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A digital trove of 1000s of images of early hip hop photos, posters, and ephemera

posted by Jason Kottke   Sep 20, 2017

Hip Hop Archive

Hip Hop Archive

Hip Hop Archive

Hip Hop Archive

Cornell University has a hip hop collection with tens of thousands of objects in it: photos, posters, flyers, magazines, etc. Much of the collection is only available on site in Ithaca, NY by appointment, but parts of it have been digitized, like these party and event flyers:

Created entirely by hand, well before widespread use of design software, these flyers preserve raw data from the days when Hip Hop was primarily a live, performance-based culture in the Bronx. They contain information about early Hip Hop groups, individual MCs and DJs, promoters, venues, dress codes, admission prices, shout outs and more. Celebrated designers, such as Buddy Esquire (“The Flyer King”) and Phase 2, made these flyers using magazine cutouts, original photographs, drawings, and dry-transfer letters.

And the archive of Joe Conzo Jr., who photographed groups, parties, events, and the like in the South Bronx in the late 70s and early 80s (but FYI, the Conzo archive interface is more than a little clunky and there’s lots of non-hip hop stuff to wade through):

In 1978, while attending South Bronx High School, Conzo became friends with members of the Cold Crush Brothers, an important and influential early Hip Hop group which included DJs Charlie Chase and Tony Tone and MCs Grandmaster Caz, JDL, Easy AD, and Almighty KayGee. Conzo became the group’s professional photographer, documenting their live performances at the T-Connection, Disco Fever, Harlem World, the Ecstasy Garage, and the Hoe Avenue Boy’s Club. He also took pictures of other Hip Hop artists and groups, including The Treacherous 3, The Fearless 4, and The Fantastic 5.

These rare images capture Hip Hop when it was still a localized, grassroots culture about to explode into global awareness. Without Joe’s images, the world would have little idea of what the earliest era of hip hop looked like, when fabled DJ, MC, and b-boy/girl battles took place in parks, school gymnasiums and neighborhood discos.

And most recently a portion of the Adler Hip Hop Archive, compiled by journalist and early Def Jam executive Bill Adler:

The Adler archive contains thousands of newspaper and magazine articles, recording industry press releases and artist bios, correspondence, photographs, posters, flyers, advertising, and other documents. These materials offer an unprecedented view into Hip Hop’s history and are made available here for study and research.

Fair warning: don’t click on any of those links if you’ve got pressing things to do…you could lose hours poking around.

Where did rap’s now-ubiquitous “Migos flow” come from?

posted by Jason Kottke   Sep 15, 2017

Contemporary rap music has come to be dominated by a style called the “Migos flow” (after the group Migos, who made the style famous in a song called Versace). This video looks at where the style originated and why it’s become so popular.

If you couldn’t tell, I’m loving these music-deconstruction videos by Estelle Caswell (the most recent ones are part of a Vox series called Earworm), especially the ones about rap & hip-hop because a) I am listening to more and more of it and know relatively little about it, and b) the more I learn, the more I feel that the people making this music are/were goddamn geniuses.

P.S. Caswell made a playlist of songs that use the triplet flow.

P.P.S. Here’s Migos rapping the children’s book Llama Llama Red Pajama over the beat of Bad and Boujee:

Radiohead: Lift

posted by Jason Kottke   Sep 14, 2017

What’s that? You want to see Radiohead frontman Thom Yorke riding in an elevator accompanied by a revolving cast of odd people getting on and off at even stranger floors of an apartment building? Ok, here you go. The song is fan-favorite Lift, which was first recorded in the late 90s but not officially released until this year on OK Computer OKNOTOK 1997 2017. The video contains a few Easter eggs for hardcode fans, including some cameos:

Perhaps some of Radiohead’s notoriously devoted fans will recognize Thom Yorke’s girlfriend, Italian actress Dajana Roncione, in the opening of the band’s new music video for “Lift.” Accompanying her, and pushing all of the buttons on the lift, is Yorke’s daughter Agnes.

Halt and Catch Fire music playlist for season 4

posted by Jason Kottke   Sep 13, 2017

Season four of Halt and Catch Fire finds the show in the 90s and the music has changed accordingly. Here’s the official playlist on Spotify.

