Leave it to the Auralnauts to take The Mandalorian's solemn catchphrase "This is the way", back it with a pulsing beat, and turn it into the banger of the summer. Ok, maybe not. But in the process, they counted 222 uses of the phrase over the three seasons of the show (and also during The Book of Boba Fett, I think).
Related: one hour of Zemo dancing from The Falcon and The Winter Soldier. (via neatorama)
From 1898, an album of ornamental granite tile patterns available from Threlkeld Granite Co. Ltd. The company was located in the Lake District of northwest England and the quarry they operated is now a mining museum — you can read about the history of the company on their website (via present & correct)
In a video from The Royal Society, Adam Rutherford shares five data visualizations that have changed the world, including Florence Nightingale's Crimean War mortality charts, John Snow's map of cholera outbreaks, W.E.B. Du Bois' data portraits of Black Americans, eugenicist Henry Goddard's notorious (and fictional) Kallikak family tree, and Ed Hawkins' climate warming stripes. (via open culture)
These two ads for the NY Times are really effective at communicating the breadth of the paper's offerings and also how everything, from sneakers to climate change to gravity, is connected to everything else.
Knit Grotesk is a typeface based on Futura that's designed specifically for hand knitting. It comes in three different weights and two styles: dots and stripes. Its designer, Rüdiger Schlömer, is also the author of a book called Typographic Knitting: From Pixel to Pattern:
Learn to knit a variety of typefaces modeled on digital designs by well-known type foundries including Emigre, Lineto, and Typotheque, and emblazon your hats, scarves, and sweaters with smartly designed monograms, letters, or words. Beginning with knitting basics, tips, and resources, and progressing through more advanced techniques, Typographic Knitting provides a systematic introduction on how to construct a variety of letter designs using different knitting techniques. This book bridges the gap between craft and design in a new way, and will delight typography connoisseurs, avid knitters, and makers looking for a novel medium.
(via print)
I'm not going to make a habit of posting AI generated video and photography here (mainly because most of it is not that interesting) but Pepperoni Hug Spot is just too perfect a name for a pizza place to pass up. And it's got Too Many Cooks vibes.
I'm totally charmed by this collection of Japanese company buildings from Spoon & Tamago that are shaped like things related to what they sell. For instance, here's a chocolate factory that looks like a big chocolate bar:
You'll have to click through to see the rest, which include a building for a pet food company shaped like a dachshund and tanks at a brewery painted to look like beer glasses.
This video from Paul Dinning features kestrels hunting in Cornwall. I will never tire of watching raptors hovering in the wind, their wings & bodies making dozens of micro-adjustments a second so that they can keep their heads perfectly still and focused on searching for prey on the ground below. From The Kid Should See This:
Like hummingbirds and kingfishers, kestrels have the advantage of a larger accessory optic system, a sort of superhero power that detects movement and helps keep their balance, enabling unparalleled head stabilization while hovering. By bobbing their heads periodically, kestrels can estimate distances and locate prey, sometimes by seeing urine trails with their ultraviolet-sensitive vision.
Watch until the end to see a kestrel eating a still-writhing snake. 😳
See also The Perfect Head Stabilization of a Hunting Red-Tailed Hawk, This Owl Will Not Move His Head, and The Eerie Stillness of Chicken Heads.
So you've seen how an 18th century sailing battleship was built. But that was for a vessel 227 feet long that could carry around 850 people. This timelapse video shows the construction of a much larger ship: a modern-day, 1,100-foot-long cruise ship that houses 6,600 passengers. The size of this thing is just ridiculous, bordering on the obscene. It took me a second to realize that the giant thing they were constructing in the first minute of the video is in fact an engine, which, when compared to the rest of the ship, is not that big at all. Make sure you watch to the end to see the oddball paint job on the bow.
See also a timelapse of a second ship of this class being built, which focuses on different details. (via core77)
Emily Wilson's eagerly-awaited translation of Homer's Iliad will be out on September 26 and is finally available for pre-order! I loved her version of The Odyssey (I read it to my kids and we all got a lot out of it).
Wilson posts a lot about her process on Twitter but hasn't said too much about the finished book yet, aside from this tweet back in February:
It feels bittersweet to be at the end of my eleven-year labor of love, creating verse translations of the Homeric epics. I'm working through Iliad proofs, and full of gratitude that I have had this magical opportunity, to work so closely for so long with these sublime poems.
I'm excited to read the complete Homeric epic in the fall! In the meantime, you can pre-order it at Amazon or Bookshop.org.
If you, like me, are currently reading David Grann's new book The Wager and are having trouble visualizing exactly what British Royal Navy ships of that era look like and how they work, you might want to watch this video. The 3D fly-through model ship in this video, HMS Victory, is larger and more recently constructed than any of the ships in The Wager (the biggest of which is HMS Centurion) but the basic layout and principles are the same.
Josh Gluckstein makes these remarkably detailed sculptures of animals out of cardboard and paper.
Inspired by my extensive travels and volunteering through Asia, Africa and South America, I have sought to capture the presence of some of the most majestic animals I have seen by creating life-size sculptures, often made from found and recycled materials. I have continually strived to make my practice more and more sustainable, and my new collection is made entirely of recycled cardboard and paper. Its accessibility and versatility allows me to bring the animal to life and capture their character and intriguing beauty while creating zero waste.
(via colossal)
Over on Twitter, @smllwrlds is publishing a new tiny illustrated sci-fi story every day of 2023. (via linkmachinego)
In a video for the Victoria and Albert Museum, sculptor Simon Smith shows us how Renaissance sculptor Donatello might have approached carving a piece from marble, which Smith calls "the Emperor of all stones".
