There's evidence you can will yourself to wake on time, too. Sleep scientists at Germany's University of Lubeck asked 15 volunteers to sleep in their lab for three nights. One night, the group was told they'd be woken at 6 a.m., while on other nights the group was told they'd be woken at 9 a.m..
But the researchers lied-they woke the volunteers at 6 a.m anyway. And the results were startling. The days when sleepers were told they'd wake up early, their stress hormones increased at 4:30 a.m., as if they were anticipating an early morning. When the sleepers were told they'd wake up at 9 a.m., their stress hormones didn't increase -- and they woke up groggier. "Our bodies, in other words, note the time we hope to begin our day and gradually prepare us for consciousness," writes Jeff Howe at Psychology Today.
February 1st-Another small fuckup: I put an extra "r" in all the copies of the calendar I handed out, even though I already told everyone the next month coming was called Febuary. But Alice came up with the best solution! She said, "Just tell everyone it's spelled 'February' but pronounced 'Feb-u-ary.' That way, they'll feel stupid!" Alice is the best.
February 14th-Alice stuff weird. Tonight we were having a nice dinner at the same place we always go, but she was unusually quiet. Finally, I asked if anything was wrong, and she said, "Do you know what day it is today?" I said, "Yes, of course I do, I invented the calendar. It's February 14th. Why?" She smiled a really tight smile, said, "Yes. Yes, it is," and then walked out. What's that about?
February 15th-So cold.
February 28th-I hate this month. I can't take one more day of it. This month will just have to be shorter than the rest, and if people don't like it they can go fuck themselves.
Steven Hawking came up with a simple and clever way of seeing if time travel is possible. On June 28, 2009, he threw a party for time travellers from the future...but didn't advertise it until after the party was already over.
In an effort to improve the chances of the party invite being noticed by future generations, Peter Dean, working with approval from Hawking, has made this gorgeous hand-printed poster of the party invitation:
The universal availability of accurate synchronized time is taken for granted in most areas of the world today, but 'twas not always so. When Big Ben was built in 1859, charts were issued to show the allowance that had to be made for the sound of the bell, traveling at ~768 mph, to reach different parts of London. This one is from 1875:
Heaney's take on the Anglo-Saxon most reminds me of the first of Ezra Pound's Cantos, a weird mix of old epic and contemporary free-verse imagery and meters, a translation of a translation of Homer that begins "And then" and ends "So that:"
When Swinburne died, W.B. Yeats is said to have told his sister, "Now I am King of the Cats." When Robert Frost died, John Berryman asked, "who's number one?"
I note this not to pose the question "who's number one?" now that Heaney has died, but to observe that just as champion boxers and sprinters often have outsized competitive personalities that seem like caricatures compared to other athletes, even among writers, and even when they resist, as Heaney did, being drawn into literary feuds or political debate, great poets are often magnificent and terrible and troubling and glorious and weird.
It's important because the Great March itself was a compromise, an evolution of the movement A. Philip Randolph of the Brotherhood of Sleeping Car Porters had forged decades before during the Roosevelt and Truman administrations to force the government to desegregate the army and provide more economic opportunities to black Americans. Before 1963, each time the March was about to happen, the government made concessions and it would be called off.
Randolph was 74 when the March finally materialized, with him as its titular head. He was the only figure with the credibility to unify northern labor leaders and southern pastors: radical enough for the relative radicals -- the radical radicals saw the March as a distracting sideshow or were actively asked not to participate -- and institutional enough for the wary moderates.
Bayard Rustin was Randolph's lieutenant, and did the bulk of the work organizing the March. Rustin was gay, had been a Communist, and couldn't be the event's public face.
Special trains leaving from Penn Station to bring marchers to DC. Officials say it's the largest early-morning crowd since end of WW2.
Everything that happened at the March, from the arrival of more than 100,000 people straight through all the speeches, all the songs, all the signs painted, all of the 80,000 cheese sandwiches made, distributed, and eaten -- each and every one of those moments -- happened in one day. Television stations were able to carry the event live. No one but Bayard Rustin could have pulled it off.
John Lewis was 23 years old and the March's youngest speaker. He is the only one of that day's speakers who is still alive. He had recently been made head of the Student Nonviolent Coordinating Committee, or SNCC (pronounced "snick"): a new independent civil rights organization that had proven itself integrating lunch counters in Nashville, on the Freedom Rides with CORE protesting segregated busing and bus stations throughout the south, and working with the NAACP and Southern Christian Leadership Conference (SCLC) in Albany, Georgia.
