Entries for April 2014
GLAAD has a good resource on transgender identity: Transgender 101.
Gender identity is someone’s internal, personal sense of being a man or a woman (or as someone outside of that gender binary.) For transgender people, the sex they were assigned at birth and their own internal gender identity do not match.
Trying to change a person’s gender identity is no more successful than trying to change a person’s sexual orientation — it doesn’t work. So most transgender people seek to bring their bodies more into alignment with their gender identity.
People under the transgender umbrella may describe themselves using one (or more) of a wide variety of terms, including transgender, transsexual, and genderqueer. Always use the descriptive term preferred by the individual.
In writing here, I sometimes get tripped up on the differences between sex, gender, and sexual orientation. No more. See also Tips for Allies of Transgender People and An Ally’s Guide to Terminology: Talking About LGBT People & Equality.
Swedish artist Hans Jörgen Johansen makes photographs of mold landscapes, grown in his studio from flour and bread.
Paul Ford set himself the task of picking five great works of software and he came up with Microsoft Office, Adobe Photoshop, Pac-Man, Unix, and Emacs.
I propose a different kind of software canon: Not about specific moments in time, or about a specific product, but rather about works of technology that transcend the upgrade cycle, adapting to changing rhythms and new ideas, often over decades.
As with everything Paul writes, it’s worth clicking through to read the rest.
Richard Evans rendered some of the best-known Studio Ghibli characters in pixel art style.
I really liked this bit from Rolling Stone’s interview with Game of Thrones writer George R.R. Martin:
Ruling is hard. This was maybe my answer to Tolkien, whom, as much as I admire him, I do quibble with. Lord of the Rings had a very medieval philosophy: that if the king was a good man, the land would prosper. We look at real history and it’s not that simple. Tolkien can say that Aragorn became king and reigned for a hundred years, and he was wise and good. But Tolkien doesn’t ask the question: What was Aragorn’s tax policy? Did he maintain a standing army? What did he do in times of flood and famine? And what about all these orcs? By the end of the war, Sauron is gone but all of the orcs aren’t gone — they’re in the mountains. Did Aragorn pursue a policy of systematic genocide and kill them? Even the little baby orcs, in their little orc cradles?
(via mr)
Last week, I noted on Twitter that a 700-page academic book by a French economist topped the best sellers list on Amazon. Well, Thomas Piketty’s Capital in the Twenty-First Century is still #1 on Amazon, even though the hardcover is currently out of stock. If you’re curious about this anti-Kardashian moment in our culture but don’t want to dive in fully, you can read the book’s introduction on Harvard University Press’s site.
The distribution of wealth is one of today’s most widely discussed and controversial issues. But what do we really know about its evolution over the long term? Do the dynamics of private capital accumulation inevitably lead to the concentration of wealth in ever fewer hands, as Karl Marx believed in the nineteenth century? Or do the balancing forces of growth, competition, and technological progress lead in later stages of development to reduced inequality and greater harmony among the classes, as Simon Kuznets thought in the twentieth century? What do we really know about how wealth and income have evolved since the eighteenth century, and what lessons can we derive from that knowledge for the century now under way?
Or you can try Vox’s short guide to Capital or HBR’s Capital in a Lot Less than 696 Pages.
It is massive (696 pages) and massively ambitious (the title is a very conscious echo of Karl Marx’s Das Kapital). It came out in France last year to great acclaim, which meant that those in the English-speaking world who pay attention to such matters knew that something big was coming. Over the past few weeks it has become one of those things that everybody’s talking about just because everybody’s talking about it. That, and it really is important.
Is it worth reading? Martin Wolf of the Financial Times called it “enthralling”; a couple people I know have described it as “a slog.” I’d liken it to a big river — muddy and occasionally meandering, but with a powerful current that keeps pulling you along, plus lots of interesting sights along the way. There are endless numbers and (ugly but generally understandable) charts, but also frequent references to the novels of Balzac and Austen, and even a brief analysis of Disney’s The Aristocats. Regular people can read this thing; it’s just a matter of the time commitment. You should definitely buy it, if your place on the income distribution allows it. It looks good on a bookshelf, plus every copy sold makes Piketty wealthier, allowing us to discover whether this alters his views about inequality.
