kottke.org posts about video
I read both of the excerpts from A Promised Land, Barack Obama’s memoir of his time in the White House: I’m Not Yet Ready to Abandon the Possibility of America from The Atlantic and A President Looks Back on His Toughest Fight in the New Yorker. I have also been listening to the audiobook version, read by Obama himself, over the last few days and if you’re at all interested in this book, I would suggest going with the audiobook. Here’s an excerpt of Obama reading the preface (and several more of other parts of the book):
Not that there’s anything wrong with the written version, but the audiobook conveys more context and information. Much of the time, Obama writes like he talks, so listening to him read his own writing is like sitting across the dinner table from him as he tells you about how he became President. You can hear which parts of the book he really cares about and which parts are in there just to bridge gaps. He does impressions — of Desmond Tutu and his Kenyan relatives — and inflects words in other languages in the manner of Alex Trebek. He jokes around and gets serious. You can hear how frustrated he was, and continues to be, with Republican obstructionism. I’m only a few chapters in so far, but it will be interesting to hear his voice when he talks about the aspects of his Presidency that people believe didn’t live up to his lofty goals and visions. You really get the sense when listening to him that, unlike many politicians, he actually cares about helping people — or if you’re cynical, that he’s best-in-class at faking it; either way it’s fascinating to hear and make up your own mind.
You can listen to Obama read A Promised Land at Amazon or Libro.fm.
For the past four years, Martin Molin of the “folktronica” band Wintergatan has been building a marble machine that the band can use to make music. He’s documenting the entire build on YouTube in a long series of videos (149 and counting). The most recent videos show Molin’s test of the machine with thousands of marbles and his tweaking to get things juuuust right. In the one above, he makes several adjustments from failures observed from his last test and then runs 30,000 marbles through the machine.
These videos are long, so you’d be forgiven for skipping to the end just to see the machine in action, but Molin is really enthusiastic — obsessed in the best way — and is great at showing his work. People really digging into things, especially tangible mechanical things, and bringing us along for the ride is always interesting. (thx, sippey)
With almost 8 billion people in the world, chances are pretty good that everyone has a doppelgänger somewhere out there. Finding My Twin Stranger is a short documentary that follows researchers from the Department of Twin Research at St Thomas’ Hospital as they look for the most identical strangers — people who aren’t biological twins but sure look like they do.
In this documentary, we follow people as they track down their twin stranger across the globe and meet for the first time. They get to know one another and find out about each other’s lives and whether there are any other similarities. While the pairs get to know each other, they are also undergoing a series of tests by the twin-experts at St Thomas’ Hospital. These include measuring similarities of facial features using the latest 3D scanning technology, 2D facial recognition analysis and DNA ancestry testing.
The experts then get 100 people to rate the similarities from photos from most alike to least alike. Taking all of the results into consideration, the twin-experts will then reveal which pair is the most identical.
You can use the site Twin Strangers to find your own doppelgänger — you can see some of their matches here and on Instagram.
See also the fascinating 2018 documentary Three Identical Strangers and Identical Twins Who Look Nothing Alike.
If you crack a fertilized chicken egg into a transparent container — in this case, plain old kitchen plastic wrap — and incubate it, you can observe the embryo as it develops and eventually “hatches” into a chick, heartbeat and all. The process takes about 21 days from start to finish.
This look inside the world of professional tag — the court setup, the vocabulary, the strategy — by Phil Edwards was the perfect low-stakes thing I needed to watch today. If you’d like to know more after watching, you can check out the World Chase Tag site, including the rules and terminology of the game (which has too many trademarked terms for my taste) or some competition videos (this compilation of the best moves from the last world championships is probably a good place to start).
Spurred by the pandemic — what he calls “the first experience we’ve had of a global disaster affecting every single person on Earth”1 — Domain of Science’s Dominic Walliman takes stock of many of the possible catastrophes that might befall humanity, ranking possible threats based on their likelihood and the number of potential casualties.
This year was the first experience we’ve had of a global disaster affecting every single person on Earth. And also how unprepared society was to deal with it, despite plenty of people giving warnings that this was going to happen at some stage.
But in the midst of all the doom I started to wonder, what other things could threaten humanity, that we are not thinking about? So I made the Map of Doom to list all the threats to humanity in one place.
The result is the quadrant chart and the video above as well as the Map of Doom.
