Entries for June 2007
Somehow I never pointed to this article from April about Dan Everett and his efforts to understand the language of the Piraha, an Amazonian hunter-gatherer tribe. Everett’s position on Piraha linguistics is controversial because he believes their language doesn’t adhere to Noam Chomsky’s idea of universal grammar. “The Piraha, Everett wrote, have no numbers, no fixed color terms, no perfect tense, no deep memory, no tradition of art or drawing, and no words for ‘all,’ ‘each,’ ‘every,’ ‘most,’ or ‘few’ — terms of quantification believed by some linguists to be among the common building blocks of human cognition.” Everett recently wrote a piece for Edge on the Piraha’s lack of recursion and engaged in a debate with Steven Pinker and Robert Van Valin on the topic.
Regarding Eve Mosher’s project to draw a flood line around Brooklyn and lower Manhattan, here are a couple of related projects. Ledia Carroll’s Restore Mission Lake Project outlined the shore of an historical lake which used to sit in the midst of San Francisco’s Mission neighborhood. Under The Level explores the possibility and consequences of Katrina-level flooding in NYC. (thx, kayte and dens)
“One day, your computer will be a big ass table.” Parody of Microsoft Surface, a $10,000 touchscreen coffee table. (via everyone I know)
Peter Saville, the British designer closely associated with Factory Records, is offering free downloads of some of the fonts he used in designing record sleeves and other work for New Order, Joy Division, and other Factory Records artists (see update below).
(thx, mark)
Update: Several Peter Saville fans from around the world have written in to say that the above site is not Peter Saville’s official site (this is). It’s also unclear whether those fonts were indeed made by Saville (probably not) or ever offered for download free of charge (probably definitely not). But they’re still neat fonts, so download at your own risk.
Update: Kai has identified some of the fonts offered as shoddy versions of the following:
Joy Division Closer - Trajan (Adobe)
Blue Monday - Engravers Gothic (Bitstream)
New Order 1981 - Futura (Bauer)
New Order 1993 - Handel Gothic (Linotype)
New Order Ceremony - Albertus (Mecanorma)
New Order 316 - BT Incised 901 (Bitstream) = Antique Olive (Linotype)
New Order Regret - Rotis Serif (Agfa)
In this case, you get what you pay for, I guess.
Artist Lou Romano is on fire. He did the cover for the June 25th New Yorker and he’s the voice for Linguini, the main human character in Ratatouille. Visit Romano’s blog.
The American Film Institute has refreshed their list of the top 100 movies…here’s a listing comparing the new list with the one from 1998. Godfather Part II at #32 is still a travesty.
Update: Roger Ebert weighs in on the list.
On brand indentities that are flexible (vs. those that are static). Examples: Google’s logo, Target’s bullseye, and Saks’ jumbly identity. “As advertising agencies lose their grip on the communications channels, the logos are starting to come out of the corner. Once pushed as far over to the bottom right as possible, they’re becoming central to communication, no longer content to just be the the full-stop at the end of a piece of branded communication.” (via quipsologies)
Children are allowed a lot less mobilty these days than past generations were. Back in 1926, George Thomas was allowed to walk 6 miles from home by himself while his great-grandson is allowed 300 yards from his house at the same age.
Manufactured Landscapes is a documentary about Edward Burtynsky and the photos that he’s taken in China of the Three Gorges Dam, factories, and other vast industrial projects. Trailer is here and it’s available on DVD at Amazon. (thx, scott)
Update: Manufactured Landscapes is playing in NYC at Film Forum starting tonight through July 3.
Working from home today…I’ve got ye old webcam on for awhile this afternoon.
An average human being gets 400 miles per gallon at 3 mph. “A 155 lb human walking at 3 mph will burn 246 kcal/hour, or 82 kcal/mile. Feed that human one gallon of gas in potential energy — 31,548 kcal — and he’ll have enough energy to walk for 128 hours.”
Update: Riding a bike increases the MPG to ~750.
Will Wright’s long zoom game, Spore, has been delayed until 2009. No one knows why, but I hope the answer involves porting it to the Wii. (via waxy)
Update: EA’s fiscal year starts in March, so it’s not delayed until 2009…just until after March 2008. (thx, zach)
Update: The unofficial word from someone on the development team is that Spore the system is almost ready but Spore the game isn’t all that much fun yet. A recent round of user testing didn’t go so well. Hence, the delay.
