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Jigar Patel uses 3D modelling software to imagine factory production lines that “build” logos and app icons for brands like Instagram, Netflix, Apple, Spotify, Amazon, and many others. He’s also posted a bunch of behind-the-scenes videos about how he does it — love it when artists show their work.
You can also follow Patel’s work on Instagram and TikTok.(thx, michael)
I was totally fascinated by this look at the absurd logistics of concert tours and now have a newfound appreciation for all the people involved who collaborate to make the magic happen (and perhaps also a little bit more forgiving about the high price of tickets (but Ticketmaster can still go to hell)).
Now, to an outsider, the load out process might look chaotic, and the pace of the tour may seem unsustainable or unmanageable. But though grueling and exhaustingly complicated, these massive, nation-wide tours function remarkably smoothly considering the variety of variables.
(via open culture)
After 14-year-old Preston Mutanga’s Lego version of the trailer for Spider-Man: Across The Spider-Verse (embedded above) went viral, the team hired him to animate a short Lego sequence for the actual film.
In the brief scene, we see a Lego version of Peter Parker as he observes a dimensional anomaly and sneaks off to the Daily Bugle’s bathroom to alert another Spider-Man about the issue. While the scene is short, it killed in my theater and it also looked as good as anything in the recent Lego films. After seeing it, a few friends of mine even commented that it must have been the same team that animated it. But nope! It was a lone teenager, actually.
You can check out more of Mutanga’s work on his YouTube channel.
In 1979, just a few short years before she hit it big as a pop artist, Madonna was in a post-punk rock band called The Breakfast Club — she sang and played the drums. In the video above, the band rips through four demo songs in just over 8 minutes. From Dangerous Minds, some context:
Hardcore fans will also know Madonna has been known to perform versions of these songs (and other early material) live. Here’s the thing — much like the early days of the Go-Go’s, Madonna is definitely flexing her affinity for punk rock while mixing it with her own brand of spirited pop which the entire world would soon embrace and others would emulate. Now, if you’ve never heard this version of Madonna, and dig your punk with a side of pop, you are going to love these raw jams. It’s also quite compelling to hear them, knowing what was to come from Madonna in a few short years.
(via open culture)
Icelandic filmmaker Jón Karl Helgason has made a film called Sundlaugasögur (Swimming Pool Stories) about the central role of the swimming pool in Icelandic life. The trailer is above. From Fatherly:
The swimming pool is first and foremost a communal space. “The swimming pool is your second home,” Helgason says. “You are brought up in the swimming pool.” There may be only 160, or so, swimming pools in the entire country (which is roughly 305 miles wide by 105 miles long), but every one of them is the essential social hub of a community, large or small.
The swimming pool is a public utility — as critical as the grocery store or the bank. “The British go to the pub, the French go to the cafes — in our culture, you meet in the swimming pool,” says Helgason. Swimmers come from all walks of life, from farmers to artists to clergymen to celebrities. “You can have 10, 15, 20, 30 people [in the pool] — they’re talking about politics and about their lives.”
Astronomers believe that there’s a black hole at the center of almost every large galaxy in the universe. Some of those black holes are particularly energetic, chewing up the galaxies in which they reside and releasing massive amounts of energy out into the cosmos. Those black holes and the energy emitted from matter and gas falling towards their centers are what astronomers call quasars.
But if we look closely, we see who is actually in charge. Small as a grain of sand compared to the filaments, the centers of some of these galaxies shine with the power of a trillion stars, blasting out huge jets of matter, completely reshaping the cosmos around them. Quasars, the single most powerful objects in existence, so powerful that they can kill a galaxy.
Noh is a classical Japanese art of dramatic dance that’s been performed since the 14th century. The masks worn by characters are an art form in themselves, and in this video, an expert craftsperson carves a noh mask out of a single block of Japanese cypress and then paints it with pigments made from crushed seashells.
I love the look of the rough texture of the mask when she’s about halfway through, before she smoothes it out with the paint — it’s like IRL low-poly. But the detail of the finished product is incredible.