One could imagine a third dimension of this chart: what, if anything, humans can do about each of these threats. Earthquakes can be detected, buildings can be designed to withstand them, and evacuation procedures enacted and prioritized. Many effects of climate change can be mitigated. Asteroids can be detected, but doing something about them might prove difficult. We’ve lowered the threat of nuclear war — for now. Supervolcanoes? Yikes.
You can find a list of references used in the video’s description. (via open culture)
In this short video, Abigail Tucker, author of 2015’s The Lion in the Living Room: How House Cats Tamed Us and Took Over the World, shares a brief overview of the role of cats in human lives, including their evolution from wild cats to tame lap friends.
But really, this is just a good excuse for me to feature once again Kevin Slavin’s marvelously entertaining talk about viral cat videos and the toxoplasma gondii parasite. See also Are Cats Domesticated?, How Humans Domesticated Cats (Twice), and The Self-Domestication of Humans. (via open culture)
Like almost everything else these days, NPR’s Tiny Desk Concerts have gone remote. Their most recent play-from-home guest was Dua Lipa, who was the artist I listened to more than any other in 2020 (according to Spotify). Before playing a stripped-down acoustic version of Love Again with her band, Lipa said of the song: “It’s really about manifesting good things into your life when things aren’t quite going your way.” That’s a sentiment that a lot of us can relate to nowadays.
NPR has been tracking the 25-year-old singer/songwriter for a while now; she was featured in an episode of their Noteworthy series in August 2016, several months before the release of her debut album.
Dua Lipa walking unrecognized around NYC…won’t ever see that again.
Forgive me reader, for I have been lazy. It’s been 7 months since I’ve shared a list of the movies, books, music, TV, and podcasts that I’ve been watching/reading/listening to, uh, recently. But I’ve been diligently keeping track1 and so here’s everything I’ve consumed since early May. Warning: soooo much TV and soooo many movies (and bad ones at that) and very few books. At the end of most days — after work, parenting, cooking yet another meal I’m not actually in the mood for, and constantly refreshing Instagram — I just don’t have enough left in the tank for books. (Oh, and as usual, don’t pay too much attention to the letter grades!)
Winds of Change. A fun ride but ultimately kind of empty? (B)
How to Be an Antiracist by Ibram X. Kendi. Perhaps not what you’d expect going in — thought-provoking on almost every page. (A)
The Ezra Klein Show — Madeline Miller. Super interesting, especially if you’ve read Song of Achilles or Circe. (A-)
Godzilla. This was sort of the tail end of my pandemic disaster movie film fest. (C+)
Fetch the Bolt Cutters. I love that this exists but it is not for me. (B-)
The Mirror & the Light by Hilary Mantel. I knew it was coming, Thomas Cromwell’s downfall; it’s historical fact after all. But somehow the actual moment shocked me, despite Mantel’s careful foreshadowing over hundreds of pages. (A)
Normal People. No way in hell was this going to be as good as the book, but they somehow did it. Stellar casting. (A-)
Fleabag Live. I wanted to love this like I loved the TV show but could not get into it. (C+)
Star Wars: The Rise of Skywalker. Whatever else you might think about the third SW trilogy, the casting was fantastic. (B+)
Partysaurus Rex. One of my favorite Pixar shorts. (A-)
Iron Man 3. The only MCU movie I hadn’t seen. It was…fine? (B)
Dunkirk. A masterpiece. (A)
Arrival. Another masterpiece. (A)
Kursk. This should have been better. (B)
Harry Potter at Home. My kids and I listened to this in the car and loved it. (A-)
Watchmen. After admitting I’d stopped watching after a few episodes, several of you urged me to keep going. I finished it but still was not as dazzled as everyone else seemed to be. Maybe if I’d read the graphic novel? (B+)
Against the Rules with Michael Lewis (season two). This season was all about coaching and may have been even better than the first season. (A-)
The General. A silent film masterpiece from Buster Keaton. The kids were a little bored at first but ultimately loved it. (A-)
The Endless. Solid sci-fi horror. (B)
13th. A powerful argument that slavery is still constitutionally legal and alive & well in the United States. (A)
Ida. Beautiful film. (B+)
The Last Dance. I grew up watching and rooting for Jordan and the Bulls, so this was the perfect nostalgic entertainment. Jordan comes off as both more and less of a dick than I remember. (A-)
