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I knew if I waited around long enough, blogging would be the hot new thing again: Sippey, Steele, Spiers.
This year, your back-to-school shopping may have included more devices and downloads than pieces of attire. According to the NYT, today’s teenagers favor tech over clothes. One retail analysts explains how his focus groups go these days: “You try to get them talking about what’s the next look, what they’re excited about purchasing in apparel, and the conversation always circles back to the iPhone 6.”
A plan used to be simple: you would agree to meet someone at a certain time and place and then you would meet them there and then. Now, a plan is subject to all sorts of revisions because “cellphones make people flaky as #%@*”.
A Plan: Once heralded as a firm commitment to an event in the future, a plan is now largely considered to be a string of noncommittal text messages leading up to a series of potential, though unlikely, events.
A Cellphone: Your primary device for making plans. More specifically, the medium with which most plans are conceived and later altered. It’s imperative that you keep your cellphone on your person at all times, as you can expect all plans to dissolve into an amorphous cloud upon conception.
I have experienced this recently and am convinced this is partially a generational thing. If you spent any part of your 20s without a cellphone, the sort of thing described in the video happens a lot less. But this practice is also contagious, as most social behavior is…if you witness friends doing it, over time it becomes more acceptable to do it yourself.
Advice from Tom Mylan, The Meat Hook’s head butcher, about how to create your own custom burger blend for top notch burgers at home.
Don’t believe the “bedazzled blend” burger hype. Using fancy cuts of beef is not important and kind of a bullshit move, according to Mylan. What is important is making sure the meat is high-quality and comes from mature animals, and that your blend has the right fat content.
Use cheaper cuts of beef from harder-working muscles, like chuck or round. Why? These cuts have more myoglobin, Mylan says, and myoglobin is what gives beef its “beefy” flavor and red color. Each cut will contribute its own flavor and textural nuances, and you can play around with different cuts to bolster the flavors you prefer.
And holy cow! (Ahem.) He suggests using a hamburger patty maker, which I didn’t even know existed. $13! I’m totally getting one and trying this.
Hmm, this is interesting. Recent studies suggest that food allergies may be caused by the absense of certain intestinal bacteria…in part due to increased use of antibiotics in very young children.
Food allergies have increased about 50% in children since 1997. There are various theories explaining why. One is that the 21st century lifestyle, which includes a diet very different from our ancestors’, lots of antibiotic use, and even a rise in cesarean section deliveries, has profoundly changed the makeup of microbes in the gut of many people in developed countries. For example, the average child in the United States has taken three courses of antibiotics by the time he or she is 2 years old, says Martin Blaser, an infectious disease specialist and microbiologist at New York University in New York City. (See here for more on the reach of microbiome research these days.)
Cathryn Nagler, an immunologist at the University of Chicago in Illinois, has spent years probing links between the immune system, intestinal bacteria, and the onset of allergies. Back in 2004, she and her colleagues reported that wiping out gut bacteria in mice led to food allergies. Since then, Nagler has continued trying to understand which bacteria offer allergy protection and how they accomplish that.
From the excellent Art of the Title, an interview with Angus Wall, the creative director responsible for the opening titles of Game of Thrones.
Basically, we had an existing map of Westeros and a xeroxed hand drawn map of Essos - both done by George R. R. Martin - and I took those into Photoshop and played with their scale until they lined up perfectly. The actual dimensions, the locations and their placement, and the different terrains are all based strictly on George R. R. Martin’s maps. It was really important that we stay as absolutely true to the books as possible because of the ardent fans out there.
Wall also works as an editor, often on David Fincher films. He won two Oscars for editing The Social Network and The Girl with the Dragon Tattoo.
I wasn’t expecting too much of this video about how to eat sushi, but it’s actually pretty good. It features Naomichi Yasuda of the highly regard Sushi Yasuda in Manhattan making sushi for a newbie and telling him how it should be eaten.
This Old House + Jiro Dreams of Sushi = this video.
Update: Another perspective on how sushi should be eaten comes from Tom Downey, who shares the 10 commandments of the owner of Tokyo’s Yajima Sushi.
