Update: And another: 48 classical guitar mp3s for $0.99. (thx, mona)
Update: And still more good deals: 99 songs by Mozart for $8, 99 relaxing songs for $8, and 99 Beethoven pieces for $8.
Update: Five Hours of Classical Favorites for $4.
Update: Five Hours of Classical Adagios for $8 and 50 Essential Classical Film Moments for $8. If you bought everything in this post, you'd have more than two days of music for less than $60.
Dixie Upright and his friends
The pace of baseball is such that one wonders about all the baseball players whose last names are adjectives.
Woody Rich, Pop Rising. Harry Sage. Several Savages. Mac Scarce. Bill Sharp. Bill, Chris, Dave, and Rick Short. Many Smalls. One Smart guy (JD). Three Starks. Adam Stern. Of course, there's Doug Strange (and Alan and Pat, too). Jamal and Joe Strong. Even a guy named Sturdy, literally: Guy Sturdy. DIck Such. Bill Swift, x2.
Update: See also musicians whose names are sentences. (thx, colter)
Auto-Tune
The voice modulation technology isn't just for pop songs anymore. Check out Blake tries to talk to Jack about the homepage:
Babies crying in Auto-Tune is pretty hilarious: Baby T-Pain 1, Baby T-Pain 2.
But Auto-Tuning the News takes the prize.
Pay particular attention to Katie Couric at 1:20. Awesome. (thx, matt)
Update: Whoa, Martin Luther King's I Have A Dream speech run through Auto-Tune. (thx, matthew)
Update: Winston Churchill + Auto-Tune = [you don't need me to tell you the answer to this].
Media packaging mashups
Recently a number of efforts have been made at re-imagining the packaging for movies, books, video games, and other media, mostly mashups and in the illustration style of typical of Saul Bass' movie posters or Penguin Classics book covers. I've collected several examples below.
Olly Moss made Penguin-like book covers for video games like Ocarina of Time and Half-Life.
M. S. Corley made Penguin-like versions of the Harry Potter books.
In his I Can Read Movies series, spacesick imagines Penguin-like book covers for movies like Close Encounters of the Third Kind, Sixteen Candles, and Back to the Future.
Forrest Lucero designed Penguin-like book covers for songs from The Postal Service and Daft Punk.
Olly Moss also did simple red/white/black posters for some of his favorite movies, including Die Hard and The Deer Hunter.
A bunch of people on Flickr imagined Nintendo DS tie-in games for movies like Andy Warhol's Empire, Eyes Wide Shut, and 8 1/2. They also did some for TV shows, magazines, web sites, and all sorts of other media.
The folks on the NeoGAF message board made Criterion Collection-style box art for video games like Super Mario Galaxy, Black and White, and Super Mario 64.
Nikolay Saveliev made simple two-color album covers for the likes of Kanye West, Jessica Simpson, and Franz Ferdinand.
Update: Modernist editions of classic album covers. (thx, zach)
Update: Logan Walters is redoing Wu-Tang Clan album covers.
Update: Classic albums reimagined as Pelican books.
Update: Simple Star Wars posters.
This music piracy business
A study from the BI Norwegian School of Management has found online music bootleggers are much more likely to pay for music online than those who don't steal music.
The Norwegian study looked at almost 2,000 online music users, all over the age of 15. Researchers found that those who downloaded "free" music -- whether from lawful or seedy sources -- were also 10 times more likely to pay for music. This would make music pirates the industry's largest audience for digital sales.
Not surprising that some people are so crazy for music that they'll *pay* for it. Crazy!
Update: Rebecca Blood thinks this article is crappity crap crap and points to a better take at Ars Technica.
The show must go on
After bad flying weather delayed the orchestra and kept the vocal soloist from arriving altogether for an event at Carnegie Hall, most of the musicians played in street clothes and -- after some furious backstage cramming -- the orchestra's conductor, David Robertson, performed the challenging vocal piece in his debut as a singer.
Mr. Gruber intended for the texts to be delivered in a kind of speech-song, complete with nasal squawks and patter. You do not need a proper singing voice to perform the part, but you do have to be uninhibited. Mr. Robertson's performance was a tour de force of uninhibition.
(via clusterflock)
Understanding emotions in music
When western music was played to members of the Mafa people from Cameroon who have never been exposed to western music, movies, or art, they were able to recognize the emotions conveyed by the music, even though the Mafa don't associate emotions with their own music.
Update: Radiolab did a thing on the universal appeal of country music. (thx, jason)
Banned album covers
Thirty controversial album covers. I had forgotten about Nirvana's "Waif Me"! A bit NSFW. (via design observer)
More than one in a row
The A.V. Club picks 25 albums that work best when listened to from start to finish. +1 for In The Aeroplane Over The Sea. I tend to listen to albums more than individual songs...Sigur Ros or Boards of Canada doesn't make any sense on shuffle.
Some old music and some new
I am really enjoying the new Röyksopp album and the remastered Ten by Pearl Jam. I got turned on to the remastered Pearl Jam by Acts of Volition:
The original producer, Brendan O'Brien, remixed and remastered the tracks and the result is remarkable. It sounds like it was recorded yesterday, instead of on the muddy banks of 1990s grunge. [...] The remixes confirm what I've always thought about Pearl Jam. The label of "grunge" described a new variation of modern (at the time) rock music. Nirvana was grunge, Soundgarden was grunge. Pearl Jam was always just plain old Rock 'n Roll®.
Oh, and the new album by the Yeah, Yeah, Yeahs isn't too bad either.
Frank Black's process
In a 1989 interview for Dutch television, Pixies frontman Frank Black talks about his songwriting process as creating a "poetic structure" with the melody and letting the lyrics flow from there. The Dutch graphic design studio Experimental Jetset took inspiration from Black's approach.
When we get an assignment (which usually comes in the form of a question, a theme, a problem or a riddle), we feel as if the solution is already enclosed in the assignment itself. The design is already there; it just has to be released. Like the fist from Frank Black's shirt.
Free Cage
The first movement of John Cage's 4'33" is free on iTunes today. For the uninitiated, that's one minute and forty-five seconds of silence. For free.
Sssh. I'm listening.
thx, liam m.
"Thank You, Vocoder"
"Vocoders are an instantly recognizable synthesizer sound, having been used in popular music since the 1960s. They allow you to 'talk like a robot', which while fun, is often not musically useful."
This from "Introduction to Vocoders," proves the point that the vocoder does not, in fact, turn a song into music. The voice analyzer/synthesizer system that was originally developed in the 1930s to facilitate early telephony has now become a seemingly inescapable accessory to popular music.
Rapper Ice Cube also awkwardly reflected on the negative effects of vocoders on rap:
"Records sales really not concerned to me as much as doing it my way. And doing the kind of records I want to do. Without some A&R dude trying to tell me to go find T-Pain and get you a voice box. Ya know, all this stupid stuff that they do that mess up a lot of records, mess up a lot of artists."
This clip of T-Pain v. His Vocoder is the audio equipment equivalent of Stephen King's Christine, and it certainly backs up Mr. Cube's claim.
Update: Turns out that the actual device Mr. Pain uses to alter his voice box is referred to as an Auto-Tune, and it's the weapon of choice for Cher, Kanye, and T-Pain, who seems just as oblivious as this author was. The two machines are entirely different.
Thx jason freeman
8-bit hip hop
Rap and hip hop tunes played with sounds from 8-bit Nintendo games. Ocarina of Rhyme is a similar effort with a better name but not as good, IMO.
Licence to Ill, $1.99
You've had 22 years to get this album, but just in case you haven't, The Beastie Boys' License to Ill is available in mp3 format on Amazon for only $1.99. Today only.
YouTube, remixed
Thru You is a site that showcases remixed YouTube videos...the singing from one video combined with the drums from another and the piano from a third and so on. I was skeptical but these are really well done. Do I even need to say that this reminds me of Christian Marclay's Video Quartet? (via sfj)
Alexis Phifer
I now know who to thank for Kanye West's wondrous 808s and Heartbreak: his ex-fiancee Alexis Phifer. She's gotta be the Robocop, right? No short-term romance stings that bad.
Happy Up Here
Royksopp just pushed out the video for Happy Up Here, the first single from their forthcoming album, Junior.
Somewhat related: did you know that Amazon sells vinyl? I had no idea.
Truly limited edition music
Drummer Josh Freese is releasing his second solo album in eleven different limited-edition packages. The $75,000 option includes:
-T-shirt
-Go on tour with Josh for a few days.
-Have Josh write, record and release a 5 song EP about you and your life story.
-Take home any of his drumsets (only one but you can choose which one.)
-Take shrooms and cruise Hollywood in Danny from TOOL's Lamborgini OR play quarters and then hop on the Ouija board for a while.
-Josh will join your band for a month...play shows, record, party with groupies, etc....
-If you don't have a band he'll be your personal assistant for a month (4 day work weeks, 10 am to 4 pm)
-Take a limo down to Tijuana and he'll show you how it's done (what that means exactly we can't legally get into here)
-If you don't live in Southern California (but are a US resident) he'll come to you and be your personal assistant/cabana boy for 2 weeks.
Oh yeah, and the music on CD or via download. (thx, ainsley)
Update: Jeff Stern comments (the link is mine):
instead of 1,000 true fans, 1 wealthy fan
Lo Heads
Rapper/producer 88-Keys is a Lo Head, an obsessive collector and wearer of Ralph Lauren Polo clothing and accessories. He's been wearing nothing but Polo every single day since 1993. This interview with rapper and Lo Head Rack-Lo functions as a sort of Lo Head manifesto.
A lot of street dudes have paved the way and paid a hefty price for all of you to even be able to rock Lo and all those other name brands as well. Other names like North Face, Benetton, Gucci, Spyder, Gortex, Louis Vutton and the list goes on - Lo-Life's did it all first. So let me school ya'll for a second. This Lo movement officially started in 1988. And even before 1988, the movement was in development. Have ya'll ever heard of Ralphies Kids or USA (United Shoplifters Association), that's the foundation right there. Those are basically the two crews that Rack-Lo united as Lo-Life's to form voltron on the Hip Hop world. And a lot of you dudes probably weren't even born then. So what the fuck are you really saying? So I'm just making it clear that if your going to rep that Lo shit and be apart of a fashion institution there's a certain way to do it. Word, it rules and laws to this shit. This aint no fly by night shit where u wake up one morning and decide to rock Lo like Kayne West did. That shit there is a fairy tale a lot of heads are living.
Kanye defended his status as a Lo Head in the song Barry Bonds from his Graduation album.
Daft Punk's greatest hits
Amazon's mp3 deal of the day: Daft Punk's greatest hits album for $1.99, today only.
Eminem is having a Relapse
Just what has Eminem been doing for the past three years? According to this profile of the now-reclusive artist: recording.
As a result - and this is critical when considering the potential impact of Relapse -- Eminem's so-called "missing years" have actually been surprisingly productive. "He's never stopped recording. Ever," adds Simaan. "I hear they've got over 300 songs in the can from what he's produced in the last three years. I've seen him write. He's a fast worker. He'll write one line, then three lines, then four lines, in all separate parts of the page. Then he'll come back to it, and say this is a sweet line, or that's working for him, and just pull everything together almost instantly. The guy's a total genius."
His new album, Relapse, is due out sometime in the next month or two.
New stuff from Royksopp
New album called Junior from Royksopp due in late March.
We have a certain schizophrenia -- we want to make both energetic and really quiet music.
That's exactly what I like about them. The group also mentions that they'll release an album called Senior near the end of 2009.
The Beatles' last concert
Video of The Beatles' last public performance in three parts: one, two, three. They performed on top of the group's own building with an audience situated on rooftops and down on the street. (via the year in pictures)
Music from stock charts
Johannes Kreidler took the data from recent stock charts, fed it to Microsoft Songsmith, and produced melancholy tunes. It's like the Visualizer in iTunes, only backwards. Ben Fry says of the project:
My opinion of Songsmith is shifting -- while it's generally presented as a laughingstock, catastrophic failure, or if nothing else, a complete embarrassment (especially for its developers slash infomercial actors), it's really caught the imagination of a lot of people who are creating new things, even if all of them subvert the original intent of the project. (Where the original intent was to... create a tool that would help write a jingle for glow in the dark towels?)
Christgau's grades
When evaluating records, music critic Robert Christgau used grades ranging from A+ to E-.
An A+ record is an organically conceived masterpiece that repays prolonged listening with new excitement and insight. It is unlikely to be marred by more than one merely ordinary cut.
[...]
An E- record is an organically conceived masterpiece that repays repeated listening with a sense of horror in the face of the void. It is unlikely to be marred by one listenable cut.
(via 43f)
Free music on Amazon
Amazon has hundreds of free mp3s available for download, including tracks by Brian Eno & David Byrne, Ani Difranco, and Reverend Horton Heat. (via the millions)
Beatles songs ranked
A list like this could spark endless debate: a ranking of all the songs by The Beatles, from #185 (Revolution 9) to #1 (A Day In The Life).
