There was a race in Paris where waiters from all the restaurants and cafes and hotels rush through the streets carrying trays with water, croissants, and empty cups of coffee. The race started around 1914, but then it stopped for the last 13 years and now they’re doing it again because of the Olympics next this year. The runners can switch hands, but they can’t carry the tray with two hands, and if their glass has less than 10cm of water when they finish, they get 30 seconds added to their finish time. Congratulations to this year’s winners, Pauline Van Wymeersch and Samy Lamrous. At the end of the race the guy said, “You’re finished!” And the winners said, “No, we’re French.”
The film industry in France works a little differently that the American film industry. In this video, Evan Puschak explains how France treats filmmaking as a public good to be invested in at all levels.
One of the most interesting things is that the government gives grants to filmmakers that are specifically untethered to box office success in order “to support an independent cinema that is bold in terms of market standards and that cannot find its financial balance without public assistance”. Filmmakers who have made their early work with this public assistance include Agnes Varda, Celine Sciamma, and Claire Denis.
This advertisement from Orange, the French telecom company, about the French national football team is one of the best commercials I’ve seen recently. I don’t want to tell you too much about it because the impact of it comes from watching it, so just watch it and you’ll see. And afterwards, you can read more about the ad here.
On average, 700 people would attempt to squeeze into a room designed for 375. It was suggested that his classes be moved to the Grand Amphithéâtre of the Sorbonne or even to the Palais Garnier. Abroad too, Bergson drew huge crowds. The talks he delivered in London in 1911 filled venues to their ‘utmost capacity’, and he was greeted to the sound of ‘loud cheers’. Two years later, a visit to New York caused the first ever traffic jam on Broadway.
Bergsonmania had another problem, too: many of its most devout adherents were women.
In France, Bergson’s female followers were given derogatory nicknames such as caillettes, which designated a type of pâté, a kind of small bird, and in this context, a frivolous babbling woman, and snobinettes, which conveyed the common assumption that these women were ignorant socialites more interested in being seen at a fashionable event than in learning about philosophy. In 1912, Bergson was preparing to leave on an eagerly anticipated tour of the United States that would take place the following year. A writer for the magazine La vie Parisienne - known for its literary critiques, erotic illustrations, satirical takes on art, culture, politics and the indiscretions of the Parisian elite - scoffed: ‘How will our snobinettes quench their thirst for metaphysics?’ Which professor, the reporter wondered, would these ‘anxious women’ choose to replace Bergson? Surely, their decision would be based on the convenience of the time slot of the lectures rather than on their content.
The female audience was depicted as a crowd of posers, too frivolous to develop any profound interest in philosophical matters, and thus undeserving of the precious seats at the Collège de France. Many commentators thus dismissed the Bergsoniennes’ enthusiasm for philosophy as nothing more than the bourgeois attempts of mondaines (socialites) to raise their social standing. Such ideas were embedded within a long tradition of French satire at the expense of learned women…
The presence of women in a traditionally exclusively masculine space was regarded at best as a source of ridicule, at worst as a nuisance (for instance, some worried that, by their mere presence, the Bergsoniennes were robbing male philosophy students of their rightfully earned seats). Others took this phenomenon to be the sign of something more serious. The fact that so many women were drawn to Bergson’s philosophy perhaps said something about Bergson as a thinker. Indeed, traits traditionally associated with femininity, such as irrationality and sentimentality, clashed with the traditionally masculine qualities deemed necessary to be a good philosopher. Some of Bergson’s most serious adversaries began arguing that Bergson’s success among women was no accident. They believed that the reason the most irrational beings of all, women, were so enthusiastic about Bergson’s ideas was that Bergson’s philosophy was a philosophy of the irrational.
Bergson himself did not enjoy his celebrity status, but it is noteworthy that he inspired a generation of French feminist thinkers, including Simone De Beauvoir, who largely differed from his metaphysical positions but adopted parts of his popular, literary style (in both writing and public lectures) as a way to connect with audiences outside of the academy’s cloisters.
Philosophy and public intellectual life changed tremendously during the years of Bergson’s activity, not least because his own style and that of his admiring fans helped push matters along.
According to an expert, France doesn’t have any of the large, old trees necessary to replace the burned wooden beams in the roof of the Notre Dame.
