The Book of Circles is an upcoming book by Manuel Lima about the use of circles in information design.
In this follow-up to his hugely popular The Book of Trees and Visual Complexity, Manuel Lima takes us on a lively tour through millennia of circular information design. Three hundred detailed and colorful illustrations from around the world cover an encyclopedic array of subjects-architecture, urban planning, fine art, design, fashion, technology, religion, cartography, biology, astronomy, and physics, all based on the circle, the universal symbol of unity, wholeness, infinity, enlightenment, and perfection. Clay tokens used by ancient Sumerians as a system of recording trade are juxtaposed with logos of modern retailers like Target; Venn diagrams are discussed alongside the trefoil biohazard symbol, symbols of the Christian trinity, and the Olympic rings; and a diagram revealing the characteristics of ten thousand porn stars displays structural similarities to early celestial charts placing the earth at the center of the universe.
I have both of Lima’s previous books, The Book of Trees and Visual Complexity.
I finally got the chance to see Hidden Figures the other day. Recommended. It’s a science/space story in the vein of Apollo 13, but the twin engines of the film are the three excellent lead actresses — Taraji P. Henson, Octavia Spencer & Janelle Monáe — and the persistent portrayal of the systemic biases of segregation and sexism. You watch this movie and think, how much higher could the human race have flown if women and people of color had always had the same opportunities as white men?1 How many Katherine Johnsons never got the chance to develop and use their skills in math, science, or technology because of their skin color or gender? Our society wastes so much energy and human lives telling people what they can’t do rather than empowering them to show everyone what they can do.
Hidden Figures was adopted from Margot Lee Shetterly’s book of the same name. The film takes some dramatic license with the timing of certain events but overall is historically accurate.
The film primarily focuses on John Glenn’s 1962 trip around the globe and does add dramatic flourishes that are, well, Hollywood. However, most of the events in the movie are historically accurate. Johnson’s main job in the lead-up and during the mission was to double-check and reverse engineer the newly-installed IBM 7090s trajectory calculations. As it shows, there were very tense moments during the flight that forced the mission to end earlier than expected. And John Glenn did request that Johnson specifically check and confirm trajectories and entry points that the IBM spat out (albeit, perhaps, not at the exact moment that the movie depicts). As Shetterly wrote in her book and explained in a September NPR interview, Glenn did not completely trust the computer. So, he asked the head engineers to “get the girl to check the numbers… If she says the numbers are good… I’m ready to go.”
You can view Johnson’s published reports on NASA’s site, including her initial technical report from 1960 on the Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position.
You can’t control what the stock market does, who the President is, or what your partner wants to do with their life. So why not focus your energy on stuff you can control? From Lori Deschene at Tiny Buddha, a list of 50 Things You Can Control Right Now. Here are some that jumped out at me:
Your level of honesty.
How often you say “thank you.”
Whether or not you give someone the benefit of the doubt.
Whether or not you compete with people around you.
Whether you think positive or negative thoughts.
How much time you spend worrying.
How much exercise you get.
How many risks you take.
The type of food you eat.
The list isn’t perfect — e.g. it’s more difficult for some people to control what they eat than others — but the point is that worrying about things outside of your control can burn a lot of energy that you can use in more productive ways to make your life better.
BTW, this is a reminder to myself more than anything. There are three things I’m super-anxious about right now that I have zero control over and I am desperately trying to convince myself that focusing on things I can do something about is the only way through.
From designer Christian Annyas, an overview of the typography used in the titles and posters of Stanley Kubrick’s movies. Click on each graphic to see the poster or title sequence it was sourced from.
Some genius took footage from The Americans and cut it into an alternative music video for The Beastie Boys Sabotage. Compare with the real thing:
Pretty good! Plus it’s always great to hear that song. (thx, steve)
Not wanting to listen to the news on inauguration day, artist Kara Walker painted. The result is a Trumpian take on Emanuel Leutze’s famous work “Washington Crossing the Delaware”, a copy of which is on display at the Met Museum. I hope I get to see Walker’s version in a museum or gallery someday soon.
In 1960, saxophonist Steve Lacy wrote down a list of advice from jazz pianist Thelonious Monk on how to play music. Among the items on the list:
Just because you’re not a drummer, doesn’t mean you don’t have to keep time.
Don’t play the piano part, I’m playing that. Don’t listen to me. I’m supposed to be accompanying you!
Always leave them wanting more.
What should we wear tonight? Sharp as possible!
Whatever you think can’t be done, somebody will come along & do it. A genius is the one most like himself.
As is the case with most thoughtful advice, many of Monk’s points apply to things other than music. (via swiss miss)
In the Atlantic, Ian Bogost takes on the accepted view that Apple has great design, calling it “the biggest myth in technology today”.
