Entries for August 2021
Hi folks. I am taking the rest of August off to spend some time with my family near the ocean. I might extend that through Labor Day weekend, who knows? After hitting it hard here during the first year of the pandemic1 — especially in the first several months — I’ve slowed up a bit this summer to give myself some space to recuperate and reconnect with other areas of my life. That’s been nice & necessary and I’m thankful to have a work situation that allows me to do that, but I plan to be back here in September with a renewed vigor. I hope you have a nice rest of your summer (or winter — I see you southern hemisphere) and I’ll see you back here soon. Stay safe, everyone.
Tim Carmody on what Amazon is allowed and not allowed to do with their Lord of the Rings prequel series. “Amazon’s series will have to be consistent with the Tolkien canon, while…drawing on the vaguest, least detailed portion of it”.
Teen saves bumblebee, who becomes her friend. “She’s so fluffy and I love our friendship.”
Loving these portraits from Lui Ferreyra, particularly the top one, which is a little Impressionistic — the colors remind me particularly of van Gogh and Seurat. Ok fine, it’s not Impressionism but it’s not not Impressionism either. (via colossal)
Control meets chaos in these carefully arranged images from Kerry Skarbakka’s series The Struggle to Right Oneself.
My COVID Parenting Has Reached Peak Inconsistency. “Honestly, I have no idea what I’m OK letting my kids do anymore.” Same same. And it’s not just Covid precautions – it’s devices, bedtimes, food, sports practices, schoolwork…
It may seem like sometimes that with the pandemic, we’re back to square one. With the much more contagious Delta variant in play and an increasing number of breakthrough infections, the efficacy of these vaccines that we thought were amazing maybe aren’t? (Or maybe we just need to readjust our expectations?) But in terms of what these vaccines were specifically developed for — reducing & preventing severe disease and death — they are still very much doing their job. Just take a look at this graph from a White House Covid-19 press briefing yesterday:
Even with Delta endemic in the country, the vaccines are providing extraordinary protection against infections severe enough to land folks in the hospital. In a recent CDC study of infections and hospitalizations in Los Angeles County, they report that on July 25, the hospitalization rate of unvaccinated people was 29.2 times that of fully vaccinated persons. 29 times the protection is astounding for a medical intervention. These vaccines work, we’re lucky to have them, and we need to get as many people worldwide as we can vaccinated as quickly as we can. Period.
Remember Scanwiches? There was even a book version in 2011 and Helen Rosner wrote about the site for Saveur.
To create an image, he simply places half a sandwich on the glass of his Epson V700 scanner. “There’s not a lot of trickery,” says Chonko, who will release a book based on the site in November, with Powerhouse Books. “I try to stay true to the heart and soul of the sandwich. That’s a lofty way to think about it. But then I eat it for lunch.”
The site has stopped publishing new scans, but it’s still good, still delicious. And is a hot dog a scanwich? Apparently so.
Only 34 paintings by Dutch master Johannes Vermeer, art history’s foremost painter of Side Views of People Doing Things Near Windows, have been known to survive to the present day, so when one of them is restored, it’s a big deal. The Gemäldegalerie Alte Meister in Dresden shared the first image of the completed restoration of Girl Reading a Letter at an Open Window — and you might notice a pretty big change on the wall behind the girl.
The painting has been in the museum’s collection for more than 250 years and the hidden Cupid had been known about since an x-ray in 1979 and infrared reflectography in 2009. It had been assumed that the artist himself had altered the composition by covering over the painting of Cupid.
But when a major restoration project began in May 2017, conservators discovered that the paint on the wall in the background of the painting, covering the naked Cupid, had in fact been added by another person. When layers of varnish from the 19th century began to be removed from the painting, the conservators discovered that the “solubility properties” of the paint in the central section of the wall were different to those elsewhere in the painting.
Following further investigations, including tests in an archaeometry laboratory, it was discovered that layers of binding agent and a layer of dirt existed between the image of Cupid and the overpainting. The conservators concluded that several decades would have passed between the completion of one layer and the addition of the next and therefore concluded that Vermeer could not have painted over the Cupid himself.
There is a certain aesthetic amenity to the bare wall in the altered version but maaaybe the original Cupid lends the painting some figurative meaning?
By making public health central to their health care system, Costa Rica has achieved a higher life expectancy than the US for a fraction of the cost. How did they do it? The New Yorker’s Atul Gawande investigates.
Life expectancy tends to track national income closely. Costa Rica has emerged as an exception. Searching a newer section of the cemetery that afternoon, I found only one grave for a child. Across all age cohorts, the country’s increase in health has far outpaced its increase in wealth. Although Costa Rica’s per-capita income is a sixth that of the United States — and its per-capita health-care costs are a fraction of ours — life expectancy there is approaching eighty-one years. In the United States, life expectancy peaked at just under seventy-nine years, in 2014, and has declined since.
People who have studied Costa Rica, including colleagues of mine at the research and innovation center Ariadne Labs, have identified what seems to be a key factor in its success: the country has made public health — measures to improve the health of the population as a whole — central to the delivery of medical care. Even in countries with robust universal health care, public health is usually an add-on; the vast majority of spending goes to treat the ailments of individuals. In Costa Rica, though, public health has been a priority for decades.
