Ahh, it seems like only yesterday that I read the news about David Fincher’s upcoming film The Killer. And it was. So now here’s the teaser trailer — interest piqued. What will tomorrow bring?
The Killer stars Michael Fassbender and will make its premiere at the Venice Film Festival on Sept 3, then a limited release in theaters, and then will be streaming on Netflix on Nov 10. As a refresher, here’s what Fincher has been up to lately-ish: directed Mank (2020) & Mindhunter (2017-2019), executive produced Voir and Love, Death & Robots (also directed one episode). Fun Fincher Facts: he was apparently an assistant cameraman for Return of the Jedi and did “matte photography” for Indiana Jones and the Temple of Doom.
From the Journey to the Microcosmos YouTube channel, this is an exploration of the tiny worlds contained in rainwater puddles and their connection to the discovery of microbial organisms in the 1670s by Dutch scientist Antonie van Leeuwenhoek. What a trip that must have been, to be the first person to peer microscopically into some water and observe tiny organisms swimming around. (via @JenLucPiquant)
A McDonald’s restaurant apparently appears in season two of Loki on Disney+ and to mark the occasion, the fast food giant made a commercial featuring a number of other appearances by the brand in movies and TV, including The Office, The Fifth Element, Coming to America (“They’re McDonald’s. I’m McDowell’s.”), and Seinfeld. (Perhaps the most famous McDonald’s reference in cinema history, Jules’ Royale with Cheese bit in Pulp Fiction, is conspicuously missing.)
The ad was created to introduce their As Featured In Meal promotion, which seems to consist of 1100-calorie meals from their usual menu paired with a packet of Sweet ‘N Sour Sauce with the Loki logo on it. I thought the commercial was fun and clever but that promotion is a bit Sad Meal.
On July 4, 2023, a couple thousand people gathered in Alaska to watch old junker cars get launched off of a 300-foot cliff and just get obliterated on impact. (The launching starts at the 8-minute mark.) It’s entertaining to watch in a Jackass sort of way, but the whole thing is a metaphor for a particular facet of America: loud, dumb, fun, and wasteful.
Jan Hakon Erichsen does weird things with dried pasta, mostly spaghetti but also lasagna. This is goofy and fun. Check out his Instagram and YouTube for more artistic hijinks. (thx, clarke)
This is a lovely, mesmerizing short video made by artist Catherine Chalmers in collaboration with some leafcutter ants. I’m not gonna say why, but you should watch this all the way to the end…there’s a bit of a twist that’ll make you smile.
The work encourages us to empathize with bugs. One reason they disgust us, Chalmers believes, is that they seem immoral, or at least differently moral. “We see ourselves as individuals,” she said. “And we see insects as being this uniform, formless mass that will sacrifice themselves and do all these sorts of things.” Some of her photos capture a praying mantis eating the head of her mate. “Civilization is a march for greater and greater and greater control over the world,” she said. But nature doesn’t play by our rules.
The other day when I posted about iconic hip-hop samples from the past 50 years, I noticed a name that featured prominently in the early years: Sylvia Robinson. Robinson was the CEO and co-founder of the very first rap record label, Sugar Hill Records. She produced the first rap record, Rapper’s Delight, and the seminal The Message, widely regarded as one of the best and most influential rap and hip-hop tracks ever.
Sylvia Robinson played many roles in the music world — artist, producer, and, most notably, record executive. But as the founder and leader of the pioneering Sugar Hill label, she revealed herself to be something even rarer. She was a visionary.
In 1979, “Rapper’s Delight” by the Sugarhill Gang introduced hip-hop to the global mainstream, illustrating the genre’s commercial and creative potential. Robinson had overseen the record’s backing track, assembled the group members, and arranged their vocals — but fundamentally, it was her idea that rap was even viable as recorded music. Her place in history would be secured by that track alone, though it was far from her only impact on the direction of pop.
Here’s a short video that covers the high points of her career:
It’s sad that Robinson and her achievements haven’t been more widely known — this seems like another case (as in computing and other industries) where women played an early vital role and were then forgotten.
