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kottke.org posts about George Miller

Dunkirk, re-edited as a silent film

posted by Jason Kottke   Jan 02, 2018

One of the first things you notice when watching Dunkirk is the sparse use of dialogue. There are long stretches of the film, particularly on the beach, when no one says anything. In interviews, Christopher Nolan has stated that he wanted to use visuals to drive the story in the film…”looking to the visual masters of the silent era”. Tom van der Linden took Nolan at his word and recut Dunkirk into 7-minute-long silent film; it works remarkably well.

Someone did a full-length silent version for Mad Max: Fury Road as well after director George Miller stated that the purest version of the film would be silent, but it got taken down. In my quick review of Dunkirk, I said “I feel like Christopher Nolan watched Mad Max: Fury Road and said, ‘I can do that…but my way.’”

An official black and white version of Mad Max: Fury Road

posted by Jason Kottke   Sep 26, 2016

Mad Max Black & White

Max Max: Fury Road director George Miller has stated “the best version of this movie is black and white”. A silent B&W version of the film surfaced online briefly last year, but an official release of that best version is now here. You can find the Black & Chrome edition paired with the regular version on the film and also on the Mad Max High Octane Collection (along with all four films + bonus features). Both discs will be out in early December.

Max Mad: Fury Road sped up 12X is still watchable

posted by Jason Kottke   Jan 25, 2016

Film editor Vashi Nedomansky took five movies whose ASL (average shot length) is under 2 seconds and sped them up by 12 times. You can judge for yourself, but according to Nedomansky, Mad Max: Fury Road is the only one that’s still comprehensible at that speed. Huge props to director George Miller and editor Margaret Sixel.

Mad Max: Fury Road as a silent B&W film

posted by Jason Kottke   Sep 23, 2015

In an interview with Slashfilm, Mad Max: Fury Road director George Miller stated that “the best version of this movie is black and white” and that the purest version of the film would also be silent (which it very nearly is anyway). Miller wanted to include the B&W version on the Blu-ray, but the studio decided to delay the release of that until a Super Special Ultra Gimme All Your Money Blu-ray Edition can be arranged at some later date. Until then (or, more probably, until Warner’s lawyers get around to taking it down), we have this fan-made edit of the film in B&W without dialogue. (via @SebastianNebel)

Update: Well, that was fun while it lasted. Good thing I totally didn’t grab a copy to watch later using a Chrome extension. (And before you ask, no I won’t.)