There were open spots at the counter. But the chef, Susumu Yajima, instructed me to take a seat nearby and wait. Eventually I was summoned to a place directly in front of him, and the attack began: Piece after piece in rapid succession, as Yajima barked orders at me.
“Eat now!” he said, milliseconds after passing me a glistening slice of buri (amberjack) atop shari (the finger of rice that forms the base of nigiri sushi). “Use your hand!” he upbraided me, as I reached for my chopsticks. He even instructed me to half-chew one piece before washing it down with sake.

Spanning from comets in the south to the termination shock zone in the northern part of the country, The Sweden Solar System is a scale model of the solar system that spans the entire country of Sweden, the largest such model in the world.
The Sun is represented by the Ericsson Globe in Stockholm, the largest hemispherical building in the world. The inner planets can also be found in Stockholm but the outer planets are situated northward in other cities along the Baltic Sea.
Anthony Richardson (previously, previouslyer, previouslyest) describes a NASCAR race from the British perspective.
Now for the bumper view! Wow, the easiest way to work out what on Earth is going on. Oh, the car’s giving the one in front a little sniff. Ah, they’re a bit like dogs, aren’t they? Petrol dogs.
That’s the somewhat unusual name of a feature-length documentary about world-class stone skippers. Here’s the trailer:
I love skipping stones. When I see flat water and flat rocks, I can’t not do it. They have to change that name though. They were likely going for “Jiro Dreams of Sushi” but really missed the mark. Oh, and they’re raising funds on Kickstarter to finish the film.
The zen art of stone skipping meets the competitive nature of mankind in this feature-length documentary. Set in the world of professional stone skipping, this film will examine the competitive nature of mankind. World Records will be tested, rivalries will fester, and a sport will rise from the ashes of obscurity.
Update: The full-length movie is now available for rent or purchase on Vimeo.
Holy informational rabbit hole, Batman! Wikipedia has a page that is a List of lists of lists.
This article is a list of articles comprising a list of things that are themselves lists of things, such as the lists of lists listed below.
Inception horn! Includes such lists of lists as Lists of fictional Presidents of the United States, Ranked lists of Chilean regions, Lists of black people, and Lists of nuclear disasters and radioactive incidents. (via @sampotts)
When he was 20, Christopher Knight walked into the woods of Maine and didn’t speak to another soul (save a quick “hi” to a passing hiker) for 27 years, during which he lived not off the land but off the propane tanks and freezers of his neighbors.
He started to speak. A little. When Perkins-Vance asked why he didn’t want to answer any questions, he said he was ashamed. He spoke haltingly, uncertainly; the connection between his mind and his mouth seemed to have atrophied from disuse. But over the next couple of hours, he gradually opened up.
His name, he revealed, was Christopher Thomas Knight. Born on December 7, 1965. He said he had no address, no vehicle, did not file a tax return, and did not receive mail. He said he lived in the woods.
“For how long?” wondered Perkins-Vance.
Knight thought for a bit, then asked when the Chernobyl nuclear-plant disaster occurred. He had long ago lost the habit of marking time in months or years; this was just a news event he happened to remember. The nuclear meltdown took place in 1986, the same year, Knight said, he went to live in the woods. He was 20 years old at the time, not long out of high school. He was now 47, a middle-aged man.
Make sure you read until the end. This isn’t a just-the-facts-ma’am piece on some hermit; it turns out that someone who has spent almost three decades alone has something insightful to say about being human.
Update: The author of the GQ piece is coming out with a book in March about Knight called The Stranger in the Woods: The Extraordinary Story of the Last True Hermit.
Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life — why did he leave? what did he learn? — as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.
Surgeon and New Yorker writer Atul Gawande has a new book about death coming out in October called Being Mortal.
Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extend suffering.
Gawande, a practicing surgeon, addresses his profession’s ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person’s last weeks or months may be rich and dignified.
This piece Gawande wrote for the New Yorker in 2010 was probably the genesis of the book. I maintain a very short list of topics I’d like to write books about and death is one of them. Not from a macabre Vincent Price / Tim Burton perspective…more like this stuff. Dying is something that everyone has to deal with many times during the course of their life and few seem to have a handle on how to deal with it. That’s fascinating. Can’t wait to read Gawande’s book.
