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kottke.org posts about Psycho

Jamie Lee Curtis Recreates the Psycho Shower Scene

posted by Jason Kottke   Sep 17, 2018

Jamie Lee Curtis Psycho

For an episode of a TV show called Scream Queens, Jamie Lee Curtis recreated the shower scene from Psycho performed by her mother, Janet Leigh, with a shot-for-shot homage. Even though they had limited time to shoot, Curtis and the crew took the recreation very seriously.

Falchuk began contemplating having Munsch in the shower as an homage to Curtis’ mother. “I thought, ‘Can I do this? Do I need to ask her?’ I didn’t want to offend her but at the same time this would be so awesome,” remembers Falchuk. “So then I wrote it and then got a text from her very quickly after she read the script. Her text was, ‘We need to do this shot-for-shot.’ Then, typical Jamie Lee, she started sending me all the websites and Tumblrs that have each shot laid out and storyboarded.”

What a photo! Curtis’ scene is not quite shot-for-shot, but you can see a screencapped video of it on YouTube and compare to the original.

The origin of sci-fi movie sounds

posted by Jason Kottke   Jul 24, 2015

From Aaron Reese at Hopes&Fears, a piece on sci-fi movie sound effects. It’s chock full of interesting tidbits, like where King Kong’s chest-beating sound came from:

Initial attempts hitting a fixed kettle drum with paddled-drumsticks didn’t work, with Spivak saying the sound wasn’t “fleshy” enough. An experiment beating the floor failed as well. So Spivak decided to beat one of his assistant’s chests with drumsticks instead, saying “If wood will not take the place of flesh, then let’s use flesh.” Sure enough, this was the sound used for production.

The stabbing noise in Psycho is a knife plunging into a melon:

In a recording studio, prop man [Bob] Bone auditioned the melons for Hitchcock, who sat listening with his eyes closed. When the table was littered with shredded fruit, Hitchcock opened his eyes, and intoned simply: “Casaba.”

And my favorite, from Terminator 2:

In Robert Patrick’s T-1000 prison break scene, the robot phases through the cell bars with a slurpy metallic sound. Oscar-winning sound designer Gary Rydstrom revealed the effect was achieved by a simple solution from the sound of dog food being slowly sucked out of the can.

See also a short video tribute to the sounds of Star Wars.