kottke.org posts about World War II
Richard Overton fought in the South Pacific in World War II, is 109 years old, still drives, sometimes drinks whiskey with breakfast, smokes 12 cigars a day (but doesn’t inhale), and still lives in the house he built himself in 1945. In this video from National Geographic, Overton talks about his military service, his faith, his long life, and soup. Overton’s short summary of World War II:
It wasn’t good, but we had to go.
I don’t really care to live to 100, but if I had Overton’s spirit and attitude, perhaps I’d consider it.
Post-Brexit, people in the UK started wearing safety pins to show their stance against racism and their solidarity with immigrants.
In response to the open environment of hatred, people across the U.K. are now wearing safety pins — and tweeting pictures of themselves wearing them — in an act of solidarity with immigrants.
In the wake of the election and reports of racism incidents across the nation, some are advocating using the safety pin strategy here too.
We need a symbol like that in the United States now. These are vicious days in America. The deplorables are emboldened. The Washington Post reports that there have already been two attacks on Muslim women on college campuses. At San Diego State University, two men ranting about Trump and Muslims robbed a student wearing hijab.
I like this idea, that a subtle marker can denote a social safe space of sorts, a signal to someone who might feel uncomfortable that an ally is nearby. That’s not to say you can put a pin on your coat and *dust off your hands, job well done* but it may help. I’m going to try it.
Update: During the Nazi occupation of Norway in World War II, Norwegians took to wearing paperclips to signal their rejection of Nazi ideology.
The people of Norway also had to deal with German soldiers day in and day out for five years. By 1945, some 400,000 German troops were operating in Norway, controlling the population of about 4 million people.
It was in the autumn of 1940 when students at Oslo University started wearing paperclips on their lapels as a non-violent symbol of resistance, unity, and national pride.
Symbols related to the royal family and state had already been banned, and they wanted a clever way of displaying their rejection of the Nazi ideology. In addition to wearing a single paperclip, paperclip bracelets and other types of jewellery were fashioned as well, symbolically binding Norwegians together in the face of such adversity.
Of course, once the Nazis got wind of this, wearing paperclips became a crime. (via @ckrub)
Update: That co-opting thing I warned against above? Seems like it’s happening.
wear safety pin to fool people into thinking you’re a safe space, trigger them
If I had to guess however, this behavior will be short lived and they’ll move on to some other genius scheme. I’m not taking my pin off. (via @_McFIy & @pattersar)
Update: There’s no safety pin emoji, but some people are adding the paperclip emoji to their Twitter usernames as a virtual world counterpart to the safety pin.
After World War II, the helmets of German soldiers were refashioned into colanders, pots, and other kitchen utensils. This video from the British Pathé archive shows how the repurposing happened.
During the German occupation of France, teenager Adolfo Kaminsky forged thousands of documents for Jews about to be deported to concentration camps. He worked at a shop that dyed clothes and a Jewish resistance cell recruited him because he knew how to remove ink stains, a skill that served him well in altering documents.
If you’re doubting whether you’ve done enough with your life, don’t compare yourself to Mr. Kaminsky. By his 19th birthday, he had helped save the lives of thousands of people by making false documents to get them into hiding or out of the country. He went on to forge papers for people in practically every major conflict of the mid-20th century.
Now 91, Mr. Kaminsky is a small man with a long white beard and tweed jacket, who shuffles around his neighborhood with a cane. He lives in a modest apartment for people with low incomes, not far from his former laboratory.
When I followed him around with a film crew one day, neighbors kept asking me who he was. I told them he was a hero of World War II, though his story goes on long after that.
A remarkable story and a remarkable gentleman. The video above is based on a book Kaminsky’s daughter wrote about him.
