Kara Walker Creates Haunted Beast From Butchered Confederate Statue


This is incredible: artist Kara Walker took a statue of Confederate general Stonewall Jackson that had stood in Charlottesville, Virginia until 2021, chopped it up, and reconstituted it into a disfigured beast. It’s part of an exhibition of several such works called Monuments, which opens at The Geffen Contemporary at MOCA in LA on October 23. From the press release:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was given to Kara Walker to create the new work Unmanned Drone (2023). The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.
Here’s the statue as it looked in Charlottesville:

Walker described the intent of the work in this NY Times piece:
She likened the result to a haint — a Southern concept with roots in Gullah Geechee culture that designates a spirit that has slipped its human form and roams about making mischief and exacting vengeance. Here, what is deconstructed is not just a statue but the myth of suppressed Confederate glory that it represents. Her sculpture, she suggested, “exists as a sort of haint of itself — the imagination of the Lost Cause having to recognize itself for what it is.”
The Guardian also has a long article on the show and Walker’s piece.




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Her work is sublime, and always fills me with awe and horror. It's like encountering Guernica anew every single time.
Well said! The first time I approached her paper cutouts in a gallery I thought "Oh, cute! Oh, wait..." There's a combination of delight in the power of her work and horror at its meaning.
Oh man, MAGA is going to haaaaaate this (as will all the dog-whistling "classical art is best art" Twitter accounts).
genius of this piece is that it's still "classical" (lets call it Klan-classical) art, she's just rearranging it
“We may get real pushback, but what is a museum if it can’t handle that? What is a museum if it can’t stand up for artists and can’t stand up for political and cultural reflection? It feels core to what the museum should be able to do.” This this this.
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