It's all about trapping shadows. Carving is all about having deep cuts here and lighter here and the angle here and how the light plays on it. And certainly in relief...because relief carving like this, it's kind of halfway between sculpture and drawing. If you're doing a three-dimensional sculpture, if a form runs around the back you just carve it so it goes around the back, but with this you have to give the illusion of it running around the back like a drawing. You've got to make something look like it turns around and comes out the other side even though it really is just going into the block. And that's all about angles and shadow and light.
My post last week about The 13 Levels of Complexity of Drumming got me interested in Larnell Lewis, but I also started going back through Wired's Levels series to check out some of the ones I'd missed.
First up is DJ Shortkut explaining the 15 levels of turntable scratching. DJing is one of those things that I enjoy the output of but don't know much about, so it was fun to have it broken down like that. Beat juggling is incredibly cool and looks super difficult to master. 🤯
MTV used to show music videos. Bravo was home to opera and jazz programming. The Learning Channel focused on educational programming. The History Channel aired shows about history. Discovery: nature shows. A&E: fine arts and educational content. Now they all air a lot of reality TV programming like Vanderpump Rules, MILF Manor (I had to look this one up to make sure it's an actual show), and Duck Dynasty. This video from Captain Midnight explains how and why "channel drift" happened (hint: follow the money).
Charles Brooks takes photographs of the insides of musical instruments like pianos, clarinets, violins, and organs and makes them look like massive building interiors, enormous tunnels, and other megastructures. So damn cool. Some of the instruments he photographs are decades and centuries old, and you can see the patina of age & use alongside the tool marks of the original makers. Prints are available if you'd like to hang one of these on your wall.
And if you liked those, don't miss these Dreamy Cave-Like Photos Taken Inside Musical Instruments. (via moss & fog)
During the course of my online travels, I see a lot of cool and interesting things, but this one really stopped me in my tracks. David Popa uses natural pigments to draw large format portraits on fractured sheets of ice and then photographs them from above. Wow, wow, wow. From a profile of Popa's work at Colossal:
Because many of his works are destined to melt and be reabsorbed, Popa opts for natural materials like white chalk from the Champagne region, ochres from France and Italy, and powdered charcoal he makes himself — the latter also plays a small role in purifying the water, leaving it cleaner than the artist found it. Most pieces take between three and six hours to complete, and his work time is dependent on the weather, temperature, and condition of the sea. "The charcoal will sink into the ice and disappear from a very dark shade to a medium shade, so it has to be created very quickly and documented. No to mention the work on the ice will just crack and drift away completely, or the next day it will snow and be completely covered," he says. "I'm really battling the elements."
I love these so much — they remind me of self-portraits taken in shattered mirrors or fragmented mirrored surfaces, a practice I apparently engage in with some regularity.
In his animated short film Five Cents, which was inspired by his student debt struggles, Aaron Hughes deftly (but gently) skewers modern consumerism, as his film's character navigates a series of escalating purchases with a little found money. (via the kid should see this)
These are lovely: voxel rooms of Malaysian hawker stalls and other shops by Shin Oh. She started making them after quitting her job due to anxiety and depression:
At that point in my life, I lost passion and interest in everything, I was feeling worthless, I felt like there was nothing I was good at," Shin shares. But, later in her career break she discovered voxel art, and this, she says, is when things started to change. Noticing that voxel art was making her "more focused, relaxed and calm" after six months she began to share her creations on social media, and receiving good responses, she felt herself regaining her "long-lost" self confidence. "Making voxel art is now my hobby and my job, it's a fun way for me to explore and express myself," Shin concludes. "Voxel art has saved my life."
(via present & correct)
Wow, I'd never seen these before today! For the 1999 MTV Movie Awards, Wes Anderson created three promo spots, each one a staged re-creation of a nominated movie in the style of the Hollywood-inspired plays in Rushmore (Serpico & the Vietnam War one). All three shorts (Armageddon, Out of Sight, The Truman Show) star Jason Schwartzman as Max Fisher, along with the rest of the Max Fischer Players. (via open culture)
Internet artist evbuilds creates these chunky pixelized abstract images in Microsoft Excel.
Excel is one of those rare pieces of software that is terrifically useful at what it's designed to do but also powerful enough where you can make it do things that perhaps it really shouldn't be doing. See also The Excel Spreadsheet Artist, Making Music in Excel, and Super Mario Bros Recreated in Excel.
Hahaha you thought I was kidding about this being a Larnell Lewis fan site today, but I've got one more video for you. This is a live recording of a song by the jazz fusion band Snarky Puppy and — hold on, before you wander off having heard that collection of words, let me preface this by saying that I am not really a jam band person or a jazz fusion person and I thought this was pretty amazing.
So anyway, legend has it that Snarky Puppy were all set to record a live record in Holland and their regular drummer couldn't make it, so they called Lewis to fill in. He learns the music on the plane ride over to Europe and — what? yeah, he learned the music on the plane ride over and then when he gets there...just watch the video above to see what happens.
I admit I didn't quite get what was so special about this at first, but around the 4:20 mark things really start to get interesting and by the end I was grinning like an idiot. Cory Henry does the keyboard solo and Lewis backs him on it like they've been playing together for three lifetimes. As one of the YouTube commenters put it:
I just discovered this about 2 hours ago... I've been a musician for 20+ years... After watching this performance, I've now been a musician for about 2 hours.