Da 5 Bloods. This was a mess. (C+)
Undone. Inventive animated sci-fi with plenty of plot left for season two. (B+)
Celebrate Your Body (and Its Changes, Too!): The Ultimate Puberty Book for Girls by Sonya Renee Taylor. Borrowed this from my daughter to brush up on how to help her approach some changes coming down the pike. (A-)
Beyond Meat. I snuck some of their ground “beef” into a casserole to try it out and see if the kids would notice. They didn’t at first, but once I told them, the three of us agreed that it was not that tasty — and definitely didn’t taste like beef. Plus I had an upset stomach until noon the next day. (C-)
Knives Out. I enjoyed this much more the second time. (A-)
Honeyland. A maddening microcosm of modernity. (A)
The Conversation. Maybe this hit me on an off-night? (B+)
The Great. Super fun show from the screenwriter of The Favourite. (A-)
Hamilton. Obviously better in person (and 4 years ago), but the performances and music are so great it doesn’t matter. (A)
Slate Money — Modern Monetary Theory. Really interesting alternate way of thinking about the economy, federal debt, inflation, and taxes. They kinda jumped right into the middle of it though, leaving this interested MMT beginner a little baffled. (B)
12 Monkeys. So very 90s. Brad Pitt is great in this though. (B+)
Cloud Atlas. An underrated gem. (A)
The Old Guard. Engaging and built for a sequel. But what isn’t these days? (B+)
Cars 2. I’d only ever seen the first 2/3s of this because my then-4-year-old son was so upset that the onscreen baddies were going to kill Lightning McQueen that we had to leave the theater. (B-)
Nintendo Switch. Such a fun little console that doesn’t take itself too seriously. (A-)
Greyhound. Not Hanks’ best effort. (B)
Radioactive. An overly complicated movie about a complex woman. (B+)
Ratatouille. The scene where Ego takes his first bite of ratatouille still gives me goosebumps. (A)
The Speed Cubers. Heartwarming story. (B+)
Project Power. Incredible that they were able to turn the story of Henrietta Lacks into a superhero movie. (B+)
Pluto TV. Am I the last person on Earth to find out about this app? Dozens of channels of reruns that you can’t pause and are interrupted by ads, just like old school TV. I’ve been watching far too much old Doctor Who on here. (B+)
Folklore. I don’t really get Taylor Swift and that’s ok. (C)
This Land. Excellent and infuriating — this had me yelling at my car radio. (A)
13 Minutes to the Moon — Apollo 13. Not as good as season one about Apollo 11 or Saving Apollo 13, but still compelling. (B+)
Black Panther. Had to rewatch. Rest in peace, Chadwick Boseman. What a loss. (A-)
Conversations with Friends by Sally Rooney. Anything she writes, I will read. (A)
Master and Commander: The Far Side of the World. I had forgotten how slow this starts, but once it gets going it’s completely gripping, even the quiet parts. (A-)
Contact by Carl Sagan. First time I’d read this in many years. Did not resonate as much as it had in the past. (B+)
Contact. They should have sent a poet. (A-)
True Grit. Hailee Steinfeld is fantastic in this. (A)
Being John Malkovich. Terrific performance by Malkovich. This was a favorite movie of mine for years but its impact on me has lessened. (B+)
Reply All, Country of Liars. The origin story of QAnon. But let’s just say there are some unreliable narrators in this story. (B+)
Jurassic Park. A blockbuster masterpiece. (A)
50 First Dates. One of the very few Sandler comedies I really like. (B+)
I’m Thinking of Ending Things. Really did not vibe with this one. (C+)
Pride & Prejudice. I am a huge sucker for this film. (A)
MASS MoCA. Took a day trip down here back in October. My first museum since Feb. Sol LeWitt, James Turrell, Jenny Holzer, great building, virtually no one here on a weekday — very much worth the 6-hour RT car ride. (A+)
Palm Springs. Groundhog Day + 50 First Dates. (A-)
Kona Honzo. After getting a taste of mountain biking on a borrowed bike, I upgraded to this hardtail. Had some really great rides on it but also stupidly crashed, landed on my face, had to go to the ER, and got 9 stitches on my chin. Would not recommend crashing (stupidly or otherwise, but especially stupidly), but I liked mountain biking enough to get back on the bike a couple of weeks later. (A-)
My Octopus Teacher. As I said previously: “It’s such a simple movie but it packs a surprising emotional wallop and is philosophically rich. Even (or perhaps especially) the bits that seem problematic are thought-provoking.” (A)
His Dark Materials. I like the show but the main character is so irritating that I don’t know if I can keep watching… (B+)
