kottke.org posts about video
In this NASA promotional film from 1977, Star Trek star Nichelle Nichols takes a tour of the Johnson Space Center with Apollo 12 astronaut Al Bean and urges viewers, especially women and people of color, to sign up to be astronauts on NASA’s Space Shuttle program.
As one of the first black women to play a lead role on television, Nichols was a role model for women and people of color, particularly those interested in science, space, and engineering. When she was she thinking of quitting Star Trek, Nichols met Martin Luther King Jr. at a NAACP fundraiser and he talked her into staying on the show. She recalled King telling her:
Do you not understand what God has given you? … You have the first important non-traditional role, non-stereotypical role. … You cannot abdicate your position. You are changing the minds of people across the world, because for the first time, through you, we see ourselves and what can be.
So when NASA came calling, Nichols used her position well:
She relayed her response to NASA with a mischievous twinkle in her eye, “I am going to bring you so many qualified women and minority astronaut applicants for this position that if you don’t choose one… everybody in the newspapers across the country will know about it.”
Nichols credited Star Trek with the success of her recruiting efforts. “Suddenly the people who were responding were the bigger Trekkers you ever saw. They truly believed what I said… it was a very successful endeavor. It changed the face of the astronaut corp forever.”
Among the recruits drawn to NASA by Nichols’ efforts were Sally Ride, the first American woman in space, Ronald McNair & Judith Resnick, who both died in the Challenger accident, Guion Bluford, the first African-American in space, and Mae Jemison, who was the first black woman in space. The diversity of the latest batch of NASA astronauts-in-training is a testament to Nichols’ and NASA’s joint efforts as well. (via open culture)
From Hiroshi Kondo, a mesmerizing short film called Multiverse of the motorbike-jammed streets of Taiwan. Right around the 50 second mark, Kondo starts to use a clever time lapse technique to highlight individuality within the bustling mass of traffic. It’s a really cool effect and reminded me of this clip art animation by Oliver Laric. (via colossal)
Black Mirror is back for a fifth season on Netflix starting June 5. The season will consist only of three episodes and will star, among others, Miley Cyrus, Topher Grace, Andrew Scott, and Anthony Mackie. Here’s the trailer:
I have to admit that I haven’t watched all of season 4 yet…or Bandersnatch. Living in an episode of Black Mirror isn’t exactly conducive to wanting to watch Black Mirror.
In the latest episode of Last Week Tonight, John Oliver discusses the Green New Deal and carbon pricing. Oliver invited beloved children’s science educator Bill Nye to help him explain a few things and Nye delivered a short but passionate speech about what’s at stake in the political battle over climate change:
I’ve got an experiment for you. Safety glasses on. By the end of this century, if emissions keep rising, the average temperature on earth could go up another four to eight degrees. What I’m saying is: the planet’s on fucking fire!
There are a lot of things we could do to put it out. Are any of them free? No, of course not. Nothing’s free you idiots! Grow the fuck up, you’re not children anymore. I didn’t mind explaining photosynthesis to you when you were 12. But you’re adults now and this is an actual crisis, got it? Safety glasses off, motherfuckers.
The entire segment is worth watching (particularly if you haven’t been keeping up on what the Green New Deal actually is) but Nye’s closing remarks are at ~18:30 for the impatient.
In the spire of a Swedish church built around the end of the 12th century, eight large rafters (that are in spectacularly good shape considering they’re 800 years old) appear to be fashioned from the same tree using a technique that had not been documented before. So, using only medieval woodworking tools and techniques, a team set out to prove that those rafters could have been made in that way.
The woodworkers’ search for a proper tree to use (starting at ~2:55) brings to mind the recent kerfuffle over the replacement beams for the Notre Dame.
Finding a suitable tree for this experiment is not necessarily easy. Where do you find a tall, straight, even pine tree with no branches for at least 13 meters off the ground?
They eventually found a 195-year-old tree with 11 meters of no branches.
The pace of this video is so leisurely that it feels almost meditative at times, watching this massive log slowly yield to the woodworkers’ effort and ingenuity. Recommended if you’re feeling stressed about the pace of the world.
See also How Tree Trunks Are Cut to Produce Lumber with Different Shapes, Grains, and Uses and Watch As a Master Woodworker Turns a Giant Log into an Elegant Dugout Canoe. (via bb)
The development of vaccines against infectious diseases is among the greatest of human accomplishments and has saved ten of millions of people from dying. And yet some are still hung up on their side effects (and also the widely disproved and debunked fraudulent claim that vaccines cause autism). In this video, Kurzgesagt looks at how vaccines work and compares the impact of their side effects (minuscule) to the potential effect of the diseases they protect against (children dying).
