Ok, this is a little bit bonkers: HeyGen’s Video Translate tool will convert videos of people speaking into videos of them speaking one of several different languages (incl. English, Spanish, Hindi, and French) with matching mouth movements. Check out their brief demo of Marques Brownlee speaking Spanish & Tim Cook speaking Hindi or this video of a YouTuber trying it out:
The results are definitely in the category of “indistinguishable from magic”.
The first teaser trailer for season four of the Apple TV+ series For All Mankind takes the form of a recruitment video encouraging people to join the burgeoning workforce in space. It doesn’t give us much in the way of plot or character updates, but here’s the season synopsis (spoilers if you’re not caught up to the end of season three):
Rocketing into the new millennium in the eight years since Season 3, Happy Valley has rapidly expanded its footprint on Mars by turning former foes into partners. Now 2003, the focus of the space program has turned to the capture and mining of extremely valuable, mineral-rich asteroids that could change the future of both Earth and Mars. But simmering tensions between the residents of the now-sprawling international base threaten to undo everything they are working towards.
I have to admit my interest in the show waned a bit after the first season, but it’s still a pretty great show and I will be tuning in for season four on November 10. And is it just me or, if you tilt your head and squint, can you see For All Mankind as a prequel/origin story for The Expanse? (via gizmodo)
This is pretty clever actually: Disney+ and ESPN+ will air a real-time, Toy Story-ified version of the Oct 1st Jacksonville Jaguars and Atlanta Falcons NFL game. From Deadline:
Using the NFL’s Next Gen Stats and on-field tracking data, every player and play will be presented in “Andy’s Room,” the familiar, brightly colored setting for the Toy Story franchise. The action will be virtually simultaneous with the main game telecast, with most plays recreated after an expected delay in the neighborhood of about 30 seconds. Woody, Buzz Lightyear and many other characters will be visible throughout, and a press release notes they will be “participating from the sidelines and in other non-gameplay elements.” Along with game action, the announcers, graphics, scoreboard, referees’ penalty announcements, celebrations and other parts of the experience will all be rendered in a Toy Story-centric fashion.
I stopped watching the NFL years ago, but I might tune in to see how this works.
Four particular things caught my eye about this run:
Niftski’s new record is 4m 54.631s, which is now faster than what was believed to be the theoretical limit for a human-played game.
It’s also extremely close to the fastest SMB game ever played done using tool-assisted speedrunning (where you basically play in super slow motion, so you can make all the very precise movements easily, a la The Flash). “In the battle of man versus machine, Niftski is now just 0.35 seconds away from standing up, John Henry-style, against the standard of machine-made automation.”
I always marvel at the level of dedication and ingenuity of the players working together (though competition) to lower the possible times through the tiniest of adjustments.
His heart rate tops out at 188bpm by the end of the game. I know he’s sitting at a desk, but that’s got to be of some cardiovascular advantage, right?
A group of students from ETH Zurich and Lucerne University of Applied Sciences and Arts recently set a record for the fastest 0-62mph time with their hand-built electric car: 0.956 seconds. The 309-lb car got up to 62mph in just 40.3 feet, which is ~10 feet shorter than the width of a basketball court. The old record was 1.46 seconds, which this car just absolutely obliterated. For reference, the Tesla Plaid’s 0-60 time is 1.99 seconds.
The video of their run is kind of amazing…the car is just so ludicrously quick that I started giggling when it leapt off the line.
About once a year, boat owners on Wisconsin’s Lake Chippewa gather to move a small floating island from blocking access under a bridge. It’s a simple application of Newtonian physics: the boats all just nose into the island, gun their motors, and slowly shove the island out of the way.
The floating clump of mud and plant material is technically a bog, not an island, but it’s hefty enough to support the growth of trees all the same. Looking at it, you could easily believe it was a fully-fledged island. That is… until it starts drifting around.
“It’s one of the first things you look for when you come out here in the morning; where’s the bog?” Denny Reyes, owner of The Landing in Chippewa, told Arizona News.
The problematic bog is actually one of many, but it’s one of the biggest and close to a bridge that can get blocked when it goes for a wander. In 2022, with the wind on their side, it took around 25 boats to budge the bog and collectively push it back out into the lake.
Nature does its thing so quickly sometimes that you have to slow it down to appreciate the beauty and power of it. This is a video of a kingfisher plucking fish out of the water, with views from both above the water (which catches the dive and takeoff) and below the water (which shows the efficient grab of the fish). The underwater view is amazing…I’d never seen that before.
