Santiago Borja is an airline pilot who takes stunning photos of storms and clouds from the flight deck of his 767. Definitely offers up a different perspective than the typical storm chaser photography. You can find his work on his website, on Instagram, and in book form.
Just how do haboobs form? When air is forced down and pushed forward by the front of a traveling thunderstorm cell, it drags with it dust and debris. Winds of speeds up to 60 mph can stir up dust and sand and create a blowing wall as high as 10,000 feet. Haboobs usually last only 10 to 30 minutes, but on rare occasions can last longer and create hazardous conditions for ground transportation systems, air traffic and motorists.
Always a treat to watch a new time lapse storm video from Mike Olbinski. It’s in 8K as well, so if you have the bandwidth and the screen resolution, this is going to look extra good. You can see more of Olbinski’s breathtaking videos here as well as plenty more cloud content. kottke.org: home of fine cloud products. (via colossal)
Michael Schlegel took these photographs of trees in the fog in the Fanal region on the Portuguese island of Madeira. I was going to describe these as “eerie” but they’re not really. More of a Entish Middle Earth bonsai vibe. I went for a hike in the fog a couple of years ago and it was remarkably peaceful, like a dream. (via moss & fog)
I keep track of every media thing I “consume”, so here are quick reviews of some things I’ve read, seen, heard, and experienced in the past month. I just started reading In the Garden of Beasts by Erik Larson; I loved his The Devil in the White City. On the TV front, I’m holding off on season 3 of The Handmaid’s Tale and season 2 of Big Little Lies for some reason…don’t want to get sucked into anything right now, I guess. Ditto for catching up on the Historical Cinematic Universe…just not feeling it at the moment. As always, don’t pay too much attention to the letter grades…they’re higher in the summer than in the cold, depressing winter.
Deadwood: The Movie. A fitting end to one of the best shows on TV. It was great to be able to spend a little more time with it. (A-)
Thermapen Mk4. Finally got tired of my anxiety about overcooking my meat. Been using it with the reverse sear to great effect. (B+)
Serial season 3. I couldn’t make it through more than two episodes of each of the previous two seasons, but I went the distance on this one. Is the American system of justice just? I doubt it. (A-)
Working by Robert Caro. The DVD extras for The Power Broker and the LBJ books. I don’t have time to read a 3000-page biography of Lyndon Johnson right now, but Working made me want to do it anyway. (A-)
Persuasion System. The latest album from Com Truise. Great for working to. (B+)
Small Steps, Giant Leaps. Apollo 11 artifacts paired with historic scientific tomes from the likes of Galileo & Newton go together like chocolate and peanut butter. (A-)
Mary Queen of Scots. Nothing much here to distinguish this from your usual historical drama. (B)
Street Food. Interesting to compare this to David Gelb’s other show, Chef’s Table. Same focus on quality ingredients and serving great food, but very different ends of the economic spectrum. (B+)
Brooklyn Botanic Garden. Caught the peak of the cherry blossoms. Beautiful. But crowded. (A-)
Salt Fat Acid Heat. This wasn’t exactly my cup of tea, but I can see what other people love about it. The final episode is the strongest and I thought Nosrat’s emphasis on shopping as a vital part of cooking was interesting. (B)
Summer in Vermont. It’s been spectacular here lately. (A)
Normal People by Sally Rooney. I burned through this in only two days. (A)
13 Minutes to the Moon. There’s lots of Apollo stuff out there right now and some of it doesn’t bring anything new to the table. But this podcast from the BBC is substantial, with interviews from key players, including Apollo software engineer Margaret Hamilton, who doesn’t give many interviews these days. (A-)
Bad Times at the El Royale. Rhymes with Tarantino but not that well. This should have been 90 minutes long. (B-)
Long Shot. Why did this flop? It’s not exactly great but it works fine. (B)
I occasionally fantasize about ditching my iPhone and all related apps for a flip phone and fewer distractions. In this dream life, I have no notifications blinking at me, I don’t care about exes liking old Instagram photos of mine after months of not talking, I have no inbox anxiety, and I never experience a phantom buzz (currently listed on WebMD as Phantom Vibration Syndrome). I sit with a contented smile cross-legged pose overlooking a cliff. I go on long walks, surrounded by exotic flora and fauna, with big, open skies overhead. Gazing at cloud formations becomes a meditation in itself.
Please consider this my formal pitch to The New Yorker: recovering tech worker of almost a decade and a half leaves the modern world behind to look at the sky, be with nature, and attend talks amongst other cloud enthusiasts. For several blissful days on a mostly-uninhabited island (unless you count the puffins) off the North Devon coast, she exists with only a notebook, disposable camera, and her conscious awareness.
Ian Fisher’s paintings of clouds are surprisingly lifelike. If you scroll through the paintings on his site, you can see his representation of them improve…his most recent ones are difficult to distinguish from photographs of actual clouds.
The ingredients for Smilde’s clouds: just smoke and water vapor. He requires a cold and damp space with no air circulation, lest the clouds never form or fall straight to the ground. He mists an area with a spray bottle to put water vapor into the air. Then he turns on fog machines that spout tiny particles, and the vapor condenses around them.
Smilde runs around the forming cloud, coaxing it into a shape about 10 feet across and six feet tall. Then he steps back long enough for a photographer to snap several images. Once the air clears, he’ll start over, repeating the process dozens of times until he’s happy with the results. Later, he’ll retouch the photos to remove his tools.
Mike Olbinski is back with another of his jawdropping storm chasing videos. I find clouds endlessly fascinating โ it seems like there’s always something new to consider while watching these kinds of videos. This time around, I noticed how the clouds in several instances actually “opened up” when it started to rain, like a hatch that finally succumbed to the pressure of all that water pushing down on it. (Check out 1:38 for a particularly clear instance.)