The extensive list of sources they used for the video can be found here.
The title of this video is “The Side Effects of Vaccines - How High is the Risk?”, which seems like it’s maximized for clicks and to spread amongst anti-vaxxers on social media. I wish it had a more accurate title — something like “The Absurdly Low Risk of Vaccine Side Effects” or maybe “Vaccines. And Now My Kids Don’t Die.” — but perhaps positioning it this way is a good strategy to get folks who may not be quite so radicalized to watch it.
Running From COPS is a new podcast that examines the cultural influence of the long-running TV show COPS. Vox did a short video on the main themes of the show:
From a Fast Company article about the podcast and its creator, Dan Taberski:
The problem is that Cops is more reality show than documentary, and Taberski, a veteran reality show producer, knows there’s a huge disparity between reality show “reality” and documentary reality. In the course of their investigation, the Running from Cops team discovered that the police had final cut approval for the series. “When you start to look at the contractual relationship between producers and police-and we got our hands on a few of those contracts between Cops and the police departments — I think people will be really surprised how much the police are controlling their own message on the show,” Taberski says. Watching the show in that light, he adds, “It just shows how dicey it is to be using reality-show storytelling techniques for something so real and important as policing, and how your biases can creep in even unintentionally.”
Taberski and the producers also found that while prostitution, drugs, and violence make up 58% of crime depicted on Cops, according to the FBI, those three categories only account for barely 17% of crime IRL.
The first four episodes are available now on your favorite podcasting platform. I binged them over the past week and they’re worth a listen.
Adam and Neil Pearson are identical twins who have neurofibromatosis, a rare genetic disorder that affected the two of them quite differently.
“I was always aware that I had the same condition as him, but also fully aware that he had the facial disfigurement and I didn’t,” Neil says in the film. Adam suffers from benign tumors that began forming on his face when the Pearsons were boys. They grew progressively worse over time. In school, he endured much bullying-“one of the worst things a human can do to another human,” as he describes it in the film. As an adult, Adam explains that he can never go anywhere without being gaped at. Neil, meanwhile, appears physically unscathed but experiences neurological problems that severely impair his memory.
(via @luvmyptcruiser)
Ever since he was a kid, Cameron Smith has wanted to go into space. This desire persisted into adulthood, and the Portland State archaeology professor has spent the past several years constructing a series of homemade pressurized spacesuits to achieve that dream. In this video, Smith talks about his quest and we witness his preparations for testing a spacesuit he built for under $1000 by taking it up in a balloon to a height of 63,000 feet.
You can read more about Smith and his project in the Journal of Critical Space Studies.
Smith’s journey to the upper atmosphere calls to mind the devil-may-care mindset typical of the early days of space exploration, when air force pilots on both sides of the Iron Curtain risked their neck to advance human spaceflight and secure military advantage in orbit. These pilots were the first humans to test experimental new pressure suits that were meant to sustain life in the upper atmosphere and beyond, and there was little assurance that they would ever return from these crucial tests alive.
And yes, you can totally buy old Russian and Soviet spacesuits on eBay.
In 2005, Bobby Henderson wrote an open letter to the Kansas State Board of Education about their decision to allow teaching of intelligent design as an alternative to evolution in public school science classrooms. In it, he introduced the world to the Flying Spaghetti Monster:
I think we can all agree that it is important for students to hear multiple viewpoints so they can choose for themselves the theory that makes the most sense to them. I am concerned, however, that students will only hear one theory of Intelligent Design.
Let us remember that there are multiple theories of Intelligent Design. I and many others around the world are of the strong belief that the universe was created by a Flying Spaghetti Monster. It was He who created all that we see and all that we feel. We feel strongly that the overwhelming scientific evidence pointing towards evolutionary processes is nothing but a coincidence, put in place by Him.
It is for this reason that I’m writing you today, to formally request that this alternative theory be taught in your schools, along with the other two theories.
The Flying Spaghetti Monster quickly became an internet meme and, shortly thereafter, an actual religion. *nudge nudge wink wink*
I, Pastafari is a feature-length documentary about the Church of the Flying Spaghetti Monster and its adherents, the Pastafarians.