To novice Beatles fans, I warn you not to believe the hype about "Revolution 9." I've listened to it many times over the years, waiting for the light in my head to switch on so I could unlock its mysteries. All I've ever gotten out of it is the vague feeling that immediately after listening to it, something is going to rise out from under my bed and butcher me in my sleep.
Each choice is extensively annotated and defended; start here if you want to work your way through them all.
World of Goo soundtrack
The folks behind the awesome World of Goo game have released an unofficial official soundtrack from the game. (via waxy)
Bernstein conducts Shostakovich with YouTube vocals
Leonard Bernstein conducts Shostakovich's Symphony No. 5 while comments from YouTube commenters are read. (via the rest is noise)
Malt joy and ginger despair
For whatever reason, Bono writing a series of op-ed columns for the NY Times seemed like a bad idea. But I really enjoyed reading his first effort about the new year and Frank Sinatra. The advice is probably a little trite but you can't say that Bono doesn't have a way with words...the piece is more poetry or lyric than prose.
I think about this now, in this new year. The Big Bang of pop music telling me it's all about the moment, a fresh canvas and never overworking the paint. I wonder what he would have thought of the time it's taken me and my bandmates to finish albums, he with his famous impatience for directors, producers -- anyone, really -- fussing about. I'm sure he's right. Fully inhabiting the moment during that tiny dot of time after you've pressed "record" is what makes it eternal. If, like Frank, you sing it like you'll never sing it again. If, like Frank, you sing it like you never have before.
(thx, mau)
Songsmith, meet David Lee Roth
Songsmith is a piece of software by Microsoft Research that automatically creates a musical accompaniment to a singer's voice. (The intro video is priceless.) A MetaFilter member took David Lee Roth's vocal track from Runnin' With The Devil and put it through Songsmith...the results are pretty great. (thx, shay)
Heavy metal band name chart
According to this extensive chart, names of heavy metal bands fit into five main categories: death, deadly things, animals, religion, and badass misspellings. (thx, janelle)
The Hood Internet Mixtape Volume Three
I'm really enjoying The Hood Internet's third mixtape. They take pop, indie rock, & rap songs and mash them up. For instance:
Jay-Z (feat. Lil Wayne) vs Xiu Xiu
Flo Rida (feat. T-Pain) vs Hot Chip
T-Pain (feat. Chris Brown) vs TV On The Radio
Lil Kim (feat. Missy Elliott) vs MGMT
Their version of R. Kelly's I'm a Flirt mashed with Broken Social Scene from their first mixtape was one of my favorite songs of 2007, far superior to the original IMO.
The Wire, rapped up
A five-minute rap video that summarizes all five seasons of The Wire.
Police chief, yeah, his rank is proper
'Cause of the window, he starts a war with Frank Sobotka.
MIA's Paper Planes is still my favorite Wire-inspired song, but this is pretty sweet. (thx, about 2000 people)
Upgrading grand pianos
A company called Fandrich & Sons buys cheap grand pianos mass-produced in China, upgrades them so that they sound more like expensive hand-made European pianos, and sells them for a reasonable price.
With his higher-end grands -- which the Fandrichs named "HGS" for "Holy Grail Scale" -- they start with pianos built in China. He and his workers gut the piano, replacing the hammers, felt and bass strings with German and American parts. They reinforce the underbelly of the piano by installing short ribs -- spruce beams between the existing main ribs.
Using a computer program designed in-house, the keys are reweighted across the board to eliminate friction and even out the response. The reweighting gives the Fandrich pianos their signature touch, one that some players have described as buttery, effortless.
In automotive terms, the Fandrichs are "trying to upgrade a Hyundai to run like a Bentley, for the price of a Honda". (via girlhacker)
Audio aquariums
[Video removed because I couldn't figure out how to turn off the annoying autoplay. Go here to watch it.]
It works through a camera that uses recognition software that tracks objects based on their shape and color. The software then links each movement to different instruments that change in pitch and tempo as the fish patrol the tank. Fish that move toward the surface have a higher pitch. The faster they move, the faster the tempo.
The idea is to create audio aquariums for the blind. (via clusterflock)
The Chronic, in Lego
Dr. Dre's The Chronic, in Lego. From Format magazine's list of 20 classic hip-hop album covers recreated in Lego. Good time for a listen.
I Am Sitting in a Room
I Am Sitting in a Room is a piece by composer Alvin Lucier. It consists of an audio recording of Lucier sitting in a room reciting a few lines. That recording is played in the same room and recorded. Then that recording is recorded. And so on.
I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have.
Here's an mp3 of the original performance. Listening to it, I wonder how much of the distortion at the end is due to the "resonant frequencies of the room" and how much is just artifacts of the rerecording process. (via djacobs)
Upgrade: It's the Larsen effect in action.
The frequency of the resulting sound is determined by resonant frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them.
(thx, eric)
The Muppets sing
Beeker from The Muppets sings Ode to Joy.
Meep meep meep meep meep meep meep meep meep meep meep meep meep, meep meep...
Gonzo, Camilla, and the rest of the chickens sing The Blue Danube Waltz.
Bock bock bock bock, bock bock, bock bock. Bock bock bock bock, bock bock, bock bock...
Somewhat related: Beaker sings Yellow by Coldplay.
"My left at floods turned upside down"
I pulled up to the house around seven or eight
And I yield to the cabbie your Halsey Smalley later
Look at my kingdom I was finally there
Consider my thrown as the prince of Bel air.
(thx, greg)
Fifty Years of Popular Songs Condensed Into Single Sentences
Songs boiled down to their essence...mostly "I want to do it with you".
Led Zeppelin, "Whole Lotta Love"
I want to do it with you.AC/DC, "You Shook Me All Night Long"
We did it yesterday.Kings of Leon, "Sex on Fire"
I did it with you, and now it hurts when I pee.
If it's funny, it's gotta be McSweeney's.
808s and Heartbreak
808s and Heartbreak, Kanye West. Everyone's saying how good this is and I concur. Someone stomped on Kanye's heart and out squirted a great album.
One-man band plays and sings Thriller
In a compilation of 64 videos all shown on the same page, one man recreates Thriller -- the beats, the howling, the singing -- all by himself. This is pretty awesome, like Christian Marclay on speed. (thx, christopher)
Brian Eno believes in singing
Brian Eno believes that singing is the key to a good life.
Singing aloud leaves you with a sense of levity and contentedness. And then there are what I would call "civilizational benefits." When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings -- to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
(via subtraction)
Anatomy of a flop
Peter Holsapple explains how a pretty good song turns into a flop.
Once upon a time, though, I think I wrote a hit. It was called "Love is for Lovers" and the dB's recorded it for an album called "Like This" in 1984. It had (and has, I believe) an undeniable hook, the kind you'd find yourself singing in the shower or pounding along to on your steering wheel while driving. The performance, produced by Chris Butler at the old Bearsville Studio in upstate New York, has all the power of the best kind of rock: slamming drums, inventive bass, a solid riff and a fantastic solo.
This song is ripe for a contemporary cover.
Timeline twins, music and movies
When I was a kid, "oldies" music and movies seemed ancient. Even though I'm now in my 30s, the entertainment that I watched and listened to in my youth still feels pretty recent to me. Raiders of the Lost Ark wasn't all that long ago, right? But comparing my distorted recall of childhood favorites to the oldies of the time jogs my memory in unpleasant ways. For example:
Listening to Michael Jackson's Thriller today is equivalent to listening to Elvis Presley's first album (1956) at the time of Thriller's release in 1982. Elvis singles in 1956 included Blue Suede Shoes, Hound Dog, and Love Me Tender.
If you're around my age, how old do you feel right now? Here are some other examples of timeline twins:
Watching Star Wars today is like watching It's a Wonderful Life (1946) in 1977. It's a Wonderful Life was nominated for an Oscar the following year along with Ethel Barrymore (b. 1879) and Lilian Gish (b. 1893).
Listening to Nirvana's Smells Like Teen Spirit today is equivalent to playing Terry Jack's Seasons In The Sun (1974) in 1991.
Watching The Godfather today is like watching Charlie Chaplin's Modern Times (1936) in 1972. Modern Times was a silent film (Chaplin's last).
Listening to the Sex Pistols' Never Mind the Bollocks (1977) today...well, they didn't really have rock or pop albums back in 1946. But popular songs on the radio were sung by Frank Sinatra, Perry Como, Nat King Cole, and Dinah Shore, as well as many performers and their orchestras.
Back to the Future (1985) --> To Kill a Mockingbird (1962)
Die Hard (1988) --> Bullitt (1968)
Radiohead, OK Computer (1997) --> Bon Jovi, Slippery When Wet (1986)
Row, Row, Row Your Boat into the black void of nothingness
Hmm, I've never heard the nihilist interpretation of Row, Row, Row Your Boat before.
The lyrics have often been used as a metaphor for life's difficult choices, and many see the boat as referring to one's self or a group with which one identifies. Rowing is a skillful, if tedious, practice that takes perfection but also directs the vessel. When sung as a group, the act of rowing becomes a unifier, as oars must be in sync in a rowboat. The idea that man travels along a certain stream, suggests boundaries in the path of choices and in free will. The third line recommends that challenges should be greeted in stride while open to joy with a smile. The final line, life is but a dream, is perhaps the most meaningful. With a religious point of view, life and the physical plane may be regarded as having equivalent value as that of a dream, such that troubles are seen in the context of a lesser reality once one has awakened. Conversely, the line can just as equally convey nihilist sentiments on the meaninglessness of man's actions. The line is also commonly sung as "life is like a dream" rather than "life is but a dream", possibly to sound happier, less meaningful, and more appropriate for its audience of young children.
Johnny Cash and Louis Armstrong
Johnny Cash and Louis Armstrong teamed up for a duet of Blue Yodel No. 9 in late 1970.
Let's give it to 'em in black and white.
Armstrong died less than a year after this recording. Here's a lovely recording of What a Wonderful World from two years earlier. What a voice! (via siege)
Update: Armstrong used collage techniques to make covers for his music reels. (thx, sean)
Way Down in the Hole covers
Two covers of Tom Waits' Way Down in the Hole, the title song for The Wire: Tom Waits and Kronos Quartet and MIA and Blaqstarr. (thx, brandon)
Dancing six-legged robot
Big Dog is cool and all but this is a video of a robot with 6 legs and a goateed humanoid head wearing sunglasses and a fedora dancing to Lou Bega's Mambo No. 5. You know, if you're into that sort of thing.
The most embarrassing music
Last.fm keeps track of all the music you play but they also keep track of the music that people don't want the world to know they listen to: the Most Unwanted Scrobbles. The Beatles, Radiohead, Britney, and Avril top the uncharts. The Britney and Avril I can understand. The Beatles and Radiohead...perhaps the perception of overratedness leads people to keep those tastes private? (thx, graham)
Update: Ohhh, ok. Radiohead and The Beatles are so high on the list because 1) so many people have those two bands in their playlists that they get deleted so much out of sheer numbers, and 2) those two bands are no good for recommendation engines -- you like pop music? I recommend The Beatles -- so people exclude them. (thx all)
Kanye, Radiohead, mashup
Love Lockdown + Reckoner. Kanye mashed up with Radiohead, I pretty much gotta post it. (via delicious ghost)
RJDJ, maybe the best iPhone app out there?
Here's how to use the RJDJ iPhone app. You install the app, plug your headphones in, launch it, and press "Now Playing". A song plays, the app starts to sample the sounds in your environment, and those sounds are remixed in real time and played back to you. It might be the coolest thing ever. Check out this video and this other video for a quick look at how RJDJ works. The first video shows some songs that use the iPhone's accelerometer to modify and scratch the beat. (via waxy)
PS. It might only be the coolest app in theory...it's also flaky as hell. It was working fine for me and then crapped out...there's no music now, only sound sampling and it's really quiet. Maybe you need to use the Apple headphones with the mic?
Mo' postmodernism
An appreciation of the postmodern masterpiece that is the music video for Mo' Money, Mo' Problems (Puffy, Biggie, Mase, etc.).
So there it is: a weird/powerful truism about social politics delivered in a catchy, post-modern package that uses parody, found video, and cutting-edge video techniques (and let's not sell Hype Williams short for a second -- check out the shots of Puffy and Mase in the yellow suits -- I mean, what the hell is that?!), all montaged together with an off-handed mastery (check out how some of the transitions are deliberately not on-beat) to create something that felt so like the future that it could never really be the future. Just like all videos for pop singles, it was dug, and it was forgotten. And so it goes. Somewhere out there there is a list of videos that really truly did something new, and this one belongs on that list.
(via fimoculous)
At Folsom Prison by Johnny Cash
New two-disc edition of Johnny Cash's live set at Folsom Prison in mp3 format. (What do you call a two-disc album in mp3 format? A 51-songer? A 100-megabyter?)
Last night the Bee Gees saved my life
In a small but intriguing study from the University of Illinois medical school, doctors and students maintained close to the ideal number of chest compressions doing CPR while listening to the catchy, sung-in-falsetto tune from the 1977 movie "Saturday Night Fever."