A short appreciation of the Steadicam and its inventor, Garrett Brown. (Brown also invented the football SkyCam.) Features footage from Rocky, Return of the Jedi, and The Shining.
From Wikipedia:
The Steadicam was first used in the Best Picture-nominated Woody Guthrie biopic Bound for Glory (1976), debuting with a shot that compounded the Steadicam’s innovation: cinematographer Haskell Wexler had Brown start the shot on a fully elevated platform crane which jibbed down, and when it reached the ground, Brown stepped off and walked the camera through the set. This technically audacious and previously impossible shot created considerable interest in how it had been accomplished, and impressed the Academy enough for Wexler to win the Oscar for Best Cinematography that year. It was then used in extensive running and chase scenes on the streets of New York City in Marathon Man (1976), which was actually released two months before Bound for Glory. It landed a notable third credit in Avildsen’s Best Picture-winning Rocky (1976), where it was an integral part of the film’s Philadelphia street jogging/training sequences and the run up the Art Museum’s flight of stairs, as well as the fight scenes (where it can even be plainly seen in operation at the ringside during some wide shots of the final fight). Garrett Brown was the Steadicam operator on all of these.
The Shining (1980) pushed Brown’s innovations even further, when director Stanley Kubrick requested that the camera shoot from barely above the floor. This prompted the innovation of a “low mode” bracket to mount the top of a camera to the bottom of an inverted post, which substantially increased the creative angles of the system, which previously could not go much lower than the operator’s waist height. This low-mode concept remains the most important extension to the system since its inception.
(via @robinsloan)
Update: Here’s Brown talking about the Steadicam and his career. And here’s Stanley Kubrick’s introduction to the Steadicam, via a letter from a colleague. (via @poritsky & @LettersOfNote)
New work from Olafur Eliasson: he installed a riverbed in the Louisiana Museum of Modern Art in Denmark.
Automata is a film directed by Gabe Ibáñez in which robots become sentient and…do something. Not sure what…I hope it’s not revolt and try to take over the world because zzzz… But this movie looks good so here’s hoping.
Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.
Automata will be available in theaters and VOD on Oct 10. (via devour)
As far as these things go, this video of the Muppets singing So What’cha Want by the Beastie Boys is pretty near perfect.
See also The Muppets singing Kanye West’s Monster and the Sesame Street gang doing the Beastie Boys’ Sure Shot. Oh, and the classic Bert & Ernie Ante Up rap video:
(via subtraction)

I do not officially have a bucket list1 but if I did have one, watching a total solar eclipse would be on it. Was just talking about it the other day in fact. Well. I am pretty damn excited for the Great American Eclipse of 2017!
In August 21, 2017, millions of people across the United States will see nature’s most wondrous spectacle — a total eclipse of the Sun. It is a scene of unimaginable beauty; the Moon completely blocks the Sun, daytime becomes a deep twilight, and the Sun’s corona shimmers in the darkened sky. This is your guide to understand, prepare for, and view this rare celestial event.
It goes right through the middle of the country too…almost everyone in the lower 48 is within a day’s drive of seeing it. Cities in the path of the totality include Salem, OR, Jackson, WY, Lincoln, NE, St. Louis, MO (nearly), Nashville, TN, and Charleston, SC.
Weather will definitely play a factor in actually seeing the eclipse, so I will be keeping an eye on Eclipser (“Climatology and Maps for the Eclipse Chaser”) as the event draws near. Early analysis indicates Oregon as the best chance for clear skies. Matt, I am hereby laying claim to your guest room in three years time. So excited!!
Also on this hypothetical bucket list: dunking a basketball, going to outer space, learning to surf, and two chicks at the same time.↩
Tumblr of maps of cities with stereotypical labels. For example, NYC, land of Nuclear Industrial Cesspool, Asshole Cops, and Worst Train Station Ever.

(via subtraction)
Today’s brain-melter: Every Insanely Mystifying Paradox in Physics. It’s all there, from the Greisen-Zatsepin-Kuzmin limit to quantum immortality to, of course, the tachyonic antitelephone.