I cannot remember who sent me this Fader mix by Tycho, but I’ve been enjoying it greatly. Thanks!
I have not done an exhaustive search, but this intersection in Addis Ababa, Ethiopia has to have some of the craziest traffic in the world.
Once you get the gist of what the cars are doing, pay attention to the pedestrians. !!! My other favorite crazy traffic locale is Saigon, Vietnam…here’s how you cross the street there:
Move slowly and purposefully across the street and just let the traffic flow around you. It’s an odd sensation giving up so much control over your personal safety, but it’s the only way to cross so ¯\_(ツ)_/¯
I haven’t worn a watch in more than 25 years and I have no plans to wear one ever again, but I will watch videos on how to make watches until the heat death of the universe.
Plenty of tradition and handcraft — combined with high-tech, where it outperforms handcraft.
(via daring fireball)
Twee out with more than 9 hours of music from Wes Anderson’s movies:
In his cookbook, Tartine Bread, Chad Robertson lays out, over 38 pages, the recipe for what might be the best bread in the world. The first time through, the recipe takes two weeks to make.
To Chad, bread is the foundation of a meal, the center of daily life, and each loaf tells the story of the baker who shaped it. He developed his unique bread over two decades of apprenticeship with the finest artisan bakers in France and the United States, as well as experimentation in his own ovens.
A streamlined version of the recipe is available from the NY Times. (via smithsonian)
A nice appreciation of Barry Sanders by Andrew Sharp at Grantland.
“Barry Sanders is my new idol,” Bo Jackson said after a Raiders-Lions game in 1990. “I love the way the guy runs. When I grow up, I want to be just like him.”
The Raiders won that game, and the Lions were 4-9 at the time, but it didn’t even matter.
All anyone could talk about afterward was the “little water bug” who “might rewrite history.”
This wasn’t necessarily a metaphor for Barry’s entire Lions career — he was on more playoff teams than people remember — but it definitely covers about half the years he spent in Detroit. Even when the Lions were awful, Barry would still have a few plays every game that would keep people gawking afterward.
Bo Jackson had a similar effect on people, which is part of what makes that old quote so cool. The Bo Jackson combination of speed and power is something we’d never seen before and haven’t seen since. He was a cult hero then, and the legend has only grown over the years.
I’ve always been an atypical sports fan. I grew up in Wisconsin rooting for the Packers & Brewers but switched to being a Vikings & Cubs fan sometime in high school. But despite following the Vikings at the time, my favorite player in the NFL was Barry Sanders. For my money, Sanders was pure symphonic excellence in motion, the best running back (and perhaps player) the NFL had ever seen and maybe will ever see. I wonder if one of the reasons why I like Lionel Messi so much is because he reminds me of Sanders; in stature, in strength, in quickness, in skill. Compare and contrast some of their finest runs:
Letters of Note, which I’ve featured on kottke.org many times, is coming out with a book, which collects some of the site’s best and most memorable letters.
This spectacular collection of more than 125 letters offers a never-before-seen glimpse of the events and people of history — the brightest and best, the most notorious, and the endearingly everyday. Entries include a transcript of the letter; a short contextual introduction; and, in 100 cases, a captivating facsimile of the letter itself.
A UK version has been available since last year and the US version will be out on May 6.
Over at In Focus, Alan Taylor has posted the first part of a 10-part photographic retrospective of World War I.
Represented in this first installment is early color photography (many more of which can be found here), dazzle camouflage, and a photo I’ve never seen before of an aerial view of the trenches of the western front. Can’t wait to follow along with the rest of it.
Richard Linklater (Dazed and Confused, Before Sunrise) took 12 years to make his new movie, Boyhood. The star of Boyhood, Ellar Coltrane, was seven years old when filming started, and Linklater returned to the story every year for a few days of shooting to construct a movie about a boy growing from a first-grader to an adult and his changing relationship with his parents.
This looks amazing. What an undertaking.
From the incredible British Pathé archive, film footage from 1893 of the New York City fire brigade rushing to a fire.
Filmed nearly 120 years ago, this is quite possibly the first ever footage of the New York Fire Brigade. The film is very grainy but it clearly shows firemen rushing through New York on horse drawn engines. Behind them, you can see some sort of electric powered streetcar or trolley system with ‘Clinton Avenue’ on the back.