(via clusterflock)
Banjo used in brain surgery
Due to a hand tremor, musician Eddie Adcock was having trouble playing the banjo. During the surgery to fix the problem, the doctors had Adcock play his banjo to isolate the problem in his brain and then they made the repair. Video here. (via delicious ghost)
Suburban mom's duet with Sting
Seattle mom Jessica Ketola recently got to go up on stage for a soundcheck with Sting and The Police. Sting was so impressed with her voice that he invited her to sing with him during the concert.
The stage manager didn't help. "Sting never shares a microphone," he muttered to Ketola as she waited in the wings before the concert. "So don't [expletive] up." But in true fairy-tale tradition, a white knight swept in with a bottle of water and a few reassuring words. "He says that to me every night, too," Sting confided.
Here's a video of the soundcheck and one of Ketola killing it on Don't Stand So Close to Me. (via girlhacker)
Literal music videos
The literal video version of A Ha's Take On Me...that is, the words of the song are changed to reflect what actually happens in the video.
Band montage! Pipe wrench fight!
This. Is. Brilliant. (via andre)
Update: Here's a slight twist on the theme...a meta song with lyrics about the lyrics. I like the built-in laugh track. (thx, elsa)
Update: And here's the literal version of Tears for Fears' Head Over Heels.
Muxtape v1.0, RIP
As anticipated, Muxtape was unable to maintain its original form under assault from the RIAA and slow moving legal negotiations with the labels.
The first red flag came in August. Up until then all the discussion had been about numbers, but as we closed in on an agreement the talk shifted to things like guaranteed placement and "marketing opportunities." I was denied the possibility of releasing a mobile version of Muxtape. My flexibility was being constricted. I had been worried about Muxtape getting a fair deal, but my biggest concern all along was maintaing the integrity and experience of the site (one of the reasons I wanted to license in the first place). Now it wasn't so simple; I had agreed to a variety of encroachments into Muxtape's financials because I wanted to play ball, but giving up any kind of editorial or creative control was something I had a much harder time swallowing.
Instead, the site will become more of a stripped-down MySpace for bands wanting to put their music online. Disappointing because Muxtape, as originally conceived, was obviously what everyone but the "music industry" wanted. Some of that simplistic magic will likely transfer over to the new incarnation but it won't be as cool as mix tapes for your pals. (thx, mark)
Update: For posterity, I'm pasting Justin's whole note in here.
I love music. I believe that for people who love music, the desire to share it is innate and crucial for music itself. When we find a song we love, we beckon our friends over to the turntable, we loan them the CD, we turn up the car stereo, we put it on a mixtape. We do this because music makes us feel and we want someone else to feel it, too.
The story of Muxtape began when I had a weekly show at my university's radio station in Oregon. In addition to keeping the station's regular log I compiled my playlists into a web page, with each show represented by a simple block that corresponded to a cassette recording for that week. At the time, mixtapes were already well into their twilight, but long after my show ended I couldn't stop thinking about how the playlist page served a similar purpose, and in many ways served it better. Like a mixtape, each playlist was a curated group that was greater than the sum of its parts. Unlike a mixtape, it wasn't constrained by any physical boundaries of dissemination, but... it also didn't contain any actual music. Someone might come across the page and smile knowingly at the songs they knew, but shifting the burden of actually compiling the mix to its intended listener defeated the purpose entirely.
Five years later, internet technology had advanced significantly. I was working on experimental user interfaces for web sites when I started thinking about that playlist page again, and ultimately set out to bring it to life. My desire to share music (in the mixtape sense) hadn't gone anywhere, but the channels to do so were becoming extinct. Popular blogging services allow you to post audio files in an ephemeral sort of way, but it wasn't the context I was looking for. A physical cassette tape in your hands has such an insistent aesthetic; just holding one makes you want to find a tape player to fulfill its destiny. My goal with Muxtape's design was to translate some of that tactility into the digital world, to build a context around the music that gave it a little extra spark of life and made the holder anxious to listen.
The first version was a one-page supplement to my tumblr, and was more or less identical to what it would become later. The feedback was great, and the number one question rapidly became "can you make one for me, too?" At first I started thinking about ways I could package the source code, but the more I thought about it the more it seemed like massively wasted potential. Distributing the source would mean limiting access to the small niche of people who operate their own web server, whereas I wanted to make something that was accessible to anyone who loves music. The natural conclusion was a centralized service, which suddenly unfolded whole other dimensions of possibility for serendipitous music discovery. What seemed before like the hollow shell of a mixtape now seemed like its evolution. I knew I had to try building it. Three weeks of long nights later, I launched Muxtape.
It was successful very quickly. 8,685 users registered in the first 24 hours, 97,748 in the first month with 1.2 million unique visitors and a healthy growth rate. Lots of press. Rampant speculation. Tech rags either lauded it or declared it an instant failure. Everyone was excited. I was thrilled.
There was a popular misconception that Muxtape only survived because it was "flying under the radar," and the moment the major labels found out about it it'd be shut down. In actuality, the labels and the RIAA read web sites like everyone else, and I heard from them both within a week or so. An RIAA notice arrived in triplicate, via email, registered mail, and FedEx overnight (with print and CD versions). They demanded that I take down six specific muxtapes they felt were infringing, so I did.
Around the same time I got a call from the VP of anti-piracy at one of the majors. After I picked up the phone his first words were, "Justin, I just have one question for you: where do I send the summons and complaint?" The conversation picked up from there. There was no summons, it was an intimidation tactic setting the tone for the business development meeting he was proposing, the true reason for the call. Around the same time another one of the big four's business developers reached out to me, too.
I spent the next month listening. I talked to a lot of very smart lawyers and other people whose opinions on the matter I respected, trying to gain a consensus for Muxtape's legality. The only consensus seemed to be that there was no consensus. I had two dozen slightly different opinions that ran the gamut from "Muxtape is 100% legal and you're on solid ground," to "Muxtape is a cesspool of piracy and I hope you're ready for a hundred million dollar lawsuit and a stint at Riker's."
In the end, Muxtape's legality was moot. I didn't have any money to defend against a lawsuit, just or not, so the major labels had an ax over my head either way. I always told myself I'd remove any artist or label that contacted me and objected, no questions asked. Not a single one ever did. On the contrary, every artist I heard from was a fan of the site and excited about its possibilities. I got calls from the marketing departments of big labels whose corporate parents were supposed to be outraged, wanting to know how they get could their latest acts on the home page. Smaller labels wanted to feature their content in other creative ways. It seemed obvious Muxtape had value for listeners and artists alike.
In May I had my first meeting with a major label, Universal Music Group. I went alone and prepared myself for the worst, having spent the last decade toeing the indie party line that the big labels were hopelessly obstinate luddites with no idea what was good for them. I'm here to tell you now that the labels understand their business a lot better than most people suspect, although they each have their own surprisingly distinct personality when it comes to how they approach the future. The gentlemen I met at Universal were incredibly receptive and tactful; I didn't have to sell them on why Muxtape was good for them, they knew it was cool and just wanted to get paid. I sympathized with that. I told them I needed some time to get a proposal together and we left things in limbo.
A few weeks later I had a meeting with EMI, the character of which was much different. I walked into a conference room and shook eight or nine hands, sitting down at a conference table with a phonebook-thick file labeled "Muxtape" laying on it. The people I met formed a semi-circle around me like a split brain, legal on one side and business development on the other. The meeting alternated between an intense grilling from the legal side ("you are a willful infringer and we are mere hours from shutting you down") and an awkward discussion with the business side ("assuming we don't shut you down, how do you see us working together?"). I asked for two weeks to make a proposal, they gave me two days.
I had to make a decision. As I saw it I had three options. The first was to just shut everything down, which I never really considered. The second was to ban major label content entirely, which might have solved the immediate crisis, but had two strong points against it. The first, most visibly, was that it would prevent people from using the majority of available music in their mixes. The second was that it did nothing to address the deeper questions surrounding ownership and usage for everyone else who wasn't a major label: mid-size labels and independent artists who have just as fundamental a right to address how their content is used as a large corporation, even if they don't carry quite as big a stick.
The third option was to approach a fully licensed model, which I had been edging toward since I met with Universal. I knew other licensed services so far had met with mixed success, but I also knew Muxtape was different and that it was at least worth exploring. The question about whether or not the labels saw value in it had been answered, the new question was how much it was going to cost.
It was June. I approached a Fifth Ave law firm about representing me in licensing negotiations with the major labels, and they took me on. Two weeks later I met with all four, flanked by lawyers this time, and started the slow process of working out a deal. The first round of terms were stiff and complex, but not nearly as bad as I'd imagined, and I managed to convince them that allowing Muxtape to continue to operate was in everyone's best interest. Things were going well. I spent the next two months talking with investors, designing the next phases of the site itself, and supervising the negotiations. A big concern was getting a deal that took into consideration the fact that Muxtape wasn't a straightforward on-demand service, and should pay accordingly less than a service that was. Another reason I liked the licensing option from the outset was that it seemed like an uncommon win-win; I didn't want the ability to search and stream any song at any given notice, and they were reluctant to offer it (for the price, anyway). Muxtape's unusual limitations were its strength in more ways than one.
The first red flag came in August. Up until then all the discussion had been about numbers, but as we closed in on an agreement the talk shifted to things like guaranteed placement and "marketing opportunities." I was denied the possibility of releasing a mobile version of Muxtape. My flexibility was being constricted. I had been worried about Muxtape getting a fair deal, but my biggest concern all along was maintaing the integrity and experience of the site (one of the reasons I wanted to license in the first place). Now it wasn't so simple; I had agreed to a variety of encroachments into Muxtape's financials because I wanted to play ball, but giving up any kind of editorial or creative control was something I had a much harder time swallowing.
I was wrestling with this when, on August 15th, I received notice from Amazon Web Services (the platform that hosts Muxtape's servers and files) that they had received a complaint from the RIAA. Per Amazon's terms, I had one business day to remove an incredibly long list of songs or face having my servers shut down and data deleted. This came as a big surprise to me, as I'd been thinking that I hadn't heard from the RIAA in a long time because I had an understanding with the labels. I had a panicked exchange of emails with Amazon, trying to explain that I was in the middle of a licensing deal, that I suspected it was a clerical error, and that I was doing everything I could to get someone to vouch for me on a summer Friday afternoon. My one business day extended over the weekend, and on Monday when I wasn't able to produce the documentation Amazon wanted (or even get someone from the RIAA on the phone), the servers were shut down and I was locked out of the account. I moved the domain name to a new server with a short message and the very real expectation that I could get it sorted out. I still thought it was all just a big mistake. I was wrong.
Over the next week I learned a little more, mainly that the RIAA moves quite autonomously from their label parents and that the understanding I had with them didn't necessarily carry over. I also learned that none of the labels were especially interested in helping me out, and from their perspective it had no bearing on the negotiations. I disagreed. The deals were still weeks or months away (an eternity on the internet) meaning that at best, Muxtape was going to be down until the end of year. There was also still the matter of how to pay for it; getting investment is hard enough in this volatile space even with a wildly successful and growing web site, it became an entirely different proposition with no web site at all.
And so I made one of the hardest decisions I've ever faced: I walked away from the licensing deals. They had become too complex for a site founded on simplicity, too restrictive and hostile to continue to innovate the way I wanted to. They'd already taken so much attention away from development that I started to question my own motivations. I didn't get into this to build a big company as fast as I could no matter what the cost, I got into this to make something simple and beautiful for people who love music, and I plan to continue doing that. As promised, the site is coming back, but not as you've known. I'm taking a feature that was in development in the early stages and making it the new central focus.
Muxtape is relaunching as a service exclusively for bands, offering an extremely powerful platform with unheard-of simplicity for artists to thrive on the internet. Musicians in 2008 without access to a full time web developer have few options when it comes to establishing themselves online, but their needs often revolve around a common set of problems. The new Muxtape will allow bands to upload their own music and offer an embeddable player that works anywhere on the web, in addition to the original muxtape format. Bands will be able to assemble an attractive profile with simple modules that enable optional functionality such as a calendar, photos, comments, downloads and sales, or anything else they need. The system has been built from the ground up to be extended infinitely and is wrapped in a template system that will be open to CSS designers. There will be more details soon. The beta is still private at the moment, but that will change in the coming weeks.
I realize this is a somewhat radical shift in functionality, but Muxtape's core goals haven't changed. I still want to challenge the way we experience music online, and I still want to work to enable what I think is the most interesting aspect of interconnected music: discovering new stuff.
Thank to you everyone who made Muxtape the incredible place it was in its first phase, it couldn't have happened without your mixes. The industry will catch up some day, it pretty much has to.
Justin
Suzanne Vega, the mother of the mp3
A rumination by Suzanne Vega on technology and her hit song, Tom's Diner. The song was used as a reference when Karl-Heinz Brandenberg was working on the mp3 compression method.