I, Pastafari is a story about a few brave Pastafarians, evangelizing the message of the FSM, while fighting against intolerant skeptics, for the freedom to access religious privileges in law granted to other “real” religions. In a time of flat-earthers, anti-vaxxers, fake news, and alternative facts, the Pastafarians may be the savior the world has been waiting for. R’Amen.
I have a bad feeling that what started out as a satirical criticism of religion will be an actual religion in the future whose adherents won’t see the irony in or damage done by that shift. That’ll be fun.
From 1973, this is an animated short film version of the classic children’s book The Giving Tree, narrated by author Shel Silverstein. As Wikipedia notes, there are conflicting ideas about the book’s meaning:
This book has been described as “one of the most divisive books in children’s literature”; the controversy stems from whether the relationship between the main characters (a boy and the titular tree) should be interpreted as positive (i.e., the tree gives the boy selfless love) or negative (i.e., the boy and the tree have an abusive relationship).
Silverstein’s narration does little to resolve the complexity of the story, although as someone who has never read The Giving Tree1, I was left feeling not so great about the relationship depicted in the story. (via open culture)
Update: Adam Grant and Allison Sweet Grant wrote about the lessons of The Giving Tree for NY Times Parenting.
We don’t know what motivated Shel Silverstein to write “The Giving Tree.” In a rare interview, he said it was about “a relationship between two people; one gives and the other takes.” But we think it’s best read as a cautionary tale about love. Although the tree seems to take joy in giving to the boy, their relationship is entirely one-sided. The tree is perfectly happy to destroy herself under the guise of “love” for the boy. That’s not love; it’s abuse. Even an editor of the book, Phyllis Fogelman, felt that way. “I have had qualms about my part in the publication of ‘The Giving Tree,’ which conveys a message with which I don’t agree,” she said in an interview. “I think it is basically a book about a sadomasochistic relationship.”
Arctic is a new video from the Beauty of Science crew (previously featured here) that reveals the beauty of crystal formation.
There’s a kinship between how crystals form and how towns & cities develop (as in these generated medieval town maps or Manhattan below 14th Street) or how flowing water interacts with earth:
Crystal, towns, and rivers all act according to similar principles governing the formation of things from points and edges. What a world. (via colossal)
This is neat: Peter Mayhew as Chewbacca speaking English to Harrison Ford’s Han Solo in a scene from Empire Strikes Back:
Mayhew’s dialogue provided context for Ford to play off of. Chewbacca’s more familiar voice was dubbed over the on-set dialogue in post production — listen to Star Wars sound designer Ben Burtt describe how he created Chewie’s voice in this video at ~26:18. Mayhew passed away last week at the age of 74.
See also David Prowse’s on-set dialogue as Darth Vader, or as the other cast members called him, Darth Farmer (at 6:05 in the video). (via laughing squid)
Using geological surveys, geo-referenced road network data, and historic maps drawn the from the collections of the Library of Congress and New York Public Library, Miles Zhang made this time lapse video of the development of the street grid of NYC from 1609 (when Henry Hudson first explored the area for the Dutch) to the present day.
The resulting short film presents a series of “cartographic snapshots” of the built-up area at intervals of every 20-30 years in the city’s history. This process highlights the organic spurts of growth and movement that typify New York’s and most cities’ development through time. The result is an abstract representation of urbanism.
Zhang has written up his research methodology for the video as well as some observations and analysis of the data.
For almost the first half of Manhattan’s history, walking was the primary means of transport. This preference was manifested in the shorter distances between residential, industrial, shipping, and commercial areas — and more frequently their overlap. With street systems, the reliance on the foot is manifested in narrower streets widths not designed to accommodate greater width from carriages, trolleys, and later cars. In fact, the average width of secondary arterial streets increased from 30 feet for streets opened between 1624-1664, to 45 feet for streets opened 1664-1811, and then a uniform width of 60 feet for any cross street opened after 1811. Later widenings increased many of these smaller and pre-1811 streets to width between 100 and 130 feet. In other words, moving from the older networks in the south to newer networks in the north, the width of streets and size of blocks generally increases. These new widths might be influenced by growing population size from only 25,000 in the 1770s, to 64,000 by 1811, and 247,000 by 1834, thereby requiring wider streets for expanding population and higher buildings.
These gradual changes in planning reflected increasing reliance on carriages and horse-drawn trolleys instead of walking. Each mode of transport required a different minimum street width and was associated with different speeds.
