Werner Herzog doesn’t know anything about skateboarding. But suspecting the director was a kindred spirit, Ian Michna interviewed Herzog for skate mag Jenkem. My favorite bit is when Michna asks Herzog if he shot a skateboarding video, what music would he choose as a soundtrack:
What comes to mind first and foremost would be Russian Orthodox church choirs, something that creates this kind of strange feeling of space and sacrality — so what you are doing is special, bordering the sacred.
Fried eggs are something almost everyone, regardless of culinary prowess, can cook. Even so, in the hands of a master chef like Jacques Pépin, even this simple dish can be improved upon. For starters, he uses waaaay more butter in the pan than most people probably do. And there’s water involved? The finished product looks amazing.
After you’re done watching that, you should check out Pépin making scrambled eggs:
And then finally, here’s Pépin making omelettes two ways (country/”American-style” and classic French):
Using images from the Kaguya orbiter, Seán Doran has constructed a 4-hour realtime orbit of the Moon. Feel free to pair with your favorite piece of relaxing music for a meditative viewing experience.
From photographer and filmmaker Roman De Giuli, Satellike is a fluid abstract video that simulates satellite imagery of river deltas, etc. As De Giuli explains, the effects he uses here are entirely practical, not digital.
What you see in SATELLIKE are very long shots of watery ink in motion on several coats of half dried paint. Drying the paint leads to organic structures which can be brought to life again with water, ink and sour flow release mediums. The results look different from my usual approach, way more realistic and less otherworldly.
The organic nature of fluids in motion is very tough to duplicate digitally with the accuracy to feel, I don’t know, relaxing. I don’t know how you quantify or categorize this feeling/intuition, but watching this video feels very much like watching a river or the ocean flow. You can see more of De Giuli’s fluid work on his website.
In Kalaallit Nunaat (Greenland), the Inuit people are known for carving portable maps out of driftwood to be used while navigating coastal waters. These pieces, which are small enough to be carried in a mitten, represent coastlines in a continuous line, up one side of the wood and down the other. The maps are compact, buoyant, and can be read in the dark.
Inspired by rock climbers, Danny MacAskill visits the Isle of Skye with his mountain bike to find an impossibly steep route down the Dubh Slabs. He is so far back in the saddle on some of the steepest stuff. I know high-end mountain bike brakes are on hair-triggers, but good God I wonder what MacAskill’s grip strength is… (thx, jeffrey)
Several years ago, I saw an NYC performance of Tree of Codes, a collaboration between choreographer Wayne McGregor, artist Olafur Eliasson, music producer Jamie xx, and dancers from the Paris Opera Ballet based on Jonathan Safran Foer’s book of the same name. The whole performance was dazzling but I was especially taken with Jamie xx’s score.
In the weeks after the performance, I looked online for the score, hoping against hope that a recording was out there. No dice. As time went on, whenever one of Jamie xx’s songs popped up in a mix I was listening to, I’d do a bit of searching for the score, always without success. Until the other day, when I discovered this bootleg version on Soundcloud:
So happy to hear this again — for as long as this link lasts. I’m still crossing my fingers for an official release at some point…
In this short film by Simon Perkins, Jon Wilson shares his story of how cancer left him with one leg and the perspective he’s gained by skinning up and then skiing down mountains.
Sometimes I forget I’m broken. I cover up my scars and plug my ears. Things go okay for a while, but then I start thinking I’m entitled to some artificial slice of happiness, and before I know it I’m climbing a ladder to nowhere. To get down again, and find my equilibrium, it helps to remember when I was so low. It also helps to remind myself that life is relatively good if I have the luxury to ski up a goddamn mountain.
Many of us are scared to be broken. I’m a high school teacher, and I see it in the kids around me every day. They’re conditioned by black mirrors and social media algorithms designed for “perfect offerings.” We tell them about the ills of brokenness, but not the power and wisdom in it. We talk about post-traumatic stress — not post-traumatic growth. Being broken is a pre-existing condition that is never expunged from our record. And while I would never wish it on anyone, I would never trade in my scars, even if it meant having my leg back.
This interview on This American Life with a Black Capitol Police officer who defended Congress against the domestic terrorists who stormed the Capitol Buidling on Jan 6th is essential listening. BuzzFeed’s Emmanuel Felton interviewed an anonymous officer he calls “Officer Jones”:
Emmanuel Felton: Have you ever been in a fight like that?
Officer Jones: No, not like that. No way. These people were deranged, and they were determined. I’ve played video games before. Well, you know, zombie games — Resident Evil, Call of Duty. And the zombies are just coming after you, and you’re just out there. I guess that’s what I could relate it to — Call of Duty zombies. And the further you go, the more and more zombies just coming. You’re just running, running, running. And they wouldn’t stop. You’re seeing they’re getting their heads cracked with these batons, and we’re spraying them, and they don’t care! It was insane.
Jones appealed to some of the mob who were carrying “Blue Lives Matter” flags and that stopped them for a bit. A couple of the insurrectionists pulled out their own police badges. But then the invaders turned hostile again:
They looked at me. They yelled at me. They were yelling at me. And I would not let them go past. They all want to go past me? I’m going to beat all your asses. One by one, I’m going to deck all of y’all. Come on. And that’s when one of the guys that was a cop said, “Hey, man, we’re going to stand here with you.” I was like, “No, get the fuck out of my building.” He was like, “This is our building.” And I was like, “This is my goddamn building. I’m in charge here. Get the fuck out.” And that’s when I started losing my temper even more. I mean, I got tears streaming down my face.
Representing more than four decades of innovation and storytelling, the droids featured in this pane of 20 stamps are IG-11, R2-D2, K-2SO, D-O, L3-37, BB-8, C-3PO, a GNK (or Gonk) power droid, 2-1B surgical droid and C1-10P, commonly known as “Chopper.”
The characters are shown against backgrounds representing settings of memorable adventures. The selvage features a passageway from the floating Cloud City above the planet Bespin, introduced in “Star Wars: The Empire Strikes Back.”
PBS TV series American Masters has been on the air since 1986, profiling prominent American cultural creators. Only a small fraction of the footage for the interviews they do makes it into the episodes, so they’ve created a digital archive of over 1000 hours of footage “from more than 1,000 original, never-before-seen, full, raw interviews”.
For four decades, we’ve asked: who has changed America? We’ve aired hundreds of carefully crafted programs that illuminate the stories of our cultural giants. But just a fraction of the interviews filmed for American Masters appear in the final films; nearly 96% of the footage never gets released. Now, the American Masters digital archive makes this rich catalog of interviews available to the public.
Using the POLITY data series, The Center for Systemic Peace has downgraded the system of government of the United States of America from a democracy to an anocracy, a “regime that mixes democratic with autocratic features”. From a notice on the front page of the CSP website:
The USA has dropped below the “democracy threshold” (+6) on the POLITY scale in 2020 and and is now considered an anocracy (+5). It has also lost its designation as the world’s oldest, continuous democracy; that designation now belongs to Switzerland (171 years), followed by New Zealand (142) and the United Kingdom (139). Further degradation of democratic authority in the USA will trigger an Adverse Regime Change event.
The downgrade can be tied directly to the Trump administration’s actions over the past four years:
In 2019, CSP changed the USA code for Executive Constraints from 7 to 6 due to the executive’s systematic rejection of congressional oversight; dropping its POLITY score to +7 and resetting its DURABLE score to “0”. In 2020, the coding for Executive Constraints will fall another point or two due to the executive’s systematic purge of “disloyalists” from the administration, forceful response to protest, vilification of the main opposition parties; and undermining public trust in the electoral process, reducing the USA POLITY score in 2020 to +5 (anocracy).