Going to the movies used to be a somewhat different experience than it is today: people wandered into a theater at any point in a film and would just watch until it looped back around when they came in. From a piece in the Hollywood Reporter:
Throughout the classical Hollywood era, moviegoers dropped in on a film screening whenever they felt like it, heedless of the progress of the narrative. In the usual formulation, a couple go to the movies, enter midway into the feature film, sit through to the end of the movie, watch the newsreel, cartoon, and comedy short at the top of the program, and then sit through the feature film until they recognize the scene they walked in on. At this point, one moviegoer whispers to their partner, “This is where we came in,” and they exit the theater.
This began to change in the 40s and 50s for a variety of reasons — theater owners and movie studios didn’t like it, movies were getting more complex, the rise of TV, etc. — but the real shift occurred with the premiere of Psycho in 1960. The studio put out a promotional blitz before it’s release stating that no one would be allowed entrance to the theater after the start of the film.
On June 16, 1960, after a saturation campaign giving fair warning, the DeMille and Baronet theaters in New York premiered Psycho with the see-it-from-the-beginning edict in place. In a practice later to be known as “fill and spill,” exhibitors hustled audiences in and out with military efficiency (the staggered showtimes — every two-hours for the 109-minute film — made for a tight squeeze). Uniformed Pinkerton guards were on hand to enforce the policy.
Here’s a video of Hitchcock laying out the policy for moviegoers (via open culture):
Psycho didn’t singlehandedly stop the practice, but Hitchcock’s stand was an important part in shifting moviegoing practices to the set start times we have today.
Really interesting video from Moth Light Media about how hummingbirds evolved into the unusual little creatures they are today.
The story of hummingbird evolution is how they have reaped the advantages of drinking a natural energy drink and then have had to evolve alien features to quell the disadvantages that have now gone on to define them.
In this short video essay, Evan Puschak explores the typical life cycle of superhero storytelling, where things move from standalone stories to crossovers and interconnections, the stakes continually rise, and things get so complicated that entertainment becomes homework. Marvel in particular is in the later stages of this cycle,1 where casual fans are dropping off because they haven’t watched increasingly mediocre movies and full seasons of shows to keep up to date on what’s to come.
Star Wars is getting there too, and Star Trek seems like they’re trying their hardest to catch up.↩
It is with the appropriate feelings of melancholy and excitement that I share with you the teaser trailer for The Boy and the Heron, the legendary Hayao Miyazaki’s final animated feature film for Studio Ghibli.
A young boy named Mahito, yearning for his mother, ventures into a world shared by the living and the dead.
There, death comes to an end, and life finds a new beginning.
A semi-autobiographical fantasy about life, death, and creation, in tribute to friendship, from the mind of Hayao Miyazaki.
Somehow I’d never heard of this before watching this video (nor it seems, had much of anyone else outside of the participants), but the building located at 368 Broadway in Manhattan was, in the years after 9/11, the creative home for a surprising number of filmmakers: Greta Gerwig, Lena Dunham, the Safdie brothers (Josh & Benny), the Neistat brothers (Casey & Van), the Schulman brothers (Ariel & Nev), and Henry Joost.
Here’s a clip of Van Neistat talking about those days (starting at 19:50):
Brian Eno had a word for places like 368 Broadway and the people who gather together to create: scenius. Austin Kleon elaborated on scenius in his book Show Your Work:
There’s a healthier way of thinking about creativity that the musician Brian Eno refers to as “scenius.” Under this model, great ideas are often birthed by a group of creative individuals — artists, curators, thinkers, theorists, and other tastemakers — who make up an “ecology of talent.” If you look back closely at history, many of the people who we think of as lone geniuses were actually part of “a whole scene of people who were supporting each other, looking at each other’s work, copying from each other, stealing ideas, and contributing ideas.” Scenius doesn’t take away from the achievements of those great individuals: it just acknowledges that good work isn’t created in a vacuum, and that creativity is always, in some sense, a collaboration, the result of a mind connected to other minds.
For the role of a teacher/coach in her new film Bottoms (about a pair of queer girls who start a fight club in their high school in order to get laid), director Emma Seligman made the unorthodox decision to cast former NFL player Marshawn Lynch. It turned out to be an inspired choice — according to an interview with Seligman, he was a natural.
He was one of the best improvisers I’ve ever worked with. I’m not overstating that. He improvised most of his stuff in the movie that ended up in the final cut! We couldn’t ever write something that would be as funny as what he gave us. He’d spew out the most brilliant jokes ever. I kept on encouraging him to do more improv. He’d be like, “Ugh, that stuff’s easy! I wanna get your words right!” I told him that it was so much better than anything we could have written and he was like, “I don’t care about this. I want to honor your work.” I’m so glad I got to talk about him this much.