The elements located in the upper reaches of the periodic table are notable for their short half-lives, the amount of time during which half the mass of an element will decay into lighter elements (and other stuff). For instance, the longest lived isotope of fermium (#100) has a half-life of just over 100 days. More typical is bohrium (#107)…its half-life is only 61 seconds. The elements with the highest numbers have half-lives measured in milliseconds…the half-life of ununoctium (#118) is only 0.89 milliseconds.
So why do chemists and physicists keep looking for heavier and heavier elements if they are increasingly short-lived (and therefore not that useful)? Because they suspect some heavier elements will be relatively stable. Let’s take a journey to the picturesque island of stability.
In nuclear physics, the island of stability is a set of as-yet undiscovered heavier isotopes of transuranium elements which are theorized to be much more stable than some of those closer in atomic number to uranium. Specifically, they are expected to have radioactive decay half-lives of minutes or days, with “some optimists” expecting half-lives of millions of years.
French artist BL67 makes his works by sticking price tags directly to the canvas. Each piece is priced according to the total of the price stickers stuck to it. Here’s a close-up showing some detail:
(via adam)
By Louis Paquet, the opening titles of Forrest Gump if it were directed by Wes Anderson.
(via @kyledenlinger)
Jim Koch is the co-founder and chairman of The Boston Beer Company, brewer of the Sam Adams beers. Part of his job is to drink professionally and he does so without getting completely sloshed. What’s his secret? Eating a packet of dry yeast before tying one on.
You see, what [expert brewer] Owades knew was that active dry yeast has an enzyme in it called alcohol dehydrogenases (ADH). Roughly put, ADH is able to break alcohol molecules down into their constituent parts of carbon, hydrogen, and oxygen. Which is the same thing that happens when your body metabolizes alcohol in its liver. Owades realized if you also have that enzyme in your stomach when the alcohol first hits it, the ADH will begin breaking it down before it gets into your bloodstream and, thus, your brain.
“And it will mitigate - not eliminate - but mitigate the effects of alcohol!” Koch told me.
Could have used this tip last night. Does this mean no hangovers as well?
Update: I got two kinds of feedback about this post:
1) What’s the fun in drinking alcohol if you’re not getting drunk? (Good point.)
2) Yeast doesn’t really work. What does seem to work is Pepcid AC and Zantac. From Shenglong on Hacker News:
Again, I’m not a chemist or a doctor, but from my preliminary internet research and anecdotal testing (though I have quite a few different data points), Famotadine (OTC) [Pepcid], and higher levels of APO-Ranitidine (can be prescription) [Zantac] seems to slow the rate of ethanol -> acetaldehyde, balancing out the drunkness effect more, and giving you more time to process the acetaldehyde -> acetic acid. I typically go from maxing out at 2 drinks / 3 hour period, to about 11 drinks / 3 hour period on Ranitidine, given favorable conditions. I’ve had lower levels of success with Famotadine.
And it goes without saying, I don’t recommend trying any of this at home. At the local bar on the other hand Nope, not there either. (thx, @natebirdman)
Programming sorting techniques visualized through Eastern European folk dancing. For instance, here’s the bubble sort with Hungarian dancing:
See also sorting algorithms visualized. (via @viljavarasto)
According to several sources, the FCC is set to propose new net neutrality rules “that would allow broadband providers to charge companies a premium for access to their fastest lanes.” That’s decent news for deep-pocketed companies that can pay for faster connectivity and even better news for broadband providers that can charge more for a speedier service. It’s bad news for everyone else. Faster service for some means slower service for others. Many of today’s big internet companies got that way because they had access to a level playing field. The Internet let the little guy become the big guy. And now the big guy wants to have an unfair advantage with faster pipes. The hell with that.
Ryan Singel: The FCC plans to save the Internet by destroying it.
Tim Wu in The New Yorker: “It threatens to make the Internet just like everything else in American society: unequal in a way that deeply threatens our long-term prosperity.”