Their analysis also places the US at “high risk of impending political instability (i.e., adverse regime change and/or onset of political violence)” and designates “the ongoing efforts of the USA executive to circumvent electoral outcomes and subvert democratic processes as an ‘attempted (presidential) coup’”.
I recently made a 720 and it was a battle. The last one I made before this was over three years ago, and it’s much harder now all things considered: recently dislocated fingers hinder my grab, my spin is slower so I need to go higher for full rotation and… I’m really old. pic.twitter.com/u8pbwRhS9j
Hawk says it’ll probably be his last one — he’s getting too old, his spin is slower, etc. In 2016, at the age of 48, Hawk hit his final 900:
There’s a way in which watching Hawk perform these tricks and watching, say, 11-year-old Gui Khury perform the world’s first 1080 is the same: they’re both attempting something they aren’t sure they can do at that moment. But Hawk has both the benefit and hindrance of wisdom to draw upon here. He knows he can do a 720 because he’s done probably hundreds of them before, but he’s also battling his body, self-doubt, and probably the tiny voice in the back of his head saying “why exactly do you need to do this, dumbass?” Hawk probably knows better than anyone that as you get older, the true battle in sports (and life) is not against others or the record book, it’s against yourself.
Update: On Twitter, @limitedmitch says: “If you want to feel desperately sad today, Tony Hawk has been sporadically doing tricks ‘for the last time ever’ on his Instagram”.
Because the pandemic (mostly) shuttered US movie theaters for the duration of 2020 and studios reduced or redirected their output accordingly, you might be excused for thinking that it was a bad year for film. As David Ehrlich’s masterful video countdown of the 25 best films of 2020 demonstrates, there was plenty of good stuff out there if you knew where to look.
I didn’t end up seeing many of the films on Ehrlich’s list — I’ve been stuck rewatching old favorites and meaningless garbage during the pandemic — but I’m going to make some time for several of these soon. Two documentaries that I was surprised to see omitted: My Octopus Teacher and The Painter and the Thief. The latter is one of the best movies I’ve seen in ages — I can’t imagine that Ms. Americana (for instance) was better. And I’m Thinking of Ending Things? Did not do it for me at all. *shrug* (thx, brandt)
You probably read something yesterday, maybe just a headline, about Moderna’s Covid-19 vaccine being “six times less effective” against the B.1.351 coronavirus variant first identified in South Africa. This is, to put it plainly, a bullshit take on what is actually excellent news. This is the important bit, via Stat:
Both the Moderna vaccine and the immunization from Pfizer-BioNTech produce such powerful levels of immune protection — generating higher levels of antibodies on average than people who recover from a Covid-19 infection have — that they should be able to withstand some drop in their potency without really losing their ability to guard people from getting sick.
“There is a very slight, modest diminution in the efficacy of a vaccine against it, but there’s enough cushion with the vaccines that we have that we still consider them to be effective,” Anthony Fauci, the top U.S. infectious diseases official, said Monday on the “Today” show.
Let’s hear that again: “Both the Moderna vaccine and the immunization from Pfizer-BioNTech produce such powerful levels of immune protection…” These vaccines are so good, so potent, that even this sixfold drop in one measure of the vaccines’ ability to neutralize this one SARS-CoV-2 variant isn’t even enough to significantly reduce their overall protective power.1 That’s the important news here, that’s the very good news, that’s what you should be taking away from this. We have miraculously developed a near-perfect medicine for a plague that has significantly disrupted all human life on Earth and we’re flipping out over some technical details that the experts assure us don’t mean much in terms of overall effectiveness?! No thank you. Not today.
In a Twitter thread, Zeynep Tufekci is tearing her hair out because of the media’s misunderstanding and sensationalization of the “sixfold drop”.
I know people are tired but needless anxiety isn’t helping us. Let’s focus on getting through these months — better masks if indoors with others, more strict attention to our precautions — and the real problem: making more of these amazing vaccines quickly & getting them out there!
I get it, we want to understand but not how it works. Stop worrying about Nab titers. That does NOT mean the vaccine is six times less effective. People whose job it is to worry about it are on it & we just got confirmation: it works against the variants.
Plea to media: this isn’t a good headline. It makes people think the vaccine is six times less effective against the new variants (FALSE!) when the news today is *excellent*: The vaccine continues to work well against the new variants. That’s the headline.
mRNA vaccines induce very high neutralizing antibodies after the second shot (consistently in the upper 25-30% of what we see with convalescent sera). If that activity is reduced by 10-fold, it is still decent neutralizing activity that will very likely protect. Furthermore, we know that the mRNA vaccines are already protective after the first shot when neutralizing antibody titers are low or undetectable in most individuals.
There is a concern here and it’s that B.1.351 or B.1.1.7 might mutate into variants that are significantly resistant against the vaccines’ good effects. Krammer again:
First, we need to do what every good scientist is praying for a year now: We need to cut down on virus circulation. The more the virus replicates, the more infections there are the higher are the chances for new variants to arise. Also, we need to try and contain B.1.351 and B.1.1.248/P.1 as much as possible.
That’s why, aside from preventing hundreds of thousands of deaths in the next several months, getting these vaccines into people’s arms is so important: the less the virus spreads, the less opportunity it will have to mutate into something even more dangerous. The US vaccination effort is slowly ramping up — we’re at an average of 1.3 million doses per day right now and the trend is heading in the right direction. We can get this done!
So what can you do about this right now? 1. Stop worrying about the variants until the experts let us know we have something to worry about. 2. If you are eligible for the vaccine, get it! 3. Spread the word about vaccine availability in your area. Yesterday Vermont opened signups for vaccination appointments for all Vermonters 75 and older, and I texted/emailed everyone I could think of who was over 75 or who had parents/relatives/friends who are over 75 to urge them to sign up or spread the word. 4. Continue to wear a mask (a better one if possible), wash your hands, social distance, stay home when possible, don’t spend time indoors w/ strangers, etc. Thanks to these remarkable vaccines, real relief is in sight — let’s keep on track and see this thing through.
Obviously, this could change! But the situation right now w/r/t variants is very good.↩
I cannot improve upon the succinct description of this video from Natalie Smillie: “A new Ghibli film?! No — this is an advert for the state of Oregon.” It’s a great ad and certainly takes both content and stylistic cues from Studio Ghibli’s films. The video, along with a previous one, was created for Travel Oregon by creative agency Psyop and animation studio Sun Creature.
I sent Vivian Wu’s snowflake generator to a friend this morning and they replied, “Well there goes my workday”. So, uh, sorry in advance to you working snowflake fans. You can check out how these generated versions compare to the real thing. (via @colossal)
My knapsack is full. I’ve stowed backup masks should I encounter any maskless pandemic denialists. I have Band-Aids, cotton balls and large-wound bandages, in case my run-in with the anti-maskers goes awry. I packed five gallons of backup sanitizer and a refill funnel. I have nine factory-sealed packages of antiseptic wipes. I packed face shields and oral swabs and disposable thermometers in case I need to self-test. I have a rolling oxygen tank. This jaunt is just what I need to unwind.
At least now people without kids know what it’s like leaving the house with a toddler.