At base, such a claim seems preposterous. In 1977, the Apple II made the microcomputer useful and affordable. In 1984, the Macintosh made the computer more usable by the everyperson thanks to the graphical user interface. In 2001, the iPod fit a music library in a pocket. In 2007, the iPhone made computing portable (and obsessive).
But if Apple designs at its best when attending closely to details like those revealed in the construction of its spaceship headquarters, then presumably the details of its products would stand out as worthy precedents. Yet, when this premise is tested, it comes up wanting. In truth, Apple’s products hide a shambles of bad design under the perfection of sleek exteriors.
While I find this piece to be hyperbolic, it hints at where Apple’s design is weakest. Apple is great at designing products but less good at designing the connections between these products and the rest of the world.1 iPhones, iPods, and iPads are great, but you have to go through iTunes to manage their contents. As Bogost notes, the power cords and chargers for their products are often bulky and awkward…you can’t even charge the newest iPhone using the newest Macbook Pro without a separate adapter. Who makes all the apps that people want to use on their iPhones to chat/connect/flirt/collaborate with their loved ones? Facebook, Snap, Google, Slack…not Apple, who initially wasn’t even going to provide a way for 3rd parties to build apps for the iPhone. Almost every attempt by Apple to build services to connect people — remember Ping?! — has failed. Even iCloud, which promised to unite all Apple devices into one fluid ecosystem, was plagued for years with reliability problems and still isn’t as good as Dropbox. How devices, apps, and people interconnect are far more important now than in 1977, 1984, and even 2007, when the iPhone was introduced, and Apple could stand to focus more of their design energy on that experience.
Voracious reader Tyler Cowen has been reading about fascism recently and shares his thoughts on some specific books. It seems as though A History of Fascism, 1914-1945 and The Anatomy of Fascism are the two to start with.
Stanley G. Payne, A History of Fascism 1914-1945. One of the classics, readable and comprehensive and one of the best places to start. One thing I learned from this pile of books is how hard some of those leaders worked to have the mid-level bureaucracy on their side. The centralization often occurred at higher levels, for instance Mussolini had 72 cabinet meetings in 1933, but only 4 in 1936. The Italian Fascist party, by the way, was disproportionately Jewish, at least pre-1938.
Cowen’s conclusion after his reading? The US is not headed toward fascism:
Overall I did not conclude that we Americans are careening toward fascist outcomes. I do not think that notion is well-suited to the great complexity of contemporary bureaucracy, nor to our more feminized and also older societies. Furthermore, in America democracy has taken much deeper roots and the system of checks and balances, whatever its flaws, has stood for a few hundred years, contra either Italy or Germany in their fascist phases.
Looking over Umberto Eco’s 14 Features of Eternal Fascism, I might disagree with that. So far, the Trump administration has been working quickly to consolidate its power and the Republican-majority Congress has shown little interest in stopping them — e.g. the so-called confirmation hearings are little more than formalities when Republicans are voting as a bloc in most cases. The judicial branch has been more attentive thus far in making sure the Republicans are operating within the law (e.g. the rulings against Trump’s travel ban and the NC governor’s limitation of powers), providing the essential “checks and balances” Cowen speaks of. But the law…well, let’s just say that plenty of bad and immoral things are legal, particularly when powerful people and the governmental bodies responsible for making laws are concerned, and much depends on the intelligence and resourcefulness of the lawyers and political viewpoints of the judges involved. All it would take is a little more thoughtfulness1 on the part of Trump’s team in writing his executive orders and they can probably get much of what they want legally.
Anyway, on a broader authoritarian note, Brendan Nyham of Dartmouth College has compiled a reading list for understanding the authoritarian turn in US politics.
Not going to say much about this one. Just watch it…especially if somehow, as a curious, thoughtful person who reads this site regularly, you are unaware of how many in the black community feel about the police and that they have conversations like this with their children about those who are supposed to protect and serve people.
This is a map showing where all of the characters originated in Homer’s epic poem The Iliad. I know Greece is small by today’s standards, but it was surprising to me how geographically widespread the hometowns of the characters were. The Iliad is set sometime in the 11th or 12th century BC, about 400 years before Homer lived. I wonder if that level of mobility was accurate for the time or if Homer simply populated his poem with folks from all over Greece as a way of making listeners from many areas feel connected to the story — sort of the “hello, Cleveland!” of its time. (thx, adriana)
Update: I’ve gotten lots of feedback saying that not every character is represented in this map (particularly the women) and that some of the locations and hometowns are incorrect. Seems like Wikipedia might need to take a second look at it.