Man, I really like these paintings from Jeremy Mann’s Cityscape series. Particularly the NYC street scenes, like this one in Hell’s Kitchen:
Mann’s paintings seem to hold a lot of detail, even up close, but there are also broader strokes visible only from afar. Not sure if that’s novel (unlikely) but I haven’t seen it elsewhere. (via colossal)
Swiss artist Zimoun used a bunch of fans and packing peanuts to make it look like an angry foaming ocean inside this building:
Zimoun’s piece is on display through July 11 at la Limonaia di Villa Saroli in Lugano, Switzerland. (via coudal)
From the NY Times’ new site, The Upshot, a bunch of maps showing the borders of baseball team fandom, with close-ups of various dividing lines: the Munson-Nixon Line, The Molitor Line, The Reagan-Nixon Line, and the Morgan-Ripken Line.
The NYC and Bay Area maps are so sad…the Mets and A’s get no love. (via @atotalmonet)
In the 1980s, when personal computers with graphics capabilities were first introduced, Andy Warhol was an enthusiastic early adopter. In 1985, Commodore commissioned the artist to produce some art on their Amiga computer, but the work was never widely shown and was assumed lost. Then artist and retro computer nerd Cory Arcangel learned of Warhol’s Amiga experiments from this video (and perhaps this article from a 1986 issue of Amigaworld) and set in motion the process of finding out if any of the computers or storage devices in The Andy Warhol Museum contained his Amiga art.
CMU Computer Club members determined that even reading the data from the diskettes entailed significant risk to the contents, and would require unusual tools and methodologies. By February 2013, in collaboration with collections manager Amber Morgan and other AWM personnel, the Club had completed a plan for handling the delicate disk media, and gathered at The Andy Warhol Museum to see if any data could be extracted. The Computer Club set up a cart of exotic gear, while a video crew from the Hillman Photography Initiative, under the direction of Kukielski, followed their progress.
It was not known in advance whether any of Warhol’s imagery existed on the floppy disks-nearly all of which were system and application diskettes onto which, the team later discovered, Warhol had saved his own data. Reviewing the disks’ directory listings, the team’s initial excitement on seeing promising filenames like “campbells.pic” and “marilyn1.pic” quickly turned to dismay, when it emerged that the files were stored in a completely unknown file format, unrecognized by any utility. Soon afterwards, however, the Club’s forensics experts had reverse-engineered the unfamiliar format, unveiling 28 never-before-seen digital images that were judged to be in Warhol’s style by the AWM’s experts. At least eleven of these images featured Warhol’s signature.
Incredible.
Bryce Roberts riffs on an idea presented by Zappos founder Tony Hsieh: collision hours.
The idea is called “collision hours” and Tony posits that the success of the [Las Vegas] downtown project hangs on creating spaces to maximize “collisionable” hours.
What is a collision you may be asking? It’s simply colliding with new people and ideas. Sharing your own and being open to others. It’s unfiltered serendipity. Stepping onto the street, or into the cafe, or into the conference and making an effort to collide with as many people and ideas in a designated timeframe. And being open to the possibilities and changes of course that collisions often enact.
It strikes me that maximizing collision hours is not what you want. Per Milton Glaser, just enough is more. One of the secrets in achieving Brian Eno’s concept of scenius might be to find just the right amount of collisions for a given space.
We all know Michael Jackson invented the moonwalk on-stage during a performance of Billie Jean at the Motown 25th Anniversary show. What this video presupposes is, maybe he didn’t?
What the video shows is that as early as the 1930s, performers such as Fred Astaire, Bill Bailey, Cab Calloway, and Sammy Davis Jr. were doing something like the moonwalk. Now, Jackson didn’t get the move from any of these sources, not directly anyway. As Jackson’s choreographer Jeffrey Daniel explains, he got the moves from The Electric Boogaloos street dance crew and, according to LaToya Jackson, instructed Michael Jackson.
Which is to say, the moonwalk is yet another example of multiple discovery, along with calculus, the discovery of oxygen, and the invention of the telephone. (via open culture)
HBO is licensing some of their shows exclusively to Amazon for streaming on their Prime Instant Video service. Here’s the scoop:
Beginning May 21, Amazon Prime members will have unlimited streaming access to:
- All seasons of revered classics such as The Sopranos, The Wire, Deadwood, Rome and Six Feet Under, and of recent favorites such as Eastbound & Down, Enlightened and Flight of the Conchords
- Epic miniseries, including Angels in America, Band of Brothers, John Adams, The Pacific and Parade’s End
- Select seasons of current series such as Boardwalk Empire, Treme and True Blood
Game of Thrones and True Detective are notably absent from the deal. But Amazon Prime subscribers will be able to stream all of the shows above for free. (via deadline)
Project Naptha is a browser extension that lets you copy text from images on the web.
