In a June piece for The Guardian and the video above from just a few days ago, Robert Reich outlines five crises — including wokeness, the trans panic, and critical race theory — that Republicans have manufactured in order to deflect from their true agenda.
Virginia governor Glenn Youngkin’s “day one” executive order banned the teaching of critical race theory. DeSantis and Greg Abbott, the Texas governor, have also banned it from schools.
Here again, though, there’s no evidence of a public threat. CRT simply teaches America’s history of racism, which students need to understand to be informed citizens.
Banning it is a scare tactic to appeal to a largely white, culturally conservative voter base.
However, I would argue that Reich needed to go a bit further. While the crises are inventions, their consequences go beyond mere distraction and into the territory of active harm, particularly of queer and trans people, Black people, and people of color. That’s why I modified the title from his original.
In the 1994 Caribbean Cup qualifying group stage match between Barbados and Grenada, the 90 minutes of normal time ended with an intentional own goal by Barbados and then with Grenada trying to score either a goal or an own goal and Barbados defending both nets. Say what?! How did this happen?
Well, it was the confluence of a few things:
The match would go into overtime in case of a tie.
The “golden goal” rule was in effect for overtime…the first goal wins and the match is immediately over. Oh, and the goal is worth 2 goals, not just one.
To qualify for the next round, Barbados not only needed to win the match, they needed to win it by two goals…a one-goal difference would not be enough.
The match started off routinely and Barbados scored the first two goals, establishing the two-goal winning margin they required: in the 83rd minute, the game changed when Grenada scored a goal, which would take Grenada through to the finals unless Barbados could score again.
Barbados attempted to score for the next few minutes, but as time ran out they switched to a different strategy: tying the game so they could attempt to achieve the two-goal margin with the golden goal in extra-time. In the 87th minute, they stopped attacking, with Barbados defender Terry Sealey and goalkeeper Horace Stoute passing the ball between each other before Sealey intentionally scored an own goal to tie the game at 2-2.
With just three minutes of normal time left, the Grenadian players caught on to the Barbadians’ plan, and realised that they would advance in the tournament by scoring a goal in either net, since they would still qualify for the finals with a 1-goal loss. This saw normal time finish in a highly unusual manner, with Grenada trying to score a goal in (and Barbados trying to defend) both nets. For the next three minutes, Barbadian players successfully defended both sides.
As 90 minutes had expired with the score at 2-2, the game went on to extra time, where the winning “golden goal” would count double — thus, Barbados only had to score once to qualify for the 1994 Caribbean Cup. Trevor Thorne scored the winning goal for Barbados to advance to the next round with a score of 4-2.
From Adam Kovacs’ YouTube channel Adam Something comes this brisk 10-minute video essay on why European malls are doing better than their American progenitors. I thought his third point, about poor urban planning, was particularly interesting: malls tend to fail in America because they are not integrated into the fabric of towns and cities (because very little is integrated into the fabric of cities and towns in many places these days).
Malls, hell, all commerce has to be an organic part of towns and cities. People should be able to get to them by means other than a car, and conveniently. Such integrated commercial spaces are far more resilient. If your commercial spaces aren’t resilient — if you just plop a big box outside the town — don’t be surprised when it goes bust in a few years. And then it’s bulldozed for the next thing to be put up for it to go bust the same way and then get bulldozed and then the next thing and the next and the next so on and so forth.
Starting with Jaws, his first big blockbuster movie that defined the genre, Steven Spielberg has filled the audiences of his films with a sense of wonder, that alchemical mix of fear and astonishment of the unknown. No other director does it better and this video essay explores how he does it.
The music for Sinéad O’Connor’s 1990 smash hit Nothing Compares 2 U is already pretty stripped down to emphasize the vocals, but in this video, the vocals are almost fully isolated so you can really hear the clarity and emotion in that wonderful voice of hers.
“I actually think the intensity of Sinéad’s performance came from the breakup of her latest relationship,” opines Chris Birkett, who co-produced and engineered the track as well as the accompanying, Grammy Award-winning album, I Do Not Want What I Haven’t Got, which topped the Billboard 200 for six weeks and sold seven million copies worldwide. “She had been dating her manager, Fachtna O’Ceallaigh, who’s a really good guy and had been instrumental in getting her deal with Ensign Records. However, their relationship had gone pear-shaped and they were in the process of breaking up when we recorded ‘Nothing Compares 2 U’, so that’s probably why she did such a good vocal. She came into the studio, did it in one take, double-tracked it straight away and it was perfect because she was totally into the song. It mirrored her situation.”