Larry Lessig is shifting the focus of his work away from IP and copyright issues and toward tackling what he calls corruption. “I don’t mean corruption in the simple sense of bribery. I mean ‘corruption’ in the sense that the system is so queered by the influence of money that it can’t even get an issue as simple and clear as term extension right. Politicians are starved for the resources concentrated interests can provide. In the US, listening to money is the only way to secure reelection. And so an economy of influence bends public policy away from sense, always to dollars.”
Tomorrow’s Wall Street Journal has a story about Paul Preece, creator of the mega-addictive Desktop TD. Version 1.5 of the game is launching sometime this week.
Photographs of very complex highway intersections. A couple of the photos (the last one in particular) look fake, but cool nonetheless. (via quipsologies)
Julian Dibbell on Chinese who farm gold (and perform other for-pay duties) in online games like World of Warcraft. “Nick Yee, an M.M.O. scholar based at Stanford, has noted the unsettling parallels (the recurrence of words like ‘vermin,’ ‘rats’ and ‘extermination’) between contemporary anti-gold-farmer rhetoric and 19th-century U.S. literature on immigrant Chinese laundry workers.” Dibbell’s Play Money was a great read and deserves wider readership than it originally received.
For the past few years, the workforce at Best Buy has been transitioning from a “how much you work” model to a “how much work you get done” model, with promising initial results. “Hence workers pulling into the company’s amenity-packed headquarters at 2 p.m. aren’t considered late. Nor are those pulling out at 2 p.m. seen as leaving early. There are no schedules. No mandatory meetings. No impression-management hustles. Work is no longer a place where you go, but something you do. It’s O.K. to take conference calls while you hunt, collaborate from your lakeside cabin, or log on after dinner so you can spend the afternoon with your kid.”
NY Times on the rise of OpenTable, which wasn’t exactly an overnight success. To me, the thing that pushed OT over the edge toward acceptance wasn’t so much the public-facing business (let your customers make reservations online) but the software that the restaurants were provided to keep better track of their customers and their habits. It used to be a big deal that Four Seasons Hotels tracked the preferences of all their customers but now any restaurant with the OT system can easily do the same. “Doug Washington, a co-owner of Town Hall, said the notes were not just helpful, they are occasionally indispensable. Next to the name of one regular, who has a habit of bringing in women he is not married to, is an instruction to make sure the man’s wife has not booked a separate table for the same day.”
Patton Oswalt, who does of the voice of the main character in Ratatouille, shares some details to look for in the film. “Everything that Ian Holm, as the evil Skinner, does — especially his teetering-on-the-edge-of-insanity rant to his lawyer about that ‘rat’ that no one else sees but him. The animators I talked to had so much fun rendering his lines — ‘An animator’s dream’, according to one of the character design staff. Also, the animators used his toque like the shark’s fin in JAWS — you always see it moving closer among the stoves in the kitchen. Hilarious.” (thx, martin)
A look at the available details of Pixar’s next few films. We know about Ratatouille and Wall-E but there’s details about Up, Toy Story 3, and Pixar’s first live-action film (???).
Short review of Taxi! A Social History of the New York City Cabdriver from the NY Times Sunday Book Review. “When I was young, most of them had adopted a common strategy against loneliness: a fleeting intimacy with their passengers. This was the era of the cabby as philosopher or comedian, quick to make observations about life itself, or its subdivisions in politics and sports, or to crack wise about women and other mysteries. This form of performance art had two goals: human contact and better tips.”
Artist Eve Mosher is drawing a chalk line around Brooklyn and lower Manhattan that denotes the encroachment of the ocean if it were to rise 10 feet above the current sea level. There’s a web site for the project, including a progress blog. See also Flood Maps.
Video of a bunch of reject Wii games, including WiiWhaling, Paperwork Mario, and WiiDriveby. (thx, jeffry)
Long profile of Steve Jobs on the eve of his fourth act written by John Heilemann, who is one of my favorite technology/culture writers. I’m dying to find out what past Jobs-championed Apple product the iPhone will most resemble: the Lisa or the iPod?
Lessons learned at an experimental basketball game where the rims were 11 feet high. “Perhaps the biggest impact was on the interior players. No longer could centers like Billbe catch the ball on the low block, turn and simply extend their arms and lay the ball over the rim.” (via clusterflock)
Trailer for There Will Be Blood, the first movie from PT Anderson in I don’t know how long. The flick stars Daniel Day-Lewis and is adapted from Upton Sinclair’s novel Oil! (via crazymonk)
With its latest film, Pixar manages to achieve something that few other big Hollywood films do these days: a convincing reality. The body language & emotions of the characters, the machinations of the kitchen, the sights and sounds of Paris, and the dice of the celery, Ratatouille gets it all right, down to the seemingly insignificant details. As we walked out of the movie, my wife, who has spent time cooking in restaurants (with Daniel Boulud, even), couldn’t stop talking about how well the movie captured the workings of the kitchen. To be sure, a G-rated kitchen but a true kitchen nonetheless.
