Ben Fino-Radin of MoMA's Department of Conservation wrote a brief post about how the museum manages their digital artworks, including a bit about how they think about futureproofing the collection.
The packager addresses the most fundamental challenge in digital preservation: all digital files are encoded. They require special tools in order to be understood as anything more than a pile of bits and bytes. Just as a VHS tape is useless without a VCR, a digital video file is useless without some kind of software that understands how to interpret and play it, or tell you something about its contents. At least with a VHS tape you can hold it in your hand and say, "Hey, this looks like a VHS tape and it probably has an analog video signal recorded on it." But there is essentially nothing about a QuickTime .MOV file that says, "Hello, I am a video file! You should use this sort of software to view me." We rely on specially designed software-be it an operating system or something more specialized-to tell us these things. The problem is that these tools may not always be around, or may not always understand all formats the way they do today. This means that even if we manage to keep a perfect copy of a video file for 100 years, no one may be able to understand that it's a video file, let alone what to do with it. To avoid this scenario, the "packager" -- free, open-source software called Archivematica -- analyzes all digital collections materials as they arrive, and records the results in an obsolescence-proof text format that is packaged and stored with the materials themselves. We call this an "archival information package."
Neal Stephenson has made the first 26 pages of his upcoming book, Seveneves, available on his website. About the book:
A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space.
But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain...
Five thousand years later, their progeny-seven distinct races now three billion strong-embark on yet another audacious journey into the unknown... to an alien world utterly transformed by cataclysm and time: Earth.
The novel is out on May 19.
Roger Pasquier hunts for coins on NYC sidewalks and keeps track of how much he finds. He discovered an odd consequence of everyone having a smartphone: people don't pick up change on the sidewalk anymore.
From 1987 to 2006, he averaged about fifty-eight dollars a year. Then Apple introduced the iPhone, and millions of potential competitors started to stare at their screens rather than at the sidewalks. Since 2007, Pasquier has averaged just over ninety-five dollars a year.
I know, I know, that's anecdotal and correlation != causation and whatever, but that's an interesting theory.
David Chase analyzes the final scene of The Sopranos in great detail for the Directors Guild of America's quarterly magazine.
It was my decision to direct the episode such that whenever Tony arrives someplace, he would see himself. He would get to the place and he would look and see where he was going. He had a conversation with his sister that went like this. And then he later had a conversation with Junior that went like this. I had him walk into his own POV every time. So the order of the shots would be Tony close-up, Tony POV, hold on the POV, and then Tony walks into the POV. And I shortened the POV every time. So that by the time he got to Holsten's, he wasn't even walking toward it anymore. He came in, he saw himself sitting at the table, and the next thing you knew he was at the table.
Great read. Here's the final scene to refresh your memory.
Behold, the world's greatest kitchen utensil, the Nessie Ladle.
A new listen-while-you-code/write/design favorite.
I really liked the movie. Matt Zoller Seitz's review captured it well.
Inspired by the logo for Hillary Clinton's 2016 Presidential run, designer Rick Wolff created an entire uppercase alphabet for a typeface he's calling Hillvetica.
From his Twitter stream, it appears that Wolff is attempting to make an actual Hillvetica font so stay tuned. FYI, Pentagram partner Michael Bierut designed the logo. The simplicity is appealing, but overall I am not a big fan of the arrowed H.
Update: The Washington Post made a little text editor so you can write whatever you want in Hillvetica. The Clinton campaign has already put it to use:
The aluminum soda can is a humble testament to the power and scope of human ingenuity. If that sounds like hyperbole, you should watch this video, which features eleven solid minutes of engineering explanation and is not boring for even a second.
More science/engineering programming like this please...I feel like if this would have been on PBS or Discovery, it would have lasted twice as long and communicated half the information. For a chaser, you can watch a detailed making-of from an aluminum can manufacturing company:
Watson, IBM's evolving attempt at building a computer capable of AI, was originally constructed to excel at Jeopardy. Which it did, handily beating Jeopardy mega-champ Ken Jennings. Watson has since moved on to cooking and has just come out with a new cookbook, Cognitive Cooking with Chef Watson.