The Covid-19 pandemic has revealed the impoverished state of public health even in affluent countries — and the cost of our neglect. Costa Rica shows what an alternative looks like. I travelled with Álvaro Salas to his home town because he had witnessed the results of his country’s expanding commitment to public health, and also because he had helped build the systems that delivered on that commitment. He understood what the country has achieved and how it was done.
In the US, the pandemic has revealed a public health system that is underfunded, underutilized, undervalued, and disconnected from the largely private health care system. As with many other aspects of American life, private individuals who can afford it get access to better lives, at the expense of everyone else.
The concern with the U.S. health system has never been about what it is capable of achieving at its best. It is about the large disparities we tolerate. Higher income, in particular, is associated with much longer life. In a 2016 study, the Harvard economist Raj Chetty and his research team found that the difference in life expectancy between forty-year-olds in the top one per cent of American income distribution and in the bottom one per cent is fifteen years for men and ten years for women.
The theory of evolution is now accepted by a majority of Americans. Over the decade ending in 2019, the number increased from 40% to 54%. (GOP: 34%, Dem: 83%)
Hospitals and Insurers Didn’t Want You to See These Prices. Here’s Why. “Hospitals are charging patients wildly different amounts for the same basic services: procedures as simple as an X-ray or a pregnancy test.”
You might want to take a deep breath or do a couple of laps around the house before watching this video about a community in the Ozarks with a very low Covid-19 vaccination rate. Here’s a sample. An ICU patient wearing an oxygen mask on why he didn’t get vaccinated:
I’m more of a libertarian and I don’t like being told what I have to do. I’m still not completely 100% sold on the inoculation.
Video narrator:
It was eerie to hear Christopher insist on his individual freedoms even as he struggled to breathe.
Can you hear me screaming all the way from my desk to wherever you are? I don’t like being told what I have to do?! Fucking hell. And this:
There’s no better place to see the impact of this political rhetoric than in the hospital. Only about 50 percent of the staff are vaccinated. None of the unvaccinated staffers were willing to talk.
Absolutely maddening. I want off this ride.
Great question: which died-too-young artist would you grant 50 more productive years to? Basquiat? Aaliyah? Mozart? Robert Johnson? Janis Joplin? River Phoenix? Selena? Notorious BIG? James Dean?
Trailer for Foundation (Apple+ series). “Based on the award-winning novels by Isaac Asimov, Foundation chronicles a band of exiles on their monumental journey to save humanity and rebuild civilization amid the fall of the Galactic Empire.”
Dan Sinker writes for The Atlantic about how navigating Covid risks, politically motivated bullshit, and America’s failing infrastructure has broken parents during the pandemic: Parents Are Not Okay.
Instead it was a year in limbo: school on stuttering Zoom, school in person and then back home again for quarantine, school all the time and none of the time. No part of it was good, for kids or parents, but most parts of it were safe, and somehow, impossibly, we made it through a full year. It was hell, but we did it. We did it.
Time collapsed and it was summer again, and, briefly, things looked better. We began to dream of normalcy, of trips and jobs and school. But 2021’s hot vax summer only truly delivered on the hot part, as vaccination rates slowed and the Delta variant cut through some states with the brutal efficiency of the wildfires that decimated others. It happened in a flash: It was good, then it was bad, then we were right back in the same nightmare we’d been living in for 18 months.
And suddenly now it’s back to school while cases are rising, back to school while masks are a battleground, back to school while everyone under 12 is still unvaccinated. Parents are living a repeat of the worst year of their lives-except this time, no matter what, kids are going back.
Almost every parent I know is struggling with exactly this: trying to keep their kids (and family and friends) safe from Covid-19 while balancing the social & emotional wellbeing of everyone concerned and not getting a lot of help from their governments or communities. Remote school is no longer an option, few infrastructure upgrades have been made to improve ventilation in schools, no vaccine mandates for teachers or staff, parents fighting administrators about vaccine & mask mandates, and everyone is trying to do complex risk calculations about sending their can’t-yet-be-vaccinated kids into buildings with other kids whose parents, you suspect, are not vaccinated and aren’t taking any precautions in states where Delta is endemic. All while trying to work and remain sane somehow? And most of the parents I know have resources — they have steady income & savings, live in safe communities, and have friends & family to fall back on when times get tough. Those who don’t? I truly do not know how they are doing any of this without incurring significant, long-term trauma for parents and kids. We, inasmuch as we’re still a “we” in America, are failing them all.
I love this post from the NYPL comparing astronomical drawings by E.L. Trouvelot done in the 1870s to contemporary NASA images.
Trouvelot was a French immigrant to the US in the 1800s, and his job was to create sketches of astronomical observations at Harvard College’s observatory. Building off of this sketch work, Trouvelot decided to do large pastel drawings of “the celestial phenomena as they appear…through the great modern telescopes.”