If you're serious about the civil rights movement, you have to learn a lot of organizations' names and abbreviated titles. You have to learn that the leaders of these organizations rarely agreed with each other about goals, methods, or priorities. You have to know that even within each organization there were equal amounts of discipline and dissent.
They were organized not because they agreed, but because they had to be. They were disciplined because they had to be. They were allied because they had to be. It was all fragile. At any moment, it could all fall apart.
John Lewis had been part of both series of Freedom Rides and badly beaten during the second in Montgomery. The state highway patrol that had promised the riders protection -- at the insistence of the Kennedy administration and with the reluctant assurance of Alabama's governor, George Wallace -- abandoned them to a white mob waiting at the city's station house. Lewis was 21 years old. His friend Jim Zwerg was also 21. Zwerg bravely walked out the door of the bus first to meet the waiting mob, and was nearly beaten to death. He received a particularly savage beating partly because he was first and partly because he was white. Jim Zwerg is still alive. It's amazing any of these people are still alive.
Lewis was originally going to give a much more provocative speech at the March, singling out the supposedly liberal Kennedy administration for its lukewarm support of civil rights. (A less polite word than "lukewarm" would be "half-assed.") On behalf of SNCC, Lewis planned to argue that the civil rights legislation proposed by the Kennedy administration was (in Lewis' words) "too little and too late." But each of the March's major figures, including Rustin and Dr. King, urged Lewis to moderate his speech. They had a testy but evolving relationship with the Kennedys that they didn't want to jeopardize or aggravate. It was only A. Philip Randolph who finally swayed Lewis. Rustin went into the crowd to find Randolph, then brought the two men together
Lewis was 51 years younger than Randolph. Lewis later said of Randolph that "if he had been born in another period, maybe of another color, he probably would have been President." Randolph had been an actor as a young man, and his voice has that deep, archaic, clear-toned, echoing-from-infinity quality that you imagine is the voice of history itself, the voice you imagine reading the Gettysburg Address and Declaration of Independence.
Lewis and the other young leaders of SNCC were quite rightly in awe of him.
He was 75, and here we were, you know, one-third his age and, you know, he was asking us to do this for him. He said, "I waited all my life for this opportunity, please don't ruin it." And we felt that for him, we had to make some concession. [Courtland Cox]
The day's speeches were already underway. This all happened in one day. Lewis was sixth on the program. So Cox and Lewis and James Forman went to the Lincoln Memorial -- no bullshit, they went and sat together at the foot of the Lincoln fucking Memorial -- and rewrote Lewis' speech. It's still pretty fierce.
To those who have said, "Be patient and wait," we must say that "patience" is a dirty and nasty word. We cannot be patient, we do not want to be free gradually. We want our freedom, and we want it now. We cannot depend on any political party, for both the Democrats and the Republicans have betrayed the basic principles of the Declaration of Independence...
The revolution is a serious one. Mr. Kennedy is trying to take the revolution out of the streets and put it into the courts. Listen, Mr. Kennedy. Listen, Mr. Congressman. Listen, fellow citizens. The black masses are on the march for jobs and freedom, and we must say to the politicians that there won't be a "cooling-off" period...
We must say, "Wake up, America. Wake up! For we cannot stop, and we will not be patient."
I was amazed recently to discover that Reverend Doctor Joseph E. Lowery, one of the co-founders of SCLC, is still alive at 91. He has three videos of interviews up at "His Dream, Our Stories," a site devoted to the March. Lowery was a pastor in Mobile and helped lead the bus boycott in Montgomery, Alabama -- which, people forget, went on for over a year after Rosa Parks' arrest. Lowery later, along with John Lewis, Hosea Williams, and others, led the 1965 march from Selma to Montgomery march. Ten years after Emmett Till's murder and the Montgomery bus boycott, two years after the March on Washington, and a year after the Civil Rights Act, the Selma marchers were attacked by Alabama state and local police for asserting their right to vote.
In 2008, Lowery gave the benediction for Barack Obama's first Inauguration. He is still alive. He is 91 years old.
The March all happened in one day; the Movement happened over years and years and years.
Rosa Parks was 42 when the Montgomery bus boycott began. She was 50 at the time of the March (where she was honored along with Little Rock's Daisy Bates, SNCC's Diane Nash Bevel, Gloria Richardson of Cambridge, Maryland, and Mrs. Herbert Lee in a speech by Myrlie Evers-Williams, then listed as Mrs. Medgar Evers). Lowery was 34. King was 26, not much older than Lewis was when he was called to lead SNCC and speak in Washington. Randolph would live to be 90 years old, just a little younger than Lowery is now.
