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1984. I believe I last saw this movie in high school, which seems unlikely given the nudity. Or maybe we saw a censored version, in which case: lolololol. (B+)
Ghost in the Shell. Superb visuals but the story felt flat. (B)
Big Little Lies. I almost gave up on this after two episodes. I can watch TV characters do all sorts of horrible things to each other — lie, cheat, steal, betray, kill — but apparently epically bad parenting is my last straw. But. The final episode contains one of the best scenes I’ve ever watched on TV and was just fantastic all around. Was literally on the edge of my seat for the entire 60 minutes. (A-)
Future Sex. Among the least titillating books about sex you’ll ever read. (That’s a compliment.) (B+)
The Undoing Project. I was unsure about this one until about 1/3 through but persisted because it’s Michael Lewis. Fascinating in places and unexpectedly emotional. (B)
Mr. Bean. I have never seen my kids laugh quite as hard as they did watching Mr. Bean rush to the dentist office. My dad instilled in me an appreciation of British comedy and I guess I’m passing that on to my kids. They seem to get it, but not all kids do. They were so excited recently to show some friends The Ministry of Silly Walks sketch from Monty Python and the friends looked really really confused and didn’t laugh at all. Fawlty Towers is up soon. (B)
The Rules Do Not Apply. At one shocking, heartbreaking point in the book, time reels backwards. If you’ve read Ariel Levy’s Thanksgiving in Mongolia in the New Yorker, you know exactly what I’m talking about. (B+)
Tim Carmody’s Best of the Web series for kottke.org. I love getting to be a reader of the site sometimes, just like all of you. I always enjoy Tim’s residencies here, but this one made me clap my hands in joy and stomp my feet in a jealous rage. It’s not entirely fair that he does the site better than I do, but I’m glad he does. (A)
The final season of Girls. Not their best season, but I’m sad to see it go nonetheless. The ensemble is what made the show special, and they just weren’t together enough this season. The single episode “goodbyes” for each character felt forced. (Same reason why Arrested Development season 4 wasn’t up to scratch.) (B+)
Terror of the Zygons. I started watching old Doctor Whos with the kids and they love them. (B-)
Hedgehog Launch. Ancient iOS game…my phone might contain the last functioning install of it. I started playing it a few weeks ago and now I am addicted to it for absolutely no good reason. The game sucks: it’s tough and not that fun until a certain point and then it gets really easy to win. But I can’t stop playing it. It’s like a metaphor for something in my life I can’t quite figure out. Fuck this game. (F)
Damn. I need to listen to this more. So I shall. (B+)
Get Out. Really good but not great. I saw this weeks after everyone else and my expectations were too high. Kept waiting for it to slip into a slightly higher gear but it never did. Don’t @ me! (B+)
Cloud Atlas. I’ve seen this movie at least four times and I love it. (A-)
The Prestige. Hadn’t seen this since it came out. Holds up. Had totally forgotten about Bowie as Tesla. (A-)
The Holy Mountain. Was way too sober for this. (B-)
The Life Aquatic. Not my favorite Wes Anderson but solid. There’s some weirdly clunky acting in the middle bits. (B+)
Guardians of the Galaxy. Gearing up for the new one. (A-/B+)
See also the last installment of this list from earlier this month.
IDAC is an entertaining short film by Casimir Nozkowski that explores the social mores of the awkward youth and, after a twist in the story, the malleability of memory.
When I was leaving for college, my aunt Dana told me I had a cousin I’d never met who was matriculating in the same year as me. We shared classes and had friends in common but for some strange reason I never introduced myself. All during college, and then into the real world, through a decade of overlapping connections, we never met. This film is an examination of that hesitation and an attempt to understand why I never made the easiest connection in the world… until it was too late.