See also How to Carve Marble Like Italian Master Donatello. (via open culture)
If you watch the video above of a front-facing camera on a moving train, the train appears to move much faster in the zoomed out view than in the zoomed in view. Here’s what’s going on:
The illusion that speed decreases when zoomed is “because when one focuses on an inner portion of the movie, the optic flow angular speed is slow, and appears to fill one’s entitle visual field, which is consistent with overall lower forward speed.
Note: The more zoomed, the more densely packed the overhead rigging appears. So, even though you appear to be moving forward more slowly when zoomed in, the actual rate of rigging flowing by remains constant, consistent with same forward speed in all conditions.
(via the kid should see this)
Blackstar is a relaxing and meditative 45-minute video of the Sun made by Seán Doran using footage from the Solar Dynamics Observatory. Instead of the familiar yellow, Doran has chosen to outfit our star in vivid blue and black, which lends the video a sort of alien familiarity. This looks absolutely stunning in 4K.
Yesterday I posted a link to a Twitter thread by Stanley Kubrick scholar Filippo Ulivieri about a previously overlooked (*ahem*) aspect of The Shining: Jack Nicholson breaks the fourth wall by micro-glancing at the camera dozens of times during the film. It turns out that Ulivieri also made a visual essay about this and it’s really worth a watch.
Let’s go back to that glance that has been noticed by a few film critics. Some say it’s a Brechtian effect to expose the artifice of the mise en scène and have the audience reflect on the film medium. But Kubrick’s films are not intellectual, despite what the critics say. “The truth of a thing,” Kubrick said, “is in the feel of it, not in the think of it.” If this look at the camera means anything, for me it means that we are not safe from Jack’s fury. He knows where we are, he may come for us next. But what about the others? Why on Earth is Jack Torrance constantly glancing at us, breaking the fourth wall over and over, and over, and over.
What all of these micro-glances mean is open to interpretation. Ulivieri offers a few theories of his own — e.g. Jack is looking at ghosts, or perhaps just one ghost: the camera ghost — but says one of the reasons he made the video is to hear what other film critics and fans think might be going on here. I thought this response to his thread hit near the mark:
My gf’s read The Shining, and it’s really interesting now that they notice all these fourth wall breaks Jack does. throughout the whole book, Jack feels like he’s being watched and judged, and that’s why he feels so much pressure to keep up appearances.
If Jack is the only one in the MOVIE to consistently break the fourth wall, where it’s always just passing glances, that’s a pretty effective way to show the character’s fear of being watched or judged. Especially if WE don’t notice it at first.
I wonder how many The Shining re-watches this video and thread have inspired…I’m gonna watch it again in the next few days and see how my awareness of the glancing changes the film for me.
The mind-boggling winners of the Best Illusion of the Year Contest for 2023 have been announced. The entries for each the ten finalists include a video that demonstrates each illusion and then shows how it works. The top prize winner is this working model of Platform 9 3/4 from the Harry Potter books:
One of my favorites is The Poggendorff Triangles, which goes to show you that straight lines aren’t always straight:
Here’s an audio illusion that sounds as though the tempo is endlessly rising (similar to the Shepard tone):
And then there’s this hollow face illusion in which this woman’s face looks at you as you move around her:
To effectively combat the climate crisis, we’re going to need to remove carbon from the atmosphere. But what’s the best way to do it? Two of the main solutions being considered are direct carbon capture technology and growing trees and each approach has its pros and cons.
Carbon removal is a catch-all term for anything that people do that pulls CO2 out of the air and stores it somewhere else. To meet the world’s climate goals, we would need to do this on a massive scale — anywhere from 440 billion to 1.1 trillion metric tons before the end of the century. That’s more carbon than the U.S. has emitted in its entire history.
So how do we remove all that carbon? There are two carbon removal ideas that have really captured the conversation. One is direct air capture, which involves big factories that suck in tons of CO2 from the atmosphere, chemically concentrate it, and store it deep in the ground. The other idea is to simply plant trees! After all, trees have naturally sequestered carbon for millions of years.
(via digg)
Artist and filmmaker Paul Trillo made Thank You For Not Answering, an artful experimental short film, using a suite of AI tools. The end credits of the film read:
Written and “Directed” by Paul Trillo.