During World War II, a group of scientists led by Werner Heisenberg worked on designing a nuclear weapon for Nazi Germany. They were, thankfully, unsuccessful. After the war, the Allies detained ten German scientists in England for six months. Hoping to learn about the German bomb program, they secretly taped the scientists’ conversations. In August 1945, the scientists were told about the US dropping a nuclear bomb on Japan. Here’s a transcript of the resulting reaction and conversation.
Shortly before dinner on the 6th August I informed Professor HAHN that an announcement had been made by the B.B.C. that an atomic bomb had been dropped. HAHN was completely shattered by the news and said that he felt personally responsible for the deaths of hundreds of thousands of people, as it was his original discovery which had made the bomb possible. He told me that he had originally contemplated suicide when he realized the terrible potentialities of his discovery and he felt that now these had been realized and he was to blame. With the help of considerable alcoholic stimulant he was calmed down and we went down to dinner where he announced the news to the assembled guests.
“Professor HAHN” is Otto Hahn, who co-discovered nuclear fission in Germany right before the war and won the 1944 Nobel Prize in Chemistry for it. The rest of the world may have gotten there eventually, but think of how different the war (and resulting Cold War period) would have been if Germany had sequestered their scientific progress a couple years earlier or if Hahn and Lise Meitner had made the discovery a year or two later.
WEIZSÄCKER: I think it’s dreadful of the Americans to have done it. I think it is madness on their part.
HEISENBERG: One can’t say that. One could equally well say “That’s the quickest way of ending the war.”
HAHN: That’s what consoles me.
HAHN: I was consoled when, I believe it was WEIZSÄCKER said that there was now this uranium - I found that in my institute too, this absorbing body which made the thing impossible consoled me because when they said at one time one could make bombs, I was shattered.
WEIZSÄCKER: I would say that, at the rate we were going, we would not have succeeded during this war.
WEIZSÄCKER: It is very cold comfort to think that one is personally in a position to do what other people would be able to do one day.
I particularly like Heisenberg’s distinction between between theoretical and applied science:
There is a great difference between discoveries and inventions. With discoveries one can always be skeptical and many surprises can take place. In the case of inventions, surprises can really only occur for people who have not had anything to do with it. It’s a bit odd after we have been working on it for five years.
If this stuff interests you at all, I’d highly recommend reading Richard Rhodes’ The Making of the Atomic Bomb. (via real future)
Update: The complete transcripts of the secret recordings were collected into a book called Hitler’s Uranium Club. The story of the Allied sabotage of a key element in producing a German bomb is told in Neal Bascomb’s The Winter Fortress. Alex Wellerstein writes that the Nazis didn’t know very much about the Manhattan Project. (via @CarnegieDeputy, @hellbox, @AtomicHeritage)
In the 1930s, almost a decade before the nation’s young men would be shipped overseas to combat the foul stench of Hitler wafting across Europe, official and unofficial rallies for the Nazi party were held in Madison Square Garden.
Shortly after Adolf Hitler’s appointment as Chancellor of Germany in January 1933, the Nazis consolidated control over the country. Looking to cultivate power beyond the borders of Germany, Deputy Führer Rudolf Hess charged German-American immigrant Heinz Spanknobel with forming a strong Nazi organization in the United States.
Combining two small extant groups, Spanknobel formed Friends of New Germany in July 1933. Counting both German nationals and Americans of German descent among its membership, the Friends loudly advocated for the Nazi cause, storming the offices of New York’s largest German-language paper, countering Jewish boycotts of German businesses and holding swastika-strewn rallies in black-and-white uniforms.
A later group, which only disbanded at the end of 1941, were prominently pro-American and featured iconography of George Washington as “the first Fascist”. (I would have gone for “the Founding Fascist”…catchier.)
Christopher Nolan’s next film is a WWII action/thriller about the evacuation of Allied troops from Dunkirk, France in 1940. The film comes out in July 2017 and if that last scene in the teaser trailer is any indication of the overall film, I will be there.
Update: The first full trailer has dropped. Yeah, this looks good.