Cruise ships are a relatively new human invention that look quite different from other ships. Oh, and they are absolutely massive. How did they get that way?
The predecessor of today’s cruise ships was the ocean liner: big, beautiful ships that sailed across the Atlantic. But ocean liners had a totally different purpose from cruise ships: They were for transportation. Everything about them was designed to facilitate an ocean voyage from one continent to another.
But air travel changed that. Planes eliminated the main reason to take a ship somewhere, and ocean liner business plummeted. So the industry pivoted and began selling a ship as the destination itself. The cruise ship was born. But the ocean liners, built for a voyage, weren’t ideal for the purposes of a cruise, and over the next few decades, the cruise ship began its evolution. And it has culminated in the behemoths we see today.
Cruise ships always make me think of David Foster Wallace’s classic piece, Shipping Out (which you might know as A Supposedly Fun Thing I’ll Never Do Again).
[Note: If you’re reading/watching this, I assume you’ve watched season two or don’t care about spoilers; they abound.] The Bear is an intense show about a group of intense people doing an intense job. It can be tough to watch sometimes because people often communicate by screaming and yelling at each other. As Evan Puschak observes in this perceptive video essay, the second season delves into where some of those behaviors came from (surprise: childhood trauma) and offers a counterbalancing force: tenderness, listening, and paying attention.
I have said previously that “even on my busiest day, I will drop everything to watch a video of pencils being made”. Still true! This video from Process X of a Tokyo pencil factory really hits the spot. My favorite part of watching pencils get made is always the sharpening of the finished pencils by belt sander.
I’ve gotta say that I was a little skeptical when Phil Edwards started out this video saying that he wasn’t going to talk about Pac-Man’s gameplay as a vital component of why it was such a huge success when in came out in 1980. He allows that, of course, the gameplay was very compelling but other factors truly pushed the game beyond the competition and into its own category, including the decline of pinball (profit per square foot), its family friendliness, and some legal & financial maneuverings.
The roots of hip-hop and rap are various and stretch back in time to the antebellum South and from there to Africa. But by some accounts, a song called Noah by gospel group The Jubalaires was the first instance of recorded music that sounded like rap. Listen for yourself…the relevant bit is right around the 35-second mark:
I’m not a music historian by any stretch, but that sounds 30 years ahead of its time. There are several bad remixes of Noah on YouTube…this one is maybe the best at pairing their singing with a rap beat.
The two-storey structure was based on the design of the “traditional caboose”. A workspace sits on the first level while the second, accessible via a steel ladder, serves as a cupola for taking in views and functions as a “calmer zone for creative exploration and restoration”.
The control panel that operates the rails was taken from a Burlington Northern locomotive, while the door colour and the wood used were directly informed by colours and materials commonly found on American trains.
The railroad ties for the track were repurposed from the Great Northern Railroad line, though the studio noted the steel tracks “are a much larger gauge than is typically used”.
There’s even a Wes Anderson connection (because of course there is):
Inspired by Wes Anderson’s love of trains in cinema, Maxon Railway takes some visual cues in the form of on-board artifacts and props from The Darjeeling Limited.
You can read lots more about the house and the railway, including more than you’d probably want to know about the history of rail travel and commerce in the Pacific Northwest.
This is pretty cool: in collaboration with the British Museum, a team led by woodblock printmaker David Bull (who I first wrote about back in 20051) is carving woodblocks and creating prints from a series of previously unpublished drawings by legendary Japanese artist Katsushika Hokusai.
The Museum has in their possession a group of drawings by Hokusai that were apparently intended for use in the production of a series of books. For reasons unknown to us now that project was cancelled, but the drawings survived, and we have selected 12 of them for a new subscription series.
For more details of the collection of images, please refer to this page of the British Museum website. But here, we can simply note that the drawings fall into a number of categories, and our set will reflect that diversity. Hokusai’s series was intended to take his readers through aspects of Japanese historical culture, and we will meet Buddhist deities, warriors from ancient China, and historical landscapes, along with more prosaic scenes of the natural world.
The print shown above was the first one to be sent out in January. But look at this original drawing from the collection:
Wow. That is shockingly modern — like a 60s superhero comic or a still from 60s anime. I hope they reprint this one!
Here’s a video from the British Museum of Bull talking about the project:
If you make woodblock prints for a living, you know the name Hokusai, and if you’re a woodblock carver and you hear about original drawings from Hokusai that have never been carved into prints you would most likely do a little happy dance.