You’re Wrong About — Princess Diana. I never fully understood the appeal of Princess Diana but now I do. Excellent 5-part series. (A)
Human Nature. Documentary on Netflix about the discovery and potential of Crispr. (B+)
The Booksellers. Was ultimately not that interested in this. (B)
Ted Lasso. Mister Rogers’ Neighborhood + Major League. Who knew you could make radical empathy funny? (A+)
The Queen’s Gambit. So well done in almost every way. (A)
Haywire. Solid Soderbergh thriller. (B+)
Enola Holmes. I will watch almost any Sherlock Holmes adaptation, riff, or spin-off. (B+)
The Trial of the Chicago 7. I loved this. Classic Sorkin and great ensemble cast performance. (A)
Zama. Maybe surrealist film is not my cup of tea. (B)
AlphaGo. I’d read a lot about the events in this film, but seeing it play out was still gripping and surprising. This and My Octopus Teacher would make a great double feature about the shifting definition of what makes humans human. (A)
The Way I See It. Pete Souza reflects on his proximity to power. (B+)
The Queen. Had to watch this after the Princess Di You’re Wrong About series. (B+)
Lego Star Wars Holiday Special. Is this canon now? If so, I have some questions. (C)
Carol. Holy shit, wonderful! I think I held my breath for the last two minutes of the movie. (A+)
Song Exploder. TV version of the OG podcast. The REM episode was great. (B+)
Rogue One. I wouldn’t call this the best Star Wars movie, but it isn’t not the best Star Wars movie either. (A-)
Little Women. Rewatched. I love this movie. (A)
Tenet. Primer + James Bond. Maybe the pandemic has made me dumber, but this totally confused me. In a bad way — it could/should have been simpler. (B)
Caste by Isabel Wilkerson. A masterful examination of the skin color-based caste system of the United States, compared and contrasted with the caste systems of India and Nazi Germany. (A)
Past installments of my media diet are available here.
The Milky Way galaxy may be home to billions or even trillions of rogue planets (planets that don’t orbit stars). In this video, Kurzgesagt considers how the Earth could go rogue (by following a nearby massive star away from the Sun) and what would happen to our oceans, atmosphere, and lives if it happened.
The first part of the video is pretty bleak — “as the days turn dark, the final winter of humanity would begin” — while the second part is hopeful: we’ll be able to predict our ejection thousands of years before it happens and may be able to prepare. In light of the world’s response to the pandemic and climate change, it would certainly be interesting to see if human civilization could get it together to save itself from a cold death in outer space. I have no doubt that scientist could accurately diagnose the problem and supply solutions, but the politics would be a total mess.
For most of us, ancient Egyptian is a highly visual language represented by the familiar hieroglyphs left behind on monuments, papyrus documents, and even sarcophagi. But of course it was a spoken language as well…and linguists even have a good idea of what it sounded like. As NativLang’s Josh Rudder explains in this video, by studying the language family that ancient Egyptian descended from, the languages that evolved from it (like Coptic), and languages it traded words with, researchers have been able to determine how many ancient Egyptian words were pronounced.
For more, you can check out Rudder’s extensive list of sources, notes, and quotes related to the video. (via open culture)
On August 4, 2020, materials stored in a warehouse in Beirut, Lebanon caught on fire and then exploded multiple times. More than 200 people were killed, 6,500 injured, and around 300,000 residents were left homeless. Using photos and videos shot of the incident as well as other materials, a company called Forensic Architecture built a 3D model of the warehouse (inside and out), the fires, and the explosions. They cleverly used the unique second-to-second shape of the smoke plumes to sync up various bits of video shot from different vantage points.
We collected and examined images and videos taken by witnesses of the blast and shared on different platforms online. Using details about the smoke, fires, and explosions, we were able to geolocate each piece of footage and calculate the camera’s cone of vision. We places the cameras in the open source 3D model of the city , which we had adjusted to match the necessary precision. This helped us to identify the precise location of the source of the smoke plume within Warehouse 12 in each frame of each footage.
