Oh boy. I thought the teaser trailer was good, but the full trailer for Martin Scorsese’s Killers of the Flower Moon just dropped and I am. So. Excited. To. SEE. THIS!
At the turn of the 20th century, oil brought a fortune to the Osage Nation, who became some of the richest people in the world overnight. The wealth of these Native Americans immediately attracted white interlopers, who manipulated, extorted, and stole as much Osage money as they could before resorting to murder.
In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. One of her relatives was shot. Another was poisoned. And it was just the beginning, as more and more Osage were dying under mysterious circumstances, and many of those who dared to investigate the killings were themselves murdered.
The movie will be out in theaters on October 6. Oh, and Scorsese & DiCaprio have already signed on to adapt Grann’s latest book, The Wager, which I recently read and loved.
If you, like me, are currently reading David Grann’s new book The Wager and are having trouble visualizing exactly what British Royal Navy ships of that era look like and how they work, you might want to watch this video. The 3D fly-through model ship in this video, HMS Victory, is larger and more recently constructed than any of the ships in The Wager (the biggest of which is HMS Centurion) but the basic layout and principles are the same.
Each man in the squadron carried, along with a sea chest, his own burdensome story. Perhaps it was of a scorned love, or a secret prison conviction, or a pregnant wife left onshore weeping. Perhaps it was a hunger for fame and fortune, or a dread of death. David Cheap, the first lieutenant of the Centurion, the squadron’s flagship, was no different. A burly Scotsman in his early forties, with a protracted nose and intense eyes, he was in flight — from squabbles with his brother over their inheritance, from creditors chasing him, from debts that made it impossible for him to find a suitable bride. Onshore, Cheap seemed doomed, unable to navigate past life’s unexpected shoals. Yet, as he perched on the quarterdeck of a British man-of-war, cruising the vast oceans with a cocked hat and spyglass, he brimmed with confidence — even, some would say, a touch of haughtiness. The wooden world of a ship — a world bound by the Navy’s rigid regulations and the laws of the sea and, most of all, by the hardened fellowship of men — had provided him a refuge. Suddenly, he felt a crystalline order, a clarity of purpose. And Cheap’s newest posting, despite the innumerable risks that it carried, from plagues and drowning to enemy cannon fire, offered what he longed for: a chance to finally claim a wealthy prize and rise to captain his own ship.
The problem was that he could not get away from the damned land. He was trapped-cursed, really-at the dockyard in Portsmouth, along the English Channel, struggling with feverish futility to get the Centurion fitted out and ready to sail. Its massive wooden hull, a hundred and forty-four feet long and forty feet wide, was moored at a slip. Carpenters, caulkers, riggers, and joiners combed over its decks like rats (which were also plentiful). A cacophony of hammers and saws. The cobblestone streets past the shipyard were congested with rattling wheelbarrows and horse-drawn wagons, with porters, peddlers, pickpockets, sailors, and prostitutes. Periodically, a boatswain blew a chilling whistle, and crewmen stumbled from ale shops, parting from old or new sweethearts, hurrying to their departing ships in order to avoid their officers’ lashes.
Grann is so good at both telling the larger tale and inserting wonderful turns of phrase throughout. Can’t wait to read this one.
Author and New Yorker writer David Grann is out with a new book in the fall: The White Darkness. The book tells the story of polar explorer Henry Worsley, who attempted to duplicate the polar voyages of Ernest Shackleton, and is based on a long NYer piece written by Grann earlier this year.
The man felt like a speck in the frozen nothingness. Every direction he turned, he could see ice stretching to the edge of the Earth: white ice and blue ice, glacial-ice tongues and ice wedges. There were no living creatures in sight. Not a bear or even a bird. Nothing but him.
It was hard to breathe, and each time he exhaled the moisture froze on his face: a chandelier of crystals hung from his beard; his eyebrows were encased like preserved specimens; his eyelashes cracked when he blinked. Get wet and you die, he often reminded himself. The temperature was nearly minus forty degrees Fahrenheit, and it felt far colder because of the wind, which sometimes whipped icy particles into a blinding cloud, making him so disoriented that he toppled over, his bones rattling against the ground.