The School of Life on four uses of literature. I especially liked this bit:
We’re weirder than we’re allowed to admit. We often can’t say what’s really on our minds, but in books, we find descriptions of who we genuinely are and what events are actually like described with an honesty quite different from what ordinary conversation allows for. In the best books, it’s as if the writer knows us better than we know ourselves. They find the words to describe the fragile and weird special experiences of our inner lives: the light on a summer morning, the anxiety we felt at a gathering, the sensations of a first kiss, the envy when a friend told us of their new business, the longing we experienced on the train looking at the profile of another passenger we never dare to speak to. Writers open our hearts and minds and give us maps to our own selves, so that we can travel in them more reliably and with less of a feeling of paranoia and persecution. As the writer Emerson remarked, “In the works of great writers, we find our own neglected thoughts.”
I would argue these points also apply, in one degree or another, to not just literature but to any artful endeavor: film, TV, comics, theater, painting, etc.
Field Guide to Dumb Birds of North America. “I hate birds. These are my field notes.”
Dieter Rams, the legendary designer, came up with a now-famous list of Ten Principles for Good Design. Among them:
Good design makes a product understandable. It clarifies the product’s structure. Better still, it can make the product talk. At best, it is self-explanatory.
Recently, designer Tobias Van Schneider posted a tongue-in-cheek update of Rams’ list, the 2017 Tech Industry edition.

1. Good design is disruptive.
2. Good design makes a product addicting.
3. Good design is A/B testing.
4. Good design makes a product collect data.
5. Good design is notifications.
6. Good design is agreeing to the terms & conditions.
7. Good design is temporary.
8. Good design is a prototype.
9. Good design is a chatbot?
10. Good design is pleasing your shareholders.
Sales Wick is a pilot for SWISS and while working an overnight flight from Zurich to Sao Paulo, he filmed the first segment of the flight from basically the dashboard of the plane and made a timelapse video out of it. At that altitude, without a lot of light and atmospheric interference, the Milky Way is super vivid.
Just as the bright city lights are vanishing behind us, the Milky Way starts to become clearly visible up ahead. Its now us, pacing at almost the speed of sound along the invisible highway and the pitch-black night sky above this surreal landscape. Ahead of us are another eight hours flight time, but we already stopped counting the shooting stars. And we got already to a few hundred.
I watched this twice already, once to specifically pay attention to all the passing airplanes. The sky is surprisingly busy, even at that hour. (via @ozans)
Update: Several people asked if this was fake or digitally composited (the Milky Way and ground footage shot separately then edited together). I don’t know for sure, but I doubt it. The answer lies in the camera Wick used to shoot this, the Sony a7S. It’s really good in low-light conditions, better than many more expensive professional cameras even. As the last bit of this Vox video explains, the camera is so good in low light that the BBC used it to capture some night scenes for Planet Earth II. Here’s a screen-capped comparison at 6400 ISO from that video:

And the full scene at 32000 ISO:

That’s pretty amazing, right? Wick himself says on his site:
I had to take many attempts and a lot of trying to figure it out. Basically the challenge is to keep shutter speed as fast as possible in order to get razor sharp images. While you can use the 500 or 600 rule on ground this doesn’t work out the same way while being up in the sky. Well of course basically it does if you dont fly perpendicular to the movement of the night sky but even if its really smooth there are usually some light movements of the aircraft. So depending on the focal length of your lense you can get exposure times between 15” to 1”. Thats why you will need a camera that can handle high iso. Thats where the A7s comes into play and of course a ver fast lense. The rest is a good mounting and some luck. Last but not least you need to keep the flight deck as dark as possible to get the least reflections…and the rest is magic ;)
Back in September 2015, the LIGO experiment detected gravitational waves formed 1.3 billion years ago when two black holes merged into one. The physics is pretty straightforward but to get the measurement, scientists had to build one of the most sensitive machines ever built. How sensitive? To get an accurate result, they needed to measure a distance of 4km with an accuracy of 1/10000th the width of a proton. This video from Veritasium looks at how the scientists and engineers accomplished such an amazing feat.