Kyle Chayka talked to Trillo about his process for the New Yorker:
Trillo demonstrated the process to me during a Zoom call; in seconds, it was possible to render, for example, a tracking shot of a woman crying alone in a softly lit restaurant. His prompt included a hash of S.E.O.-esque terms meant to goad the machine into creating a particularly cinematic aesthetic: “Moody lighting, iconic, visually stunning, immersive, impactful.” Trillo was enthralled by the process: “The speed in which I could operate was unlike anything I had experienced.” He continued, “It felt like being able to fly in a dream.” The A.I. tool was “co-directing” alongside him: “It’s making a lot of decisions I didn’t.”
Oh no. It’s June? Where what how?!? I did not mean to let this much time elapse since the last installment of my media diet, all the way back on Dec 2 in a completely different calendar year. But there’s nothing to be done about it, we’re all here now, so tuck your arms inside the carriage and let’s do this thing. Here’s what I’ve been watching, reading, listening to, and experiencing over the last six months. Enjoy.
Fire of Love. Superb documentary on volcanos and obsession. The footage, mostly shot by the subjects, is unbelievable. (A)
Star Trek: First Contact. Maybe my favorite Star Trek movie? Ok, maybe not favorite but I like it a lot. (A)
Splendor. This is one of my favorite engine-building games that I’ve played — it strips the concept down to the bare bones. That makes it easy to get the hang of but there’s a lot of room for different strategies as skill levels rise. (A-)
Ted Lasso (season three). I almost didn’t watch this because season two was not my favorite and the critics were just tearing into season three, but I’m so glad I did…this is one of my favorite things I watched over the past few months. This was more like free therapy than a “sitcom”, which probably explains why some people didn’t care for it. (A)
Mercado Little Spain. José Andrés’ Spanish version of Eataly. I’ve only been there a couple of times, but omg the food. The pan con tomate is the simplest imaginable dish — bread, tomato, olive oil, garlic, salt — but I could easily eat it every day. (A)
Jean-Michel Basquiat: King Pleasure. Such a gift to see so much of Basquiat’s art in one place. Loved it. (A+)
Wood stove. An actual fire inside of your house that warms and captivates. Perfect, no notes. (A+)
Crying in H Mart by Michelle Zauner. A memoir about loss, grief, food, and the Korean American experience. (A-)
The Bourne Identity. Over 20 years old and still a great action thriller. (A-)
AirPods Pro (2nd generation). I’ve been using the first-gen AirPods Pro for the last few years and they’ve been great. But these 2nd-gen ones are next-level: the noise cancelling is way better and they are much more comfortable…been wearing the hell out of these since I got them. (A+)
Succession (season four). Has any show ever hit it out of the park on every episode like this? The whole last season, including the finale, was just fantastic. (A+)
China’s Van Goghs. A Chinese man who’s been painting replica van Goghs for half his life visits Holland and France to see the original paintings and the locations where van Gogh painted. Fascinating. What makes someone a “real” artist? (A-)
Jackson Hole Mountain Resort. Got to ski here with my kids a couple of times this winter and I can see why they love it. (B)
The Guardians of the Galaxy Holiday Special. Better than I expected and perhaps better than a superhero holiday special has any right to be. (B+)
Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin. If you’ve ever enjoyed a long collaborative creative partnership with another person or group of people and that collaborative frisson felt like the highlight of your life, you will probably like this book. (A)
Glass Onion. Super fun. (A-)
Andor. I really enjoyed this but was also kind of perplexed about the hype around how much better this series was than the rest of Star Wars. Again, I liked it but it didn’t seem too far apart from the whole. (A-)
The 2022 World Cup. This whole thing gets an F for the corruption, human rights abuses, and idiotic TV coverage in the US, but as a long-time fan of Lionel Messi, watching Argentina win the trophy was 💯. The final against France was one of the peak sports viewing experiences of my life. (F/A+)
Rogue One. Had to rewatch after Andor. Still a favorite. (A-)
1899. This gave me Lost and Westworld vibes (that’s bad) but I’d heard good things so I stuck with it for two more episodes than I should have. Stopped watching halfway through and then read the Wikipedia page and, yep, thankful I didn’t spend anymore time on it. I have to stop watching these puzzle box shows. (C-)