Saving Private Ryan has been praised for its graphic and intense depiction of World War II, particularly the Normandy landing scene. History Buffs recently analyzed the film for its historical accuracy. How well does the film reflect the events of the actual D-Day landing and aftermath?
The video takes a bit to get going but is really good when it does. For instance, did you know that the Allies used inflatable tanks and Jeeps to make Germany believe Allied forces had strongholds in places they did not? Look at them inflating the tanks and bouncing Jeeps around:
In 1942, the US government hired Dorothea Lange (of Migrant Mother fame) to take photos of the removal and imprisonment of Japanese Americans during World War II. Although Lange quit after a few months because government censors wouldn’t let her shoot images of barbed wire and the bayonets on guards’ guns, she took hundreds of photos documenting this shameful moment in American history.
Famous for her forlorn images of Dust Bowl America, this pioneering female photographer was hired by the War Relocation Authority in 1942 to document the removal and imprisonment of Japanese Americans. Although her skill at candid portraiture was unparalleled, “Lange was an odd choice, given her leftist politics and strong sympathy for victims of racial discrimination,” writes scholar Megan Asaka. The position was a challenging one for Lange as well. “Appalled by the forced exile, she confided to a Quaker protestor that she was guilt stricken to be working for a federal government that could treat its citizens so unjustly.”
The WRA initially gave Lange little instruction about where and what to shoot, but controlled and censored her while she was at work. When documenting life inside the assembly centers and concentration camps, she was prohibited from taking shots of barbed wire and bayonets. Unable to tolerate this censorship and her own conflicted feelings about the work, Lange quit after just a few months of employment with the WRA.
Less ashamed at what they’d done and more worried about PR backlash, the government embargoed Lange’s photos until 1972.
If this all makes you think of some recent comments about Muslims from a certain Republican presidential candidate, history may not repeat itself, but it sure does rhyme.
Update: Ansel Adams also took dozens of photos of the Japanese American interment camp at Manzanar.
So did photographer Toyo Miyatake, who was among the prisoners at Manzanar.
The exclusion order forced Miyatake, his wife and four children, to the concentration camp at Manzanar. He was able to store his photographic equipment but managed to smuggle a camera lens and film plate holder into the camp against government orders. Miyatake told his son Archie that he felt it was his duty to document camp life. An Issei carpenter in camp constructed a box to house the lens, and Miyatake was able to get film into camp by way of a hardware salesman and former client. The photographer eventually asked camp director Ralph Merritt if he could set up a photo studio, and Merritt, who learned about Miyatake from Edward Weston, consented with the provision that Miyatake only load and set the camera, and a Caucasian assistant snap the shutter. Eventually, that restriction was lifted, and Miyatake was designated official camp photographer, and granted the freedom to take photos of everyday life at Manzanar.
Miyatake and Adams met at the camp and began a collaboration. Lange and Adams were friends — he printed Migrant Mother for her — and she was instrumental in convincing Adams to document Manzanar. But she was also critical of his detached approach:
In 1961, Lange said about Adams’s taking landscape pictures at the Manzanar Relocation Center: “It was shameful. That’s Ansel. He doesn’t have much sense about these things.”
(thx, @gen and samuel)
Update: Anchor Editions made a page with dozens of Lange’s photos paired with quotes from contemporary sources about the camps.
In August of 1946, the New Yorker dedicated an entire issue to a piece called Hiroshima by John Hersey. As an introduction, the editors wrote:
TO OUR READERS. The New Yorker this week devotes its entire editorial space to an article on the almost complete obliteration of a city by one atomic bomb, and what happened to the people of that city. It does so in the conviction that few of us have yet comprehended the all but incredible destructive power of this weapon, and that everyone might well take time to consider the terrible implications of its use. The Editors.