I’m not quite sure how this is possible, but the people in Ratatouille acted more like real people than the actors in many recent live action movies (especially the rats), like they had realistic histories and motivations that governed their actions instead of feeling scripted and fake. The world of the movie felt as though it had existed before the opening credits and would continue after the curtain fell. Systems that have arisen through years, decades, centuries, millennia of careful evolution and interplay with one another were represented accurately and with care. In The Timeless Way of Building, Christopher Alexander writes of the quality without a name:
There is a central quality which is the root criterion of life and spirit in a man, a town, a building, or a wilderness. This quality is objective and precise, but it cannot be named. The search which we make for this quality, in our own lives, is the central search of a person, and the crux of any individual person’s story. It is the search for those moments and situations when we are most alive.
Pixar’s search for this quality in the making of Ratatouille is impressive. And in a way, necessary. In order to draw the audience into the film and make them forget that they’re watching animated characters in an animated world, the filmmakers need to get everything right. Motions too exaggerated, motivations glossed over, plot too uncoordinated, and the whole thing loses its sense of authenticity. People need to act like people, omelettes need to sag off of spatulas like omelettes, and the only woman chef in a haute cuisine French kitchen needs to behave accordingly.
This is an interesting state of affairs. In comparison, the live action movies have become the cartoons. Not all of them, but certainly many Hollywood movies have. Spidey 3, Transformers (I’m guessing), Die Hard 4 (guessing again), anything Eddie Murphy has made since the mid-80s, Wild Hogs, Blades of Glory, RV, etc. etc. I could go on and on. So what are we to make of a cartoon that seems more real than most live action movies? How about we stop thinking of them as cartoons or kids movies or animated films and start considering them as just plain movies? I’d put Pixar’s five best films — Toy Story 2, The Incredibles, Finding Nemo, Ratatouille, and let’s throw Brad Bird’s The Iron Giant in for good measure — among the best big budget films made in the last 10 years, no caveats required.
Oh, and I don’t want to give away the ending, but I will say that Ratatouille also has something to say about critics and criticism, a topic that’s currently under debate in foodie circles and has been discussed many times in different areas of the blogosphere. It almost seems as though the film’s message is aimed partially at bloggers, and for those that care to listen, that message is both encouraging and enlightening.
Crazy story about a woman who bumps into the woman who stole her identity in a Starbucks. A chase ensues. “She had bad teeth and looked like she hadn’t bathed. I thought, ‘You’re buying Prada on my dime. Go get your teeth fixed.’”
A teaser trailer for Wall-E, Pixar’s newest movie, due out in summer 2008. That sounds like a heck of a lunch. (thx, scott)
For her final project in a Media Lab class, Anita Lillie fastened three accelerometers to her body and tracked her movements while asleep. The data recorded allowed her to determine her sleeping positions and orientations (on her left side, on her back, etc.) and how they changed through the night.
Bruce Schneier on the Portrait of the Modern Terrorist as an Idiot. “Terrorism is a real threat, and one that needs to be addressed by appropriate means. But allowing ourselves to be terrorized by wannabe terrorists and unrealistic plots — and worse, allowing our essential freedoms to be lost by using them as an excuse — is wrong.”
Clusterflock, one of my favorite daily reads, is raffling off an iPhone. Tickets are $20, which gives you an approx. 1-in-25 chance of winning an iPhone. I like those odds.
Temporal anomalies in time travel movies, an investigation of how time travel is represented in movies like Donnie Darko, 12 Monkeys, and Back to the Future. (via joshua)
If you’re unfamiliar with the alternate side parking shuffle that happens once or twice a week in most areas of NYC, Jen Bekman has a good description of it. I’m convinced the New Yorker would go out of business if it weren’t for the shuffle…a lot of 6,000 word articles get read waiting for the meter maid to come around.
Regarding my post about Tim Knowles’ work, Greg sent in a couple of links to similar projects. Olafur Eliasson created these drawings much like Knowles did with his Vehicle Motion Drawings, except he used the motion of his father’s fishing boat. William Anastasi has done drawings for almost 40 years by letting his pen drift on a piece of paper while riding the subway.
If you thought that Nevermind’s 15th anniversary made you feel old, try this one on: Radiohead’s OK Computer was released 10 years ago tomorrow. (via 6f6)
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