If you watch the video above of a front-facing camera on a moving train, the train appears to move much faster in the zoomed out view than in the zoomed in view. Here’s what’s going on:
The illusion that speed decreases when zoomed is “because when one focuses on an inner portion of the movie, the optic flow angular speed is slow, and appears to fill one’s entitle visual field, which is consistent with overall lower forward speed.
Note: The more zoomed, the more densely packed the overhead rigging appears. So, even though you appear to be moving forward more slowly when zoomed in, the actual rate of rigging flowing by remains constant, consistent with same forward speed in all conditions.
Blackstar is a relaxing and meditative 45-minute video of the Sun made by Seán Doran using footage from the Solar Dynamics Observatory. Instead of the familiar yellow, Doran has chosen to outfit our star in vivid blue and black, which lends the video a sort of alien familiarity. This looks absolutely stunning in 4K.
Yesterday I posted a link to a Twitter thread by Stanley Kubrick scholar Filippo Ulivieri about a previously overlooked (*ahem*) aspect of The Shining: Jack Nicholson breaks the fourth wall by micro-glancing at the camera dozens of times during the film. It turns out that Ulivieri also made a visual essay about this and it’s really worth a watch.
Let’s go back to that glance that has been noticed by a few film critics. Some say it’s a Brechtian effect to expose the artifice of the mise en scène and have the audience reflect on the film medium. But Kubrick’s films are not intellectual, despite what the critics say. “The truth of a thing,” Kubrick said, “is in the feel of it, not in the think of it.” If this look at the camera means anything, for me it means that we are not safe from Jack’s fury. He knows where we are, he may come for us next. But what about the others? Why on Earth is Jack Torrance constantly glancing at us, breaking the fourth wall over and over, and over, and over.
What all of these micro-glances mean is open to interpretation. Ulivieri offers a few theories of his own — e.g. Jack is looking at ghosts, or perhaps just one ghost: the camera ghost — but says one of the reasons he made the video is to hear what other film critics and fans think might be going on here. I thought this response to his thread hit near the mark:
My gf’s read The Shining, and it’s really interesting now that they notice all these fourth wall breaks Jack does. throughout the whole book, Jack feels like he’s being watched and judged, and that’s why he feels so much pressure to keep up appearances.
If Jack is the only one in the MOVIE to consistently break the fourth wall, where it’s always just passing glances, that’s a pretty effective way to show the character’s fear of being watched or judged. Especially if WE don’t notice it at first.
I wonder how many The Shining re-watches this video and thread have inspired…I’m gonna watch it again in the next few days and see how my awareness of the glancing changes the film for me.
To effectively combat the climate crisis, we’re going to need to remove carbon from the atmosphere. But what’s the best way to do it? Two of the main solutions being considered are direct carbon capture technology and growing trees and each approach has its pros and cons.
Carbon removal is a catch-all term for anything that people do that pulls CO2 out of the air and stores it somewhere else. To meet the world’s climate goals, we would need to do this on a massive scale — anywhere from 440 billion to 1.1 trillion metric tons before the end of the century. That’s more carbon than the U.S. has emitted in its entire history.
So how do we remove all that carbon? There are two carbon removal ideas that have really captured the conversation. One is direct air capture, which involves big factories that suck in tons of CO2 from the atmosphere, chemically concentrate it, and store it deep in the ground. The other idea is to simply plant trees! After all, trees have naturally sequestered carbon for millions of years.
Artist and filmmaker Paul Trillo made Thank You For Not Answering, an artful experimental short film, using a suite of AI tools. The end credits of the film read:
Trillo demonstrated the process to me during a Zoom call; in seconds, it was possible to render, for example, a tracking shot of a woman crying alone in a softly lit restaurant. His prompt included a hash of S.E.O.-esque terms meant to goad the machine into creating a particularly cinematic aesthetic: “Moody lighting, iconic, visually stunning, immersive, impactful.” Trillo was enthralled by the process: “The speed in which I could operate was unlike anything I had experienced.” He continued, “It felt like being able to fly in a dream.” The A.I. tool was “co-directing” alongside him: “It’s making a lot of decisions I didn’t.”
Oh no. It’s June? Where what how?!? I did not mean to let this much time elapse since the last installment of my media diet, all the way back on Dec 2 in a completely different calendar year. But there’s nothing to be done about it, we’re all here now, so tuck your arms inside the carriage and let’s do this thing. Here’s what I’ve been watching, reading, listening to, and experiencing over the last six months. Enjoy.