So Mr. Brandenberg gets a copy of the song, and puts it through the newly created MP3. But instead of the "warm human voice" there are monstrous distortions, as though the Exorcist has somehow gotten into the system, shadowing every phrase. They spend months refining it, running "Tom's Diner through the system over and over again with modifications, until it comes through clearly. "He wound up listening to the song thousands of times," the article, written by Hilmar Schmundt, continued, "and the result was a code that was heard around the world. When an MP3 player compresses music by anyone from Courtney Love to Kenny G, it is replicating the way that Brandenburg heard Suzanne Vega."
Vega once went to listen to the final mp3 version of her song. She could not agree with Brandenberg that the track sounded "exactly" like the original.
"Actually, to my ears it sounds like there is a little more high end in the MP3 version? The MP3 doesn't sound as warm as the original, maybe a tiny bit of bottom end is lost?" I suggested.
Stevie Wonder, Superstition
Stevie Wonder performs Superstition on Sesame Street in 1972. (via sfj, who says "If I ever saw a band this good on stage, I would eat several hats and wire money to twelve senators.")
Unreleased 1972 Rolling Stones movie on YouTube
In 1972, Robert Frank followed The Rolling Stones on their tour of North America and made a film called Cocksucker Blues. The title referenced a song written by the band as a fuck-you to their outgoing record label. The film was never released but bootleg copies exist...and a copy has inevitably found it's way onto YouTube in nine parts (93 minutes total).
Part one, part two, part three, part four, part five, part six, part seven, part eight, and part nine.
The quality is not very good but for hardcore Stones and music fans, it's probably worth a look if you haven't seen it. NSFW.
Muxtape still offline
Muxtape, sadly, still offline.
Radio program on The Ring Cycle
Speaking of leitmotifs, it's a primary topic of conversation in this wonderful WNYC radio program about Richard Wagner's quartet of operas, The Ring Cycle.
It might seem hyperbole to claim, as many Wagnerites do, that The Ring Cycle is "The Greatest Work of Art Ever." But the grandeur and power of this monumental work have permeated our culture from Star Wars to Bugs Bunny to J.R.R. Tolkien.
And Led Zeppelin! The program is hosted by Radio Lab's Jad Abumrad. (thx, billy & laura)
Muxtape and the RIAA
Muxtape finally runs afoul of the RIAA.
Muxtape will be unavailable for a brief period while we sort out a problem with the RIAA.
Update: On their blog, Muxtape emphasizes that the outage is temporary:
No artists or labels have complained. The site is not closed indefinitely. Stay tuned.
Michael Phelps' iPod
Before each race during the Olympics, Michael Phelps is seen sporting those ubiquitous white iPod earbuds. But what's he listening to? A lot of rap and hip hop.
Masturbation songs
The top nine songs about masturbation. Includes the obvious I Touch Myself by The Divinyls and some less-obvious songs. (via buzzfeed)
Delia Derbyshire's electronica
Working in the BBC's Radiophonic Workshop, Delia Derbyshire recorded the Doctor Who theme song in 1963 but also came up with a piece of electronica in the late 60s that sounds like it was recorded in the mid-90s.
Ms Derbyshire was well-known for favouring the use of a green metal lampshade as a musical instrument and said she took some of her inspiration from the sound of air raid sirens, which she heard growing up in Coventry in the Second World War.
(via overstated)
Update: Derbyshire arranged and recorded the Doctor Who theme song but didn't write it. Ron Grainer did. (thx, kevin & pete)
Radiohead and Google, together at last
Radiohead + Google + data visualization + lasers = I am contractually obligated to post this. Google has the backstory and some code for Radiohead's new music video, which was "filmed" using lasers instead of cameras. (via jimray)
World's first album cover
The world's first album cover was designed by Alex Steinweiss for Columbia Records in 1938. Before that, records were sold in generic sleeves. (via quipsologies)
Internet's impact on media
One of my friends proposed a theory I find compelling: Our cultural consumption exists on a spectrum from "individual" to "collective". Technology has shifted the balance for both books and music. Digital distrbitution and the iPod have made music consumption much more individualistic, while the internet and global branding have made book consumption increasingly collective.
(via short schrift)
Remixed album covers
CandyKaraoke, a bunch of album covers reimagined by Irish artists. (via ffffound)
Middle Ages survival song
A singer/songwriter named Hillel took the survival tips for the Middle Ages threads from Marginal Revolution & kottke.org and made them into a song called 1000 A.D. Deliciously nerdy.
I did my best to capture as many of the best comments as possible but 3:26 isn't a huge canvas. I'm particularly sad that I never figured out a way to mention how bad the people must have smelled, or my plan to get rich selling soap.
Amazon MP3 preorders
Idea for Amazon regarding their MP3 store: allow people to pre-order MP3s and when they're available for download, send out an email to that effect. For instance, the new Sigur Ros album is out on June 24. A page for the MP3 album exists but it's difficult to find and while you can preview tracks, you can't pre-order the album.
Sasha Frere-Jones on Auto-Tune
Sasha Frere-Jones on Auto-Tune, the studio gizmo responsible for the cool/cheesy voice effects in Cher's Believe and, more recently, most of T-Pain's work.
T-Pain, who is currently working on his third album, "Thr33 Ringz," spoke to me on the phone from his studio in Miami. He first heard the Auto-Tune effect on a song by Jennifer Lopez -- he doesn't remember which one -- and borrowed it for a mixtape appearance in 2003. He says it's no trade secret that he uses Auto-Tune with the retune speed set to zero, and likes to recall a time he spent selling fish out of a truck with his father in Tallahassee: "My dad said, 'They can know what you're using, but they'll never know how to use it. They can see that we're using salt and pepper.'"
Frere-Jones demonstrates how Auto-Tune works in a short audio segment. Anil Dash wrote about Auto-Tune in the context of Snoop Dogg's recent Sensual Seduction video. A free Auto-Tune clone called GSnap is available for free.
I uploaded a few of Auto-Tune's greatest hits to my Muxtape: have a listen.
Radiohead's Nude played by old computer hardware
An inventive cover version of Radiohead's Nude played by the following instruments: Sinclair ZX Spectrum computer, Epson dot matrix printer, HP Scanjet scanner, and an array of hard drives. Skip ahead to 1:08 if you can't wait through the opening. This isn't the correct technological time period to be steampunk. Bitpunk anyone? (via waxy)
Radiohead on iTunes
After months/years of the band putting the kibosh on it, Radiohead albums are finally available through iTunes. (The albums have been available at Amazon's MP3 store for months.)
Ladytron, Velocifero
The new Ladytron album almost slipped by me today. Almost.
New Sigur Ros
New Sigur Rós album out on June 24.
the album title is translated into english as "with a buzz in our ears we play endlessly" with the english spelling of the icelandic album title being "med sud i eyrum vid spilum endalaust"
Like the Rolling Stones
Fantastic collection of photos by James Mollison of music fans who tend to dress like their idols. A book featuring the photos is due out in October.
Over a three-year period, James Mollison attended pop concerts across Europe and the United States with a mobile photography studio, inviting fans of each music star or band to pose for a portrait on their way into the concert. The result is The Disciples, an original and highly entertaining series of fifty-seven panoramic images, each featuring eight to ten music fans mimicking the manners and dress of their particular heroes. Featuring fans of Dolly Parton, Iggy Pop, Madonna, Marilyn Manson, the Rolling Stones, Bob Dylan, Snoop Dogg, and Motorhead, among many others, The Disciples is a surprising, sharp, and hilarious take on popular culture.
(via waxy)
Outside the album cover
The b3ta folk explore what happens just outside the border of some well-known album covers. The Simon and Garfunkel and Pink Floyd/Kool-Aid ones are pretty good.
Lost in a taxi
A short list of items lost in taxi cabs and how they were returned.
Thierry Belisha and Haimy Mann, jewelers from Montreal, left a suitcase full of diamonds and other gems in the back of a cab they took to La Guardia Airport after a show at the Jacob K. Javits Convention Center. Mr. Belisha, an Orthodox Jew, called several rabbi friends in Israel and asked them to pray for him, prayers that were answered when Hossam Abdalla, a Muslim cabdriver, found Mr. Belisha's business card in the trunk and returned the suitcase (with all the gems).
The list is a sidebar to the story about a cabbie's return of a $4 million Stradivarius to its owner and subsequent concert performed in the Newark airport taxi holding area, a delightful piece of reporting.
But despite the setting -- or maybe because of it -- Mr. Quint's audience seemed particularly moved by his gesture. "I like that he came here," Ebenezer Sarpeh, 46, said, in the accent of his native Ghana. "And, yeah, the music, I like it." It was Mr. Sarpeh who burst into spontaneous applause on several occasions and started yelling "magic fingers" during one particularly deft moment. Later, he took a turn in front of the stage and his fellow cabdrivers laughed and cheered while he shimmied and moonwalked, the Newark Taxi Cab Association's answer to Justin Timberlake.
100 essential jazz albums
David Remnick lists the top 100 essential jazz albums. Caveat:
I thought it might be useful to compile a list of a hundred essential jazz albums, more as a guide for the uninitiated than as a source of quarrelling for the collector.
The list is a companion piece to Remnick's article on jazz DJ Phil Schapp.
Sad Kermit
A sad Kermit the Frog sings Elliot Smith's Needle in the Hay (complete with The Royal Tenenbaums parody), NIN's Hurt, and Radiohead's Creep (in which Kermit says "fucking"). (via buzzfeed)
How to synchronize five metronomes
How to synchronize 5 metronomes. If you only watch one metronome video in your life, make it this one.
Mister Disc is a portable record player,
Mister Disc is a portable record player, like a Walkman or iPod for phonographs. There's only 12 easy steps to listening to your favorite LPs on the go.
Careful reading the instructions will assure you of many hours of enjoyment from your new Mister Disc.
Whoever greenlit this thing must have been high at the time. (via episode #59 of Starcade)
A suggestion from the inbox: watch the
A suggestion from the inbox: watch the fascinatingly disturbing eagle vs. goats video with a soundtrack of Juan Diego Flórez's encore-inducing tenor solo. Two great links that taste great together. (thx, andrew & rueben)
Update: The mash-up is now on YouTube...no separate soundtrack needed. (thx, james)
Did you know that there was a
Did you know that there was a ban on solo encores at the Metropolitan Opera? Not anymore. After Juan Diego Flórez busted out nine flawless high Cs in a tenor solo, the reaction from the audience compelled the singer into the first solo encore at the Met since 1994.
Peter Gelb, the Met's general manager, said on Tuesday that he had asked Mr. Flórez weeks ago whether he would be prepared to repeat the aria, if the audience demanded. Mr. Fl'orez had already done so at other houses, including the Teatro alla Scala in Milan, where last year he became the first to violate an encore ban since 1933.
Mr. Flórez agreed to Mr. Gelb's request, and the orchestra and chorus were warned. A system was established. Mr. Gelb kept an open line on the phone in his box to the stage manager. After the explosive reaction he gave the stage manager the go-ahead. The manager activated a podium light for the conductor, Marco Armiliato. Mr. Armiliato held out a questioning two fingers to Mr. Flórez. "He just smiled, and that means 'Yes,' " the conductor said.
Flórez nailed all nine Cs in the encore too. The mp3 of the performance is a thrilling listen.
I'm really enjoying M83's new album,
I'm really enjoying M83's new album, Saturdays = Youth; it's somehow both 80s retro and not. The AV Club gave the album an A and Metacritic gives it a rating of 69.
Two unrelated things:
- amazon.com/mp3 is a quick way to get to the Amazon MP3 store.
- The vast majority of the recent album releases rated by Metacritic are in the "generally favorable reviews" category. A few are rated "universal acclaim" or "mixed or average reviews" and only one is "generally negative". Compare that to the ratings for recently released movies, which are much lower on average. Do people demand higher quality from their music than movies? Or is so much music produced (compared to movies) that the only albums worth compiling reviews for are the good ones?
Jsh Alln explains why the perfect pop
Jsh Alln explains why the perfect pop song is two minutes and 42 seconds long.
Here's the problem: "More Than a Feeling" is four minutes and 47 fucking seconds long. I don't have time for that kind of nonsense. That's, like, one-seventh of my recreation right there.
Don't get me wrong, slugger. I love "More Than a Feeling." Those who don't are your basic a-holes. But it's like: We get it. The riff, the handclaps, the 10,000 multi-tracked guitars-nice. But then there's another verse and another chorus and infinity more solos and just a really ridiculous amount of balderdash.
If you've got the time, there's a related collection of 2:42 songs to listen to.
20 respectable rock and rap acts that peaked with debut albums.
20 respectable rock and rap acts that peaked with debut albums.
Most heard songs
What's the play count on your most played song in your iTunes library? My top five are:
Emerge by Fischerspooner, 97 plays
Alpha Beta Gaga by Air, 76 plays
A Dream by Cut Copy, 68 plays
Take Me Out by Franz Ferdinand (Daft Punk mix), 68 plays
Around the World by Daft Punk, 66 plays
Sixteen songs in my library have been played 50 times or more. More than 70 songs have been played at least 35 times. I'm wondering where that lies on the scale of obsession...do I listen to my favorite songs more or less than normal? If you folks can be considered normal.... ;)
An interview with Robin Wilson, the thoughtful
An interview with Robin Wilson, the thoughtful frontman of the Gin Blossoms.