The makers of Alto’s Adventure and Alto’s Odyssey, two of my all-time favorite video games, are back with a game called Laya’s Horizon, which brings the familiar Alto vibe to a 3D open-world situation. In the game, you fly & glide around, navigating different terrain to achieve various goals and objectives. I’ve been playing it for the last few days and it’s a really fun, chill game. Basically, if you loved either Alto game, you’ll enjoy this.
Laya’s Horizon is available on iOS and Android and is free to play if you have a Netflix account. Did you know Netflix had a gaming service? (thx, patrick)
This started off a little slow for me but once it hit the early-to-mid 80s, I was hooked — and bobbing my head uncontrollably throughout. The visualizations really help you see how the various samples were modified, repeated, and layered to achieve the desired sounds — geniuses at work. Man, watching stuff like this makes me want to learn how to do this. (via waxy
Alexey Molchanov, one of the best freedivers of all time, recently set two new world records at a competition at Dean’s Blue Hole in the Bahamas:
An FIM dive that took 4m 42s and went to a depth of 133 meters (442 feet). Molchanov pulled himself down and up using a guide rope without fins.
A CWT dive that took 4m 13s and went to a depth of 133 meters (442 feet). CWT is when the diver uses a monofin and weight belt to dive and return to the surface.
His complete record-breaking dives are embedded above and are completely suspenseful to watch even though you know the outcome. They’re almost like watching someone meditate instead of compete in an extreme sport. Molchanov needs to expend some energy and oxygen getting down and back, but also can’t over-exert himself. A lot of it is just being relaxed and calm — this is truly a mind-over-matter discipline.
When Alexey was younger, his mother, Natalia Molchanova, was the world’s best freediver, a distinction that she held for many years. She was a pioneer in the sport and the practitioner of a mind-and-body-control technique called “attention deconcentration.” She passed her secrets to her son, who perfected them and uses the regimen to reach a state of intense calm. By doing so, he can slow his heart rate, his metabolic rate, while simultaneously slowing the activity of his brain and his body. His focus deepens. He relaxes to the point of seeming asleep. He takes deep, drowsy breaths, like a summer breeze filling a sail.
Tom Scott visits the small Swiss ski town of Zermatt, where petrol cars have never been allowed. In the 1980s, the town skipped right from horse-drawn carriages to locally-built electric vehicles, which are made pretty much by hand and are expensive — but they are also easy to maintain and repair and can last for 30-50 years. Because space is at a premium, the town tightly controls who can own a vehicle and most of allowed vehicles are delivery vans, public transportation, or other vehicles with a communal use.
Produced by Venus & Serena Williams and US soccer star Alex Morgan and directed by Rachel Ramsay & James Erskine, Copa 71 is a forthcoming documentary about a women’s soccer tournament that took place in Mexico City in 1971 that was the first, albeit unofficial, Women’s World Cup. A short teaser trailer is above. From a piece in Variety about the film:
In August 1971, more than 100,000 football fans packed Mexico City’s Azteca Stadium for a historic tournament. Teams from England, France, Denmark, Argentina and Italy flew in for 21 days of matches alongside Mexico’s national team, while eager sponsors lined up for a piece of the action. The players, who received a hero’s welcome wherever they went, might as well have been the Rolling Stones.
They were, in fact, a group of around 100 women — many of them teenagers — taking part in a pioneering unofficial Women’s World Cup. And just as quickly as they tasted fame, it was snatched away as the tournament was all but erased from football history.
Many of the competitors were just teenagers — from Wikipedia:
England’s team included 13-year-old Leah Caleb, 14-year-old Gill Sayell, and 15-year-old Chris Lockwood; their captain was 19-year-old Carol Wilson and they were accompanied by referee Pat Dunn as a chaperone and trainer. 15-year-old Susanne Augustesen scored a hat-trick for Denmark as they beat Mexico 3-0 in the final.
