Lucas has decided to devote the rest of his life to what cineastes in the 1970s used to call personal films. They'll be small in scope, esoteric in subject and screened mostly in art houses. They'll be like the experimental movies Lucas made in the 1960s, around the time he was at U.S.C. film school, when he recorded clouds moving over the desert and made a movie based on an E. E. Cummings poem. During that period, Lucas assumed he would spend his career on the fringes. Then "Star Wars" happened -- and though Lucas often mused about it, he never committed himself to the uncommercial world until now.
Sitting in a sun-drenched office, his voice boyish, Lucas talked about himself as if he were a character in one of his movies. He's at the end of an epic saga; he's embracing a new destiny ("Make the art films, George"); he's battling former acolytes who have become his sworn enemies; and George Lucas is -- no kidding -- in love. Before he takes his digital camera with him into obscurity, though, Lucas has one last mission. He wants to prove that with "Red Tails," he can still make the kind of movie everyone in the world will want to see.
Available at Etsy, prints of Star Wars characters wearing designer clothes by John Woo (not the director). A stormtrooper wearing Thom Browne, Boba Fett wearing Supreme Visvim, and my favorite, Jango Fett wearing Comme des Garçons.
That got me thinking...what were George Lucas' seven sins related to the Star Wars movies? Here's my crack at an answer:
1. Greedo shoots first. The obvious #1. In the original theatrical release, Han shot Greedo without any return fire. In subsequent releases, the sequence was sanitized by Lucas for younger viewers: Greedo shoots at Han first and Han kills him in retaliation.
2. Jar Jar Binks. Or perhaps this should be #1?
3. Digital Jabba talking to Han outside the Falcon in Episode IV (and many of the other digital alterations Lucas made starting in 1997). Fake fake fake.
4. Young Anakin. Jake Lloyd and Hayden Christensen were both horrible.
5. Ewoks. Not as bad as Jar Jar, but...man. You know, for kids.
6. Natalie Portman. She can be a really good actress but needs strong direction. Guess who sucks at directing actors? Lucas!
7. Midiclorians. No one needed a scientific explanation of The Force. Just do a bunch of hand-waving about "the Force is strong with this one" and leave it at that.
Did I miss anything big? (I mean, aside from Episodes I-III?)
You've never seen a literally slack jaw until you've seen a four-year-old watching Empire Strikes Back for the first time and learning that Darth Vader is Luke's father.
Star Wars: The Blueprints is a $500 limited edition book that contains photographs and illustrations about how the Star Wars movies wre created.
Star Wars: The Blueprints brings together, for the first time, the original blueprints created for the filming of the Star Wars Saga. Drawn from deep within the Lucasfilm Archives and combined with exhaustive and insightful commentary from best-selling author J. W. Rinzler, the collection maps in precise, vivid, and intricate detail the very genesis of the most enduring and beloved story ever to appear onscreen.
Star Wars: The Blueprints gives voice to the groundbreaking and brilliant engineers, designers, and artists that have, in film after film, created the most imaginative and iconic locales in the history of cinema. Melding science and art, these drawings giving birth to fantastic new worlds, ships, and creatures.
Most importantly, Blueprints shows how in bringing this extraordinary epic to life, the world of special effects as we know it was born. For the first time, here you will see the initial concepts behind such iconic Star Wars scenes as the Rebel blockade runner hallways, the bridge of General Grievous s flagship, the interior of the fastest hunk of junk in the Galaxy, and Jabba the Hutt's palace. Never before seen craftsmanship and artistry is evident whether floating on the Death Star, escaping on a speeder bike, or exploring the Tatooine Homestead.
If there was a Star Wars version of Coachella, some of the bands playing at the festival would be called Kessel Run DMC, Guided by Millions of Voices That Suddenly Cried Out in Terror and Were Suddenly Silenced, and C-3PO Speedwagon.
Amazon has put Star Wars on Blu-ray up for pre-order on its site: the original trilogy for $45 or $90 for the whole thing. The release date looks like September 2011. One more time, just for old times sake, let's all buy the same six films for the very last time. Well, until the ultra mega special holographic boxed set comes out in 2013.
Whether the mission is baking cookies or flipping pancakes, young Padawan cooks will love using our official Star Wars spatula featuring the fearsome Darth Vader.
Galactic Empire™ Cupcake Decorating Kit - "A long time ago in a galaxy far, far away, the Jedi Kitchen Council devised a powerful new way to spread fun through the galaxy. Jedi Master pastry chefs created this extraordinary collection of tools..."