(via @caleb, who noted the many reactions to this video on YouTube)
Ok sorry everyone but kottke.org is a Larnell Lewis fan blog today. This morning, I featured a video of Lewis, a Grammy-winning musician and music professor, explaining the 13 levels of complexity of drumming. In response, a pair of readers sent me this video, in which Lewis hears Metallica's Enter Sandman for the first time (!) and then largely succeeds in playing it after a single listen (!!). You may find yourself wanting to skip to the part where he starts playing, but it's really fascinating to watch him encoding the music into his brain and body through a combination of active listening, moving his body to the drumbeat, and spatially mapping the music to his drum kit. (thx, robert & matthew)
What I like about the still image above, along with the rest of the images in a project called In Anxious Anticipation by Aaron Tilley & Kyle Bean, is that it makes a noise. It's so cool how your brain sees what's about to happen and then you hear eggs smashing on a hard surface — splat, splat, splat. More still art should make noise! (via moss & fog)
I love Wired's video series on the levels of complexity of various activities, and they got someone really good to show us about drumming. Larnell Lewis is a Grammy Award-winning musician and a professor of music at Humber College in Toronto and his tour of the 13 levels of drumming, from easy to complex, is super clear, entertaining, and informative. Aside from the names of some of the drum kit pieces, I did not know a damn thing about drumming before watching this and now my eyes have been opened to how amazing drummers are to be able to do all of that (and look cool as hell at the same time). Like, I can't even comprehend how they keep all those rhythms going at the same time...it just seems like magic to me. Watching Lewis's solo at the end gave me a real boost this morning.
Some of my other "levels" favorites: A Demonstration of 16 Levels of Piano Playing Complexity, Robert Lang on the 11 Levels of Complexity of Origami, How to Draw a Self-Portrait in 11 Levels of Increasing Complexity, and Tony Hawk on the 21 Levels of Complexity of Skateboard Tricks.
I like these paintings by Spanish artist Lino Lago where traditional oil painted portraits peek through bright color fields. He calls them Fake Abstracts. (via colossal)
The Fictional Brands Archive is a collection of fictional brands found in movies, TV shows, and video games — think Acme in Looney Tunes, Pixar's Monsters, Inc., and Nakatomi Corporation from Die Hard. Very cool. But gotta say though, the dimming mouseover effect makes this more difficult to use than it needs to be... (via sidebar)
An extraordinary amount of human history — cultural, scientific, artistic — is held in private hands, unable to be viewed or used unless a steep price is paid. In his compelling short film A History Of The World According To Getty Images, director Richard Misek takes a look at several historical films that are in the public domain but are not publicly available...you have to pay thousands of dollars to companies like Getty Images to see and use them.
'A History of the World According to Getty Images' is a short documentary about property, profit, and power, made out of archive footage sourced from the online catalogue of Getty Images. It forms a historical journey through some of the most significant moments of change caught on camera, while at the same time reflecting on archive images' own histories as commodities and on their exploitation as 'intellectual property'.
As the largest commercial image archive in the world, Getty Images is particularly worthy of attention here. Many of the defining images of the last century — for example, the Apollo moon landings and the first breach of the Berlin Wall — are owned by Getty. These images live in our heads, and form a part of our collective memory. But in most cases, we cannot access them, as they are held captive behind Getty's (as well as many other archives') paywalls.
I found his comments about filmmaking, photography, and power really interesting:
Newsreel cameras document power. But what strikes me most about my exploration of the Getty archive is how much the act of filming is itself an expression of power — men filming women, the rich filming the poor, colonizers filming the colonized. [...] Whenever I search a news archive, I always hope I'll find some images that aren't about power, and once in awhile I do. But by and large, the past offers no surprises, as it is the source of all the inequalities and injustices that still exist.
Once the film finishes the festival circuit this summer, a high-resolution download will be available from this website, thereby making six public domain clips available online for free. (via aeon)
Tsunamis, tidal waves, storm surges, and other hazardous aquatic events can all unleash the great power of the sea on ships and shorelines, but rogue waves are the largest and most mysterious waves that our oceans can muster. Rogue waves are a fairly recent discovery...until you look carefully at the historical record. This video looks at all the different kinds of big waves and tracks previously unacknowledged rogue waves from their depiction in art (Hokusai's Great Wave Off Kanagawa) to a suspected 220-foot wave that battered an Irish lighthouse.
The Apple Lisa was the more expensive and less popular precursor to the Macintosh; a recent piece at the Computer History Museum called Lisa "Apple's most influential failure".
Apple's Macintosh line of computers today, known for bringing mouse-driven graphical user interfaces (GUIs) to the masses and transforming the way we use our computers, owes its existence to its immediate predecessor at Apple, the Lisa. Without the Lisa, there would have been no Macintosh — at least in the form we have it today — and perhaps there would have been no Microsoft Windows either.
The video above from Adi Robertson at The Verge is a good introduction to the Lisa and what made it so simultaneously groundbreaking and unpopular. From a companion article:
To look at the Lisa now is to see a system still figuring out the limits of its metaphor. One of its unique quirks, for instance, is a disregard for the logic of applications. You don't open an app to start writing or composing a spreadsheet; you look at a set of pads with different types of documents and tear off a sheet of paper.
But the office metaphor had more concrete technical limits, too. One of the Lisa's core principles was that it should let users multitask the way an assistant might, allowing for constant distractions as people moved between windows. It was a sophisticated idea that's taken for granted on modern machines, but at the time, it pushed Apple's engineering limits - and pushed the Lisa's price dramatically upward.
And from 1983, a demo video from Apple on how the Lisa could be used in a business setting:
And a more characteristically Apple ad for the Lisa featuring a pre-stardom Kevin Costner:
The end of the world is nigh...or at least it feels like that sometimes these days. As historian and archaeologist Ian Morris says in the video, the five factors that crop up throughout history when a major societal collapse occurs seem to be present today: mass migrations, epidemic disease, collapse of states, major famines, and climate change. So, how should we think about the potential impending disintegration of society? How should we prepare? How should we feel about it?
In this short film, filmmaker Ryan Malloy explores, in a "fretful yet lighthearted" way, how one should prepare for the apocalypse by talking to a historian & archaeologist (the aforementioned Morris), a therapist, and a couple of different types of preppers.
Putting together a supply kit made me realize just how helpless I'd be if disaster struck. When you think about it, it's almost like we live in a world run by magic. I don't know how water, electricity, and gas gets to my house, but they've always been there. It wouldn't take much, even just a small crisis for them to be gone. What would it be like to live without these things?