A tachyonic antitelephone is a hypothetical device in theoretical physics that could be used to send signals into one’s own past. Albert Einstein in 1907 presented a thought experiment of how faster-than-light signals can lead to a paradox of causality, which was described by Einstein and Arnold Sommerfeld in 1910 as a means “to telegraph into the past”.
If you emerge with your brain intact, at the very least, you’ll have lost a couple of hours to the list.
In the days before running water, towns used to place an eel or two in the well to keep the water supply free of bugs, algae, and other critters. A Swedish well-eel that lived to be at least 155 years old died recently. Eels generally live to be around seven years old in the wild.
Åle was put in the well in the fishing village of Brantevik on the southeastern tip of Sweden by eight-year-old Samuel Nilsson in 1859. This was a common practice in a time when running water was rare (Stockholm only got public water mains in the 1850s; it took more than a century after that for waterworks to be installed in smaller towns) and a good eel could keep the home’s water supply free of bugs, worms, eggs, algae and any other number of critters. European eels will even eat carrion, so they’re extremely helpful additions to a well.
This particular eel has been a star for close to a hundred years, garnering articles in the paper, TV news stories and documentaries, even making an appearance in the Swedish Tom Sawyer, Bombi Bitt and I written by Fritiof Nilsson Piraten in 1932. Thomas Kjellman, current owner of the cottage, remembers Åle from when he was a boy. His family bought the house in 1962 with the understanding that the eel came with the property.
Luckily the family has a backup eel which is around 110 years old, swimming around in what is apparently a Fountain of Youth for eels.
When Alex Belth was 25 years old, he worked with Joel and Ethan Coen on The Big Lebowski, first as a personal assistant and then as an assistant editor. He recently published a short Kindle book about the experience.
The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie, and offers an intimate, first-hand narrative of the making of The Big Lebowski — including never-before-revealed details about the making of the film, and insight into the inner workings of the Coen Brothers’ genius.
An excerpt of the book was published on Deadspin.
Joel told Goodman about re-recording dialogue for the profanity-free television version of Fargo. They rewrote the line, “I’m fucking hungry now” to “I’m full of hungry now.”
“Why didn’t we write it like that originally?” said Joel. “It’s funnier.”
Goodman said, “Who else is coming on this show?” (In Los Angeles, movie people call a movie a “show.”)
There was Steve Buscemi as Donny, Julianne Moore as Maude, Jon Polito as Da Fino.
Joel said, “Our friend Luis, who was an assistant film editor on Hudsucker, will be playing the enraged Mexican.”
“Yeah, you’ll like Luis,” Ethan said in a creaky voice. “He makes a big statement.”
“Turturro is coming in to play the pederast,” Joel said. “He said he’d do his best F. Murray Abraham.”
(thx, brad)
From Mallory Ortberg at The Toast, an appreciation of Ralph Wiggum.
Ralph is not a rule-follower like Lisa, nor a rule-breaker like Bart; Ralph does not observe the rules because he is almost completely unaware of them. More than any of the other students at Springfield Elementary, Ralph is a child. Bart and Lisa and Milhouse and Nelson and Janey are kids, and therein lies the difference. Ralph sees things that aren’t there (“Ralph, remember the time you said Snagglepuss was outside?” “He was going to the bathroom!”), eats paste, picks his nose, volunteers unprompted, nonsensical declarations (“My cat’s breath smells like cat food”) disguised as Zen koans. His character is sometimes written as dim-but-profound, sometimes borderline-psychotic, and occasionally developmentally disabled, but more than anything else, Ralph like what he is: a child who hasn’t yet aged into a kid, which is one of the most embarrassing things a child can be.
Goes nicely with this video of some of Ralph’s finest moments:
In celebration of National Aviation Day, In Focus has a slideshow of photos of the Wright Brothers’ first flights.

The caption on that photo reads:
First flight: 120 feet in 12 seconds, on December 17, 1903. This photograph shows man’s first powered, controlled, sustained flight. Orville Wright at the controls of the machine, lying prone on the lower wing with hips in the cradle which operated the wing-warping mechanism. Wilbur Wright running alongside to balance the machine, has just released his hold on the forward upright of the right wing. The starting rail, the wing-rest, a coil box, and other items needed for flight preparation are visible behind the machine. Orville Wright preset the camera and had John T. Daniels squeeze the rubber bulb, tripping the shutter.