The tiny island in the Bristol Channel off Wales, named for the Norse word for “puffin,” has a pub, a church, three lighthouses, and craggy waterfront. It sounds pretty idyllic:
In Lundy, the sea is rarely out of sight, and the views are always breathtaking. There will be plenty of time to explore the wild stretches of grassland and heath which give way to natural ponds, steep cliffs and rocky beaches. The granite crags of this dramatic landscape is the perfect frame to the drama of its skies.
The Isle of Lundy’s topography, sparse population (28 as of 2007!), and mention of puffins reminds me of Far Afield, Susana Kaysen’s witty meditation on the Faroe Islands that I read last month. Her opening chapter in the Reykjavik airport is one of the best travel scenes I’ve read in ages.
This photo shows a distant lightning storm and asperitas clouds looming over the outskirts of Torres, Rio Grande do Sul, Brazil, as observed during the evening of June 10, 2018. On this long-exposure image it seems that most of the lightning consisted of cloud-to-ground strokes. Asperitas form in convective storms when the air in downdrafts (cooled by the sublimation of ice crystals) pushes through the cloud base.
Storm-chasing photographer Mike Olbinski is back with a new time lapse video and this one is in black & white and was shot in 8K resolution. (BTW, 8K is 7680ร4320 or 4320p. That’s a lot of K!)
Breathe is made up solely of storm clips from 2017…either from the spring across the central plains or from the monsoon here in the southwest. Some are favorites, some are just ones I knew would be amazing in monochrome and others I used because they fit the music so well.
The video was unavailable in 8K to me on both YouTube and Vimeo โ maybe you need to be a paying member? โ but even at 4K, this thing is hypnotically stunning. I rewound and watched the part starting at 1:39 about five times. You can see more of my posts about Olbinski here. (via colossal)
Stormchaser Mike Olbinski is back with his latest time lapse video of clouds and storm footage he shot this spring.
The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol’ 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I’ve ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds…it ended up being an amazing season and I’m so incredibly proud of the footage in this film.
The lightning storms and undulatus asperatus clouds at the end of the video are just flat-out spectacular.
Storm-chasing photographer Mike Olbinski was recently taking photos of a storm in North Dakota close to sunset when asperitas clouds (aka undulatus asperatus clouds) appeared.
Undulatus asperatus clouds are a rare phenomenon and actually the newest named cloud type in over 60 years. I’ve seen tons of photos of them, but never anything like what we witnessed last night. We had a storm with hail in front of us and flashing lightning which was fantastic. But then we had this layer of undulatus clouds flowing across our view. Watching them was amazing already, but then the sun slowly appeared from behind some clouds to the west and lit up our storm like nothing we’ve ever seen before. We were like kids in a candy store.
I have said it before and I will say it again and you will get tired of me saying it for decades to come (or until Facebook just outright buys the internet and shuts down all independent media), but I will never ever tire of watching high-resolution time lapse videos of thunderstorms. Look at those gorgeous mammatus clouds!
Supercell thunderstorms are a manifestation of nature’s attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.
I’ve had this up in a tab since last week but lost track of it…glad to rediscover it via Colossal.
Usually, the air nearest the Earth is the warmest and it gets cooler as the altitude increases. But sometimes, there’s a meteorological inversion and colder air gets trapped near the ground with a layer of warmer air on top. While working on a dark sky project, Harun Mehmedinovic shot a time lapse movie of a rare cloud inversion in the Grand Canyon, in which the entire canyon is filled nearly to the brim with fluffy clouds. (via colossal)
For the first time in 30 years, the world’s cloud authority has classified a dozen new types of cloud. You can find them in the International Cloud Atlas, published by the World Meteorological Organization.
The existing classifications have been reviewed and all have been retained. Several new, formal cloud classifications have been introduced. These include one new species (volutus), five new supplementary features (asperitas, cauda, cavum, fluctus and murus), and one new accessory cloud (flumen). The species floccus has been formally recognized as being able to occur in association with stratocumulus. The separate section on Special Clouds has been removed, and the cloud and meteor types previously discussed within this section have been integrated into the cloud classification scheme as cataractagenitus, flammagenitus, homogenitus, silvagenitus, and homomutatus.
The cloud in the second photo is a cavum cloud, which is not so much a cloud itself as a hole in a altocumulus or cirrocumulus cloud. The cloud in the top photo, the one that looks like a van Gogh painting, is an asperitas (formerly known as undulatus asperatus). The asperitas is best seen in motion:
Photographer and filmmaker Mike Olbinski shot 85,000 frames at 8K resolution to make this 7-minute time-lapse film of storms of all shapes and sizes doing their thing. Just slip on the headphones, put the video on fullscreen, and then sit back & watch. A tonic for these troubled times. (via slate)
There’s an incredible 16-second sequence in this video of clouds, starting at around 10 seconds in. It looks as though the sky is a roiling ocean wave about to crash on the beach. I’ve watched it approximately 90 times so far today.
It’s worth making the video fullscreen and pumping it up to the max quality (2160p!) to see it properly. (via colossal)
From Stephen Locke, a time lapse video of thunderstorm supercells forming near Climax, Kansas.
Jiminy, that’s breathtaking. I didn’t know there was so much rotation involved in thunderstorms…the entire cloud structure is rotating. (via bad astronomy)
Noctilucent clouds (really high whispy clouds) were so common where I grew up in WI that I thought they were normal. Turns out they only appear in higher latitudes, at least until recently when global warming has caused them to appear more frequently and further south.
Stay Connected