For the 70th anniversary of the dropping of the bomb on Hiroshima, the New Yorker has digitized Hersey’s piece. The piece is quite long (30,000 words) so it can also be found in book form if that’s easier to read. Here’s the opening paragraph to get you going:
At exactly fifteen minutes past eight in the morning, on August 6, 1945, Japanese time, at the moment when the atomic bomb flashed above Hiroshima, Miss Toshiko Sasaki, a clerk in the personnel department of the East Asia Tin Works, had just sat down at her place in the plant office and was turning her head to speak to the girl at the next desk. At that same moment, Dr. Masakazu Fujii was settling down cross-legged to read the Osaka Asahi on the porch of his private hospital, overhanging one of the seven deltaic rivers which divide Hiroshima; Mrs. Hatsuyo Nakamura, a tailor’s widow, stood by the window of her kitchen, watching a neighbor tearing down his house because it lay in the path of an air-raid-defense fire lane; Father Wilhelm Kleinsorge, a German priest of the Society of Jesus, reclined in his underwear on a cot on the top floor of his order’s three-story mission house, reading a Jesuit magazine, Stimmen der Zeit; Dr. Terufumi Sasaki, a young member of the surgical staff of the city’s large, modern Red Cross Hospital, walked along one of the hospital corridors with a blood specimen for a Wassermann test in his hand; and the Reverend Mr. Kiyoshi Tanimoto, pastor of the Hiroshima Methodist Church, paused at the door of a rich man’s house in Koi, the city’s western suburb, and prepared to unload a handcart full of things he had evacuated from town in fear of the massive B-29 raid which everyone expected Hiroshima to suffer. A hundred thousand people were killed by the atomic bomb, and these six were among the survivors. They still wonder why they lived when so many others died. Each of them counts many small items of chance or volition — a step taken in time, a decision to go indoors, catching one streetcar instead of the next — that spared him. And now each knows that in the act of survival he lived a dozen lives and saw more death than he ever thought he would see. At the time, none of them knew anything.
The piece made quite an impression upon its release, which you can read about on Wikipedia.
This is an amazing video visualization of military and civilian deaths in World War II. It’s 18 minutes long, but well worth your time.
There’s an interactive component as well, allowing you to explore the data. (via @garymross)
Seven minutes of color film footage of Berlin in 1945, right after the end of World War II. Lots of bombed out buildings, soldiers, bicycles, rebuilding, and people going about their daily business.
Be sure to watch all the way to the end…there’s an incredible aerial shot of the Brandenburg Gate and the Unter den Linden that shows the scale of damage done to the city’s buildings. More of that aerial footage here. (via devour)
In 1940, Germany published a tourist map of occupied Paris intended for use by German soldiers on leave.
After the end of World War II in Europe, homosexual prisoners of liberated concentration camps were refused reparations and some were even thrown into jail without credit for their time served in the camps. From the United States Holocaust Memorial Museum:
After the war, homosexual concentration camp prisoners were not acknowledged as victims of Nazi persecution, and reparations were refused. Under the Allied Military Government of Germany, some homosexuals were forced to serve out their terms of imprisonment, regardless of the time spent in concentration camps. The 1935 version of Paragraph 175 remained in effect in the Federal Republic (West Germany) until 1969, so that well after liberation, homosexuals continued to fear arrest and incarceration.
After 1945, it was no longer a crime to be Jewish in Germany, but homosexuality was another matter. Paragraph 175 of the German Criminal Code had been on the books since 1871. An English translation of the earliest version read simply:
Unnatural fornication, whether between persons of the male sex or of humans with beasts, is to be punished by imprisonment; a sentence of loss of civil rights may also be passed.
In Germany, homosexuality was considered a crime worthy of up to five years of imprisonment until Paragraph 175 was voided in 1994.