We've lost so much. We've forgotten so much. We've asked so few to stand in for so many. We're doing it still.
One place you can both see and hear King's speech is on PBS's Eyes on the Prize website. Eyes on the Prize is a landmark documentary on the entire modern civil rights movement, from Emmett Till's murder through the 1980s, when it first appeared. Its producers know more than a thing or two about the thorniest issues of copyright: the documentary's rebroadcast and distribution were held up for years while rights were cleared for its music, photographs, and videos. (Eventually, some of the original media was replaced.) I'm pretty sure they've done their work and paid the right licensing fees to get King's speech on the website.
Watch Dr King's speech. It's not the entire thing, and it's a crummy little QuickTime video. But it includes footage of the marchers arriving, A. Philip Randolph's introduction, and footage of President Kennedy meeting with the March's leaders, plus Walter Cronkite's contemporary commentary.
Remember this is history, which means we are still within it, even when those for whom it has been living memory leave us. Remember that it is the March on Washington for Jobs and Freedom. Remember how fragile it all was. Remember A. Philip Randolph and Bayard Rustin, Joseph E. Lowery and Jim Zwerg.
Remember Martin Luther King, Jr., that thickly-built, still-young man, rooting his feet in our history and turning himself into a column of pure energy, like a beacon through time and space, a light so bright we can't look at him directly, but have to turn away and look only at his half-remembered shape, still impressed on us when we close our eyes. Remember that day, when he all-too-briefly became a single still point with the granted power to bend straight the crooked lines of history.
Remember that fifty years after the Emancipation Proclamation, A. Philip Randolph was organizing the Shakespearean Society in Harlem. Fifty years after that, he was meeting a President who now owed him more than he probably ever knew. Fifty years is a long time and yet not so very long. If so much can be done in just one day, how much more could we do, now that we know we have another fifty years?
It's not only uncanny when performers we first knew as girls age into women; it's awkward when boys become men, too. Molly Shannon used to have the same agent as Gary Coleman (story starts around 2:40).
Clearly, not everyone gets to have Ron Howard's or Judy Garland's career. (And even Judy Garland's life was the opposite of a success story.)
But what about the alternative? What if child stars never changed their acts, and just aged in place? Wouldn't that be equally unsettling? On Comedy Bang Bang, Scott Aukerman, Reggie Watts, Seth Rogen, and the great Bob Odenkirk try to answer that question through the life of champion birdcaller Tommy Chalders.
Actually, maybe that would be beautiful. I wish Judy Garland had lived to sing "Over the Rainbow" at an auto show.
But time never stands still for us to paint its portrait. As Marshall McLuhan would, and, what the hell, very well might have said: "we look at the present through a rear-view mirror. We twerk backwards into the future."
Looks like Syfy has ordered a "cast-contingent" hour-long pilot for an adaptation of Terry Gilliam's Twelve Monkeys, with an eye to make it into a proper TV series. One of the producers of Gilliam's 1995 film is on board, and Terry Matalas and Travis Fickett, who both worked on Terra Nova and Nikita, wrote it. The model here is Battlestar Galactica: a movie reboot that could be a mini-series that could be multiple seasons.
Syfy's Mark Stern talked about it with The Hollywood Reporter, back when the pilot was 90 minutes long and still waiting to be approved for production while the network and producers figured out what the whole series would be about:
It's a return to our roots in terms of science fiction: cool, interesting push-the-genre science fiction. Some we're looking at doing straight to series, because you really want to give them the flexibility and do a closed-ended, arced run. Some of them are going to be traditional pilots, and then we'll decide and they may be a bit more episodic.
Given the time-travel theme, the fact that the source material (both Twelve Monkeys and La Jetée) are well-known, and the way TV's changed over the last ten years with jigsaw-puzzle series like LOST and the revived Arrested Development, I'm curious to see if the showrunners might mess around with the timelines a bit, jumping around, giving the audience previews of things the story doesn't explain right away, and generally making Doctor Who look like it's for precocious kids (which, really, it kinda is).
A couple of weeks ago, a slowed-down version of Dolly Parton's classic ballad "Jolene" went viral. A lot of people who heard it loved it, a few people didn't, but everyone seemed to agree that it was like listening to either an entirely new song or the same song again for the first time.