In 1910, a group of inexperienced climbers claimed to have summited Denali, the highest peak in what is now the United States. Their story was greeted with skepticism.
So when I found out that the first people to reach the highest point in North America (Denali, the mountain formerly known as McKinley) were just a bunch of Average Joes with no climbing experience who went up on a bet, I was flabbergasted. How had I never heard this story? The more I looked into it, the more fantastic the story became. When these guys descended from the mountain, nobody believed they really even made it. And they wouldn’t be the first people to fraudulently claim to have reached the top, with no evidence to offer that they succeeded. This story has all the makings of a blockbuster action comedy. It’s almost unbelievable.
But later evidence suggests that they just might have made it to the top.
In 1842, a French artist and scholar named Joseph-Philibert Girault de Prangey set out on a tour of the eastern Mediterranean to document sights and architecture via the brand new medium of photography. He started off in what is now Italy and continued on to Greece, Egypt, Turkey, Syria, and the Levant (which includes modern-day Lebanon, Israel, and Palestine). The daguerreotypes he took are the oldest surviving photos of those locations (aside from Italy). It’s incredible to time travel back 180 years to see what these places looked like. (via aeon)
Vox talked to four television writers about how streaming and prestige TV have changed the financial picture for writers over the past 15 years, contributing to the writers strike that’s been going on since early May.
Companies like Netflix, Hulu, Apple TV+, and more have given consumers an unprecedented array of films and TV shows and opened the door to new voices that don’t have to adhere to mainstream network formats. On the other hand, streaming has also changed how television gets produced, the role writers play, and how they get paid. We interviewed four television writers and showrunners about how streaming has changed how they work, how their incomes have taken a hit, and why it has become harder than ever to build a career.
I just really love the hell out of these iterative Lego build videos from Brick Experiment Channel and Brick Technology. In this one, a car is repeatedly modified to roll perfectly on an increasingly inclined treadmill. I started watching and in 10 seconds I was 100% invested.
They’re not even really about Lego…that’s just the playful hook to get you through the door. They’re really about science and engineering — trial and error, repeated failure, iteration, small gains, switching tactics when confronted with dead ends, how innovation can result in significant advantages. Of course, none of this is unique to engineering; these are all factors in any creative endeavor — painting, sports, photography, writing, programming. But the real magic here is seeing it all happen in just a few minutes.
Traditionally, the subjects depicted in Western art were either religious or rich — wealthy patrons paid for paintings of themselves or of their religions. As Evan Puschak explains in this brief video essay, that began to change in the 16th century as revolution, reformation, and the development of a merchant class shifted who was worthy of depiction and who could pay.
Hey folks. I’m trying to get into the habit of doing these media diet posts more frequently than every six months so they’re actually, you know, somewhat relevant. Here’s what I’ve been watching, reading, listening to, and experiencing over the last two months.
Deep Space Archives. Been listening to this album by A.L.I.S.O.N on heavy rotation while working recently. (A-)
Parable of the Sower by Octavia Butler. Bleak and powerful, science fiction at its finest. (A)
Asteroid City. I liked Wes Anderson’s latest effort quite a bit. Not quite as much as The French Dispatch but more than many other folks. (A-)
Dunkirk. Rewatched for the 5th time. For my money, this is Nolan’s best movie. (A+)
Beef. I wanted to like this but I only lasted two episodes. Not for me, YMMV. (C)
Antidepressants. It took a bit to home in on the right one, but even my relatively low dose has helped me out of a particularly low point over the last few months. (A)
The Diplomat (season one). Burned through this one in just a few days — an entertaining political thriller that doesn’t take itself too seriously. (B+)
Ooni Volt 12. Ooni was kind enough to send me this electric pizza oven to test out, so take this with a grain of salt, but I’ve been having a lot of fun making no-fuss pizza. Need to work on my dough game tho. (A-)
Silo. This hooked me right away and didn’t let go, although it got a little bit ridiculous in places. I’m eager to see where things go in season two. (B+)
Interstellar. Watched this with the kids and we all enjoyed it. The musical score does a lot of heavy lifting in all of Nolan’s films but in this one especially. (A-)
The Age of Pleasure. My only complaint about this album from Janelle Monáe is that it’s too short. (A-)
Barr Hill Gin & Tonic. The best canned cocktail I’ve had. And it’s turned me into a G&T fan. (A)