It’s a fascinating analysis. After going through more than 9 minutes of explanation of what they learned about the placement of materials (including highly explosive ammonium nitrate, tires, and fireworks) inside the warehouse from smoke colors, interior videos, and warehouse manifests, the narrator says simply:
From an engineering perspective, this is the spacial layout of a make-shift bomb on the scale of a warehouse, awaiting detonation.
The video is also available in Arabic. They’ve made the 3D files of the warehouse, the smoke plumes, and the port — as well as the source media used in their analysis — freely available for download on GitHub. (thx to several people who sent this in)
This is a lovely little animated video made from a recording of Stan Lee where he declares that the f-word is “probable the most useful word in the English language”. I found this via Josh Jones’ post at Open Culture, who shares some more Stan Lee tidbits.
After a video Nakia Smith did with her grandfather went viral, Netflix asked her to explain what Black American Sign Language is, how it came about, and how it differs from American Sign Language.
Black American Sign Language is a dialect of American Sign Language. It’s still a language. It was developed by Black deaf people in the 1800s and 1900s during segregation. For reference, the first American school for the deaf was created in 1817, but only started admitting Black students in 1952. So as a result, Black communities had a different means of language socialization and BASL was born.
Smith demonstrates a few BASL signs that differ from ASL signs and you can see more of those differences in the video w/ her grandfather, who is also deaf.
For more information, you can check out Smith’s TikTok, Wikipedia, and a documentary film called Signing Black in America.
Update: There was also a book about BASL published this year: The Hidden Treasure of Black ASL (Bookshop.org). The book includes 10 companion videos on YouTube.
For the fourth year in a row, Vanity Fair interviewed teen pop star Billie Eilish on where she is in her life, what she’s learned, where she sees herself in the future, how her work is progressing, and how her answers from previous years hold up. (Past interviews: 2019, 2018.) This year is obviously different because of the pandemic and hits differently because of it.
I still marvel that Vanity Fair embarked on this project with this particular person. They could have chosen any number of up-and-coming 2017 pop singer/songwriters and they got lucky with the one who went supernova and won multiple Grammys.
That’s the trailer for Our Friend, a movie based on the true story told in this Esquire article by Matthew Teague: The Friend: Love Is Not a Big Enough Word.
His wife was just thirty-four. They had two little girls. The cancer was everywhere, and the parts of dying that nobody talks about were about to start. His best friend came to help out for a couple weeks. And he never left.
I remember very clearly that essay and the day I read it — I think about it all the time. I don’t know if the movie is going to be any good (I hope so), but if you’ve never read this essay, carve out some time to do so today.
In this short film from Alex Mallis, we meet a Bronx couple who are raising their child Grey in a gender-neutral way until they make a decision for themselves. No single gender wardrobes or toy collections and they/them pronouns.
Really the goal here is, it’s not about me trying to force anything on Grey, it’s actually the exact opposite. And we don’t know their gender yet, and when they tell us, they’ll tell us. And it might change over time and that’s okay too.
Crispin Long wrote an accompanying piece for the New Yorker on the film.
Watching Grey’s parents navigate this terrain inspires questions about how Grey might one day respond to being brought up this way. Of course, it’s impossible to parent without error, and society does its share of damage, to many of us, without the help of parents. Asking a child to inhabit such a complex and politicized position is demanding, but so is asking a child to perform femininity or masculinity. I get the sense that many trans people would unambivalently prefer to have been raised without the gender they were assigned at birth and its attendant expectations. For me, it’s less clear. If my parents had made every effort to free me from the strictures of the gender binary, I might have rebelled against their liberal piety or appreciated their efforts — or maybe both.
This video is a lovely little rumination by Iancu Barbarasa “about collecting, cycling caps, art and design, personal connections and why it’s worth doing something for a long time, even if the benefits are not clear at first.”
Many think some people are special but usually those people just put a lot more time in it than others. This applies to sports, arts, almost everything. It’s worth doing something for a long time, even if the benefits are not always clear. Good surprising things come out of it. You also learn about yourself in the process.
His inspiration in doing the film was to “inform, delight, and inspire”:
I mentioned above Milton Glaser’s “inform and delight” definition of art. It’s brilliant, but I always felt something was still missing from it. So I’d say that art — and any creative’s work — should aim to “inform, delight and inspire”. Hopefully my film will inspire people to start something of their own, or share what they’re already doing with other people. That would bring joy to everyone, and there’s never too much of it.
