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The Boston Typewriter Orchestra is “a collective endeavor which engages in rhythmic typewriter manipulation combined with elements of performance, comedy and satire.” They recently submitted to be on NPR’s Tiny Desk Concerts with Selectric Funeral, their first piece to feature an electric typewriter.
Lately I’ve been hearing a lot about Chappell Roan, a 26-year-old singer-songwriter from Missouri, so I watched her NPR Tiny Desk Concert and loved it.
(Bizarrely, I first heard of her while chasing down info about Sinéad O’Connor: I saw mention that there was a Sinéad-themed Bratz Doll, but it turned out there was just a rendering of Sinéad as a Bratz Doll — no actual physical doll — as part of their Women’s History Month programming. Sinéad was the second female icon to be Bratz-ified; Chappell Roan was the first.)
In an article from earlier this week, Rolling Stone called Roan “the future of pop.” Her musicians are fabulous, too.
Oh, this is a good one: disco, funk, and hip-hop pioneers Nile Rodgers & CHIC play some of the most rousing and joyful music ever witnessed on the Tiny Desk Concert stage / corner of the NPR office. Here’s what they played:
“Le Freak”
“I’m Coming Out”
“We Are Family”
“Get Lucky”
“Good Times”
“Let’s Dance”
Name a better six-song set. I’ll wait. (Ok, maaaaybe this one.)
See also Nile Rodgers Tells the Story of the Iconic Riff on Bowie’s Let’s Dance.
To help celebrate 50 years of hip-hop, Cypress Hill visited NPR’s studios to perform a Tiny Desk Concert.
While the term “pioneer” is used loosely in pop culture today, few terms describe Cypress Hill’s impact over the past three decades more adequately. They are the first Latino hip-hop group to achieve platinum and multi-platinum status. B Real, Sen and producer DJ Muggs crafted a sound in the ’90s that stretched beyond regional boundaries. It was dark, psychedelic and at times directly addressed mental health before the topic was commonplace. Many dismissed the group as “stoner rappers,” yet the members were fervent advocates for the legalization of weed long before it came to fruition.
Really enjoyed this one…I’m not a particular fan of Cypress Hill but after this, maybe I am?
The most recognizable half of U2 made the trip to the NPR offices to perform a Tiny Desk Concert recently. Accompanied by the Duke Ellington School of the Arts Choir, the pair sang four songs from their 2000 album All That You Can’t Leave Behind, including Beautiful Day.
See also Tiny Desk Concerts from Alicia Keys, Dua Lipa, Max Richter, Coldplay, and the Sesame Street gang.
As his name suggests, Jamaican street musician Brushy One String plays a one-string guitar and, under that constraint, makes some truly beautiful music. Josh Jones wrote about Brushy for Open Culture:
When Jamaican musician Andrew Chin, better known as Brushy One String first told friends about his vision — “a dream in which he was told to play the one-string guitar” — they responded with mockery — all but one, who “insisted it was fate,” writes Playing for Change, “and that he had to make that dream come true.” So Brushy set out to do just that, playing on street corners and in the market, “in a big broad hat and sunglasses,” he says. The music came to him naturally. He is no ordinary street musician, however, and his one-string guitar is not a gimmick. Brushy is a talented singer-songwriter, with a powerful voice and a musical sensibility that transcends his bare-bones minimalism.
In addition to his NPR Tiny Desk Concert above, this video of Brushy performing Chicken in The Corn on his one-string has been viewed over 50 million times.
See also Gasper Nali and His Homemade [One-String] Bass Guitar. Would love to see a duet with these two single stringers!
Like many of you, I really enjoyed when NPR hosted Max Richter for a Tiny Desk Concert early in 2020, before the unpleasantness. Almost a year later, the composer is back with a Tiny Desk (Home) Concert. Recorded in spare black & white last summer, Richter plays six of his typically meditative pieces on a piano. Just set this going in the background and relax into your workday (or weekend, depending on your time zone). Enjoy.
Like almost everything else these days, NPR’s Tiny Desk Concerts have gone remote. Their most recent play-from-home guest was Dua Lipa, who was the artist I listened to more than any other in 2020 (according to Spotify). Before playing a stripped-down acoustic version of Love Again with her band, Lipa said of the song: “It’s really about manifesting good things into your life when things aren’t quite going your way.” That’s a sentiment that a lot of us can relate to nowadays.