(via @john_overholt)
Werner Herzog’s latest film is called Meeting Gorbachev, in which he sits down with former Soviet leader Mikhail Gorbachev for a series of interviews about his life, political career, and his role in ending the Cold War. From a review in the NY Times:
The two men appear to like each other immensely — in narration, Herzog calls Gorbachev “one of the greatest leaders of the 20th century” — but Gorbachev can be a cool customer. He sometimes seems guarded in his assessment of what he might have done differently. He says he believes the Soviet Union should have given its republics more rights instead of dissolving entirely. As for Boris Yeltsin, who became the first president of a post-Soviet Russia, he says, “I should have sent him off somewhere.”
The Bulletin of the Atomic Scientists interviewed Herzog about the film.1
It’s not easy to speak of what I tried to accomplish. I think as a natural concomitant you get the feeling that there should be better times between the West and Russia. The demonization of Russia is a great mistake of the Western media and Western politics, and we should try and seek a climate that was created by Ronald Reagan and Mikhail Gorbachev, the most improbable characters you could ever put together in one room.
Meeting Gorbachev is out in US theaters now, but just barely. Probably best to catch this streaming in a month or two.
Asif Kapadia, the director of Senna and Amy, has directed a documentary film about footballer Diego Maradona, one of the best to ever lace up the cleats.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None was more feared. But how they ached for success…
On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world’s most celebrated football genius and the most dysfunctional city in Europe were a perfect match for each other.
Maradona was blessed on the field but cursed off it; the charismatic Argentine, quickly led Naples to their first-ever title. It was the stuff of dreams.
But there was a price… Diego could do as he pleased whilst performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
The film will debut at Cannes and HBO just bought the TV and streaming rights. Senna is one of my all-time favorite documentaries, so I’m excited for this one.
Update: I’ve embedded the full trailer above and moved the teaser down here:
Update: According to this new teaser trailer, the film debuts on HBO on October 1.
Wyatt Knox is a former rally car driver and driving instructor at Team O’Neil Rally School and in this video, he shows us some of the tactical driving techniques that would be in the repetoire of law enforcement or special operations personnel, including running cars off the road, backing up at high speed, and doing a j-turn. (What’s a j-turn? It’s that cool thing they do in the movies where a car in reverse does a 180 and continues driving forwards in the same direction. It was a signature move of Jim Rockford on The Rockford Files.)
All that driving looked fun and this rally school happens to be only 80 miles away from where I live, so I went to their site to look at some classes. Their rally and drift schools are $1400/day (which seems totally fair because it includes car rental, tires, safety equipment, and insurance) but sadly that is not in my price range.
One of the places where Chance the Rapper got his start was at YOUmedia, a youth center at the Harold Washington Library in downtown Chicago. In this video, a 17-year-old Chance performs “Nostalgia”, a song that later appeared on his first mixtape. In this 2013 interview, Chance explained how performances like that helped him as an artist:
Another big launch pad for me was YOUmedia. YOUmedia is a sick ass spot. It’s downtown [Chicago] and it’s a youth center, but it’s a part of Harold Washington Library. The entire first floor, if you go to Harold Washington Library, there’s a sick-ass fucking student center, but it’s city funded. The majority of the dope, young artists that are in Chicago came out of that bitch. I came out of there, Vic Mensa, Nico from Kids These Days. So a lot of different people came out of there. You can learn music theory there, they have production software classes, you can take engineering classes, DJ classes.
“The big thing was the open mic. They used to have this open mic there every Wednesday that we would all go to, and it was from 5 to 7 every Wednesday. It would literally be 200 people in there and it was me performing. This was last year, when I was making #10Day. 200 people would come out to see us perform, 200 kids. The list would be super-fucking full, 30 kids trying to perform different poetry pieces, people coming up there footworking and breakdancing, doing standup, singing and rapping, just doing crazy shit.
“It was a really ill thing because it was smack in the center of downtown, so anybody from any school could come there because every train comes to the loop [downtown]. I met damn near all the producers on #10Day through this library. It was the spot. I’m too old now. I don’t go there anymore, but I used to literally go there until after I turned 18, for a minute.”
See also The Notorious B.I.G. freestyling on a corner in Bed-Stuy at 17, 17-year-old LL Cool J playing a Maine gymnasium, and the Beastie Boys rapping “Cookie Puss” in 1983 (when Ad-Rock was only 17).
For more than 50 years, students at the Nippon Sport Science University in Japan have practiced shuudan koudou, which translates as “collective action”. You can see them in action in these pair of videos:
If you want the really good stuff, skip to ~1:35 in the first video to watch two columns of quick-walking students march backwards through each other. Whoa.