Bertrand de Feydeau, vice-president of preservation group Fondation du Patrimoine, told France Info radio that the wooden roof that went up in flames was built with beams more than 800 years ago from primal forests.
He says the cathedral’s roof cannot be rebuilt exactly as it was before the fire because “we don’t, at the moment, have trees on our territory of the size that were cut in the 13th century.”
This reminds me of one of my favorite stories about future planning (possibly apocryphal). As told by Stewart Brand in How Buildings Learn, the story goes:
New College, Oxford, is of rather late foundation, hence the name. It was founded around the late 14th century. It has, like other colleges, a great dining hall with big oak beams across the top. These might be two feet square and forty-five feet long.
A century ago, so I am told, some busy entomologist went up into the roof of the dining hall with a penknife and poked at the beams and found that they were full of beetles. This was reported to the College Council, who met in some dismay, because they had no idea where they would get beams of that calibre nowadays.
One of the Junior Fellows stuck his neck out and suggested that there might be some oak on College lands. These colleges are endowed with pieces of land scattered across the country. So they called in the College Forester, who of course had not been near the college itself for some years, and asked about oaks. And he pulled his forelock and said, “Well sirs, we was wonderin’ when you’d be askin’.”
Upon further inquiry it was discovered that when the College was founded, a grove of oaks has been planted to replace the beams in the dining hall when they became beetly, because oak beams always become beetly in the end. This plan had been passed down from one Forester to the next for five hundred years. “You don’t cut them oaks. Them’s for the College Hall.”
Hopefully the trees needed for rebuilding Notre Dame can be sourced elsewhere. Just as important, a more modern form of future planning was recently undertaken that should help greatly with the rebuild. In 2010, two men photographed and laser-scanned every inch of the Notre Dame, creating an incredibly detailed 3-D map of the building.
Now, with the building having sustained untold but very substantial damage, the data that Tallon and Blaer created could be an invaluable aid to whoever is charged with rebuilding the structure. Ochsendorf described the data as “essential for capturing [the structure] as built geometry.” (He added, however, that the cathedral, no matter what happens now, “is irreplaceable, of course.”)
Tallon and Blaer’s laser data consist of 1 billion data points, structured as “point clouds,” which software can render into images of the three-dimensional space. Stitch them together, inside and out, map the photographs onto the precise 3-D models, and you have a full digital re-creation of incredible detail and resolution.
“I saw this happening, and I had two thoughts,” Blaer told me of watching the cathedral engulfed in flames. “One thought was that I was kind of relieved that he didn’t actually have to see this happen. But on the other hand, he knew it so well and had so much information about how it’s constructed, he would have been so helpful in terms of rebuilding it.”
(thx, meg)
Update: According to this piece in Le Monde (as best as I can discern in Google Translate), French forests have both the quality and quantity of wood available to provide new beams for Notre Dame. (via @ramdyne)
It would be incredibly cheap to suggest that it is in some way wrong to give money for the restoration. There is a value that transcends simple economics in restoring testaments to civilisation. Better that Notre Dame remains a symbol of European history than €300 million rests in a billionaire’s bank account.
But the immediacy and magnitude of their response tells us something very important about the society we live in.
If two men in a world of more than 7 billion people can provide €300 million to restore Notre Dame, within six hours, then there is enough money in the world to feed every mouth, shelter every family and educate every child. The failure to do so is a matter of will, and a matter of system.
The failure to do so comes from our failure to recognise the mundane emergencies that claims lives all around us every single day. Works of art and architectural history and beauty rely on the ingenuity of people, and it is people who must be protected above all else.
Executive director of the World Peace Foundation Alex de Waal says that almost all the famines that occur today are political decisions, a “matter of system” as Kinsella puts it. In the modern world, hunger, homelessness, lack of proper healthcare, and lack of access to education are all political decisions as well. The simple truth is that we can take care of everyone on Earth, but we choose not to.
Even colors have histories, and what vibrant histories they are. French historian Michel Pasteureau’s Blue: The History of A Color (he’s also done histories of red, green, and black) is capably reviewed by Jesse Russell in the Claremont Review of Books in an essay called “The Colors of Our Dreams.” Russell offers the following luminous details.