Fire of Love. Superb documentary on volcanos and obsession. The footage, mostly shot by the subjects, is unbelievable. (A)
Star Trek: First Contact. Maybe my favorite Star Trek movie? Ok, maybe not favorite but I like it a lot. (A)
Splendor. This is one of my favorite engine-building games that I’ve played — it strips the concept down to the bare bones. That makes it easy to get the hang of but there’s a lot of room for different strategies as skill levels rise. (A-)
Ted Lasso (season three). I almost didn’t watch this because season two was not my favorite and the critics were just tearing into season three, but I’m so glad I did…this is one of my favorite things I watched over the past few months. This was more like free therapy than a “sitcom”, which probably explains why some people didn’t care for it. (A)
Mercado Little Spain. José Andrés’ Spanish version of Eataly. I’ve only been there a couple of times, but omg the food. The pan con tomate is the simplest imaginable dish — bread, tomato, olive oil, garlic, salt — but I could easily eat it every day. (A)
Wood stove. An actual fire inside of your house that warms and captivates. Perfect, no notes. (A+)
Crying in H Mart by Michelle Zauner. A memoir about loss, grief, food, and the Korean American experience. (A-)
The Bourne Identity. Over 20 years old and still a great action thriller. (A-)
AirPods Pro (2nd generation). I’ve been using the first-gen AirPods Pro for the last few years and they’ve been great. But these 2nd-gen ones are next-level: the noise cancelling is way better and they are much more comfortable…been wearing the hell out of these since I got them. (A+)
Succession (season four). Has any show ever hit it out of the park on every episode like this? The whole last season, including the finale, was just fantastic. (A+)
China’s Van Goghs. A Chinese man who’s been painting replica van Goghs for half his life visits Holland and France to see the original paintings and the locations where van Gogh painted. Fascinating. What makes someone a “real” artist? (A-)
Jackson Hole Mountain Resort. Got to ski here with my kids a couple of times this winter and I can see why they love it. (B)
Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin. If you’ve ever enjoyed a long collaborative creative partnership with another person or group of people and that collaborative frisson felt like the highlight of your life, you will probably like this book. (A)
Andor. I really enjoyed this but was also kind of perplexed about the hype around how much better this series was than the rest of Star Wars. Again, I liked it but it didn’t seem too far apart from the whole. (A-)
The 2022 World Cup. This whole thing gets an F for the corruption, human rights abuses, and idiotic TV coverage in the US, but as a long-time fan of Lionel Messi, watching Argentina win the trophy was 💯. The final against France was one of the peak sports viewing experiences of my life. (F/A+)
Rogue One. Had to rewatch after Andor. Still a favorite. (A-)
1899. This gave me Lost and Westworld vibes (that’s bad) but I’d heard good things so I stuck with it for two more episodes than I should have. Stopped watching halfway through and then read the Wikipedia page and, yep, thankful I didn’t spend anymore time on it. I have to stop watching these puzzle box shows. (C-)
Bullet Train. People seemed to like this more than I did. Seemed like a Guy Ritchie Tarantino sort of thing, but a bit flashier? It was fine? (B)
Star Trek II: Wrath of Khan. This movie gets better and better every time I watch it. Two world-class hams, William Shatner and Ricardo Montalban, trying to see who can chew the most scenery, the first movie scene wholly generated by computer, and Scotty playing Amazing Grace on the bagpipes? Come on! (A+)
Acupuncture. I tried acupuncture to address a chronic injury. It didn’t end up working for that purpose, but each time I went, I felt an incredible sense of relaxation and calm after the session. (B)
Wonderland Dreams. I posted about Alexa Meade’s “living still lifes” more than 13 years ago and I finally got a chance to see her work in person in NYC. (A-)
Fleishman is in Trouble. This wrecked me and I loved it. So much of this rhymed with my life — very uncomfortable at times! (A+)
Fleishman is in Trouble by Taffy Brodesser-Akner. Read this straight after I finished the show. (A)
Sea of Tranquility by Emily St. John Mandel. Entertaining time travel adventure from the author of Station Eleven. (B+)
Ambient 23. Moby made an 2.5-hour-long ambient album and it’s pretty good. (B+)
The Fablemans. I liked this quite a bit — it’s one of those films that grows in your esteem as you think back to it. Curious to see it again in a month or two to see how it holds up. (A-)
The Sun Also Rises by Ernest Hemingway. I hadn’t read any Hemingway since high school and ok, I get it now. Enjoyed the first half more than the second though. (A)
Minions: The Rise of Gru. I enjoy the Minions more than, what, I should? And what’s not to like about Steve Carell doing a funny voice? (B+)