It's been a hectic few weeks here at Kottke HQ — lots going on personally/familially but I've also been pretty focused on the website. The site celebrated its 25th anniversary last month. I built and launched a micro-site for the Kottke Ask Me Anything & spent a couple of sessions answering reader questions. I went on The Talk Show to discuss the early days of blogging with John Gruber and put some cool t-shirts out into the world. It's been fun to continue to build up a presence for kottke.org over on Mastodon. I rejiggered the Quick Links infrastructure (which has made it easier/faster for me to post them) and have been working on a couple of behind-the-scenes projects that will hopefully streamline & shore up things around here. Oh, and I also kept up the regular stream of posts and links you know and love. *phew*
Once again, I'd like to thank kottke.org members for supporting all of this activity on the site, with relatively few membership solicitations like this one, very minimal advertising, no popup newsletter sign-up forms, a full-text RSS feed w/ no ads, and open for everyone to read. As I wrote last month:
Perhaps nearest and dearest to my heart, member support keeps the site free, open, and available to everyone on an internet that is increasingly paywalled. It's not difficult to imagine an alt-universe kottke.org with ads crammed into every bit of whitespace, email collection forms popping up on every visit, and half the site behind a members-only paywall. No shade to those who have gone that route to keep things running - I'd probably make more money with members-only content on Substack or whatever and that pull is tempting. But seriously, I love you folks so much for collectively keeping all of kottke.org on the open web. Thank you.
If you're not already a member (or are a former member) and you've been liking what's been going on here in recent months after my return from sabbatical and can manage it, please consider supporting the site by purchasing a membership. Thanks for reading!
I saw this video on the front page a YouTube a couple of weeks ago and ignored it. Like, of course water can solve a maze, next! But then it got the Kid Should See This seal of approval so I gave it a shot. It turns out: water can solve a maze...but specifics are super interesting in several respects. Steve Mould, who you may remember from the assassin's teapot video not too long ago, built four mazes of different sizes and shapes, each of them useful for demonstrating a different wrinkle in how the water moves through a maze. Recommended viewing for all ages.
In 1976, the price per watt of energy generated by solar photovoltaic was over $100. In 2019, it was less than 50 cents per watt, a price decline of 99.6%. Even since 2009, solar has declined 90% in price. So what's behind that incredible drop? Industry played a part but the main driver was forward-thinking government policy and subsidy of solar by countries like the US, Japan, Germany, and China:
In the course of a single lifetime, solar energy has transformed from a niche technology to the cheapest way to bring clean, reliable power to billions of people around the world. But the markets that brought us these lower prices didn't just magically appear by some invisible hand. Political leaders in countries all over the world created these markets, then subsidized them for decades to the tune of billions of dollars. "By investing that money, you got the solar to come down in costs to the point where you don't need to subsidize it anymore."
One of the experts in the video, Gregory Nemet, is the author of a book called How Solar Energy Became Cheap: A Model for Low-Carbon Innovation if you'd like to read more on the development of solar.
As it ripens, banana skin oxidizes and turns black. Bruising the skin speeds up the process, a fact that Anna Chojnicka exploits to create these bruised banana artworks (also on Instagram). Here's how it works:
I bruise the peel by pressing into it lightly with a blunt point. Speeding up and controlling the bruising process conjures light and shade in the image.
Over a few hours, the mark gradually goes darker until black. I start with the darkest parts of the image first, and then work my way backwards, finishing with the lightest parts last.
By managing the timing, it's possible to make intricate images with graduating shades. There's a short window of time when the image looks its best; I photograph the banana, and then eat it.
Chojnicka started the project in the early days of the pandemic while bored/delirious at home with a suspected Covid infection. The increase in art using found objects during the pandemic is fascinating: people couldn't spend a lot of time out of the house, so they reached for whatever they could find to express their creativity...in this case, bananas.
Earlier today, I posted a Quick Link to the 2nd-generation AirPods Pro on Amazon because they were $50 off, a good deal for an item that's rarely on sale. I've been using a pair of these for the past month or so after a strong recommendation from John Gruber, and I can't believe how much better they performed over the 1st-gen ones (which were fine...better than fine even). The sound quality seems better, Transparency Mode (where you can simultaneously hear your music and amplified sound near you) is significantly improved, and the earbuds themselves are more comfortable than their predecessors.
But the real star for me is the noise cancelling. I try to use my treadmill a few times a week during the winter to keep fit/active and generally listen to music or watch some TV on my iPad while I walk/run. With my old AirPods Pro, I could still hear the whirring of the treadmill behind the music even with noise cancelling on. But with these new ones, the treadmill noise is nearly gone, especially if I'm listening to something particularly energetic. I took an airplane trip recently and was amazed to find that nearly all of the airplane noise was cancelled out...even playing some quiet classical music at a reasonable volume felt like I was listening in a quiet room. I've even been wearing them to listen to music while I work...they just sound better than my HomePod mini speaker and keep me more focused on my work.
So anyway, I posted that link and then discovered via the ensuing thread on Mastodon that you can tweak AirPods Pro using the accessibility settings on your phone to do stuff like amplifying soft sounds and tuning Transparency Mode to further boost audio to focus on a person in front of you:
Turn on Custom Transparency Mode, then adjust the amplification, balance, tone, and ambient noise reduction to help you hear what's happening around you. You can also turn on Conversation Boost to focus on a person talking in front of you.
What an amazing feature for people who are hard of hearing or who have trouble focusing their audio attention (definitely me sometimes). And what's more, you can actually upload an audiogram to create a custom profile that adjusts audio levels specifically to how you hear. What? I had no idea. Here's Paul Lefebvre:
But, by far, the #1 thing for me is the hearing assistive features. I used the Mimi hearing app to take a hearing test and generate a hearing profile (I have slight high-end hearing loss). I then was able to apply this hearing profile to the AirPods and the sound got even better! I also turned on other settings to make sounds clearer in transparency mode.