The concept of road diets is an alternate approach to dealing with road congestion that’s gained popularity in recent years. The typical solution to heavy traffic on roads is to widen them with more travel lanes. The problem is such an approach can induce demand and instead of two lanes of traffic jam, you get four lanes going nowhere.1
Instead, with a road diet approach, you might turn a four-lane road into three lanes: two travel lanes and a turn lane in the middle.
Realizing these unintended outcomes, some localities implemented a type of road diet: reconfiguring the four lanes (two in each direction) into three (one each way plus a shared turn lane in the middle). The change dramatically reduced the number of “conflict points” on the road-places where a crash might occur. Whereas there might be six mid-block conflict points in a common four-lane arterial, between cars turning and merging, there were only two after the road diet.
Likewise, at an intersection, eight potential conflict points became four after a road diet.
The result was a much safer road. In small urban areas (say, populations around 17,000, with traffic volumes up to 12,000 cars a day), post-road diet crashes dropped about 47 percent. In larger metros (with populations around 269,000 and up to 24,000 daily cars), the crash reduction was roughly 19 percent. The combined estimate from all the best studies predicted that accidents would decline 29 percent, on average, after a four-to-three-lane road diet — DOT’s reported figure.
Pedestrian and bike usage tends to increase as well (b/c that extra street can be converted to bike lanes or sidewalks), speeding decreases, and car travel times are largely unaffected. This quick video by Jeff Speck shows four different approaches to road dieting:
Update: See also Braess’ paradox.
Braess’ paradox or Braess’s paradox is a proposed explanation for a seeming improvement to a road network being able to impede traffic through it. It was discovered in 1968 by mathematician Dietrich Braess, who noticed that adding a road to a congested road traffic network could increase overall journey time, and it has been used to explain instances of improved traffic flow when existing major roads are closed.
The paradox may have analogues in electrical power grids and biological systems. It has been suggested that in theory, the improvement of a malfunctioning network could be accomplished by removing certain parts of it.
(thx, david)
Update: A street in Oakland recently underwent a road diet: two of five lanes were converted into protected bike lanes. The result is an increase in biking and pedestrian use, a decrease in collisions, a decrease in speeding, and an increase in business along the street.
Along nine blocks of Oakland’s Telegraph Avenue, biking is up 78 percent since protected bike lanes were installed. Walking is up 100 percent - maybe because, thanks to the single lane of through traffic in each direction, the pedestrian yield rate doubled in the mornings and tripled in the afternoons.
Meanwhile, the number of traffic collisions fell 40 percent. Retail sales in a district that has sometimes struggled are up 9 percent, thanks in part to five new businesses.
And the median car speed is now the speed limit: 25 mph. As usual on such projects in urban areas, the main effect of removing a car passing lane was not to jam traffic, only to prevent irresponsible drivers from weaving between lanes in order to get to the next stoplight more quickly.
The concept of induced demand can be seen in other places, like New Orleans’ overcrowded jails. ↩
When you’re watching a nature documentary, you notice it right away: there’s something odd about the sound effects. They seem a little too…Hollywood. When Vox did their series on how the BBC made Planet Earth II, they didn’t mention the sound:
I hope the third program is on sound, which has been bugging me while watching Planet Earth II. I could be wrong, but they seem to be using extensive foley effects for the sounds the animals make — not their cries necessarily, but the sounds they make as they move. Once you notice, it feels deceptive.
Several other people noticed and complained, causing the BBC to explain that getting real sounds in many cases was impossible. Audio producer Matt North adds some context:
Whilst I’m no wildlife expert, it’s fairly straightforward to conclude that such an unpredictable and uncontrollable subject as wildlife would have prompted the need to often shoot on long lenses, thus making it almost physically impossible for a sound recordist to obtain ‘realistic’ recordings that would match the treatment and emotive style of the programme. Combine this with the shooting climate, as well as the need for frequent communication between crew just to capture the necessary shots that will cut well in the edit suite and you have a recipe for failure in regards to obtaining useable sound. Therefore, it’s not only impractical but virtually impossible to capture the ‘real’ sound that some of these disgruntled viewers may be protesting for.
