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On their YouTube channel, Art21 hosts a treasure trove of video profiles of artists like Amy Sherald, Olafur Eliasson, Chris Ware, Christian Marclay, Anish Kapoor, Kara Walker, Barbara Kruger, Julie Mehretu, and Sally Mann.
This is excellent — what a resource. (via colossal)
This short animation from NASA shows the sizes of some of the supermassive black holes that feature at the center of galaxies. Some are relatively small:
First up is 1601+3113, a dwarf galaxy hosting a black hole packed with the mass of 100,000 Suns. The matter is so compressed that even the black hole’s shadow is smaller than our Sun.
While others are much larger than the solar system…and this isn’t even the biggest one:
At the animation’s larger scale lies M87’s black hole, now with a updated mass of 5.4 billion Suns. Its shadow is so big that even a beam of light — traveling at 670 million mph (1 billion kph) — would take about two and a half days to cross it.
In this short film by Sarah Klein & Tom Mason, Christen O’Brien tells the story of how she almost died from a massive pulmonary embolism, what she experienced in those moments, and what she took from the experience. The film is based on an essay she wrote called What It Felt Like to Almost Die.1
Realizing that I was dying was like being pushed into a pool. You have no thought but to hold your breath and start swimming. It was the most out of control I’d ever been in my life, yet the only option was to succumb peacefully. I could hear the percussion of my heart beating wildly, recklessly. My breath only reached my trachea now, its pathway closing in rapidly. My palms spread open to the sky, just as my dog moved to stand over me. I am here with you, I am here to protect you.
O’Brien wrote a follow-up to her original post, How It Felt to Come Back to Life:
Coming back from death showed me that the journey of life is not what we often believe. On the surface, it appears as a journey outward — toward things, people, organizations, achievements. But in truth, it is a journey inward — toward the soul. Toward becoming who you actually are, no matter how far outward you may have to travel in order to discover that all the answers are within you, where you belong.
The filmmakers first read O’Brien’s story via a link from kottke.org. It doesn’t happen that often, but I love it when things I feature go on to inspire others to create things of their own. Just doing my bit to complete the loop.↩
I know, I know. Too much Wes Anderson. Too much AI. But there is something in my brain, a chemical imbalance perhaps, and I can’t help but find this reimagining of the Lord of the Rings in Anderson’s signature style funny and charming. Sorry but not sorry.
Drawing from the materials of The Roddenberry Archive, this video takes us on a virtual tour of the 3D rendered bridges of every iteration of the Starship Enterprise from Star Trek, from the original 1964 sketches to the final scenes of Star Trek: Picard. I’ve watched a bunch of Star Trek recently and it was neat to see the evolution of the design and presumed technology. Designing for the future is difficult and it’s even tougher when, for instance, you need to design something that for the future that looks contemporary to now but also, somehow, predates a design that looked contemporary 30 years ago. (If that makes any sense…)
You can also head over to The Roddenberry Archive to check out all of the Enterprise designs in more detail, inside and out. (via open culture)
From Kurzgesagt, this video is a good overview of the arms race going on in all human bodies between cancer cells and the defenses developed by our immune systems over the years.
Somewhere in your body, your immune system just quietly killed one of your own cells, stopping it from becoming cancer, and saving your life. It does that all the time. The vast majority of cancer cells you develop will be killed without you ever noticing. Which is an incredibly hard job because of what cancer cells are: parts of yourself that start to behave as individuals even if it hurts you.
What is cancer and how does your body kill it all the time?
Remember Line Rider? It’s a simple video game / physics toy where you draw slopes and curves for a person on a sled to navigate, pulled along by gravity. SineRider, a project started by Chris Walker and finished by a group of teen hackers at Hack Club, is a version of Line Rider where you use math equations to draw curves to maneuver the sledder through a series of points, sometimes in a certain order. Here’s a trailer with some gameplay examples:
Let me tell you, I haven’t had this much fun mucking around with an online game/toy since I don’t know when. My math is super rusty, but SineRider eases you into the action with some simple slopes (no cosines or tangents necessary) and before you know it, it’s 20 minutes later and you’re googling equations for parabolas.