Now I sometimes put these AirPods on with just transparency mode and use them to hear things from across the room or to better understand conversations.
And @mtwebb on Mastodon:
I also recently upgraded to the 2nd gen and imported my audiogram from a recent hearing test. They literally changed my life in certain noisy situations. I also recommend them, especially if you have some hearing loss but don't quite need hearing aids.
And Marques Brownlee's review is a good one:
To create an audiogram of your hearing, you can use the Mimi Hearing Test or SonicCloud Personalized Sound apps and then import it into your settings. I have no idea how good these audiograms are compared to an actual hearing test...you should talk to your doctor or head to a specialist if you're in need of something really accurate. But for many people, I bet these apps work just fine. I haven't done my audiogram yet - I'm gonna do the test after I publish this.
You can get the 2nd-gen AirPods Pro from Apple or at Amazon for $50 off (deal still valid as of 8am on 4/14).
F. C. Schang collected the calling cards of prominent artists and musicians and in the late 20th century, donated a collection of them to Met Museum.
Calling cards derived from a custom, originating in England, in which messages were inscribed on the backs of playing cards. Cards made for the express purpose of sharing hand-written messages were manufactured beginning in the eighteenth century; by the early-nineteenth century, calling cards had become a popular means for sending well wishes, holiday greetings, condolences, and messages of courtship.
The cards include those of Klee, Renoir, Pissarro, Rodin, Monet, Mondrian, Braque, Toulouse-Lautrec, Manet, and many more. I think my favorites are Piet Mondrian's (above) and Joan Miró's, the former because it's very much in keeping with the artist's style and the latter because it isn't:
Schang published a book of these cards in 1983 — it's long out of print but you can get one here (signed, no less). He also collected the calling cards of generally famous people, singers, pianists, and violinists. (via greg allen)
From Kurzgesagt, an accessible explanation of what happens to the human body when you get sick.
Your brain activates sickness behavior and reorganizes your body's priorities to defense. The first thing you notice is that your energy level drops and you get sleepy. You feel apathetic, often anxious or down and you lose your appetite. Your sensitivity to pain is heightened and you seek out rest. All of this serves to save your energy and reroute it into your immune response.
They also reveal the best way to boost your immune system to protect yourself against disease. I don't want to spoil it but it's vaccines. Vaccines are one of the best things humans have ever invented.
Hey folks, just a short note to say that I'm dropping in to answer some more questions over on the Kottke AMA site this afternoon, so head on over there to check out what's new or read through some previous questions if you missed it a couple of weeks ago.
Back in 2020, the Smithsonian Institution placed 2.8 million high-resolution images and 3D models of objects in their collection into the public domain via their Open Access initiative. Over the past three years, that collection has grown to 4.5 million images, an absolutely immense trove of objects that people are free to use and remix however they wish.
That last image is the mailing wrapper from when jeweler Harry Winston sent the Hope Diamond (currently valued at $200-350 million) to the Smithsonian through the regular US Mail.
Mailed on the morning of November 8 from New York City, the item was sent by registered (first class) mail — considered the safest means of transport for valuables at that time. The total fee was $145.29 (see the meter machine tapes). Postage only amounted to $2.44 for the package which weighed 61 ounces. The remainder of the fee ($142.85) paid for an indemnity of about $1 million.
(via my modern met)
The folks at RuPublicans are having fun using AI to generate photorealistic imagery of prominent conservatives in drag. Here are Anita Filibust-Her McConnell, Claretta Corrupta, Rhonda Santy, serving looks:
From their Stories:
Oh honey, darlings, sugar pies! THANK YOU for following and sharing. Drag artists have brought me joy, laughter, helped heal old wounds, and given me permission to love myself — and I'm not the only one.
Now let's get real kittens. Drag isn't lip-syncing; it's art, it's heart, and oh honey, it's protest. To those in power serving up false narratives like an overcooked wig at a drag brunch, listen up: we're here, we're queer, and we ain't going anywhere.
(via @thoughtbrain)
I've written before about the data visualizations created by W.E.B. Du Bois for the 1900 World's Fair in Paris. Apparently a selection of these infographics are on display at the Cooper Hewitt Design Museum in NYC until May 29.
Wish I could get down there to see these...
There are few sounds that can transport me back to a specific time and place like the handshake of a dialup modem. I heard that arrangement of noises thousands of times sitting at my desk in rural Wisconsin, trying to soak up the entire internet. That sound meant freedom, connection, knowledge.
Oona Räisänen created this great visualization and explanation of what's going on when a modem is making those noises.
If you ever connected to the Internet before the 2000s, you probably remember that it made a peculiar sound. But despite becoming so familiar, it remained a mystery for most of us. What do these sounds mean?
As many already know, what you're hearing is often called a handshake, the start of a telephone conversation between two modems. The modems are trying to find a common language and determine the weaknesses of the telephone channel originally meant for human speech.
See also this other visualization of dialup sounds, opera singers dubbed with dialup modems, and a vocal arrangement of the modem handshake.
Using 3D models, this video compares the sizes of various flying creatures (insects, bats, birds, dinosaurs) past and present, from the microscopic fairyfly (which is dwarfed by a mosquito) to the albatross (with its 12-foot wingspan) to the immense Quetzalcoatlus, which stood 20 feet tall and had a wingspan in the neighborhood of 33 feet. For reference, that's about the size of a Cessna 172 airplane. Just image those flying around all casual-like.
See also several other size comparison videos from the same channel, including objects in the universe, animals, and dinosaurs. (via digg)
For his project Study of Perspective, artist and activist Ai Weiwei took photos of himself flipping off "significant institutions, landmarks and monuments from around the world", notably Tiananmen Square in 1995. Using this Google Street View-enabled web tool, you can use Ai's middle finger to flip off anything you'd like, anywhere in the world.