One of the things that's eerie about this is that if you listen closely, everything is just a little bit out of tune. There's conflicting information about exactly how much the track has been slowed. Some people have said that it's simulating a 45 RPM record played at 33 1/3, which is certainly the most common way people who lived with record players heard popular songs at slower speeds. But that would actually be quite a bit slower and lower than this.
The other figure I've seen (forgive me for not citing everything, I'm typing as fast as I can) is "Jolene" has been slowed by 17 percent, which sounds about right and would explain why all the notes seem just a little bit sharp. Here's the formula for slowing or speeding up a recording to shift the pitch but generally stay in tune:
So -- as one does when procrastinating from remunerative work -- I made an Excel spreadsheet.
If you want to drop two semitones, you shift the speed down by 12.2462 percent; drop three, you shift by 18.9207 percent, which significantly changes the track. To imitate a 45 RPM record played at 33 1/3, that's about 25.926, but very few records still sound like something a person actually made at this speed. All of these slowdowns are interesting, even the ones that don't work.
You can do all of them in the free/open-source audio processing app Audacity; it's very fast and very easy. (If you want to get freaky, you can also use Audacity to change pitch without changing tempo, or vice versa, or to start out slow and go fast, and all manner of lesser and greater perversity.)
But after messing with Audacity for longer than was strictly necessary, I can tell you that some songs and transformations work out better than others, and they tend to be those that share a lot of the same characteristics as Jolene:
A mix of quick and slow instrumentation, so there's a lot of information density. It almost has to be fractal; the more you slow it down, the more minute structures you find. The original song itself can actually be slow or fast; many fast songs really don't work, and quite a few slow ones do.
High-pitched, typically (but not always) female vocals, so the song sounds like a person singing and not a voice-distorted growling dude from To Catch A Predator.
The song needs to be fairly popular, so you can listen to the slow version and keep the regular-speed version in mind. This kind of continual allusion just makes it a richer experience.
And so, here are some of the results:
I described this Prince track as sounding like the slowest, sultriest, funkiest Sylvester song you've ever heard.
Mazzy Star surprised me. I always thought Hope Sandoval's vocals were gorgeous but a little warbly, which gave them character, but that's almost entirely a production effect. When you slow it down, you can really hear how clean and sustained her notes are.
My Bloody Valentine is the best example of that fractal quality. You can slow it down almost indefinitely and it still sounds like My Bloody Valentine. At this rate, though, it really just turns Bilinda Butcher's vocals into Kevin Shields'.
There's more at my Soundcloud page, including The Breeders' "Cannonball," "House of Jealous Lovers," Hot Chip's "Over and Over," Grizzly Bear's "Two Weeks" (which I actually sped up), and more. (Finally, if slowing a track down and posting it online somehow breaks copyright, let me know and I'll take them down.)
Normally when someone says they've thought up a theoretically possible perpetual motion scheme, you roll your eyes and pass the dutchie to the left hand side. But when that someone is a Nobel laureate in physics, is not generally off his rocker, and has published his idea in a prestigious peer-reviewed journal, people pay attention. Frank Wilczek believes he's invented something called time crystals.
In February 2012, the Nobel Prize-winning physicist Frank Wilczek decided to go public with a strange and, he worried, somewhat embarrassing idea. Impossible as it seemed, Wilczek had developed an apparent proof of "time crystals" -- physical structures that move in a repeating pattern, like minute hands rounding clocks, without expending energy or ever winding down. Unlike clocks or any other known objects, time crystals derive their movement not from stored energy but from a break in the symmetry of time, enabling a special form of perpetual motion.
"Most research in physics is continuations of things that have gone before," said Wilczek, a professor at the Massachusetts Institute of Technology. This, he said, was "kind of outside the box."
An effort to prove or disprove Wilczek's theory is underway...let's hope it holds up to scientific scrutiny better than Time Cube. (via digg)
Ask anyone with young children what they think of daylight saving time and you'll probably get a stabbing in the eye. It just totally fucks your world for two+ weeks a year with zero benefit. This petition needs 100,000 digital signatures for the White House to issue an official response to it. Sign it or I might get stabby.
Update: I honestly don't care which time we keep (DST or standard time), as long as the biannual time switching nonsense stops.
Chirp Clock finds tweets containing the current time and displays them on the site.
Nearly every second, a user on Twitter tweets about what time it is. It could be groaning about waking up, to telling a friend when to meet, to an automated train scheduler altering when the next one is coming. By searching Twitter for the current time we get a tiny glimpse of how active and far reaching the social network is.