At the Biden/Harris inauguration on Wednesday, poet Amanda Gorman, dressed in the yellow of the Sun, realigned the planets with her recitation of a poem called The Hill We Climb. In 2018 for The Climate Reality Project, riffing off of the iconic photo of the Earth rising over the surface of the Moon taken by Apollo 8 astronauts, Gorman wrote a poem called Earthrise about the climate emergency and the action we must take to end it. From the text of the poem:
Where despite disparities
We all care to protect this world,
This riddled blue marble, this little true marvel
To muster the verve and the nerve
To see how we can serve
Our planet. You don’t need to be a politician
To make it your mission to conserve, to protect,
To preserve that one and only home
That is ours,
To use your unique power
To give next generations the planet they deserve.
We are demonstrating, creating, advocating
We heed this inconvenient truth, because we need to be anything but lenient
With the future of our youth.
And while this is a training,
in sustaining the future of our planet,
There is no rehearsal. The time is
Now
Now
Now,
Because the reversal of harm,
And protection of a future so universal
Should be anything but controversial.
So, earth, pale blue dot
We will fail you not.
Watch Gorman’s recitation of it above — you might get some goosebumps. (via eric holthaus)
Like many of you, I really enjoyed when NPR hosted Max Richter for a Tiny Desk Concert early in 2020, before the unpleasantness. Almost a year later, the composer is back with a Tiny Desk (Home) Concert. Recorded in spare black & white last summer, Richter plays six of his typically meditative pieces on a piano. Just set this going in the background and relax into your workday (or weekend, depending on your time zone). Enjoy.
This is the green-inflected cool beige of the original Apple II computer cases. Unlike later models, these first Apple cases were manufactured with a sprayed-on paint finish. Scrapes and other abuse could damage the surface. Hence the need for a touch-up paint, a handy item apparently available only to dealers for use on their repair benches.
It stands to reason this still-fresh paint may be the closest you can get today to that original color. I made a couple “swatches”, a layer on coated paper (which worked well) and two coats on a primered wood shim (worked less well). And I compared the swatches to a surviving Apple II and to other known color references.
He even found some nearly matching paints at the hardware store, so you could paint your bedroom Apple Beige if you wanted. (via kelli anderson)
Well hell, would you look at this: an interactive 10-gigapixel scan of Johannes Vermeer’s iconic painting Girl With a Pearl Earring made by stitching together thousands of photos from a digital microscope. From top to bottom above: the entire painting, the earring (not even fully zoomed in), her lips (again, not full zoom), and a full-zoom image of the skin on her cheek. The detail is incredible — each pixel is 4.4 microns (0.0044 mm) across. The microscope also captured 3D data about the painting — click on the “3D” button in the viewer to see the 3D views. <— Seriously, don’t miss this.
In response to comments about a video of him getting the Covid-19 vaccine — “Come with me if you want to live!” — Arnold Schwarzenegger says that if you want to build biceps, you should listen to him. He’s the expert. But if you want to know what to do about Covid-19, you should listen to epidemiologists and doctors.
Dr. Fauci and all of the virologists and epidemiologists and doctors have studied diseases and vaccines for their entire lives, so I listen to them and I urge you to do the same. None of us are going to learn more than them by watching a few hours of videos. It’s simple: if your house is on fire, you don’t go on YouTube, you call the damn fire department. If you have a heart attack, you don’t check your Facebook group, you call an ambulance. If 9 doctors tell you you have cancer and need to treat it or you will die, and 1 doctor says the cancer will disappear, you should always side with the 9. In this case, virtually all of the real experts around the world are telling us the vaccine is safe and some people on Facebook are saying it isn’t.
In general, I think if the circle of people you trust gets smaller and smaller and you find yourself more and more isolated, it should be a warning sign that you’re going down a rabbit hole of misinformation. Some people say it is weak to listen to experts. That’s bogus. It takes strength to admit you don’t know everything. Weakness is thinking you don’t need expert advice and only listening to sources that confirm what you want to believe.
Just as the original Star Wars movie was inspired by Flash Gordon and Kurosawa,1 The Mandalorian is modelled on the western — a lone gunfighter makes his way through the wilderness to protect the innocent. As Mando star Pedro Pascal put it: “I think that George Lucas played with the Western undertones with the first movie, ‘Episode IV,’ and now they’re taking the suggestions of that tone and infusing it with steroids.” So naturally, it’s a great idea to make a trailer for The Mandalorian in the style of a Sergio Leone spaghetti western, complete with music by Ennio Morricone. Il Mandaloriano!
Lucas made Star Wars because he couldn’t get the rights to do a Flash Gordon movie. Who knew that “Flash Gordon as a samurai film” would be such a lucrative idea?↩
For the occasion of Donald Trump’s last day as President, Ta-Nehisi Coates revisits his essay published in the October 2017 of The Atlantic, The First White President, which argued persuasively that Trump is a white supremacist. In a new introduction, he writes:
It was popular, at the time of Donald Trump’s ascension, to stand on the thinnest of reeds in order to avoid stating the obvious. It was said that the Trump presidency was the fruit of “economic anxiety,” of trigger warnings and the push for trans rights. We were told that it was wrong to call Trump a white supremacist, because he had merely “drawn upon their themes.”
One hopes that after four years of brown children in cages; of attempts to invalidate the will of Black voters in Philadelphia, Atlanta, and Detroit; of hearing Trump tell congresswomen of color to go back where they came from; of claims that Joe Biden would turn Minnesota into “a refugee camp”; of his constant invocations of “the Chinese virus,” we can now safely conclude that Trump believes in a world where white people are — or should be — on top. It is still deeply challenging for so many people to accept the reality of what has happened — that a country has been captured by the worst of its history, while millions of Americans cheered this on.
The rhetorical highlight of the Biden/Harris inauguration was Amanda Gorman reciting her poem, The Hill We Climb — I thought it was fantastic. It begins:
When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade
We’ve braved the belly of the beast
We’ve learned that quiet isn’t always peace
And the norms and notions
of what just is
Isn’t always just-ice
And yet the dawn is ours
before we knew it
Somehow we do it
Somehow we’ve weathered and witnessed
a nation that isn’t broken
but simply unfinished
We the successors of a country and a time
Where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one
“I had this huge thing, probably one of the most important things I’ll ever do in my career,” she said in an interview. “It was like, if I try to climb this mountain all at once, I’m just going to pass out.”
Gorman managed to write a few lines a day and was about halfway through the poem on Jan. 6, when pro-Trump rioters stormed into the halls of Congress, some bearing weapons and Confederate flags. She stayed awake late into the night and finished the poem, adding verses about the apocalyptic scene that unfolded at the Capitol that day.
Gorman is no stranger to having to change her work midstream. Like Biden, who has spoken openly about having stuttered as a child, Gorman grew up with a childhood speech impediment of her own. She had difficulty saying certain letters of the alphabet — the letter R was especially tough — which caused her to have to constantly “self-edit and self-police.”
Her delivery was amazing — powerful and lyrical. Brava!
At 11:42 AM EST today, Kamala Harris was sworn in as Vice President of the United States of America. She is the first woman to hold that office. She is the first Black Vice President. She is the first person of South Asian descent to be Vice President. All good things to celebrate on this momentous day.
I am tired of reciting all his crimes, misdeeds, and failures. Trump was a cruel, petty tyrant of a president who surrounded himself with similarly terrible people, slobbering sycophants, and political operatives who knew they could advance their agendas so long as they told him what he wanted to hear.
Trump is the living embodiment of shamelessness. He cannot be shamed. He does not care about the 400,000 dead Americans he has barely acknowledged. He does not care about the suffering he has caused. He does not care about anything that happens beyond the country’s borders. He does not care that he has disrupted the peaceful transfer of power. He is a catastrophe and he does not care. His children are exactly like him. His wife is exactly like him. I wish nothing but the very worst for them, for the rest of their days.