The White Lotus (season two). I didn’t care for the first season of this (I stopped watching halfway through), but I loved this season. I did think the ending was a little weaker than the rest of it. (A-)
This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone. Picked this book up after a viral tweet by Bigolas Dickolas sent it screaming up the Amazon bestseller charts. Not bad (time travel, causality, etc.) but the writing style was not my favorite. (B+)
Guardians of the Galaxy Vol. 3. My kids and I went to see this the other day and afterwards had an interesting chat about how you can make a movie where one of the themes is animal cruelty and then the rest of the movie is just a lot of hyper-violence with a surprising amount of yelling (at children!) and also mindless killing of some cyborg animals (during the rescue of other cyborg animals). Honestly disappointing and kind of a muddle. (B)
The Rihanna Halftime Show at Super Bowl LVII. It’s been years since I watched the Super Bowl (or American football), but my daughter and I were excited to catch Rihanna’s halftime show. We both loved it, a great performance. (A)
Death on the Nile by Agatha Christie. Listened to this on audiobook with my mystery-loving daughter — it made some long drives fly right by. (A-)
The Last of Us. Some of the episodes showed their video game roots (side quests, NPCs, etc.) a little too much but maybe that’s just how most action drama is written now? (A)
The Book of Mormon. Live things are always a hell of a lot of fun, but I think this played a lot differently when it premiered in 2011 than it does today. (B+)
Speed Racer. Not a fan of the visual style of this movie. (B)
Oh William! by Elizabeth Strout. I’ve been in a mode of my life for awhile now where I identify with the characters of books I read and movies/TV that I watch and it makes it difficult to actually be objective (ha!) about it, even with myself. Did I like this or did I just identify strongly with the characters? And what does it matter if I got something valuable out of it even if it wasn’t “good”? (B+)
Ivory. I’ve mostly quit Twitter and this app from Tapbots makes Mastodon feel a lot like Twitter for me. Well, without the right-wing owner and increasingly fascist rhetoric. (B+)
Triangle of Sadness. I wouldn’t necessarily recommend this to everyone, but I loved it. The dinner scene had me hyperventilating with laughter. (A)
Combustion Predictive Thermometer. I preordered this years ago when I was doing a lot more grilling. Mixed results so far. The thermometer is designed to stay in the meat while you cook it, but the heat of my hardwood charcoal grill was too much for it (I run it *hot*) and I had to take it out. But doing the oven part of the reverse sear is a total breeze with this thing…worth it just for that. (B+)
The Complete History & Strategy of LVMH. I am not usually a VC/startup bro podcast listener, but my pal Timoni strongly recommended this episode on luxury conglomerate LVMH Moët Hennessy Louis Vuitton and it ended up being really fascinating. The episode is 3.5 hours long and I wanted more. (A)
ChatGPT. I wrote about this extensively back in March and I’m still using it several times a week, mostly as a programming assistant. (A)
The Mysterious Benedict Society. Watched with the kids and I think we all agreed it was a bit better than the first season? But Disney cancelled the show and removed it completely from Disney+ 👎 so good luck watching it… (B+)
Star Trek: Picard (seasons two & three). I’d heard not-great things about season two so I wasn’t super-curious to watch but with the buzz around season three, I decided to give it a try. I ended up watching both seasons in the space of a couple of weeks during a particularly tough period. I just really like spending time in that universe with those people. (A-)
The Mandalorian (season three). This season really dragged in spots — I guess I don’t care about the Mandalorian back story that much? (B+)
Crossword puzzles. I’ve never been a crossword puzzle person, but I’ve been doing the NY Times crossword with a friend for the past few months (mostly over FaceTime) and I’ve become a fan. (B+)
The Wager by David Grann. The beginning is sort of unavoidably slow due to having to explain global geopolitics and how the British Navy functioned in the 18th century, but the rest of the book is just plain masterful and unputdownable. (A)
The Five Lives of Hilma af Klint by Philipp Deines. A graphic novel based on the diaries and art of Hilma af Klint — better than I was expecting. (B+)
Nuun Sport Tablets. I drink a lot of water during the course of my day but also too many sugary drinks. I don’t like seltzer so I’ve been on the lookout for a beverage that tastes good (or at least not terrible) without a lot of sugar. In her excellent newsletter, Laura Olin recommended these and I’ve been enjoying them so far, particularly the citrus flavors. (B+)
Superman. Christopher Reeve would be just 70 years old right now if he hadn’t died in 2004. Wish he were still around; he was a hell of an actor. (A-)