In this short video essay, David Attenborough succinctly describes the main problem of the anthropocene (that modern humans are not living sustainably as they once could as hunter gatherers), explains the effect we’ve had on the planet, and then suggests how we can fix things (italics mine):
The plan for our planet is remarkably simple. Reduce our impact by making sure that everything we do, we can do forever.
Sustainability is such a buzzword these days that I have long since stopped thinking about what it actually means; Attenborough nails it with “making sure that everything we do, we can do forever”. The Earth seems infinite in scope but not with 7, 8, or 9 billion humans hungry for food, thirsty for water, and lusty for status & entertainment.
The simple plan Attenborough describes has four parts:
1. Phase out fossil fuels and replace them with renewables.
2. Upgrading to efficient food production and reducing our consumption of meat.
3. Proper worldwide ocean management.
4. Rewilding the world.
As he allows, it’s a bit more complicated than that — check out Paul Hawken’s list for a more detailed list of things we can do to fight climate change.
In this short clip from 1983, legendary computer scientist Grace Hopper uses a short length of wire to explain what a nanosecond is.
Now what I wanted when I asked for a nanosecond was: I wanted a piece of wire which would represent the maximum
distance that electricity could travel in a billionth of a second. Now of course it wouldn’t really be through wire — it’d be out in space, the velocity of light. So if we start with a velocity of light and use your friendly computer, you’ll discover that a nanosecond is 11.8 inches long, the maximum limiting distance that electricity can travel in a billionth of a second.
You can watch the entirety of a similar lecture Hopper gave at MIT in 1985, in which she “practically invents computer science at the chalkboard”. (via tmn)
To celebrate the 40th anniversary of the release of Alien, 20th Century Fox commissioned six fan-made short films that continue the story of the Alien universe. Here’s the first film, Harvest:
The rest of the films can be watched here. According to Michael Nordine at IndieWire, Alone is the pick of the litter:
However good these films are, I’ll wager that none of them are as charming as the stage production of Alien put on by students at North Bergen High School. The play garnered so much attention that Sigourney Weaver showed up to an encore performance. You can watch the whole performance here with an intro by Weaver (skip to ~3:00):
In the latest episode of Earworm, Estelle Caswell notes that the length of a pop single was rarely more than 3m30s because you couldn’t fit any more than that onto a 7-inch 45rpm single without sacrificing audio quality. But in the 70s, DJs in NYC clubs started playing longer songs for a prolonged dance floor groove and eventually the higher-capacity 12-inch single was born.
Fun fact: the bestselling 12-inch single of all time is New Order’s Blue Monday, which was released in 1983 and clocked in at 7m29s long. Take a listen.
The canals, the sewers, the buildings, the bridges and the rest of the Venice’s infrastructure has all been engineered to deal with a particularly challenging environment: not-particularly-solid ground constantly battered by salt water. In this short film, we learn how the city works and what steps have been taken over the centuries to ensure the smooth function of the city.
Whether Venice can survive the severe sea level rise coming in the next few decades is still an open question. (thx, david)
A clip from 1985 of James Burke talking about how microchips will change politics by making it possible for everyone’s opinion about the nature of the world to be heard and tallied. This slightly longer version of the same clip is worth watching:
You can also watch the entire episode from which it was taken.
Personal computing and the internet changed (and continues to change) the balance of power in the world so much and with such speed that we still can’t comprehend it. Ordinary people have more power today than they have ever had in history, but already powerful people have seen their potential reach and influence grow even more quickly. The system enabled by connected microchips can make everyone heard, but it can also make a reality TV star President of the United States. And this dynamic is still very young…we’re in for a wild ride, folks.
In 2002, Fred Rogers gave the commencement address at Dartmouth College, where he attended school as a freshman before transferring out. The video recording of the address is only 16 minutes long and worth watching in full.
A transcript is here. Some passages that felt meaningful to me:
Our world hangs like a magnificent jewel in the vastness of space. Every one of us is a part of that jewel. A facet of that jewel. And in the perspective of infinity, our differences are infinitesimal. We are intimately related. May we never even pretend that we are not.
I have a lot of framed things in my office, which people have given to me through the years. And on my walls are Greek, and Hebrew, and Russian, and Chinese. And beside my chair, is a French sentence from Saint-Exupery’s Little Prince. It reads, “L’essential est invisible pour les yeux.” What is essential is invisible to the eye. Well, what is essential about you? And who are those who have helped you become the person you are? Anyone who has ever graduated from a college, anyone who has ever been able to sustain a good work, has had at least one person, and often many, who have believed in him or her. We just don’t get to be competent human beings without a lot of different investments from others.