Blue was once little-known in the Western palette. Homer’s sea was “wine dark”; blue would not be used as water’s color until the seventeenth century. It has evolved from its original association with warmth, heat, barbarism, and the creatures of the underworld, to its current association with calm, peace, and reverie. Like the unruly green, the Romans associated blue with the savage Celtae and Germani, who used the woad herb’s rich leaves for their blue pigments. These northern barbarians also painted themselves blue before war and religious rituals. The ancient Germans, according to Ovid, even dyed their whitening hair blue.
The Romans, in contrast, preferred the color red—the Latin word, “coloratus” was synonymous with that for red, ruber. The Romans and Greeks did import lapis lazuli, the exquisite blue rock, from exotic locals such as China, Iran, and Afghanistan. But neither used the barbaric blue for important figures or images, saving it for the backgrounds for white and red figures. Even the Greek words for blue, like the names of colors in the Bible, largely were meant to evoke certain states or feelings as opposed to exact visual colors. Blue, like green, was the color of death and barbarism. The nobler colors—white, red, and black—were preferred.
Blue’s fortunes changed in the Middle Ages when it became associated with both the heavens and heaven, and particularly an association with the Virgin Mary. French royalty adopted blue as their official color; and in modernity, the introduction of indigo from the Americas and the invention of Prussian blue in the early 18th century helped cement blue (along with white and red) as part of a tripartite color scheme that gave us the flags of Great Britain, the United States, and France.
And then along came Goethe:
By the mid-nineteenth century, blue became a Romantic symbol of melancholy. Among those guilty of luring the moody young to dress in blue was Wolfgang von Goethe who, in The Sorrows of Young Werther, depicted his title character in a blue coat. This, coupled with Werther’s untimely death, inspired a craze for blue coats and a mania for suicide among melancholy European youth. Werther’s blue jacket was matched by the blue flower in Novalis’s unfinished posthumous piece Heinrich von Ofterdingen, which narrates the tale of a medieval troubadour who seeks out the flower as a symbol of the authentic life of beauty and art. Young, melancholic Frenchmen were doubly encouraged in their swooning by the closeness shared by the French word for blue flower, “ancolie,” and the ending of “mélancholie.”
From Romanticism’s murky forest a host of verbal expressions bloomed, linking blue with odd, melancholic reverie. Fairy tales were known as “blue tales”; to be terribly drunk in German became known as “being blue” or “Blau sein”; and the “blue devils,” from which we get the great American expression (and musical genre) “the blues,” meant to be afflicted with a lingering sadness.
Blue has a curious oscillation between conservativism and rebellion, perhaps especially in France, but throughout the world:
The navy blazer, a sign of conservativism and preppy formality in the twentieth century, was once a mark of the avant garde Westerner, adorned in what became known as “sportswear.” Aspiring radicals wore blue jeans, made from denim dyed with indigo, but ultimately derived by Levi Strauss from the pants made from tent canvas for California prospectors. Eventually, jeans became leisurewear for Americans from the East Coast who wanted to dress like the cowboys of the increasingly tame “wild west.” As the tides of early twentieth-century fashionable rebellion swelled, blue jeans were given the stamp of haute couture in a famous 1935 edition of Vogue, and, after World War II, were a symbol of rebellion and nonconformity—especially in newly liberated Europe. But in the West, jeans eventually became blasé (but comfortable) everyday wear when everyone—even conservative squares—started wearing them. This did not stop blue jeans from becoming symbols of rebellion in Communist countries during the heady days of glasnost and perestroika, and later in the Muslim world a symbol of youthful rebellion.
Taken together, the genealogy of blue is a history of finding meaning in difference, whether it was the Germanic blue facing off against the Roman red, the vibrant blue jacket against the staid black coat, or the heavenly Marian apparition set off against the profane, multicolored world below.
This Aeon essay by Giorgio van Straten, “Lost in Migration,” is excerpted from a book titled In Search of Lost Books, which explains its fascination with a book that’s fascinated many people, a manuscript carried in a briefcase by Walter Benjamin at the end of his life which has never been identified or located and probably did not survive him.
I’ve always been a little turned off by the obsession with this manuscript among Benjamin fans and readers. There’s something so shattering to me about the end of Benjamin’s life, and how he died, that it feels not just trivial, but almost profane to geek out over the imaginary contents of a book he might have left behind. I feel the same way about dead musicians. It’s all just bad news.