Dungeons & Dragons: Honor Among Thieves. Strong word-of-mouth got me to sit down and watch this and it didn’t disappoint. Solid action/adventure that reminded me of the first Pirates of the Caribbean movie. (B+)
Poker Face. I’m only a little more than halfway through this, but Natasha Lyonne solving mysteries while on the lam across America in a TV series by Rian Johnson? In. (B+)
Mrs. Davis. I wanted to like this! I’d heard good things! But it was giving me Lost vibes so I had to stop after two episodes. I do not know how to describe it, but I do not like television shows that are confusing/mysterious in the particular way that this show is. See also Lost, The Leftovers, and Watchmen – all, not coincidentally, written and created by Damon Lindelof. (C)
The Great (season two). I loved season one but season two took me forever to get through – like 7-8 months – and I still have the last episode left. I’ve heard season three gets good again, so I’m gonna push through and give that a chance. The leads are marvelous. (B)
In this short video from the BBC narrated by Helena Bonham Carter, activist and actor George Takei talks about his imprisonment in an American concentration camp during WWII because he was of Japanese descent.
I began school in Rohwer, a real school, in a black tar paper barrack. There was an American flag hanging at the front of the classroom and on the first morning, the teacher said, “We’re going begin every morning with the pledge of allegiance to the flag. I will teach it to you and you are to memorize that.” But I could see right outside my schoolhouse window the barbed wire fence and the sentry tower as I recited the words “with liberty and justice for all”. An innocent kid, too young to understand the stinging irony in those words.
Ok this is kind of incredible: Brick Technology built a solar-powered Lego clock that will keep time for a billion years. It’s got various displays in the style of an astronomical clock so you can keep track of seconds, hours, months, centuries, and even galactical years (the amount of time the Sun takes to orbit the center of the galaxy). The clock is powered by solar energy, and the solar cell is connected to the clock so that it tilts throughout the day to keep facing the sun.
This is a) an extremely accessible explanation of how clocks work, b) the nerdiest thing ever, and c) I love it so much. Even if you’re not a Lego fan, you should watch this. (For more on how clocks work, check out Bartosz Ciechanowski’s excellent explainer on mechanical watches.)
The obvious thing that sprung to mind watching this was The Clock of the Long Now, a 10,000-year clock being constructed inside a mountain in West Texas. But I also thought of Arthur Ganson’s Machine With Concrete, which utilizes extreme gear ratios to turn an input of 200 rpm into a gear that turns only once every 2 trillion years. That’s slow enough that the final gear is actually embedded in concrete and it doesn’t affect the operation of the machine at all.
Mosfilm, one of the largest film studios in the USSR during the Soviet era, has put full-length versions of many of its most acclaimed and influential films on YouTube for free, including six of Andrei Tarkovsky’s films: Stalker, Solaris, Ivan’s Childhood, The Mirror, Andrei Rublev, and The Passion According to Andrei. Also available is Battleship Potemkin by Sergei Eisenstein. Several of these movies appear on Sight and Sound’s 2022 list of the best 100 movies of all time. (via @irwin)
Oh this is so nerdy and great: Veritasium introduces us to Micromouse, a maze-solving competition in which robotic mice compete to see which one is the fastest through a maze. The competitions have been held since the late 70s and today’s mice are marvels of engineering and software, the result of decades of small improvements alongside bigger jumps in performance.
I love stuff like this because the narrow scope (single vehicle, standard maze), easily understood constraints, and timed runs, combined with Veritasium’s excellent presentation, makes it really easy to understand how innovation works. The cars got faster, smaller, and learned to corner better, but those improvements created new challenges which needed other solutions to overcome to bring the times down even more. So cool.
The length of a human life is around 80 years. You might get 100 if you’re lucky. The universe is about 13.7 billion years old. The vast difference between a human lifespan and the age of the universe can be difficult to grasp — even the words we use in attempting to describe it (like “vast”) are comically insufficient.
To help us visualize what a difference of eight orders of magnitude might look like, Wylie Overstreet and Alex Gorosh have created a scale model of time in the Mojave Desert, from the Big Bang to the present day. This is really worth watching and likely to make you think some big think thoughts about your place in the universe and in your life.