See also the playlists for season 3, 1985, 1984, and many more from the show, including playlists for each main character.

Beyonce’s How To Make Lemonade box set

posted by Jason Kottke   Sep 11, 2017

How To Make Lemonade Beyonce

Last month, Beyonce released a collector’s edition box set of her latest album called How To Make Lemonade. The set is $300 and includes Lemonade on vinyl as well as downloadable digital versions of the audio and visual albums. But the star of the show here is the 600-page coffee table book full of photos, stories, and poetry about the making of the album.

Lemonade Beyonce

Lemonade Beyonce

Lemonade is still my favorite album of the past few years.

Tycho’s 2017 Burning Man DJ set

posted by Jason Kottke   Sep 11, 2017

Every year at Burning Man, Tycho does a 2-hour DJ set coinciding with the sunrise. Here’s 2017’s installment. You can also go back and listen to sunrise sets from 2016, 2015, and 2014. There, now your whole day is chill.

The death (and possible rebirth?) of the fade-out in pop music

posted by Jason Kottke   Sep 06, 2017

The fade out used to be ubiquitous in pop music and the technique has some advantages over other ending methods. In one study, participants tapped along to the beat for a couple seconds after songs with fade outs ended, as if the fade out helped the song live on after it had ended. What musician wouldn’t want that? So why has the fade out fallen out of favor in the past few years?

Also, I love the lo-tech origin story of the fade out: composer Gustav Holst had someone close a door on a choir during a performance in 1918.

Composer Gustav Holst understood the power of the fade-out and employed one of the first at a 1918 concert. For the “Neptune” section of The Planets, Holst had the women’s choir sing in a room offstage. Toward the end, he instructed, the door should be closed very slowly: “This bar is to be repeated until the sound is lost in the distance.” Given the subject matter — Neptune was thought to be the most distant planet in the solar system — Holst’s attempt to conjure the remoteness of the planet and the mysteries of the cosmos makes sense.

The technology for recorded music wasn’t any more evolved…if you wanted to fade a sound out, you had to physically carry the recording device (the phonograph or microphone) away from the audio source.

Inside Music, an interactive musical exploration & remix tool from Song Exploder and Google

posted by Jason Kottke   Sep 06, 2017

Inside Music is a Web VR tool from Google and Song Exploder that lets you explore how songs from Perfume Genius, Phoenix, Ibeyi, and others are put together. Here’s a short video explanation:

You can turn different parts of each song off and on…guitars, bass, vocals, etc.; it’s cool to isolate different parts of each song. This works pretty well in the browser but I would imagine it’s a whole different deal if you have a VR rig.

Google has put the code for Inside Music on Github so if you’re a musician, you can explore your own songs in VR or put them up on the web for others to explore.

My recent (and not-so-recent) media diet

posted by Jason Kottke   Aug 29, 2017

Quick reviews of some things I’ve read, seen, heard, and experienced in the past few weeks. As always, don’t take the letter grades so seriously. Somehow it’s been almost two months since my last installment?

Paterson. I would pay to watch Adam Driver read the phone book and that’s kinda what this is so I was satisfied. (B)

Despicable Me 3. I have a soft spot for the Minions movie (don’t know why, afraid to ask myself) but not for this one. (C+)

Cars and Trucks and Things That Go by Richard Scarry. This was my favorite book to read to my kids, but both of them can read by themselves now, so this is perhaps the last time I will get to sit down and read it with them and oh no I’m crying right now. (A+)

Mr. Holmes. This could have been good but 24 hours after watching, I’d forgotten everything about it. (C)

Spider-Man: Homecoming. My brain let out a big ol’ “ohhhhhh” after I realized two-thirds of the way through where they got the title. (B)

The Defiant Ones. Great. But I felt Dre’s apology for his violence against women was lacking. As with many apologies from the wealthy and powerful, it had more to do with him than with his victims. (A)

Where the Sidewalk Ends by Shel Silverstein. I love reading weirdo books with my kids. (A)

Game of Thrones (season 7). Pure pulp and soap at this point. (A-)

Hey, Cool Job Episode 21: Wellness Expert And Swole Woman Casey Johnston. I LOL’d at “I’m going to remain poor and right”. (B+)

Dunkirk. I feel like Christopher Nolan watched Mad Max: Fury Road and said, “I can do that…but my way.” Also reminded me strongly of Run Lola Run. (A-)

Dunkirk: Original Motion Picture Soundtrack. Hans Zimmer’s soundtrack contributed heavily to my enjoyment of this film. (A)

Baby Driver. A 2-hour music video. If were 25 and had never seen a Tarantino movie, I would have thought this was the coolest shit ever. (B)

The total solar eclipse. A once-in-a-lifetime experience I will attempt to replicate at the earliest opportunity. (A+++)

Past installments of my media diets can be found here.

