Here’s a short clip of cinematographer Rodrigo Prieto talking about his work on The Irishman.
The movie takes place over several decades and Prieto worked with director Martin Scorsese to build a distinct look for each period based on different photo processing techniques: Kodachrome for the 50s, Ektachrome for the 60s & early 70s, and neutral for the film’s present-day:
Prieto also talks a little bit about the three camera system needed to “youthify” the actors. (You Honor, I would like to state for the record that Jennifer Lopez did not require fancy cameras or de-aging CGI to make her look 20 years younger in Hustlers. I rest my case.)
It’s been three years since The Wolf of Wall Street and Martin Scorsese is finally coming out with a new film. Based on the novel by Shusaku Endo, Silence is the story of a pair of Jesuit priests who travel to Japan in the 17th century to find a third priest and to convert the Japanese to Christianity. Adam Driver, Liam Neeson, and Andrew Garfield star.
Martin Scorsese is reportedly set to direct a biopic on Mike Tyson with Jamie Foxx in the title role. Tyson has compiled a video of each of his 44 knockouts and wants his fans’ help in choosing his top 10 for Foxx to study.
The top 10 from this video are definite contenders.
The Player: “In the years before this movie, the age of the director who had a free hand came to an end. And yet Altman kept experimenting with different kinds of actor, different approaches to narrative, different equipment, until finally he hit it with this movie, which took him off onto a whole other level.”
I was going to make a joke about how this is Scorsese’s first movie without Leonardo DiCaprio in like 20 years, but it’s actually his first DiCaprio-free film in 12 years. (via stellar)
Academy Award-winning director Martin Scorsese traces Harrison’s live from his musical beginnings in Liverpool though his life as a musician, a seeker, a philanthropist and a filmmaker, weaving together interviews with Harrison and his closest friends, performances, home movies and photographs. Much of the material in the film has never been seen or heard before. The result is a rare glimpse into the mind and soul of one of the most talented artists of his generation and a profoundly intimate and affecting work of cinema.
Warning: this video contains spoilers, violence, and cinematic greatness.
Many friends after seeing my video “Tarantino vs Coen Brothers” requested me to do a new video duel of directors, so I decided to do now a tribute to my two favorite directors, Stanley Kubrick and Martin Scorsese, were 25 days re-watching 34 films, selected more than 500 scenes, and a hard work editing.
This video features a number of directors talking about the difference between viewing films in widescreen vs. pan and scan. Martin Scorsese:
[Converting to pan & scan] is, technically, re-directing the movie.
Update: Thoughts from David Lynch about pan and scan taken from a 1997 interview:
I would like to see everything done letterboxed and with great sound. I’m not too interested in doing the commentary, you know, like a lot of people do. But in some strange way I kind of like pan-and-scan. Because you see things. It is a compromise, and in a couple of things you really say, “Why am I doing it?” But it’s just an interesting thing that happens- another composition. It’s not so bad, but I wish really that people could see the thing in a theater and that laserdiscs and videos didn’t exist. Because on the big screen with the sound, you become inside the film, and that’s the beauty of cinema. And it never happens on video, and it doesn’t happen on laserdisc, either.