VanMoof S3. *sigh* Figures that I finally pull the trigger on getting an e-bike and the company that produces it files for bankruptcy. No matter: this thing is fun as hell and has flattened all the hills out around here. (A)
Átta. You always know what you’re going to get with Sigur Rós: atmospheric, ambient, abundant crescendos, ethereal vocals. (B+)
Air. Ben Affleck has a bit of a mixed record as a director, but this Air Jordan origin story is really solid and entertaining. Viola Davis is great as Michael Jordan’s mother Deloris. (A-)
The Bear (season two). There are aspects of The Bear that I don’t like (the intensity seems forced sometimes, almost cheesy) but the highs are pretty high. Forks was a fantastic episode. More Sydney and Ayo Edebiri in season three please. (A-)
Indiana Jones and the Dial of Destiny. Solid Indy adventure and I love Phoebe Waller-Bridge as the sidekick/partner. I know some folks didn’t like the climax but seeing Jones get what he’s always wanted was satisfying. (B+)
Rebranding beloved brands. Max? X? No. So dumb. (F)
65. Oh dear. Adam Driver needs to choose his projects more wisely. Interesting premise but the rest was pretty lifeless. (C+)
Pizzeria Ida. The pizza is expensive (esp for Vermont), the ingredients top-notch, and the service rude (if you believe the reviews). We had a great time and this is probably the best pizza you can get in VT; it wouldn’t be out of place in NYC. (A)
Oppenheimer. Epic. Almost overwhelming at times. Don’t see this on anything but a big screen if you can help it. Perhaps not Nolan’s best but it still packs a wallop. (A-)
Barbie. I enjoyed this very much but found it uneven in spots. And no more Will Ferrell please. But it was great seeing people dressed up for the occasion — Barbenheimer felt like the first time since before the pandemic that you could feel the buzz in the audience, an excitement for what we were about to experience together. (B+)
Currently I’m reading American Prometheus (on which Oppenheimer is based) and Wool (on which Silo is based), so I’ll have those reviews for you next time hopefully. I don’t have a TV series going right now and nothing’s really catching my eye. Maybe I’ll dig into season three of (the underrated) The Great — I’ve heard it’s back to top form after a s02 dip.
From natural rubber to hundreds of bands in a box, here’s how a Japanese manufacturing firm makes rubber bands.
Fun fact about me: I always have a rubber band or two on my wrist…I’ve been wearing them for no particular reason since I was 17. So this video is right up my alley. (via digg)
When you apply power with higher-than-normal voltage to electric kids toys, they tend to move faster. When you apply 30V instead of the usual 2.5V or 5V, they move really fast:
This reminds me of when I was in grade school. Does anyone remember Stompers? They were battery-operated cars and trucks that were bigger than HotWheels and, while not remote-controlled, were able to move around under their own power. But they weren’t that speedy…maybe they could do 1-2 mph.
Anyway, some kid at school figured out that you could remove the AA battery, connect wires to the battery terminals, and then connect those wires to as many C- and D-cell batteries as you could gang together in a series. So instead of the usual 1.5V, you could pump 4.5V, 6V, 7.5V, or even 9V into those tiny cars. And boy, did they go. We could barely keep up as we raced them against each other down the halls, running behind them holding our battery packs. But the thrills were short-lived — I think the school banned them and all that current burned the tiny Stomper motors out after awhile. Fun while it lasted though! (via waxy)
For the past 13 years, former Secretary of Labor Robert Reich has taught a class called Wealth & Poverty at UC Berkeley. He retired from teaching this year and has uploaded his lectures from the course to YouTube.
Welcome to my final UC Berkeley course on Wealth and Poverty. Drawing on my 40+ years in politics, including my time as secretary of labor, I offer a deeper look at why inequalities of income and wealth have widened significantly since the late 1970s in the United States, and why this poses dangerous risks to our society.
This course also offers insights into the political and public-policy debates that have arisen in light of this inequality, as well as possible means of reversing it.
Here’s the first lecture, What’s Happened to Income & Wealth:
This is fun: Aqua’s pop hit Barbie Girl, redone in the style of six classical composers: Mozart, Beethoven, Schumann, Schubert, Chopin, and Ravel. (via @Erikmitk)
To help celebrate 50 years of hip-hop, Cypress Hill visited NPR’s studios to perform a Tiny Desk Concert.
While the term “pioneer” is used loosely in pop culture today, few terms describe Cypress Hill’s impact over the past three decades more adequately. They are the first Latino hip-hop group to achieve platinum and multi-platinum status. B Real, Sen and producer DJ Muggs crafted a sound in the ’90s that stretched beyond regional boundaries. It was dark, psychedelic and at times directly addressed mental health before the topic was commonplace. Many dismissed the group as “stoner rappers,” yet the members were fervent advocates for the legalization of weed long before it came to fruition.