It's very frustrating to me that most people don't know [that the Gin Blossoms are still together]. We're still very fortunate that we have a career and that we can make a good living playing our music. And we've got thirty-something-thousand MySpace friends, which is a great number. But, you know, I hang out with these young bands, like this group from Pittsburgh called Punchline-they're friends of mine-and they've got seventy-five thousand MySpace friends. What it works out to, basically, is however many MySpace friends you have: that's about how many records you can sell-at least...on your own.
And so, right now, with the way things are changing-record stores across the country are closing, CD sales are down, digital downloads are up. You don't necessarily need a record company to sell. We don't need a record company to sell our music to those thirty thousand people. We can do it directly. And thirty thousand people are more than enough to support our records and to keep our career going.
Short interview with bassist Colin Greenwood about
Short interview with bassist Colin Greenwood about the State of Radiohead, among other things.
Pitchfork: The Pitchfork review of Hail to the Thief put forth the idea that "anything Radiohead does from here on out will sound like Radiohead"...
CG: That's like a late-night stoner comment. At about three in the morning -- after you've put on Captain Beefheart and you put the red scarf over the light bulb -- it makes a lot of sense. But the next morning you're like, "I don't know, maybe the world is fucked and we didn't solve it." So I don't know about that.
Sounds like he's got Pitchfork figured out. And as your musical sommelier, I'd recommend the 2007 In Rainbows with this interview.
This short blog post by Sasha Frere-Jones
This short blog post by Sasha Frere-Jones about rock show patron drink tipping practices is impossible to excerpt...lots of lovely little bits. Ok, twist my arm:
When Chromeo played, their crowd drank house vodka and Budweiser. Didn't tip. Some of them did what I'll call the slide-backs. They put a dollar down on the bar, wait until you turn your back, then palm their buck and walk away. Classy. When your night starts out with "What's your cheapest drink?" that's also not good."
Top ten artists suffering the Lindsey Buckingham
Top ten artists suffering the Lindsey Buckingham Paradox.
The Lindsey Buckingham Paradox is what happens when otherwise brilliant musicians decide they're better than their bandmates (creative differences, natch), strike out on their own with solo "careers", and somewhat curiously never again manage to grasp his or her own genius in the way we all know is possible.
Sting clocks in at #2:
Stewart Copeland and Andy Summers brought their own special flavors to the Police party, and without them, Sting is just a big bowl of goddamned puffy cheetos. Like Bono, maybe, without the passion or, you know, cred.
GQ interview with Keith Richards. Do I
GQ interview with Keith Richards. Do I even need to say it's rambling?
Q: You should sell your body on eBay.
Yeah, I think so. Apparently, I do have an incredible immune system. I had hepatitis C and cured it by myself.Q: How?
Just by being me.Q: Do you regret not moisturizing your face?
No. I leave that up to other people.Q: Ever think about getting Botox?
No one's ever talked me into doing that. You're lucky if you walk out of there alive. God bless you.Q: Are you still cutting your own hair? You've done that all your life, right?
Yes. I did this bit here yesterday. [holds up a few strands on the side of his head] Also, I'm letting the dye grow out, since I'm not on the road. If the wife likes it, I'll keep it.
(via goldenfiddle)
If you can ignore the stupid one-logo-per-page
If you can ignore the stupid one-logo-per-page interface, check out the 25 best band logos.
Music video for Orbital's The Box from 1996.
Music video for Orbital's The Box from 1996. That's Oscar winner Tilda Swinton, yo.
Harlem rent parties and Fats Waller
According to Wikipedia, a rent party is:
a social occasion where tenants hire a musician or band to play and pass the hat to raise money to pay their rent. The rent party played a major role in the development of jazz and blues music.
Further reading suggests that rent parties started in Harlem in the 1910s as a way to offset rising rents.
Harlemites soon discovered that meeting these doubled, and sometimes tripled, rents was not so easy. They began to think of someway to meet their ever increasing deficits. Someone evidently got the idea of having a few friends in as paying party guests a few days before the landlord's scheduled monthly visit. It was a happy; timely thought. The guests had a good time and entered wholeheartedly into the spirit of the party. Besides, it cost each individual very little, probably much less than he would have spent in some public amusement place. Besides, it was a cheap way to help a friend in need. It was such a good, easy way out of one's difficulties that others decided to make use of it. Thus was the Harlem rent-party born....
Jazz pianist Fats Waller was associated with these parties and lived a short but colorful life.
The ebullient young man with the dazzling jazz style was a big hit at the Sherman Hotel. His nightly audience included men with wide lapels and bulging pockets. One evening Fats felt a revolver poked into his paunchy stomach. He found himself bullied into a black limousine, heard the driver ordered to East Cicero. Sweat pouring down his body, Fats foresaw a premature end to his career, but on arrival at a fancy saloon, he was merely pushed toward a piano and told to play. He played. Loudest in applause was a beefy man with an unmistakable scar: Al Capone was having a birthday, and he, Fats, was a present from "the boys".
The party lasted three days. Fats exhausted himself and his repertoire, but with every request bills were stuffed into his pockets. He and Capone consumed vast quantities of food and drink. By the time the black limousine headed back to the Sherman, Fats had acquired severeal thousand dollars in cash and a decided taste for vintage champagne.
I was inspired to read about rent parties and Waller by this interview with Michel Gondry, director of Be Kind Rewind. Gondry says about his film:
It's important in the story that there's a parallel between what's happening in the film and what happened in the past with rent parties, which were very real. Fats Waller became the great musician he was through those parties. When someone could not afford the rent for one month, they'd make a party. You'd bring a dollar, and there would be a piano contest all night long. People making their own entertainment, that's exactly what it is.
Here's Waller performing one of his most well-known pieces, Ain't Misbehavin'.
Good music in movies
Jad Abumrad from Radio Lab curates The Morning News' Video Digest and selects clips from movies with good music.
1. See a map of the world made
1. See a map of the world made out of musical notes.
2. Now, listen to the map.
Update: I misread the text associated with the second link...the music does not correspond to the notes on the map. But anyone wants to give it a shot, send along an MP3 of your recording. (thx, bill)
Rebecca Mead on young composer Nico Muhly
Rebecca Mead on young composer Nico Muhly in the New Yorker.
When Muhly composes, the last thing he thinks about is the actual notes that musicians will play. He begins with books and documents, YouTube videos and illuminated manuscripts. He meditates on this material, digesting its ironies and appreciating its aesthetics. Meanwhile, he devises an emotional scheme for the piece-the journey on which he intends to lead his listener. Muhly believes that some composers of new music rely too heavily on program notes to give their work a coherence that it might lack in the actual listening. "This stupid conceptual stuff where it's, like, 'I was really inspired by, like, Morse Code and the AIDS crisis,'" he says.
A sampling (no pun intended) of Muhly's music is available on the New Yorker site and on his personal site (which seems to be in a similar vein to The Believer and McSweeney's Store, design-wise).
Just purchased: Jonny Greenwood's There Will Be
Just purchased: Jonny Greenwood's There Will Be Blood soundtrack on the recommendation of Alex Ross in the New Yorker.
Greenwood is better understood as a composer who has crossed over into rock. Trained as a violist, he worked seriously at writing music in his youth, and had just embarked on studies at Oxford Brookes University when, in 1991, Radiohead was signed by the EMI record label. He dropped out of college to join the band on tour.
Guitar Zero is a band that has
Guitar Zero is a band that has repurposed the Guitar Hero game controllers to make real music with them. Even better: they've posted the instructions so you can make your own. (thx, nick)
Reconsidered!
One of the problems of criticism is—what happens when it takes you just forever to realize that something is totally great? It took me until this week, and lots of it cropping up on shuffle, to realize that the latest PJ Harvey album, "White Chalk," is absolutely her best. (Okay, second best—maybe nothing will ever be as cool as "Rid Of Me," if only because who writes rock music in 5/4? ) Back in September, Pitchfork gave "White Chalk" a 6.8, and I would have given it a worse score even as recently as December. But of course, what does anyone know? "Uh Huh Her" got a 7.6, her Peel Sessions got a 7.9, "Stories from the City..." got a 5.5 and "Is This Desire?" got an Pitchfork 8.
The Kronos Quartet is playing at Carnegie
The Kronos Quartet is playing at Carnegie Hall late next month—and on the program is Clint Mansell's "Requiem for a Dream Suite," which is its New York premiere, sort of.
Too Soon/Not Too Soon
I had to go uptown to interview some people this afternoon and Laurie Anderson's "Live in New York" came on the headphones on the way, which made me think about "Cloverfield" and 9/11 and "too soon" again. "Live in New York" was recorded at Town Hall on September 19 and 20, 2001. Is it in my mind, or does she sound uncomfortable singing "I feel like I am in a burning building and I gotta go" on "Let X=X" (iTunes link)? Nexis doesn't deliver any useful accounts of the concert—just a review from Newsday which is appreciative but not very descriptive. (Also, though, now we know that the name "Laurie Anderson" has appeared in the New York Times an astonishing 799 times, and, yes, nearly all of them are her.) Also I'm not convinced she doesn't get choked up during (iTunes link ahoy) "Slip Away." ("What's this? A little dust in my eye.") Anyway, somehow that wasn't too soon.
The audience at Saturday's not-quite-Wu-Tang but still
The audience at Saturday's not-quite-Wu-Tang but still Clan show (it was minus RZA) was "almost uniformly white."
Klaus Nomi, Still Kicking
Apparently there is a new (and exceedingly posthumous) Klaus Nomi album; there are three way-out mp3s from it on this site. Today's Village Voice published a little oral history of the East Village legend. There is also this incredible performance on YouTube—which, oddly, is of quite nearly exactly the music (or at least the harmonic progressions) from Michael Nyman's "Memorial" from "The Cook, The Thief, His Wife And Her Lover"... which came out in 1989, though it was apparently first performed in 1985; Nomi died in 1983. Update: Ah ha! Rumors on the internet say the tune is based on Purcell.
Hey, New Yorker classical music critic (and
Hey, New Yorker classical music critic (and blogger, and my summer neighbor, and Kottke interviewee) Alex Ross was quite rightly nominated for a National Book Critics Award over the weekend. (How could any book blurbed by Bjork not be?)
Now that Sony's on board, all four
Now that Sony's on board, all four of the major music labels are selling DRM-free music on Amazon's MP3 store. Amazon's giving Apple a real run for its money here.
The last part of this video featuring
The last part of this video featuring Conan O'Brien singing The Beastie Boys' Sabotage as Edith Bunker from All in the Family makes me laugh over and over and over.
A collection of rap, hip hop, and
A collection of rap, hip hop, and roller-disco flyers from the 70s and 80s.
Goodbye, Guitar Hero 3
Sad news. Guitar Hero 3 and I have broken up. Sure, we might hook up occasionally when I'm lonely at night, but our relationship is effectively over. I can play every song1 without effort on Easy mode but can barely make it through any on Medium after dozens of tries. So so lame. I've hit the wall and my pinky is to blame...the damn thing just won't work properly and I'm unwilling to try playing with just three fingers (a la Clapton) because that seems like a dead end once Mr. Orange Button comes into play.
But the real reason is that because I don't have a natural talent for the game, the only way to get better is through deliberate practice.
Deliberate practice entails more than simply repeating a task -- playing a C-minor scale 100 times, for instance, or hitting tennis serves until your shoulder pops out of its socket. Rather, it involves setting specific goals, obtaining immediate feedback and concentrating as much on technique as on outcome.
Deliberate practice...sounds like fun! Yeah, no. No doubt I could master the game with enough focused effort, but when games stop being fun and become deliberate, that's where I get off. Back to the surprising depth of Desktop TD.
[1] When relationships end, that's when the lies start. The one song I still can't play all the way through is Slayer's Raining Blood. That damn song is just random notes as far I can can tell. ↩
Director File has put out its list
Director File has put out its list of Ten Best Music Videos of 2007. Of particular note on the list is a sweet and heartwarming video for The Bees "Listening Man" directed by Dominic Leung.
Leung began his career as a part of hammer & tongs, the creative team behind many influential music videos as well as the movies Hitchhiker's Guide to the Galaxy, on which he acted as 2nd unit director and title sequence director, and the upcoming Son of Rambow, which he edited. (via antville)
The 25 best rock posters of all time,
The 25 best rock posters of all time, according to Billboard. A hit-or-miss list at best. (via quipsologies)
The Moby Quotient determines the degree to
The Moby Quotient determines the degree to which artists besmirch their reputations when they lend their music to hawk products or companies.
The equation factors in the artist, how "underground" they are, the social character of the company, and how wealthy the artist is. (via snarkmarket)
Led Zeppelin reunited for one concert last
Led Zeppelin reunited for one concert last night in London with over 1 million people registering for the 20,000 available tickets. There are video clips available on Google Video and YouTube and two bootlegged songs have surfaced online so far.