Update: I missed this while writing the post: Paragraph 175 was amended in 1969 to limit enforcement to engaging in homosexual acts with minors (under 21 years). (thx, eric)
On a strong recommendation from Meg, I have been reading Peter Gray’s Free to Learn: Why Unleashing the Instinct to Play Will Make Our Children Happier, More Self-Reliant, and Better Students for Life. Gray is a developmental psychologist and in Free to Learn he argues that 1) children learn primarily through self-directed play (by themselves and with other children), and 2) our current teacher-driven educational system is stifling this instinct in our kids, big-time.
I have a lot to say about Free to Learn (it’s fascinating), but I wanted to share one of the most surprising and unsettling passages in the book. In a chapter on the role of play in social and emotional development, Gray discusses play that might be considered inappropriate, dangerous, or forbidden by adults: fighting, violent video games, climbing “too high”, etc. As part of the discussion, he shares some of what George Eisen uncovered while writing his book, Children and Play in the Holocaust.
In the ghettos, the first stage in concentration before prisoners were sent off to labor and extermination camps, parents tried desperately to divert their children’s attention from the horrors around them and to preserve some semblance of the innocent play the children had known before. They created makeshift playgrounds and tried to lead the children in traditional games. The adults themselves played in ways aimed at psychological escape from their grim situation, if they played at all. For example, one man traded a crust of bread for a chessboard, because by playing chess he could forget his hunger. But the children would have none of that. They played games designed to confront, not avoid, the horrors. They played games of war, of “blowing up bunkers,” of “slaughtering,” of “seizing the clothes of the dead,” and games of resistance. At Vilna, Jewish children played “Jews and Gestapomen,” in which the Jews would overpower their tormenters and beat them with their own rifles (sticks).
Even in the extermination camps, the children who were still healthy enough to move around played. In one camp they played a game called “tickling the corpse.” At Auschwitz-Birkenau they dared one another to touch the electric fence. They played “gas chamber,” a game in which they threw rocks into a pit and screamed the sounds of people dying. One game of their own devising was modeled after the camp’s daily roll call and was called klepsi-klepsi, a common term for stealing. One playmate was blindfolded; then one of the others would step forward and hit him hard on the face; and then, with blindfold removed, the one who had been hit had to guess, from facial expressions or other evidence, who had hit him. To survive at Auschwitz, one had to be an expert at bluffing — for example, about stealing bread or about knowing of someone’s escape or resistance plans. Klepsi-klepsi may have been practice for that skill.
Gray goes on to explain why this sort of play is so important:
In play, whether it is the idyllic play we most like to envision or the play described by Eisen, children bring the realities of their world into a fictional context, where it is safe to confront them, to experience them, and to practice ways of dealing with them. Some people fear that violent play creates violent adults, but in reality the opposite is true. Violence in the adult world leads children, quite properly, to play at violence. How else can they prepare themselves emotionally, intellectually, and physically for reality? It is wrong to think that somehow we can reform the world for the future by controlling children’s play and controlling what they learn. If we want to reform the world, we have to reform the world; children will follow suit. The children must, and will, prepare themselves for the real world to which they must adapt to survive.
Like I said, fascinating.
World War II began 75 years ago today with Germany’s invasion of Poland. A few years back, Alan Taylor did a 20-part photographic retrospective of the war for In Focus, which is well worth the time to scroll through.
These images still give us glimpses into the experiences of our parents, grandparents and great grandparents, moments that shaped the world as it is today.
Life has a collection of color photos of the invasion of Poland. Time has a map dated Aug 28, 1939 that shows how Europe was preparing for war, including “Americans scuttle home”.
The Imitation Game is a historical drama about Alan Turing, focusing on his efforts in breaking the Enigma code during WWII. Benedict Cumberbatch plays Alan Turing. Here’s a trailer:
I watched the first episode of Band of Brothers last night to see if it held up (it does). The episode centers on the training and deployment to England of Easy Company of the 506th Parachute Infantry Regiment, led by Lt. Herbert Sobel. In the miniseries, Sobel is played by David Schwimmer and is depicted as a real hardass who earns the hatred of his men while pushing them to be the best company in the entire regiment.