Philip Glass: Piano Works by Víkingur Ólafsson

posted by Jason Kottke   Aug 14, 2017

I’m currently listening to Philip Glass: Piano Works by Víkingur Ólafsson.

Compare with Glass’s own take on the Études. The NY Times recently interviewed Ólafsson about Glass and other things.

Mr. Olafsson’s version is often more atmospheric. Although the ‘Etude comprises a series of repeated phrases, he doesn’t settle into any patterns. He treats Mr. Glass’s music like a sculpture, worth studying from all angles in search of new interpretations and surprises.

“I came to the conclusion that it’s not a repetition,” Mr. Olafsson said of Mr. Glass’s music. “It’s a rebirth. It’s not treading the same path, but traveling in a spiral. That’s the image I have.”

Today’s Google logo is a set of playable turntables

posted by Jason Kottke   Aug 11, 2017

In celebration of the 44th anniversary of the birth of hip hop, Google has replaced its logo with a pair of working turntables and a crate of records to scratch and mix.

On August 11, 1973, an 18-year-old, Jamaican-American DJ who went by the name of Kool Herc threw a back-to-school jam at 1520 Sedgwick Avenue in the Bronx, New York. During his set, he decided to do something different. Instead of playing the songs in full, he played only their instrumental sections, or “breaks” — sections where he noticed the crowd went wild. During these “breaks” his friend Coke La Rock hyped up the crowd with a microphone. And with that, Hip Hop was born.

The introduction and tutorial is hosted by Fab 5 Freddy, host of the groundbreaking Yo! MTV Raps show. You can play with the DJ setup here:

That was super fun…I spent more time than I would like to admit playing with that. See also Tim Carmody’s Spotify playlist, Introduction to Hip-Hop.

The hidden rhythm in Radiohead’s “Videotape”

posted by Jason Kottke   Aug 04, 2017

In her first installment for a new Vox series called Earworm, Estelle Caswell takes a look at some weird musical stuff happening with Videotape, a song off of Radiohead’s In Rainbows. According to a longer video by Warren Lain referenced by Caswell, Radiohead has hidden a syncopated rhythm in the song that even the band members have trouble keeping straight when they’re trying to play it. Videotape is my favorite song on that album…maybe this is a reason why?

Also, don’t miss the short explanation of how “rhythmic sound synchronizes the brain waves of groups of people”. !!!

The art of making classic/pop music mashups

posted by Jason Kottke   Aug 04, 2017

I’ve mentioned Steve Hackman here before; he’s a composer who arranges and conducts mashups of music from classical and contemporary musicians. He’s done performances of Beethoven vs Coldplay, Brahms vs Radiohead, and several others. I’ve been eagerly awaiting the video for the full performance of Drake vs Tchaikovsky…but no dice yet.

Hannah Yi from Quartz recently talked to Hackman about how he goes about creating these mashups by looking for similarities in meter, chords, and emotion between two pieces of music.

The infinite auditory illusion that makes the Dunkirk soundtrack so intense (and good)

posted by Jason Kottke   Jul 31, 2017

I remarked on Twitter recently that “Hans Zimmer’s soundtrack for Dunkirk is outstanding”. The music blends perfectly with the action on the screen without being overbearing; it’s perhaps the best marriage of sound and visuals I’ve experienced in a movie theater since Mad Max: Fury Road or even Tron: Legacy.1

Zimmer and Dunkirk director Christopher Nolan achieved that effect by utilizing an auditory illusion called the Shepard tone, a sound that appears to infinitely rise (or fall) in pitch — the video above refers to it as “a barber’s pole of sound”. From a Business Insider interview with Nolan:

The screenplay had been written according to musical principals. There’s an audio illusion, if you will, in music called a “Shepard tone” and with my composer David Julyan on “The Prestige” we explored that and based a lot of the score around that. And it’s an illusion where there’s a continuing ascension of tone. It’s a corkscrew effect. It’s always going up and up and up but it never goes outside of its range. And I wrote the script according to that principle. I interwove the three timelines in such a way that there’s a continual feeling of intensity. Increasing intensity. So I wanted to build the music on similar mathematical principals. Very early on I sent Hans a recording that I made of a watch that I own with a particularly insistent ticking and we started to build the track out of that sound and then working from that sound we built the music as we built the picture cut. So there’s a fusion of music and sound effects and picture that we’ve never been able to achieve before.

  1. I don’t know if I’ve ever mentioned this — because it fits somewhere between “unpopular opinion” and “embarrassing admission” on the scale of things one doesn’t talk about in public — but seeing Tron: Legacy in 3D IMAX was one of the top 5 movie-going experiences of my life. The Light Cycle battle was 80 feet tall and because of the 3D glasses, it looked like it extended out from the screen to immediately in front of my face, to the point where I actually reached out and tried to touch it a couple times. And all the while, Daft Punk was pounding into my brain from who knows how many speakers. I was not on drugs and hadn’t been drinking, but it was one of the most mind-altering experiences of my life.

Radiohead hid an old school computer program on their new album

posted by Jason Kottke   Jul 19, 2017

As if you already didn’t know that Radiohead are a bunch of big ole nerds, there’s an easter egg on a cassette tape included in the Boxed Edition of OK Computer OKNOTOK 1997 2017. At the end of the tape recording, there are some blips and bleeps, which Maciej Korsan interpreted correctly as a program for an old computer system.

As a kid I was an owner of the Commodore 64. I remember that all my friends already were the PC users but my parents declined to buy me one for a long time. So I sticked to my old the tape-based computer listening to it’s blips and waiting for the game to load. Over 20 years later I was sitting in front of my MacBook, listening to the digitalised version of the tape my favourite band just released and then I’ve heard a familiar sound… ‘This must be an old computer program, probably C64 one’ I thought.

The program turned out to run on the ZX Spectrum, a computer the lads would likely have encountered as kids.

An alphabet made from classic rock band logos

posted by Jason Kottke   Jul 18, 2017

Alphabet Of Rock

Dorothy has designed a pair of posters of alphabets fashioned from rock band logos: one for classic rock and one for alternative rock. How many of the band names do you know? Me? Fewer than I would like.

These reminded me of Evan Roth’s Graffiti Taxonomy prints.

Update: See also the ABCs of Heavy Metal poster by Aye Jay. (via @thoughtbrain)

Marching band plays Daft Punk at Bastille Day parade

posted by Jason Kottke   Jul 14, 2017

At the Bastille Day parade in Paris, with Donald Trump and French President Emmanuel Macron looking on, a marching band played a medley of hits from Daft Punk. Macron gets it pretty quickly while Trump looks confidently clueless as usual.

Three synched performances of Fake Plastic Trees by Radiohead

posted by Jason Kottke   Jul 10, 2017

Radiohead has performed Fake Plastic Trees at the Glastonbury Festival three times: in 1997, 2003, and 2017. This video synchs all three performances into one, with the audio switching between the three. (via web curios)

The Sesame Street version of the Beastie Boys’ Sabotage music video

posted by Jason Kottke   Jul 06, 2017

I mean, this is pretty good, but the original Sesame Street rap mashup is hard to top:

Respect.

My recent media diet

posted by Jason Kottke   Jul 06, 2017

Quick reviews of some things I’ve read, seen, and heard in the past few weeks. As always, don’t take the letter grades so seriously. Lots of music & TV and fewer movies & books this time around.