Here’s a short clip of Lynch doing his thing as Mr. G, “an air-headed high school teacher”:
Lynch also used the film as an opportunity to make some amends for how he reacted when his sister came out as queer:
This was a good opportunity for me because when I was in high school, my sister had came out as being a lesbian or gay — I did not handle it right. You feel me, as a 16-year-old boy, I didn’t handle it the way that I feel like I probably should have. So I told [Seligman] it was giving me an opportunity to correct my wrongs, to rewrite one of my mistakes.
From that interview with Seligman again:
In our first conversation, he told me that his sister is queer and when they were in high school, he didn’t necessarily handle it super well. He felt like this movie coming into his hands was the universe giving him a chance to right his wrongs. That’s what he said. He walked her down the aisle. He felt like they were all good, you know? But his sister thought it’d be really cool if he did this.
If you have never seen this old interview with Lynch about the value of persistence, buckle up because you’re in for a treat:
When most people think of bees, they picture the honeybee. But the honeybee is a domesticated animal — essentially livestock — and are well taken care of. The thousands of species of wild bee are paid less attention and are no less important to maintaining healthy ecosystems (and yes, helping out with pollination).
As a group, wild bees are considered incredibly important pollinators, especially for home gardens and crops that honey bees can’t pollinate. Tomatoes, eggplants, and peppers, for example, require “buzz pollination;” bees have to vibrate their bodies to shake the pollen free — a behavior that honey bees can’t do (bumblebees and some other native species can).
Yet these free services native bees provide are dwindling. While wild bees are, as a group, understudied, existing research suggests that many species are threatened with extinction, including more than a quarter of North American bumblebees.
Adam Driver as Enzo Ferrari — a little too on the nose? Michael Mann hasn’t made a film since 2015’s Blackhat and hasn’t made an award-winning film since 2004’s Collateral, so it’s nice to see him back in the director’s chair. The film is based on Brock Yates’ 1991 book Enzo Ferrari: The Man and the Machine.
Next to the Pope, Ferrari was the most revered man in Italy. But was he the benign padrone portrayed by an adoring world press at the time, or was he a ruthless despot, who drove his staff to the edge of madness, and his racing drivers even further?
Brock Yates’s definitive biography penetrated Ferrari’s elaborately constructed veneer and uncovered the truth behind Ferrari’s bizarre relationships, his work with Mussolini’s fascists, and his fanatical obsession with speed.
Ferrari just premiered at the Venice Film Festival and early reviews are mostly positive but not overwhelmingly so. The film opens on Dec 25 in the US.
Once Upon a Time in Northern Ireland is a 5-part documentary series from director James Bluemel on the Troubles in Northern Ireland that is available to watch on PBS and BBC. A short1 trailer is above.
“Once Upon a Time in Northern Ireland” weaves together the personal stories of ordinary men, women and children who were drawn — both willingly and unwillingly — into a conflict that spanned over thirty years. The series mixes extraordinary archive footage and emotionally compelling first-person testimonies to create an intimate, multi-generational portrait of Northern Ireland’s past, present and future with an emphasis on understanding and empathy for all points of view.
I’ve heard really good things about this series and, after recently reading Patrick Radden Keefe’s excellent Say Nothing, I’m looking forward to watching this. Bluemel even interviewed Michael McConville, whose mother’s disappearance forms the backbone of Keefe’s book:
Michael McConville remembering the day his mother, Jean, was taken away and murdered by the IRA felt like an important historical story to include in the series. The IRA denied murdering her for over 30 years and they only revealed the whereabouts of her body in 2006. The trauma of this event on Michael is evident, not just in the way he talks but also the way he holds himself, his body displays the pain he feels. The trauma of those years can be consuming and was present in nearly everyone I interviewed.
Once Upon a Time in Northern Ireland is available to stream on PBS and BBC sites and apps. (via @overholt)
I embedded the BBC trailer rather than the PBS one because it was a little longer. I wish PBS made longer trailers for their series…how do you even begin to tease something like a five-hour documentary on the Troubles or a six-hour series on the Holocaust with 30- and 60-second trailers? If you give people more of an idea of what the series is like, you might convince more people to watch.↩
Oh yay, I had been wondering just the other day what Errol Morris has been up to and it turns out to be a project with Apple TV+ called The Pigeon Tunnel, which is billed as the final interview with espionage novelist John le Carré (born David Cornwell).