You can check out Barbarasa’s cycling cap collection on Instagram. I have never been much of a collector, but my 22+ years of efforts on this site (collecting knowledge/links?) and my sharing of photos on Flickr/Instagram over the years definitely have resulted in some of the same benefits.
I don’t think it’s much of a stretch to argue that much of the enduring success of Blade Runner comes down to how well the potent combination of the film’s score, created by electronic composer Vangelis, and the visuals instantly evoke, even in 2020, the future. Ok, a dystopian neo-noir future, but the future nonetheless. A YouTuber has reworked that score, along with ambient sounds and dialogue from the film, into a feature-length soundscape that, as Colin Marshall put it at Open Culture, “feels a great deal like watching Blade Runner without actually watching Blade Runner”. I think I’ll be listening to this as I work today. (via open culture)
This video interview with two former inmates (Five Mualimm-Ak and Terrence Slater) about their experiences in solitary confinement is, well, I was going to says “sobering” but it’s not sobering. It’s fucking infuriating and upsetting. Just to pick one moment, here’s Mualimm-Ak’s answer to “How do you maintain a sense of who you are?”:
You don’t. You live off of your memories because you have nothing else to accumulate to move forward. And then you end up having this short-term memory disorder which is a part of you the consequences of being in solitary where you can’t keep one train of thought for too long. And then you’re dropped off in 42nd Street-Times Square, the biggest tourist spot in the world, with 20 million commuters. It’s a sensory overload.
As Atul Gawande wrote in the New Yorker in 2003, solitary confinement is legalized torture by the state. Here’s more from a Psychology Today article on how long-term solitary can change your perception of the world:
Being confined in a 6x9-foot cell for almost 30 years, with very limited contact with other humans or physical exercise, surely has consequences on one’s overall health, including the brain. King knew that solitary confinement was changing the way his brain worked. When he finally left his cell, he realized he had trouble recognizing faces and had to retrain his eyes to learn what a face was like. His sense of direction was also messed up, and he was unable to follow a simple route in the city by himself. It is as if his brain had erased all those capabilities that were no longer necessary for survival in a cell no bigger than the back of a pick-up truck.
A couple of things from the video that merit your attention. The first is Hell Is a Very Small Place, a book of stories by people who are now or have been in solitary confinement. And second, Mualimm-Ak started an organization called Incarcerated Nation Network “an abolition alliance network dedicated to transforming the prison industrial complex & ending torture” — join me in sending a donation to them? (via open culture)
The green screen is a staple of visual effects for movies and TV. You film actors in front of a green or blue screen and then use digital editing technology to replace the solid color with any background you’d like. But as Phil Edwards explains in this video, the effects teams for some movies and shows (like Disney’s The Mandalorian) have swapped green screens for virtual sets. In lieu of block colored backgrounds, the actors are surrounded by massive LED panels that display the background and background action so everything can be filmed in one go.
It’s a pretty cool technique. Among the benefits of such a system: you get the “natural” light from the LEDs falling on the actors and other objects in the scene, so you don’t need to add it in later digitally or use extra on-set lighting.
I didn’t know I needed the Wobble Dog 9003i hot dog wobbling machine in my life before watching this video but now I can’t imagine living without it. Q: Can something be both hilarious and kinda-but-not-really erotic at the same time? A: Yes? (via @machinepix)
Since 1789, Fueki Syoyu Brewing has been making soy sauce using simple ingredients, big wooden barrels for aging, and traditional methods handed down through the generations to ensure the signature richness and taste of their product. This video from Eater takes us inside the brewery to see how the magic happens.
This clip of Leta Powell Drake interviewing 80s TV & movie stars like Tom Hanks, Telly Savalas, and Gene Hackman is incredible. She was obviously not intimidated by celebrity — leaning in closely to Hackman, she says: “You’ve done some brilliant pictures and you’ve done some stinkers.” And that’s not even her worst burn.
The clips were compiled from interviews that she did for the TV station KOLN/KGIN in Lincoln, NE when celebs would come through town to promote their latest thing. History Nebraska has a full archive of these interviews available on YouTube.