Copa 71 is premiering at the Toronto Film Festival in September and then hopefully will find its way into theaters and onto streaming. (thx, meg)
With dozens of the tiny birds buzzing overhead, along walls and the window of her bedroom, Lattouf explained that she began caring for them a year after surviving colon cancer in 2011. It started with one hummingbird that had an eye injured by another bird.
A veterinarian friend encouraged her to try to help it. She named it Gucci after the brand of the glasses case she kept it in. The bird became her inseparable companion, perching on her computer screen while she worked.
“It wrote me a new life,” she said of the nine months the bird lived with her.
I’m not entirely sure I’d like 60 hummingbirds constantly flitting around my house, but I’m not entirely sure I wouldn’t like that either.
A short TED-Ed video on the flow state of creativity and how you might enter it more easily.
Flow is more than just concentrating or paying attention; it’s a unique mental state of effortless engagement. And those who more frequently experience flow report higher levels of positive emotions, creativity, and feelings of accomplishment. But what exactly is flow? And how can we find it in our daily lives? Explore steps you can take to increase your chances of finding flow.
While I am not feeling particularly in the groove today, over the past several weeks I’ve been in the flow state a lot, working on a couple of projects for the site. It’s been a long time since I’ve had that feeling for more than a couple of hours every few months and booooooy does it feel good. There is almost nothing that fills me with as much joy as the “effortless engagement” of being in the flow state. I’m very glad it’s back in my life — I’d been afraid it was gone forever. (via open culture)
This short, relaxing, mesmerizing video of an Martian impact crater called Aram Chaos was taken by the HiRISE camera on the Mars Reconnaissance Orbiter. The images were run through an enhanced color red-green-blue filter, which tends to highlight the structure and geology rather than the true color. For example, the blue in the video often represents basalt, an igneous rock of volcanic origin.
Scrabble is one of those games where pro/expert gameplay differs so much from amateur/novice gameplay that it might as well be a totally different game. In this entertaining recap of the finals of the 2023 Scrabble World Championships, former US champ Will Anderson explains how finalists David Eldar and Harshan Lamabadusuriya think and strategize throughout the best-of-seven series.
Gameplay aside, the thing that stood out for me is how many of the words played I’d just never heard of before. Like, at least 60% of them. Like I said, it’s just a completely different game at the expert level, with a shit-ton of memorization required. I don’t play Scrabble for this reason — because if you don’t have a bunch of two-letter words and Q,Z, & X words memorized and you’re playing against someone who does, it’s not fun. But it is fun to see two heavyweights of the game go at it on equal terms. (via peterme)
It is astounding to me the number of YouTube channels that I have never heard of with subscriber bases larger than that of many countries. (This goes double and triple for Instagram and TikTok.) Alan Becker has over 23 million subscribers and makes videos pitting animated characters against various other entities. His latest video is Animation vs. Math and it is super nerdy and engaging. You might have to be a bit of a math nerd to enjoy this fully, but even if you only get the gist of what’s going on (like I did for at least half of the video), it’s still pretty entertaining. You can check the comments for an explanation of the math or this illustrated explainer.
In a June piece for The Guardian and the video above from just a few days ago, Robert Reich outlines five crises — including wokeness, the trans panic, and critical race theory — that Republicans have manufactured in order to deflect from their true agenda.
Virginia governor Glenn Youngkin’s “day one” executive order banned the teaching of critical race theory. DeSantis and Greg Abbott, the Texas governor, have also banned it from schools.
Here again, though, there’s no evidence of a public threat. CRT simply teaches America’s history of racism, which students need to understand to be informed citizens.
Banning it is a scare tactic to appeal to a largely white, culturally conservative voter base.
However, I would argue that Reich needed to go a bit further. While the crises are inventions, their consequences go beyond mere distraction and into the territory of active harm, particularly of queer and trans people, Black people, and people of color. That’s why I modified the title from his original.
In the 1994 Caribbean Cup qualifying group stage match between Barbados and Grenada, the 90 minutes of normal time ended with an intentional own goal by Barbados and then with Grenada trying to score either a goal or an own goal and Barbados defending both nets. Say what?! How did this happen?