Last week, popular YouTuber, author, and science communicator Hank Green announced that he had cancer (very treatable Hodgkin’s lymphoma). His video announcement was part of a series of back-and-forth videos he does with his brother John Green, popular YouTuber and novelist. John replied to Hank’s video with a short one of his own, noting that humor is one way that people deal with grief but also a way in which we can accompany people through tough times.
To work, the humor has to feel like love rather than judgment, like inclusion rather than stigma, and like celebration rather than dismissal. And that’s a tough balance. Sometimes well-intentioned people, including me, get it wrong. And it also depends on, like, who’s saying it and the context.
Good luck and my warmest thoughts to the Greens and their family as they navigate this difficult time. And, you know, fuck cancer.
Whenever I hear someone say “it’s just business” in order to magically justify some decision to ignore the humanity of individual people, I remember that it’s adapted from a line in The Godfather spoken by Michael Corleone at the precise moment when he decides to become a murderous sociopath. We should maybe stop running businesses like fictional mafia families.
Hand Talk sign language has been used by indigenous communities for thousands of years as a lingua franca between groups and tribes that didn’t share a common spoken language. Hand Talk is an endangered language — the US government tried to eradicate indigenous languages starting the late 1800s — but it’s still in use today.
This was fascinating. For example, as with all languages, Hand Talk vocabulary reveals how they thought about everyday concepts like time:
For example, let’s take the simple question: “How old are you?” First, there’s a single sign for “question.” So for a question about someone’s age, you’d use the motion for question with the motion for “winter”. How many winters are you? That’s what I ask. In PISL you measure months by moons, days by the sun. And to refer to different times of day, you would show hand placement according to the position of the sun in the sky. So this sign for morning, afternoon, or night.
Hand Talk was also one of the influences on ASL and the borrowing of vocabulary between the two language groups continues.
As part of his True Facts series about the natural world, Ze Frank explains all about slime molds, which are super interesting! Slime molds can efficiently solve mazes, plan efficient train routes, adapt to changing conditions, and learn from each other.
A high school here in Vermont is located (temporarily) in an abandoned Macy’s department store. A crew from the BBC recently made a short video tour, where you can see books on shelves designed to display fine china, an absence of windows, escalators, a lack of floor-to-ceiling walls, and fashion branding that remains on the walls.
The genre may be nearly dead, yet the building remains. And for economic, ecological, and social reasons, those buildings should be reused. “It’s amazing to think that we are standing in what used to be a department store; that we’re greeting people where we used to buy winter coats; reading books where they once sold fine china; taking phone calls in converted changing rooms; and learning science in the old suit racks,” Burlington’s school superintendent, Tom Flanagan, said at the ceremony. A school in a department store doesn’t have to be a sad story. In fact, this should just be the beginning, both for the students and for a country once addicted to big boxes.
In the finals of the Classic Tetris Mega Masters Championship held at the end of last month, two of the top Tetris players in the world played what is probably the greatest 1-vs-1 Classic Tetris game of all time. And then they did it again…
Even if you only have a passing interest in Tetris or video games, this is worth a watch and just as exciting as watching a hard-fought soccer or tennis match.
This is sobering: in an ad for the United Nations Global Compact, the words of Carl Sagan from nearly 40 years ago warn us of the necessity for urgent action on climate change, deforestation, and extinction.
Life is something rare and precious. There is something extraordinary about the planet that we are privileged to live on. The human species is destroying forests and we’re doing it at a rate of one acre of forest every second. We’re doing something immensely stupid.
Polyphonic’s videos on music are always worth a watch and in this latest one, they explore the history of the concept album, from its proto-origins in the Romantic era to the 70s rock opera heyday to the modern era, where a large percentage of all album releases are conceptual in nature. Along the way, they namecheck a variety of artists from many genres, including Woody Guthrie, Johnny Cash, The Beatles, The Who, Pink Floyd, Stevie Wonder, Kraftwerk, Iron Maiden, De La Soul, Arcade Fire, Daft Punk, Janelle Monáe, Kendrick Lamar, and Taylor Swift. (via open culture)
This is just beautiful. This short animated film by João Gonzalez starts off slow but really pays off in the end. Ice Merchants was nominated for a 2023 Academy Award. Here’s an interview with Gonzalez at Director’s Notes.
Earlier this week, the retired electronic duo Daft Punk released the 10th anniversary edition of Random Access Memories, their last studio album. The anniversary album includes 35 minutes of previously unreleased music.