It’s terribly difficult to recruit for a secret service. You’re looking for somebody who’s a bit bad, but at the same time, loyal. There’s a type. And I fit it perfectly.
The movie has the same title and covers some of the same ground as le Carré’s 2016 memoir, probably with more of an emphasis on Morris’s general obsession with what constitutes truth. More info on the film from the Toronto International Film Festival, where the movie is premiering on Sept 11:
Cornwell once worked for the British spy agencies MI5 and MI6. He sparingly gave interviews, but accepted Morris’ invitation because he saw it “as something definitive.” He had already begun a process of opening up in his memoir The Pigeon Tunnel: Stories from My Life.
Crucial to the narrative is the author’s relationship to his father Ronnie, an inveterate gambler and con artist. Cornwell’s mother disappeared when he was five, so his main frame of reference was the world of his father, who was endlessly on the run from the mob or the police. The title The Pigeon Tunnel comes from Cornwell’s experience as a child going to Monte Carlo with Ronnie. Imprinted on his memory was a shooting range on the top of a cliff. Beneath the grass was a tunnel from which trapped pigeons were ejected over the sea as targets.
The Pigeon Tunnel will be out on Apple TV+ on Oct 20, 2023.
As a girl, Ay Ay loved playing sports at school. But, when she asked her parents’ permission to go out and play after school, they would say no — that only boys could do so. The custom in Hondzonot was that girls would stay busy inside, get married (some as young as twelve or thirteen), and have a family. Ay Ay always thought differently, she told me, but she had no choice but to obey her parents, and later her husband. One day, a mobile health unit came to town, and the doctor taught some local women to play softball with a wooden stick and a tennis ball, as a way to combat the risks of diabetes and hypertension. After the doctor left, the women kept playing, and the health benefits of the sport eased the community stigma. Little by little, Ay Ay asked permission from her husband to go out every day. “I felt it was necessary. I wanted to distract myself,” she told Fajardo, “from the routine at home.”
The women purposely wear the traditional huipil tunic as their uniform and play with an infectious spirit of camaraderie. Major League Baseball made their own short documentary about Las Diablillas:
“The question isn’t, ‘Who will give me permission?’ It’s, ‘Who’s going to stop me?’” says Geimi Santa Ofelia May Dzib, the team’s left fielder, in the opening scenes of MLB Originals’ latest short film, “Las Diablillas,” which explores how these women have found empowerment through sport.
“Here a woman serves the home and is not supposed to go out and play sports,” said Fabiola May Chulim, the team captain and manager of the Little Devils, known here as Las Diablillas, their name in Spanish. “When a woman marries, she’s supposed to do chores and attend to her husband and kids. We decided a few years ago that’s not going to impede us anymore from playing a sport when we want.”
Ahh, it seems like only yesterday that I read the news about David Fincher’s upcoming film The Killer. And it was. So now here’s the teaser trailer — interest piqued. What will tomorrow bring?
The Killer stars Michael Fassbender and will make its premiere at the Venice Film Festival on Sept 3, then a limited release in theaters, and then will be streaming on Netflix on Nov 10. As a refresher, here’s what Fincher has been up to lately-ish: directed Mank (2020) & Mindhunter (2017-2019), executive produced Voir and Love, Death & Robots (also directed one episode). Fun Fincher Facts: he was apparently an assistant cameraman for Return of the Jedi and did “matte photography” for Indiana Jones and the Temple of Doom.
From the Journey to the Microcosmos YouTube channel, this is an exploration of the tiny worlds contained in rainwater puddles and their connection to the discovery of microbial organisms in the 1670s by Dutch scientist Antonie van Leeuwenhoek. What a trip that must have been, to be the first person to peer microscopically into some water and observe tiny organisms swimming around. (via @JenLucPiquant)
A McDonald’s restaurant apparently appears in season two of Loki on Disney+ and to mark the occasion, the fast food giant made a commercial featuring a number of other appearances by the brand in movies and TV, including The Office, The Fifth Element, Coming to America (“They’re McDonald’s. I’m McDowell’s.”), and Seinfeld. (Perhaps the most famous McDonald’s reference in cinema history, Jules’ Royale with Cheese bit in Pulp Fiction, is conspicuously missing.)
The ad was created to introduce their As Featured In Meal promotion, which seems to consist of 1100-calorie meals from their usual menu paired with a packet of Sweet ‘N Sour Sauce with the Loki logo on it. I thought the commercial was fun and clever but that promotion is a bit Sad Meal.