Barry Louis Polisar for Juno
Tucked in among The Kinks, The Velvet Underground and Belle & Sebastian, the track behind the animated opening title sequence for the new movie Juno is All I Want is You by the children's folk musician Barry Louis Polisar. It's as inspired a choice for this enjoyable little movie as PT Anderson's inclusion on the Punch Drunk Love soundtrack of He Needs Me (iTunes link), Olive Oyl's love song from Robert Altman's 1980 adaptation of Popeye.
Polisar was a favorite of mine as a kid. In particular, the 1978 album Naughty Songs for Boys and Girls was my undisputed favorite record. Featuring the classics Don't Put Your Finger Up Your Nose and Never Cook Your Sister in a Frying Pan, the album has never gone out of print. Give the tracks a listen on iTunes and if you have kids, this will give them lots of laughs and teach them to rebell against their parents.
The New York Times has a review of Juno here. Amazon link to Naughty Songs for Boys and Girls here.
Update: My favorite funnyblogger Todd Levin chimes in on the Juno soundtrack at tremble.com.
Harry Partch
I'm a philosophic man, seduced into carpentry.
-Harry Partch
The Japan Society in New York is currently staging "Delusion of the Fury," the best-known work of Harry Partch. Partch was a pioneer of microtonal music who began modifying conventional instruments, then eventually manufacturing his own instruments in order to write music that conventional instruments couldn't play. In this video from 1968, he is seen playing an instrument of his creation, the harmonic canon.
Update: Ben Tesch, who launched the collaborative weather site cumul.us in October, also developed a site for American Mavericks in honor of Harry Partch and his music. The site allows you to play virtual recreations of a large selection of Partch's instruments. It's very cool.
Guitar Hero III has mono
Activision is working with Nintendo on re-mastering the Guitar Hero III discs for the Wii, which have been mistakenly encoded to reproduce music in mono rather than in stereo. Once the re-mastering has been done, early next year, the company will swap out current Guitar Hero III discs for free.
I honestly hadn't noticed the mono issue, but I'm still waiting for my replacement 'Pet Sounds' to ship.
Music for Kids
My anxiously-awaited Top 3 Picks from WXPN's Top 10 Kids' CDs of 2007:
- 'Do What the Spirit Say Do' by Sweet Honey in the Rock (uptempo Gospel to instantly elevate)
- 'Have You Ever Really Looked at an Egg?' by Peter Himmelman (well, have you?)
- 'Poopsmith Song' by Over the Rhine (because the speak-singing of the chorus is perfectly deadpan)
- and Honorable Mention for 'Brush Your Teeth' by the Dream Jam Band (for Mr. T-like earnestness and urban realism)
Roberto Carlos, O Rei (The King)
Influenced by his idol, Elvis Presley and the 1950s rock revolution, he rose to stardom as the main figure of the 60s musical movement known as Jovem Guarda (Young guard, in opposition to the 'old guard' of Brazilian music), which was the first manifestation of the Brazilian pop rock movement.
In 1966 Brazil, this man was bigger than the Beatles.
(thx, chana)
"Thriller" is 25
Epic Records/Legacy Recordings is releasing a 25th Anniversary Special Edition of Michael Jackson's "Thriller," with bonus tracks including remixes by Akon, will.i.am, and Kanye West.
There's a nice interview on NPR with Chris Connelly, who reviewed the album for Rolling Stone in 1982.
An alternate album cover for the original Special Edition of "Thriller" can be found on wikipedia, for a look at what could have been.
Wailing Pull Stars of Super Mario Galaxy
The latest installment of Super Mario has received plenty of notice for its revolutionary style of gameplay. But just as striking is the intricacy of its sound design. One convention of the game is a Pull Star, a floating anchor that Mario can grab with some sort of magical, musical force which, when activated emits a creepy, almost theremin-like wail, wavering just a bit before solemnly sliding down in pitch. This sound is one of those elemental formulas for touching an emotional soft spot. The other day I was playing a level with a series of Pull Stars in succession and my girlfriend implored me to stop, as it was making her sad, and not only because I'm a grown man playing a child's video game. Here is an example of the Wailing Pull Star (and a taste of the very Vangelis-like score scattered throughout the game).
Also: via Boing Boing Gadgets, footage from a live orchestra scoring session for the game. Mario's creator, Shigeru Miyamoto sits aside and supervises.
Also also: I noticed that the menu for selecting levels to play is a musical instrument in its own right, allowing the player to create melody with chord changes and everything. It's a subtle touch.
Been on a bit of a Guitar
Been on a bit of a Guitar Hero kick lately...I just played it for the first time recently so of course I'm looking around the web for advice, hacks, YouTube videos, etc. Nothing like a little web research to reinforce how little you know.
Anyhoo, I found this video of a 8-yo kid shredding it up on Guitar Hero 2...he missed only three notes on an expert level song and wasn't even looking at the screen some of the time. Little blighter. If you'll excuse me, I'm gonna go have a few alcoholic drinks, smoke some cigarettes, rent a car, and join the Army...let's see him do all that! (P.S. I wrote a hit play!)
Rob Walker on Guitar Hero:
Guitar Hero offers a connection to all this, but departs from it in an obvious way: You're not actually playing the guitar. No matter how good you may get at Guitar Hero, if you decide to take up the real instrument at some point, you'll be starting from scratch.
I don't know what it's like to be a rock star and there's no way I can pick up a guitar right now and play it, but the pretend version of the whole rock n' roll thing that Guitar Hero provides is pretty powerful, at least for this impressionable newbie. Playing Guitar Hero and believing you're a rock star might be like eating apple pie on the internet, but if you don't know the difference in the first place, does it matter?
Here's a video of a car driving
Here's a video of a car driving on Japan's aforementioned melody roads. (thx, kyle)
Japanese researchers have developed "melody roads" that
Japanese researchers have developed "melody roads" that play tunes when you drive on them. You could use this technique for traffic calming...i.e. the road plays music only when you're driving the speed limit and hope that there's no second-order melody that plays at two times the speed limit to entice highway hackers to speed for forbidden tunes.
Tokyo, Seattle, and Moscow all have laptop orchestras.
Tokyo, Seattle, and Moscow all have laptop orchestras.
As a supplement to Alex Ross' musical
As a supplement to Alex Ross' musical recommendations, a reader recommends NPR's list of 50 essential classical music CDs and Jazz 100, a list of the best jazz on CD. (thx, john)
Pretty amusing interview with a 9-year-old about
Pretty amusing interview with a 9-year-old about music, file sharing, and DRM.
Q: When you started using LimeWire, did anyone ever mention that if you did certain things you might be breaking some laws?
A: Why would they put [music] on the internet and invent mp3 players if it was against the law?
(thx, mark)
Nintendo-themed rap music video: Buy Mii a
Nintendo-themed rap music video: Buy Mii a Wii. My favorite part is when he rhymes Nintendo with Shigeru Miyamoto. (thx, undulattice)
This video features a nerdy-looking Seattle Sonics
This video features a nerdy-looking Seattle Sonics fan rapping about Dirk Nowitzki, Kobe Bryant, and Steve Nash. I know that doesn't sound very funny, but it somehow is. Very. (via truehoop)
In the ongoing battle between the iTunes
In the ongoing battle between the iTunes Music Store and Amazon's MP3 store, Amazon is giving a 20% referral fee to their associates for each song sold through the end of the year. Wow. That's $1.80 on a $8.99 album...I wonder if Amazon's selling these for below cost (like they did with Harry Potter.) (via nelson)
A comparison of the Last.fm chart
A comparison of the Last.fm chart and the official UK downloads chart after Radiohead's In Rainbows was released online last week. The top 10 on Last.fm: all Radiohead. Official chart: nada. (via adactio)
The Rest is Noise
Alex Ross is the music critic for the New Yorker and the author of a new book, The Rest is Noise: Listening to the Twentieth Century, "a history of the twentieth century through its music". My interest in music skews toward the contemporary popular, so I recently took the opportunity to ask Ross a few questions about classical music from the novice-but-interested music listener's perspective.
Jason Kottke: I've enjoyed classical music whenever I've heard it, but I don't know too much about it. Where might I begin to explore further?
Alex Ross: My big thing is that classical music doesn't really exist. When you have a repertory that goes from Hildegard von Bingen's medieval chant to Vivaldi's bustling Baroque concertos to Wagner's five-hour music dramas to John Cage's chance-produced electronic noise to Steve Reich's West African-influenced "Drumming," you're not talking about a single sound. Whatever variety of noise you desire, we've got it at the classical emporium. I'd suggest plunging it at various ends of the spectrum - some Vivaldi or Bach, the Beethoven "Eroica" or some other big-shouldered nineteenth-century classic, Stravinsky's "Rite of Spring" (which foreshadows so much pop music to come), and Reich or Philip Glass. The idea is to get a feeling for what composers were trying to express at any given time, and, of course, deciding whether you want to follow them. There's no correct path through the labyrinth.
Kottke: I just received a copy of your book in the mail, and it's got a "Suggested Listening" section following the endnotes with 10 recommended recordings and 20 more if you make it through those. How did you go about choosing those? Narrowing the 20th century musical landscape down to 30 recordings...that's pretty cheeky.
Ross: It's very hard, not to mention cheeky, picking recommended recordings, because so often it's a matter of personal taste, both in terms of what works really "matter" and also in terms of which recordings are best. The almighty "Rite of Spring" has received any number of brilliant recordings over the years. Having picked one of Stravinsky's own versions - he had such a great feeling for rhythm as a conductor - I immediately wondered whether I should have chosen the recent Esa-Pekka Salonen/LA Philharmonic version on DG, which is in gleaming modern sound and is as rock-solid as any "Rite" of modern times. So it's subjective and leads to endless argument. But I was simply recommending a bunch of starting points, not the be-all end-all ultimate Top 10 of all time. I favored recordings that were cheap, that covered a lot of ground in 60 or 70 minutes. People can listen to excerpts on iTunes and Amazon and see if they really want to plunk down the cash. One thing's for sure: you do need to own the "Rite," no matter what kind of music you love. It's the original sexy.
Kottke: Related to the first question, when I go to Amazon and search for "Beethoven", there are over 10,000 results just in the classical music category. There are even more results for Bach. Are there significant differences between all the different versions of their music? How does the bewildered beginner pick the "right" version of Bach's works to listen to? Should you look for brand names (e.g. Yo-Yo Ma), only buy music recorded by major symphonies or put out by certain record labels, or just get whatever is cheapest?
Ross: It's definitely overwhelming - a serious glut. I've been reviewing for fifteen years and in the last year or two I seem to be getting twice as many CDs as ever - not to mention all the MP3s that composers and ensembles have put up on the Internet. There are definitely some significant differences among recordings. You have a lot of expert but boring renditions and then you have the ones that touch perfection or posses exceptional emotional power. Listen to Lorrane Hunt Lieberson singing the Bach cantatas and everyone else will sound a little wan. Certain people are always reliable - Yo-Yo Ma is ever eloquent, Mitsuko Uchida is a great pianist, Claudio Abbado makes one great or near-great orchestral recording after another. You can tell from Amazon reviews when a recording has really knocked people sideways. But live concerts are always better! I'm sometimes more moved by a not great but heartfelt live performance than by a world-class recording. In the hall you feel the weight of the cellos, the resonances of tones in space, the response of the crowd, all those intangibles. Tickets are less expensive than you may think. Particularly if you're a student, you can get amazing deals - $12 tickets for the New York Philharmonic, for example.
Kottke: One of the things I've noticed about classical music recordings is how reasonably priced they are, particularly the pre-20th century music. Have you read any of Discover Your Inner Economist by Tyler Cowen? In it, he suggests that to get the most value out of your music buying dollar, you should pay more attention to music that hasn't been recently released, the idea being that there are more gems to be found in the last 200 years of music than in this week's Billboard lists. I have a feeling you might agree with that view.
Ross: That's an interesting theory. If you buy Maria Callas's recording of "Tosca," chances are it's probably still going to deliver the goods twenty years from now, if CDs or MP3s still exist then. Fergie is maybe a riskier long-term bet. Also interesting is Chris Anderson's Long Tail concept, which suggests that there's more hidden commercial power in these thousands upon thousands of classical recordings than anyone suspected, even if they sell only a few times a year. The Naxos label says it gets 30-40% of total digital sales from albums that are downloaded 4 times a month or less. In any case, there's now a huge catalogue of classical CDs that go for $10 or less. The Tashi recording of Messiaen's "Quartet for the End of Time," one of my top 10 picks, goes for $8 on Amazon. The Amazon download site was for a while offering Wagner's entire sixteen-hour "Ring" cycle for $13.98. This turned out to be a clerical error, but enough classical-heads converged on the bargain that for a day or two Richard Wagner was the #1 downloaded artist on Amazon, beating out Kanye West. That amused me. Watch out for these classical guys - they start slow but beat you in the end.
Kottke: Let's say you're still around 80 years from now, writing a sequel to The Rest is Noise about music from 1980 to 2080. What contemporary music (circa 1980-2007) will still be important and relevant in 2080?