Today beginning at 10am ET as part of the official inauguration festivities, Keke Palmer will host a special livestream geared toward kids (embedded above).
The livestream, hosted by award-winning entertainer and advocate Keke Palmer, will feature a special message from Dr. Jill Biden; commentary from historians Doris Kearns Goodwin and Erica Armstrong Dunbar; a segment on presidential pets produced by Nickelodeon; excerpts of student voices from PBS NewsHour Student Reporting Labs “We the Young People” programming; trivia questions, including some asked by Doug Emhoff; segments produced by the Library of Congress; and other special features.
This sounds way better than whatever the talking heads on CNN will be going on about. For more information on the inauguration, check out the official site.
In particular, Ferguson singles out humiliation by ridicule as something to avoid when attempting to bring QAnon supporters back to reality. Instead, he suggests staying in contact, sharing relevant information, asking questions, and being patient. But as Open Culture points out: “After the violence of January 6, however, it’s reasonable to ask whether we need something more than coddling and patience.” (via open culture)
This video from Matthew Cooke is an excellent and succinct plea for Republicans and Trump supporters to come back to reality.
This is a wake-up call for Republicans. America elected Joe Biden by over 7 million votes, and you’re confused because you didn’t see us flock to his rallies and cheer his smackdowns like we were at a pro wrestling event during a global pandemic. We don’t wear matching hats or have “no more malarkey” flags waving from the backs of our trucks. Do you know why? Because Biden is not our tribal warlord. We believe the job of a U.S. President is to represent more than one interest group. That’s why 81 million of us turned out to stop a narcissistic personality cult that embodies all seven of the deadly sins — most of all pride, which you’ve taken to levels of blasphemy, claiming your political leaders are handpicked by Jesus Christ.
This country is called the United States and we have multiple converging crises that need adult supervision but we are being distracted trying to get control over a critical mass of you who no longer believe in reality.
I don’t know if it will be persuasive to actual Republicans, but it’s a solid attempt.
In April, in response to Whitmer’s aggressive public-health measures, Trump had tweeted, “Liberate Michigan!” Two weeks later, heavily armed militia members entered the state capitol, terrifying lawmakers.
In her January 16th dispatch, historian Heather Cox Richardson took a quick dive further back into history, connecting the dots between the undercurrent of right-wing authoritarianism that has long been part of the nation’s political landscape, the right’s reaction to the New Deal, the fight against Black rights, the rise of partisan talk radio after the FCC fairness doctrine ended, Waco, Ruby Ridge, the Oklahoma City bombing, the Bundys, etc. It is a story of American self-interest & whiteness that found a home in the Republican Party.
Convinced that he was a hardworking individualist, Bundy announced he did not recognize federal power over the land on which he grazed his cattle. The government impounded his animals in 2014, but officials backed down when Bundy and his supporters showed up armed. Republican Senator Dean Heller (R-NV) called Bundy and his supporters “patriots”; Democrat Harry Reid (D-NV), the Senate Majority Leader at the time, called them “domestic terrorists” and warned, “it’s not over. We can’t have an American people that violate the law and then just walk away from it. So it’s not over.”
There are many threads she doesn’t explore — America’s lax gun laws, the larger racial context, religion — but the piece does pack a lot into its relatively short length. You can read her whole post here. (thx, meg)
In the hours after the January 6th terror attack on Congress, it seemed as though the early understanding was that a bunch of giddy goofballs — oops! — forced their way into the Capitol Building for funsies and photo ops. The stupid coup. As time passes and more photos & videos are released and reporting is done, the picture emerging is of a violent attack on members of Congress, their staff, and Capitol Police & other law enforcement officers by an armed & savage mob who narrowly missed assaulting, kidnapping, or even murdering members of Congress by mere minutes.
“We weren’t battling 50 or 60 rioters in this tunnel,” he said in the first public account from D.C. police officers who fought to protect the Capitol during last week’s siege. “We were battling 15,000 people. It looked like a medieval battle scene.”
Someone in the crowd grabbed Fanone’s helmet, pulled him to the ground and dragged him on his stomach down a set of steps. At around the same time, police said, the crowd pulled a second officer down the stairs. Police said that chaotic and violent scene was captured in a video that would later spread widely on the Internet.
Rioters swarmed, battering the officers with metal pipes peeled from scaffolding and a pole with an American flag attached, police said. Both were struck with stun guns. Fanone suffered a mild heart attack and drifted in and out of consciousness.
All the while, the mob was chanting “U.S.A.” over and over and over again.
“We got one! We got one!” Fanone said he heard rioters shout. “Kill him with his own gun!”
This was a “coordinated assault”:
Looking over the chaotic scene in front of him from the Capitol steps, Glover grew concerned as the battle raged. There were people caught up in the moment, he said, doing things they would not ordinarily do. But many appeared to be on a mission, and they launched what he and the police chief described as a coordinated assault.
“Everything they did was in a military fashion,” Glover said, saying he witnessed rioters apparently using hand signs and waving flags to signal positions, and using what he described as “military formations.” They took high positions and talked over wireless communications.
Authorities would later learn that some former members of the military and off-duty police officers from across the country were in the pro-Trump crowd. Glover called it disturbing that off-duty police “would knowingly and intentionally come to the United States Capitol and engage in this riotous and criminal behavior against their brothers and sisters in uniform, who are upholding their oaths of office.”
Blue Lives Matter…until they have the gall to get in the way of what you feel entitled to:
“The zealotry of these people is absolutely unreal,” said Hodges, who suffered from a severe headache but otherwise emerged unhurt. “There were points where I thought it was possible I could either die or become seriously disfigured.”
Still, Hodges said, he did not want to turn to his gun.
“I didn’t want to be the guy who starts shooting, because I knew they had guns — we had been seizing guns all day,” he said. “And the only reason I could think of that they weren’t shooting us was they were waiting for us to shoot first. And if it became a firefight between a couple hundred officers and a couple thousand demonstrators, we would have lost.”
Two of the officers interviewed for this story spoke to CNN for this report:
Officer Michael Fanone found himself in the midst of the insurrectionists and then briefly shielded from harm by some of the rioters after shouting “I have kids”. He had this to say to those who protected him: “Thank you. But fuck you for being there.”
From Luke Mogelson in The New Yorker, Among the Insurrectionists is an amazing and surreal account of how the January 6th domestic terror assault on Congress1 unfolded. (Note: This piece contains accounts of violence and lots of racist, anti-Semitic, misogynist, homophobic language.)
The America Firsters and other invaders fanned out in search of lawmakers, breaking into offices and revelling in their own astounding impunity. “Nancy, I’m ho-ome! ” a man taunted, mimicking Jack Nicholson’s character in “The Shining.” Someone else yelled, “1776 — it’s now or never.” Around this time, Trump tweeted, “Mike Pence didn’t have the courage to do what should have been done to protect our Country. … USA demands the truth!” Twenty minutes later, Ashli Babbitt, a thirty-five-year-old woman from California, was fatally shot while climbing through a barricaded door that led to the Speaker’s lobby in the House chamber, where representatives were sheltering. The congresswoman Alexandria Ocasio-Cortez, a Democrat from New York, later said that she’d had a “close encounter” with rioters during which she thought she “was going to die.” Earlier that morning, another representative, Lauren Boebert — a newly elected Republican, from Colorado, who has praised QAnon and promised to wear her Glock in the Capitol — had tweeted, “Today is 1776.”