From the latest issue of Publisher’s Lunch daily newsletter comes the news that David Grann’s next book will be called The Wager, “an 18th century story of a shipwreck, a mutiny, a struggle for survival and a trial full of twists and turns”. The deal includes “two other works of narrative nonfiction” as well. Grann’s Killers of the Flower Moon was excellent…can’t wait for this one! (thx, matt)
After a long hiatus during which he wrote The Killers of the Flower Moon, David Grann is back in the pages of the New Yorker with The White Darkness, a piece about modern-day polar explorer Henry Worsley, who attempted to cross Antartica in 2015, solo and unaided.
By the middle of January, 2016, he had travelled more than eight hundred miles, and virtually every part of him was in agony. His arms and legs throbbed. His back ached. His feet were blistered and his toenails were discolored. His fingers had started to become numb with frostbite. In his diary, he wrote, “Am worried about my fingers — one tip of little finger already gone and all others very sore.” One of his front teeth had broken off, and the wind whistled through the gap. He had lost some forty pounds, and he became fixated on his favorite foods, listing them for his broadcast listeners: “Fish pie, brown bread, double cream, steaks and chips, more chips, smoked salmon, baked potato, eggs, rice pudding, Dairy Milk chocolate, tomatoes, bananas, apples, anchovies, Shredded Wheat, Weetabix, brown sugar, peanut butter, honey, toast, pasta, pizza and pizza. Ahhhhh!”
He was on the verge of collapse. Yet he was never one to give up, and adhered to the S.A.S.’s unofficial motto, “Always a little further” — a line from James Elroy Flecker’s 1913 poem “The Golden Journey to Samarkand.” The motto was painted on the front of Worsley’s sled, and he murmured it to himself like a mantra: “Always a little further … a little further.”
Like their parents, Mollie and her sisters had their names inscribed on the Osage Roll, which meant that they were among the registered members of the tribe. It also meant that they possessed a fortune. In the early eighteen-seventies, the Osage had been driven from their lands in Kansas onto a rocky, presumably worthless reservation in northeastern Oklahoma, only to discover, decades later, that this land was sitting above some of the largest oil deposits in the United States. To obtain that oil, prospectors had to pay the Osage in the form of leases and royalties. In the early twentieth century, each person on the tribal roll began receiving a quarterly check. The amount was initially for only a few dollars, but over time, as more oil was tapped, the dividends grew into the hundreds, then the thousands of dollars. And virtually every year the payments increased, like the prairie creeks that joined to form the wide, muddy Cimarron, until the tribe members had collectively accumulated millions and millions of dollars. (In 1923 alone, the tribe took in more than thirty million dollars, the equivalent today of more than four hundred million dollars.) The Osage were considered the wealthiest people per capita in the world. “Lo and behold!” the New York weekly Outlook exclaimed. “The Indian, instead of starving to death … enjoys a steady income that turns bankers green with envy.”
Fair warning, this piece is tantalizingly short and serves more as a teaser for the book than a stand-alone excerpt, which I don’t mind because I was planning on reading it anyway.
In the 1920s, the richest people per capita in the world were members of the Osage Indian Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.
Then, one by one, they began to be killed off. One Osage woman, Mollie Burkhart, watched as her family was murdered. Her older sister was shot. Her mother was then slowly poisoned. And it was just the beginning, as more Osage began to die under mysterious circumstances.
The Catskill/Delaware watershed, which extends 125 miles northwest of the city, provides more than 90 percent of the city’s supply. The rest comes from the Croton watershed.
It can take 12 weeks to a year for water to wind its way to the city from the streams, tunnels, dams and reservoirs in the Catskills. All of it is delivered to the city by gravity alone.
“Gravity’s an important friend of ours,” said Mr. Rush, the deputy commissioner, explaining that it “works nonstop” and is “energy efficient.”
Whoa, I had no idea the aqueduct tunneled 1000 feet under the Hudson River. Water systems have been in the news lately, both in Flint, MI and here in NYC, where Mayor de Blasio postponed work on Water Tunnel #3 and then, a day later, responding to public concern over the postponement, announced that he was going to accelerate the work on Tunnel #3.
See also David Grann’s classic 2003 New Yorker piece about the NYC water system, City of Water.
The author accompanied a group of sandhogs and nine cases of dynamite six hundred feet down a shaft leading to a segment of the tunnel that lies below Tenth Ave. and 13th St. New York’s invisible underground empire goes as deep as the Chrysler building is high. Tunnel No. 3 has been under construction since 1969; it will extend sixty miles, from the reservoir in Yonkers to the end of Manhattan, with various redundant loops.