Luckily, though, this essay does contain a compelling and concise account of the end of Benjamin’s life.
First Benjamin fled Paris, which had been bombed and was nearly about to be invaded by the German army, for Marseilles:
Benjamin was not an old man - he was only 48 years old - even if the years weighed more heavily at the time than they do now. But he was tired and unwell (his friends called him ‘Old Benj’); he suffered from asthma, had already had one heart attack, and had always been unsuited to much physical activity, accustomed as he was to spending his time either with his books or in erudite conversation. For him, every move, every physical undertaking represented a kind of trauma, yet his vicissitudes had over the years necessitated some 28 changes of address. And in addition he was bad at coping with the mundane aspects of life, the prosaic necessities of everyday living.
Hannah Arendt repeated with reference to Benjamin remarks made by Jacques Rivière about Proust:
He died of the same inexperience that permitted him to write his works. He died of ignorance of the world, because he did not know how to make a fire or open a window.
before adding to them a remark of her own:
With a precision suggesting a sleepwalker his clumsiness invariably guided him to the very centre of a misfortune.
Now this man seemingly inept in the everyday business of living found himself having to move in the midst of war, in a country on the verge of collapse, in hopeless confusion.
From Marseilles he hoped to reach Spain, since, as a German refugee, he did not have the proper exit papers.
The next morning he was joined soon after daybreak by his travelling companions. The path they took climbed ever higher, and at times it was almost impossible to follow amid rocks and gorges. Benjamin began to feel increasingly fatigued, and he adopted a strategy to make the most of his energy: walking for 10 minutes and then resting for one, timing these intervals precisely with his pocket-watch. Ten minutes of walking and one of rest. As the path became progressively steeper, the two women and the boy were obliged to help him, since he could not manage by himself to carry the black suitcase he refused to abandon, insisting that it was more important that the manuscript inside it should reach America than that he should.
A tremendous physical effort was required, and though the group found themselves frequently on the point of giving up, they eventually reached a ridge from which vantage point the sea appeared, illuminated by the sun. Not much further off was the town of Portbou: against all odds they had made it.
Spain had changed its policy on refugees just the day before:
[A]nyone arriving ‘illegally’ would be sent back to France. For Benjamin this meant being handed over to the Germans. The only concession they obtained, on account of their exhaustion and the lateness of the hour, was to spend the night in Portbou: they would be allowed to stay in the Hotel Franca. Benjamin was given room number 3. They would be expelled the next day.
For Benjamin that day never came. He killed himself by swallowing the 15 morphine tablets he had carried with him in case his cardiac problems recurred.
This is how one of the greatest writers and thinkers of the twentieth century was lost to us, forever.
In France, pie charts are called “le camembert” after the cheese. Or sometimes “un diagramme en fromage” (cheese diagram). In Brazil, they are pizza charts. (via numberphile & reddit)
A cafe in Nice, France charges rude customers five times more for a cup of coffee than those who say hello and please.
“A coffee” will set you back €7, according to the sign, while “a coffee please” is a little more affordable, at €4.25.
If you want keep your expenses down, and stay friends with your local barista, however, the best option is “Hello, a coffee please,” which will only cost you €1.40.
The manager says that although the pricing scheme has never been enforced, customer civility is up. Cheekiness is on the rise as well:
“Most of my customers are regulars and they just see the funny side and exaggerate their politeness,” he said, adding “They started calling me ‘your greatness’ when they saw the sign.”
The baguette is one of the foods most commonly associated with France, so it’s surprising that for a long time, the French baguette was uncommonly bad. Samuel Fromartz travelled to Paris to apprentice with a baker and discovered how the baguette got its groove back.
“For years I had watched the sensorial quality of French bread palpably deteriorate,” he told me. The decline first set in, he said, when bakers switched from levain to commercial yeast in order to shorten the bread-making process. Yeast could work as an acceptable substitute for levain, but instead of relying on minute amounts of yeast and letting the dough ferment over 24 hours- as Delmontel does with his baguettes-bakers added more yeast and cut the rise period to as little as one hour, “suppressing the first fermentation that is the source of all taste,” Kaplan said.
The situation worsened in the 1950s, when bakers started using intensive kneading machines that satisfied consumer desire for an ever-whiter crumb. They started sprinkling in additives such as vitamin C to spike fermentation, and heaps of salt to mask the absence of flavor. In short, while pursuing the promises of modernity-efficiency, speed, and whiter bread-what French bakers lost was the one indispensable ingredient: time.