The Wright Brothers were 32 & 36 years old when they made their first flight at Kitty Hawk in 1903. The Wright Flyer was not the product of daring youthful innovation (as with Picasso, Bill Gates, or Mozart) but rather of years of experience and experimentation (like Cezanne, Twain, or Frank Lloyd Wright).
From Tony Zhou, A Brief Look at Texting and the Internet in Film.
Michele Tepper wrote about Sherlock’s display of texts in 2011.
The rise of instant messaging, and even more, the SMS, has added another layer of difficulty; I’m convinced that the reason so many TV characters have iPhones is not just that Hollywood thinks they’re cool, but also because the big crisp screen is so darn easy to read. Still, the cut to that little black metal rectangle is a narrative momentum killer. What’s a director trying to make a ripping good adventure yarn to do?
The solution is deceptively simple: instead of cutting to the character’s screen, Sherlock takes over the viewer’s screen.
And just today, a trailer for Jason Reitman’s Men, Women & Children, which movie seems to consist entirely of texting and social media interaction:
(via @tcarmody)

The 2013 Personal Annual Report for Nicholas Felton is available for pre-order and online perusal. Pre-ordered…I own a copy of every one except for the first year.
ps. The NY Times did a video about Felton and his annual reports.
For the New York Review of Books, Gordon Wood reviews Our Declaration: A Reading of the Declaration of Independence in Defense of Equality by Danielle Allen, a professor at the Institute for Advanced Study. Any review that starts “This is a strange and remarkable book” is worth paying attention to.
This is a strange and remarkable book. There must be dozens of books on the Declaration of Independence written from every conceivable point of view — historical, political, theoretical, philosophical, and textual — but no one has ever written a book on the Declaration quite like this one. If we read the Declaration of Independence slowly and carefully, Danielle Allen believes, then the document can become a basic primer for our democracy. It can be something that all of us — not just scholars and educated elites but common ordinary people — can participate in, and should participate in if we want to be good democratic citizens.
Idleplex starts you off playing sheep pong and when you earn enough money from that, you can buy other mini-games which you can level up enough to play themselves, and then you become a manager of sorts of the games. The game’s creator, John Cooney, attempts to explain:
I approached this game wanting to return to simple game mechanics. In fact, I considered how simple game mechanics could go, with simple shapes and single-button mechanics controlling everything. After defining these simple mechanics, I wanted to let the games play themselves, and let the players focus on cultivating a mosaic of these moving pieces.
I love these types of games. (via waxy)
A remastered copy of the original 1977 Han-shoots-first version of Star Wars is out there and you can watch it but it’s probably illegal. But Disney is never going to show it to you, so maybe it’s ok to find it on Bittorrent?
The Despecialized Edition is the years-long work of a diverse group of people who have taken elements from many different sources and created the ultimate version of the first Star Wars film. It has also been upgraded to display properly on high definition screens, with high-quality sounds and a near perfect image.
The latest Blu-Ray release of the film serves as the skeleton for this edition, but elements of the 2006 bonus DVD that included the unaltered version of the film was also used to remove special effects and edits that were added by Lucas.
Here’s a short feature on the video sources used:
And here’s how to get the full film.
Update: Here’s an extensive side-by-side look at how dozens of shots were modified to make The Despecialized Edition.
In light of the ongoing policing situation in Ferguson, Missouri in the wake of the shooting of an unarmed man by a police officer and how the response to the community protests is highlighting the militarization of US police departments since 9/11, it’s instructive to look at one of the first and most successful attempts at the formation of a professional police force.
The UK Parliament passed the first Metropolitan Police Act in 1829. The act was introduced by Home Secretary Sir Robert Peel, who undertook a study of crime and policing, which resulted in his belief that the keys to building an effective police force were to 1) make it professional (most prior policing had been volunteer in nature); 2) organize as a civilian force, not as a paramilitary force; and 3) make the police accountable to the public. The Metropolitan Police, whose officers were referred to as “bobbies” after Peel, was extremely successful and became the model for the modern urban police force, both in the UK and around the world, including in the United States.