You don't have to be a culinary genius to be a great cook. But when it comes to thinking outside the box, even the best chefs can be limited by their personal experiences, the tastes and flavor combinations they already know. That's why IBM and the Institute of Culinary Education teamed up to develop a groundbreaking cognitive cooking technology that helps cooks everywhere discover and create delicious recipes, utilizing unusual ingredient combinations that man alone might never imagine.
In Cognitive Cooking with Chef Watson, IBM's unprecedented technology and ICE's culinary experts present more than 65 original recipes exploding with irresistible new flavors. Together, they have carefully crafted, evaluated and perfected each of these dishes for "pleasantness" (superb taste), "surprise" (innovativeness) and a "synergy" of mouthwatering ingredients that will delight any food lover.
The electric snowstorm is joined by a single tone that ascends like a gospel choir singing to the heavens.
Playboy's Zaron Burnett on HBO's static intro, the most powerful force in the universe.
Syndicated from NextDraft. Subscribe today or grab the iOS app.
David Brooks asks: what does life look like when you stop focusing so much on resume building and external achievement and spend more time working on your morality and inner character?
It occurred to me that there were two sets of virtues, the résumé virtues and the eulogy virtues. The résumé virtues are the skills you bring to the marketplace. The eulogy virtues are the ones that are talked about at your funeral -- whether you were kind, brave, honest or faithful. Were you capable of deep love?
We all know that the eulogy virtues are more important than the résumé ones. But our culture and our educational systems spend more time teaching the skills and strategies you need for career success than the qualities you need to radiate that sort of inner light. Many of us are clearer on how to build an external career than on how to build inner character.
But if you live for external achievement, years pass and the deepest parts of you go unexplored and unstructured. You lack a moral vocabulary. It is easy to slip into a self-satisfied moral mediocrity. You grade yourself on a forgiving curve. You figure as long as you are not obviously hurting anybody and people seem to like you, you must be O.K. But you live with an unconscious boredom, separated from the deepest meaning of life and the highest moral joys. Gradually, a humiliating gap opens between your actual self and your desired self, between you and those incandescent souls you sometimes meet.
This essay is adapted from Brooks' newest book, The Road to Character, which is out tomorrow.
From Cameron Beyl, a three-hour video essay on the films of Stanley Kubrick. The essay splits Kubrick's career into five parts: the early independent features (Fear & Desire, Killer's Kiss, The Killing), the Kirk Douglas years (Paths of Glory, Spartacus), the Peter Sellers comedies (Lolita, Dr. Strangelove), the Master Works (2001, A Clockwork Orange, Barry Lyndon, The Shining), and the final features (Full Metal Jacket, Eyes Wide Shut).
Beyl has just begun his second extended essay, on David Fincher. (via openculture)
A new book from the guys who brought you Freakonomics (which is ten years old...ten years): When to Rob a Bank: ...And 131 More Warped Suggestions and Well-Intended Rants.
Over the past decade, Steven D. Levitt and Stephen J. Dubner have published more than 8,000 blog posts on Freakonomics.com. Many of them, they freely admit, were rubbish. But now they've gone through and picked the best of the best. You'll discover what people lie about, and why; the best way to cut gun deaths; why it might be time for a sex tax; and, yes, when to rob a bank. (Short answer: never; the ROI is terrible.) You'll also learn a great deal about Levitt and Dubner's own quirks and passions, from gambling and golf to backgammon and the abolition of the penny.
FWIW, here are the posts about the sex tax and when to rob a bank. (via mr)
This collection of prints produced by artists about the Sino-Japanese War and housed in The British Library is great, but this particular print is just beyond:
« Newer entries | Older entries »