Here’s a video profile of Drake from 2014 and a recent profile. She’s in the Nebraska Broadcasters Association Hall of Fame (alongside Johnny Carson, Tom Brokaw, and Dick Cavett), played a character called Kalamity Kate on TV for several years, and also won city championships in horseshoes, golf, and bowling. Wow. (via @jfrankensteiner)
Fifty years ago today, on the beach outside a small town in Oregon, local officials used way too much dynamite (a half ton!) to dispose of a beached whale with a result that seems predictable in hindsight: chunks of whale absolutely everywhere. The explosion was captured on film by local TV station KATU and in the 90s, it went viral on the internet.
As it turns out, that was overkill. Mammalian marine guts spewed everywhere, raining down on townsfolk. A quarter-mile away, cars were smashed with chunks of cetacean carcass.
This story remained a local legend for two decades, until the early ’90s , when the newspaper columnist Dave Barry mentioned seeing footage of the exploding beast. Soon after, this video clip — originally reported by Portland news channel KATU — went viral on the internet, long before “going viral on the internet” was even a thing.
You should watch it if you’ve never seen it, and if you have, you should definitely watch it again today in all of its digitally remastered 4K glory above. I clearly remember the day at work in the mid-90s when someone discovered this video and the entire office came to a halt as we all watched it over and over again in a tiny QuickTime player window on a small computer screen — it’s just as hilarious today as it was back then.
When I think back to my middle and high school experience, I always felt weird and out of sync with everyone else. I was comparing my insides to my classmates’ outsides and — surprise! — I didn’t measure up. It was only later in life that I realized that this was a universal experience that continues for, as far as I can tell, most of your life? This short promo video for UK youth support hotline Childline (with a Radiohead soundtrack) shows that feeling different is a common experience and urges kids to reach out for help if they’re feeling isolated.
There is nothing wrong with being different from other people. But if feeling different is making you feel isolated or upset, then there are things you can do to feel better.
(via colossal)
I missed this back in March (I think there was a lot going on back then?) but the feature-length documentary AlphaGo is now available to stream for free on YouTube. The movie documents the development by DeepMind/Google of the AlphaGo computer program designed to play Go and the competition between AlphaGo and Lee Sedol, a Go master.
With more board configurations than there are atoms in the universe, the ancient Chinese game of Go has long been considered a grand challenge for artificial intelligence. On March 9, 2016, the worlds of Go and artificial intelligence collided in South Korea for an extraordinary best-of-five-game competition, coined The DeepMind Challenge Match. Hundreds of millions of people around the world watched as a legendary Go master took on an unproven AI challenger for the first time in history.
During the competition back in 2016, I wrote a post that rounded up some of the commentary about the matches.
Move after move was exchanged and it became apparent that Lee wasn’t gaining enough profit from his attack.
By move 32, it was unclear who was attacking whom, and by 48 Lee was desperately fending off White’s powerful counter-attack.
I can only speak for myself here, but as I watched the game unfold and the realization of what was happening dawned on me, I felt physically unwell.
This is a video of world champion Grant Holloway doing the 110-meter hurdles that’s been modified to keep his head right in the middle of the video. While champion hurdlers don’t keep their heads as still as birds do when hunting, Holloway’s relative lack of motion is incredible.
In this view, you can clearly see how expert hurdlers don’t jump their whole bodies over the hurdle (like Super Mario or something) — it’s more that they just bring their lower bodies up over the hurdles while their heads & shoulders remain more or less the same height from the ground. There’s hardly any lateral motion either — very little wasted energy here.
As a ballerina in NYC during the 60s, Marta C. González undoubtably performed Tchaikovsky’s Swan Lake hundreds or even thousands of times. González passed away recently — perhaps from complications due to her Alzheimer’s, which can affect a person’s memory and movements in profound ways — but she had one last chance to revisit her ballet days before she died. In the video above, you can see how, as she starts to listen to Swan Lake in a pair of headphones, she reanimates and begins performing the dance choreography in her wheelchair. Clips from what I’m assuming is her past Swan Lake performance are interspersed throughout the video. What a lovely moment.
Awkward is an animated short film from animator/illustrator Nata Metlukh about some of life’s less graceful moments — the “after you” dance of bumping into someone on the street, a disliked haircut in the barber chair, incorrect assumptions, and mistakenly waving hello to someone you don’t know. (via colossal)
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