In real life, Sobel rose to the rank of Lieutenant Colonel, fought in the Korean War, was awarded the Bronze Star, married and had three children. The part of Sobel’s Wikipedia entry about his later years is among the saddest things I have ever read:
In the late 1960s, Sobel shot himself in the head with a small-caliber pistol. The bullet entered his left temple, passed behind his eyes, and exited out the other side of his head. This severed his optic nerves and left him blind. He was later moved to a VA assisted living facility in Waukegan, Illinois. Sobel resided there for his last seventeen years until his death due to malnutrition on September 30, 1987. No services were held for Sobel after his death.
Rest in peace, Lieutenant Colonel Sobel.
Per Betteridge’s law of headlines, the answer to this is “no”, but it’s still an interesting yarn.
Among the many enduring mysteries of this period is the fate of the world’s most famous painting. It seems that Leonardo da Vinci’s Mona Lisa was among the paintings found in the Altaussee salt mine in the Austrian alps, which was converted by the Nazis into their secret stolen-art warehouse.
The painting only “seems” to have been found there because contradictory information has come down through history, and the Mona Lisa is not mentioned in any wartime document, Nazi or allied, as having been in the mine. Whether it may have been at Altaussee was a question only raised when scholars examined the postwar Special Operations Executive report on the activities of Austrian double agents working for the allies to secure the mine. This report states that the team “saved such priceless objects as the Louvre’s Mona Lisa”. A second document, from an Austrian museum near Altaussee dated 12 December 1945, states that “the Mona Lisa from Paris” was among “80 wagons of art and cultural objects from across Europe” taken into the mine.
The Mona Lisa was actually stolen in 1911, in one of the cleverest art heists ever pulled.
Jay Zeamer and a group of fellow misfits collectively called the Eager Beavers were an American photoreconnaissance team in the Pacific theater during WWII. They flew their beat-up B-17 bomber into enemy territory to collection reconnaissance photographs. Roger Cicala shares the engaging story of their most noteworthy photo.
The only crew that volunteered, of course, was Jay Zeamer and the Eager Beavers. One of the crew, bombardier Joseph Sarnovski, had absolutely no reason to volunteer. He’d already been in combat for 18 months and was scheduled to go home in 3 days. Being a photo mission, there was no need for a bombardier. But if his friends were going, he wanted to go, and one of the bombardier’s battle stations was to man the forward machine guns. They might need him, so he went.
They suspected the airstrip at Buka had been expanded and reinforced, but weren’t sure until they got close. As soon as the airfield came in sight, they saw numerous fighters taking off and heading their way. The logical thing to do would have been to turn right and head for home. They would be able to tell the intelligence officers about the increased number of planes at Buka even if they didn’t get photos.
But Zeamer and photographer William Kendrick knew that photos would be invaluable for subsequent planes attacking the base, and for Marines who were planning to invade the island later. Zeamer held the plane level (tilting the wings even one degree at that altitude could put the photograph half a mile off target) and Kendrick took his photos, which gave plenty of time for over 20 enemy fighters to get up to the altitude Old 666 was flying at.
A 7-minute time lapse video of the European front line changes during World War II, from the invasion of Poland to (spoilers!) the surrender of Germany.
Surprising to me how much of the war involves no shifting front lines…the map view really emphasizes this in a way that other WWII narratives do not. (via open culture)
Kevin Delaney, the head of Wayland High School’s history department, gave his 11th grade students an interesting challenge: find out everything you can about the person who owned a dusty briefcase full of papers that Delaney had found in the storage room. The man, Martin Joyce, turned out to have a life that spanned many significant events in history and his story provided the students with a personal lens into history.