Project Naptha automatically applies state-of-the-art computer vision algorithms on every image you see while browsing the web. The result is a seamless and intuitive experience, where you can highlight as well as copy and paste and even edit and translate the text formerly trapped within an image.
I was skeptical of this actually working, but it totally does…try it on xkcd or Frank Sinatra’s “loosen up” letter to George Michael for example. The translation and editing features aren’t enabled yet, but the project’s creator is working on them. (via @tcarmody)
It’s been suggested that perhaps Johannes Vermeer painted his exacting masterpieces with the help of mirrors and lenses. Tim Jenison learned of these suggestions and started to study the problem.
He was in no rush. His R&D period lasted five years. He went to the Rijksmuseum in Amsterdam. “Looking at their Vermeers,” he says, “I had an epiphany” — the first of several. “The photographic tone is what jumped out at me. Why was Vermeer so realistic? Because he got the values right,” meaning the color values. “Vermeer got it right in ways that the eye couldn’t see. It looked to me like Vermeer was painting in a way that was impossible. I jumped into studying art.”
A recent documentary called Tim’s Vermeer (directed by Penn & Teller’s Teller) follows Jenison’s quest to construct a contraption that allows someone to paint as Vermeer did. Here’s a trailer:
Not sure you can find the movie in theaters anymore, but it should be out on DVD/download soon.
There are many versions of the game 2048 (which is itself a rip-off of Threes). There’s the original, a version that plays itself, a multiplayer version, a collaborative version, a doge version, a clever Flappy Bird version, the Numberwang version, one that uses only colors, a version that uses Dropbox to save progress and high scores, a hard version that actively works against you, a version where you add tiles to thwart an evil AI, and probably thousands of other versions.
But the best one is the one where each square is an animated GIF of Beyonce.
A reader saw my post about UPS drivers seldom taking left turns and sent in this story from 2006. In it, Michael Gartner shares the secret to long life relayed to him by his father: no left turns. Among other things:
My mother was a devout Catholic, and my father an equally devout agnostic, an arrangement that didn’t seem to bother either of them through their 75 years of marriage. (Yes, 75 years, and they were deeply in love the entire time.) He retired when he was 70, and nearly every morning for the next 20 years or so, he would walk with her the mile to St. Augustin’s Church. She would walk down and sit in the front pew, and he would wait in the back until he saw which of the parish’s two priests was on duty that morning. If it was the pastor, my father then would go out and take a 2-mile walk, meeting my mother at the end of the service and walking her home. If it was the assistant pastor, he’d take just a 1-mile walk and then head back to the church.
He called the priests “Father Fast” and “Father Slow.”
(thx, gloria)
Nathan Pyle has written and illustrated a book about the unwritten rules for how to behave on the streets of NYC. It’s called NYC Basic Tips and Etiquette (only $6!).
In NYC Basic Tips and Etiquette, Pyle reveals the secrets and unwritten rules for living in and visiting New York including the answers to such burning questions as, how do I hail a cab? What is a bodega? Which way is Uptown? Why are there so many doors in the sidewalk? How do I walk on an escalator? Do we need be touching right now? Where should I inhale or exhale while passing sidewalk garbage? How long should I honk my horn? If New York were a game show, how would I win? What happens when I stand in the bike lane? Who should get the empty subway seats? How do I stay safe during a trash tornado?
In support of the book, Pyle animated a few of the tips and put them on Imgur. Also, the Apple ebook contains the animated versions of the illustrations. You fancy!
Film shot of London street scenes, mostly from the 1890s and 1900s.
There’s also a brief shot of Paris in 1900 right at the end. See also the extremely rare footage of Queen Victoria visiting Dublin in 1900. The Victorian era seems so long ago (and indeed she began her reign in 1837) but there she is on the modern medium of film. Yet another example of the Great Span.
Super Planet Crash is half game, half planetary simulator in which you try to cram as much orbital mass into your solar system without making any of your planets zing off beyond the Kuiper belt. You get bonus points for crowding planets together and locating planets in the star’s habitability zone. Warning: I got lost in this for at least an hour the other day.