I've included a few examples above from the site's archive. In a brief review of what folks have done with the site recently, I observed several shots of the Kremlin, the Eiffel Tower, churches, and various Trump buildings, but I also saw the Stonewall Inn and other gay landmarks.
The arms race between the house and the gamblers over which they openly have the advantage is fascinating. I've read about all sorts of schemes involving card counting, dice shaving, covert signaling, computer analysis, and other shenanigans, but I hadn't heard about the possibility that some folks had figured out a way to beat roulette without actually cheating. This passage provides a few clues as to how they managed it:
But the way Tosa and his friends played roulette stood out as weird even for the Ritz. They would wait until six or seven seconds after the croupier launched the ball, when the rattling tempo of plastic on wood started to slow, then jump forward to place their chips before bets were halted, covering as many as 15 numbers at once. They moved so quickly and harmoniously, it was "as if someone had fired a starting gun," an assistant manager told investigators afterward. The wheel was a standard European model: 37 red and black numbered pockets in a seemingly random sequence — 32, 15, 19, 4 and so on — with a single green 0. Tosa's crew was drawn to an area of the betting felt set aside for special wagers that covered pie-sliced segments of the wheel. There, gamblers could choose sections called orphelins (orphans) or le tiers du cylindre (a third of the wheel). Tosa and his partners favored "neighbors" bets, consisting of one number plus the two on each side, five pockets in all.
Then there was the win rate. Tosa's crew didn't hit the right number on every spin, but they did as often as not, in streaks that defied logic: eight in a row, or 10, or 13. Even with a dozen chips on the table at a total cost of £1,200 (about $2,200 at the time), the 35:1 payout meant they could more than double their money. Security staff watched nervously as their chip stack grew ever higher. Tosa and the Serbian, who did most of the gambling while their female companion ordered drinks, had started out with £30,000 and £60,000 worth of chips, respectively, and in no time both had broken six figures. Then they started to increase their bets, risking as much as £15,000 on a single spin.
It was almost as if they could see the future. They didn't react whether they won or lost; they simply played on. At one point, the Serbian threw down £10,000 in chips and looked away idly as the ball bounced around the numbered pockets. He wasn't even watching when it landed and he lost. He was already walking off in the direction of the bar.
And I feel like there's a whole other essay to be written about how, with enough practice & repetition, humans can get into the flow (as in dance, music, sports) with devices, machines, and other mechanical & electrical objects, getting to know them on an almost unconscious level, an understanding that defies analysis.
He compared cerebral clocking to musical talent, suggesting it might activate similar parts of the brain, those dedicated to sound and rhythm.
This is just a small example, but a good mechanic can often diagnose what's wrong with a car, even the tiniest things, just by starting it up because there's so much information in how it sounds and the vibrations it's making — see Ken Miles in Ford vs. Ferrari for a dramatized example. (via damn interesting)
I posted a link to these the other day from the broken plates post (and first posted about them more than 15 years ago), but I love these photographic sculptures by Martin Klimas so much that I wanted feature them in a proper post.
From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty, more than the sum of its parts. Temporary sculptures made visible to the human eye by high-speed photography. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that seems to stop/pause the time and make time visible itself.
See also Klimas' Flowervases ("Flawlessly arranged flower vases are shot by steel bullets and captured at the moment of their destruction") and Sonic Sculptures ("Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker — then, the volume is turned up").
Lego did not invent the stacking, interlocking plastic brick — Kiddiecraft did. So why did Lego's version win? As Phil Edwards explains in this entertaining video, the answer can be boiled down to two words: innovation and marketing.
The first Lego plastic mold was the same one that Kiddicraft used, and early Lego bricks were almost identical to Kiddicraft blocks, with a few minor differences. They slightly changed the scale and the studs, but as you can see, they were pretty similar. Early Kiddicraft blocks had little slots in the side for windows and other attachments. So did early Lego bricks. From top to bottom, these were very similar to Kiddicraft blocks. So with such a simple idea that had kind of already been done, how did Lego win?
See also Why Oreo Won and a fascinating look at plastic injection molding, including a bit on "how quietly ingenious Lego's injection molding process is".
I'm charmed by these ultra-realistic drawings of Japanese maintenance trains by Masami Onishi.
Japanese trains are renowned for their punctuality, comfort and overall reliability. But part of what makes them so reliable is an "unseen" workforce of overnight trains. These trains will be unfamiliar to the everyday rider because they only show themselves after regular service has ended for the day. Working through the wee hours of night and early morning, they perform maintenance work on tracks and electrical wires that ensures a smooth and uninterrupted ride during the day.
My pal Craig Mod recently spotted a "rare and majestic" inspection Shinkansen called Doctor Yellow.
The inspection vehicle is popular among train enthusiasts as a sighting of the train is said to bring good luck since it is so rarely glimpsed.
Gotta love a place that's so deservedly proud of and enthusiastic about its rail infrastructure.
Update: Great Britain has a maintenance train called the Yellow Banana. (thx, james)
I totally love these "evolved" drawings of the elaborate patterns of broken plates by Robert Strati. The project was inspired by a plate that broke in the Strati household:
This work was inspired by a plate from my wife's late mother, Barbara. One day it was dropped and shattered. Some time after, I picked up a pen and started working on the "Fragmented" series, exploring the possibilities of things broken and the stories that can evolve from them.
You can see more work from this project on Instagram and at this site.
See also Kintsukuroi and Martin Klimas' Porcelain Figures. (via my modern met)
I've long been a fan of Edward Burtynsky's photographic surveys of humanity's impact on our environment, so I was eager to explore his newest project, African Studies.
In Edward Burtynsky's recent photographs, produced across the African continent, the patterns and scars of human-altered landscapes initially appear to form an abstract painterly language; they reference the sublime and often surreal qualities of human mark-making. While chronicling the major themes of terraforming and extraction, urbanization and deforestation, African Studies conveys the unsettling reality of sweeping resource depletion on both a human and industrial scale.