Inside were the assorted papers — letters, military records, photos — left behind by a man named Martin W. Joyce, a long-since deceased West Roxbury resident who began his military career as an infantryman in World War I and ended it as commanding officer of the liberated Dachau concentration camp. Delaney could have contacted a university or a librarian and handed the trove of primary sources over to a researcher skilled in sorting through this kind of thing. Instead, he applied for a grant, and asked an archivist to come teach his students how to handle fragile historical materials. Then, for the next two years, he and his 11th grade American history students read through the documents, organized and uploaded them to the web, and wrote the biography of a man whom history nearly forgot, but who nonetheless witnessed a great deal of it.
“Joyce became the thread that went through our general studies,” Delaney says. “When we were studying World War I, we did the traditional World War I lessons and readings. And then stopped the clocks and thought, ‘What’s going on with Joyce in this period?’”
As the class repeatedly asked and answered that question, they slowly uncovered the life of a man who not only oversaw the liberated Dachau but also found himself a participant in an uncommon number of consequential events throughout Massachusetts and U.S. history. In a way Delaney couldn’t have imagined when he first popped open the suitcase that day, Joyce would turn out to be something akin to Boston’s own Forrest Gump — a perfect set of eyes through which to visit America’s past.
Fantastic, what a great story. My favorite tidbit is that after all the wars and stuff, he and his wife were on the Andrea Doria when it was struck by the Stockholm and sunk. Part of the students’ project was building a web site pertaining to Joyce’s life and includes scans of all the papers they discovered…it’s well worth looking through. (via @SlateVault)
An incredibly brave and cunning group of French prisoners of war were able to construct a camera inside the Nazi prison camp they were being held at and film their conditions.
Their rarely seen footage is called Sous Le Manteau (Clandestinely). So professional is it that on first viewing you would be forgiven for thinking it is a post-war reconstruction.
Prisoners filmed the camp secretly with a camera inside a hollowed-out dictionary. It is in fact a 30-minute documentary, shot in secret by the prisoners themselves. Risking death, they recorded it on a secret camera built from parts that were smuggled into the camp in sausages.
The prisoners had discovered that German soldiers would only check food sent in by cutting it down the middle. The parts were hidden in the ends.
The camera they built was concealed in a hollowed-out dictionary from the camp library. The spine of the book opened like a shutter. The 8mm reels on which the film was stored were then nailed into the heels of their makeshift shoes.
It gives an incredible insight into living conditions within the camp. The scant food they were given, the searches conducted without warning by the German soldiers. They filmed it all, even the searches, right under the noses of their guards.
A minute of the film is viewable on the BBC’s website. (via @DavidGrann)
German photographer Hugo Jaeger traveled around Poland after the Nazi invasion and documented daily life there. Life has a selection of Jaeger’s color photos from that time.
Why would Hugo Jaeger, a photographer dedicated to lionizing Adolf Hitler and the “triumphs” of the Third Reich, choose to immortalize conquered Jews in Warsaw and Kutno (a small town in central Poland) in such an uncharacteristic, intimate manner? Most German photographers working in the same era as Jaeger usually focused on the Wehrmacht; on Nazi leaders; and on the military victories the Reich was so routinely enjoying in the earliest days of the Second World War. Those pictures frequently document brutal acts of humiliation, even as they glorify German troops.
The photographs that Jaeger made in the German ghettos in occupied Poland, on the other hand, convey almost nothing of the triumphalism seen in so many of his other photographs. Here, in fact, there is virtually no German military presence at all. We see the devastation in the landscape of the German invasion of Poland, but very little of the “master race” itself.
It is, of course, impossible to fully recreate exactly what Jaeger had in mind, but from the reactions of the people portrayed in these images in Warsaw and Kutno, there appears to be surprising little hostility between the photographer and his subjects. Most of the people in these pictures, Poles and Jews, are smiling at the camera. They trust Jaeger, and are as curious about this man with a camera as he is about them. In this curiosity, there is no sense of hatred. The men, women and children on the other side of the lens and Jaeger look upon one another without the aggression and tension characteristic of the relationship between perpetrator and victim.