Well, it was the confluence of a few things:
The match would go into overtime in case of a tie.
The “golden goal” rule was in effect for overtime…the first goal wins and the match is immediately over. Oh, and the goal is worth 2 goals, not just one.
To qualify for the next round, Barbados not only needed to win the match, they needed to win it by two goals…a one-goal difference would not be enough.
The match started off routinely and Barbados scored the first two goals, establishing the two-goal winning margin they required: in the 83rd minute, the game changed when Grenada scored a goal, which would take Grenada through to the finals unless Barbados could score again.
Barbados attempted to score for the next few minutes, but as time ran out they switched to a different strategy: tying the game so they could attempt to achieve the two-goal margin with the golden goal in extra-time. In the 87th minute, they stopped attacking, with Barbados defender Terry Sealey and goalkeeper Horace Stoute passing the ball between each other before Sealey intentionally scored an own goal to tie the game at 2-2.
With just three minutes of normal time left, the Grenadian players caught on to the Barbadians’ plan, and realised that they would advance in the tournament by scoring a goal in either net, since they would still qualify for the finals with a 1-goal loss. This saw normal time finish in a highly unusual manner, with Grenada trying to score a goal in (and Barbados trying to defend) both nets. For the next three minutes, Barbadian players successfully defended both sides.
As 90 minutes had expired with the score at 2-2, the game went on to extra time, where the winning “golden goal” would count double — thus, Barbados only had to score once to qualify for the 1994 Caribbean Cup. Trevor Thorne scored the winning goal for Barbados to advance to the next round with a score of 4-2.
From Adam Kovacs’ YouTube channel Adam Something comes this brisk 10-minute video essay on why European malls are doing better than their American progenitors. I thought his third point, about poor urban planning, was particularly interesting: malls tend to fail in America because they are not integrated into the fabric of towns and cities (because very little is integrated into the fabric of cities and towns in many places these days).
Malls, hell, all commerce has to be an organic part of towns and cities. People should be able to get to them by means other than a car, and conveniently. Such integrated commercial spaces are far more resilient. If your commercial spaces aren’t resilient — if you just plop a big box outside the town — don’t be surprised when it goes bust in a few years. And then it’s bulldozed for the next thing to be put up for it to go bust the same way and then get bulldozed and then the next thing and the next and the next so on and so forth.
Starting with Jaws, his first big blockbuster movie that defined the genre, Steven Spielberg has filled the audiences of his films with a sense of wonder, that alchemical mix of fear and astonishment of the unknown. No other director does it better and this video essay explores how he does it.
The music for Sinéad O’Connor’s 1990 smash hit Nothing Compares 2 U is already pretty stripped down to emphasize the vocals, but in this video, the vocals are almost fully isolated so you can really hear the clarity and emotion in that wonderful voice of hers.
“I actually think the intensity of Sinéad’s performance came from the breakup of her latest relationship,” opines Chris Birkett, who co-produced and engineered the track as well as the accompanying, Grammy Award-winning album, I Do Not Want What I Haven’t Got, which topped the Billboard 200 for six weeks and sold seven million copies worldwide. “She had been dating her manager, Fachtna O’Ceallaigh, who’s a really good guy and had been instrumental in getting her deal with Ensign Records. However, their relationship had gone pear-shaped and they were in the process of breaking up when we recorded ‘Nothing Compares 2 U’, so that’s probably why she did such a good vocal. She came into the studio, did it in one take, double-tracked it straight away and it was perfect because she was totally into the song. It mirrored her situation.”
Cruise ships are a relatively new human invention that look quite different from other ships. Oh, and they are absolutely massive. How did they get that way?
The predecessor of today’s cruise ships was the ocean liner: big, beautiful ships that sailed across the Atlantic. But ocean liners had a totally different purpose from cruise ships: They were for transportation. Everything about them was designed to facilitate an ocean voyage from one continent to another.