4. You live in the past. About 80 milliseconds in the past, to be precise. Use one hand to touch your nose, and the other to touch one of your feet, at exactly the same time. You will experience them as simultaneous acts. But that's mysterious - clearly it takes more time for the signal to travel up your nerves from your feet to your brain than from your nose. The reconciliation is simple: our conscious experience takes time to assemble, and your brain waits for all the relevant input before it experiences the "now." Experiments have shown that the lag between things happening and us experiencing them is about 80 milliseconds.
5. Your memory isn't as good as you think. When you remember an event in the past, your brain uses a very similar technique to imagining the future. The process is less like "replaying a video" than "putting on a play from a script." If the script is wrong for whatever reason, you can have a false memory that is just as vivid as a true one. Eyewitness testimony, it turns out, is one of the least reliable forms of evidence allowed into courtrooms.
Thanks to the ancient civilizations that defined and preserved the divisions of time, modern society still conceives of a day of 24 hours, an hour of 60 minutes and a minute of 60 seconds. Advances in the science of timekeeping, however, have changed how these units are defined. Seconds were once derived by dividing astronomical events into smaller parts, with the International System of Units (SI) at one time defining the second as a fraction of the mean solar day and later relating it to the tropical year. This changed in 1967, when the second was redefined as the duration of 9,192,631,770 energy transitions of the cesium atom. This recharacterization ushered in the era of atomic timekeeping and Coordinated Universal Time (UTC).
This photo was taken recently by Sergey Ponomarev in Miyagi Prefecture in northeastern Japan:
The line on the wall is the high water mark from the March 11 tsunami and the time on the clock is when the water crested (Wikipedia puts the max readings right around 15:20 local time). Each element alone is documentation of a thing...together they tell a story.
I have a soft spot for storytelling clocks in photos. Joseph Koudelka's 1968 photo of the empty streets of Prague before the Soviet crackdown of The Prague Spring is one of my favorite photos. And obviously I love the photo taken by my wife of me holding my son Ollie when he was exactly 20 mintues old. It was the first time I'd held him and oh crap I'm crying at work again... (via in focus)
"The Clock" is a montage of clips from several thousand films, structured so that the resulting artwork always conveys the correct time, minute by minute, in the time zone in which is it being exhibited. The scenes in which we see clocks or hear chimes tend to be either transitional ones suggesting the passage of time or suspenseful ones building up to dramatic action. "If I asked you to watch a clock tick, you would get bored quickly," explains the artist in remarkably neutral English. "But there is enough action in this film to keep you entertained, so you forget the time, but then you're constantly reminded of it."
Love that Marclay. Back when I was still doing 0sil8 -- man, what a time capsule that is -- one of the projects that I started working on but never got close to finishing was a clock made up of photographs...1440 photographs, one for each minute of the day.
A fascinating 10-minute animated talk by Philip Zimbardo about the different "time zones" or "time perspectives" that people can have and how the different zones affect people's world views.
The six different time zones are:
- Past positive: focus is on the "good old days", past successes, nostalgia, etc.
- Past negative: focus on regret, failure, all the things that went wrong
- Present hedonistic: living in the moment for pleasure and avoiding pain, seek novelty and sensation
- Present fatalism: life is governed by outside forces, "it doesn't pay to plan"
- Future: focus is on learning to work rather than play
- Transcendental Future: life begins after the death of the mortal body
Find out which time zone you're in by taking this survey.
If we want to travel into the future, we just need to go fast. Really fast. And I think the only way we're ever likely to do that is by going into space. The fastest manned vehicle in history was Apollo 10. It reached 25,000mph. But to travel in time we'll have to go more than 2,000 times faster. And to do that we'd need a much bigger ship, a truly enormous machine. The ship would have to be big enough to carry a huge amount of fuel, enough to accelerate it to nearly the speed of light. Getting to just beneath the cosmic speed limit would require six whole years at full power.
A "jiffy" actually has a formal definition. More than one, in fact.
In electronics, a jiffy is the time between alternating current power cycles, 1/60 or 1/50 of a second in most countries.
In astrophysics and quantum physics a jiffy is the time it takes for light to travel one fermi, which is the size of a nucleon.
In computing, a jiffy is the duration of one tick of the system timer interrupt. It is not an absolute time interval unit, since its duration depends on the clock interrupt frequency of the particular hardware platform.
1. Traveling into the future is easy. We travel into the future all the time, at a fixed rate: one second per second. Stick around, you'll be in the future soon enough. You can even get there faster than usual, by decreasing the amount of time you experience elapsing with respect to the rest of the world -- either by low-tech ways like freezing yourself, or by taking advantage of the laws of special relativity and zipping around near the speed of light. (Remember we're talking about what is possible according to the laws of physics here, not what is plausible or technologically feasible.) It's coming back that's hard.