It’s still amazing the extent to which early color photography can transport us back to the past in a way that black & white photography or even video cannot.
This obituary of Count Robert de La Rochefoucauld has 4 or 5 paragraphs similar to the one below.
En route to his execution in Auxerre, La Rochefoucauld made a break, leaping from the back of the truck carrying him to his doom, and dodging the bullets fired by his two guards. Sprinting through the empty streets, he found himself in front of the Gestapo’s headquarters, where a chauffeur was pacing near a limousine bearing the swastika flag. Spotting the key in the ignition, La Rochefoucauld jumped in and roared off, following the Route Nationale past the prison he had left an hour earlier.
Soon after the US dropped two nuclear bomb on Japan in 1945, a group of physicists at the University of Pennsylvania decided to investigate for themselves how nuclear fission and the bomb might work using non-classified materials. In doing so, they ventured into classified territory and raised questions about the nature of science and secrecy.
To what degree would nuclear research become shackled by the requirements of national security? Would the open circulation of new scientific knowledge cease if that knowledge was relevant to nuclear fission? Those questions were hardly idle speculation: From the fall of 1945 through the summer of 1946, the US Congress was crafting new, unprecedented legislation that would legally define the bounds of open scientific research and even free speech. The idea of restricting open scientific communication “may seem drastic and far-reaching,” President Harry S. Truman argued in an October 1945 statement exhorting Congress to rapid action. But, he said, the atomic bomb “involves forces of nature too dangerous to fit into any of our usual concepts.”
The former Manhattan Project scientists who founded what would eventually become the Federation of American Scientists were adamantly opposed to keeping nuclear technology a closed field. From early on they argued that there was, as they put it, “no secret to be kept.” Attempting to control the spread of nuclear weapons by controlling scientific information would be fruitless: Soviet scientists were just as capable as US scientists when it came to discovering the truths of the physical world. The best that secrecy could hope to do would be to slightly impede the work of another nuclear power. Whatever time was bought by such impediment, they argued, would come at a steep price in US scientific productivity, because science required open lines of communication to flourish.
At the University of Pennsylvania were nine scientists sympathetic to that message. All had been involved with wartime work, but in the area of radar, not the bomb. Because they had not been part of the Manhattan Project in any way, they were under no legal obligation to maintain secrecy; they were simply informed private citizens. In the fall of 1945, they tried to figure out the technical details behind the bomb.
The @RealTimeWWII Twitter account is tweeting the events of World War II as they happened 72 years ago. A sample tweet from a few hours ago:
Germany has announced (again) that it will respect the neutrality of Belgium & Holland; “No German troops will enter the Low Countries”
Meanwhile back in 1668, Samuel Pepys is having trouble with his wife because he had a dalliance with the maid.
To dinner. The girle with us, but my wife troubled thereat to see her, and do tell me so, which troubles me, for I love the girle.
Matthew Porter’s photo composite Empire on the Platte is arresting.
Pairs nicely with Melissa Gould’s Neu-York, “an obsessively detailed alternate-history map, imagining how Manhattan might have looked had the Nazis conquered it in World War II”.
In 1942, Life magazine speculated about what an Axis invasion of North America might look like.
The standard form of Soviet war correspondence during WWII were letters folded into a triangular shape.
During the war, the mails were brought for free from the front to home. It could not have been differently, because probably the postage stamps would have been the last item the halting logistic support would have delivered to the front. Even so, postcards and envelopes were shortages. The soldiers’ genius has thus created, right in the first months of the war, the format that was a letter and its own envelope in one. The folding process is very similar to how we, in our childhood, folded our soldier’s shako, knowing nothing about the triangular soldier’s letters.
These color photos taken of London during WWII’s Battle of Britain are great.
Alan Taylor recently covered the Battle of Britain over at In Focus as well…I love this “business as usual” photo.