Ross: That's a tough question! Critics often turn out to be very wrong about what's truly important in their own time. George Bernard Shaw, for example, considered Hermann Goetz a great composer, a worthy successor to Beethoven. Though is "wrong" the right word? If Shaw had deep feelings about that music, he was, within his personal frame of reference, absolutely right. In classical music we maybe focus too much on the idea that the opinion of posterity is the only one that matters. In any case, here are twelve works that I believe will still matter to me, at least, if by some medical miracle I'm still around in 2080:
Steve Reich, Different Trains
John Adams, Nixon in China
Kaija Saariaho, L'Amour de loin
Sofia Gubaidulina, Offertorium
Gérard Grisey, Les Espaces acoustiques
Arvo Pärt, Da pacem domine
Louis Andriessen, De Stijl
Thomas Ades, Asyla
Georg Friedrich Haas, in vain
Michael Gordon, Decasia
Magnus Lindberg, Kraft
Osvaldo Golijov, St. Mark Passion
---
Thanks, Alex. We'll be checking back with you in 2080 to see how you fared. Ross has a piece out in the New Yorker this week about classical music and the internet that's related to our conversation above. He's also constructed a fantastic enhanced bibliography for the book that includes audio samples of some of the music written discussed in the book, presumably to reduce the dancing about architecture effect.
The Hype Machine is doing something clever
The Hype Machine is doing something clever with the new version of their site. They're opening the beta up to the public but not until they get a "crowd" of 10,000 people with their browsers open to this page.
Marginal Revolution and CNN (and New York
Marginal Revolution and CNN (and New York magazine and Reddit and etc.) asked their respective readers: how much did you pay for In Rainbows, Radiohead's new album which is only available as a pay-what-you-want download. I paid around £8.50 (~ US$17), which splits the difference between a typical album price in the UK and the US. (Actually, what I did was download it from elsewhere because Radiohead's online store was down yesterday morning and then went back to pay for it just now.)
Glenn from Coolfer took a spin through
Glenn from Coolfer took a spin through the NY Times recently opened online archive and highlighted some interesting news about the music industry, notably about how technology and the Internet changed the game in the late-90s/early-00s.
If someone likes an artist, they're going to buy the CD. The number of those who download and opt against buying the CD is very small. There are plenty of libraries in this country, yet people still buy books. The Napster opponents underestimate the American fascination with ownership.
Radiohead has a new album coming out
Radiohead has a new album coming out called In Rainbows. It's only available from their site for now, either as a download (released Oct 10) or as a "discbox" that includes the CD, a bonus CD, two records, and assorted photos, books, etc. (released Dec 3). (via rex)
Update: Also, Radiohead is letting the buyer choose his/own price for the online album. This has been done before, notably by Magnatune, who offers albums for between $5 and $18 with a recommended price of $8...and people often pay more than the recommended. (thx, greg)
Update: Singer Jane Siberry does variable pricing for her music as well. Siberry also cleverly lists what other people are paying (currently $1.18 per song, a bit more than the recommended $0.99). Freakonomics explains. (thx, phil)
I'm thoroughly enjoying Kanye West's new album,
I'm thoroughly enjoying Kanye West's new album, Graduation. Standout tracks so far: Stronger and Homecoming, although it took me much longer than it should have to recognize Chris Martin's vocals on the latter.
Amazon has launched their mp3 music store.
Amazon has launched their mp3 music store. Files are in mp3 format, no DRM, high bitrate (high quality), and songs are mostly 89-99 cents. A compelling alternative to Apple's iTMS.
Hometracked uncovered some musical history tidbits from
Hometracked uncovered some musical history tidbits from the archive of the NY Times, including first descriptions of Edison's phonograph and Marconi's radio.
Steve Reich like flypaper for aspies
From the letters to the editor in the Sept 24 issue of the New Yorker, a letter from John Yohalem, New York City:
I enjoyed reading Tim Page's essay on living with Asperger's syndrome: the insomnia, the social puzzlement, the obsession with various subjects to the exclusion of more common ones -- all are very familiar to me. ("Parallel Play," August 20th). Then came this description: "In the late nineteen-seventies, I saw a ragged, haunted man who spent urgent hours dodging the New York transit police to trace the dates and lineage of the Hapsburg nobility on the walls of the subway stations." I was the gentleman in question; although I didn't care about clothes, I don't think I was that ragged. I want to assure Mr. Page that I was never homeless or institutionalized (as he guessed), and I got only one ticket. Mr. Page and I had other things in common; like him, I was at the première of Steve Reich's "Music for 18 Musicians" at Town Hall. Unlike Mr. Page, I did not find this particular music's structure all-engrossing; I preferred to dance to it. At one performance of Reich's music at the U.S. Custom House, I danced alone around and around the central musicians. For someone as acutely self-conscious as I had been, this seemed a moment of glorious emergence, of living my own life in everyone else's world.
Here's Tim Page's piece on what it was like growing up with Asperger's syndrome.
So preoccupied are we with our inner imperatives that the outer world may overwhelm and confuse. What anguished pity I used to feel for pinatas at birthday parties, those papier-mache donkeys with their amiable smiles about to be shattered by little brutes with bats. On at least one occasion, I begged for a stay of execution and eventually had to be taken home, weeping, convinced that I had just witnessed the braining of a new and sympathetic acquaintance.
Of course Yohalem has a blog -- the 21st century equivalent to scribbling Hapsburg lineages on subway walls -- which has a more complete version of the above posted there.
The lyrics for Around the World by
The lyrics for Around the World by Daft Punk.
Around the world, around the world
Around the world, around the world
Around the world, around the world
Around the world, around the world
Etc., etc., and so on. (via chris)
Currently enjoying Diplo's Pitchfork Mix 02 (track list).
Currently enjoying Diplo's Pitchfork Mix 02 (track list). Also worth tracking down is Diplo vs. Shadow, the Megatroid Mix.
Legendary party Misshapes was held for the
Legendary party Misshapes was held for the last time on Saturday night in NYC, its overness punctuated by an article in the NY Times on the party's conclusion. My own personal overness was punctuated by not knowing about the end of Misshapes until I read it in the Times. A Mr. Cobrasnake has photos of the final night.
Apple may have announced their ringtone strategy
Apple may have announced their ringtone strategy for the iPhone (30-second ringtones cost $1.98 to make and you must purchase songs through the iTunes Music Store), but Ambrosia Software's iToner utility lets you make ringtones from any mp3 or acc audio file with a simple drag/drop, all for $15 (free 30-day trial). iToner seems like the clear winner here.
Update: The just-released new version of iTunes (7.4) makes iToner ringtones invisible to the iPhone. Ambrosia is working on an iToner update. (thx, jim)
Apple is holding a special event today
Apple is holding a special event today at 10am PT to announce a new product. Or something. No one knows exactly what but it seems to have something to do with music. Popular guesses include a 3G iPhone, a different iPod nano, a touchscreen iPod, and the availability of the Beatles entire musical catalog on iTunes. MacWorld, Engadget, MacObserver, and ArsTechnica (among others) will have live coverage.
Update: Jobs announced 99-cent ringtones, new colors for iPod shuffle, new form factor for iPod nano (fat vs. thin), renamed the iPod to iPod classic, introduced new iPod touch (basically the iPhone without the phone), new mobile iTunes Music Store that will work on iPod touch and the iPhone, odd partnership with Starbucks...click to buy currently playing songs in the store and free wifi for iTMS purchases (how about free wifi, period?), and the 8GB iPhone now costs $399. !!!!! I guess Apple's plan on that was 1) gouge all the early adopters, and then 2) reduce the price to sell iPhones like crazy.
Cupertino, we have a problem
My iPhone bubble abruptly popped this evening when I tried my Shure E3c earphones (the best pair of earphones I've ever owned and far superior to the Apple earbuds) with the iPhone and they didn't work. The ones that came with the iPhone work fine. On their site, Apple says:
iPhone has a standard 3.5-mm headphone jack, so it is compatible with most portable stereo headphones. Some stereo headphones may require an adapter (sold separately) to ensure proper fit.
The earbuds from a v3 iPod didn't work either. The E3c plug is 3.5 mm and the earphones are about 2 years old. Is anyone else having problems with their earphones? I don't understand why this is even an issue. Very irritating.
Update: Others are having similar problems with headphones not fitting. Looks like it's the plastic sheath around the plug that's the problem. (thx, sean)
Update: I cut away a bit of the E3c's sheath with my trusty Exacto knife and it now fits in the jack. I'd love to know the reason for recessing that plug so much...besides pure aethetics of course; it just seems like too much of a trade-off.
Strange musical machines
Who knew you could play the theme song from Super Mario Brothers with a Tesla coil?
So just to explain a little further, yes, it is the actual high voltage sparks that are making the noise. Every cycle of the music is a burst of sparks at 41 KHz, triggered by digital circuitry at the end of a "long" piece of fiber optics. What's not immediately obvious in this video is how loud this is. Many people were covering their ears, dogs were barking. In the sections where the crowd is cheering and the coils is starting and stopping, you can hear the the crowd is drowned out by the coil when it's firing.
More about Tesla coils at Wikipedia. (thx, mike)
And I don't know what rock I've been hiding under for the past 33 years, but this Gnarls Barkley cover is the first I've heard of the theremin music machine:
In a great illustration of the sometimes odd path that innovation takes, Robert Moog found inspiration in the theremin after it had fallen out of favor in serious musical circles:
After a flurry of interest in America following the end of the Second World War, the theremin soon fell into disuse with serious musicians, mainly because newer electronic instruments were introduced that were easier to play. However, a niche interest in the theremin persisted, mostly among electronics enthusiasts and kit-building hobbyists. One of these electronics enthusiasts, Robert Moog, began building theremins in the 1950s, while he was a high-school student. Moog subsequently published a number of articles about building theremins, and sold theremin kits which were intended to be assembled by the customer. Moog credited what he learned from the experience as leading directly to his groundbreaking synthesizer, the Minimoog.
Update: Theremin: An Electronic Odyssey is a 1994 documentary about the theremin and its inventor. Here's a trailer, a review by Roger Ebert, and the DVD from Amazon. (thx, jeb & mark)
Free fonts from Peter Saville
Peter Saville, the British designer closely associated with Factory Records, is offering free downloads of some of the fonts he used in designing record sleeves and other work for New Order, Joy Division, and other Factory Records artists.
(thx, mark)
Update: Several Peter Saville fans from around the world have written in to say that the above site is not Peter Saville's official site (this is). It's also unclear whether those fonts were indeed made by Saville (probably not) or ever offered for download free of charge (probably definitely not). But they're still neat fonts, so download at your own risk.
Update: Kai has identified some of the fonts offered as shoddy versions of the following:
Joy Division Closer - Trajan (Adobe)
Blue Monday - Engravers Gothic (Bitstream)
New Order 1981 - Futura (Bauer)
New Order 1993 - Handel Gothic (Linotype)
New Order Ceremony - Albertus (Mecanorma)
New Order 316 - BT Incised 901 (Bitstream) = Antique Olive (Linotype)
New Order Regret - Rotis Serif (Agfa)
In this case, you get what you pay for, I guess.
If you thought that Nevermind's 15th anniversary
If you thought that Nevermind's 15th anniversary made you feel old, try this one on: Radiohead's OK Computer was released 10 years ago tomorrow. (via 6f6)
New York, I Love You But You're Bringing Me Down
Partial lyrics for New York, I Love You But You're Bringing Me Down from LCD Soundsystem's latest album, Sound of Silver:
--
New York, I love you but you're bringing me down
New York, I love you but you're bringing me down
Like a rat in a cage, pulling minimum wage
New York, I love you but you're bringing me down
New York, you're safer and you're wasting my time
Our records all show you are filthy but fine
But they shuttered your stores when you opened the doors
To the cops who were bored once they'd run out of crime
New York, you're perfect don't, please, don't change a thing
Your mild billionaire mayor's now convinced he's a king
And so the boring collect, I mean all disrespect
In the neighborhood bars I'd once dreamt I would drink
New York, I love you but you're freaking me out
There's a ton of the twist but we're fresh out of shout
Like a death in the hall that you hear through your wall
New York, I love you but you're freaking me out
New York, I love you but you're bringing me down
New York, I love you but you're bringing me down
Like a death of the heart. Jesus, where do I start?
But you're still the one pool where I'd happily drown
--
Meant to note this a few weeks ago, but the Baltimore post put it back in my mind.
Song of summer 2007?
Is there a song for summer 2007 yet? Something along the lines of Crazy in Love in 2003 and, what, Since U Been Gone in 2005...a song that comes to identify the summer to a wide variety of people. There's been some discussion of this question, but no definite answers yet. I've heard MIMS' This is Why I'm Hot in a wide array of contexts...might be a contender, but does it have the mass popularity and longevity?
Clive Thompson on the new way to
Clive Thompson on the new way to make it big in the music biz: spend hours a day communicating with your fans via the web. "Virtually everyone bemoaned the relentless and often boring slog of keyboarding. It is, of course, precisely the sort of administrative toil that people join rock bands to avoid."