When Babbitt was shot, I was on the opposite side of the Capitol, where people were growing frustrated by the empty halls and offices.
“Where the fuck are they?”
“Where the fuck is Nancy?”
No one seemed quite sure how to proceed. “While we’re here, we might as well set up a government,” somebody suggested.
Notably, the piece places the insurrection in the proper context alongside Trump’s campaign of misinformation (which began even before his Presidency and has focused heavily on election fraud) and as part of an escalating series of actions by militant fascist groups in DC and around the country.
In the days before January 6th, calls for a “real solution” became progressively louder. Trump, by both amplifying these voices and consolidating his control over the Republican Party, conferred extraordinary influence on the most deranged and hateful elements of the American right. On December 20th, he retweeted a QAnon supporter who used the handle @cjtruth: “It was a rigged election but they were busted. Sting of the Century! Justice is coming!” A few weeks later, a barbarian with a spear was sitting in the Vice-President’s chair.
Cause, effect. Here are more instances, from various times during the past few months:
It was clear that the men outside Harry’s on December 12th had travelled to D.C. to engage in violence, and that they believed the President endorsed their doing so. Trump had made an appearance at the previous rally, waving through the window of his limousine; now I overheard a Proud Boy tell his comrade, “I wanna see Trump drive by and give us one of these.” He flashed an “O.K.” hand sign, which has become a gesture of allegiance among white supremacists. There would be no motorcade this time, but while Fuentes addressed the groypers Trump circled Freedom Plaza in Marine One, the Presidential helicopter.
…
During the Presidential campaign, Trump’s histrionic exaggerations of the threat posed by Antifa fuelled conservative support for the Proud Boys, allowing them to vastly expand their operations and recruitment. The day after a Presidential debate in which Trump told the Proud Boys to “stand back and stand by,” Lauren Witzke, a Republican Senate candidate in Delaware, publicly thanked the group for having provided her with “free security.”
…
Early returns showed Trump ahead in Michigan, but many absentee ballots had yet to be processed. Because Trump had relentlessly denigrated absentee voting throughout the campaign, in-person votes had been expected to skew his way. It was similarly unsurprising when his lead diminished after results arrived from Wayne County and other heavily Democratic jurisdictions. Nonetheless, shortly after midnight, Trump launched his post-election misinformation campaign: “We are up BIG, but they are trying to STEAL the Election.”
The next day, I found an angry mob outside the T.C.F. Center. Police officers guarded the doors. Most of the protesters had driven down from Macomb County, which is eighty per cent white and went for Trump in both 2016 and 2020. “We know what’s going on here,” one man told me. “They’re stuffing the ballot box.”
…
In April, in response to Whitmer’s aggressive public-health measures, Trump had tweeted, “Liberate Michigan!” Two weeks later, heavily armed militia members entered the state capitol, terrifying lawmakers.
…
During Trump’s speech on January 6th, he said, “The media is the biggest problem we have.” He went on, “It’s become the enemy of the people. … We gotta get them straightened out.” Several journalists were attacked during the siege. Men assaulted a Times photographer inside the Capitol, near the rotunda, as she screamed for help. After National Guard soldiers and federal agents finally arrived and expelled the Trump supporters, some members of the mob shifted their attention to television crews in a park on the east side of the building. Earlier, a man had accosted an Israeli journalist in the middle of a live broadcast, calling him a “lying Israeli” and telling him, “You are cattle today.” Now the Trump supporters surrounded teams from the Associated Press and other outlets, chasing off the reporters and smashing their equipment with bats and sticks.
Update: This is an incredible video companion to this article — videos shot by Mogelson during assault on Congress:
I’ve seen many folks and media outlets refer to the events of January 6, 2021 as an attack “on the Capitol”. While that is technically correct, focusing on the venue obscures the true target: Congress. This was an attack on the entire legislative branch of the United States government. Being explicit about that point is important.↩
The history of women has been a history of silence.
As one of the film’s subjects, Laurie Spiegel explains: “We women were especially drawn to electronic music when the possibility of a woman composing was in itself controversial. Electronics let us make music that could be heard by others without having to be taken seriously by the male dominated Establishment.”
With many of her country’s men serving in the second World War, she began her career in radio broadcasting in the early ’40s. Galvanized by the ongoing developments in audio technology, she devoted much of her free time to exploring new ways to make sounds with electronics. One of the founding figures of the BBC’s Radiophonic Workshop, she was one of the earliest British composers to produce electronic sounds and compose from field recordings — Musique Concrete, the ancestry of today’s electronic music.
Sisters with Transistors has been playing at some online festivals but I couldn’t find any info about release dates or screenings in the US. Hopefully it will be out there soon? (via open culture)
In a hidden valley on an Indonesian island, there is a cave decorated with what may be the oldest figurative art ever glimpsed by modern eyes.
The vivid depiction of a wild pig, outlined and filled in with mulberry-hued pigment, dates back at least 45,500 years, according to a study published on Wednesday in Science Advances. It was discovered deep inside a cave called Leang Tedongnge in December 2017, during an archaeological survey led by Basran Burhan, a graduate student at Griffith University and co-author of the new research. The animal in the painting resembles the warty pig, a species still living today on the island of Sulawesi where the cave is.
Still up for debate: who painted it? Not the individual who painted it — we’ll never know that — but what species painted it.
Human skeletal remains as old as 45,500 years have never been found in Sulawesi, so it is not clear that the artists were anatomically modern humans. The islands that are now called Indonesia were inhabited by different hominins — the broader family to which humans belong — over long periods of time. Some of these hominin remains date “to over a million years old,” said Rasmi Shoocongdej, an archaeologist at Silpakorn University in Thailand who was not involved in the study.
This is an astute observation by Darren Walker, president of the Ford Foundation for Social Justice, in the wake of the 1/6 terror attack on Congress:
I have long believed that inequality is the greatest threat to justice — and, the corollary, that white supremacy is the greatest threat to democracy. But what has become clear during recent weeks — and all the more apparent yesterday — is that the converse is also true: Democracy is the greatest threat to white supremacy.
If you have full-throated democracy in the contemporary American demographic landscape, a white supremacist Republican party can’t win elections in many states. So they subvert democracy itself by disenfranchising voters (what Ibram X. Kendi calls voter subtraction) and, when that fails, they spread misinformation about unfair elections, attempt to cancel hundreds of thousands of lawful votes cast by US citizens, and execute a poorly planned coup to terrorize lawmakers into capitulating to their demands. Either white supremacy goes or democracy does — that’s our choice. (thx, betty)
Web performance and security company Cloudflare uses a wall of lava lamps to generate random numbers to help keep the internet secure. Random numbers generated by computers are often not exactly random, so what Cloudflare does is take photos of the lamps’ activities and uses the uncertainty of the lava blooping up and down to generate truly random numbers. Here’s a look at how the process works:
At Cloudflare, we have thousands of computers in data centers all around the world, and each one of these computers needs cryptographic randomness. Historically, they got that randomness using the default mechanism made available by the operating system that we run on them, Linux.
But being good cryptographers, we’re always trying to hedge our bets. We wanted a system to ensure that even if the default mechanism for acquiring randomness was flawed, we’d still be secure. That’s how we came up with LavaRand.