At the heart of the Metropolitan Police’s charter were a set of rules either written by Peel or drawn up at some later date by the two founding Commissioners: The Nine Principles of Policing. They are as follows:
1. To prevent crime and disorder, as an alternative to their repression by military force and severity of legal punishment.
2. To recognise always that the power of the police to fulfil their functions and duties is dependent on public approval of their existence, actions and behaviour, and on their ability to secure and maintain public respect.
3. To recognise always that to secure and maintain the respect and approval of the public means also the securing of the willing co-operation of the public in the task of securing observance of laws.
4. To recognise always that the extent to which the co-operation of the public can be secured diminishes proportionately the necessity of the use of physical force and compulsion for achieving police objectives.
5. To seek and preserve public favour, not by pandering to public opinion, but by constantly demonstrating absolutely impartial service to law, in complete independence of policy, and without regard to the justice or injustice of the substance of individual laws, by ready offering of individual service and friendship to all members of the public without regard to their wealth or social standing, by ready exercise of courtesy and friendly good humour, and by ready offering of individual sacrifice in protecting and preserving life.
6. To use physical force only when the exercise of persuasion, advice and warning is found to be insufficient to obtain public co-operation to an extent necessary to secure observance of law or to restore order, and to use only the minimum degree of physical force which is necessary on any particular occasion for achieving a police objective.
7. To maintain at all times a relationship with the public that gives reality to the historic tradition that the police are the public and that the public are the police, the police being only members of the public who are paid to give full-time attention to duties which are incumbent on every citizen in the interests of community welfare and existence.
8. To recognise always the need for strict adherence to police-executive functions, and to refrain from even seeming to usurp the powers of the judiciary of avenging individuals or the State, and of authoritatively judging guilt and punishing the guilty.
9. To recognise always that the test of police efficiency is the absence of crime and disorder, and not the visible evidence of police action in dealing with them.
As police historian Charles Reith noted in 1956, this philosophy was radical when implemented in London in the 1830s and “unique in history and throughout the world because it derived not from fear but almost exclusively from public co-operation with the police, induced by them designedly by behaviour which secures and maintains for them the approval, respect and affection of the public”. Apparently, it remains radical in the United States in 2014. (thx, peter)
The American Life’s Ira Glass talks with Lifehacker about how he works. When asked what his best time-saving shortcut or life hack was, he responded:
I’ve got nothing. Reading other people’s answers to this question on your website today made me realize I live my life like an ape. I eat the same breakfast and lunch everyday, both at my desk. I employ no time-saving tricks at all.
Though come to think of it, I guess my biggest life hack — and this is the very first time I’ve attempted to use the phrase “life hack” in a sentence — is that my wife and I decided to live just a few blocks from where I work. We did this because of our dog. Since I spend at least an hour every night walking the dog, I didn’t want to spend another 60 or 90 minutes a day commuting. I don’t have the time. Like lots of people, I work long hours.
In late June, Kurt Andersen’s pop culture & arts radio show Studio 360 broadcast an entire show as if it were produced in 1914, crackly static and old-timey radio voice and all.
This week, Studio 360 is broadcasting from 1914, covering the cultural happenings of a remarkable year. Charlie Chaplin debuted the Tramp, the character who defines the silent film era, in that year; one of America’s great newspaper cartoonists invented the first animated character, Gertie the dinosaur; and George Bernard Shaw opened a front in the war between the sexes with Pygmalion.
From HowSound, here’s a behind-the-scenes on how they made Andersen sound like a 1910s radio man.
On this edition of HowSound, the staff at Studio 360 walks us through the metamorphosis of Kurt’s voice. Senior Broadcast Engineer John DeLore dissects the production process including the use a cone from an Edison Standard Phonograph. David talks about writing in the diction of 1914. And, Kurt describes narrating in a stilted and formal voice.
The Art of the Title has a look at the Emmy nominees for best title design for 2014: Black Sails, Cosmos, Masters of Sex, Silicon Valley, and True Detective. As noted, the excellent titles for Halt and Catch Fire missed the eligibility period by a day. Spoilers: True Detective’s titles won.
