Trailer for Objectified
The trailer for Objectified, a new documentary film about industrial design by Gary Hustwit, who also made Helvetica.
Typography and the NYC subway
The (Mostly) True Story of Helvetica and the New York City Subway details the use of type in signage, maps, and manuals for the NYC subway. A must-read for type and subway fans.
As if this plethora of signs were not enough, the subway system also had a bewildering variety of other porcelain enamel and hand-painted signs. The porcelain enamel signs, either hung from the ceiling or posted on the walls, were directional as well as informational. The directional signs included those on the outside of the station entrances as well as those intended for the corridors and platforms underground. Many of the informational signs warned against criminal, dangerous or unhealthy behavior: no peddling wares, no leaning over the tracks, no crossing the tracks, no smoking, no spitting. The directional and informational ones were made by Nelke Veribrite Signs and the Baltimore Enamel Company, while the behavioral ones were the product of the Manhattan Dial Company. Most were lettered in some form of sans serif capitals-regular, condensed, square-countered, chamfered, outlined-though some were in bracketed or slab serif roman capitals. They were usually white letters on a colored background (often dark green for the IND and dark blue for the IRT and BMT), yet many were also black on a white background. There was no house style.
What is to modern eyes a beautiful disorder of tiled text and hand-painted enamel became an embarrassing shambles in the 70s and 80s. It was only in late 1989 that Helvetica became the official typeface for New York City subway system signage...about 20 years too late to prevent the current signage from looking dated.
The Atlantic redesign
The Atlantic is getting a redesign. Changes are already afoot over at the web site and Pentagram's blog has an extensive look at the magazine's new look, designed by Michael Bierut, Luke Hayman, and their team. I love the proposed Helvetica cover. The inspiration for the throw-back logo came in part from an appearance of an old issue of the magazine on Mad Men (Bierut is a fan).
BTW, the new cover tells of an article on blogs -- Will Blogs Kill Writing? -- that you will likely be hearing about from all corners of the web when the issue is released next week.
Mad Men's Arial gaffe
Mad Men gets a C- for using Arial in the closing credits instead of original-and-still-champion Helvetica. Time for Sterling to have a chat with the art department.
Objectified, a film about industrial design
Objectified is an upcoming film about industrial design by Gary Hustwit, director of Helvetica.
Objectified is a documentary about industrial design; it's about the manufactured objects we surround ourselves with, and the people who make them. On an average day, each of us uses hundreds of objects. (Don't believe it? Start counting: alarm clock, light switch, faucet, shampoo bottle, toothbrush, razor...) Who makes all these things, and why do they look and feel the way they do? All of these objects are "designed," but how can good design make them, and our lives, better?
The film is due out in early 2009. (via design observer)
Even Erik Spiekermann agrees that Helvetica is
Even Erik Spiekermann agrees that Helvetica is sometimes an appropriate choice.
In the past few weeks, I've seen
In the past few weeks, I've seen several people mention the 50 Years of Helvetica exhibit at the MoMA along with some variation of "Woo! I might need to take a trip to New York to go see this!" You should know that this exhibit takes up just a small corner of the Architecture and Design Gallery on the 3rd floor...it's essentially a case and a handful of posters and other specimens. If you're in the museum already, definitely check it out, but you'll be disappointed if you make a special expensive trip just to see the Helvetica stuff.
Tickets for Helvetica's multi-week run at the
Tickets for Helvetica's multi-week run at the IFC Center in NYC are on sale now.
NYC font fans rejoice...Helvetica (the movie)
NYC font fans rejoice...Helvetica (the movie) will be starting a run at the IFC Center on September 12. My short review of the film is here.
Exhibit on Helvetica (the font, not the
Exhibit on Helvetica (the font, not the film) opens tomorow at the MoMA and will be available for a good long time (until March 31, 2008). "Widely considered the official typeface of the twentieth century, Helvetica communicates with simple, well-proportioned letterforms that convey an aesthetic clarity that is at once universal, neutral, and undeniably modern."
Winners of the Helvetica haiku contest I
Winners of the Helvetica haiku contest I pointed to a couple of weeks ago. My favorite of all the ones listed: "i shot the serif / left him there full of leading / yearning for kerning". Close second: "She misunderstood / When I said she was 'Grotesque' / Akzidenz happen". I am a sucker for puns.
Quick quiz: Is this text set in
Quick quiz: Is this text set in Arial or Helvetica? If you're struggling with that, check out How to Spot Arial. (thx, hubs)
Helvetica
Perhaps the highest praise I can offer for Helvetica comes courtesy of Meg, who was snickering on the way into the theater about going to see a movie about a font and exited saying, "that was great, now I want to be a designer!" The rest of the audience, mostly designers and type folks, loved it as well. But for the non-design folks, what's compelling about the movie is getting a glimpse of how designers think and work; that it's not just about making things look pretty. The modern world is awash in signage and symbols and words and for a lot of them, especially the corporate messages, there's a reason why they look the way they do. The story of Helvetica offers a partial key to decoding these messages.
Check out some clips from the film and the screenings schedule to find out when Helvetica will be showing in your area. Thanks to the fine folks at Veer for inviting me to the screening.
Enter this font haiku contest to win
Enter this font haiku contest to win a limited-edition poster from the Helvetica documentary.
Helvetica, The Movie! "The film is studded
Helvetica, The Movie! "The film is studded with the stars of typography: Erik Spiekermann, Matthew Carter, Massimo Vignelli, Michael Bierut, Wim Crouwel, Hermann Zapf, Stefan Sagmeister, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset."
Helvetica vs. Arial. Two of the world's
Helvetica vs. Arial. Two of the world's most popular typefaces battle it out for supremacy.