LavaRand is a system that uses lava lamps as a secondary source of randomness for our production servers. A wall of lava lamps in the lobby of our San Francisco office provides an unpredictable input to a camera aimed at the wall. A video feed from the camera is fed into a CSPRNG [cryptographically-secure pseudorandom number generator], and that CSPRNG provides a stream of random values that can be used as an extra source of randomness by our production servers. Since the flow of the “lava” in a lava lamp is very unpredictable, “measuring” the lamps by taking footage of them is a good way to obtain unpredictable randomness. Computers store images as very large numbers, so we can use them as the input to a CSPRNG just like any other number.
They were business owners, CEOs, state legislators, police officers, active and retired service members, real-estate brokers, stay-at-home dads, and, I assume, some Proud Boys.
The mob that breached the Capitol last week at President Donald Trump’s exhortation, hoping to overturn the results of the 2020 presidential election, was full of what you might call “respectable people.” They left dozens of Capitol Police officers injured, screamed “Hang Mike Pence!,” threatened to murder House Speaker Nancy Pelosi, and set up a gallows outside the building. Some were extremists using the crowd as cover, but as federal authorities issue indictments, a striking number of those they name appear to be regular Americans.
Post-truth is pre-fascism, and Trump has been our post-truth president. When we give up on truth, we concede power to those with the wealth and charisma to create spectacle in its place. Without agreement about some basic facts, citizens cannot form the civil society that would allow them to defend themselves. If we lose the institutions that produce facts that are pertinent to us, then we tend to wallow in attractive abstractions and fictions. Truth defends itself particularly poorly when there is not very much of it around, and the era of Trump — like the era of Vladimir Putin in Russia — is one of the decline of local news. Social media is no substitute: It supercharges the mental habits by which we seek emotional stimulation and comfort, which means losing the distinction between what feels true and what actually is true.
Post-truth wears away the rule of law and invites a regime of myth. These last four years, scholars have discussed the legitimacy and value of invoking fascism in reference to Trumpian propaganda. One comfortable position has been to label any such effort as a direct comparison and then to treat such comparisons as taboo. More productively, the philosopher Jason Stanley has treated fascism as a phenomenon, as a series of patterns that can be observed not only in interwar Europe but beyond it.
My own view is that greater knowledge of the past, fascist or otherwise, allows us to notice and conceptualize elements of the present that we might otherwise disregard and to think more broadly about future possibilities. It was clear to me in October that Trump’s behavior presaged a coup, and I said so in print; this is not because the present repeats the past, but because the past enlightens the present.
Snyder quotes Hannah Arendt in this piece and I’m going share a quote of hers I’ve shared before:
The moment we no longer have a free press, anything can happen. What makes it possible for a totalitarian or any other dictatorship to rule is that people are not informed; how can you have an opinion if you are not informed? If everybody always lies to you, the consequence is not that you believe the lies, but rather that nobody believes anything any longer. This is because lies, by their very nature, have to be changed, and a lying government has constantly to rewrite its own history. On the receiving end you get not only one lie-a lie which you could go on for the rest of your days-but you get a great number of lies, depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge. And with such a people you can then do what you please.
I think about her last line all the time: “And with such a people you can then do what you please.” Like make them assault Congress on behalf of yourself and your political party. This was not Snyder’s closing paragraph, but I’m going to end this post with it:
The lie outlasts the liar. The idea that Germany lost the First World War in 1918 because of a Jewish “stab in the back” was 15 years old when Hitler came to power. How will Trump’s myth of victimhood function in American life 15 years from now? And to whose benefit?
The Congressman Who Lost His Son and Fled a Mob. “The day before the Capitol riot, Representative Jamie Raskin buried his 25-year-old son, who had left a note for his family on New Year’s Eve.”
Details from the 1/6 terrorist attack on Congress continue to trickle out. Representative Alexandria Ocasio-Cortez was not in the Capitol during the event, but said in an hour-long Instagram Live video that she had a “very close encounter” that day and thought she was going to die. Here’s Ocasio-Cortez quoted by Emma Gray:
“Wednesday was an extremely traumatizing event. And it was not an exaggeration to say that many members of the House were nearly assassinated.”
She also felt unsafe around other members of Congress — From Buzzfeed News:
The Democrat said that she worried during the storming of the Capitol about other members of Congress knowing her location and did not feel safe going to the same secure location as her colleagues because of members who believe in the QAnon collective delusion and “frankly, white supremacist members of Congress … who I know and who I have felt would disclose my location,” saying she was concerned there were colleagues “who would create opportunities to allow me to be hurt, kidnapped, etc.” She said that she “didn’t feel safe around other members of Congress.”
“Based on today’s briefing, we have grave concerns about ongoing and violent threats to our democracy,” that group of Democratic chairs said in a cryptic statement after the meeting on Tuesday. The briefing included the chairs and other top members of the House Oversight, Judiciary, Homeland Security, Armed Services and Intelligence panels.
“It is clear that more must be done to preempt, penetrate, and prevent deadly and seditious assaults by domestic violent extremists in the days ahead,” the statement said.
The lawmakers voiced their concerns moments after a public FBI and Justice Department briefing revealed their belief that the Jan. 6 violence could be part of a much graver, well-organized “seditious conspiracy.”
What an remarkable collection of statements & events. This is not going away. Any elected official who supported this coup effort must resign or be removed from office. How can you “secure Congress” when members of Congress are part of the effort to subvert it?
Since 2007, artist Walead Beshty has been cleverly using FedEx’s shipping infrastructure to create a series of artworks. He constructs glass objects that fit exactly into FedEx’s shipping boxes and then ships them to galleries and museums without any protection against damage. Any cracks or breaks in the glass became part of the work upon display at its destination. According this interview, part of what interested Beshty about doing this project related to the proprietary sizes of FedEx’s boxes:
As for the corporate dimension, I was aware that standard FedEx boxes are SSCC coded (serial shipping container code), a code that is held by FedEx and excludes other shippers from registering a box with the same dimensions. In other words, the size of an official FedEx box, not just its design, is proprietary; it is a volume of space which is a property exclusive to FedEx. When thinking about the work, its scale and so on, it made sense to adhere to that proprietary volume, because, as a modular, it had a real and preexisting significance in daily life, it was common, specific, and immediately familiar. That is, it had an iconic resonance that a more arbitrary form or shape wouldn’t have.
And each time the work is shipped — say from one gallery to another — it’s unwittingly altered further by a system created by a massive multinational corporation:
Rather than thinking in terms of the Duchampian readymade, which is most often understood as operating iconically — as in the appropriation and repositioning of a static thing — I was thinking of readymade systems of production, of using pre-existing active systems to produce a work. No object is truly static anyway, so this opened up broader questions I had about the tradition of appropriation, the way it froze cultural signifiers and reapplied them to other contexts, treated images as dead, static things… The object isn’t treated differently than other FedEx packages, I simply used FedEx to transport an object that registers how the system treated it in aesthetic terms. The result is that the object is constantly changing. Every time the work is shipped it goes through a material transformation.
The US needs a National Hi-Fi Mask Initiative. “Ideally, a set of [N95 or close equivalent] masks would be mailed to each U.S. household every month — the costs of doing so pale in comparison to the pandemic’s toll on lives and the economy.”
There is a lie some Americans tell themselves when America is on its worst behavior: “This isn’t America!” or “This isn’t who we are!” or “We’re better than this!”
You heard versions of this lie again this week after armed insurrectionists stormed the U.S. Capitol on urging from President Trump, attempting to undo the results of last November’s election.
Even in the halls of Congress, after the broken glass was cleared and U.S. senators and representatives were allowed back into their chambers from undisclosed locations, Republican Sen. Ben Sasse of Nebraska came back to this refrain: “Our kids need to know that this isn’t what America is.”