Right now, there are two ways to play. You can start on the front page and go through a progression of puzzles that get more challenging as more concepts are introduced (such as the curve changing over time). Or you can do the challenges, which are posted daily to Twitter or Reddit. My son and I spent 10-15 minutes solving these two challenges and we were laughing and cheering when we finally got them. (The educational opportunity here is obvious…)
SineRider is currently in beta so some of the UI stuff is a little rough around the edges, but I was really charmed by the music, the animations…everything really. The project is open source — the code is available on GitHub and the Hack Club folks are looking for contributors and collaborators:
There’s a reason it’s open-source and written in 100% vanilla JavaScript. We need volunteer artists, writers, programmers, and puzzle designers. And, if you’re a smart teenager who wants to change education for the better, you should come join Hack Club!
Finally: a full-length trailer for Christopher Nolan’s Oppenheimer, easily the movie I am most looking forward to seeing this summer. Dunkirk was one of my favorite films of the past few years, I’ve done quite a bit of reading about the Manhattan Project over the years, and I studied modern physics in college, so I am all the way in for this. Fingers crossed!
P.S. The movie is based on the Pulitzer Prize-winning book American Prometheus by Kai Bird and Martin Sherwin. Might have to read this one before the movie comes out.
For eight years, Keith Loutit captured hundreds of thousands of images of Singapore, combining the pulsing energy, the new buildings reaching for the sky, and the busy shipyard of one of Asia’s most iconic and futuristic cities into this 5-minute timelapse video.
When we pass by landscapes they appear fixed in time but they change around us constantly. Singapore has gone through an incredible change over the past 8 years, and I have tried to capture as much of this change as possible. There were no permanent cameras used in this film, it required regular site visits over 988 shoot days and over 3300 matched shots.
The video is also available on Vimeo and you can watch two previous Singapore timelapses by Loutit here and here. (via moss and fog)
Eternal Spring is a short timelapse film by Christopher Dormoy featuring beautiful shots of melting snow and ice. Watching this, it is difficult not to think of the climate crisis, which is of course the whole point.
Ice is a beautiful element I love to work with in my video projects. I wanted to feature the ice melting aspect in timelapse process to illustrate the phenomenon of global warming. Melting ice is beautiful and symbolizes spring, but it can also symbolize a problematic aspect of our climate.
And wow, that shot of the Moon at the halfway point… (via colossal)
Microsoft Excel is an extremely powerful, complex, and useful software program that millions of people know how to use, at least a little bit. For those who are experts, there are now esports competitions in Microsoft Excel that pit the best spreadsheet jockeys against each other. Here’s what that looks like:
It’s….a little confusing to watch if you aren’t that good at Excel yourself. From a piece in the Atlantic late last year:
Yes, we are talking about people competing in Microsoft Excel, the famous (and famously boring) spreadsheet software that you may have used in school or at work or to track your finances. In competitive Excel, players square off in test-taking showdowns, earning points each time they answer a question correctly. Players’ screens are a whirlwind of columns and keystrokes and formulae; if the terms XLOOKUP, RANDBETWEEN, and dynamic array don’t mean anything to you, you are unlikely to understand what’s going on. The commentators help, but only to a point. Even so, you can always follow the scoreboard, which tends to change suddenly and drastically. With just over three minutes to play, Ngai nailed a set of questions and jumped out to a 416-390 lead. GolferMike1 began to rethink his earlier assessment: “Uh oh. We got a game.”
There’s a pretty good explanation of what some of the challenges are like starting at the 6-minute mark in this video:
If you’d like more information, check out the Microsoft Excel World Championship for 2023 — the finals are in Las Vegas this year, they’re gonna show it on one of ESPN’s channels, and there’s more than $15,000 in prize money at stake.
In this video in their ongoing series on the climate crisis and how to fix it, Vox looks at the pros and cons of solar geoengineering (aka using artificial means to reflect sunlight in order to cool the Earth).
The climate change crisis has become so dire that we’re being forced not only to think of ways to curb emissions and mitigate greenhouse gases, but of ways to adapt to our current situation to buy ourselves more time.
One of those technologies is called solar geoengineering. It happens in nature when huge volcanic eruptions cover the stratosphere with ash: That ash forms a layer that reflects sunlight and cools the planet underneath. Solar geoengineering takes advantage of that principle, using different scientific methods to make the planet more reflective overall. The problem is, deploying it would require messing with our very complicated climate on a massive scale, and many scientists don’t think the risks are worth it.
Ok, here’s the first trailer for second part of Denis Villeneuve’s Dune. Time to get hyped! It comes out on November 3 — we have until then to decide what “Timothée Chalamet rides the worm” is a euphemism for.