Enemy of the State. Ripe for a remake. (B-)

Cafe Society. Jesse Eisenberg is the worst version of Woody Allen yet. (C+)

Behave. I’ve barely started reading this (and then stopped because I was in the mood for fiction instead) but aspire to finish because I’ve heard really great things from a diverse array of trusted sources. (n/a)

Narcos. Season 2 is less compelling than the initial season, but Wagner Moura as Escobar is flat-out amazing. If you skipped this show, do yourself a favor and try season 1. (B+)

My Struggle: Book 2. I generally don’t find myself in characters in books, historical figures, or working artists, but the degree to which I identify with Karl Ove Knausgaard as depicted in the first two My Struggle books scares the shit out of me. On practically every page, he writes something that resonates with me and how I approach the world. I’m not sure any other book has helped me identify and understand the good and bad parts of myself as much as this one. (A+)

Zen Shorts. A recommendation by several kottke.org readers after the story of the Chinese farmer post. (A-)

This Bridge Will Not Be Gray. The only Dave Eggers book I’ve read in recent years. Sparked an interest in Art Deco in my kids a couple years ago. (A-)

Melodrama. After such a strong debut, it’s great to see Lorde come back with such a strong sophomore effort. (B+)

It Will Be Forever. Recommended by a friend who never gets it wrong. (He also put me onto this.) Tycho-esque. (B+)

Ctrl. Haven’t listened to this much but want to give it more attention. (B)

Cars 3. Way better than the deplorable Cars 2 but it felt very much like a sequel in a way that the Toy Story movies didn’t. (B)

Halt and Catch Fire. Rewatching from season one, which ppl will tell you to skip, but they’re wrong. I had forgotten how good it is, right away. Looking forward to their final season starting in August. (A-)

GLOW. Enjoyable television: really fun and just a little meaty. (B+)

OK Computer OKNOTOK 1997 2017. A reissue of one of the best albums of all time? Sure. (A+)

Star Trek: The Next Generation. I’ve seen all of these multiple times, and I just love them. Even the ones where Troi is possessed and Geordi falls in love with Holodeck characters. (A)

Iteration. If you love Com Truise, you will love this. (B+)

Big Fish Theory. The album of the summer? I haven’t been able to stop playing this in the car. (A-)

Okja. I wanted to like this way more than I did. Felt muddled. Never a good sign when you stop a movie halfway through to go to bed. (C+)

4:44. But I liked this way more than I thought I would. It’s no Lemonade (the fingerprints of which are all over 4:44), but Jay-Z has reminded everyone that he’s still a formidable artist. And the way he says “okay” after “I’m not black, I’m O.J.” is pitch perfect. Further reading: ‘4:44’ is a Shawn Carter album. Jay-Z is dead., ‘4:44’ Producer No I.D. Talks Pushing Jay-Z, Creating ‘500 Ideas’, and Jay-Z’s Pitch for Generational Wealth. (A-)

Past installments of my media diets can be found here.

You have to switch to Sprint to hear Jay-Z’s new album

posted by Jason Kottke   Jun 30, 2017

Jay-Z has a new album out today called 4:44 and it’s available exclusively on the streaming music service he owns, Tidal. But that’s not the only catch. To hear the album, you need have been a Tidal customer before today or you need to switch your mobile service to Sprint (or be a current Sprint customer).

This is all part of Tidal’s $200 million deal with Sprint and it makes very little sense to me. It’s a nice extra for current Sprint subscribers, but I can’t imagine that many people are going to sign up for Sprint just to hear an album. And Tidal’s gonna get a bunch of pissed-off first-time subscribers who will sign up thinking they’ll have access to the album but, oops!, they actually don’t. Dumb.

Rumor has it the exclusive is only for a week and then it’ll be elsewhere…which seems like a lot of fuss for very little reward.

An audiovisual remix of La La Land

posted by Jason Kottke   Jun 14, 2017

An LA-based DJ named Sleeper has made an audiovisual mashup of La La Land, featuring music by Boyz II Men, Alicia Keys, Adele, and the Beach Boys and visuals from other musicals like Singin’ In The Rain and West Side Story.

I love La La Land. The movie presents the agony and wonder of dreams in spectacular ways. I think it captures a tiny taste of God’s dreams for us. I wanted to create an audio and visual experience that allows you to enjoy the film over and over again. It’s a turntable tribute to La La Land.

Some things kottke.org readers have recently read/watched/heard/experienced

posted by Jason Kottke   Jun 13, 2017

Every once in awhile, I send out an email newsletter to the kottke.org members. I’ve been having fun doing my media diet posts recently, and I’m always on the lookout for new things to try, so I used the most recent newsletter to ask them: “What’s the most interesting thing you’ve read/watched/heard/experienced in the past few weeks?” Here’s a sampling of what they said, accompanied by some of their short thoughts.