As Simon Cade shows in the video above, sound is only one of the ways in which nature documentaries use editing to “fake” things. Is it manipulation? Or good storytelling? And what’s the difference between the two anyway? A silent security feed of a Walmart parking lot is not a documentary but The Thin Blue Line, with its many dramatizations and Philip Glass score, is a great documentary.
Update: 99% Invisible recently did a show on the sounds in nature documentaries as well. (thx, everyone)
Studio Ghibli has been making incredible animated movies since 1985. This video traces the history and the work of the studio and its principal director Hayao Miyazaki from his pre-Ghibli work (including Nausicaä of the Valley of the Wind) all the way up to Miyazaki’s recent unretirement & involvement in Boro the Caterpillar.
The name Ghibli was given by Hayao Miyazaki from the Italian noun “ghibli”, based on the Libyan-Arabic name for the hot desert wind of that country, the idea being the studio would “blow a new wind through the anime industry”. It also refers to an Italian aircraft, the Caproni Ca.309 Ghibli.
I still remember seeing Princess Mononoke in the theater in 1999 (having no previous knowledge of Ghibli or Miyazaki) and being completely blown away by it. Made me a fan for life. (via film school rejects)
Update: The Movies of Studio Ghibli, Ranked from Worst to Best. Happy to see Princess Mononoke in the top spot and surprised at Spirited Away’s relatively low placement.
Did humans arrive in America 115,000 years earlier than commonly accepted? (Spoiler: probably not.)
John McCool suspected that a scientific journal called the Urology & Nephrology Open Access Journal was essentially a pay-to-publish journal with a flimsy peer-review process. So he wrote a paper based on a bogus medical condition made up for an episode of Seinfeld and submitted it to them.
This was inspired by the classic 1991 episode “The Parking Garage,” where the gang can’t find their car in a mall parking garage. Eventually, Jerry has to urinate; he goes against a garage wall and gets busted by a security guard; and he tries to get out of it by claiming that he suffers from a disease called “uromycitisis” and could die if he doesn’t relieve himself whenever and wherever he needs to.
I went all out. I wrote it as Dr. Martin van Nostrand, Kramer’s physician alter ego, and coauthored by Jay Reimenschneider (Kramer’s friend who eats horse meat) and Leonard “Len” Nicodemo (another of Kramer’s friends, who once had gout). I included fake references to articles written by the likes of Costanza GL, Pennypacker HE, and Peterman J. I created a fake institution where the authors worked: the Arthur Vandelay Urological Research Institute. In the Acknowledgements section, I thanked people such as Tor Eckman, the bizarre holistic healer from “The Heart Attack” episode, giving him a “Doctor of Holistic Medicine (HMD)” degree.
The Arthur Vandelay Urological Research Institute!! That’s some top-shelf trolling right there. If you read the full paper, you’ll also see references to Steinbrenner and Lloyd Braun. Of course the journal accepted and published it:
The journal was excited to receive this “quality” and “very interesting” case report. A mere 33 minutes after receiving it, a representative notified “Dr. van Nostrand” that it had been sent out for peer review (a process the journal’s website touts as “rigorous”). Three days later, reviewer comments were returned to me, and I was asked to make a few minor changes, including adding lab test results from when the patient was in the emergency room. I made these up, too, and promptly resubmitted the revised case report. Soon after, it was officially accepted for publication.
The publication eventually figured out it had been pranked and had a quick back-and-forth with McCool about it.
This video of robot continuously building a looped track in front of a toy train is definitely a metaphor for something. Procrastination? Living paycheck to paycheck? Life with small children? I don’t know, but it makes me SO ANXIOUS! Why does it wait so long to place the next section of track?!! I couldn’t watch for more than 10 seconds or so.
See also the chase scene from The Wrong Trousers. (via @MachinePix)
My top bowling score is probably 1381 and took more than an hour because there were 6 people using the same lane and no one was really paying that much attention to anything other than conversation and chicken wings. This guy, using all the lanes in the alley, rolled a 300 in just under 90 seconds. With two hands…I’ve never seen that before. And I love the way he scampers from lane to lane.