Sandwich Cutters with Vintage-Style Tin - "Transform your Jedi's favorite sandwiches into high-energy fuel for lunches, snacks and parties with Millennium Falcon™ and Darth Vader's TIE fighter™ sandwich cutters. Created by the Jedi Kitchen Council to celebrate the Rebel Alliance's victory over the evil Empire, these cutters are fun and easy to use -- just press and cut." [The "Vintage-Style Tin" is actually, how you say, a metal lunchbox.]
Pancake Molds - "A long time ago in a galaxy far, far away, a Jedi Kitchen Master used the Force to create three pancake molds in honor of his favorite galactic hero and villains: Yoda, Darth Vader and a stormtrooper. Use these molds to add whimsy and fun to your next pancake breakfast." [The Vader pancake looks a lot like Hannibal Lector in his mask.]
What, no Jar-Jar Binks Home Preserves Kit? (thx, meg)
Ok, so this is about how George Lucas came up with idea of Chewbacca (hint: he basically stole it from someone else) and yes it's a bit inside-baseball but it's also a great illustration of how the creative process works and the difficulty of explaining how the magic happened even after the fact.
And that's what this post it about; the creative process. Cultural touchstones like Star Wars might seem to have sprung fully formed from the minds of their lauded creators, but as in all creative endeavours, movie making, web design or this very post, nothing could be further from the truth. Creation is a process, and strangely, by looking at how everyone's favority plush first-mate sprang into existance, we can learn a lot about any collaborative creative endeavour.
Star Wars is like nerd scripture: moral homilies, scrupulous exegesis, debates over canonicity, commentaries on commentaries, gnostic gospels, and after-the-fact revision and then purging of the source texts. But some of the secondary writing that tries to resolve the contradictions in the series (especially between the beloved original trilogy and reviled prequels) is just plain fun.
"A New Sith, or Revenge of the Hope" was my introduction to this genre, and it's still one of the best. It takes the prequels as canon, and argues for an intriguing, sinister subtext to Episode IV.
Another approach is to just reinvent the stories altogether, changing whole plot points at will. I tried my hand at this at a short-lived but wonderfully fun group site called Counterfictionals. (Scroll down for the better posts, or check the whole archive for terrific stuff by other writers on Star Trek, Batman, etc.)
At HiLobrow, Joshua Glenn maps a virtuoso cultural interpretation that I can't summarize, except to say that it involves the use of a semiotic square and the use of the word "quatsch."
Finally, this one comes out of the Kottke archives. Aidan Wasley argues that the whole six-part-series is "the greatest postmodern art film ever," relentlessly self-referential, where mysterious elements like "the Force" stand in for the artifice of plot itself.
Martin Becka and Cedric Delsaux are a pair of photographers who feature Burj Dubai in their work. Becka's Burj comes from his Dubai, Transmutations project in which he uses the photogravure processing technique to make images of brand-new Dubai that look as though they were taken in 1880.
Delsaux's Burj image comes from a project called The Dark Lens, which features images of Star Wars characters populating the circa-2008 Earth. I believe that's the Millennium Falcon docking at the Burj:
I confess that I only had time this morning to watch the first 10 minutes, but from that viewing I can safely conclude that this is the best 70-minute video critique of The Phantom Menace that exists in the world. If the first 20 seconds don't get you, stick around until "protagonist". Or don't take my word for it; here's Lost's Damon Lindelof's reaction:
Your life is about to change. This is astounding film making. Watch ALL of it.
Part the first:
After watching the last 3-4 minutes of this first segment, I wanted to give Lucas a hug because I feel so bad for the guy for failing in public in such a huge way. (thx, scott)
This did unsurprisingly well when I posted it to Twitter, so I've archived it here for posterity. This is Carrie Fischer and her stunt double taking a nap under the Tatooine suns during the filming of Jedi.
The President recently hosted a rally at The White House in support of Chicago's bid to hold the 2016 Summer Olympics. Some members of the Olympic fencing team were there. Obama was given a plastic sword. Photos were taken. Photoshop (with an assist from me) did the rest.
Here's our President attacking an unseen Sith Lord or perhaps someone condemned by a death panel:
And having finished them off to the delight of the assembled, a victory pose.
Once upon a time, Luke | Kirk | Neo | Harry was living a miserable life. Feeling disconnected from his friends and family, he dreams about how his life could be different. One day, he is greeted by Obi Wan | Captain Pike | Trinity | Hagrid and told that his life is not what it seems, and that due to some circumstances surrounding his birth | birth | birth | infancy he was meant for something greater.