O’Shea is one of the few people in the world who have succeeded in keeping not only coastal but also deep-sea squid alive in captivity. Unlike an octopus, which, as he put it, “you can’t kill, no matter how hard you try,” a squid is highly sensitive to its environment. Accustomed to living in a borderless realm, a squid reacts poorly when placed in a tank, and will often plunge, kamikaze-style, into the walls, or cannibalize other squid.
In 2001, during a monthlong expedition at sea, O’Shea caught a cluster of paralarval giant squid in his nets, but by the time he reached the docks all of them had died. He was so distraught that he climbed into the tank, in tears, and retrieved the corpses himself. “I had spent every day, every hour, trying to find the paralarvae, and then they died in my grasp,” he told me. For two years, he was so stricken by his failure that he refused to mount another expedition. “I knew if I failed again I would be finished,” he recalled. “Not just scientifically but physically and emotionally.”
He couldn’t stop wondering, though, about what had happened in the tank. His wife, Shoba, a computer scientist who was born in India, told me that sometimes in the middle of an unrelated conversation he would suddenly say, “What did I do wrong?” O’Shea became determined to correct what he called “my fatal mistake,” and began a series of painstaking experiments on other species of juvenile deep-sea squid. He would subtly alter the conditions of captivity: tank size, intensity of light, oxygen levels, salinity. He discovered that the tank in which he had stored his paralarvae during the expedition had two lethal flaws: it had a rectangular shape, which, for some reason, caused the squid to sink to the bottom and die; and its walls were made of polyethylene, a plastic compound that, it turns out, is toxic to deep-sea squid. “Knowing what I know now, I feel like a fool,” he said. “It was like walking them to their execution.”
At some point, Bourdin’s story gets intertwined with that of Nicholas Barclay, a teen who went missing in Texas in 1994. After that, the story proceeds like the craziest episode of Law and Order you’ve ever seen.
As Rosenberg dug deeper into the subterranean world of Guatemalan politics, he told friends that he had begun receiving threats himself. One day, Mendizábal says, Rosenberg gave him a phone number to write down — it was the number that showed up on his caller I.D. when he received the threats.
Rosenberg told friends that his apartment was under surveillance, and that he was being followed. “Whenever he got into the car, he was looking over his shoulder,” his son Eduardo recalled. From his apartment window, Rosenberg could look across the street and see an office where Gustavo Alejos, President Colom’s private secretary, often worked. Rosenberg told Mendizábal that Alejos had called him and warned him to stop investigating the Musas’ murders, or else the same thing might happen to him. Speaking to Musa’s business manager, Rosenberg said of the powerful people he was investigating, “They are going to kill me.” He had a will drawn up.
Anything by Grann is becoming a must-read at this point. (via someone on Twitter, I forget who (sorry!))
He does not merely try to detect the artist’s invisible hand; he scours a painting for the artist’s fingerprints, impressed in the paint or on the canvas. Treating each painting as a crime scene, in which an artist has left behind traces of evidence, Biro has tried to render objective what has historically been subjective. In the process, he has shaken the priesthood of connoisseurship, raising questions about the nature of art, about the commodification of aesthetic beauty, and about the very legitimacy of the art world. Biro’s research seems to confirm what many people have long suspected: that the system of authenticating art works can be arbitrary and, at times, even a fraud.
However, the more Grann and others dug into his past, the more Biro seemed to be in fraudulent territory himself.
David Grann, the author of The Lost City of Z (which my wife scooped up off the bookshelf the other day and has barely put down since), reports on some new findings that indicate that there was a large civilization that lived in the jungles of the upper Amazon basin.
The latest discovery proves that we are only at the outset of this archeological revolution — one that is exploding our perceptions about what the Amazon and the Americas looked like before the arrival of Christopher Columbus. Parssinen and the other authors of the study in Antiquity write, “This hitherto unknown people constructed earthworks of precise geometric plan connected by straight orthogonal roads… The earthworks are shaped as perfect circles, rectangles and composite figures sculpted in the clay rich soils of Amazonia.”
Cameron Todd Willingham was convicted of intentionally starting a fire that killed his three children, sentenced to death, and after many failed appeals, executed by lethal injection. Now it appears that the investigators who made determination of arson were acting more like forensic mystics than forensic scientists in making their decision. The state of Texas may have executed an innocent man.