Or somewhere in the high 200s if you count Wii bowling. I don’t think I ever scored a perfect 300 on the Wii.↩

Researchers at The Children’s Hospital of Philadelphia have succeeded in gestating premature lambs in artificial wombs. The abstract from the paper in Nature Communications:
In the developed world, extreme prematurity is the leading cause of neonatal mortality and morbidity due to a combination of organ immaturity and iatrogenic injury. Until now, efforts to extend gestation using extracorporeal systems have achieved limited success. Here we report the development of a system that incorporates a pumpless oxygenator circuit connected to the fetus of a lamb via an umbilical cord interface that is maintained within a closed ‘amniotic fluid’ circuit that closely reproduces the environment of the womb. We show that fetal lambs that are developmentally equivalent to the extreme premature human infant can be physiologically supported in this extra-uterine device for up to 4 weeks. Lambs on support maintain stable haemodynamics, have normal blood gas and oxygenation parameters and maintain patency of the fetal circulation. With appropriate nutritional support, lambs on the system demonstrate normal somatic growth, lung maturation and brain growth and myelination.
The Atlantic’s Olga Khazan translates what that might mean for human babies born prematurely.
One reason preterm birth is so dangerous is that, for an underweight baby, the first few breaths of air halt the development of the lungs. “Infants that are currently born and supported in a neonatal intensive care unit with gas-based ventilation demonstrate an arrest of lung development,” Partridge says, “which manifests in a long-term, severe restriction of lung function.”
With the artificial womb, the infant would continue “breathing” through the umbilical cord as its floats in amniotic fluid, which would flow into and out of the bag. Using its tiny heart, the fetus would pump its own blood through its umbilical cord and into an oxygenator, where the blood would pick up oxygen and return it to the fetus-much like with a normal placenta. In addition to boosting lung growth, the amniotic fluid would protect the baby from infections and support the development of the intestines.
If this does work for humans, there’s a possibility that at some point using artificial wombs may be safer (or just preferable for some people) than women carrying babies to term…which would have an interesting effect on childbirth (to say the least). And as Khazan mentions, there are potential implications related to abortion rights:
If they ever materialize, artificial wombs may stir concerns among pro-choice advocates, since the devices could push the point of viability for human fetuses even lower. That might encourage even more states to curtail abortions after, say, 20 weeks’ gestation. But speaking with reporters Monday, the Philadelphia researchers emphasized they don’t intend to expand the bounds of life before the 23rd gestational week. Before that point, fetuses are too fragile even for the artificial wombs.
Update: There’s a short video clip of the lamb in the artificial womb as well:
The members of the two large writing guilds representing more than 12,000 Hollywood writers recently voted to strike.
Leaders of the Writers Guild of America, East, and the Writers Guild of America, West, announced the results of an online strike authorization vote in an email to members. The unions said that 6,310 eligible members voted; 96 percent of the vote was in favor of a strike.
A three-year contract between the guilds and the Alliance of Motion Picture and Television Producers, which represents the makers of films and TV series, expires at midnight on May 1. Negotiators were set to resume talks on Tuesday, with funding of a failing union health care plan a sticking point.
Last time there was a writers strike in 2007, networks moved to replace their scripted shows with reality programs, including the resurrection of a fading reality show called The Apprentice.
During the last work stoppage, CBS ordered additional seasons of its flagship reality competition shows to fill airtime. And then there’s NBC.
Trump’s “The Apprentice” had been removed from the network’s lineup amid low ratings. But a new programming chief came aboard in 2007, and the network decided to revive the competition show, but with a twist. And when the writers’ strike meant no more new episodes of “The Office” and “Scrubs,” NBC replaced the Thursday night shows in 2008 with “The Celebrity Apprentice.”
That’s a curious butterfly effect. The writers strike made room for The Celebrity Apprentice on TV. The Celebrity Apprentice gave Trump seven more seasons of primetime TV visibility. Trump parlayed that visibility into the highest political office in the land.