For his second Iconic Sans video, David Friedman tells us about an itinerant filmmaker who travelled the country from the 30s to the 50s making the same movie over and over again with different casts of local children.
Why would somebody remake a movie hundreds of times? Was he obsessed? Mad? Director Melton Barker was a traveling filmmaker (historians call him an “itinerant filmmaker”) who went town to town from the 1930s to the 1970s convincing everyday folks to pay him to be in his movie “The Kidnappers Foil” over and over and over. He used the same script each time, with an all local cast. It’s a fascinating bit of Americana and cinema history.
You can learn more about The Kidnappers Foil at this site from The Texas Archive of the Moving Image, watch several full-length versions on the film on YouTube, or use the script to make your own version.
This is a sweet video profile of La Dinastia, one of the last old-school, family-run places in NYC where you can find Chino-Latino cuisine. From Lisa Chiu at ThoughtCo, a brief history of Asian-Latin food blends:
Cuban-Chinese Cuisine is the traditional fusing of Cuban and Chinese food by Chinese migrants to Cuba in the 1850s. Brought to Cuba as laborers, these migrants and their Cuban-Chinese progeny developed a cuisine that blended Chinese and Caribbean flavors.
After the Cuban Revolution in 1959, many Cuban Chinese left the island and some established Cuban Chinese food restaurants in the United States, mainly in New York City and Miami. Some diners contend that Cuban-Chinese food is more Cuban than Chinese.
There are also other genres of Chinese-Latin and Asian-Latin food blends created by Asian migrants to Latin America over the last two centuries.
See also Chinese Latinos Explain Chino-Latino Food and from The Village Voice in 2014, The Definitive Guide to NYC’s Chinese-Latin American Restaurants, many of which, like La Dinastia, are still around.
No matter which side you come down on in the debate about using AI tools like Stable Diffusion and Midjourney to create digital art, this video of an experienced digital artist explaining how he uses AI in his workflow is worth a watch. I thought this comment was particularly interesting:
I see the overall process as a joint effort with the AI. I’ve been a traditional artist for 2 decades, painting on canvas. And in the last five years I’ve been doing a lot of digital art. So from that part of myself, I don’t feel threatened at all.
I feel this is an opportunity. An opportunity for many new talented people to jump on a new branch of art that is completely different from the one that we have already in digital art and just open up new way of being creative.
It’s a no-brainer: what if you handed over a visually rich sci-fi universe with slightly campy origins to a quirky auteur with an overwhelming aesthetic, just to see what you’d get? This short trailer imagines Wes Anderson at the helm of his very own Star Wars movie, complete with Bill Murray as Obi-Wan and Owen Wilson as Darth Vader (wow).
See also, from back in 2012, Conan O’Brien’s take on Wes Anderson’s Star Wars, A Life Galactic. I would totally watch either of these movies tbh.
Leave it to the Auralnauts to take The Mandalorian’s solemn catchphrase “This is the way”, back it with a pulsing beat, and turn it into the banger of the summer. Ok, maybe not. But in the process, they counted 222 uses of the phrase over the three seasons of the show (and also during The Book of Boba Fett, I think).
Related: one hour of Zemo dancing from The Falcon and The Winter Soldier. (via neatorama)
In a video from The Royal Society, Adam Rutherford shares five data visualizations that have changed the world, including Florence Nightingale’s Crimean War mortality charts, John Snow’s map of cholera outbreaks, W.E.B. Du Bois’ data portraits of Black Americans, eugenicist Henry Goddard’s notorious (and fictional) Kallikak family tree, and Ed Hawkins’ climate warming stripes. (via open culture)
These two ads for the NY Times are really effective at communicating the breadth of the paper’s offerings and also how everything, from sneakers to climate change to gravity, is connected to everything else.
I’m not going to make a habit of posting AI generated video and photography here (mainly because most of it is not that interesting) but Pepperoni Hug Spot is just too perfect a name for a pizza place to pass up. And it’s got Too Many Cooks vibes.
This video from Paul Dinning features kestrels hunting in Cornwall. I will never tire of watching raptors hovering in the wind, their wings & bodies making dozens of micro-adjustments a second so that they can keep their heads perfectly still and focused on searching for prey on the ground below. From The Kid Should See This:
Like hummingbirds and kingfishers, kestrels have the advantage of a larger accessory optic system, a sort of superhero power that detects movement and helps keep their balance, enabling unparalleled head stabilization while hovering. By bobbing their heads periodically, kestrels can estimate distances and locate prey, sometimes by seeing urine trails with their ultraviolet-sensitive vision.