Not quite a building, but the monumental quality of its form and its polygonal facades lend this Jawa Sandcrawler a building-like presence. These large treaded vehicles have inspired buildings from a Tunisian hotel to Rem Koolhaas' Casa de Musica in Porto.
But aside from what we see onscreen, the Ewoks are miserable little creatures for a completely different reason: they are the single clearest example of Lucas' willingness to compromise the integrity of his Trilogy in favor of merchandising dollars. How intensely were the Ewoks marketed? Consider this: "Ewok" is a household word, despite the fact that it's never once spoken in the film.
When I was a kid, I had a friend who knew all the names of even the most minor characters from the Star Wars movies and had no idea where he got that information. Was there a fourth movie I didn't know about? It wasn't until much later that I realized his extensive collection of SW action figures had filled in all the blanks for him.
I find your lack of pants disturbing. Chewie and me got into a lot of pants more heavily guarded than this. I cannot teach him. The boy has no pants. In his pants you will find a new definition of pain and suffering. Han'll have those pants down - we've gotta give him more time! I have altered the pants, pray that I don't alter them further.
It seems we've landed on some sort of comedy variety show planet.
...and it goes downhill from there. The whole show is available on YouTube in three parts:
The appearance was probably orchestrated as a promotional crossover. Frank Oz voiced Yoda in Empire and was a lead puppeteer for The Muppet Show, performing Missy Piggy and Fozzie, among others.
On Stanley Kubrick, George Lucas, Robert Morris, Robert Smithson, Jane Jacobs, 2001, Star Wars, and minimalism: Star Wars: A New Heap.
Kubrick's film presented a future of company men moving with assurance and clear intention toward a godlike minimalist object. Lucas, on the other hand, gave us a slapdash world of knuckleheads pursued by industrial-scale minimalists. Visually, Kubrick's film is as seamless and smooth as the modernist authority it mirrored. Like the mid-century modernists, 2001 associated abstraction with the progressive ideals of the United Nations as embodied by its New York headquarters. Lucas, on the other hand, was a nonbeliever. Even the initially smooth and unitary form of the Death Star was shown, as the rebel fighters skimmed its surface, to be deeply fissured with an ever-diminishing body of structural fragments. These crenulated details suggested a depth and complexity to modern life that modernism's pure geometries often obscured.
And this:
A flying saucer had never been a slum before. The immaculate silver sheen of the saucer was reinvented as a dingy Dumpster full of boiler parts, dirty dishes, and decomposing upholstery. Lucas's visual program not only captured the stark utopian logic that girded modern urban planning, it surpassed it. The Millennium Falcon resisted the modernist demand for purity and separation, pushing into the eclecticism of the minimalist expanded field. Its tangled bastard asymmetry made it a truer dream ship than any of its purebred predecessors. It is the first flying saucer imagined as architecture without architects.
You: "Okay, if you can just use your Force powers to get in to the palace and all the way to Jabba, then let's just have you go in right now and get Han out."
Luke: "No, that's stupid. I'm going to get myself captured. Because then you see, we'll be taken to the sarlacc pit and then, when we're on the skiff, I'll get sent out first and then R2-D2 will manage to get to the top of Jabba's sail barge and shoot out my lightsaber, and then with Lando's help, we'll just rescue everyone and then everything will be fine!"
You: "That is the stupidest plan I've ever heard of."
The Star Wars empire has grown into one of the most fertile incubators of talent in the worlds of movies (Lucasfilm), visual effects (Industrial Light & Magic), sound (Skywalker Sound), and video games (LucasArts). Along the way, some of the original Lucas crew has gone on to become his biggest competitors.
The Flash interface is really annoying and not useful...the whole image is a better way to look at it. Very Mark Lombardi. (via vc)
So it's irrational, but is it insane? It's true that a major amp makes your body less functional, so how can it be sane to do it? For me, I think the answer is in what I was going through before my amp. I was so consumed by the drive to lose my hand that I could scarcely function.
Now I've totally lost the desire to amputate anything. I'm totally used to doing things with a hand and a stump. It's true I need to ask for help like once a day, that I'm a bit slower at dish washing, keyboarding, and stuff like that, but is that worse than being seriously overweight, or being short of breath from smoking, or even trying to walk in stiletto heels?
Man, I tell you what...you read Admiral Akbar's resume, take a look at his long career, his credentials, and it's amazingly clear how qualified he is to run a major government. What about his prescient snap evaluation..."It's a trap!" We sure could have used that in Iraq.