But air travel changed that. Planes eliminated the main reason to take a ship somewhere, and ocean liner business plummeted. So the industry pivoted and began selling a ship as the destination itself. The cruise ship was born. But the ocean liners, built for a voyage, weren’t ideal for the purposes of a cruise, and over the next few decades, the cruise ship began its evolution. And it has culminated in the behemoths we see today.
Cruise ships always make me think of David Foster Wallace’s classic piece, Shipping Out (which you might know as A Supposedly Fun Thing I’ll Never Do Again).
[Note: If you’re reading/watching this, I assume you’ve watched season two or don’t care about spoilers; they abound.] The Bear is an intense show about a group of intense people doing an intense job. It can be tough to watch sometimes because people often communicate by screaming and yelling at each other. As Evan Puschak observes in this perceptive video essay, the second season delves into where some of those behaviors came from (surprise: childhood trauma) and offers a counterbalancing force: tenderness, listening, and paying attention.
I have said previously that “even on my busiest day, I will drop everything to watch a video of pencils being made”. Still true! This video from Process X of a Tokyo pencil factory really hits the spot. My favorite part of watching pencils get made is always the sharpening of the finished pencils by belt sander.
I’ve gotta say that I was a little skeptical when Phil Edwards started out this video saying that he wasn’t going to talk about Pac-Man’s gameplay as a vital component of why it was such a huge success when in came out in 1980. He allows that, of course, the gameplay was very compelling but other factors truly pushed the game beyond the competition and into its own category, including the decline of pinball (profit per square foot), its family friendliness, and some legal & financial maneuverings.
The roots of hip-hop and rap are various and stretch back in time to the antebellum South and from there to Africa. But by some accounts, a song called Noah by gospel group The Jubalaires was the first instance of recorded music that sounded like rap. Listen for yourself…the relevant bit is right around the 35-second mark:
I’m not a music historian by any stretch, but that sounds 30 years ahead of its time. There are several bad remixes of Noah on YouTube…this one is maybe the best at pairing their singing with a rap beat.
The two-storey structure was based on the design of the “traditional caboose”. A workspace sits on the first level while the second, accessible via a steel ladder, serves as a cupola for taking in views and functions as a “calmer zone for creative exploration and restoration”.
The control panel that operates the rails was taken from a Burlington Northern locomotive, while the door colour and the wood used were directly informed by colours and materials commonly found on American trains.
The railroad ties for the track were repurposed from the Great Northern Railroad line, though the studio noted the steel tracks “are a much larger gauge than is typically used”.
There’s even a Wes Anderson connection (because of course there is):
Inspired by Wes Anderson’s love of trains in cinema, Maxon Railway takes some visual cues in the form of on-board artifacts and props from The Darjeeling Limited.
You can read lots more about the house and the railway, including more than you’d probably want to know about the history of rail travel and commerce in the Pacific Northwest.
This is pretty cool: in collaboration with the British Museum, a team led by woodblock printmaker David Bull (who I first wrote about back in 20051) is carving woodblocks and creating prints from a series of previously unpublished drawings by legendary Japanese artist Katsushika Hokusai.
The Museum has in their possession a group of drawings by Hokusai that were apparently intended for use in the production of a series of books. For reasons unknown to us now that project was cancelled, but the drawings survived, and we have selected 12 of them for a new subscription series.
For more details of the collection of images, please refer to this page of the British Museum website. But here, we can simply note that the drawings fall into a number of categories, and our set will reflect that diversity. Hokusai’s series was intended to take his readers through aspects of Japanese historical culture, and we will meet Buddhist deities, warriors from ancient China, and historical landscapes, along with more prosaic scenes of the natural world.
The print shown above was the first one to be sent out in January. But look at this original drawing from the collection:
Wow. That is shockingly modern — like a 60s superhero comic or a still from 60s anime. I hope they reprint this one!
Here’s a video from the British Museum of Bull talking about the project:
If you make woodblock prints for a living, you know the name Hokusai, and if you’re a woodblock carver and you hear about original drawings from Hokusai that have never been carved into prints you would most likely do a little happy dance.
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