I don’t quite know how it happened, but I’m presently addicted to DaisyPop on my iPhone. The gameplay is pretty simple: various flowers and bugs float around the screen and you tap on things to pop them. Popping many things at once increases your score. Taps are limited but you get more the better you play. Unlike many other iOS games where frenetic tapping is rewarded, DaisyPop is a game of patience…waiting for several items to float close enough for the big scores can sometimes take a minute or two.
If the continent of Westeros from Game of Thrones had rail service, this is what the transit map might look like. Here’s the King’s Landing transport hub:

The maps are the work of designer Michael Tyznik and are available as prints: Westeros and The Known World.
This video combines two thoughts to reach an alarming conclusion: “Technology gets better, cheaper, and faster at a rate biology can’t match” + “Economics always wins” = “Automation is inevitable.”
That’s why it’s important to emphasize again this stuff isn’t science fiction. The robots are here right now. There is a terrifying amount of working automation in labs and warehouses that is proof of concept.
We have been through economic revolutions before, but the robot revolution is different.
Horses aren’t unemployed now because they got lazy as a species, they’re unemployable. There’s little work a horse can do that pays for its housing and hay.
And many bright, perfectly capable humans will find themselves the new horse: unemployable through no fault of their own.
(via waxy)
The mixtape that Star-Lord carries around in Guardians of the Galaxy is of course available as an actual album (Amazon mp3, iTunes). The album isn’t on Spotify, but there is a playlist of all the songs.
As Slate notes, the movie merch album isn’t totally true to the movie as it includes two songs from Awesome Mix Vol. 2, but I will never complain of Marvin Gaye’s or the Jackson 5’s inclusion in anything.

From PA Press, the latest book in their Words of Wisdom series, The Chef Says. The book features quotes about food and cooking from the likes of Escoffier, April Bloomfield, Julia Child, and Grant Achatz.
People are taking photos of statues that cleverly make it look as though the statues are taking selfies.

There’s a group on Reddit but most of the photos really aren’t that good. There are more examples on Instagram, including this one and this one from June that predate the activity on Reddit. But the earliest instances I found of statue selfies were this Instagram photo from The Art Institute of Chicago and this tweet featuring the Statue of Liberty, both from December 2013.

(via @ThatAmelia)
Update: See also Museum of Selfies.
Watch Peanuts creator Charles Schulz draw Charlie Brown. It only takes him around 35 seconds.
(via @fchimero)
In order to reproduce, salmon swim from the ocean up rivers until they find the spot they were born. But sometimes people build dams or other “artificial water constructions” that can disrupt salmon travel. A company called Whooshh Innovations has developed a tool to help with this problem: a pneumatic salmon cannon.
According to the folks at Whooshh, their transport system can handle 40-60 fish per minute, move the fish at 5-10 m/sec (11-22 mph), and transport fish 1000 feet into the air along a tube 2000 feet long.
From YouTube, a playlist of 12- and 24-hour-long videos of ambient space noise, mostly of the sounds of spaceships like the Tardis, the USS Enterprise, and the Nostromo (from Alien). I think the Death Star is my favorite:
Or the completely unrelaxing 12 hours of Star Trek red alert sound:
Sadly, the list is missing my favorite spaceship sound, Sebulba’s podracer from Phantom Menace. See also Super Mario Bros Sound Loops and Extended Star Wars Sounds. (via @finn)
In the late 70s, David Chase wrote a pair of episodes of The Rockford Files, a detective series on NBC. Those episodes were something of a prototype for The Sopranos, which Chase would create two decades later for HBO.
In Just a Coupla Guys, Tony the mob boss (Antony Ponzini) is a doting father who also happens to be a killer. Anthony Jr. (Doug Tobey) is a good kid acting up to get his dad’s attention. Jean (Jennifer Rhodes) is the long-suffering mob wife, trapped in a suburban mansion. And Mr. Lombard (Gilbert Green), is an aging former boss who may or may not have lost his marbles. There’s even a Catholic priest (Arch Johnson), although he’s nowhere near as attractive as Father Phil, the clergyman who caught Carmela Soprano’s eye.
The Fields Medal is viewed as the greatest honor in mathematics; the Nobel of math. Today, Iranian mathematician Maryam Mirzakhani became the first woman (and Iranian) to win a Fields Medal.