Bullet Train. People seemed to like this more than I did. Seemed like a Guy Ritchie Tarantino sort of thing, but a bit flashier? It was fine? (B)
Star Trek II: Wrath of Khan. This movie gets better and better every time I watch it. Two world-class hams, William Shatner and Ricardo Montalban, trying to see who can chew the most scenery, the first movie scene wholly generated by computer, and Scotty playing Amazing Grace on the bagpipes? Come on! (A+)
White Noise. Fine, I guess. But the end credits were the best part. (B)
Acupuncture. I tried acupuncture to address a chronic injury. It didn’t end up working for that purpose, but each time I went, I felt an incredible sense of relaxation and calm after the session. (B)
Wonderland Dreams. I posted about Alexa Meade’s “living still lifes” more than 13 years ago and I finally got a chance to see her work in person in NYC. (A-)
Edward Hopper’s New York. Always good to visit the Whitney. (B+)
Avatar: The Way of Water. Oh dear. Amazing effects but the plot & dialogue were right out of a B movie. And yeah, just a few months after seeing it, I can’t name a single character. (B-)
Fleishman is in Trouble. This wrecked me and I loved it. So much of this rhymed with my life — very uncomfortable at times! (A+)
Fleishman is in Trouble by Taffy Brodesser-Akner. Read this straight after I finished the show. (A)
Sea of Tranquility by Emily St. John Mandel. Entertaining time travel adventure from the author of Station Eleven. (B+)
Ambient 23. Moby made an 2.5-hour-long ambient album and it’s pretty good. (B+)
The Fablemans. I liked this quite a bit — it’s one of those films that grows in your esteem as you think back to it. Curious to see it again in a month or two to see how it holds up. (A-)
The Sun Also Rises by Ernest Hemingway. I hadn’t read any Hemingway since high school and ok, I get it now. Enjoyed the first half more than the second though. (A)
Minions: The Rise of Gru. I enjoy the Minions more than, what, I should? And what’s not to like about Steve Carell doing a funny voice? (B+)
The White Lotus (season two). I didn’t care for the first season of this (I stopped watching halfway through), but I loved this season. I did think the ending was a little weaker than the rest of it. (A-)
This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone. Picked this book up after a viral tweet by Bigolas Dickolas sent it screaming up the Amazon bestseller charts. Not bad (time travel, causality, etc.) but the writing style was not my favorite. (B+)
Guardians of the Galaxy Vol. 3. My kids and I went to see this the other day and afterwards had an interesting chat about how you can make a movie where one of the themes is animal cruelty and then the rest of the movie is just a lot of hyper-violence with a surprising amount of yelling (at children!) and also mindless killing of some cyborg animals (during the rescue of other cyborg animals). Honestly disappointing and kind of a muddle. (B)
The Rihanna Halftime Show at Super Bowl LVII. It’s been years since I watched the Super Bowl (or American football), but my daughter and I were excited to catch Rihanna’s halftime show. We both loved it, a great performance. (A)
Raiders of the Lost Ark. A perfect action/adventure movie. (A+)
Death on the Nile by Agatha Christie. Listened to this on audiobook with my mystery-loving daughter — it made some long drives fly right by. (A-)
The Last of Us. Some of the episodes showed their video game roots (side quests, NPCs, etc.) a little too much but maybe that’s just how most action drama is written now? (A)
Ant-Man and the Wasp: Quantumania. The kids and I agreed this was just fine but wasn’t as fun as the other two Ant-Men. (B)
The Book of Mormon. Live things are always a hell of a lot of fun, but I think this played a lot differently when it premiered in 2011 than it does today. (B+)
Speed Racer. Not a fan of the visual style of this movie. (B)
Oh William! by Elizabeth Strout. I’ve been in a mode of my life for awhile now where I identify with the characters of books I read and movies/TV that I watch and it makes it difficult to actually be objective (ha!) about it, even with myself. Did I like this or did I just identify strongly with the characters? And what does it matter if I got something valuable out of it even if it wasn’t “good”? (B+)
Ivory. I’ve mostly quit Twitter and this app from Tapbots makes Mastodon feel a lot like Twitter for me. Well, without the right-wing owner and increasingly fascist rhetoric. (B+)
Triangle of Sadness. I wouldn’t necessarily recommend this to everyone, but I loved it. The dinner scene had me hyperventilating with laughter. (A)