You can check out more photos from the series here and here as well as in his forthcoming book (Amazon). (via colossal)
I was keen to read that the debating method practiced by Trump, Putin, anti-vaxxers, and climate deniers of flooding the zone with a firehose of incorrect information has a name: the Gish Gallop. From Mehdi Hasan's piece in The Atlantic, adapted from his new book, Win Every Argument: The Art of Debating, Persuading, and Public Speaking (ebook):
Trump may be the grand master of the Gish Gallop, but he is not its originator. That honor goes to the person who gave the method its name: Duane Tolbert Gish.
Gish was a biochemist at the Institute for Creation Research, a pseudo-scientific group that maintains all life on Earth was created in six days by the God of the Old Testament at some point in the past 10,000 years, with evolution playing no part. Gish publicized the ICR and its creed — and himself — by winning debates against evolutionists across the country.
During debates, after letting his opponent go first, Gish would "begin talking very quickly for perhaps an hour", overwhelming his opponent with factual-sounding nonsense. According to Hasan, there are a few tactics you can use to counter the Gish Gallop, but you've got to be prepared. For instance, you can call them out:
Don't let your audience be fooled into assuming that your opponent has special command of the subject because of all the "facts" they've just spouted. Explain to them what your opponent is doing, and that the Gallop is really just a sleight of hand.
Oh man, this is a huge huge nostalgia bomb for me - a 50-minute medley of the most popular song from each month since January 1980. When I was a kid growing up in rural Wisconsin, there were basically four choices of music to listen to: country, metal, oldies, and pop/top 40. I chose pop, so the first ~15 minutes of this video is basically the soundtrack to my childhood.
Here's a playlist of all the songs on Spotify, in case you want to listen to the whole megillah. See also The Hood Internet's remixes of pop music by year. (via open culture)
I have very high hopes for Greta Gerwig's Barbie. It would be incredible if it lives up to them and the first two teaser trailers are a good start.
Also, I love how completely and utterly thirrrrrrsty the video's description is to establish the bona fides and pedigree of the movie's cast and crew:
From Oscar-nominated writer/director Greta Gerwig ("Little Women," "Lady Bird") comes "Barbie," starring Oscar-nominees Margot Robbie ("Bombshell," "I, Tonya") and Ryan Gosling ("La La Land," "Half Nelson") as Barbie and Ken, alongside America Ferrera ("End of Watch," the "How to Train Your Dragon" films), Kate McKinnon ("Bombshell," "Yesterday"), Michael Cera ("Scott Pilgrim vs. the World," "Juno"), Ariana Greenblatt ("Avengers: Infinity War," "65"), Issa Rae ("The Photograph," "Insecure"), Rhea Perlman ("I'll See You in My Dreams," "Matilda"), and Will Ferrell (the "Anchorman" films, "Talladega Nights"). The film also stars Ana Cruz Kayne ("Little Women"), Emma Mackey ("Emily," "Sex Education"), Hari Nef ("Assassination Nation," "Transparent"), Alexandra Shipp (the "X-Men" films), Kingsley Ben-Adir ("One Night in Miami," "Peaky Blinders"), Simu Liu ("Shang-Chi and the Legend of the Ten Rings"), Ncuti Gatwa ("Sex Education"), Scott Evans ("Grace and Frankie"), Jamie Demetriou ("Cruella"), Connor Swindells ("Sex Education," "Emma."), Sharon Rooney ("Dumbo," "Jerk"), Nicola Coughlan ("Bridgerton," "Derry Girls"), Ritu Arya ("The Umbrella Academy"), Grammy Award-winning singer/songwriter Dua Lipa and Oscar-winner Helen Mirren ("The Queen").
Gerwig directed "Barbie" from a screenplay by Gerwig & Oscar nominee Noah Baumbach ("Marriage Story," "The Squid and the Whale"), based on Barbie by Mattel. The film's producers are Oscar nominee David Heyman ("Marriage Story," "Gravity"), Robbie, Tom Ackerley and Robbie Brenner, with Michael Sharp, Josey McNamara, Ynon Kreiz, Courtenay Valenti, Toby Emmerich and Cate Adams serving as executive producers.
Gerwig's creative team behind the camera included Oscar-nominated director of photography Rodrigo Prieto ("The Irishman," "Silence," "Brokeback Mountain"), six-time Oscar-nominated production designer Sarah Greenwood ("Beauty and the Beast," "Anna Karenina"), editor Nick Houy ("Little Women," "Lady Bird"), Oscar-winning costume designer Jacqueline Durran ("Little Women," "Anna Karenina"), visual effects supervisor Glen Pratt ("Paddington 2," "Beauty and the Beast"), music supervisor George Drakoulias ("White Noise," "Marriage Story") and Oscar-winning composer Alexandre Desplat ("The Shape of Water," "The Grand Budapest Hotel").
Is that....everybody? In the world?
I loved this analysis of a scene from the final episode of season three of Mad Men.
The scene shifts. The partners go from standing in disarray around the room to orderly sitting, two by two across from one another. They go from tense standing disagreements to calm, relaxed collusion.
This video is also a reminder of what a great show Mad Men was (it's in my all-time top 5) and how they just don't make TV like this anymore.
This was me a couple of years ago when I first started playing Fortnite, as satirized by Adam Driver and the SNL gang:
I found this sketch via a piece that Tom Vanderbilt wrote about playing Fortnite with his daughter (and her friends).