“For me, bread was a crucial dimension of what the French proudly call their ‘cultural exception,’” or national identity, said Kaplan. “They did not seem to be aware that they were putting it in grave peril.” By the 1980s, the French ate less and less bread. Boulangeries folded; those that remained competed with supermarkets, which baked frozen baguettes and sold them as loss leaders.
This obituary of Count Robert de La Rochefoucauld has 4 or 5 paragraphs similar to the one below.
En route to his execution in Auxerre, La Rochefoucauld made a break, leaping from the back of the truck carrying him to his doom, and dodging the bullets fired by his two guards. Sprinting through the empty streets, he found himself in front of the Gestapo’s headquarters, where a chauffeur was pacing near a limousine bearing the swastika flag. Spotting the key in the ignition, La Rochefoucauld jumped in and roared off, following the Route Nationale past the prison he had left an hour earlier.
The survey has eight questions ranging from general opinions to particular trivia. For example, “Whose side was France on during the American Revolutionary War?”
Sixty-six percent of respondents get it right: our side. Twenty percent are wrong. Incorrect answers include “the British,” “England,” “the opposite side,” and, oddly, “the French.” Other responses: “History was not my class in school — I hate it,” and “I am averse.” My favorite comes from a gas station attendant in Lexington, Ky., who writes: “I refuse to answer the rest of this survey. I love the French language. I have had many French friends.”
One guy in a parking lot outside a Dallas strip club says, “This has got to be a trick question.” And there’s another person, at Phoenix Sky Harbor International Airport, who will ask me, “You mean our American Revolutionary War?” Which appears to be a general concern — of the 55 people, at least 10 ask me to which American Revolution I am referring. Two people say, “But we didn’t have a revolution.”
The French, I found, seem to have a whole different framework for raising kids. When I asked French parents how they disciplined their children, it took them a few beats just to understand what I meant. “Ah, you mean how do we educate them?” they asked. “Discipline,” I soon realized, is a narrow, seldom-used notion that deals with punishment. Whereas “educating” (which has nothing to do with school) is something they imagined themselves to be doing all the time.
One of the keys to this education is the simple act of learning how to wait. It is why the French babies I meet mostly sleep through the night from two or three months old. Their parents don’t pick them up the second they start crying, allowing the babies to learn how to fall back asleep. It is also why French toddlers will sit happily at a restaurant. Rather than snacking all day like American children, they mostly have to wait until mealtime to eat. (French kids consistently have three meals a day and one snack around 4 p.m.)
We have a French pediatrician who advised us to do almost exactly what is in this article and we’ve had pretty good success with it. It’s not all roses (kids are kids after all) and a lot of work, especially for the first couple of years, because you have to be consistent and steady and firm (but also flexible) and I know I haven’t always done a great job, but the dividends have been totally worth it so far.
I’ll bet if you asked every French politician where the web was invented not a single one would know this. The Franco-Swiss border runs through the CERN campus and building 31 is literally just a few feet into France. However, there is no explicit border within CERN and the main entrance is in Switzerland, so the situation of which country it was invented in is actually quite a tricky one. The current commemorative plaque, which is outside a row of offices where people other than Tim Berners-Lee worked on the web, is in Switzerland. To add to the confusion, in case Tim thought of the web at home, his home was in France but he temporarily moved to rented accommodation in Switzerland, just around the time the web was developed. So although, strictly speaking, France is the birthplace of the web it would be fair to say that it happened in building 31 at CERN but not in any particular country! How delightfully appropriate for an invention which breaks down physical borders.
Here is my third installment in pulling down random books from my shelves and writing about them, under the belief that the internet is better when not all of it comes from the internet.
When I first moved to Philadelphia, one of my favorite things about staying up too late was catching episodes of his documentary series The Western Tradition on PBS at 3 AM. (Now you can stream the whole series free at Learner.org, which I just found out today.)
This is a passage from France Fin de Siecle, a really terrific book about art, culture, and literature in mid-to-late 19th-century France. And I swear to God, I think about this particular section all the time.