Update: Related: How to Be a Star in a YouTube World.
If you're writing a song, you probably
If you're writing a song, you probably don't want to use any of the following phrases: "serious as cancer", "Serengeti", "nuclear war", or "Aztec priest".
Photo gallery of heavy metal bands from
Photo gallery of heavy metal bands from the early 80s. These aren't glossy magazine photos...they're snapshots from the crowd, backstage, and at the afterparties.
The White Glove Tracking site needs your
The White Glove Tracking site needs your help in finding Michael Jackson's white glove in all 10,060 frames of Jackson's performance of Billy Jean. "Rather then write unnecessarily complex code to find the glove in every frame of the video I am asking for the assistance of 10,060 individual internet users to simply click and drag a box around the glove in one frame." Don't stop 'til you get enough (white gloves located).
Video of Rodrigo y Gabriela performing at
Video of Rodrigo y Gabriela performing at PopTech. Here's my writeup from October. What isn't apparent from the video (at least through my puny laptop speakers) is how loud the bass was from them thumping their guitars.
Andrew of Songs To Wear Pants To
Andrew of Songs To Wear Pants To makes songs from suggestions you send him. You can even commission a song from him for a special occasion like a birthday or anniversary. Recent tracks include a Tetris rap and a song written for a guy who likes a girl but doesn't know how to express it (she's got "beautiful light blue eyes, long brown hair, and great athletic body" which Andrew translates as "I don't even care about her personality" in the song).
Last 100 posts, part 7
It's been awhile since I've done one of these. Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently:
Two counterexamples to the assertion that cities != organisms or ecosystems: cancer and coral reefs. (thx, neville and david)
In pointing to the story about Ken Thompson's C compiler back door, I forgot to note that the backdoor was theoretical, not real. But it could have easily been implemented, which was Thompson's whole point. A transcript of his original talk is available on the ACM web site. (thx, eric)
ChangeThis has a "manifesto" by Nassim Taleb about his black swan idea. But reader Jean-Paul says that Taleb's idea is not that new or unique. In particular, he mentions Alain Badiou's Being and Event, Jacques Derrida, and Gilles Deleuze. (thx, paul & jean-paul)
When I linked The Onion's 'Most E-Mailed' List Tearing New York Times' Newsroom Apart, I said "I'd rather read a real article on the effect the most popular lists have on the decisions made by the editorial staff at the Times, the New Yorker, and other such publications". American Journalism Review published one such story last summer, as did the Chicago Tribune's Hypertext blog and the LA Times (abstract only). (thx, gene & adam)
Related to Kate Spicer's attempt to slim down to a size zero in 6 weeks: Female Body Shape in the 20th Century. (thx, energy fiend)
Got the following query from a reader:
are those twitter updates on your blog updated automatically when you update your twitter? if so, how did you do it?
A couple of weeks ago, I added my Twitter updates and recent music (via last.fm) into the front page flow (they're not in the RSS feed, for now). Check out the front page and scroll down a bit if you want to check them out. The Twitter post is updated three times a week (MWF) and includes my previous four Twitter posts. I use cron to grab the RSS file from Twitter, some PHP to get the recent posts, and some more PHP to stick it into the flow. The last.fm post works much the same way, although it's only updated once a week and needs a splash of something to liven it up a bit.
The guy who played Spaulding in Caddyshack is a real estate broker in the Boston area. (thx, ivan)
Two reading recommendations regarding the Jonestown documentary: a story by Tim Cahill in A Wolverine Is Eating My Leg and Seductive Poison by former People's Temple member Deborah Layton. (thx, garret and andrea)
In case someone in the back didn't hear it, this map is not from Dungeons and Dragons but from Zork/Dungeon. (via a surprising amount of people in a short period of time)
When reading about how low NYC's greenhouse gas emissions are relative to the rest of the US, keep in mind the area surrounding NYC (kottke.org link). "Think of Manhattan as a place which outsources its pollution, simply because land there is so valuable." (thx, bob)
NPR did a report on the Nickelback potential self-plagiarism. (thx, roman)
After posting about the web site for Miranda July's new book, several people reminded me that Jeff Bridges' site has a similar lo-fi, hand-drawn, narrative-driven feel.
In the wake of linking to the IMDB page for Back to the Future trivia, several people reminded me of the Back to the Future timeline, which I linked to back in December. A true Wikipedia gem.
I'm ashamed to say I'm still hooked on DesktopTD. The problem is that the creator of the game keeps updating the damn thing, adding new challenges just as you've finally convinced yourself that you've wrung all of the stimulation out of the game. As Robin notes, it's a brilliant strategy, the continual incremental sequel. Version 1.21 introduced a 10K gold fun mode...you get 10,000 gold pieces at the beginning to build a maze. Try building one where you can send all 50 levels at the same time and not lose any lives. Fun, indeed.
Regarding the low wattage color palette, reader Jonathan notes that you should use that palette in conjunction with a print stylesheet that optimizes the colors for printing so that you're not wasting a lot of ink on those dark background colors. He also sent along an OS X trick I'd never seen before: to invert the colors on your monitor, press ctrl-option-cmd-8. (thx, jonathan)
Dorothea Lange's iconic Migrant Mother photograph was modified for publication...a thumb was removed from the lower right hand corner of the photo. Joerg Colberg wonders if that case could inform our opinions about more recent cases of photo alteration.
In reviewing all of this, the following seem related in an interesting way: Nickelback's self-plagiarism, continual incremental sequels, digital photo alteration, Tarantino and Rodriquez's Grindhouse, and the recent appropriation of SimpleBits' logo by LogoMaid.
Video of a two-song Arcade Fire show,
Video of a two-song Arcade Fire show, one of which is sung in a freight elevator and the other in the middle of a Parisian crowd through a megaphone.
A tale of two hoes
Snoop Dogg recently explained the difference between the language used by old, white radio announcers and rappers:
It's a completely different scenario. [Rappers] are not talking about no collegiate basketball girls who have made it to the next level in education and sports. We're talking about hos that's in the 'hood that ain't doing shit, that's trying to get a nigga for his money. These are two separate things. First of all, we ain't no old-ass white men that sit up on MSNBC going hard on black girls. We are rappers that have these songs coming from our minds and our souls that are relevant to what we feel. I will not let them muthafuckas say we in the same league as him.
What Mr. Dogg is arguing here is that it's ok to refer to actual hoes as hoes in the service of artistic expression but it is not ok to refer to college basketball players as such for the purpose of demeaning people. As we're currently engaged in another go-round on the issue of speech, political correctness, and its potential enforcement, it's not hard to imagine that someday an argument like Snoop Dogg's will be deployed in a court of law. I wonder if anyone will buy it?
Duncan Watts on the results of a
Duncan Watts on the results of a study which show that a cultural product's popularity is partially determined by inital social adoption patterns. "This means that if one object happens to be slightly more popular than another at just the right point, it will tend to become more popular still. As a result, even tiny, random fluctuations can blow up, generating potentially enormous long-run differences among even indistinguishable competitors -- a phenomenon that is similar in some ways to the famous 'butterfly effect' from chaos theory." The effort to explain why popular things got popular is probably impossible...working your way back from effect to cause in non-linear systems is tough.
Audio demonstration of how two Nickelback songs
Audio demonstration of how two Nickelback songs released two years apart are actually, to a rough approximation, the same song. "You bastards, you're taking advantage of those tone deaf MTV brainwashed twats who are too thick to notice you're releasing song that are EXACTLY THE SAME as ones your recorded earlier."
Hip-Hop Pop-Up combines pop-up web advertising with
Hip-Hop Pop-Up combines pop-up web advertising with product mentions in hip-hop songs. "For example, at 2 minutes and 38 seconds into the song Big Poppa when Puffy asks Biggie, 'How ya livin Biggie Smallz?' his reply, 'In mansion and Benz's Givin ends to my friends and it feels stupendous' would then pop-up the URL www.mercedes-benz.com." To try it out, be sure to disable your browser's pop-up blocking first. (thx, jonah)
Fascinating stuff: the Washington Post hired a
Fascinating stuff: the Washington Post hired a world-famous violinist to play for spare change outside a D.C. Metro station to see if anyone would notice and how much he'd make. "In a banal setting at an inconvenient time, would beauty transcend?" (thx, karan)
Update: A NYC subway musician's take on the article: "The thing is Joshua Bell is a great violinist but he doesn't know how to busk." (thx, greg)
Logical, linguistical, and infographical analysis of the #1
Logical, linguistical, and infographical analysis of the #1 single on the Billboard chart, This Is Why I'm Hot by Mims. "Mims is hot because he's fly. But it raises the question: Does being hot guarantee one's being fly? [...] It would appear that fly and hot are interchangable. If you are one, you are both; if you aren't at least one, you are neither." (via khoi)
Apple and EMI jointly announced earlier this
Apple and EMI jointly announced earlier this week that the iTMS would offer EMI's music without DRM and at a bitrate of 256 kps instead of 128 kps. Twice the bitrate = twice as good, yeah? Not so fast...you might not even notice the difference.
This is brilliant: the weird video of
This is brilliant: the weird video of Dick Cheney lurking in the bushes during a press conference at the White House with Radiohead's Creep playing over it. "I want you to notice when I'm not around...." (via cyn-c)
A Stradivarius fetched $2.4 million at auction yesterday
A Stradivarius fetched $2.4 million at auction yesterday but anyone with the proper chops got to take a climate-controlled test drive before the auction. The violin's minders at Christie's screened potential players, in part, by looking for "the telltale bruise under the jaw that comes from resting on the chin rest of the violin", which Lilly calls a "violin hickey". There are several theories as to why Antonio Stradivari's instruments sound so wonderful, but no one has cracked the mystery yet.
Apple will begin to sell DRM-free songs
Apple will begin to sell DRM-free songs from EMI via the iTunes Music Store in May. The songs are higher quality but will cost slightly more ($1.29 vs $0.99 for the DRM version). It'll be interesting to see how many people choose to buy the non-DRM stuff at the higher price. My feeling is that typical consumers won't care that much...lower price will win out over slightly higher quality and some nebulous future flexibility. I bet EMI is even half-hoping for failure on this thing: "see, customers *want* DRM..."
Interview with New Yorker music critic Alex
Interview with New Yorker music critic Alex Ross about, among other things, his upcoming book on 20th century music. "Why, when paintings of Picasso and Jackson Pollock go for a hundred million dollars or more on the art market and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, is twentieth-century classical music still considered obscure and difficult? In fact, it's better known than most people realize. Post-1900 music is all over Hollywood soundtracks, modern jazz, alternative rock."
50 50 is a compilation of 50 videos of people
50 50 is a compilation of 50 videos of people singing 50 Cent songs. (via your daily awesome)
Simlish is the fictional language spoken in
Simlish is the fictional language spoken in the Sims games. Several music artists have recorded songs sung in Simlish.
Video of a live performance of Creep
Video of a live performance of Creep by a Radiohead quite different than today's version.
The Golden Ratio and its appearance in
The Golden Ratio and its appearance in the music of Nintendo's Zelda games.
A dad sings NWA's Fuck The Police
A dad sings NWA's Fuck The Police to his young son using some creative realtime censorship. "'Cause he'll tickle you 'til you're giggling." (via the grumpiest)
A 666 tribute to David Fincher featuring video
A 666 tribute to David Fincher featuring video of 6 of his commercials, 6 of his music videos, and 6 of his movies.
List of sampled songs used by Daft
List of sampled songs used by Daft Punk. Here's a video of some of them.
Beatboxing flautist + Super Mario theme song = YouTube gold.
Beatboxing flautist + Super Mario theme song = YouTube gold.
A list of unboundedly long songs, songs
A list of unboundedly long songs, songs that "continue until the singer decides (or is forced) to stop".
Neat music video by a band called
Neat music video by a band called The Longcut that uses infographics to tell the story of a boy and girl falling for each other.
Complaints choirs...that is, groups of people
Complaints choirs...that is, groups of people who sing their dissatisfaction in front of live audiences. "In Helsinki the most favourite topics were ring tones of mobile phones, people who smell in public transport and the fact that Finland always looses to Sweden in competitions: in Icehockey and in Eurovision." (thx, nancy)
Steve Jobs' thoughts on music and DRM.
Steve Jobs' thoughts on music and DRM. Sounds like he'd rather that music sold via the iTMS didn't have DRM built in.
"iConcertCal is a free iTunes plug-in that
"iConcertCal is a free iTunes plug-in that monitors your music library and generates a personalized calendar of upcoming concerts in your city." (thx janelle)
Music industry: CD prices are being driven
Music industry: CD prices are being driven down by $9.99 albums on iTunes Music Store. "Physical retailers are pressuring the labels downward on price (of course, Wal-Mart is the biggest culprit) because they don't want to be undercut by iTunes 9.99 on all single albums. We're rapidly moving to a 9.99 world on the big sellers (the ones stocked in Target and Wal-Mart and Best Buy)."