Ooh, I really like the idea of this smartphone card game on Kickstarter: Game of Phones.
One player picks a card and gets to judge that round. They read the prompt to everyone else. Something like ‘Find the best #selfie’ or ‘Show the last photo you took’. Everyone finds something on their phones and shows the judge, who gets to choose a winner for that round. First to win 10 rounds is the overall winner.
This is pretty much what people do when they get together anyway, why not make it a game?
In 1934, H.G. Wells interviewed Joseph Stalin. This is how the interview began:
Wells: I am very much obliged to you, Mr Stalin, for agreeing to see me. I was in the United States recently. I had a long conversation with President Roosevelt and tried to ascertain what his leading ideas were. Now I have come to ask you what you are doing to change the world …
Stalin: Not so very much.
Wells: I wander around the world as a common man and, as a common man, observe what is going on around me.
Stalin: Important public men like yourself are not “common men”. Of course, history alone can show how important this or that public man has been; at all events, you do not look at the world as a “common man”.
Wells: I am not pretending humility. What I mean is that I try to see the world through the eyes of the common man, and not as a party politician or a responsible administrator. My visit to the United States excited my mind. The old financial world is collapsing; the economic life of the country is being reorganised on new lines.
Lenin said: “We must learn to do business,” learn this from the capitalists. Today the capitalists have to learn from you, to grasp the spirit of Socialism. It seems to me that what is taking place in the United States is a profound reorganisation, the creation of planned, that is, Socialist, economy. You and Roosevelt begin from two different starting points. But is there not a relation in ideas, a kinship of ideas, between Moscow and Washington?
In Washington I was struck by the same thing I see going on here; they are building offices, they are creating a number of state regulation bodies, they are organising a long-needed civil service. Their need, like yours, is directive ability.
SRI International and DARPA are making little tiny robots (some are way smaller than a penny) that can actually manufacture products.
They can move so fast! And that shot of dozens of them moving in a synchronized fashion! Perhaps Skynet will actually manifest itself not as human-sized killing machines but as swarms of trillions of microscopic nanobots, a la this episode of Star Trek:TNG. (via @themexican)
The small village of Ciocanesti in Romania produces the most beautiful hand-painted Easter eggs I’ve ever seen. This video is a wonderful look at the process and tradition.
Here’s how it works:
First, the (duck, goose, chicken, or even ostrich) egg is drained, through a tiny hole. Then, using a method akin to batik, it is dipped in dye and painted one color at a time, with the painter applying beeswax to those areas she wants to protect from the next round of dying. The painting implement, called a kishitze, is a stick with an iron tip. (Previously, egg-painters would have used thorns or pig bristles.)
And then the wax is melted and wiped off the egg, revealing the colors underneath. So cool. (via @colossal)
From God’s Twitter account, a new set of ten commandments:
1 Laugh.
2 Read.
3 Say please.
4 Floss.
5 Doubt.
6 Exercise.
7 Learn.
8 Don’t hate.
9 Cut the bullshit.
10 Chill.
Amen.
Horace Dediu explains what innovation is and how it differs from novelty, invention, and creation.
Novelty: Something new
Creation: Something new and valuable
Invention: Something new, having potential value through utility
Innovation: Something new and uniquely useful
Ruh-roh. Remember the news last month about the detection of gravitational waves would have allowed scientists to see all the way back to the Big Bang? Well, that result may be in jeopardy. The problem? Dust on the lens. Well, not on the lens exactly:
An imprint left on ancient cosmic light that was attributed to ripples in spacetime — and hailed by some as the discovery of the century — may have been caused by ashes from an exploding star.
In the most extreme scenario, the finding could suggest that what looked like a groundbreaking result was only a false alarm. Another possibility is that the stellar ashes could help bring the result in line with other cosmic observations. We should know which it is later this year, when researchers report new results from the European Space Agency’s Planck satellite.