On July 4, 2023, a couple thousand people gathered in Alaska to watch old junker cars get launched off of a 300-foot cliff and just get obliterated on impact. (The launching starts at the 8-minute mark.) It’s entertaining to watch in a Jackass sort of way, but the whole thing is a metaphor for a particular facet of America: loud, dumb, fun, and wasteful.
Jan Hakon Erichsen does weird things with dried pasta, mostly spaghetti but also lasagna. This is goofy and fun. Check out his Instagram and YouTube for more artistic hijinks. (thx, clarke)
This is a lovely, mesmerizing short video made by artist Catherine Chalmers in collaboration with some leafcutter ants. I’m not gonna say why, but you should watch this all the way to the end…there’s a bit of a twist that’ll make you smile.
The work encourages us to empathize with bugs. One reason they disgust us, Chalmers believes, is that they seem immoral, or at least differently moral. “We see ourselves as individuals,” she said. “And we see insects as being this uniform, formless mass that will sacrifice themselves and do all these sorts of things.” Some of her photos capture a praying mantis eating the head of her mate. “Civilization is a march for greater and greater and greater control over the world,” she said. But nature doesn’t play by our rules.
The other day when I posted about iconic hip-hop samples from the past 50 years, I noticed a name that featured prominently in the early years: Sylvia Robinson. Robinson was the CEO and co-founder of the very first rap record label, Sugar Hill Records. She produced the first rap record, Rapper’s Delight, and the seminal The Message, widely regarded as one of the best and most influential rap and hip-hop tracks ever.
Sylvia Robinson played many roles in the music world — artist, producer, and, most notably, record executive. But as the founder and leader of the pioneering Sugar Hill label, she revealed herself to be something even rarer. She was a visionary.
In 1979, “Rapper’s Delight” by the Sugarhill Gang introduced hip-hop to the global mainstream, illustrating the genre’s commercial and creative potential. Robinson had overseen the record’s backing track, assembled the group members, and arranged their vocals — but fundamentally, it was her idea that rap was even viable as recorded music. Her place in history would be secured by that track alone, though it was far from her only impact on the direction of pop.
Here’s a short video that covers the high points of her career:
It’s sad that Robinson and her achievements haven’t been more widely known — this seems like another case (as in computing and other industries) where women played an early vital role and were then forgotten.
The makers of Alto’s Adventure and Alto’s Odyssey, two of my all-time favorite video games, are back with a game called Laya’s Horizon, which brings the familiar Alto vibe to a 3D open-world situation. In the game, you fly & glide around, navigating different terrain to achieve various goals and objectives. I’ve been playing it for the last few days and it’s a really fun, chill game. Basically, if you loved either Alto game, you’ll enjoy this.
Laya’s Horizon is available on iOS and Android and is free to play if you have a Netflix account. Did you know Netflix had a gaming service? (thx, patrick)
This started off a little slow for me but once it hit the early-to-mid 80s, I was hooked — and bobbing my head uncontrollably throughout. The visualizations really help you see how the various samples were modified, repeated, and layered to achieve the desired sounds — geniuses at work. Man, watching stuff like this makes me want to learn how to do this. (via waxy
Alexey Molchanov, one of the best freedivers of all time, recently set two new world records at a competition at Dean’s Blue Hole in the Bahamas:
An FIM dive that took 4m 42s and went to a depth of 133 meters (442 feet). Molchanov pulled himself down and up using a guide rope without fins.
A CWT dive that took 4m 13s and went to a depth of 133 meters (442 feet). CWT is when the diver uses a monofin and weight belt to dive and return to the surface.
His complete record-breaking dives are embedded above and are completely suspenseful to watch even though you know the outcome. They’re almost like watching someone meditate instead of compete in an extreme sport. Molchanov needs to expend some energy and oxygen getting down and back, but also can’t over-exert himself. A lot of it is just being relaxed and calm — this is truly a mind-over-matter discipline.
When Alexey was younger, his mother, Natalia Molchanova, was the world’s best freediver, a distinction that she held for many years. She was a pioneer in the sport and the practitioner of a mind-and-body-control technique called “attention deconcentration.” She passed her secrets to her son, who perfected them and uses the regimen to reach a state of intense calm. By doing so, he can slow his heart rate, his metabolic rate, while simultaneously slowing the activity of his brain and his body. His focus deepens. He relaxes to the point of seeming asleep. He takes deep, drowsy breaths, like a summer breeze filling a sail.
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