Two years ago, Facebook COO and Lean In author Sheryl Sandberg lost her husband to an unexpected death. The loss left her bereft and adrift. Grieving hard, she struggled to figure out how to move forward with her life. The result of her journey is a book co-authored by Adam Grant called Option B: Facing Adversity, Building Resilience and Finding Joy.
After the sudden death of her husband, Sheryl Sandberg felt certain that she and her children would never feel pure joy again. “I was in ‘the void,’” she writes, “a vast emptiness that fills your heart and lungs and restricts your ability to think or even breathe.” Her friend Adam Grant, a psychologist at Wharton, told her there are concrete steps people can take to recover and rebound from life-shattering experiences. We are not born with a fixed amount of resilience. It is a muscle that everyone can build.
Option B combines Sheryl’s personal insights with Adam’s eye-opening research on finding strength in the face of adversity.
Jessi Hempel’s piece on Sandberg is a good overview on the book and that period in her life, particularly in relation to Sandberg’s return to work and how that changed leadership & communication at Facebook.
Every year in late May, Facebook gathers its policy and communications team for a day-long retreat. Employees fly in from satellite offices in Germany, say, or Japan. It’s a chance to address problems, and set strategy for the year to come.
Sandberg always speaks, but that year Caryn Marooney, who was then in charge of technology communications, remembers everyone told her she could skip it. She insisted on coming anyway. As 200 people looked on, she began telling the group what she was going through, and how it was. “There were a lot of tears. It was incredibly raw, and then she said, “I’m going to open it up to Q and A,” Marooney remembers. People spoke up.
Talking about her situation allowed Sandberg — and the entire team — to move past it and transition into a productive conversation. Having acknowledged the proverbial elephant in the room, they could all focus on the work at hand. “I think people think that vulnerable is soft, but it’s not,” said Marooney, as she described Sandberg’s tough approach to business questions that followed. “It was a blueprint of what we saw from Sheryl going forward.”
Sandberg has also started a non-profit “dedicated to helping you build resilience in the face of adversity — and giving you the tools to help your family, friends, and community build resilience too.”
See also Sandberg’s Facebook post about her husband’s death and her NY Times opinion piece How to Build Resilient Kids, Even After a Loss.
One afternoon, I sat down with my kids to write out “family rules” to remind us of the coping mechanisms we would need. We wrote together that it’s O.K. to be sad and to take a break from any activity to cry. It’s O.K. to be happy and laugh. It’s O.K. to be angry and jealous of friends and cousins who still have fathers. It’s O.K. to say to anyone that we do not want to talk about it now. And it’s always O.K. to ask for help. The poster we made that day — with the rules written by my kids in colored markers — still hangs in our hall so we can look at it every day. It reminds us that our feelings matter and that we are not alone.


Born into wealth, Jacques Henri Lartigue got his first camera at age seven and began documenting the world around him: his friends and family at play in the world. His work presaged the “prolonged adolescence” of the “leisure class” readily on display on Instagram these days.
Taking pictures gave Lartigue a hobby and a purpose. His immediate surroundings and leisure class milieu provided the subject matter and Lartigue, a native user, wielded his camera with technical mastery almost from the beginning. He also brought a child’s whimsy to photography’s staid practice of posing and composing. Lartigue had a low vantage, a wandering eye, and a loose frame that was far ahead of his time. He also had the resources and time to experiment. Lartigue continued photographing prolifically into his teens and early adulthood, finding muses in his wives and mistresses and the diversions of prolonged adolescence.
Lartigue’s photography was an influence on director Wes Anderson, particularly in Rushmore and The Life Aquatic. If you can’t see Rushmore’s Max Fischer in the top photo of the homemade go-kart, you certainly can in this one:

And the kid in the tire boat in the other photo? That is Lartigue’s older brother, Maurice. Everyone called him Zissou. (Curiously, none of this is in The Wes Anderson Collection. Come on! The photo of Zissou’s mentor Lord Mandrake in The Life Aquatic? That’s a self portrait of Jacques Henri Lartigue!)