It's not as though Sylvie and I discussed the problem of free will as we dodged RPG rounds. For the most part, our interactions weren't nearly so high-minded. We stole each other's kills and squabbled over loot. She badgered me for V-Bucks so she could buy her character new baubles in the Item Shop. But sometimes, after playing, we'd go for a walk and analyze how we were able to notch a dub — Fortnite-speak for a win — or how we might have done better. We'd assess the quality of newly introduced weapons. (The best were OP, for "overpowering," but often the makers of Fortnite would later "nerf" them for being too OP.) She'd chide me for trying to improve by battling more, rather than by practicing in Creative mode — which suddenly made her open to hearing about the late Swedish psychologist K. Anders Ericsson's theories of "deliberate practice." (Like many kids, she had a built-in filter against my teachable moments.) We actually were, per Adam Driver's character, bonding.
And in our Fortnite games I saw her cultivate prowess. I'm not talking merely about the widely discussed perceptual and cognitive benefits of video games, which include an improved ability to track objects in space and tune out cognitive "distractors." I'm talking about that suite of abilities sometimes referred to as "21st-century skills": imaginatively solving open-ended problems, working collaboratively in teams, synthesizing complex information streams. "Unfortunately, in most formal education settings, we're not emphasizing those very much," argues Eric Klopfer, who directs the Education Arcade at MIT. "Just playing Fortnite doesn't necessarily give you those skills — but playing Fortnite in the right way, with the right people, is certainly a good step in that direction."
This is the plain and perhaps embarrassing truth: During my sabbatical, I didn't pursue any activity (with the possible exception of mountain biking) as diligently as I did playing Fortnite. My kids have been playing it for awhile, both together and separately, and it was fun to watch them working together to complete quests and sometimes even win. I tried playing with them a few times the previous year, but the last shooter game I played was Quake III in the late 90s and so I was comically bad, running around firing my weapon into the sky or the ground and generally just embarrassing my kids, who left my reboot card where it landed after I'd died more often than not.
Early last year, even before I left on my sabbatical, I decided I wanted to learn how to play properly, so that I could do something with my kids on their turf. I played mostly by myself at first — and poorly. Slowly I figured out the rules of the game and how to move and shoot. I played online with my friend David, who was forgiving of my deficiencies, and we caught up while he explained how the game worked and we explored the island together. I finally got a kill and a win, in the same match — I'd found a good hiding place in a bush and then emerged when it was down to me and some other hapless fool (who was probably 8 years old or a bot) and I somehow got them. A friend who had arrived for dinner mid-game was very surprised when I started yelling my head off and running around the house.
Over the summer after I started the sabbatical, I played most days for at least 30 minutes. I got better and was having more fun. I won some matches and bought the Battle Pass so I could get some different skins and emotes. Even though I got a late start in the season, I grinded on quests to get the Darth Vader skin, which is amusing to wear while you're trying out different emotes. (You haven't lived until you've watched Vader do the death drop or dance to My Money Don't Jiggle Jiggle, It Folds.1) When the kids got back from camp, I was good enough to at least not slow them down too much and get a couple of kills in the meantime. I learned the lingo and how to work as a team, with my kids leading the way.1 I'm still not great, but it's become one of our favorite things to do together and I'm enjoying it while it lasts.
I am surprised but delighted that a huge media conglomerate like Disney allows their character/intellectual property (e.g. Vader) to perform the signature move of another character (Trinity's slow-motion spin kick from The Matrix) owned by a competing media conglomerate (Warner Bros. Discovery), and vice versa.↩
I know some parents have a hard time with this, but after having been surpassed by my kids several years ago in skiing prowess and now basically being a lowly private in their Fortnite squad, I am a firm believer that every parent should experience, as early as they can, the sensation of your kids doing something much better, like an order of magnitude better, than you can and then letting them lead the way with it. It will change your relationship with them for the better, remind you that you are not "in charge" (and never really were), and reveal that kids are often much more capable than we give them credit for.↩
Just a quick reminder that I answered a bunch of questions from readers for the inaugural Kottke.org Ask Me Anything. I talked about how to separate work from life:
If I let it, every part of my life could be part of my job: not only books, movies, and travel but kids, relationships, emotions, everyday goings-on, etc. etc. etc. That's the way it used to be, much more than it is now. But slicing and dicing everything up for consumption all the time, meta-experiencing absolutely everything; that's no way to live. Back in the day, you saw journalers and bloggers burn out from sharing too much of themselves and their lives online with others — now you see it happening with YouTubers, TikTokers, and influencers. I've learned (mostly) how to meter myself; you get less of me now (this AMA notwithstanding) but hopefully for much longer.
And who I have in mind when I write for the site:
The site is best when I try to write posts as if each one is an email to a curious friend who I think would be interested in the thing I'm writing about, irrespective of topic/subject/field/whatever. I know not everyone is interested in every topic (or even most topics!) but I tend to look for things that people might find intriguing even if they don't normally collect stamps, skateboard, watch ballet, appreciate mathematics, or listen to rap. Anything is interesting if you dig deep enough, observe it from the correct angle, or talk to the right enthusiast.
And what my kids and I have read before bedtime:
One book we read together that turned out to be surprisingly popular with them (when they were ~9-11 years old) was Emily Wilson's excellent translation of The Odyssey. They were already fans of Greek mythology and knew some of the story and Wilson's writing is so wonderful — "Soon Dawn was born, her fingers bright with roses" — that we blazed right through it and were sad when it ended.
And a favorite recent pasta recipe:
I have been really enjoying this Pasta alla Norcina recipe I found on Instagram awhile back. There's some great Italian sausage that I get from the local market that works really well for it. And my daughter got me some truffle oil for my birthday, so we put a little bit of that on there too.
I might pop in there later this week to answer some more questions, so stay tuned! Folks had lots of questions about my process and what I learned on my sabbatical, so I may tackle them next.
Well this is some bizarre good fun — turns out that the campy goofiness of Star Wars and the campy seriousness of high fashion make for a pretty good combination.
See also Lord of the Rings by Balenciaga and Game of Thrones by Balenciaga. Oh, and Hipster Star Wars.