Update: The map was made using the Catalogue of Ships, a list of Achaean ships that sailed to Troy, and the Trojan Catalogue, a list of battle contingents that fought for Troy. That’s why it’s incomplete. An excerpt:
Now will I tell the captains of the ships and the ships in their order. Of the Boeotians Peneleos and Leïtus were captains, and Arcesilaus and Prothoënor and Clonius; these were they that dwelt in Hyria and rocky Aulis and Schoenus and Scolus and Eteonus with its many ridges, Thespeia, Graea, and spacious Mycalessus; and that dwelt about Harma and Eilesium and Erythrae; and that held Eleon and Hyle and Peteon, Ocalea and Medeon, the well-built citadel, Copae, Eutresis, and Thisbe, the haunt of doves; that dwelt in Coroneia and grassy Haliartus, and that held Plataea and dwelt in Glisas; that held lower Thebe, the well-built citadel, and holy Onchestus, the bright grove of Poseidon; and that held Arne, rich in vines, and Mideia and sacred Nisa and Anthedon on the seaboard.
In a bonus from the food series The Mind of a Chef, LA chef Ludo Lefebvre visits a butter factory where they make customized butter for restaurants.
So when we visited the Jean-Yves Bordier Butter factory in the Brittany region of France and had chef Ludo Lefebvre help in the process, it was nothing but pure amazement in his eyes. Le Beurre Bordier customizes it’s butter to the specifications of the chefs they send it to.
The video is subtitled and they go really quick, but I love the look on Lefebvre’s face after he runs his thumb through the finished butter: pure childlike wonder. The full episode featuring Lefebvre is available on PBS’s website (likely for US viewers only). This clip pairs well with this video on how to make croissants. (via the excellent the kid should see this)
I really like Keanu Reeves. He’s one of my favorite actors and seems like a genuinely nice person who has dealt well with his stardom. But after watching this collection of clips from every single movie he’s ever been in, I can’t tell if Reeves is actually a good actor or not. He definitely gets better as his career progresses, but many scenes where emotion or nuance are called for are just…oof. It’s like he’s reading the dictionary sometimes. But I still like him! Why is that?
See also: Danny Bowes believes Reeves belongs on the Mount Rushmore of Hollywood Action Stars along with John Wayne, Tom Cruise, and Harrison Ford.
Update: From Peter Suderman, Why Keanu Reeves is a perfect action star:
This may come off hyperbolic, or flat-out inaccurate, to those who don’t see Reeves as a great screen actor. And granted, his performance style doesn’t capture the tiny nuances of human reactions that are usually associated with great acting; he’s often characterized as a big-screen blank, and that’s not an entirely faulty statement.
But while it’s not wrong to label Reeves a blank, it’s also not enough. For nearly three decades, Reeves has proven himself one of Hollywood’s most durable and entertaining action stars, and the John Wick films show why: His total physical commitment to his action roles makes him a perfect avatar for the visions of ambitious action directors. At his very best, he becomes inseparable from the cinematic visions he embodies.
W.E.B. Du Bois was an American author, sociologist, historian, and activist. Apparently Du Bois was also a designer and design director of some talent as these hand-drawn infographics show.
In addition to an extensive collection of photographs, four volumes containing 400 official patents by African Americans, more than 200 books penned by African-American authors, various maps, and a statuette of Frederick Douglass, the exhibition featured a total of fifty-eight stunning hand-drawn charts (a selection of which we present below). Created by Du Bois and his students at Atlanta, the charts, many of which focus on economic life in Georgia, managed to condense an enormous amount of data into a set of aesthetically daring and easily digestible visualisations. As Alison Meier notes in Hyperallergic, “they’re strikingly vibrant and modern, almost anticipating the crossing lines of Piet Mondrian or the intersecting shapes of Wassily Kandinsky”.
Update: Oh, this is great: Mona Chalabi has updated Du Bois’ charts with current data.
Wealth. If I had stayed close to the original chart, the updated version would have shown that in 2015, African American households in Georgia had a median income of about $36,655, which would fail to capture the story of inflation (net asset numbers aren’t published as cumulative for one race). Instead, I wanted to see how wealth varies by race in America today.
The story is bleak. I hesitated to use the word “worth”, but it’s the language used by the Census Bureau when they’re collecting this data and, since money determines so much of an individual’s life, the word seems relevant. For every dollar a black household in America has in net assets, a white household has 16.5 more.
Aaron McAvoy’s washing machine makes a banging noise while washing clothes so he played The Devil Went Down to Georgia in time with the banging. This is the most perfect little internet entertainment…I actually started crying I was laughing so hard. A much needed respite from the world. See also the washing machine edition of Journey’s Don’t Stop Believin’ and a tribute to George Michael. (via @aaroncoleman0)
And much more in the archives...