We are a country built on fabrication, nostalgia and euphemism. And every time America shows the worst of itself, all the contradictions collapse into the lie I’ve heard nonstop for the last several years: “This isn’t who we are.”
Until America fully reckons with, accepts, and makes amends for the two primary sins of its founding — the colonization and genocide of indigenous people and the system of heredity chattel slavery — the nation cannot truly move forward and be a democracy. From the standpoint of indigenous and Black people — as well as women, LGBTQ+ folx, people of color, and other historically marginalized groups — America has always been a fascist country. The sooner that the white ruling class and those of us who benefit from white supremacist-misogynist identity politics (as Rebecca Solnit put it recently) understand and own up to that fact, the sooner we can actually start coming together as a nation committed to “Life, Liberty and the pursuit of Happiness” of all its inhabitants.
I’d like to take a brief moment at the end of this weird and difficult week to appreciate this monogram that’s part of Burger King’s new brand identity.
He also revealed that he had defied the explicit instructions of his confidential source, whom others later identified as Daniel Ellsberg, a former Defense Department analyst who had been a contributor to the secret history while working for the Rand Corporation. In 1969, Mr. Ellsberg had illicitly copied the entire report, hoping that making it public would hasten an end to a war he had come passionately to oppose.
Contrary to what is generally believed, Mr. Ellsberg never “gave” the papers to The Times, Mr. Sheehan emphatically said. Mr. Ellsberg told Mr. Sheehan that he could read them but not make copies. So Mr. Sheehan smuggled the papers out of the apartment in Cambridge, Mass., where Mr. Ellsberg had stashed them; then he copied them illicitly, just as Mr. Ellsberg had done, and took them to The Times.
Over the next two months, he strung Mr. Ellsberg along. He told him that his editors were deliberating about how best to present the material, and he professed to have been sidetracked by other assignments. In fact, he was holed up in a hotel room in midtown Manhattan with the documents and a rapidly expanding team of Times editors and reporters working feverishly toward publication.
Climate change is chaos by nature. It means more powerful storms, more intense wildfires, more extreme floods and droughts. It is an assault on the weakest among us, and decades of the right-wing mindset of small government have left the country with fewer resources to deal with the fallout. As the summer’s wildfires show, the far-right will be there to try to fill the power void. Those fires occurred in a predominantly white region.
There’s a strong strain of white nationalism and neo-Nazism that ran through Wednesday’s insurrection, and it’s easy to imagine what will happen when flames or storms hit places that are predominantly Black, brown, or Indigenous. In fact, we don’t need to imagine it at all. We’ve seen it in the gunman who showed up at a Walmart to kill immigrants whom he falsely blamed for putting strain on the environment. And we saw it in the white vigilante violence in the vacuum after Hurricane Katrina hit New Orleans. We’ve seen it so frequently, it even has a name: ecofascism.
After Wednesday, the boundaries of permissible violence have now expanded to a distorting degree, at a time of increasing climate instability. White supremacists, neo-Nazis, and other extremists literally took over the halls of power and got away with it. When climate change upends communities with far fewer defenses — communities that hate groups already scapegoat — the results will be catastrophic.
As we’ve seen with the pandemic, fascists will use climate chaos to assert dominance and snatch for power. Others will make vast sums of money — and inequality will continue to grow. Creating confusion with misinformation makes all of that easier to manage for these opportunists.
Madness on Capitol Hill. “‘This is not America,’ a woman said to a small group, her voice shaking. She was crying, hysterical. ‘They’re shooting at us. They’re supposed to shoot BLM, but they’re shooting the patriots.’”
A List of Everyone Complicit in This Coup Attempt. People must be held accountable for this. Otherwise, after Ted Cruz is elected President in 2024, he’ll be the last democratically elected one. (Far-fetched? Not after what happened today.)
The video showcases a style of riding where their wheels stay mostly on the ground, harkening back to skateboarding’s “history of freestyle flat-land skateboarding in the 70’s-80’s and the footwork that longboard surfers sometimes use”.
Nicholas Rougeux has beautifully reproduced & remastered botanical illustrator Elizabeth Twining’s catalog of plants and flowers from 1868, Illustrations of the Natural Orders of Plants. Each of the 160 illustrations is accompanied by explanatory text from the original book and an interactive version of the image (click on the highlighted plant for more info).
America’s “toxic individualism” has got to go. “How do you convince people that caring about others is necessary? How can we relay the idea that living in a civilized society means working for the health and happiness of everyone in it?”
A major reason points-and-miles trips exist is because airlines turn a more stable profit by minting their own currencies than by selling actual airline seats. The flight seems almost ancillary to the financial transaction it enables — a trend across the whole economy, where the selling of goods or services serves to enable the collection of data, the absorption of venture capital funds or the levying of hidden transaction fees. In this scheme, posting to social media, or collecting points and miles, or ordering a taxi or a gyro on your phone, is merely a gesture to keep the whole process in motion. The real moneymaking happens behind the scenes, driven by a series of exchanges where value seems conjured from nothing at all.
But of course, value always comes from somewhere. If you trace the thread back on any one of these businesses, it’s always the same deal: The poor underwrite the fantasies of the middle class, who in turn underwrite the realities of the rich. When credit cards charge high interchange fees, they pass the cost of loyalty programs on to merchants, who in turn pass it back to customers by building the fees into their sticker prices. Those who pay with credit can earn it back in points. Those who pay with debit or cash wind up subsidizing someone else’s free vacation. According to a 2010 policy paper by economists at the Federal Reserve Bank of Boston, the average cash-using household paid $149 over the course of a year to card-using households, while each card-using household received $1,133 from cash users, partially in the form of rewards. It remains a regressive transfer to this day.
On his blog, Conor Barnes shared an eclectic list of 100 Tips For A Better Life. I’m less keen on these sorts of lists than I used to be because they’re often written for people who already have pretty good lives and it’s too easy to imagine that a list advocating the opposite of each tip would also lead to a better life. To be fair, Barnes’ list acknowledges the difficulty with generalized advice:
31. The best advice is personal and comes from somebody who knows you well. Take broad-spectrum advice like this as needed, but the best way to get help is to ask honest friends who love you.
That said, here are some of the list items that resonated with me in some way.
3. Things you use for a significant fraction of your life (bed: 1/3rd, office-chair: 1/4th) are worth investing in.
I recently upgraded my mattress from a cheap memory foam one I’d been using for almost 7 years to a hybrid mattress that was probably 3X the cost but is so comfortable and better for my back.
13. When googling a recipe, precede it with ‘best’. You’ll find better recipes.
I’ve been doing this over the past year with mixed results. Google has become a terrible way to find good recipes, even with this trick. My version of this is googling “kenji {name of dish}” — works great.
27. Discipline is superior to motivation. The former can be trained, the latter is fleeting. You won’t be able to accomplish great things if you’re only relying on motivation.
My motivation is sometimes very low when it comes to working on this here website. But my discipline is off the charts, so it gets done 99 days out of 100, even in a pandemic. (I am still unclear whether this is healthy for me or not…)
46. Things that aren’t your fault can still be your responsibility.
48. Keep your identity small. “I’m not the kind of person who does things like that” is not an explanation, it’s a trap. It prevents nerds from working out and men from dancing.
Oh, this used to be me: “I’m this sort of person.” Turns out, not so much.
56. Sometimes unsolvable questions like “what is my purpose?” and “why should I exist?” lose their force upon lifestyle fixes. In other words, seeing friends regularly and getting enough sleep can go a long way to solving existentialism.