If one considers the scarceness of water and of facilities for its evacuation, it is not surprising that washing was rare and bathing rarer. Clean linen long remained an exceptional luxury, even among the middle classes. Better-off buildings enjoyed a single pump or tap in the courtyard. Getting water above the ground floor was rare and costly; in Nevers it became available on upper floors in the 1930s. Those who enjoyed it sooner, as in Paris, fared little better.
Baths especially were reserved for those with enough servants to bring the tub and fill it, then carry away the tub and dirty water. Balzac had referred to the charm of rich young women when they came out of their bath. Manuals of civility suggest that this would take place once a month, and it seems that ladies who actually took the plunge might soak for hours: an 1867 painting by Alfred Stevens shows a plump young blonde in a camisole dreaming in her bathtub, equipped with book, flowers, bracelet, and a jeweled watch in the soap-dish. Symbols of wealth and conspicuous consumption.
In a public lecture course Vacher de Lapouge affirmed that in France most women die without having once taken a bath. The same could be said of men, except for those exposed to military service. No wonder pretty ladies carried posies: everyone smelled and, often, so did they.
Teeth were seldom brushed and often bad. Only a few people in the 1890s used toothpowder, and toothbrushes were rarer than watches. Dentists too were rare: largely an American import, and one of the few such things the French never complained about. Because dentists were few and expensive, one would find lots of caries, with their train of infections and stomach troubles, it is likely that most heroes and heroines of nineteenth-century fiction had bad breath, like their real-life models.
Yep. That’s why we call them “the unwashed masses.”
It wasn’t until the twentieth century that most people took a bath, washed their underwear, flushed a toilet, saw their own reflection in a mirror, or stopped dying at atrocious rates every time they gave birth to a child. How’s that mistake looking now, Werner?
Certainly, Zucca couldn’t get the whole story: he photographed Jews wearing the star but couldn’t show the roundups or the deportation to Auschwitz; he could show German soldiers but couldn’t show the arrest, torture, and execution of resisters. He couldn’t, but nobody could; the problem wasn’t that he worked for a propaganda rag: photographers who actively worked for the Resistance couldn’t do it either. But what he did do was to capture the paradoxes of the Occupation, where horror and pleasure coexisted in shockingly close proximity, where the active resistance to Nazi occupation was in fact far less prevalent than the feigned daily oblivion of those who kept their heads down and tried to cope.
Defying France’s strict new antismoking laws, Sean Penn, right, president of the jury at the 61st Cannes Film Festival, lighted a cigarette at a news conference yesterday, Agence France-Presse reported. After a couple of puffs in defiance of rules that banned smoking in enclosed spaces since January, he put the cigarette aside and returned to answering reporters’ questions. But a jury member, the Iranian writer and director Marjane Satrapi, prompting laughter, then asked if anyone minded if she smoked “for medical reasons.” She lighted a cigarette; Mr. Penn and the French actress Jeanne Balibar joined her.
A doctor I know told me he once bought a coat at a small men’s boutique only to discover that it had a rip in the fabric. When he tried to return it, the shopkeeper gave him the address of a tailor who could repair it - for a large fee. They argued, and the doctor reminded the shopkeeper of the French saying, “The customer is king.”
“Sir,” the shopkeeper replied, “We no longer have a king in France.”
I’m rooting for France today, but I feel that Italy has the best chance of winning. But we shall see. Allez!
Update: I’m stunned. Not so much about the loss, but Zidane…what was that? That headbutt is one of the craziest things I’ve ever seen in sports.
Update:Video of the headbutt. There’s some speculation that Materazzi twisted Zidane’s nipple…or if not, I wonder what he said that could have riled the Frenchman so?
Update: Ok, here’s a video of the whole exchange. No twisting that I can see…Materazzi obviously said something. With all his experience, hasn’t Zidane heard it all before?
One of the theories about Zidane as a player is that he is driven by an inner rage. His football is elegant and masterful, charged with technique and vision. But he can still erupt into shocking violence that is as sudden as it is inexplicable. The most famous examples of this include head butting Jochen Kientz of Hamburg during a Champions League match, when he was at Juventus in 2000 (an action that cost him a five match suspension) and his stomping on the hapless Faoud Amin of Saudi Arabia during the 1998 World Cup finals (this latter action was, strangely enough, widely applauded in the Berber community as Zidane’s revenge on hated Arab ‘extremists’).
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