Among the tracks is a demo of Infinity Repeating, featuring Julian Casablancas and The Voidz, which a recent interview w/ Casablancas on Daft Punk’s YouTube channel called “the last Daft Punk song, ever”. The music video for Infinity Repeating, embedded above, features a cool evolution-of-humanity animation (with robots!) and is highly re-watchable.
Space Iris is a mesmerizing abstract video by Rus Khasanov of expanding and contracting patterns that resemble eye irises and cosmic nebulae. The description doesn’t say how this was made, but a glance at Khasanov’s Instagram account shows a bunch of experiments with liquids. You can cehck out still from the video on Behance. (via colossal)
The First Folio is a collection of 36 plays by William Shakespeare that was published in 1623. One of the most influential books ever published, only about 230 copies are known to have survived. The Victoria and Albert Museum has three copies, and in this video, they lead the viewer on a tour through one of them.
There are 36 plays by Shakespeare in this book and half of them had not been previously printed. So this book preserves really half of Shakespeare’s complete works — plays that would probably have been completely lost to us include the Tempest, Macbeth, Twelfth Night, many others that are among people’s favorites today.
In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. One of her relatives was shot. Another was poisoned. And it was just the beginning, as more and more Osage were dying under mysterious circumstances, and many of those who dared to investigate the killings were themselves murdered.
The movie will be out in theaters on October 6. Oh, and Scorsese & DiCaprio have already signed on to adapt Grann’s latest book, The Wager, which I recently read and loved.
Right now in the US, the majority of children are driven to school, even though many of them live within walking or cycling distance.
In 1969, about 48% of students walked or cycled to school in the United States. Today that figure is about 11%. And this decline wasn’t just in the US — you can find the same trend in Australia, England, and Canada: today the majority of students are driven to school in a car. One of the larger studies we have on this issue in [British Columbia] found that 58% of 4th graders and 50% of 7th graders were driven to school by their parents.
There are various reasons for this shift, including that roads are unsafe for cyclists and pedestrians because of cars, a cultural shift towards greatly increased parental supervision of children, and inflexible parental work schedules.
In this short video, Norwegian creative director Torger Jansen explains how he designed an unofficial transit map that combines all three of Oslo’s public transportation networks (tram, metro, train) into a single diagram. His four main goals:
1. Showing all the lines on every network, thus making it easier to understand the service patterns.
2. Making it recognisable with the official line colours.
3. Compressing unnaturally long distances between stations.
4. Balancing aesthetics and accessibility. The diagram is clear and easy to read with minimal fuss.
As Jansen notes, this is not how a design process would work in the real world — there’s no user testing or competing stakeholders to please — but from a purely aesthetic and functional standpoint, it’s still an interesting challenge and puzzle to attempt to solve. (thx, david)
I’ve always wondered about the process for making pieces of metal that appear to fit together perfectly, so perfectly that you can’t see any sort of cut or seam. In this video, Steve Mould explains how wire EDM works, in part using cheese.
In Japan, people who disappear from their lives are called “evaporated people”. People choose to drop out of their lives for different reasons, ranging from debt or abuse to mental health struggles or a lack of second chances in Japanese society. Some Japanese who want to go into hiding or relocate from domestic abuse or stalkers hire “night movers” to help them disappear.
Sometimes a whole team works on a client’s disappearance, swiftly sweeping through an apartment in the dead of night. At TS, it costs between ¥50,000 ($450) and ¥300,000 ($2,600) depending on the amount of possessions somebody wants to flee with, how far they’re going, and whether the move needs to happen under the cover of darkness. Taking along children, or evading debt collectors, can push prices higher. Every day, TS receives between five and 10 inquiries like the one Saita described. Most people simply require counseling or legal advice but the company claims to help between 100 and 150 people to vanish annually.
If you’re like me, sometime in the past 4-5 years you noticed that a lot of the films you liked (or, even if you didn’t, you appreciated that they were getting made) were coming from the same place, A24. Moonlight, Uncut Gems, Everything Everywhere All At Once, Aftersun, The Tragedy of Macbeth, Eighth Grade, Lady Bird, The Lobster, Amy, Ex Machina. More recently, TV shows like Euphoria, Beef, and Erma Vep.
This video from Vox charts the rise of A24 from a small distributor to an Oscar-winning powerhouse that pumps out more movies each year than much bigger studios. See also The Cult of A24 (a good companion piece to the video above) and Every A24 Movie, Ranked.
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