In recent years, though, questions have mounted over whether the system is fail-safe. Since 1976, more than a hundred and thirty people on death row have been exonerated. DNA testing, which was developed in the eighties, saved seventeen of them, but the technique can be used only in rare instances. Barry Scheck, a co-founder of the Innocence Project, which has used DNA testing to exonerate prisoners, estimates that about eighty per cent of felonies do not involve biological evidence.
In 2000, after thirteen people on death row in Illinois were exonerated, George Ryan, who was then governor of the state, suspended the death penalty. Though he had been a longtime advocate of capital punishment, he declared that he could no longer support a system that has “come so close to the ultimate nightmare-the state’s taking of innocent life.” Former Supreme Court Justice Sandra Day O’Connor has said that the “execution of a legally and factually innocent person would be a constitutionally intolerable event.”
Update: John Jackson, the prosecutor in the Willingham case, has written an op-ed piece for the Cosicana Daily Sun in which he defends the court’s guilty verdict, despite what he calls an “undeniably flawed forensic report”.
The Willingham case was charged as a multiple child murder, and not an arson-murder to achieve capital status. I am convinced that in the absence of any arson testimony, the outcome of the trial would have been unchanged, a fact that did not escape the Texas Court of Criminal Appeals.
But even if he refused to take a polygraph after he was arrested, polygraphs are notoriously unreliable, and are not admissible in a court of law. […] As a result, defense attorneys routinely do not let their clients take polygraphs. […] The idea that a lie-detector test (or the refusal to take one) could be considered evidence cuts to the core of the problems in the Willingham case: a reliance on unreliable and unsound scientific techniques.
Jackson’s belief that Willingham should have (whether he would have is another story) been convicted even in the absence of evidence of arson borders on parody and would be funny if it weren’t so obscene coming, as it does, from a sitting judge. If it’s not arson, how do you have a murder? If the fire killed the kids and he didn’t set the fire, how is he responsible? It’s fucking absurd.
Yeah. The only statement I want to make is that I am an innocent man - convicted of a crime I did not commit. I have been persecuted for 12 years for something I did not do. From God’s dust I came and to dust I will return - so the earth shall become my throne. I gotta go, road dog. I love you Gabby. [Remaining portion of statement omitted due to profanity.]
Update: More evidence emerges of Willingham’s innocence: a jailhouse informant admits to lying on the stand in exchange for a reduced sentence and money.
Since Willingham was executed in 2004, officials have continued to defend the account of the informer, Johnny E. Webb, even as a series of scientific experts have discredited the forensic evidence that Willingham might have deliberately set the house fire in which his toddlers were killed.
But now new evidence has revived questions about Willingham’s guilt: In taped interviews, Webb, who has previously both recanted and affirmed his testimony, gives his first detailed account of how he lied on the witness stand in return for efforts by the former prosecutor, John H. Jackson, to reduce Webb’s prison sentence for robbery and to arrange thousands of dollars in support from a wealthy Corsicana rancher. Newly uncovered letters and court files show that Jackson worked diligently to intercede for Webb after his testimony and to coordinate with the rancher, Charles S. Pearce Jr., to keep the mercurial informer in line.
At police headquarters, he admitted that he was Frédéric Bourdin, and that in the past decade and a half he had invented scores of identities, in more than fifteen countries and five languages. His aliases included Benjamin Kent, Jimmy Morins, Alex Dole, Sladjan Raskovic, Arnaud Orions, Giovanni Petrullo, and Michelangelo Martini. News reports claimed that he had even impersonated a tiger tamer and a priest, but, in truth, he had nearly always played a similar character: an abused or abandoned child. He was unusually adept at transforming his appearance-his facial hair, his weight, his walk, his mannerisms. “I can become whatever I want,” he liked to say. In 2004, when he pretended to be a fourteen-year-old French boy in the town of Grenoble, a doctor who examined him at the request of authorities concluded that he was, indeed, a teen-ager. A police captain in Pau noted, “When he talked in Spanish, he became a Spaniard. When he talked in English, he was an Englishman.” Chadourne said of him, “Of course, he lied, but what an actor!”
That’s an interesting story by itself but just the tip of the iceberg. At some point, Bourdin’s story gets intertwined with that of Nicholas Barclay, a teen who went missing in Texas in 1994. After that, the story proceeds like the craziest episode of Law and Order you’ve ever seen.
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