I’ve mentioned Dreaming the Beatles on the site before, but Celia offered up a short but compelling review: “In any group of 2-4 people, I mentally assign each person the role of John, Paul, George, or Ringo. This book has changed most of my assignments.”

Quoting Lars Gotrich, Robb recommends Green Twins by Nick Hakim: “it’s soul music for outer-space”.

Several people suggested Master of None’s season 2 on Netflix. I watched the first two episodes when season 1 came out and didn’t take to it.

Mind. Blown. Not only was the NBA on NBC theme song composed by John Tesh, he left himself a message singing the tune on his answering machine. Thanks, Alex!

Ben says of Essentialism: The Disciplined Pursuit of Less: “Minimalism is appealing, but often not simple. This feels more simple, and helpful to me.”

Sarah praised Rami Malek’s performance in Mr. Robot as well as the show’s rich visuals. See also the off-kilter cinematography of Mr. Robot.

The A.V. Club’s A History of Violence series was highlighted by Chris. “As a fan of quality action movies (and occasionally cheesy ones) it was great to see an in-depth review of every year’s best of the genre, including things I’ve seen and some I haven’t.”

A few people recommended Tim Urban’s epic post on Elon Musk’s newest venture, Neuralink and the Brain’s Magical Future. Neuralink is working on “a way for our brains to communicate directly with one another”.

Rich shares that Orhan Pamuk’s A Strangeness in My Mind “moved me profoundly and I continue thinking about it months after reading it”.

Benjamin recommends Magnum Manifesto, an exhibition at the International Center of Photography Museum in NYC: “Amazing history of photojournalism and documentary photography. Emphasized the importance of journalism in this specific medium.”

I have friends who rave about Pop-up Magazine and Mary agrees: “It’s a live performance of California Sunday magazine. Insane.”

Big fan of 99% Invisible here and Jessie recommends this recent episode, Squatters of the Lower East Side. “I’m familiar with squatting and adverse possession. However, I have never heard of a city/county working with squatters to legally adversely possess properties, especially those are city-owned.”

Sean recommends The Barkley Marathons, a documentary “about a crazy race, eccentric organizer, and lunatic participants”.

Les Cowboys is a recommendation from Joao: “devastating beautiful take on immigration, terrorism and family”.

HBO’s The Leftovers got many recs. I think I watched most of season 1 and it didn’t stick.

Neil is a doctor and recommends Elisabeth Rosenthal’s An American Sickness: How Healthcare Became Big Business and How You Can Take It Back: “nothing has come closer to capturing how dysfunctional things are in American medicine”.

Suzanne has been enjoying True Story, a monthly publication delivered monthly to your home — what a concept! She particularly enjoyed the first issue, Fruitland.

The Royal Shakespeare Company is broadcasting its production of Julius Caesar to theaters around the world. Says Steve: “A play about the overthrow of a dictator and the rights and wrongs of the method chosen seems more resonant than ever!” (FYI, my query and Steve’s response predated the recent controversy about The Public Theater’s production of the play.)

Diana recommends the audiobook version of Trevor Noah’s Born a Crime (review). Although not normally an audiobook listener, she says: “I have been listening to this for weeks now and am so impressed. It’s the best book of the year for me (and I typically read 100+ books a year).”

Of New York 2140 by Kim Stanley Robinson, Jeff says, “I’m just thrilled that an author as smart as this thinks there will even BE a New York in 2140”. I almost started this the other day after a recommendation from a pal…perhaps I’ll pick it up if my current book sputters.

And last, but perhaps not least, this heartbreaking clip from Clickhole: Hibachi Chef Tries To Make Meal On A Regular Table. Sez Mike: “Having seen teppanyaki food cooked with such drama and precision, this was a nice piece of satire… especially with the music.”

Thanks to everyone who responded and for supporting the site by becoming members!

My recent media diet

posted by Jason Kottke   Jun 07, 2017

Quick reviews of some things I’ve read, seen, and heard in the past few weeks. Come on now, don’t take the letter grades so seriously.