[Note: spoilers.] Bones did it for me. As soon as he sat down next to Kirk on the shuttle, I was hooked. Loved Star Trek, wanted to go again as soon we got out.
J.J. Abrams did something kinda crazy with the film though. He took the entire Star Trek canon and tossed it out the window. Because of the whole time travel thing, the events that occurred in The Original Series, The Next Generation, Voyager, DS9, and the previous 10 movies will not happen. Which means that in terms of sequels to this film, the slate is pretty much clean for Abrams or whomever he passes it off to.
Well. Almost. Events in this alternate timeline unfold differently but the same. Even though the USS Kelvin was destroyed with Kirk's father aboard, Kirk and the rest of the gang somehow all still end up on the Enterprise. But the destruction of an entire planet and 6 billion people should have a somewhat larger effect going forward.
Also worth noting is how the time travel in Trek compares with that on Lost, a show Abrams co-created and currently executive produces. On Lost (so far), the universe is deterministic: no matter who travels when, not much changes. Time travel can affect little details here and there, but the big events unfold the same way each time and every character remembers events unfolding in the same way, no matter when they are on the timeline. Star Trek's universe is not that way; characters before time travel events remember events unfolding differently. According to the older Spock, the Romulan ship going back in time changed things. Kirk knew his dad, Vulcan wasn't sucked into a black hole, etc.
And yeah, we do hear ships whoosh as they go to warp and all that, but that's what we expect to hear, having evolved in an atmosphere which whooshes when things fly past us. I'd prefer that we hear nothing, but I accept that as a filmmaker's prerogative to make the audience comfortable.
But I'll add that for years I have complained about sounds in space, saying that done correctly, making things silent can add drama. That sentiment was proven here; the sudden silence as we leave the ship and fly into space with the doomed crewmember is really eerie and unsettling.
"Star Trek" was an early manifestation of our contemporary absorption with the pop culture of the past. The show's creator, Gene Roddenberry, was a gifted hack writer for TV Westerns like "Have Gun, Will Travel" and cop shows like "Highway Patrol," and "Star Trek," though set in a nominally stylized future, was essentially a Western cop show. In fact, Roddenberry pitched the series to NBC as "Wagon Train" to the stars; and, as Captain Kirk noted in his log, the ship would venture out on "patrol," cruising the galaxy like a city beat.
The mechanism itself has barely changed for a century: although some more recent models incorporate GPS and other technologies, the mechanical key-based watchclock system is still in wide usage, with many buildings still employing the same keys and the same clockwork devices they've used since the 1940s. It's a genuine example of an "if it aint broke, don't fix it" kind of technology.
Flowers of a given species all produce nectar at about the same time each day, as this increases the chances of cross-pollination. The trick works because pollinators, which in most cases means the honeybee, concentrate foraging on a particular species into a narrow time-window. In effect the honeybee has a daily diary that can include as many as nine appointments -- say, 10:00 a.m., lilac; 11:30 a.m., peonies; and so on. The bees' time-keeping is accurate to about 20 minutes.
All of the "werid" things that we see happen in seasons 1 & 2 of LOST are a result of the Losties now existing in the year 1996 on the island. This is why Locke can walk, and why Rose is Healed -- their bodies are now existing in a time prior to them contracting their illnesses. This is also why some characters, such as Walt, have extraordinary perception -- because they're technically from the future.
This Friday, in addition to being Friday, is also 1234567890 Day. At 6:31 pm EST on that day, the Unix time will be 1234567890.
Unix time [is] defined as the number of seconds elapsed since midnight Coordinated Universal Time (UTC) of January 1, 1970, not counting leap seconds. It is widely used not only on Unix-like operating systems but also in many other computing systems.
As a general rule, meetings make individuals perform below their capacity and skill levels. This doesn't mean we should always avoid face-to-face meetings - but it is certain that every organization has too many meetings, and far too many poorly designed ones.
Ten minutes past ten o'clock, which forms a smiley face on a clock and "frames the brand" nicely, is the go-to time for watches in advertising. Timex sets their watches to precisely 10:09:36 while Rolex waits almost a minute until 10:10:31.
The Hamilton Watch Company was among the first to clock in at 10:10; that time is favored in ads dating at least as far back as 1926. Rolex began consistently setting watches in ads at 10:10 in the early 1940s. Timex appears to have begun the transition in 1953, when its Ben Hogan model showed 8:20 while the Marlin model was set to 10:10.