75. Don’t complain about your partner to coworkers or online. The benefits are negligible and the cost is destroying a bit of your soul.
Interpreting “partner” broadly here, I completely agree with this one. If they are truly a partner (romantic, business, parenting), complaining is counterproductive. Instead, talk to others about how those relationships can be repaired, strengthened, or, if necessary, brought to an appropriate end.
88. Remember that many people suffer invisibly, and some of the worst suffering is shame. Not everybody can make their pain legible.
91. Human mood and well-being are heavily influenced by simple things: Exercise, good sleep, light, being in nature. It’s cheap to experiment with these.
This is good advice, but some of these things actually aren’t “cheap” for some people.
100. Bad things happen dramatically (a pandemic). Good things happen gradually (malaria deaths dropping annually) and don’t feel like ‘news’. Endeavour to keep track of the good things to avoid an inaccurate and dismal view of the world.
Oof, this ended on a flat note. Many bad things seem to happen dramatically because we don’t notice the results of small bad decisions accumulating over time that lead to sudden outcomes. Like Hemingway said about how bankruptcy happens: gradually, then suddenly. Lung cancer doesn’t happen suddenly; it’s the 40 years of cigarettes. California’s wildfires are the inevitable result of 250 years of climate change & poor forestry management techniques. Miami and other coastal cities are being slowly claimed by the ocean — they will reach breaking points in the near future. Even the results of something like earthquakes or hurricanes can be traced to insufficient investment in safety measures, policy, etc.
The pandemic seemed to come out of nowhere, but experts in epidemiology & infectious diseases had been warning about a pandemic just like this one for years and even decades. The erosion of public trust in government, the politicization of healthcare, the deemphasis of public health, and the Republican death cult (which is its own slow-developing disaster now reaching a crisis) controlling key aspects of federal, state, and local government made the pandemic impossible to contain in America. (This is true of most acute crises in the United States. Where you find people suffering, there are probably decades or even centuries of public policy to blame.)
Bad news happens slowly and unnoticed all the time. You don’t have to look any further for evidence of this than how numb we are to the fact that thousands of Americans are dying every single day from a disease that we know how to control. So, endeavour to keep track of the bad things to avoid an inaccurate and unrealistically optimistic view of the world — it helps in making a list of injustices to pay attention to and work against.
A book? (I love books.) About book cover design? (I love book cover design.) By book cover designer Peter Mendelsund? (I love Peter Mendelsund. Platonically. More as a concept, really — we’ve never met.) And co-written by David Alworth? (I don’t know David Alworth but he seems like a solid chap.) The Look of the Book checks a lot of my boxes and might do so for you as well.
As the outward face of the text, the book cover makes an all-important first impression. The Look of the Book examines art at the edges of literature through notable covers and the stories behind them, galleries of the many different jackets of bestselling books, an overview of book cover trends throughout history, and insights from dozens of literary and design luminaries.
GANksy is an AI program trained on Banksy’s street art.
GANksy was born into the cloud in September 2020, then underwent a strenuous A.I. training regime using hundreds of street art photos for thousands of iterations to become the fully-formed artist we see today. All of GANksy’s works are original creations derived from its understanding of shape, form and texture. GANksy wants to be put into a robot body so it can spraypaint the entire planet.
The results are cool but not super coherent — these look more like abstract NIN and Radiohead album covers than the sly & whimsical works Banksy stencils up around the world. With GANksy, you get the feel of Banksy’s art and the surfaces he chooses to put it on but little of the meaning, which is about what you would expect from training using a neural network based on style.
In this new phase of excavation, the last section of the counter to be unearthed revealed other exquisite scenes of still life, with depictions of animals which were likely butchered and sold here. Bone fragments belonging to the same animals were also discovered inside containers embedded in the counter, which held foodstuffs intended for sale, such as in the case of the two mallard ducks shown upside down, ready to be cooked and eaten; a rooster; and a dog on a lead, the latter serving almost as a warning in the manner of the famed Cave Canem.
The photos are blowing my mind here. You never really think about the to-go food stall as an architectural archetype — much less one that’s 2000 years old — but all the elements are right there. It doesn’t look so much different from a hot food bar at an NYC bodega or Whole Foods. Archaeologists also found graffiti scrawled on the wall of the snack bar, just like that on the walls & tables of a place like John’s Pizzeria. You could completely imagine yourself standing there, two millennia ago, looking at the pictures and containers of what’s on offer, ordering some lunch, and chuckling at the graffiti with a pal.
James Bolin was a 93-year-old widower when Jackson’s father volunteered her to stop by his house each day and assist him with chores as she headed home from school.
Bolin, who was a private in the 14th Missouri Cavalry and served until the end of the war in Co. F, did not believe in accepting charity and after a lengthy period of time asked Jackson for her hand in marriage as a way to provide for her future.
“He said that he would leave me his Union pension,” Jackson explained in an interview with Historian Hamilton C. Clark. “It was during the depression and times were hard. He said that it might be my only way of leaving the farm.”
Jackson didn’t talk publicly about her marriage until the last few years and never applied for the pension — the last person receiving a Civil War pension from the US government died in mid-2020. As I wrote then, about the Great Span:
This is a great example of the Great Span, the link across large periods of history by individual humans. But it’s also a reminder that, as William Faulkner wrote: “The past is never dead. It’s not even past.” Until this week, US taxpayers were literally and directly paying for the Civil War, a conflict whose origins stretch back to the earliest days of the American colonies and continues today on the streets of our cities and towns.
Researchers at Kyoto University and a Japanese forestry company have joined forces to develop orbital satellites made out of wood, purportedly to address the growing threat of space junk. The design will need to be resistant to dramatic changes in temperature and sunlight but will easy burn up in the Earth’s atmosphere upon reentry.
I love the idea of satellites made from wood — it seems like Victorian-era scifi. The harshness of space seems like a domain exclusively for metals and ceramics, but wood is a surprisingly versatile material used in many different severe environments on Earth. There’s no reason it couldn’t work in space as well — and if their traditional expertise in joinery is any indication, I trust the Japanese to figure out a way make it happen.
Unfortunately, making satellite housings out of wood won’t help with this, for many, many reasons. To start with, a lot of the junk isn’t ex-satellites; it’s often the boosters and other hardware that got them to orbit in the first place. Housings are also only a fraction of the material in a satellite, leaving lots of additional junk untouched by the change, and any wood that’s robust enough to function as an effective satellite housing will be extremely dangerous if it impacts anything at orbital speeds.
DJ Earworm has made a chronological mix of songs, one from each year from 1970 to 2020.1 The Jackson 5 flows into Rod Stewart, Def Leppard into Milli Vanilli, Eric Clapton into Chumbawamba into The Verve, Shakira into Rihanna, and Ed Sheeran into Justin Bieber. Go on then, take a ride.
Ok, the title says “50 Songs from the Last 50 Years” but 1970 to 2020 is really 51 years (and therefore 51 songs). This is a common counting challenge, source of many off-by-one errors in software engineering. The way I learned to deal with it in grade school math class (and how I still think about it) is: are you counting fence posts or the gaps between them? So, a person born in 1970 turned 50 years old in 2020 but a song from each year from 1970 to 2020 totals 51 songs.
Anyway, I fudged the title to the nice round number of 50. I’m fun at parties!↩
The Open Source Motorcycle. Using this collection of open source, modular part designs, you can “build your own fully customizable, street-legal motorcycle in a weekend”.
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