The Wright Brothers. A surprising amount of what you’ve heard about the Wright Brothers is wrong. David McCullough sets the record straight. (B+)

Shake Shack: Recipes & Stories. I really wish I could get Martin’s Potato Rolls in Vermont. (B+)

Steal Like an Artist: 10 Things Nobody Told You About Being Creative. A good book to have around when you need a creative kick in the pants. (B+)

King Arthur: Legend of the Sword. I wasn’t even going to see this, but the power went out in my house for three hours due to a 45-second wind/rain storm, so I went to the movies. It is exactly what you’d expect from a medieval action movie directed by Guy Ritchie, and I left entertained. (B-)

Alien: Covenant. More entertaining and felt more like an Alien movie than Prometheus. Why are the people so stupid though? (B)

Lemonade. Still great. (A+)

Mad Men. I rewatched all seven seasons in just under three months. The middle part lagged in places, but the final seasons were as strong as the first seasons. IMO, Mad Men is among the best ever TV shows. (A+)

Passengers. J. Law and Chris Pratt stranded together in space? Yes, please. But the filmmakers should have found a way around the stalker plot point…it was unnecessarily disturbing and uninteresting. (B-)

Moana. Long-time readers might remember Pamie, one of the most well-known OG online diarists from the late 90s. I noticed her name in the credits…she co-wrote screenplay. Also, I was not the only person to immediately think of Beyonce when I saw Te Fiti. (A-)

The Keepers. Disturbing in more ways than one and well worth watching. (B+)

The Americans. The fifth season did not quite live up to the high standard of the previous seasons. (B)

She Persisted. The day this arrived, my daughter cracked this open and said, delighted, “Harriet Tubman!” (A-)

Emotions Part One of Invisibilia. The classical view is that emotions happen to you. But according to guest Lisa Feldman Barrett, “the way emotion works is opposite of what you think — emotions aren’t reactions to the world; emotions actually construct the world”. See also Barrett’s recent book How Emotions Are Made. (B+)

Sgt. Pepper’s Lonely Hearts Club Band remix album. This sounds like a whole new record. As Sippey says, “now you can simply, finally, hear it”. (A)

Zodiac. Some say this is Fincher’s best film. Not sure I would, but it’s damned fine. (A-)

Wonder Woman. I would happily watch 100 sequels to this. (A-)

Bob Dylan’s Nobel Prize acceptance speech

posted by Jason Kottke   Jun 06, 2017

Bob Dylan finally delivered his Nobel Prize lecture in the form of a video (you can also listen to it on Soundcloud). Over the course of just 27 minutes, he talks about his influences, both musical and literary, and muses on the differences and similarities between music and literature. Listening to the speech, instead of just reading the transcript, is well-worth your time, if only to experience Dylan’s lyrical delivery while exalting Buddy Holly or explaining Moby Dick.

If I was to go back to the dawning of it all, I guess I’d have to start with Buddy Holly. Buddy died when I was about eighteen and he was twenty-two. From the moment I first heard him, I felt akin. I felt related, like he was an older brother. I even thought I resembled him. Buddy played the music that I loved — the music I grew up on: country western, rock ‘n’ roll, and rhythm and blues. Three separate strands of music that he intertwined and infused into one genre. One brand. And Buddy wrote songs — songs that had beautiful melodies and imaginative verses. And he sang great — sang in more than a few voices. He was the archetype. Everything I wasn’t and wanted to be. I saw him only but once, and that was a few days before he was gone. I had to travel a hundred miles to get to see him play, and I wasn’t disappointed.

He was powerful and electrifying and had a commanding presence. I was only six feet away. He was mesmerizing. I watched his face, his hands, the way he tapped his foot, his big black glasses, the eyes behind the glasses, the way he held his guitar, the way he stood, his neat suit. Everything about him. He looked older than twenty-two. Something about him seemed permanent, and he filled me with conviction. Then, out of the blue, the most uncanny thing happened. He looked me right straight dead in the eye, and he transmitted something. Something I didn’t know what. And it gave me the chills.

I arrived late to Bob Dylan and I still haven’t investigated much of his music (relatively speaking), but listening to him talk about his musical and literary influences bleeding all over each other makes me want to go on a Dylan bender and create some shit. (thx, david)

Update: There’s evidence that Dylan based part of his Nobel speech on the SparkNotes study guide for Moby Dick.