Combustion Predictive Thermometer. I preordered this years ago when I was doing a lot more grilling. Mixed results so far. The thermometer is designed to stay in the meat while you cook it, but the heat of my hardwood charcoal grill was too much for it (I run it *hot*) and I had to take it out. But doing the oven part of the reverse sear is a total breeze with this thing…worth it just for that. (B+)
The Complete History & Strategy of LVMH. I am not usually a VC/startup bro podcast listener, but my pal Timoni strongly recommended this episode on luxury conglomerate LVMH Moët Hennessy Louis Vuitton and it ended up being really fascinating. The episode is 3.5 hours long and I wanted more. (A)
ChatGPT. I wrote about this extensively back in March and I’m still using it several times a week, mostly as a programming assistant. (A)
The Mysterious Benedict Society. Watched with the kids and I think we all agreed it was a bit better than the first season? But Disney cancelled the show and removed it completely from Disney+ 👎 so good luck watching it… (B+)
Star Trek: Picard (seasons two & three). I’d heard not-great things about season two so I wasn’t super-curious to watch but with the buzz around season three, I decided to give it a try. I ended up watching both seasons in the space of a couple of weeks during a particularly tough period. I just really like spending time in that universe with those people. (A-)
The Mandalorian (season three). This season really dragged in spots — I guess I don’t care about the Mandalorian back story that much? (B+)
Crossword puzzles. I’ve never been a crossword puzzle person, but I’ve been doing the NY Times crossword with a friend for the past few months (mostly over FaceTime) and I’ve become a fan. (B+)
The Wager by David Grann. The beginning is sort of unavoidably slow due to having to explain global geopolitics and how the British Navy functioned in the 18th century, but the rest of the book is just plain masterful and unputdownable. (A)
The Five Lives of Hilma af Klint by Philipp Deines. A graphic novel based on the diaries and art of Hilma af Klint — better than I was expecting. (B+)
Nuun Sport Tablets. I drink a lot of water during the course of my day but also too many sugary drinks. I don’t like seltzer so I’ve been on the lookout for a beverage that tastes good (or at least not terrible) without a lot of sugar. In her excellent newsletter, Laura Olin recommended these and I’ve been enjoying them so far, particularly the citrus flavors. (B+)
Superman. Christopher Reeve would be just 70 years old right now if he hadn’t died in 2004. Wish he were still around; he was a hell of an actor. (A-)
Dungeons & Dragons: Honor Among Thieves. Strong word-of-mouth got me to sit down and watch this and it didn’t disappoint. Solid action/adventure that reminded me of the first Pirates of the Caribbean movie. (B+)
Poker Face. I’m only a little more than halfway through this, but Natasha Lyonne solving mysteries while on the lam across America in a TV series by Rian Johnson? In. (B+)
Mrs. Davis. I wanted to like this! I’d heard good things! But it was giving me Lost vibes so I had to stop after two episodes. I do not know how to describe it, but I do not like television shows that are confusing/mysterious in the particular way that this show is. See also Lost, The Leftovers, and Watchmen – all, not coincidentally, written and created by Damon Lindelof. (C)
The Great (season two). I loved season one but season two took me forever to get through – like 7-8 months – and I still have the last episode left. I’ve heard season three gets good again, so I’m gonna push through and give that a chance. The leads are marvelous. (B)
Past installments of my media diet are available here.
In this short video from the BBC narrated by Helena Bonham Carter, activist and actor George Takei talks about his imprisonment in an American concentration camp during WWII because he was of Japanese descent.
I began school in Rohwer, a real school, in a black tar paper barrack. There was an American flag hanging at the front of the classroom and on the first morning, the teacher said, “We’re going begin every morning with the pledge of allegiance to the flag. I will teach it to you and you are to memorize that.” But I could see right outside my schoolhouse window the barbed wire fence and the sentry tower as I recited the words “with liberty and justice for all”. An innocent kid, too young to understand the stinging irony in those words.
Takei has done many talks & interviews over the years about his experience, including for the Archive of American Television, Democracy Now!, and a TED Talk back in 2014:
He also published a graphic novel about his time in the camps called They Called Us Enemy.