NPR has been tracking the 25-year-old singer/songwriter for a while now; she was featured in an episode of their Noteworthy series in August 2016, several months before the release of her debut album.
Dua Lipa walking unrecognized around NYC…won’t ever see that again.
For a few months now, NPR has been broadcasting their Tiny Desk concert series from the homes and studios of the featured musicians. Tame Impala was a recent guest and Lenny Kravitz has played a home concert as well. Here’s Rodrigo y Gabriela, who are super good live:
But Billie Eilish and her brother Finneas recently did something unique: a Tiny Desk (Home) Concert that actually looks like they’re playing in the NPR office (even though they are not).
Watch through to the end to see how they pulled it off. (via waxy)
Well, this is a treat. In February, before the pandemic lockdown, Alicia Keys recorded a Tiny Desk Concert and NPR released the video earlier this week.
As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, “Gee, the Tiny Desk is tiny!” She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: “Show Me Love,” a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.
The stand-out moment during her Tiny Desk was the premiere of “Gramercy Park”, a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It’s one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song’s spiritual refrain is sure to be a sing-along moment for the rest of Keys’s career.
As an encore, she and her band played Fallin, her first big single. As someone in the comments said:
Can we all just appreciate the fact that she can pull fallin out her back pocket, dust it off like an old record, and make us fall in love all over again.
Keys’ almost casual brilliance blew me right away here. Wow.
Maybe I’m gonna get some guff for this, but I believe that Coldplay is an underrated band. Oh sure they’re popular, but they are also good, better than their reputation suggests. Brian Eno doesn’t work with just anyone after all. Their recent Tiny Desk Concert at NPR bears this out. Backed by a fantastic nine-person choir (who previously performed with the band at a prison-reform benefit), Coldplay frontman Chris Martin and guitarist Jonny Buckland joyously perform a few of their songs (like Viva La Vida and Champion Of The World) as well as a rousing cover of Prince’s 1999.
This is lovely: composer Max Richter, accompanied by a string quintet, plays a Tiny Desk Concert at NPR.
Half way through this performance of Max Richter’s achingly beautiful On The Nature Of Daylight, I looked around our NPR Music office and saw trembling chins and tearful eyes. Rarely have I seen so many Tiny Desk audience members moved in this way. There’s something about Max Richter’s music that triggers deep emotions.
Richter is one of my favorite composers, so this was really fun to watch.
To celebrate their 50th anniversary, the Sesame Street gang dropped by NPR for one of their Tiny Desk Concerts. They sang the theme song, People In Your Neighborhood, and four other tunes.
See also this new six-part Jim Henson documentary. Oh and Philip Glass on Sesame Street.
NPR does this thing called Tiny Desk Concerts where they bring musicians and bands into the office to play behind a desk. Recent guests have included T.I., Erykah Badu, Dave Matthews, and the legendary cellist Yo-Yo Ma. Ma played selections from Bach’s suites for cello, which he’s been playing for almost 60 years, and talked about the value of incremental learning.
Why did Laurence Olivier return so often to Shakespeare’s Othello? Why did Ansel Adams keep photographing the Grand Canyon? Obsessed or awestruck, artists revisit great inspirations because they believe there is yet another story to tell — about life, about themselves.
Cellist Yo-Yo Ma brought his great inspiration, and in turn part of his own life story, to an enthusiastic audience packed around the Tiny Desk on a hot summer day. Ma is returning, yet again, to the Six Suites for Unaccompanied Cello by Johann Sebastian Bach, a Mount Everest for any cellist. He has just released his third studio recording of the complete set and is taking the music on a two-year, six-continent tour. Ma’s first recording of the Suites, released in 1983, earned him his first Grammy.
Amazingly, when Ma was only 7 years old, he played in a benefit concert for an audience that included President John F. Kennedy. Composer Leonard Bernstein introduced Ma, saying in part: “Now here’s a cultural image for you to ponder as you listen. A seven-year-old Chinese cellist playing old French music for his new American compatriots.”
Even though he’s only 62 years old, Ma is a great example of The Great Span in action, linking JFK and YouTube and Lil Buck together across seemingly disparate stretches of American history. When he plays a duet with the first virtuoso robotic cellist sometime in the next 20 years, Ma will have more than secured his spot in The Great Span Hall of Fame.
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