You may also remember the video of physicist Andrei Linde being told about the result, which seemed to confirm a theory that had been his life’s work. I don’t think I want to see the video of Linde being told of this stellar ashes business. Although Linde is more than aware that this is how science works…you have to go where observation takes you. (via @daveg)
Data visualization of Citi Bike trips taken over a 48-hour period in NYC:
Love seeing the swarms starting around 8am and 5:30pm but hate experiencing them. I’ve been using Citi Bike almost since the launch last year and I can’t imagine NYC without it now. I use it several times daily, way more than the subway even. I hope they can find a way to make it a viable business.
Drone Week on Kottke continues with this beautiful drone video of NYC from Randy Scott Slavin.
I found two more videos and a bunch of stories about a drone crashing a crime scene last year. (thx, noah)
Newsreel archivist British Pathé has uploaded their entire 85,000 film archive to YouTube. This is an amazing resource.
British Pathé was once a dominant feature of the British cinema experience, renowned for first-class reporting and an informative yet uniquely entertaining style. It is now considered to be the finest newsreel archive in existence. Spanning the years from 1896 to 1976, the collection includes footage — not only from Britain, but from around the globe — of major events, famous faces, fashion trends, travel, sport and culture. The archive is particularly strong in its coverage of the First and Second World Wars.
I’ve shared videos from British Pathé before: the Hindenberg disaster and this bizarre film of a little boy being taunted with chocolate. The archive is chock full of gems: a 19-year-old Arnold Schwarzenegger at a bodybuilding competition, footage of and interviews with survivors of the Titanic, video of the world’s tallest man (8’11”), and the collapse of the Tacoma Narrows Bridge. And this film from 1956 showing how cricket balls are made by hand:
Time Out polled more than 100 experts to find the 100 best animated movies. Here’s the top 10 (minus the top pick…you’ll have to click through for that):
10. Fantastic Mr. Fox
9. The Nightmare Before Christmas
8. Snow White and the Seven Dwarfs
7. The Iron Giant
6. Dumbo
5. The Incredibles
4. Toy Story
3. My Neighbor Totoro
2. Spirited Away
I’m delighted to see Fantastic Mr Fox on the list…it’s an underrated effort by Wes Anderson that will continue to grow in esteem as the years pass. No Wall-E in the top 10 though? I don’t know about that. It clocks in at #36, behind Chicken Run (the least of Aardman’s efforts in my mind) and Up, which is maybe my least favorite Pixar film. (via @garymross)
Kristian Nairn is the actor who plays Hodor on HBO’s Game of Thrones. When he’s not acting, the 6’10” Belfast resident DJs and makes music. His Soundcloud page contains a bunch of his house mixes; here’s the latest mix from three months ago:
Hodor!
[Warning: season 4 spoilers ahoy!] So, in the second episode of this season of Game of Thrones, something wonderfully unpleasant happens. If you’ve seen it, you know what I’m talking about and if you haven’t, you should really stop reading right now. I’ve been thinking about why it happened and who did it. This series of images over at Imgur presents a compelling explanation.
Lady Olenna gives sympathies to Sansa for the murder of her family. Watch carefully. Yoink! Olenna rubs Sansa’s neck, plays with her hair and finally snatches the right-most jewel on Ser Dontos’s necklace.
Interesting, right? (I mean, maybe not if you’ve read the books, but I haven’t so I have no idea who killed Joffrey in the books or if you ever even find out.) But there are two puzzling things about the Tyrell plot:
1. Why the hell was it so convoluted? Couldn’t Lady Olenna have brought the poison to the reception herself? Why use Sansa’s necklace? There’s no CSI: Westeros so no one would have ever suspected Sansa’s necklace being part of it. Unless the Tyrells tipped someone off about it after the fact. Also, for the love of the old gods and the new, Grandma, hasn’t Sansa been through enough without being framed for that little turd’s murder?
2. Why do it? Why then? Does Margaery stay Queen? She has no heir by Joffrey. Or is one of Joffrey’s little brothers in now? I suspect these questions will be answered in the next episode, but unless Margaery stays Queen, the Baratheon reign ends, and the Lannisters get bupkiss, I don’t see a compelling reason for the Tyrells to do this.
Bonus tidbit: this is the last we’ll see of Joffrey and also the last we’ll see of the actor who plays him, Jack Gleeson. Gleeson is retiring from acting, saying he “stopped enjoying it as much as I used to”. I bet the guy who played Malfoy in the Potter movies is breathing easier.
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