Ok this is kind of incredible: Brick Technology built a solar-powered Lego clock that will keep time for a billion years. It’s got various displays in the style of an astronomical clock so you can keep track of seconds, hours, months, centuries, and even galactical years (the amount of time the Sun takes to orbit the center of the galaxy). The clock is powered by solar energy, and the solar cell is connected to the clock so that it tilts throughout the day to keep facing the sun.
This is a) an extremely accessible explanation of how clocks work, b) the nerdiest thing ever, and c) I love it so much. Even if you’re not a Lego fan, you should watch this. (For more on how clocks work, check out Bartosz Ciechanowski’s excellent explainer on mechanical watches.)
The obvious thing that sprung to mind watching this was The Clock of the Long Now, a 10,000-year clock being constructed inside a mountain in West Texas. But I also thought of Arthur Ganson’s Machine With Concrete, which utilizes extreme gear ratios to turn an input of 200 rpm into a gear that turns only once every 2 trillion years. That’s slow enough that the final gear is actually embedded in concrete and it doesn’t affect the operation of the machine at all.
See also Here’s What a Googol-to-One Gear Ratio Looks Like, 20 Mechanical Principles Combined in a Useless Lego Machine, and A Lego 5-Speed Manual Transmission.
Mosfilm, one of the largest film studios in the USSR during the Soviet era, has put full-length versions of many of its most acclaimed and influential films on YouTube for free, including six of Andrei Tarkovsky’s films: Stalker, Solaris, Ivan’s Childhood, The Mirror, Andrei Rublev, and The Passion According to Andrei. Also available is Battleship Potemkin by Sergei Eisenstein. Several of these movies appear on Sight and Sound’s 2022 list of the best 100 movies of all time. (via @irwin)
Oh this is so nerdy and great: Veritasium introduces us to Micromouse, a maze-solving competition in which robotic mice compete to see which one is the fastest through a maze. The competitions have been held since the late 70s and today’s mice are marvels of engineering and software, the result of decades of small improvements alongside bigger jumps in performance.
I love stuff like this because the narrow scope (single vehicle, standard maze), easily understood constraints, and timed runs, combined with Veritasium’s excellent presentation, makes it really easy to understand how innovation works. The cars got faster, smaller, and learned to corner better, but those improvements created new challenges which needed other solutions to overcome to bring the times down even more. So cool.
The length of a human life is around 80 years. You might get 100 if you’re lucky. The universe is about 13.7 billion years old. The vast difference between a human lifespan and the age of the universe can be difficult to grasp — even the words we use in attempting to describe it (like “vast”) are comically insufficient.
To help us visualize what a difference of eight orders of magnitude might look like, Wylie Overstreet and Alex Gorosh have created a scale model of time in the Mojave Desert, from the Big Bang to the present day. This is really worth watching and likely to make you think some big think thoughts about your place in the universe and in your life.
This is a followup of the scale model of the solar system they built and a video they made about people seeing the Moon through a telescope for the first time.
See also a behind-the-scenes: How We Built a Scale Model of Time. (via colossal)
Last week, popular YouTuber, author, and science communicator Hank Green announced that he had cancer (very treatable Hodgkin’s lymphoma). His video announcement was part of a series of back-and-forth videos he does with his brother John Green, popular YouTuber and novelist. John replied to Hank’s video with a short one of his own, noting that humor is one way that people deal with grief but also a way in which we can accompany people through tough times.
To work, the humor has to feel like love rather than judgment, like inclusion rather than stigma, and like celebration rather than dismissal. And that’s a tough balance. Sometimes well-intentioned people, including me, get it wrong. And it also depends on, like, who’s saying it and the context.
Good luck and my warmest thoughts to the Greens and their family as they navigate this difficult time. And, you know, fuck cancer.
Whenever I hear someone say “it’s just business” in order to magically justify some decision to ignore the humanity of individual people, I remember that it’s adapted from a line in The Godfather spoken by Michael Corleone at the precise moment when he decides to become a murderous sociopath. We should maybe stop running businesses like fictional mafia families.
Hand Talk sign language has been used by indigenous communities for thousands of years as a lingua franca between groups and tribes that didn’t share a common spoken language. Hand Talk is an endangered language — the US government tried to eradicate indigenous languages starting the late 1800s — but it’s still in use today.