When I was born 35.2 years ago, a light cone started expanding away from Earth out into the rest of the universe (Minkowski space-temporally speaking, of course). Thanks to updates from Matt Webb's fancy RSS tool, I know that my personal light cone is about to envelop the Zeta Herculis binary star system, located 35.2 light years from Earth in the constellation Hercules.
With a mass some 50 percent greater than the Sun, however, and beginning its evolution toward gianthood (its core hydrogen fusion likely shut down), Zeta Her A is 6 times more luminous than the Sun with a radius 2.5 times as large. Nevertheless, the star gives a good idea of what the Sun would look like from a great distance, in Zeta Her's case 35 light years. The companion (Zeta Her B), a cooler class G (G7) hydrogen-fusing dwarf with a luminosity only 65 percent that of the Sun and a mass about 85 percent solar, orbits with a period of 34.5 years at a mean distance of 15 Astronomical Units (over 50 percent farther than Saturn is from the Sun). A rather high eccentricity takes the two as far apart as 21 AU and as close as 8 AU.
Hercules is of course named for the Greek hero, Heracles. Next up is Delta Trianguli, another binary star system, in about two months.
For the Einstein fan, we have a Longines that was owned by the scientist himself. It is a unique and historically important wristwatch, made in 1930.The watch was presented to Professor Albert Einstein on February 16, 1931 in Los Angeles. It is a fine, tonneau-shaped, 14K yellow gold wristwatch accompanied by various photos showing Prof. Einstein wearing the watch. Estimate: $25,000 - $35,000
You'd think that the price for timepiece once owned by the man who changed our conceptions about time and space would be substantial, but it's one of the lower priced featured watches. And the price is not even close to the world record:
In 2002, Antiquorum established the all-time world record price for a wristwatch at auction when it sold a platinum Patek Philippe World Time Ref. 1415 from 1939 for an astounding CHF 6,603,500 (US$ 4,026,524). This record-breaking price more than doubled the previous world record price for a wristwatch at auction. Another record price for a modern watch was achieved in 2004, the unique white gold Calibre 89, also by Patek Philippe, was sold for SFr. 6,603,500 (US$ 5,002,652).
Mr. Greer is candid about the precedents: F. Scott Fitzgerald told a related story in "The Curious Case of Benjamin Button," and that in turn was inspired by a remark of Mark Twain that the best part of life came at the beginning and the worst part at the end. Later Fitzgerald found "an almost identical plot" in Samuel Butler's "Note-books." In "The Sword and the Stone," which Mr. Greer read as a child, Merlin ages backward. Mr. Greer carries it further back, to Greek mythology, and forward to "Mork & Mindy," in which Jonathan Winters played a baby. And at one book signing, he said, a reader asked him if he knew about the "Star Trek" episode in which ----
Actually, when he began the book he was thinking more of Bob Dylan. In 2001, having published a collection of stories and in the middle of writing a novel, he found himself singing "My Back Pages" -- "I was so much older then, I'm younger than that now" -- and he had what amounted to an epiphany. "I thought that could be a book not like anything I'd written before," he said. "It sounded like a wild adventure that no one's going to want to read, but it could be a lot of fun, and maybe that's the point of it."
For when the repercussions of Max's reverse aging are eventually understood, the tragedy of his predicament becomes clear. Not only does he have the exact year of his death forever staring him in the face (1941, when he will complete his 70-year process of anti-decay), but he must also live his entire life, except for a few brief months in 1906 when his real and apparent ages coincide, being something other than what he seems.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating day and night, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody again.
Here's the problem: "More Than a Feeling" is four minutes and 47 fucking seconds long. I don't have time for that kind of nonsense. That's, like, one-seventh of my recreation right there.
Don't get me wrong, slugger. I love "More Than a Feeling." Those who don't are your basic a-holes. But it's like: We get it. The riff, the handclaps, the 10,000 multi-tracked guitars-nice. But then there's another verse and another chorus and infinity more solos and just a really ridiculous amount of balderdash.
If you'd bought 3,298 shares of Apple stock in 1998, for $99,995, at $30.32 a share, it would now be worth $1,997,797. The stock has split twice, so you'd now have 13,192 shares at (as of last week) $151.44. Buy yourself an iPhone to celebrate!
** The first six posts will be published at some point in the future.
Slo-mo can be a mesmerizing revelation of the grace inherent in the ordinary.