Maryam Mirzakhani has made stunning advances in the theory of Riemann surfaces and their moduli spaces, and led the way to new frontiers in this area. Her insights have integrated methods from diverse fields, such as algebraic geometry, topology and probability theory.
In hyperbolic geometry, Mirzakhani established asymptotic formulas and statistics for the number of simple closed geodesics on a Riemann surface of genus g. She next used these results to give a new and completely unexpected proof of Witten’s conjecture, a formula for characteristic classes for the moduli spaces of Riemann surfaces with marked points.
In dynamics, she found a remarkable new construction that bridges the holomorphic and symplectic aspects of moduli space, and used it to show that Thurston’s earthquake flow is ergodic and mixing.
Most recently, in the complex realm, Mirzakhani and her coworkers produced the long sought-after proof of the conjecture that - while the closure of a real geodesic in moduli space can be a fractal cobweb, defying classification - the closure of a complex geodesic is always an algebraic subvariety.
Get all that? Adolescent math fans, you have a new role model. She does math like a girl. Here’s more on Mirzakhani from Quanta Magazine.
Update: Sad news…Mirzakhani died in July 2017 from cancer. She was 40 years old.
Here’s the trailer for the third and final movie in Peter Jackson’s The Hobbit trilogy:
The Hobbit was initially supposed to be just two films but Jackson decided to split the second film into two. From Wikipedia:
According to Jackson, the third film would contain the Battle of the Five Armies and make extensive use of the appendices that Tolkien wrote to expand the story of Middle-Earth (published in the back of The Return of the King).
The second movie was better than the first so I’m looking forward to this one. But then again, I’m totally in the tank for Jackson’s take on Middle Earth (I did the Weta Digital tour when I was in New Zealand) so I would see it even if the first two movies sucked.
Nick Bostrom has been thinking deeply about the philosophical implications of machine intelligence. You might recognize his name from previous kottke.org posts about the underestimation of human extinction and the possibility that we’re living in a computer simulation, that sort of cheery stuff. He’s collected some of his thoughts in a book called Superintelligence: Paths, Dangers, Strategies. Here’s how Wikipedia summarizes it:
The book argues that if machine brains surpass human brains in general intelligence, then this new superintelligence could replace humans as the dominant lifeform on Earth. Sufficiently intelligent machines could improve their own capabilities faster than human computer scientists. As the fate of the gorillas now depends more on humans than on the actions of the gorillas themselves, so would the fate of humanity depend on the actions of the machine superintelligence. Absent careful pre-planning, the most likely outcome would be catastrophe.
Technological smartypants Elon Musk gave Bostrom’s book an alarming shout-out on Twitter the other day. A succinct summary of Bostrom’s argument from Musk:
Hope we’re not just the biological boot loader for digital superintelligence. Unfortunately, that is increasingly probable
Eep. I’m still hoping for a Her-style outcome for superintelligence…the machines just get bored with people and leave.

So, a few months ago Quentin Tarantino scrapped plans to make what was supposed to be his next film, The Hateful Eight, after the script leaked. Which struck me as weird and petty, but Hollywood in general seems weird and petty to me. Turns out that Tarantino’s gonna do the movie after all.
During the Comic-Con panel, one of the audience members point blank asked Tarantino if he’ll be making the script as his next feature, following recent word that it could be heating back up again. Tarantino hemmed and hawed for a bit — before finally committing: “Yeah — We’re going to be doing The Hateful Eight.” So there you have it: The Hateful Eight will be the next Quentin Tarantino feature.
The photo at the top is the first official poster for the film.
If you’ve played Monument Valley, a game so purty it won an Apple Design Award, you know the music is one of the best features of the game. Well, the original soundtrack for the game is now available for streaming on Spotify.
The soundtrack is also available to own on Amazon or iTunes.
(Oh, and while we’re at it, let’s take a moment to witness how nutty app pricing is. Monument Valley costs $3.99. The soundtrack, which is a just a part of the overall game, costs $8.99 at Amazon. And that makes sense how?)
Update: The Forgotten Shores add-on to the game also has its own soundtrack.
Actor Robin Williams was found dead in his home today of an apparent suicide. He was 63. I have been thinking a lot about this scene from Dead Poets Society lately:
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