If you’re like me from three minutes ago and you’ve never seen this video but want to laugh really hard, push play on this little number. You can safely skip ahead to about 0:33…that’s when the action starts.
P.S. Yo Kenji! Why does the gnocchi do that?! (via @essl)
Update: I have not gotten an answer from Kenji yet (to be fair, he just became a father), but the consensus on Twitter is gnocchi and popcorn share some similarities. I will let John Vermylen, who is a Stanford PhD and also runs the pasta company Zerega, explain:
Hydrated starch on gnocchi exterior gelatinizes with temp, forming impervious barrier. Temp builds up inside. Water tries to boil as temp rises, but can’t turn to steam due to barrier. So pressure builds up, which pushes against wall of gnocchi. Eventually high pressure forces crack in that wall, which leads to pressure drop and instant flash off of high temp water to steam.
There’s an opportunity here to make crispy popcorn gnocchi…which brave chef will take up the challenge?
Who Is This Restaurant For? A really interesting podcast series about restaurants, race, and culture.
Errol Morris’ documentary about portrait photographer Elsa Dorfman is coming out in early June and the first trailer was just released.
Errol Morris’s surprising new film is simplicity itself: a visit to the Cambridge, Massachusetts studio of his friend, the 20x24 Polaroid portrait photographer Elsa Dorfman, who specifies on her website that she likes her subjects “to wear clothes (and to bring toys, skis, books, tennis racquets, musical instruments, and particularly pets…).” As this charming, articulate, and calmly uncompromising woman takes us through her fifty-plus years of remarkable but fragile images of paying customers, commissioned subjects, family, and close friends (including the poet Allen Ginsberg), the sense of time passing grows more and more acute.
Adding “And Then The Murders Began” As The Second Sentence Of Any Book Makes It Instantly Better
Science in America is an impassioned video from Neil deGrasse Tyson about the threat we face from the political uncoupling of science from the truth in America today.
How did America rise up from a backwoods country to be one of the greatest nations the world has ever known? We pioneered industries. And all this required the greatest innovations in science and technology in the world. And so, science is a fundamental part of the country that we are. But in this, the 21st century, when it comes time to make decisions about science, it seems to me people have lost the ability to judge what is true and what is not, what is reliable what is not reliable, what should you believe what you do not believe. And when you have people who don’t know much about science standing in denial of it and rising to power, that is a recipe for the complete dismantling of our informed democracy.
Is Bugs Bunny black? What about Elmo? Or Optimus Prime? (It would be fun to do this with Jewish characters too)
I asked Kottke.org readers if they had ever seen, heard, or read something on the web that literally changed their lives.
Fourteen people said no. Sixteen said maybe. Thirty-eight people said yes. These are some of their answers. Everyone is anonymous. Some said more than others.
Four different people listed pages from Metafilter:
Five readers listed works of journalism.
Five listed personal essays or advice.
Five listed videos or video series.
And ten listed entire websites.
Now pick up your instruments, and go start a band.
A short history of looking at data visualizations. It looks like our ability to make sense of them changes over time
I asked Kottke.org readers to tell me what were the best web sites that they knew about that most people have never heard of. Normally, each of these sites would be worth a blog post on its own, either a longer or shorter one. But this week, we’re…
The rest of the suggestions are really quite something. I’d never heard of most of them. A few others I’ve loved and shared as a secret handshake between friends. In lieu of lengthy explanations, I’m just going to link them all and let you explore.
(This is what most web pages used to be: just long lists of links. We were such dorks back then. But maybe we were on to something.)
Note: The order is not a ranking, but simply an easy way I can count how many links there are.
Also Note: No money changed hands to feature any of these sites on Kottke.org, although in retrospect, that would have been a good idea..
Final Note: If the site required a login, or I couldn’t figure out what it was doing or why it would be interesting to anyone, I didn’t include it. Sorry.
There! That ought to be enough magic and wonder to last you through the weekend. Thank you, as always, to the readers who submitted links.
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