Theft in the name of art is an ancient tradition, and Dylan has been a magpie since the 1960s. He has also frequently been open about his borrowings. In 2001, he even released an album titled “Love and Theft,” the quotation marks seeming to imply that the album title was itself taken from Eric Lott’s acclaimed history of racial appropriation, Love & Theft: Blackface Minstrelsy and the American Working Class.

A masterful video tribute to 40 years of hip hop in 4 minutes

posted by Jason Kottke   Jun 06, 2017

Biggie, Nicki, Snoop, Wu-Tang, Biz Markie, Lil Kim, Public Enemy, Missy Elliott. In a video featuring 150+ songs from more than 100 artists, The Hood Internet has distilled 40 years of hip hop into a tight 4-minute video.

It’s not a chronological history of hip hop. It’s rappers from different eras finishing each other’s rhymes over intersecting beats, all woven together to make one song.

I just watched that three times in a row. Lots more Hood Internet in the archivestheir last remix was a retrospective of the past 10 years of hip hop and indie music.

Old new Radiohead: I Promise

posted by Jason Kottke   Jun 05, 2017

OK Computer is 20 years old and to mark the occasion, Radiohead is reissuing the album with three previously unreleased songs from that era (as well as eight B-sides). The album is now available for pre-order and will be released on June 23, but one of the unreleased songs, I Promise, is out now on Spotify, YouTube (see above) and elsewhere.

My recent media diet

posted by Jason Kottke   May 15, 2017

Quick reviews of some things I’ve read, seen, and heard in the past few weeks. Don’t take the letter grades too seriously (that’s just good life advice).

The Simpsons. Watched some old episodes w/ the kids. I can’t tell if they’re still any good or not because I can still recite most of the dialogue by heart. (A-)

Dr. Strangelove. Superb. (A+)

DAMN. by Kendrick Lamar. I said I wanted to listen to this more and I have. Great. (A)

Citizen Jane. Watching this at a theater a short walk from the West Village and Washington Square Park was a powerful experience. (B+)

Killers of the Flower Moon by David Grann. As good as everyone says. As a country we’ve never reckoned with what we did (and continue to do) to Native Americans and I doubt we ever will. (A-)

Pleasure by Feist. I had kinda forgotten about Feist but I will definitely remember this one. (B+)

S-Town. This didn’t go where you expected it to and it was all the better for it. Still, by the last two episodes, I’d run out of steam a little. (B+)

Nukes. Radiolab asks if there are any checks on the President ordering a nuclear strike and the answer is as terrifying as you might imagine. (B+)

True Love Waits by Christopher O’Riley & Radiohead. An old favorite. Good for when you’re feeling down. (B+)

Guardians of the Galaxy, Vol. 2. Sequels are hard. (B)

Rules for a Knight by Ethan Hawke. Mindfulness Lite, not that that’s a bad thing. (B-)

Mad Men. Still plugging away at watching this all the way through a second time. The later seasons lack a little something but it’s still great overall. (A-)

Is This It by The Strokes. Great NYC terroir. This album is all mixed up with my first few months/years in the city. (A)

Past installments of my media diets can be found here.

Notorious B.I.G.: Life After Death Star

posted by Jason Kottke   May 04, 2017

Otaku Gang took more than a dozen tracks by Notorious B.I.G. and remixed them with music and sounds from Star Wars. The cantina band version of Party N’ Bullshit is kinda delightful. You can download the entire album (or just the instrumentals) here.

See also the Star Wars / Beatles mashup and Gnarls Biggie. (via @naveen)

Princess Leia’s Stolen Death Star Plans

posted by Jason Kottke   May 02, 2017

A duo called Palette-Swap Ninja has produced a mashup of Star Wars and the entirety of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album. Each song on the album is paired chronologically with a scene from the movie:

Princess Leia’s Stolen Death Star Plans (Sgt. Pepper’s Lonely Hearts Club Band)
Luke Is In The Desert (Lucy In The Sky With Diamonds)
Being From The Spaceport Of Mos Eisley (Being For The Benefit Of Mr Kite!)

The effort here is amazing, particularly when this whole thing is going to get yanked at some point soon — it’s a race between Disney and Sony for quickest takedown notice. The whole video playlist is here and you can download the full album on their website or stream it on Soundcloud. (thx, tim)