A Missouri man recently rented out the theater where he first watched Star Wars and invited a bunch of friends to watch it with him again, thirty years later. (thx, amos)
Look, I know it's Friday you're just looking for some fun stuff to end the work week with, but we've got a pressing matter to discuss. Let's say you're a new father and a movie fan. When your child is of an appropriate age to start watching movies, in which order will you show him/her the six Star Wars movies? By original release date (Star Wars, Empire, Jedi, Phantom Menace, Clones, Sith) or according to the intra-movie chronology (Phantom Menace, Clones, Sith, Star Wars, Empire, Jedi)?
We're currently leaning toward by original release date, but I can see the advantages of the other way around too. At dinner the other night, a friend asserted that not only was original release date the way to go, but that viewing the original versions on VHS was essential as well. I believe the relevant tapes and a cheapo VCR have been stashed away for this purpose already.
What do you think? How would you approach this? (thx to rehan for the suggested topic)
Wikigroaning: comparing sparse Wikipedia entries about high culture topics with the more fleshed-out entries about low culture topics. For instance, compare the entries for Hammurabi, who wrote some of the world's first legal codes, and Emperor Palpatine, who ruled the Empire in the Star Wars movies.
What a group of copy editors thought of the best headline ever (Skywalkers in Korea cross Han solo). "For the the Han solo hed to work, there'd have to be a reason for the allusion to Star Wars. Since there isn't, it's a forced attempt to be clever. Your average rap artist has a far better grasp of cleverness than whoever wrote that headline." (thx, braulio)
I know it's only 2007, but this is the headline of the decade. For a story about people crossing a tightrope strung across the Han River in South Korea, AP came up with this masterpiece: Skywalkers in Korea cross Han solo.
This video has so much goodness in it: a short Bollywood-esque production featuring Daleks and the Tardis and then Kevin Smith arriving at an event flanked by a bunch of Stormtroopers, Boba Fett, and Anakin Skywalker. "Stormtroopers, keep it tight, we gotta move." I wonder if he always travels that way and if so, does he fly business class while the Stormtroopers are stuck in coach? (I assume Boba Fett has miles and can upgrade most of the time.)
Update: I really like the idea that the Stormtroopers, after the fall of the Empire in Return of the Jedi, are this giant unemployed workforce who occasionally find work chauffeuring Kevin Smith about.
Interviewer: Ok, tell me about your past work experience.
Stormtrooper: Most recently, I flanked Kevin Smith.
Good. What else?
Um, I was in the room when Lord Vader choked an Admiral.
Wow! Right next to Vader?
Well, no. He choked him over the video screen and I was in the room with the Admiral. But it was still pretty cool.
I love this analysis of the original Star Wars movie based on the happenings in episodes I-III. "If we accept all the Star Wars films as the same canon, then a lot that happens in the original films has to be reinterpreted in the light of the prequels." Chewie and R2 are top Rebellion spies, Yoda and Obi-Wan keep in touch via Qui-Gon's ghost, and Kenobi feigns indifference when he first meets R2 (I don't remember owning any droids, wink, wink). Fascinating stuff.
Update: Given the subject mattter, I'm not sure a disclaimer is needed, but in case you're really worried about veracity of the above list, here's some useful information. (thx, oh no)
George Lucas, having run out of Star Wars movies he wants to make, continues to sell us the same movie we've seen 70 times in yet another format. Here's the original theatrical version of Star Wars on DVD (in quaint Dolby 2.0!) so you can prove to your lesser nerd buddies that Han indeed shoots first. Empire and Jedi are also available.
Matt used MacSaber and his new MacBook to recreate the Star Wars kid video. In related news, the Portland, Oregon area reported a huge nerdquake this afternoon.
When I saw these Star Trek business cards the other day, I knew that Star Wars ones had to exist. Novelty business cards must have been a popular thing back in the day. Anyone up for making Matrix and LOTR cards?
Neal Stephenson on the larger lessons of Star Wars. "Nothing is more seductive than to think that we, like the Jedi, could be masters of the most advanced technologies while living simple lives: to have a geek standard of living and spend our copious leisure time vegging out."
Anthony Lane slams Revenge of the Sith in the New Yorker this week. "The general opinion of 'Revenge of the Sith' seems to be that it marks a distinct improvement on the last two episodes, 'The Phantom Menace' and 'Attack of the Clones'. True, but only in the same way that dying from natural causes is preferable to crucifixion." Ouch.