Really enjoyed this one…I’m not a particular fan of Cypress Hill but after this, maybe I am?
After my post about Soap Bubble Worlds yesterday, several people sent me this video of the rainbow colors that can be seen on the surface of and in the steam above a swirling cup of hot water. I was expecting a straight-forward visual display accompanied by some relaxing music (and that version does exist) but it also includes a fascinating explanation of where all these colors and swirls come from.
I have a friend who is an artist, and has sometimes taken a view which I don’t agree with very well. He’ll hold up a flower and say “Look how beautiful it is” and I’ll agree. And he says, “you see, as an artist I can see how beautiful this is, but you as a scientist take this all apart and it becomes a dull thing.” And I think that he’s kind of nutty.
First of all, the beauty that he sees is available to other people, and to me too, I believe - although I may not be quite as refined aesthetically as he is, but I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions, which also have a beauty. I mean, it’s not just beauty at this dimension of one centimeter, there’s also beauty at smaller dimensions. The inner structure, also the processes, the fact that the colors and the flower are evolved in order to attract insects to pollinate it is interesting. It means that insects can see the color.
It adds a question: Is this aesthetic sense also exist in the lower forms that… why is it aesthetic… all kinds of interesting questions which the science, knowledge, only adds to the excitement, and mystery, and the awe of a flower. It only adds. I don’t understand how it subtracts.
This advertisement from Orange, the French telecom company, about the French national football team is one of the best commercials I’ve seen recently. I don’t want to tell you too much about it because the impact of it comes from watching it, so just watch it and you’ll see. And afterwards, you can read more about the ad here.
When you think of directors that have influenced Wes Anderson, you typically think of Truffaut, Godard, Scorcese, and Ashby. But as you’ll see in this video of Anderson pulling out some recommended films from this Paris video store, his taste in movies is broad. There’s Drunken Angel (Kurosawa), A Streetcar Named Desire (Kazan), Vagabond (Varda), Birth (Glazer), Bridge of Spies (Spielberg), and Witness (Weir).
Of Spielberg, Anderson says:
If you make movies, if you direct movies, this is somebody who can help you. You looked at his movies for solutions. He usually found a way to do it right. He’s one of my favorites.
This is a supercut of the final moments of the Titanic as represented in various films and TV shows, from 1912’s La Hantise to a 2012 British TV series written by Downton Abbey’s Julian Fellowes. It also doubles as a demonstration of the increasing capabilities and aspirations of filmmakers and their special effects teams throughout the years, although in terms of budget and effort, James Cameron’s effort in 1997 marks the high point.
Greta Gerwig takes us on a whirlwind tour through 33 films that influenced the Barbie movie, visually, thematically, and in terms of plot/content. The influences include The Wizard of Oz, Rear Window, Pee-wee’s Big Adventure, Singin’ in the Rain, The Godfather, Oklahoma!, 2001, and Saturday Night Fever.
Then, Saturday Night Fever, I always had a sense of wanting this to be a movie with an amazing soundtrack. Saturday Night Fever obviously has this incredible soundtrack by the Bee Gees. There’s a documentary about the Bee Gees, and I’d seen it and was so touched by the Bee Gees, and I thought Barbie seemed so disco to me in her heart, because Barbie’s sort of — and I will say this as a lover of Barbie and disco — a little bit dorky in the best way. Saturday Night Fever was a movie that was driven by music, but not a musical. I guess we’re half of a musical.
In this video from Architectural Digest, architect Michael Wyetzner runs us through why American diners look the way they do. Early diners took their cues from trains:
So let’s take a look at a typical American diner. So the outside has a shape that’s reminiscent of a train. In fact, that’s how diners got their name. They’re named after the dining car on a train.
Many of the design elements in a diner are based on the necessities of dining on a train in a railroad car, like booth seating and counter seating, and an open kitchen.
So I like these two photos because they show all the elements that go into the classic American diner. On the exterior, you have that stainless steel smooth curvature, you’ve got that Art Deco typography. And then on the interior you have the checkered floor, you have the booths, you have the globes, and you have the jukebox.
In the early part of the 20th century, trains were the dominant form of travel. If you look at some of the earliest diners, they were in fact, actual train cars that were placed permanently on the ground.
Later, cars and space travel provided inspiration in the diner’s evolution.
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