It’s not the honors and the prizes, and the fancy outsides of life which ultimately nourish our souls. It’s the knowing that we can be trusted. That we never have to fear the truth. That the bedrock of our lives, from which we make our choices, is very good stuff.
But holy shit Fred, “our differences are infinitesimal” is a really hard thing to keep in mind these days. How do we even do that?
As part of their show Earth From Space, the BBC Earth team shows the coordinated movements of thousands of Shaolin Kung Fu trainees. The number of participants is so large that their movements can easily be seen in a satellite view. I mean:
(via bb)
This short film by Joris Debeij features Jordan Kamnitzer talking about his experience as someone who is on the autism spectrum.
Autism affects my life in several ways. I have to, sort of, know on a repetitious level, like, how to do things accordingly. Change is very difficult in a routine.
It’s hard to interact with people. I’d like to get to know people better. I try to listen very hard and try to become interested and gradually be friends. Sometimes it does work, but sometimes I know the subject matters are sort of limited with normal individuals.
I’ve had cases where I felt turned down, but silently. I sometimes feel disappointed and hurt, then I retreat and go back into my own indifferent world.
In a related essay, Eli Gottlieb writes about the film and his brother Joshua, who is severely autistic:
As a documentary, though, “Perfectly Normal” is necessarily a partial version of the truth. When Joshua and I were filmed for a short documentary, for example, I was struck by how the film showed a higher-functioning version of the person than the one I knew. That was because, like many people with developmental disabilities, my brother had evolved a repertoire of stock responses to social situations. Glimpsed serially in a 15 minute film, these responses added up to a semblance of a socially appropriate person, and skipped the endless testing questions and self-involved rhetorical loops that make him so exhausting to spend time with. (The film, “The Inviolable Bond,” can be seen here.)
Jordan and his girlfriend, Toni, obviously have another life than the one revealed in the film.
I had similar thoughts while watching. How can we know what it’s like in Kamnitzer’s head, especially when the director and editor have so much input into how the film is constructed? At the same time, he definitely said some things about his experience that resonate with me and my experience of the world. It’s not the first time this has happened in recent years. I’ve never been identified as such by a professional, but I would not be surprised to find myself somewhere on the autism spectrum. It would certainly explain some things!
From the BBC and hosted by David Attenborough, “Climate Change: The Facts” is an hour-long program on the science of climate change and what we might be able to do about it.
Sir David’s new programme laid out the science behind climate change, the impact it is having right now and the steps that can be taken to fight it.
“In the 20 years since I first started talking about the impact of climate change on our world, conditions have changed far faster than I ever imagined,” Sir David stated in the film.
“It may sound frightening, but the scientific evidence is that if we have not taken dramatic action within the next decade, we could face irreversible damage to the natural world and the collapse of our societies.”
With each successive nature series, Attenborough has become more vocal about the effects of climate change on our planet and its plant and animal populations. In his new Netflix series Our Planet, climate change takes center stage.
Compared to its predecessors, the series also frames the value of nature in a new way. Usually Attenborough’s programs establish a place or a species as a thing of remarkable beauty-this soulful orangutan, that industrious bird of paradise-before warning that it is somehow imperilled. The value of the creature is its existence. We may never see a polar bear, but we take pleasure from knowing that they’re out there. In “Our Planet,” the value of nature is presented as something much closer to home, and more practical. Attenborough reminds viewers again and again of the connections that link these far-flung ecosystems to our own species’s survival. Protect the sea otter because it’s lovely, if you like, but also because it keeps in check the sea urchins that otherwise mow down kelp forests, which act as crucial carbon sinks. “We are part of nature. We aren’t separate from nature,” Attenborough told me.
Monocle has produced a pair of videos about what Finland’s fleet of icebreakers do and what daily life is like for the crew.
In the second video, I was most interested in how life aboard icebreakers has changed now that wifi and personal TVs & DVD players are ubiquitous. Crew members are able to speak & video chat with their families daily (instead of every few weeks or months as in the past) and as a result, they feel less isolated and closer to their loved ones. But at the same time, access to the internet and TVs in each cabin results in less on-board socialization among the crew, which perhaps makes for a less tight-knit group. Extrapolating to society at large is left as an exercise to the viewer.
See also the Relaxing Sounds of an Arctic Icebreaker. (via why is this interesting?)
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