This was fascinating. For example, as with all languages, Hand Talk vocabulary reveals how they thought about everyday concepts like time:
For example, let’s take the simple question: “How old are you?” First, there’s a single sign for “question.” So for a question about someone’s age, you’d use the motion for question with the motion for “winter”. How many winters are you? That’s what I ask. In PISL you measure months by moons, days by the sun. And to refer to different times of day, you would show hand placement according to the position of the sun in the sky. So this sign for morning, afternoon, or night.
Hand Talk was also one of the influences on ASL and the borrowing of vocabulary between the two language groups continues.
As part of his True Facts series about the natural world, Ze Frank explains all about slime molds, which are super interesting! Slime molds can efficiently solve mazes, plan efficient train routes, adapt to changing conditions, and learn from each other.
A high school here in Vermont is located (temporarily) in an abandoned Macy’s department store. A crew from the BBC recently made a short video tour, where you can see books on shelves designed to display fine china, an absence of windows, escalators, a lack of floor-to-ceiling walls, and fashion branding that remains on the walls.
Alexandra Lange wrote about the school in 2021 for Curbed.
The genre may be nearly dead, yet the building remains. And for economic, ecological, and social reasons, those buildings should be reused. “It’s amazing to think that we are standing in what used to be a department store; that we’re greeting people where we used to buy winter coats; reading books where they once sold fine china; taking phone calls in converted changing rooms; and learning science in the old suit racks,” Burlington’s school superintendent, Tom Flanagan, said at the ceremony. A school in a department store doesn’t have to be a sad story. In fact, this should just be the beginning, both for the students and for a country once addicted to big boxes.
Vermont indie newspaper Seven Days published a writeup, video tour, and photo slideshow of the school when it opened two years ago.
In the finals of the Classic Tetris Mega Masters Championship held at the end of last month, two of the top Tetris players in the world played what is probably the greatest 1-vs-1 Classic Tetris game of all time. And then they did it again…
Even if you only have a passing interest in Tetris or video games, this is worth a watch and just as exciting as watching a hard-fought soccer or tennis match.
Fun fact: one of the finalists, Alex T, managed to score zero points in a match at a previous tournament. (via @peterme)
This is sobering: in an ad for the United Nations Global Compact, the words of Carl Sagan from nearly 40 years ago warn us of the necessity for urgent action on climate change, deforestation, and extinction.
Life is something rare and precious. There is something extraordinary about the planet that we are privileged to live on. The human species is destroying forests and we’re doing it at a rate of one acre of forest every second. We’re doing something immensely stupid.
(via colossal)
Polyphonic’s videos on music are always worth a watch and in this latest one, they explore the history of the concept album, from its proto-origins in the Romantic era to the 70s rock opera heyday to the modern era, where a large percentage of all album releases are conceptual in nature. Along the way, they namecheck a variety of artists from many genres, including Woody Guthrie, Johnny Cash, The Beatles, The Who, Pink Floyd, Stevie Wonder, Kraftwerk, Iron Maiden, De La Soul, Arcade Fire, Daft Punk, Janelle Monáe, Kendrick Lamar, and Taylor Swift. (via open culture)
This is just beautiful. This short animated film by João Gonzalez starts off slow but really pays off in the end. Ice Merchants was nominated for a 2023 Academy Award. Here’s an interview with Gonzalez at Director’s Notes.
Earlier this week, the retired electronic duo Daft Punk released the 10th anniversary edition of Random Access Memories, their last studio album. The anniversary album includes 35 minutes of previously unreleased music.
Among the tracks is a demo of Infinity Repeating, featuring Julian Casablancas and The Voidz, which a recent interview w/ Casablancas on Daft Punk’s YouTube channel called “the last Daft Punk song, ever”. The music video for Infinity Repeating, embedded above, features a cool evolution-of-humanity animation (with robots!) and is highly re-watchable.
Space Iris is a mesmerizing abstract video by Rus Khasanov of expanding and contracting patterns that resemble eye irises and cosmic nebulae. The description doesn’t say how this was made, but a glance at Khasanov’s Instagram account shows a bunch of experiments with liquids. You can cehck out still from the video on Behance. (via colossal)
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