New Orleans mayor Mitch Landrieu recently gave a speech about why the city chose to remove four Confederate monuments. Here’s a snippet from the transcript…it’s worth reading or watching in full.
The historic record is clear: the Robert E. Lee, Jefferson Davis, and P.G.T. Beauregard statues were not erected just to honor these men, but as part of the movement which became known as The Cult of the Lost Cause. This ‘cult’ had one goal — through monuments and through other means — to rewrite history to hide the truth, which is that the Confederacy was on the wrong side of humanity.
First erected over 166 years after the founding of our city and 19 years after the end of the Civil War, the monuments that we took down were meant to rebrand the history of our city and the ideals of a defeated Confederacy.
It is self-evident that these men did not fight for the United States of America, They fought against it. They may have been warriors, but in this cause they were not patriots.
These statues are not just stone and metal. They are not just innocent remembrances of a benign history. These monuments purposefully celebrate a fictional, sanitized Confederacy; ignoring the death, ignoring the enslavement, and the terror that it actually stood for.
After the Civil War, these statues were a part of that terrorism as much as a burning cross on someone’s lawn; they were erected purposefully to send a strong message to all who walked in their shadows about who was still in charge in this city.
The presence of the monuments became something that was impossible for Landrieu and the city to ignore for any longer:
Another friend asked me to consider these four monuments from the perspective of an African American mother or father trying to explain to their fifth grade daughter who Robert E. Lee is and why he stands atop of our beautiful city. Can you do it?
Can you look into that young girl’s eyes and convince her that Robert E. Lee is there to encourage her? Do you think she will feel inspired and hopeful by that story? Do these monuments help her see a future with limitless potential? Have you ever thought that if her potential is limited, yours and mine are too?
About the time Katrina struck, New Orleans was the jail capital of America, incarcerating people at four times the national average. Since that time, the city has reduced its local inmate population by 67%. What was the trick? First, they stopped treating jailing like a business. And second, they built a smaller jail. No really. That was a key factor. And get this; during the period New Orleans stopped jailing so many people, there has been an overall reduction in crime. Smaller jails. Less crime. Jazz hands.
[This item is syndicated from Nextdraft, but I had to add a little something about induced demand. Like building bigger roads resulting in more traffic (not less), building bigger jails means you want to fill them with criminals. Kudos to New Orleans for building a smaller jail and finding ways to adjust to the reduced supply of jail cells. -jkottke]
In 2009, Dave Eggers published a book called Zeitoun, the story of a man and his family experiencing Hurricane Katrina and its aftermath.
Through the story of one man’s experience after Hurricane Katrina, Eggers draws an indelible picture of Bush-era crisis management. Abdulrahman Zeitoun, a successful Syrian-born painting contractor, decides to stay in New Orleans and protect his property while his family flees. After the levees break, he uses a small canoe to rescue people, before being arrested by an armed squad and swept powerlessly into a vortex of bureaucratic brutality. When a guard accuses him of being a member of Al Qaeda, he sees that race and culture may explain his predicament.
The story has taken an unexpected turn since its publication. The protagonist of the story, Abdulrahman Zeitoun, is currently on trial for the attempted first-degree murder of his wife.
Zeitoun made an offer: $20,000 to kill his ex-wife, Kathy, according to Pugh’s testimony. Zeitoun instructed Pugh, who was to be released soon from jail, to call Kathy Zeitoun — Zeitoun allegedly wrote her phone number on an envelope, which was introduced as evidence — and ask to see one of the family’s rental properties. When she took him to a certain property in Algiers, he could kill her there, he allegedly said. Zeitoun also allegedly told Pugh to buy a “throwaway phone” and take pictures to confirm she was dead.
Abdulrahman Zeitoun was found not guilty Tuesday of trying to hire a hitman to kill his wife.
The verdict came from Orleans Parish Criminal District Court Judge Frank Marullo. Zeitoun, 55, had waived his right to a jury trial. He had been charged with solicitation of first-degree murder and attempted first-degree murder of his ex-wife. He was acquitted on both counts.
American tragedies don’t occur on the southside of Chicago or the New Orleans 9th Ward. They don’t occur where inner city high school kids shoot into school buses or someone shoots at a 10-year old’s birthday party in New Orleans. Or Gary, Indiana. Or Compton. Or Newport News.
The real moral is that when a middle-class couple buys a house they can’t afford, defaults on their mortgage, and then sits down to explain it to a reporter from the New York Times, they can be confident that he will overlook the reason for their financial distress: the peculiar willingness of Americans to risk it all for a house above their station. People who buy something they cannot afford usually hear a little voice warning them away or prodding them to feel guilty. But when the item in question is a house, all the signals in American life conspire to drown out the little voice. The tax code tells people like the Garcias that while their interest payments are now gargantuan relative to their income, they’re deductible. Their friends tell them how impressed they are-and they mean it. Their family tells them that while theirs is indeed a big house, they have worked hard, and Americans who work hard deserve to own a dream house. Their kids love them for it.
Regarding Eve Mosher’s project to draw a flood line around Brooklyn and lower Manhattan, here are a couple of related projects. Ledia Carroll’s Restore Mission Lake Project outlined the shore of an historical lake which used to sit in the midst of San Francisco’s Mission neighborhood. Under The Level explores the possibility and consequences of Katrina-level flooding in NYC. (thx, kayte and dens)