He made drawings of Saturn, Jupiter, aurora borealis, the Milky Way, and more. Here’s his incredible drawing of sun spots compared to a recent image of the Sun’s surface:
And his drawing of a solar eclipse compared to a recent image:
Check out the post for more examples of Trouvelot’s work.
Often using the phenomenon of pareidolia, Helga Stentzel arranges common household items to resemble faces, animals, and other fun characters. You can find prints of some of her creations on her website.
An Oral History of Adam Sandler, Pickup Basketball Legend. “Literally, it looked like he had them clothes since the 1990s, like literally the 1990s.”
This new astronomy museum in Shanghai looks spectacular. “The museum features stunning projections and display work, and a starry sky interior that makes you feel like you’re floating in space.”
For the New Yorker, the novelist Donald Antrim wrote about wanting to die by suicide and being saved by electroconvulsive therapy: Finding a Way Back from Suicide.
I had survived, or thought that I’d survived, my parents’ drinking and shouting, our constant moving, the losses of places and friends, annihilation after annihilation. I’d played in the yard, and smashed tennis balls against walls for hours, and built model airplanes, and listened to my records at night in my room. I’d slept with cats for company, and ridden my bike, and struggled in school, and, later in life, gone to bars, and then quit going to bars, and smoked cigarettes and pot, and fallen in love, and argued and made up, and refused to speak to my father, and suffered my mother. None of this had stopped my dying. Writing had not stopped my dying. The Twelve Steps had not stopped my dying. Therapy hadn’t stopped it, and my old friends couldn’t stop it; nor could Regan. No one could.
I’ve been a bit obsessed recently with urban architecture that incorporates nature & greenery into the mix, especially since seeing the technique employed so creatively in Singapore last year, so this new book called Evergreen Architecture is tickling that fancy right now.
As more of the earth’s surface is swallowed up by the built environment, architects are increasingly advised to integrate urban flora and fauna into their designs. Whether developing green roofs, living walls, abundant indoor courtyards, or balconies that connect interior and exterior spaces, the urge to intertwine nature and architecture has never been more apparent.
Embracing this ubiquitous trend, Evergreen Architecture surveys a broad spectrum of residential, institutional, urban, and rural spaces. But as change occurs and solutions to the climate crisis are being integrated on the ground, many new questions are posed. How do residents keep moss-covered walls alive? How can a skyscraper uphold the weight of hundreds of trees?
You can order the book from Bookshop. (via colossal)
What I Learned While Eavesdropping on the Taliban. “I spent 600 hours listening in on the people who now run Afghanistan. It wasn’t until the end of my tour that I understood what they were telling me.”
Delta’s rise is fuelled by rampant spread from people who feel fine. “People infected with the Delta variant generally do not have COVID-19 symptoms until two days after they start shedding the coronavirus.”
Since 2011, Tatsuya Tanaka has been creating daily images of miniature people in the midst of everyday items that resemble bigger things (think broccoli as trees, rows of staples as countertops, floating leaves as boats). Here’s a short video of Tanaka at work on his miniatures:
You can follow his work on his website or on Instagram. (thx, porter)
Fun online quiz series from the New Yorker: Name Drop. “Can you guess the notable person in six clues or fewer?”
The Highbrow Neanderthal. “Long before we arrived on the scene, Neanderthals were making artworks, developing elaborate rituals, and having adventurous sex.”
I love these little stop motion videos by Huw Messie (using Processing, I think) that use embroidery for the animation.
You can check out more of Messie’s work on Vimeo, Instagram, and NFT repository hic et nunc.
It appears as though the Coen brothers are done making movies together, at least for now. “If these films were the product of a true, across-the-board collaboration, what essential element will be lost when Ethan is gone?”
Americans are collectively almost $15 trillion in debt, most of it related to housing (i.e. mortgage debt). For the New Yorker, Margaret Talbot shares some images from Brittany Powell’s The Debt Project, a series of 99 portraits of Americans in debt.
Powell set about photographing ninety-nine Americans who owe money (she ended up with a few more, including herself, but started with that figure as a reference to the slogan “We are the ninety-nine per cent”) and asked them to handwrite accompanying text about how much they owe, and to whom. The litany of reasons gets repetitive, because that’s how it goes — difficulty finding a job in one’s field after graduating during the recession, a bad marriage, a bad divorce, vertiginous rents in expensive cities, medical crises, many, many student loans. Occasionally, there are epic and awful variations: one woman’s mother took out credit cards in her name and, in a ten-year period, racked up “a mortgage worth of debt” to fund her “compulsive shopping and hoarding habits.”
The Debt Project is also available in book form.
Martin Luther’s Ninety-five Theses, as E-mailed by Your Passive-Aggressive Co-Worker. “Just circling back to suggest that you maybe take a few minutes to ask yourself if you’re a part of the problem?”
Well. The robots sure are getting good at moving around — running, jumping, doing flips, casually vaulting over railings like an eighth grader trying to impress friends. It is eerie and weird and uncanny and all other such adjectives watching these machines smoothly caper around like humans. Even in the blooper reel they seem really toddler-esque.
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