Slo-mo was invented and patented in 1904 by an Austrian priest-turned-physicist named August Musger. And who was working in the patent office in Austria in 1904?
My fantasy now is that Albert Einstein -- working in the Swiss patent office in Bern in 1904, when Musger patented slo-mo in (relatively) nearby Austria -- might have become aware of Musger's slow-motion patent (perhaps it even crossed his desk?) and that contemplation of slo-mo might have influenced Einstein's thinking about the nonabsoluteness, the relativity, of time.
At 14:52:28, FreedomFighter69 wrote: Reporting my first temporal excursion since joining IATT: have just returned from 1936 Berlin, having taken the place of one of Leni Riefenstahl's cameramen and assassinated Adolf Hitler during the opening of the Olympic Games. Let a free world rejoice!
At 14:57:44, SilverFox316 wrote: Back from 1936 Berlin; incapacitated FreedomFighter69 before he could pull his little stunt. Freedomfighter69, as you are a new member, please read IATT Bulletin 1147 regarding the killing of Hitler before your next excursion. Failure to do so may result in your expulsion per Bylaw 223.
At 18:06:59, BigChill wrote: Take it easy on the kid, SilverFox316; everybody kills Hitler on their first trip. I did. It always gets fixed within a few minutes, what's the harm?
How to think about the scale of human history: "Arthur M. Schlesinger, Jr., one the United States' great historians, is less than two lifetimes removed from a world where the United States did not exist. Through Mr. Schlesinger, you're no more than three away yourself. That's how short the history of our nation really is. Not impressed? It's only two more life spans to William Shakespeare. Two more beyond that, and the only Europeans to see America are those who sailed from Greenland. You're ten lifetimes from the occupation of Damietta during the fifth crusade. Twenty from the founding of Great Zimbabwe and the Visigoth sack of Rome. Make it forty, and Theseus, king of Athens, is held captive on Crete by King Minos, the Olmecs are building the first cities in Mexico, and the New Kingdom collapses in Egypt."
The change takes effect this year -- on March 11 -- and it has angered airlines, delighted candy makers and sent thousands of technicians scrambling to make sure countless automated systems switch their clocks at the right moment. Unless changed by one method or another, many systems will remain programmed to read the calendar and start daylight saving time on its old date in April, not its new one in March.
The article mentions that older Microsoft products like Windows XP SP1 and Windows NT4 might require manual updates and Daring Fireball has had a few updates about how the switch effects Mac users, including this piece at TidBITS. But what about everything else? Is the version of Movable Type I'm using going to make the adjustment? What about Wordpress? Perl? Ruby? PHP? Java? Linux? I'm sure the current versions of all these programs and languages address the issue, but are there fixes and patches for those running old versions of Perl on their server?
If you've got any information about programs, applications, and languages affected by the change and how to address the problem, leave a comment on this thread. I'll update the post as information comes in.
According to the Ussher-Lightfoot Calendar, today is the 6,009th birthday of the universe. Based on James Ussher's interpretation of the Bible, God created "the heaven and the earth" on October 23, 4004 BC. Happy birthday, everything!
Note: I'm doing Mr. Ussher's precise chronology a disservice by fudging the Julian calendar date that he derived with the Gregorian calendar we now use. For that, I apologize.
Clever McDonald's sundial billboard. "The billboard features a real sundial whose shadow falls on a different breakfast item each hour until noon, when the shadow of the McDonald's arches are dead center."
I know I'm going to get mail about my five-star rating for this movie, but it cannot be helped. One summer when I was a kid, a friend and I watched Bill and Ted's Excellent Adventure -- no joke -- every single day for a span of 2 months. I still know every line by heart, the timing, inflection, everything. If there were a Broadway production of this movie, I could slide effortlessly into the role of either Bill S. Preston, Esq. or Ted Theodore Logan, no rehearsal needed.
In my high school physics class my senior year, we had to do a report on something we hadn't learned about in class -- which, I discovered when I got to college, was a lot -- and I did mine on time travel. I went to our small school library and read articles in Discover and Scientific American magazines about Stephen Hawking, Kip Thorne, quantum mechanics, causality, and wormholes. To illustrate the bit about wormholes, I brought in my well-worn VHS tape of Bill and Ted's (a dub of a long-ago video rental) and showed a short clip of the phone booth travelling through space and time via wormhole. I got a B+ on my presentation. The teacher told me it was excellent but marked me down because it was "over the heads" of everyone in the class...which I thought was completely unfair. How on earth is Bill and Ted's Excellent Adventure over anyone's head?