Watch until the end to see a kestrel eating a still-writhing snake. 😳
See also The Perfect Head Stabilization of a Hunting Red-Tailed Hawk, This Owl Will Not Move His Head, and The Eerie Stillness of Chicken Heads.
So you’ve seen how an 18th century sailing battleship was built. But that was for a vessel 227 feet long that could carry around 850 people. This timelapse video shows the construction of a much larger ship: a modern-day, 1,100-foot-long cruise ship that houses 6,600 passengers. The size of this thing is just ridiculous, bordering on the obscene. It took me a second to realize that the giant thing they were constructing in the first minute of the video is in fact an engine, which, when compared to the rest of the ship, is not that big at all. Make sure you watch to the end to see the oddball paint job on the bow.
See also a timelapse of a second ship of this class being built, which focuses on different details. (via core77)
If you, like me, are currently reading David Grann’s new book The Wager and are having trouble visualizing exactly what British Royal Navy ships of that era look like and how they work, you might want to watch this video. The 3D fly-through model ship in this video, HMS Victory, is larger and more recently constructed than any of the ships in The Wager (the biggest of which is HMS Centurion) but the basic layout and principles are the same.
In a video for the Victoria and Albert Museum, sculptor Simon Smith shows us how Renaissance sculptor Donatello might have approached carving a piece from marble, which Smith calls “the Emperor of all stones”.
It’s all about trapping shadows. Carving is all about having deep cuts here and lighter here and the angle here and how the light plays on it. And certainly in relief…because relief carving like this, it’s kind of halfway between sculpture and drawing. If you’re doing a three-dimensional sculpture, if a form runs around the back you just carve it so it goes around the back, but with this you have to give the illusion of it running around the back like a drawing. You’ve got to make something look like it turns around and comes out the other side even though it really is just going into the block. And that’s all about angles and shadow and light.
My post last week about The 13 Levels of Complexity of Drumming got me interested in Larnell Lewis, but I also started going back through Wired’s Levels series to check out some of the ones I’d missed.
First up is DJ Shortkut explaining the 15 levels of turntable scratching. DJing is one of those things that I enjoy the output of but don’t know much about, so it was fun to have it broken down like that. Beat juggling is incredibly cool and looks super difficult to master. 🤯
MTV used to show music videos. Bravo was home to opera and jazz programming. The Learning Channel focused on educational programming. The History Channel aired shows about history. Discovery: nature shows. A&E: fine arts and educational content. Now they all air a lot of reality TV programming like Vanderpump Rules, MILF Manor (I had to look this one up to make sure it’s an actual show), and Duck Dynasty. This video from Captain Midnight explains how and why “channel drift” happened (hint: follow the money).
In his animated short film Five Cents, which was inspired by his student debt struggles, Aaron Hughes deftly (but gently) skewers modern consumerism, as his film’s character navigates a series of escalating purchases with a little found money. (via the kid should see this)
Wow, I’d never seen these before today! For the 1999 MTV Movie Awards, Wes Anderson created three promo spots, each one a staged re-creation of a nominated movie in the style of the Hollywood-inspired plays in Rushmore (Serpico & the Vietnam War one). All three shorts (Armageddon, Out of Sight, The Truman Show) star Jason Schwartzman as Max Fisher, along with the rest of the Max Fischer Players. (via open culture)
Hahaha you thought I was kidding about this being a Larnell Lewis fan site today, but I’ve got one more video for you. This is a live recording of a song by the jazz fusion band Snarky Puppy and — hold on, before you wander off having heard that collection of words, let me preface this by saying that I am not really a jam band person or a jazz fusion person and I thought this was pretty amazing.
So anyway, legend has it that Snarky Puppy were all set to record a live record in Holland and their regular drummer couldn’t make it, so they called Lewis to fill in. He learns the music on the plane ride over to Europe and — what? yeah, he learned the music on the plane ride over and then when he gets there…just watch the video above to see what happens.
I admit I didn’t quite get what was so special about this at first, but around the 4:20 mark things really start to get interesting and by the end I was grinning like an idiot. Cory Henry does the keyboard solo and Lewis backs him on it like they’ve been playing together for three lifetimes. As one of the YouTube commenters put it:
I just discovered this about 2 hours ago… I’ve been a musician for 20+ years… After watching this performance, I’ve now been a musician for about 2 hours.
(via @caleb, who noted the many reactions to this video on YouTube)
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